̸BIOGRAPHY Post-Shaabi from Cairo. 3Phaz is a Cairo based electronic producer mostly known for his debut album ‘Three Phase’, an album that presented a powerful and fresh new take on egyptian mahraganat/shaabi sound; the record was released on Egyptian label 100Copies in 2020. With further singles and remixes released on the likes of Rinse, Boomkat, Polaar, Nashazphone, and Irsh, 3Phaz quickly carved his way into the international club music scene allowing him to perform all around Europe. 3Phaz is currently working on his second album, to be released sometime in 2022. ̸SELECTED DISCOGRAPHY https://3phaz.bandcamp.com/album/three-phase https://irshcairo.bandcamp.com/track/cluster-drum https://floremusic.bandcamp.com/track/coded-language-3phaz-remix https://acidarab.bandcamp.com/track/ras-el-ain-3phaz-remix https://irshcairo.bandcamp.com/track/kabbut-ft-zuli-3phaz https://promesses.bandcamp.com/track/steep-ft-3phaz https://nowaybackuk.bandcamp.com/track/heel-turn

̸BIOGRAPHY Ale Hop crafts complex pop arrangements with an experimental noise edge, utilizing electronic effects and computer software in order to mutate and reshape her instrument and voice. Her live performances merge the physical qualities of music with raw emotional states and unorthodox instrument procedures. She builds layers of sounds by blending a complex repertoire of guitar techniques processed by synthesis devices, to create a music of deep physical intensity. She began her career in the 2000s in Lima’s experimental and underground scene. In 2012, following several years of taking part in different pop and electronic bands, she finally started her solo project after performing alone for the first time in Boiler Room, during her residence at the Red Bull Music Academy New York. Ale Hop has performed, screened and exhibited work internationally at institutions and festivals, such as CTM Festival (2022), Haus der Kulturen der Welt (2021), New York’s Museum of Arts and Design (2021), Australia Independent Film Festival (2021), Stockholm City Film Festival (2021), Stedelijk Museum Amsterdam (2020), Somerset House Studios (2019), Heroines of Sound (2019), MALBA Latin American Art Museum of Buenos Aires (2015). ̸SELECTED DISCOGRAPHY Apophenia (Buh Records, 2019) Bodiless (Buh Records, 2018) PANGEA (Buh Records, 2015)

Autechre is an English IDM group consisting of Rob Brown and Sean Booth signed with Warp Records. Autechre

̸BIOGRAPHY Composer and producer, born in Melbourne, Australia in 1980. A member of the Icelandic music collective/record label Bedroom Community, and currently based in Reykjavik, Iceland. The music of Ben Frost is about contrast; influenced as much by Classical Minimalism as by Punk Rock and Metal, Frost's throbbing guitar-based textures emerge from nothing and slowly coalesce into huge, forbidding forms that often eschew conventional structures in favor of the inevitable unfoldings of vast mechanical systems. “…The emotional power of Frost's music comes precisely from the stark contrast between extremely basic musical material and the deadly virtual instruments he invents to perform it… This is Arvo Pärt as arranged by Trent Reznor” – Wire Magazine, 2007 On albums like Steel Wound, released on the Room40 label in 2003 (Pitchfork: “An exemplary ambient experience”), Theory of Machines on Bedroom Community in 2007 (Boomkat: “The Future of electronic music…”) and 2009's BY THE THROAT (NME: “a hollow, unforgiving, brutal yet utterly beautiful record, full of deep intricacies that won’t let you go.”) Frost’s music is more than a cerebral exercise and has an undeniable visceral presence, felt as much as heard. His compositions are created with an acute awareness of the listener and their comfort thresholds, exploiting every extreme of pitch and volume. His notorious, building-shaking performances at international festivals including Montreal’s famed MUTEK combine amplified electronics with the furious thrashing of live guitars. Frost himself has been described as “one of the most interesting and groundbreaking producers in the world today” (Boomkat). His music’s intense physicality has filled gallery spaces and driven contemporary dance productions by Chunky Move, the Icelandic Dance Company, and the acclaimed choreographers Erna Ómarsdottir and Wayne McGregor. Ben recently collaborated with labelmate Daníel Bjarnason, resulting in the album SÓLARIS, released on Bedroom Community in 2011. ̸SELECTED DISCOGRAPHY SÓLARIS (2011) By The Throat (2009) Theory of Machines (2007)

̸BIOGRAPHY Warsaw-based Ukrainian dj, producer and amateur of slow-burning outsider electronics. bijū arose from the need to explore the intersection of machine and body. The need to blur the boundaries between dehumanized electronic music and the natural environment. His selection is a constant search between minimalist and dense, dynamic and slow, sharp and blurry sounds. Inspired by the vibration of synthesizers enriched by echoes emanating from the abyss, transforms the soundscape into a psychedelic spectacle, while enhancing the local experimental scene. As part of the Warsaw based Ukrainian collective SUMISH wants to strengthen interactions between people through synergies, exchange of vision and knowledge, building bridges between the migrant community and local society through the different creative disciplines. His latest LP "Land of Abundance" was released on Berlin based Sons of Traders Records. Curator of Healing Machine radio show on Mutant Radio, dedicated to slow-rolling experimental music. Author of the program Gnostic Methods on Radio Kapitał (archived). ̸SELECTED DISCOGRAPHY https://sonsoftradersrecords.bandcamp.com/album/land-of-abundance

Blawan

̸BIOGRAPHY claire rousay is based in San Antonio, Texas. Her music zeroes in on personal emotions and the minutiae of everyday life -- voicemails, haptics, environmental recordings, stopwatches, whispers and conversations -- exploding their significance.

̸BIOGRAPHY warsaw-based DJ / vocalist / promoter The founder of FURDA, also associated with Unsound Festival, hermeneia is a Warsaw-based DJ and vocalist who's primarily motivated by the idea of narrative building. She brings this to her DJ sets by focusing on dark, atmospheric, bass-heavy sounds, contrasting bulky floor-fillers with gossamer ambience. As a vocalist, hermeneia is equally as adventurous, working alongside respected hip-hop producer 1988 in his "Ruleta" project, and with harpist Ania Pasic on a forthcoming reinterpretation of Cocteau Twins' legendary "Treasure" album.

̸BIOGRAPHY Kitty Sarcasm is a music digger since her early years and a DJ by vocation. In her sets, she mixes various genres of electronic music. Starting with the deconstructed Southern American sounds, through Ghetto House, to UK Bass. In her mind, there are no boundaries in experimenting with tunes. She selects tracks over the rigid divisions and tests the limits of musical purists ;) In 2021, her mix was awarded and broadcasted on the British Radio Reprezent by the London-based Keep Hush community. Her selection was also appreciated by hosts from Polish radio stations RAM and Kapitał. Kitty Sarcasm has played gigs at clubs in major Polish cities. She is a co-host of LIBACJA - a series of events. Ex BITE Clique member.

̸BIOGRAPHY ᵔᴥᵔ resident DJ @ Psychotherapy Sessions / PTS in Bristol ˶′◡‵˶ radio host @ Rinse FM & Noods Radio ꒰・◡・๑꒱ one half of Avant Garbage ~_^ master eater @ rice bowl fan club

̸BIOGRAPHY Lonnie Holley was born on February 10, 1950 in Birmingham, Alabama. From the age of five, Holley worked various jobs: picking up trash at a drive-in movie theatre, washing dishes, and cooking. He lived in a whiskey house, on the state fairgrounds, and in several foster homes. His early life was chaotic and Holley was never afforded the pleasure of a real childhood. Since 1979, Holley has devoted his life to the practice of improvisational creativity. His art and music, born out of struggle, hardship, but perhaps more importantly, out of furious curiosity and biological necessity, has manifested itself in drawing, painting, sculpture, photography, performance, and sound. Holley’s sculptures are constructed from found materials in the oldest tradition of African American sculpture. Objects, already imbued with cultural and artistic metaphor, are combined into narrative sculptures that commemorate places, people, and events. His work is now in collections of major museums throughout the country, on permanent display in the United Nations, and been displayed in the White House Rose Garden. In January of 2014, Holley completed a one-month artist-in-residence with the Robert Rauschenberg Foundation in Captiva Island, Florida, site of the acclaimed artist’s studio. Holley did not start making and performing music in a studio nor does his creative process mirror that of the typical musician. His music and lyrics are improvised on the spot and morph and evolve with every event, concert, and recording. In Holley’s original art environment, he would construct and deconstruct his visual works, repurposing their elements for new pieces. This often led to the transfer of individual narratives into the new work creating a cumulative composite image that has depth and purpose beyond its original singular meaning. The layers of sound in Holley’s music, likewise, are the result of decades of evolving experimentation. Holley’s music caught the attention of Matt Arnett, whose father has been collecting Holley’s art since the 1980s. In 2006, Matt organized the first professional recordings of Holley’s music. In 2010, Arnett set up a performance by Holley at his home. One of the people in attendance was Lance Ledbetter, founder and owner of the record label Dust-to-Digital. Deeply moved by Holley’s keyboard playing and singing, Ledbetter signed Holley to his record label. Soon after, Holley found himself in the studio again, and in 2010 and 2011, more studio sessions ensued. The result was the album Just Before Music. More recordings continue to be made to celebrate and to document one of America’s most compelling musicians. In early 2014, Holley recorded again with Richard Swift, acclaimed musician and producer at his studio, National Freedom, in Cottage Grove, Oregon. In addition to the studio sessions, Holley began touring as a musician. In August and September of 2013, Holley toured the West Coast with Deerhunter. That tour was followed by a tour of the East Coast with Bill Callahan, and in November and December of 2013, Holley had his first tour through Western Europe (Spain, Portugal, Germany, Denmark, Belgium, The Netherlands, England, and France). Holley has been joined on stage or in the studio by a variety of musicians, including members of Deerhunter, Black Lips, The War on Drugs, Animal Collective, Dirty Projectors, Bon Iver, Julia Holter, Megafaun, as well as Ben Sollee, Steve Gunn, Jenny Hval, Marshall Ruffin, Daniel Lanois, Laraaji, Brian Blade, Alexis Taylor (Hot Chip), Bill Callahan, Dave Eggar, Laraaji, Kelly Pratt (Beirut/Arcade Fire/The Antlers), Sam Amidon, Aaron Embry (Elliot Smith/Edward Sharpe and the Magnetic Zeros) and others. In 2013, Holley’s first records were named to a number of Top Records of the Year lists, including The Washington Post (#4) and The Chicago Sun Times (#2). In 2014, Holley continued to tour, completing another tour of Europe (Belgium, Norway, England, Denmark, the Netherlands, and France) and a USA/Canada tour with Daniel Lanois. Also in 2014, the Metropolitan Museum of Art announced that they had acquired three sculptures by the acclaimed artist and musician, through the generosity of the Souls Grown Deep Foundation. Holley played a number of shows in 2015, touring Europe again to audiences in England, Germany, Switzerland, Belgium, France, and the Netherlands. That tour kicked off with a show at Queen Elizabeth Hall, as part of David Byrne’s Meltdown Festival. In addition to his European tour, Holley played shows at the Brooklyn Academy of Music, The Hammer Museum in LA, The American Folk Art Museum, St. James Hall in Vancouver, The Charleston Music Hall, among many others, but the majority of the year was not spent performing live. In 2015, Holley recorded music for the film Five Nights in Maine, which premiered at the Toronto International Film Festival and saw theatrical release in the summer of 2016. An exhibition of his visual art opened in the summer of 2015, titled Something To Take My Place: The Art of Lonnie Holley, at the Halsey Institute of Contemporary Art, accompanied by a monograph of the same name. In the winter of 2015/16, Supported By the Power: Lonnie Holley, an exhibition of Holley’s sculptures opened at Duke University’s John Hope Franklin Center. Lonnie Holley continues to make art, record music, and tour occasionally, either alone or with collaborators. The songs and the shows are never the same, as Holley never performs the same song twice. In the summer of 2016, he embarked on a tour throughout the Southeastern United States, this time with a full band of frequent collaborators that included Ben Sollee, Stevie Nistor, Kelly Pratt, and Marshall Ruffin. On the tour, the band visited artists, art sites, and museums, and held workshops for adults and children along the way. In late September, 2016, Holley’s music was sampled on the acclaimed third album (22, A Million) from Bon Iver. That same month, Holley was a featured visual artist at AfroPunk/Atlanta, where his found object sculptures were on display. In November of 2016, Holley embarked on his fourth European tour, playing a number of festivals and music venues, culminating in a sold-out, two-night residency at the acclaimed Café Oto in London. He returned to the States in time for the premiere of the short documentary about Holley, The Man is the Music, at Doc NYC in New York. Holley closed out 2016 with his final show of the year at Pioneer Works in Brooklyn, sharing the stage with Bon Iver. 2017 was also a busy year for the artist. In January, an exhibition of his art, Lonnie Holley: I Snuck Off the Slave Ship, opened at the Atlanta Contemporary Art Center. In May, an exhibition entitled Thumbs Up for the Mothership (a two-artist show with Dawn DeDeaux) premiered at MASS MoCA, coinciding with the opening of the new Building 6. His work was also featured in two exhibitions at the de Young Museum (The Fine Arts Museums of San Francisco) and had two solo exhibitions at James Fuentes Gallery, his New York gallery. Additionally, he made wood block prints with Paulson Fontaine Press, collaborated on three etchings and a zine with artist Chris Johanson, played a number of concerts, spent a lot of time in the recording studio preparing for the release of his third album, due out in the spring of 2018.

̸BIOGRAPHY Marginal Consort is a Japanese collective improvisational project formed by members of East Bionic Symphonia, an outfit assembled from students of Takehisa Kosugi’s workshop at Bigakko in 1975. Current members are former Taj-Mahal Traveller and guitarist Kazuo Imai, engineer Kei Shii, artist and Gap member Masami Tada, and musician Tomonao Koshikawa.

known for her eclectic mix of styles, tempos, and sounds, ojoo, fka OJOO GYAL, has a knack for blending diverse elements into an engaging and infectious experience. born and raised in Morocco, and currently based in Brussels, ojoo has established a mean reputation for mapping a sound uniquely hers in meticulous DJ mixes since 2019 at venues across Morocco and Europe, radio shows on Noods and Movement, and mixtapes on Accidental Meetings and Chrome. ojoo’s mixes give equal attention to atmosphere and groove. They are a swirling cauldron of rhythms across a whole spectrum of genres, from old-school dancehall to its most futuristic and distorted mutations, twisting through dub, reggaeton, dembow, grime, and sometimes excursions into the noisy, grubby and sludgy, with illbient, musique concrète, and more. AMX004 - OJOO GYAL vs. FUMU CHMIX005 - OJOO GYAL - Untitled

̸BIOGRAPHY Athens-based French Artist, DJ and producer OKO DJ. Member of label BFDM and of close to the collective Bruits de la Passion. Founder of LYL Radio Paris. Radio broadcaster of women only's "PU$$Y NIGHTMARE" on LYL Radio Originally from Paris, and now based in Athens, Marine Tordjmann alias OKO DJ's implacable rise to prominence has seen her establish as one of the finest DJs and producers to pace the world's stages. Core element of Judaah's Lyon-via-Marseilles operated label BFDM, member of Bruits De La Passion - a crew promoting alternative, off-piste parties that aspire to create safe spaces for creation and recreation, initiator of LYL Radio's Parisian antenna where she hosts her bimestrial show Pu$$y Nightmare - focused on casting a broader, more comprehensive light on female artists, all of that agenda attracting her wider recognition on an international level. 2020 has seen OKO DJ make a noticed debut in solo production with a track on Metaphore's imprint compilation, followed by an acclaimed first 4 tracks experimental EP on Futur 2010, featuring "one of the coolest downtempo tracks of the year" (RA). OKO DJ aims at exploring connections rather than divisions, bridging gaps with spirituality rather than widening them. Dishing out distinctively rich, genre-busting tapestries that transcend all limitative roles, Tordjemann has the secret to channeling surrounding energies and forces in her art with unrestrained panache and authenticity. ̸SELECTED DISCOGRAPHY 2021 - OKO DJ "When Her Lust Had Returned" (Décalé Records) 2020 - OKO DJ "Dans Les Lunes" EP (Futur 2010) 2019 - OKO DJ "Through Scalar Waves" (Metaphore Industrie) 2019 - Women In The Royal Court EP (Red Bull Music Studios Paris) 2016 - Marine Tordjmann feat. GAM / colletivo vandalismo "Rider" (Eye For An Eye Recordings)

̸BIOGRAPHY New album Sen out on 29.09.23 dalmatadaniel.bandcamp.com/album/sen Olivia is one of Unsound’s resident DJs and one of the biggest movers on the Krakow club scene. She’s Dj, producer and who is part of We Are Radar collective, 1/2 Radiation 30376. Few DJs truly have a unique vision: a distinctive approach that draws on a myriad of interconnected styles to create a unified, otherworldly sound of its’ own. Olivia is one such DJ. Initially best known for being one of the key resident DJs at the acclaimed annual Unsound festival that takes place in her home city, Krakow, Olivia has developed a trademark style that couples razor-sharp technical skills with an eclectic but interconnected approach to the raw, weighty and mind-altering music she mixes. Depending on the venue, event and vibe, Olivia might race through angular acid, loose-limbed electro, futuristic Motor City techno, concrete-clad industrial music, surging EBM, twisted Italo, glacial cold wave and metallic new wave. This forward-thinking blend of 1980s-inspired styles and experimental dancefloor workouts has proved popular with peers and punters alike, leading to sets at such leading clubs and festivals as Berghain, De School, Tresor, Golden Pudel, Dekmantel and Nachtdigital. Olivia has also showcased her trademark style via acclaimed mixes for CRACK, The Ransom Note, Dekmantel, Cxema, Digital Tsunami and Inverted Audio, appearances on Boiler Room, and a regular radio show on fast-rising station Noods. The Polish DJ/producer’s achievements are impressive, but no less than she deserves for her hard work and dedication to the underground over the last 16 years. She first rose to prominence as one of the most active DJs on Krakow’s electronic music underground, featuring in a number of collectives and appearing in clubs all over Poland before becoming a leading member of her home city’s We Are Radar party collective. Olivia remains an active member of the Radar collective, which includes a mixture of artists, DJs, events organisers and live performers. She has extensive experience in booking and events too, where the depth of her musical knowledge once more comes to the fore. Today, Olivia has her hands in many projects, collectives and live performance projects. These include Radiation 30376 (a live show with Chino that debuted at Unsound 2019), Morskie Oko (a hybrid live/DJ project with Chino and Steffan Bennemann) and Chrono Bross, a collaborative initiative with Kinzo Chrome. Although she has her hands full as a DJ and live performer, Olivia has devoted increasing amounts of time to music production over the last few years. She released her debut cassette, Skawa – a perfect distillation of her inspirations and influences in five forthright tracks – via K-Hole Trax in 2018, while her music has also featured on compilations from Pointless Geometry and the Wire Magazine. In 2020 she released "Dancing Snake" ep at Pinkman label. On the same label in 2021 she released with Chino "Arka" ep as a Radiation 30376. 2022 was also full of new music out from her with "New Life" ep at Dom Trojga label and split records with Rapha at Dalmata Daniel. She says that new music is on the way; if her DJ sets and previous productions are anything to go by, it will be edgy, uncompromising, unexpected and undeniably unique. ̸SELECTED DISCOGRAPHY Olivia - Skawa (K-HOLE TRAX) Olivia - Dancing Snake (Pinkman) Olivia - Relief (Various - V​/​A Vol. 1/ Voyage Select) Radiation 30376 - Git (Various - House Of Troubles/ Syntetyk) Radiation 30376 - Bajkonur (Various - V​/​A Vol. 1/ Voyage Select) Olivia - Hope (Various - Domownicy Różnoracy Cz​.​2 ‎/ Dom Trojga) Olivia - Relief (Various - V​/​A Vol. 1/ Voyage Select) Olivia - Hey (Various - DDC02 : V/A / Dalmata Daniel) Radiation 30376 - Arka (Pinkman) Olivia - New Lige (Dom Trojga) Olivia - Protesters (Various - Compilation for Ukraine/ Dalmata Daniel) Olivia - split ep with Rapha (Dalmata Daniel) Wulkan - Lush Name (Olivia Remix)

̸BIOGRAPHY Olof Dreijer is a music producer, DJ and musician and a member of the Swedish electronic pop group, The Knife. Olof has been involved in different cultural projects where music plays a central role in communicating political beliefs. His solo project, Oni Ayhun, plays with stereotypical ideas and norms about gender in dance and experimental music. Starting djing around 98' at local school parties, he ran his first club in high school and has been djing since. He started out playing Disco, House, Garage, and Drum n' bass playing more Hip Hop and R&B in the early 2000's. Following this was a long period of playing harder Techno and House, including EBM and Shranz. The last decade has seen him playing mostly throughout Europe when he's not too busy producing music in his Berlin studio. Currently, as a DJ, Olof plays a mix of West African pop music, Kuduro, Acid, Hip Hop, R&B, and melodic Techno and House. He enjoys making fun edits and remixes to play in his sets. He recently remixed the Swedish Batucada group, Yacombe. You can hear it in the opening of his Rinse FM mix. He’s currently producing music for friends like Planningtorock, Zhala, and Houwaida Hedfi aka Hiya wal Âalam- a band in which he also plays the flute & percussion.

̸BIOGRAPHY O)))

̸BIOGRAPHY Berlin based multidisciplinary artist, DJ and co-founder of the Egyptian label irsh. Rama is a multidisciplinary artist and DJ based in Berlin. With the aim of creating a space and platform for artists from Cairo's experimental electronic music scene, she co-founded the independent music platform called irsh in 2019. What started as a homemade video series featuring Live and DJ sets quickly evolved into a label. As a DJ, Rama swiftly made a name for herself in Cairo's electronic and dance scene by performing at underground parties such as VENT, JellyZone and MOSHTRQ. She is recognized for her ability to draw from a diverse range of sounds without being constrained by genres, making it easy for her to play to the room; whether it’s heavy bass and high energy bangers or groovy beats and hiphop. Her method of mixing is more akin to live mashups than regular blends. On her monthly show on Noods Radio, Rama delves into different sounds, showcasing a wider palette in a space that allows her to play music that may not always be suited for the club. Every two months, she also hosts guest mixes from some of her favorites artists; ZULI, ABADIR, Nadah El Shazly, Sineraw and JENN.

̸BIOGRAPHY "Grinding electronics/noise and speaker ripping techno."

SHERELLE is leading a new generation of high-speed ravers who are addicted to jungle, drum ‘n’ bass, footwork and juke. Through her DJ sets, radio shows and record label she gives a platform to both scene elders and new talent and is committed to pushing 160bpm+ dance music into the future. The London-born DJ has been busy since that Boiler Room sent her signature brand of low-end energy viral: She’s held down a year-long Radio 1 residency that’s seen her showcase cutting-edge dance music to a mainstream audience as well as host OGs like DJ Spinn, 4Hero, Kode9 and Luke Vibert as well as next gen disruptors like Mantra, L C Y, Yazzus and Fracture; She’s started the Hooversound label alongside partner in club music Naina with releases from Hyroglifics, Sinistarr and Deft; And she’s co-founded the incendiary 6 Figure Gang squad with Fauzia, Jossy Mitsu, Dobby and the aforementioned L C Y and Yazzus. Let the takeover begin.

̸BIOGRAPHY Ziúr is an experimental producer/musician and a fixture in Berlin's rich musical topography. Ziúr is an experimental producer/musician and a fixture in Berlin's rich musical topography. It seems as though she produces her releases in the way someone scoring a television series does, gathering and arranging their selections for each episode … isolating and apprehending definitive scenes and memorializing their ethos in song. Soundtracks, much like her release “Antifate”, guide the listener through radically different emotional states, yet somehow still offer an idea of what underpins a show's (or in this case an album's) particular hues. Ziúr produces music within such a scope, expansive, rich and diverse in texture. The sounds are simultaneously machinistic and deeply anthropomorphic, toying with mechanical isolation and the chaotic spectrum of human emotion. Unlike a soundtrack or score, there is no film to which one can turn to narrativize the music … there is only evocative sounds reaching from each song towards the cybernetic sublime. ̸SELECTED DISCOGRAPHY Blur - EP 2021 (Now Now) Antifate - Album 2021 (Pan) Now Now - EP 2021 (Now Now) Are We? - EP 2020 (Self Released) ATØ - Album 2019 (Planet Mu) Isn't No Place And All Places The Same Place - Mixtape 2019 (Self Released) U Feel Anything? - Album 2017 (Planet Mu) Deeform - EP 2016 (Objects Limited) Taiga - EP 2016 (Infinite Machine)