SHERELLE is leading a new generation of high-speed ravers who are addicted to jungle, drum ‘n’ bass, footwork and juke. Through her DJ sets, radio shows and record label she gives a platform to both scene elders and new talent and is committed to pushing 160bpm+ dance music into the future. The London-born DJ has been busy since that Boiler Room sent her signature brand of low-end energy viral: She’s held down a year-long Radio 1 residency that’s seen her showcase cutting-edge dance music to a mainstream audience as well as host OGs like DJ Spinn, 4Hero, Kode9 and Luke Vibert as well as next gen disruptors like Mantra, L C Y, Yazzus and Fracture; She’s started the Hooversound label alongside partner in club music Naina with releases from Hyroglifics, Sinistarr and Deft; And she’s co-founded the incendiary 6 Figure Gang squad with Fauzia, Jossy Mitsu, Dobby and the aforementioned L C Y and Yazzus. Let the takeover begin.

̸BIOGRAPHY Post-Shaabi from Cairo. 3Phaz is a Cairo based electronic producer mostly known for his debut album ‘Three Phase’, an album that presented a powerful and fresh new take on egyptian mahraganat/shaabi sound; the record was released on Egyptian label 100Copies in 2020. With further singles and remixes released on the likes of Rinse, Boomkat, Polaar, Nashazphone, and Irsh, 3Phaz quickly carved his way into the international club music scene allowing him to perform all around Europe. 3Phaz is currently working on his second album, to be released sometime in 2022. ̸SELECTED DISCOGRAPHY https://3phaz.bandcamp.com/album/three-phase https://irshcairo.bandcamp.com/track/cluster-drum https://floremusic.bandcamp.com/track/coded-language-3phaz-remix https://acidarab.bandcamp.com/track/ras-el-ain-3phaz-remix https://irshcairo.bandcamp.com/track/kabbut-ft-zuli-3phaz https://promesses.bandcamp.com/track/steep-ft-3phaz https://nowaybackuk.bandcamp.com/track/heel-turn

One of the most important dance music acts of all time, 808 State played a major role in popularizing acid house in the U.K. at the end of the 1980s, and have remained a primary influence on several generations of techno, IDM, and alternative dance artists. Initially associated with the Madchester scene, which otherwise consisted of dance-friendly rock bands descended from post-punk and psychedelia, they were among the first groups to put a British spin on Detroit techno and Chicago house, producing electronic tracks that were complex and experimental yet melodic and accessible. Debuting with the free-flowing acid tracks of 1988's Newbuild, the group scored a major hit with the lush, summery 1989 single "Pacific," which hit the U.K. Top Ten and remains one of the most beloved tunes of the rave era.

̸BIOGRAPHY No one on this planet sounds like Aïsha Devi. Her voice is her most powerful tool in a repertoire that includes thumping beats and rave stabs, seraphic and guttural singing, mystical linguistics and corporeal sonics. Born in Switzerland with Nepali Indigenous heritage, a transversal identity was forged, guiding both her personal and creative process. Dislocating pop culture, also evident in her mixes for Resident Advisor, FACT, NTS, BBC Radio and Mixmag, is one of her foundational tools. In 2013 Devi co-founded Danse Noire, a label collective supporting insurrectional electronic music from around the world, where she released her breakout EP, followed by ‘Hakken Dub / Throat Dub’ in 2014, giving context to her universe alongside artists including Ruhail Qaisar, Yikii, and more. In 2015, Aïsha Devi released her debut album, ‘Of Matter And Spirit’, a significant sonic statement rich in political and philosophical subtext. 2018 saw the release of Devi’s sophomore album, ‘DNA Feelings’, an acclaimed record addressing the impact of sound on an atomic level. While she currently uses music as her primary medium of expression, Devi’s practice is fundamentally interdisciplinary - she studied graphic design and collaborates with visual and performance artists as well as making her own interventions within the art world. Devi has worked closely with Chinese artist Tianzhuo Chen on a string of videos, as well as performances together with the Asian Dope Boys collective, most notably at The Barbican and The Broad Museum (LA). She has also recently composed for and performed with the BBC Concert Orchestra at London’s Queen Elizabeth Music Hall. But Aïsha Devi is just as magnetic performing solo. With her mesmeric digital world-building and captivating stage presence she has bowled over crowds at CTM, Primavera, Unsound, Roskilde, Dark Mofo, MoMA PS1 and hundreds of festivals and venues from Japan to Mexico and beyond.

̸BIOGRAPHY Ale Hop crafts complex pop arrangements with an experimental noise edge, utilizing electronic effects and computer software in order to mutate and reshape her instrument and voice. Her live performances merge the physical qualities of music with raw emotional states and unorthodox instrument procedures. She builds layers of sounds by blending a complex repertoire of guitar techniques processed by synthesis devices, to create a music of deep physical intensity. She began her career in the 2000s in Lima’s experimental and underground scene. In 2012, following several years of taking part in different pop and electronic bands, she finally started her solo project after performing alone for the first time in Boiler Room, during her residence at the Red Bull Music Academy New York. Ale Hop has performed, screened and exhibited work internationally at institutions and festivals, such as CTM Festival (2022), Haus der Kulturen der Welt (2021), New York’s Museum of Arts and Design (2021), Australia Independent Film Festival (2021), Stockholm City Film Festival (2021), Stedelijk Museum Amsterdam (2020), Somerset House Studios (2019), Heroines of Sound (2019), MALBA Latin American Art Museum of Buenos Aires (2015). ̸SELECTED DISCOGRAPHY Apophenia (Buh Records, 2019) Bodiless (Buh Records, 2018) PANGEA (Buh Records, 2015)

Altın Gün offer an exciting mix of Turkish folk, psychedelia, funk and rock. After performing in Istanbul , bassist Jasper Verhulst became fascinated by the Turkish sound of the 70s. At that time, artists like Selda, Barış Manço and Erkin Koray combined traditional music with western rock influences. Along with bandmates Ben Rider and the bands' first drummer, Nic Mauskovic, Verhulst searched for Turkish musicians to revive this sound. They found Merve Dasdemir and Erdinc Yildiz Ecevit through Facebook. Jungle by Night’s energetic percussionist Gino Groeneveld joined the group and the band was complete. Altın Gün play songs from the aforementioned artists from the 70’s and their lesser-known contemporaries and also make their own arrangements of Turkish traditionals. This way different worlds meet and form a refreshing danceable sound. In 2018 drummer Daniel Smienk joined the band. The new album, Gece, will be released in April 2019 on Glitterbeat Records.

Autechre is an English IDM group consisting of Rob Brown and Sean Booth signed with Warp Records. Autechre

DJ, producer and owner of the Timedance record label, based in Bristol (UK)Batu

̸BIOGRAPHY Composer and producer, born in Melbourne, Australia in 1980. A member of the Icelandic music collective/record label Bedroom Community, and currently based in Reykjavik, Iceland. The music of Ben Frost is about contrast; influenced as much by Classical Minimalism as by Punk Rock and Metal, Frost's throbbing guitar-based textures emerge from nothing and slowly coalesce into huge, forbidding forms that often eschew conventional structures in favor of the inevitable unfoldings of vast mechanical systems. “…The emotional power of Frost's music comes precisely from the stark contrast between extremely basic musical material and the deadly virtual instruments he invents to perform it… This is Arvo Pärt as arranged by Trent Reznor” – Wire Magazine, 2007 On albums like Steel Wound, released on the Room40 label in 2003 (Pitchfork: “An exemplary ambient experience”), Theory of Machines on Bedroom Community in 2007 (Boomkat: “The Future of electronic music…”) and 2009's BY THE THROAT (NME: “a hollow, unforgiving, brutal yet utterly beautiful record, full of deep intricacies that won’t let you go.”) Frost’s music is more than a cerebral exercise and has an undeniable visceral presence, felt as much as heard. His compositions are created with an acute awareness of the listener and their comfort thresholds, exploiting every extreme of pitch and volume. His notorious, building-shaking performances at international festivals including Montreal’s famed MUTEK combine amplified electronics with the furious thrashing of live guitars. Frost himself has been described as “one of the most interesting and groundbreaking producers in the world today” (Boomkat). His music’s intense physicality has filled gallery spaces and driven contemporary dance productions by Chunky Move, the Icelandic Dance Company, and the acclaimed choreographers Erna Ómarsdottir and Wayne McGregor. Ben recently collaborated with labelmate Daníel Bjarnason, resulting in the album SÓLARIS, released on Bedroom Community in 2011. ̸SELECTED DISCOGRAPHY SÓLARIS (2011) By The Throat (2009) Theory of Machines (2007)

̸BIOGRAPHY Warsaw-based Ukrainian dj, producer and amateur of slow-burning outsider electronics. bijū arose from the need to explore the intersection of machine and body. The need to blur the boundaries between dehumanized electronic music and the natural environment. His selection is a constant search between minimalist and dense, dynamic and slow, sharp and blurry sounds. Inspired by the vibration of synthesizers enriched by echoes emanating from the abyss, transforms the soundscape into a psychedelic spectacle, while enhancing the local experimental scene. As part of the Warsaw based Ukrainian collective SUMISH wants to strengthen interactions between people through synergies, exchange of vision and knowledge, building bridges between the migrant community and local society through the different creative disciplines. His latest LP "Land of Abundance" was released on Berlin based Sons of Traders Records. Curator of Healing Machine radio show on Mutant Radio, dedicated to slow-rolling experimental music. Author of the program Gnostic Methods on Radio Kapitał (archived). ̸SELECTED DISCOGRAPHY https://sonsoftradersrecords.bandcamp.com/album/land-of-abundance

Blawan

Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Defined by a meticulous approach to the composition, production, art direction and presentation of his work, every release encapsulates Joseph’s idiosyncratic vision. It is a colourful world that gives life to the shadows and throws a mist over the boundaries that have become so commonplace in electronic music. His record The Present Tense provided the launching point for Houndstooth (the label arm of London’s fabric nightclub). The following two releases, Black Octagons and Depicta/Acephale, cemented his status as one of the brightest new talents to emerge in the current wave of producers disturbing the musical landscape. Next up came Suzi Ecto, his debut album, which...

̸BIOGRAPHY claire rousay is based in San Antonio, Texas. Her music zeroes in on personal emotions and the minutiae of everyday life -- voicemails, haptics, environmental recordings, stopwatches, whispers and conversations -- exploding their significance.

̸BIOGRAPHY CRYSTALLMESS is a DJ, producer, artist and writer based in Paris, France.

Deadbeat is Scott Monteith, an adopted Montrealer who has been releasing his own special blend of dub laden, minimal electronics since 2000.Deadbeat

Front 242’s history starts in 1981 when Daniel B. lays out his ideas on a first single: « Body to Body ». Patrick Codenys (keyboards) and Jean-Luc De Meyer (vocals) join the band for the first album « Geography » in (1982), followed by Richard 23 (vocalist/stage performer) in 1983. While developing their own independent recording and graphic units, along with a unique presentation on stage, the band progressively reaches a larger audience in Europe, touring and releasing records of its brand new genre they soon label « Electronic Body Music (aka EBM) ». EBM being a collage and synthesis of music and sounds, recycled from the media or TV, often reflecting or enriched by other artistic disciplines. In 1984, Front 242 sign on the label Wax Trax from Chicago. The EP « Take One » (1984) is their first U.S. release, their success there will be massive.

Hamburg native Helena Hauff is an in-demand DJ as well as an acclaimed producer of gritty, hard-edged electro-techno. Her music draws from influences such as acid house, EBM, and industrial, and she records her tracks strictly using analog equipment, usually in one take. Her full-length debut, 2015's Discreet Desires, contains some of her most melodic material, while 2018's Qualm is more stripped-down but no less energetic. Hauff has released a handful of EPs, including 2019's Living with Ants and 2021's Futuros with the Exaltics. ~ AllMusic

̸BIOGRAPHY warsaw-based DJ / vocalist / promoter The founder of FURDA, also associated with Unsound Festival, hermeneia is a Warsaw-based DJ and vocalist who's primarily motivated by the idea of narrative building. She brings this to her DJ sets by focusing on dark, atmospheric, bass-heavy sounds, contrasting bulky floor-fillers with gossamer ambience. As a vocalist, hermeneia is equally as adventurous, working alongside respected hip-hop producer 1988 in his "Ruleta" project, and with harpist Ania Pasic on a forthcoming reinterpretation of Cocteau Twins' legendary "Treasure" album.

Ross Birchard is the one of the most exciting record producers to come out of Scotland in the last ten years, seducing heads and ravers alike with his neon-lit R&B and warehouse smashing low-end production. Now, as the unlikely poster boy for a new ge..Hudson Mohawke

̸BIOGRAPHY "Istanbul-born and Berlin-based artist excavates the musical traditions of her once and future homes, fusing traditional instrumentation and rhythms with scalding ambience and atonal distortion." - NOISEY Istanbul born and raised, Berlin based electronic music composer and sound artist Hüma Utku explores the possibilities of how sound textures and rhythm can be used to evoke a sense of ancient within abstract electronic music. With an overall disregard for musical genre divisions she fuses field recordings, acoustic instruments, atmospheric ambience; into harmonious noise and harsh ritualistic rhythms as means to utilise sound and music as tools for storytelling. Combining her practice of music with her studies in psychology; Utku's works draw inspiration from human condition, Jungian psychology, mysticism and folklore. In August 2018 Şeb-i Yelda (EP/12'') was released by Karlrecords, which presented Utku (as R.A.N.) with an evolved sound and strong theme to a wide audience. Following the international success of her EP, she released her debut full-length album under her own name Gnosis in July 2019 via the same label. This release gained Utku recognition for her unique approach of creating sonic story plots by merging concepts with experiments in electronic music. Since 2016, she has presented her work and performed across Europe and the Middle east; including performances in Atonal Berlin, HKW, Radialsystem and Kiezsalon, in Berlin/DE; Salon IKSV in Istanbul/TR, Donaufestival and Musikprotokoll in Austria, Forte Prenestino in Rome/IT, Today's Art in Netherlands, Insomnia Festival in Norway and many others. Her work has received notable press from platforms such as The Wire, Noisey, RollingStone, Redbull Music, Groove Mag, Gonzo Circus and Scene Noise among others, as well as getting broadcasted by seminal radio station and platforms such as BBC Radio 3, NTS radio, RAI 3 (Italian National Broadcasting), Resonance FM, YLE (Finnish National Broadcasting) and Sveriges Radio (Swedish National Broadcasting). In 2021, Utku has been selected as a SHAPE (Sound, Heterogeneous Art and Performance in Europe) artist. In spring 2022, her new album will be released via Editions Mego. ̸SELECTED DISCOGRAPHY The Psychologist (2022, Editions Mego) (LP/CD/DL) Gnosis (2019, Karlrecords) (DL & LP) Şeb-i Yelda EP (2018, Karlrecords) (DL & 12'')

Every DJ would like to think themselves a real musical connoisseur, but Hunee really is - it’s not him that says so, but pretty much anyone else whenever the man born Hun Choi pops up in conversation. His DJ sets have of course taken him all over the world from Aus to Asia, America to Europe, but they take listeners much further. As likely to draw for a classic house record as he is a disco curveball, a boogie delight or mixing an African bomb into a techno record, each selection he makes is a thing of true passion – you can see it not only in his eyes, but so too in the eyes of those dancing along whether he is making one of his appearances on Boiler Room or holding down a residency on NTS radio.

British techno sorcerer and psychedelic shaman james holden is a man of many talents: zeitgeist-defining label boss, trend-setting producer, hugely in-demand monster remixer, and last but by no means least, he can count himself amongst that very modern..James Holden

Jamie Tiller has an often unrivalled knack for rescuing a seemingly endless supply of discarded musical gems from the murky depths of the record underworlds..Jamie Tiller

Office TycoonJensen Interceptor

̸BIOGRAPHY Kitty Sarcasm is a music digger since her early years and a DJ by vocation. In her sets, she mixes various genres of electronic music. Starting with the deconstructed Southern American sounds, through Ghetto House, to UK Bass. In her mind, there are no boundaries in experimenting with tunes. She selects tracks over the rigid divisions and tests the limits of musical purists ;) In 2021, her mix was awarded and broadcasted on the British Radio Reprezent by the London-based Keep Hush community. Her selection was also appreciated by hosts from Polish radio stations RAM and Kapitał. Kitty Sarcasm has played gigs at clubs in major Polish cities. She is a co-host of LIBACJA - a series of events. Ex BITE Clique member.

̸BIOGRAPHY ᵔᴥᵔ resident DJ @ Psychotherapy Sessions / PTS in Bristol ˶′◡‵˶ radio host @ Rinse FM & Noods Radio ꒰・◡・๑꒱ one half of Avant Garbage ~_^ master eater @ rice bowl fan club

and u r a thief and u drink 2 muchLaurel Halo

̸BIOGRAPHY Lonnie Holley was born on February 10, 1950 in Birmingham, Alabama. From the age of five, Holley worked various jobs: picking up trash at a drive-in movie theatre, washing dishes, and cooking. He lived in a whiskey house, on the state fairgrounds, and in several foster homes. His early life was chaotic and Holley was never afforded the pleasure of a real childhood. Since 1979, Holley has devoted his life to the practice of improvisational creativity. His art and music, born out of struggle, hardship, but perhaps more importantly, out of furious curiosity and biological necessity, has manifested itself in drawing, painting, sculpture, photography, performance, and sound. Holley’s sculptures are constructed from found materials in the oldest tradition of African American sculpture. Objects, already imbued with cultural and artistic metaphor, are combined into narrative sculptures that commemorate places, people, and events. His work is now in collections of major museums throughout the country, on permanent display in the United Nations, and been displayed in the White House Rose Garden. In January of 2014, Holley completed a one-month artist-in-residence with the Robert Rauschenberg Foundation in Captiva Island, Florida, site of the acclaimed artist’s studio. Holley did not start making and performing music in a studio nor does his creative process mirror that of the typical musician. His music and lyrics are improvised on the spot and morph and evolve with every event, concert, and recording. In Holley’s original art environment, he would construct and deconstruct his visual works, repurposing their elements for new pieces. This often led to the transfer of individual narratives into the new work creating a cumulative composite image that has depth and purpose beyond its original singular meaning. The layers of sound in Holley’s music, likewise, are the result of decades of evolving experimentation. Holley’s music caught the attention of Matt Arnett, whose father has been collecting Holley’s art since the 1980s. In 2006, Matt organized the first professional recordings of Holley’s music. In 2010, Arnett set up a performance by Holley at his home. One of the people in attendance was Lance Ledbetter, founder and owner of the record label Dust-to-Digital. Deeply moved by Holley’s keyboard playing and singing, Ledbetter signed Holley to his record label. Soon after, Holley found himself in the studio again, and in 2010 and 2011, more studio sessions ensued. The result was the album Just Before Music. More recordings continue to be made to celebrate and to document one of America’s most compelling musicians. In early 2014, Holley recorded again with Richard Swift, acclaimed musician and producer at his studio, National Freedom, in Cottage Grove, Oregon. In addition to the studio sessions, Holley began touring as a musician. In August and September of 2013, Holley toured the West Coast with Deerhunter. That tour was followed by a tour of the East Coast with Bill Callahan, and in November and December of 2013, Holley had his first tour through Western Europe (Spain, Portugal, Germany, Denmark, Belgium, The Netherlands, England, and France). Holley has been joined on stage or in the studio by a variety of musicians, including members of Deerhunter, Black Lips, The War on Drugs, Animal Collective, Dirty Projectors, Bon Iver, Julia Holter, Megafaun, as well as Ben Sollee, Steve Gunn, Jenny Hval, Marshall Ruffin, Daniel Lanois, Laraaji, Brian Blade, Alexis Taylor (Hot Chip), Bill Callahan, Dave Eggar, Laraaji, Kelly Pratt (Beirut/Arcade Fire/The Antlers), Sam Amidon, Aaron Embry (Elliot Smith/Edward Sharpe and the Magnetic Zeros) and others. In 2013, Holley’s first records were named to a number of Top Records of the Year lists, including The Washington Post (#4) and The Chicago Sun Times (#2). In 2014, Holley continued to tour, completing another tour of Europe (Belgium, Norway, England, Denmark, the Netherlands, and France) and a USA/Canada tour with Daniel Lanois. Also in 2014, the Metropolitan Museum of Art announced that they had acquired three sculptures by the acclaimed artist and musician, through the generosity of the Souls Grown Deep Foundation. Holley played a number of shows in 2015, touring Europe again to audiences in England, Germany, Switzerland, Belgium, France, and the Netherlands. That tour kicked off with a show at Queen Elizabeth Hall, as part of David Byrne’s Meltdown Festival. In addition to his European tour, Holley played shows at the Brooklyn Academy of Music, The Hammer Museum in LA, The American Folk Art Museum, St. James Hall in Vancouver, The Charleston Music Hall, among many others, but the majority of the year was not spent performing live. In 2015, Holley recorded music for the film Five Nights in Maine, which premiered at the Toronto International Film Festival and saw theatrical release in the summer of 2016. An exhibition of his visual art opened in the summer of 2015, titled Something To Take My Place: The Art of Lonnie Holley, at the Halsey Institute of Contemporary Art, accompanied by a monograph of the same name. In the winter of 2015/16, Supported By the Power: Lonnie Holley, an exhibition of Holley’s sculptures opened at Duke University’s John Hope Franklin Center. Lonnie Holley continues to make art, record music, and tour occasionally, either alone or with collaborators. The songs and the shows are never the same, as Holley never performs the same song twice. In the summer of 2016, he embarked on a tour throughout the Southeastern United States, this time with a full band of frequent collaborators that included Ben Sollee, Stevie Nistor, Kelly Pratt, and Marshall Ruffin. On the tour, the band visited artists, art sites, and museums, and held workshops for adults and children along the way. In late September, 2016, Holley’s music was sampled on the acclaimed third album (22, A Million) from Bon Iver. That same month, Holley was a featured visual artist at AfroPunk/Atlanta, where his found object sculptures were on display. In November of 2016, Holley embarked on his fourth European tour, playing a number of festivals and music venues, culminating in a sold-out, two-night residency at the acclaimed Café Oto in London. He returned to the States in time for the premiere of the short documentary about Holley, The Man is the Music, at Doc NYC in New York. Holley closed out 2016 with his final show of the year at Pioneer Works in Brooklyn, sharing the stage with Bon Iver. 2017 was also a busy year for the artist. In January, an exhibition of his art, Lonnie Holley: I Snuck Off the Slave Ship, opened at the Atlanta Contemporary Art Center. In May, an exhibition entitled Thumbs Up for the Mothership (a two-artist show with Dawn DeDeaux) premiered at MASS MoCA, coinciding with the opening of the new Building 6. His work was also featured in two exhibitions at the de Young Museum (The Fine Arts Museums of San Francisco) and had two solo exhibitions at James Fuentes Gallery, his New York gallery. Additionally, he made wood block prints with Paulson Fontaine Press, collaborated on three etchings and a zine with artist Chris Johanson, played a number of concerts, spent a lot of time in the recording studio preparing for the release of his third album, due out in the spring of 2018.

̸BIOGRAPHY “Genres are disturbing. I play vibes,"

̸BIOGRAPHY Marginal Consort is a Japanese collective improvisational project formed by members of East Bionic Symphonia, an outfit assembled from students of Takehisa Kosugi’s workshop at Bigakko in 1975. Current members are former Taj-Mahal Traveller and guitarist Kazuo Imai, engineer Kei Shii, artist and Gap member Masami Tada, and musician Tomonao Koshikawa.

Techno FuturistMatrixxman

Born in the French mountains, Grenoble, 1973, Kittin expressed an interest in the visual arts – she studied both contemporary and graphic arts. As time progressed, however, Kittin found herself emulating her parents’ musical tastes by developing an interest in musical genres ranging from classic, jazz, funk & disco to English Pop. Finding her niche in Electronic Music in 1991, Kittin raved all around the country before doing her first mix in April of 1993. Her first set came one year later in 1994, at which time she started her career with Tekmics Booking Agency, playing in the famous Dragon Ball wild parties of Southern France.,<br/ >In pursuit of other opportunities, Kittin left France in 1996 and relocated to Geneva, Switzerland, where she would join the Mental Groove Record Posse one year later. Through years of an exciting and mobile career as a DJ, Miss Kittin is confident with her own personal sound. She states, “I get quickly bored when I listen to the same sound. DJs have to take risks, without only thinking about what people want to hear. Some people say I’m too technical. That’ true, but this technique also gives me the freedom to concentrate only on music.”

known for her eclectic mix of styles, tempos, and sounds, ojoo, fka OJOO GYAL, has a knack for blending diverse elements into an engaging and infectious experience. born and raised in Morocco, and currently based in Brussels, ojoo has established a mean reputation for mapping a sound uniquely hers in meticulous DJ mixes since 2019 at venues across Morocco and Europe, radio shows on Noods and Movement, and mixtapes on Accidental Meetings and Chrome. ojoo’s mixes give equal attention to atmosphere and groove. They are a swirling cauldron of rhythms across a whole spectrum of genres, from old-school dancehall to its most futuristic and distorted mutations, twisting through dub, reggaeton, dembow, grime, and sometimes excursions into the noisy, grubby and sludgy, with illbient, musique concrète, and more. AMX004 - OJOO GYAL vs. FUMU CHMIX005 - OJOO GYAL - Untitled

̸BIOGRAPHY Athens-based French Artist, DJ and producer OKO DJ. Member of label BFDM and of close to the collective Bruits de la Passion. Founder of LYL Radio Paris. Radio broadcaster of women only's "PU$$Y NIGHTMARE" on LYL Radio Originally from Paris, and now based in Athens, Marine Tordjmann alias OKO DJ's implacable rise to prominence has seen her establish as one of the finest DJs and producers to pace the world's stages. Core element of Judaah's Lyon-via-Marseilles operated label BFDM, member of Bruits De La Passion - a crew promoting alternative, off-piste parties that aspire to create safe spaces for creation and recreation, initiator of LYL Radio's Parisian antenna where she hosts her bimestrial show Pu$$y Nightmare - focused on casting a broader, more comprehensive light on female artists, all of that agenda attracting her wider recognition on an international level. 2020 has seen OKO DJ make a noticed debut in solo production with a track on Metaphore's imprint compilation, followed by an acclaimed first 4 tracks experimental EP on Futur 2010, featuring "one of the coolest downtempo tracks of the year" (RA). OKO DJ aims at exploring connections rather than divisions, bridging gaps with spirituality rather than widening them. Dishing out distinctively rich, genre-busting tapestries that transcend all limitative roles, Tordjemann has the secret to channeling surrounding energies and forces in her art with unrestrained panache and authenticity. ̸SELECTED DISCOGRAPHY 2021 - OKO DJ "When Her Lust Had Returned" (Décalé Records) 2020 - OKO DJ "Dans Les Lunes" EP (Futur 2010) 2019 - OKO DJ "Through Scalar Waves" (Metaphore Industrie) 2019 - Women In The Royal Court EP (Red Bull Music Studios Paris) 2016 - Marine Tordjmann feat. GAM / colletivo vandalismo "Rider" (Eye For An Eye Recordings)

̸BIOGRAPHY New album Sen out on 29.09.23 dalmatadaniel.bandcamp.com/album/sen Olivia is one of Unsound’s resident DJs and one of the biggest movers on the Krakow club scene. She’s Dj, producer and who is part of We Are Radar collective, 1/2 Radiation 30376. Few DJs truly have a unique vision: a distinctive approach that draws on a myriad of interconnected styles to create a unified, otherworldly sound of its’ own. Olivia is one such DJ. Initially best known for being one of the key resident DJs at the acclaimed annual Unsound festival that takes place in her home city, Krakow, Olivia has developed a trademark style that couples razor-sharp technical skills with an eclectic but interconnected approach to the raw, weighty and mind-altering music she mixes. Depending on the venue, event and vibe, Olivia might race through angular acid, loose-limbed electro, futuristic Motor City techno, concrete-clad industrial music, surging EBM, twisted Italo, glacial cold wave and metallic new wave. This forward-thinking blend of 1980s-inspired styles and experimental dancefloor workouts has proved popular with peers and punters alike, leading to sets at such leading clubs and festivals as Berghain, De School, Tresor, Golden Pudel, Dekmantel and Nachtdigital. Olivia has also showcased her trademark style via acclaimed mixes for CRACK, The Ransom Note, Dekmantel, Cxema, Digital Tsunami and Inverted Audio, appearances on Boiler Room, and a regular radio show on fast-rising station Noods. The Polish DJ/producer’s achievements are impressive, but no less than she deserves for her hard work and dedication to the underground over the last 16 years. She first rose to prominence as one of the most active DJs on Krakow’s electronic music underground, featuring in a number of collectives and appearing in clubs all over Poland before becoming a leading member of her home city’s We Are Radar party collective. Olivia remains an active member of the Radar collective, which includes a mixture of artists, DJs, events organisers and live performers. She has extensive experience in booking and events too, where the depth of her musical knowledge once more comes to the fore. Today, Olivia has her hands in many projects, collectives and live performance projects. These include Radiation 30376 (a live show with Chino that debuted at Unsound 2019), Morskie Oko (a hybrid live/DJ project with Chino and Steffan Bennemann) and Chrono Bross, a collaborative initiative with Kinzo Chrome. Although she has her hands full as a DJ and live performer, Olivia has devoted increasing amounts of time to music production over the last few years. She released her debut cassette, Skawa – a perfect distillation of her inspirations and influences in five forthright tracks – via K-Hole Trax in 2018, while her music has also featured on compilations from Pointless Geometry and the Wire Magazine. In 2020 she released "Dancing Snake" ep at Pinkman label. On the same label in 2021 she released with Chino "Arka" ep as a Radiation 30376. 2022 was also full of new music out from her with "New Life" ep at Dom Trojga label and split records with Rapha at Dalmata Daniel. She says that new music is on the way; if her DJ sets and previous productions are anything to go by, it will be edgy, uncompromising, unexpected and undeniably unique. ̸SELECTED DISCOGRAPHY Olivia - Skawa (K-HOLE TRAX) Olivia - Dancing Snake (Pinkman) Olivia - Relief (Various - V​/​A Vol. 1/ Voyage Select) Radiation 30376 - Git (Various - House Of Troubles/ Syntetyk) Radiation 30376 - Bajkonur (Various - V​/​A Vol. 1/ Voyage Select) Olivia - Hope (Various - Domownicy Różnoracy Cz​.​2 ‎/ Dom Trojga) Olivia - Relief (Various - V​/​A Vol. 1/ Voyage Select) Olivia - Hey (Various - DDC02 : V/A / Dalmata Daniel) Radiation 30376 - Arka (Pinkman) Olivia - New Lige (Dom Trojga) Olivia - Protesters (Various - Compilation for Ukraine/ Dalmata Daniel) Olivia - split ep with Rapha (Dalmata Daniel) Wulkan - Lush Name (Olivia Remix)

̸BIOGRAPHY Olof Dreijer is a music producer, DJ and musician and a member of the Swedish electronic pop group, The Knife. Olof has been involved in different cultural projects where music plays a central role in communicating political beliefs. His solo project, Oni Ayhun, plays with stereotypical ideas and norms about gender in dance and experimental music. Starting djing around 98' at local school parties, he ran his first club in high school and has been djing since. He started out playing Disco, House, Garage, and Drum n' bass playing more Hip Hop and R&B in the early 2000's. Following this was a long period of playing harder Techno and House, including EBM and Shranz. The last decade has seen him playing mostly throughout Europe when he's not too busy producing music in his Berlin studio. Currently, as a DJ, Olof plays a mix of West African pop music, Kuduro, Acid, Hip Hop, R&B, and melodic Techno and House. He enjoys making fun edits and remixes to play in his sets. He recently remixed the Swedish Batucada group, Yacombe. You can hear it in the opening of his Rinse FM mix. He’s currently producing music for friends like Planningtorock, Zhala, and Houwaida Hedfi aka Hiya wal Âalam- a band in which he also plays the flute & percussion.

̸BIOGRAPHY dj and producer from Barcelona

̸ BIOGRAPHY Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it, “so this is the track that was on every 5 minutes at Warehouse Project. ”That track and the duo’s own ‘Le Tigre’ were played out constantly by the likes of Four Tet and Ben UFO, the former also hiring the duo to remix his track ‘Teenage Birdsong’. Then there are their edits. Thom Yorke was so impressed by the duo’s versions of ‘Not The News’that he let them release the tracks on their own Polykicks label. Add to that their cheeky version of Rosalia –‘A Palé’,which caught the ear and the eye of the respected flamenco artist, as well as being a highlight of their live performances pre-lockdown. Then the world abruptly stopped, all their forthcoming gigs were cancelled and suddenly Overmono were able to fully commit their energy to their legendary Bromley studio. It’s was during this time that the duo feel they’ve been able to realise exactly what Overmono’s music should be. “Our work together had so far been about exploring and defining what Overmono is... and we feel like we’ve got this now”.

Phase Fatale is the Berlin-based techno project of Hayden Payne, with residencies at Berghain and Khidi. Emerging as Phase Fatale in 2014, Berlin-based DJ, producer, and label owner, Hayden Payne is rewriting the discourse of Techno with his cross-pollination of gnarly basslines, sensual narratives, and mind-control mechanics. Demonstrating his vision through an authentic, highly curated sonic lens of techno, Payne’s rhythmic excursions draw on both his roots in the New York and Berlin underground as well as his reputable experience performing to dancefloors globally. Exemplified by long-standing tenures as a resident for esteemed institutions such as Berlin’s Berghain as well as KHIDI in Georgia's capital Tbilisi, Payne demonstrates a resolute understanding of harnessing club synergy across his productions and DJ sets. With three full-length albums under his belt, including the 2020 sophomore release ‘Scanning Backwards’ on Berghain’s Ostgut Ton, Payne’s sonic signature pushes the boundaries of techno sensibilities and reflects the zeitgeist whilst staying true to his vision. Wasting no time since his solo project’s inception to showcase his expert sonic ability, Payne has toured throughout Europe performing at renowned clubs and festivals worldwide, releasing numerous records on labels including Jealous God, Ostgut Ton, and his label BITE. Payne launched the BITE imprint in 2018 as a means to platform cutting-edge sound production across a diverse roster of international artists. Along with fellow Soft Crash protagonist Pablo Bozzi pioneering ‘Italo Body Music’, BITE’s seminal synthesis of curated techno solidifies the label as a tour de force taste-maker within electronic music with showcases worldwide including Berghain and their 5-year anniversary compilation ‘Shedding Skin’ in 2023. Hailing from post-punk roots, Payne draws on his depth of musical knowledge and a multitude of influences. His merging of nuanced references and high-concept narratives remain geared towards the dancefloor at its core, subtleties of his multifarious sonic palette act as the foundations for his layered wall of sound.

̸BIOGRAPHY O)))

̸BIOGRAPHY The research of Quiet ensemble goes through the observation of the ballance between chaos and control, nature and technology, creating subjects that perfectly merges the those elements, elements that take form from the relation of organic and ar- tific.. The research of Quiet ensemble goes through the observation of the ballance between chaos and control, nature and technology, creating subjects that perfectly merges the those elements, elements that take form from the relation of organic and ar- tificial subjects, moving the attention to insignificant and wonderful elements, like the movement of a fly or the sound of trees. The interest is connec..

̸BIOGRAPHY Berlin based multidisciplinary artist, DJ and co-founder of the Egyptian label irsh. Rama is a multidisciplinary artist and DJ based in Berlin. With the aim of creating a space and platform for artists from Cairo's experimental electronic music scene, she co-founded the independent music platform called irsh in 2019. What started as a homemade video series featuring Live and DJ sets quickly evolved into a label. As a DJ, Rama swiftly made a name for herself in Cairo's electronic and dance scene by performing at underground parties such as VENT, JellyZone and MOSHTRQ. She is recognized for her ability to draw from a diverse range of sounds without being constrained by genres, making it easy for her to play to the room; whether it’s heavy bass and high energy bangers or groovy beats and hiphop. Her method of mixing is more akin to live mashups than regular blends. On her monthly show on Noods Radio, Rama delves into different sounds, showcasing a wider palette in a space that allows her to play music that may not always be suited for the club. Every two months, she also hosts guest mixes from some of her favorites artists; ZULI, ABADIR, Nadah El Shazly, Sineraw and JENN.

Over the last ten years, his works have become some of the most indispensable in modern dance music..Randomer

̸BIOGRAPHY Karl O'Connor is most certainly Regis and it is also highly probable that he propagates other pseudonyms . This has only added to the greater mythology surrounding the influential Downwards label that he has run with fellow art terrorist Peter Sutton.. Karl O'Connor is most certainly Regis and it is also highly probable that he propagates other pseudonyms . This has only added to the greater mythology surrounding the influential Downwards label that he has run with fellow art terrorist Peter Sutton ( Female ) since 1993. Unconventional and single-minded to say the least ( what label can boast a back catalogue free of the industry standard cash cow remix ) by decentralising the focus on the dj/producer personality, he remains one of the more highly regarded creative forces within the British techno/electronic scene. Degenerate art indeed.

Roza Terenzi DJ/Producer Melb, Aus.Roza Terenzi

̸BIOGRAPHY ̸SELECTED DISCOGRAPHY discography: Sandwell District SC 01 Regis & Ian J. Richardson - Untergang SC 02 Vandross - Hurt Me I'm Waiting SD 03 Female - Serverlan SD 04 Female - Avon / Cally Remixes SD 05 Silent Servant - The Silent Morning SD 06 CH-Signal Laboratories (8003 Lucerne) Hypnotica Scale SD 07 Function - Isolation SD 08 Kalon - Born Against SD 09 Silent Servant - The Blood of Our King SD 10 Function - Anticipation SD 11 Silent Servant - Violencia (Function and Kalon Mixes) SD 12 N/A - Various Artists

̸BIOGRAPHY "Grinding electronics/noise and speaker ripping techno."

̸BIOGRAPHY RBMA alum of 2018, resident at dublab.es, Hamill Industries co-worker and Mans o's flatmate. 1/2 TOP74. I don't know either.

̸BIOGRAPHY No time has been wasted in the wake of Sandwell District’s 2011 demise. Along with Regis and James Ruskin, Silent Servant founded the Jealous God label. In it’s short existence, they have already cut-up and reinterpreted many of the conventions of the.. No time has been wasted in the wake of Sandwell District’s 2011 demise. Along with Regis and James Ruskin, Silent Servant founded the Jealous God label. In it’s short existence, they have already cut-up and reinterpreted many of the conventions of the techno world, forging a unique identity in the process. With it’s highly conceptual aesthetic and relentless dedication to experiment, Jealous God is a flag-bearer for the contemporary electronic avant-garde and a loyal ally to all mutant experimentalists. While insincerity remains the safety of many, Silent Servant’s own productions are brutally honest and resolute, rendering irrelevant those mongering for light. Deeply pensive and forward thinking, his sound is marked by a distinct blend of the disparate and divergent. An appreciation of warehouse techno, industrial noise and post-punk are evident, yet challenged and reworked to form a uniquely modern style - a vitality so controlled and concentrated that it captivates immediately. His live sets are another matter of inventiveness. The superfluous eliminated, Silent Servant has, for years, been rewiring the minds and moving the bodies of those seeking the most meaningful and potent energies that electronic music has to offer. Having developed a special kind of discipline, Silent Servant will no doubt continue to drive forward, bringing the truly adventurous with him. His criterion of action is freedom of movement, timelessness of expression, freedom for transgression; holding truth at most high. To that end, there is no compromise. ̸SELECTED DISCOGRAPHY LP Negative Fascination // Hospital Productions // 2012 12" The Silent Morning // Sandwell District // 2006 Lo Profundo // Historia y Violencia // 2008 Violencia // Sandwell District // 2008 The Blood Of Our King // Sandwell District // 2008 La Noche // Historia y Violencia // 2009 Negative Fascinations // Sandwell District // 2009 El Mar // Semantica Records // 2010 Hypnosis In The Modern Age // Sandwell District // 2011 Negative Fascination (Extended 12" Mixes) // Hospital Productions // 2012 Silent Servant // Mi Alma // Historia y Violencia // 2012 SS* / S* - Sicario De Dios // Jealous God // 2013 Lucy & Silent Servant - History Survivors // Mote-Evolver // 2013 Lust Abandon // Jealous God // 2013 Silent Servant / Broken English Club - Violence And Divinity // Cititrax // 2014 Silent Servant // Mechanics of Emotion // The Corner // 2014 51717 & Silent Servant - Jealous God 06 // Jealous God // 2015 Remixs H&V // Raíz // Silent Servant (Ciencia Ficción Edición) Prologue 15 // Claudio PRC // Clear Depths // Silent Servant Remix Kontra musik // Mikora // Silent Servant Remix Ibandan 100 // Function vs. Jerome Sydenham // White Light // Silent Servant Remix Ostgut Ton // Planetary Assault Systems // Bell Blocker (Silent Servant Remix) Warp Records // Battles – Dross Glop 3 // Inchworm (Silent Servant Remix) Cititrax // The KVB //Pray To The Light Machine (Silent Servant Version) Epm Music // Greg Gow & Gareth Whitehead // Vacant (Silent Servant Remix) Frozen Border // Mary Velo // Manhattan Project (Silent Servant Mix) Puscifer Entertainment // Puscifer // Balls To The Wall (Silent Servant Mix) Dement3d Records // Polar Inertia // Major Axis (Silent Servant Remix) Felte // ERAAS // Briar Path (Silent Servant Interpretation) Asma // Birds (Silent Servant Remix) // M_REC LTD Dais Records // Youth Code // Let The Sky Burn (Silent Servant Remix) Diagonal // Streetwalker // Ooze (Silent Servant Remix) Lust For Youth // International (Silent Servant Remix) // Sacred Bones Records Pole Recordings // Exium // The 12th Planet (Silent Servant Remix) Mute // Liars // Mess On A Mission (Silent Servant Remix) Mecanica // Soft Metals // Tell Me (Silent Servant Edit) Phantasy Sound // Daniel Avery // Spring 27 (Silent Servant Remix) Sacred Bones Records // John Carpenter // Vortex (Silent Servant Remix) Eye Teeth // Israel Vines // WWKD (Silent Servant Remix) aufnahme + wiedergabe // Phase Fatale // Grain (Silent Servant Remix) Spectral Sound // Matrixxman // The Caravan (Silent Servant Remix) Dark Entries // Psychic TV // Alien Be-In (Silent Servant Remix) Booking Information daniela@triangleagency.com

Skee Mask is a versatile producer from Munich, who doesn’t want to be identified. He got influenced by a lot of different types of music over the last years, which made his productions pretty various. Skee Mask’s direction is mostly rolling rhythms, combined with electronic soundscapes, always forcing to create a deep vibe. His influences mainly are from “old” techno labels like Chain Reaction, Warp Records or Counterbalance. He’s still developing his procedure in making tracks, but always staying himself. In his DJ sets he tries to create a deep trip, constituted of organic grooves and diverse clang accompaniments. Skee Mask would describe his DJ-Set variations as techno, ambient and mostly experimental, forward thinking.

Spekki Webu, the master mind behind the Mirror Zone imprint. Coming from a small city called Delft that lays in between Rotterdam and The Hague. Enter the Mirror Zone with the mysterious chief mind expander Spekki Webu as he deconstructs time and space through his hypnotizing psychedelic sets. Like a master snake charmer he entrances entire dance floors with mind-boggling mixes and mesmerizing selections of jungle, tripped-out trance, breaks, Goa, and extraterrestrial tribal techno to name a few. Unrestrained by genre or tempo limitations he shifts gears between hypnotic slowmotion and breakneck 90’s rave so nimbly it induces an unexplained cerebral high. His sound has a rawness to it, shaped by years spent in the gabber scene and as a junglist in and around his terrestrial hometown Delft. On his shamanic quest as gatekeeper into the world hidden within your mind he established the record label ’Mirror Zone’ in late 2017 where reflections of his musical introspections come to fruition...

Rising in Turin and currently based in Munich, Stenny debuts with his first 12″ Solstice Deity on the Zenker Brothers label Ilian Tape in 2013. Mainly inspired by the spirit of 90’s Techno and IDM, his contribution as a producer could be described as club focused but not merely functional. The dusty and stepping drum programming, often contrasting with the dense, atmospheric surrounding, is one of the peculiarities of his style, which in fact, references often to the Jungle or Hardcore era, but basically aims to evolve with no genre boundaries. As a Dj he maintains a similar, versatile and open minded approach, ranging between contemporary and classic but forward thinking club music.

Theo Parrish was born in Washington D.C. in 1972 and raised in Chicago, IL where his passion for music developed. MIles Davis, Stevie Wonder, Jimi Hendrix, Nina Simone, George Gershwin, Bob Marley, as well as his uncle, jazz musician Dexter Sims, all h..Theo Parrish

̸BIOGRAPHY Ziúr is an experimental producer/musician and a fixture in Berlin's rich musical topography. Ziúr is an experimental producer/musician and a fixture in Berlin's rich musical topography. It seems as though she produces her releases in the way someone scoring a television series does, gathering and arranging their selections for each episode … isolating and apprehending definitive scenes and memorializing their ethos in song. Soundtracks, much like her release “Antifate”, guide the listener through radically different emotional states, yet somehow still offer an idea of what underpins a show's (or in this case an album's) particular hues. Ziúr produces music within such a scope, expansive, rich and diverse in texture. The sounds are simultaneously machinistic and deeply anthropomorphic, toying with mechanical isolation and the chaotic spectrum of human emotion. Unlike a soundtrack or score, there is no film to which one can turn to narrativize the music … there is only evocative sounds reaching from each song towards the cybernetic sublime. ̸SELECTED DISCOGRAPHY Blur - EP 2021 (Now Now) Antifate - Album 2021 (Pan) Now Now - EP 2021 (Now Now) Are We? - EP 2020 (Self Released) ATØ - Album 2019 (Planet Mu) Isn't No Place And All Places The Same Place - Mixtape 2019 (Self Released) U Feel Anything? - Album 2017 (Planet Mu) Deeform - EP 2016 (Objects Limited) Taiga - EP 2016 (Infinite Machine)

̸BIOGRAPHY Zoë Mc Pherson is a Berlin based multimedia artist, performer, researcher, sound designer, spatial sound shaper, DJ, curator and founder of SFX label & AV platform. Described as a "vanguard" by British publication Mixmag and "fearless" by Hyponik, Berlin-based Zoë Mc Pherson is a French-Irish multimedia artist whose practice absorbs elements of performance, sound design, installation art and DJing. Their breathless third album "Pitch Blender" is a tight set of cybernetic dancefloor experiments that flicker between the rave and the art space, and arrives courtesy of SFX, the boundary-pushing A/V-focused label Mc Pherson runs with their long-time collaborator Alessandra Leone. Since the release of their immersive 2018 debut album "String Figures" and its acclaimed 2020 follow-up "States of Fugue", Mc Pherson has performed across the world, appearing at Berlin's CTM Festival, Nyege Nyege in Jinja, Uganda, Freerotation in the UK, Meakusma in Belgium, Madrid's LEV, Amsterdam’s FIBER festival, Elevate Festival in Graz and Malmö's Inkonst. They've presented spatial sound installations at Berlin's world-famous MONOM (the world's first 4DSOUND system), Silent Green amongst others, and work alongside bULt, in Almaty, Kazakhstan's largest city, to invite musicians to perform and hold workshops at a brand new queer-owned club. A seasoned collaborator, Mc Pherson maintains an ongoing project with renowned French sound artist Jessica Ekomane. The two performed a special project at Berghain's Halle broadcast by ARTE TV, and their first recording was released on Ostgut Ton's "Fünfzehn + 1" compilation. On the other end of their creative spectrum, Carbon 96 finds Mc Pherson teaming up with US techno producer and DJ Ciarra Black, and the duo's effervescent debut "Carbonated" was released on Peder Mannerfelt Produktion earlier this year. Their most recent project however is 3OK, a frenetic project that was conceptualized in Uganda and matches Mc Pherson's sci-fi sonics with singeli pioneer Jay Mitta's breakneck beats and Malian veteran DJ Diaki's unmistakable soundsystem energy. ̸SELECTED DISCOGRAPHY [SF04] PITCH BLENDER | SFX | 2023 ABYSS ELIXIR | Pendulum Recordings | 2022 Ostgut Ton | Fünfzehn + 1 | Jessica Ekomane & Zoë Mc Pherson | Ostgut Ton | 2021 [SF03] GROUNDING IN OUTER SPACE | SFX | 2020 [SF02] STATES OF FUGUE | SFX | 2020 XquisiteForce.collection/01 | “Hayati” by Simon Grab, Dali de St Paul and Zoë Mc Pherson | SFX | 2020 LV VA 12-1 | “ALVA“ by Zoë Mc Pherson | LAVALAVA | 2020 L Twills VOX remix | [Freedom/Fiction] REMIXES | 2020 Gillie Mc Pherson Dark Dream remix | ER001 Euphonic Rythms | 2020 Plafond 5 by Rupert Cerveaux & Zoë Mc Pherson | BAKK PLAFOND SERIES | 2019 Weaponize your sound compilation | “Thumb Governance” by Zoë Mc Pherson | OPTIMO | 2019 LI$016 compilation | Low Income Squad | 2019 Contagious remix | MORPHINE | 2019 Christina Vantzou N4 remix | 2019 [SF01] STRING FIGURES | SVS RECORDS | 2018 KSH03 SONIC RESISTANCE. | Ishtar #2 (for Rojava) by Zoë Mc Pherson feat. Gernas Maao / ORAMICS, Kashev tapes | 2020 ROJAVA compilation | Female:Pressure | 2016 Mind the gap compilation | Gonzo Circus | CD | 2016