Electronic Music Producer & DJ from Bangalore, India. Releases on Sudbeat, Juicebox Music, Mango Alley, WARPP, and more. Aman Anand specializes in producing music that blends electronica, progressive house, and deep techno in a unique way that is his own. His distinctive style has garnered support from acclaimed artists such as Hernan Cattaneo, Guy J, Secret Cinema, Guy Mantzur, and Khen to name a few. As a self-taught artist, Aman Anand's abilities have led to releases on well-regarded international labels, including Sudbeat, Balkan Connection, Juicebox Music, and Mango Alley. In addition to his production endeavors, Aman Anand has been refining his DJ skills, setting the stage for some of the biggest names in the business like Dubfire, Damian Lazarus, Nick Warren, Guy Mantzur, and Fur Coat. He has performed at a variety of clubs, including Headquarters and Tuff Club in Singapore, WARPP in St. Petersburg, The Lighthouse in Saigon, and blueFROG in Bangalore. Furthermore, Aman Anand has made appearances at festivals such as Lumera Beach Festival in Phu Quoc, MusicOn Festival in Sri Lanka, and Fields of Love 2.0 in Hyderabad. Aman Anand - Raikou [Sudbeat] Aman Anand & Praveen Achary - Fiasco [Juicebox Music] Aman Anand & Mango - The Project EP [Mango Alley] Da Luka & Aman Anand - Mythical Creatures EP [Roku Music] Aman Anand x ZEHV - Solarbeam EP [Stripped Recordings] Dmitry Molosh - Butterfly (Aman Anand 'Moonlight' Remix) [WARPP] Aman Anand - Shadows EP [One Of A Kind] Da Luka - Secret City (Aman Anand Remix) [Soundteller Records]

A couple of years after winning the Beatport Breakthrough Award in DJ Mag’s Top 100 DJs poll, ANNA enters the list at No.95. Known to her parents as Ana Miranda, she went from playing to a 1,500-strong crowd at the age of 14 in her home country of Brazil to fronting DJ Mag North America in 2019. New music from ANNA has been huge in festival sets for many world-leading techno DJs all summer. Then there was the richly deserved Essential Mix for the BBC that started 2019 off right, as the Brazilian distilled 20 years of DJing experience into an inspiring two-hour techno masterclass. DJ Mag rightly recognised her talents, putting her on the cover of their North American edition in February, a nod to the breakaway impact she’s had on that region.

Bedouin is a Brooklyn-based production & DJ partnership between nomads Rami Abousabe and Tamer Malki who are creating their own idiosyncratic spell of melodies and rhythms.Bedouin

One of dance music’s brightest stars, 27-year old Berlin based producer and live act Ben Böhmer has had another monumental year. His debut album ‘Breathing’, released on Anjunadeep at the end of 2019, has since attained over 25 million streams, drawing admirers from across the Electronic music spectrum; including Boris Brejcha, who remixed the title track and pronounced Ben as his ‘Breakthrough Artist of 2020’. A string of other singles and remixes released across the year have seen Ben become a mainstay in the flagship Electronic playlists and Beatport 100, as he sets his sights on his second album, due out towards the end of 2021.

The Southampton-born and bred producer Biscits was one of the top 10 selling artists of 2019 on Beatport and is currently receiving over half a million monthly streams across platforms. He’s been releasing via Sweat it Out and Solotoko including collaborations with Solotoko’s head honcho Sonny Fodera. Biscits enjoyed a solid year of touring across the world which included Listen Out Festival in Australia, Track So Boa Festival in Brazil and Warehouse Project in Manchester supporting the likes of Fisher, Chris Lake, Sonny Fodera, Solardo, Diplo and many more. 2020 Is already set to be a big one with a steady flow of releases forthcoming on Diplo’s Higher Ground, Sonny’s Solotoko, Chris Lake’s Black Book and Australia’s Sweat It Out.

Considering his meteoric rise to fame, it would be easy to stereotype Black Coffee as just another black diamond, a BEE beat magnet out to mine the insatiable upwardly mobile urban house-party market. But as he proved on his South African Music Award-winning album Home Brewed, this DJ and producer defies convention. Sidestepping Afro-house clichés and stage-managed highs in favour of restrained sophistication, Black Coffee’s penchant is for true Afropolitan house: home-brewed but trendsetting, fashion-conscious and future-focused. Expect almost sculptural balance and beauty.

Delivering unparalleled tech and bass house delicacies from the studio, Indonesian born artist Bleu Clair is bringing to dance floors what one can only describe as flaunting house music for the future. Essentially, this young producer has curated a signature sound under his name that evokes a dynamic energy amongst the tech and bass house devotees and music industry pioneers alike.

Simon Green aka Bonobo is back with his sixth album – the masterful, magisterial “Migration” – is a record which cements his place in the very highest echelons of electronic music and beyond. By turns lush, manic, beautiful, melancholy, joyful, packed.. Bonobo’s last album, “The North Borders”, went Top 30 in the UK and was number 1 in the electronic charts in both the US and UK. In support, his 12-piece collective (over an 18 month period) played 175 shows across four continents and 30 countries, wowing a total audience of around 2 million people. In fact, Songkick reckoned him to be amongst the most travelled artists on the planet that year. The tour included two sell outs at the Sydney Opera House, an all-day festival at the Roundhouse culminating in a sold out show at Alexandra Palace (10k cap) plus a number of high profile festival slots. Over the course of five albums for the legendary label Ninja Tune, a myriad of tours, singles, remixes and production work for other artists, Bonobo has built a large, loyal and engaged global fanbase: over half a million album sales and over one hundred and fifty million streams on Spotify point to the levels of success achieved by this quiet, self-effacing man. Most recently, Bonobo curated an international series of Outlier events including a sold out all day festival at Tobacco Dock in London and further parties in Berlin, Madrid, Paris and New York. After the epic North Borders tour, Bonobo relocated once again, continuing his gradual move westward by laying down roots in Los Angeles. He had spent almost three years out on the road with no fixed home and on returning to New York, he found it a “noisy, stressful environment” and decided to try the other coast. All this – both the monumental live and DJ tours and his new home in a city full of people from somewhere else – has fed into what makes “Migration” such a special record. Drawing on both a new interest in found-sound and the “euphoric, spiritual moments” he experienced when playing his all-night DJ sets at his Output residency (where many of “Migrations” tracks were road tested) in New York and his Outlier events around the world, Green has placed the unstable, the heartbreaking, the often beautiful migratory life at the core of how he understands humanity, and hence how he understands music. Migration is to him, “The study of people and spaces,” he expands, “It’s interesting how one person will take an influence from one part of the world and move with that influence and effect another part of the world. Over time, the identities of places evolve.” It’s also true that the person will be changed. Green’s newest work is itself a statement of this change and growth.

Berlin-based duo Booka Shade (Walter Merziger and Arno Kammermeier) have carved out a reputation as one of the most celebrated electronic acts to come out of Europe over the past two decades.Booka Shade

Boys Noize is the Berlin-based Dj and producer Alexander Ridha. Founder of Boysnoize Records and its sub-label BNR TRAX.Boys Noize

Carl Craig is described as a creative visionary, an electronic music icon, an esteemed Grammy-nominated composer, a world-class dj and an ambassador for his native Detroit. Yet the common thread that runs through Craig’s broad musical canon and creative projects is a resounding fascination with futurism. The prolific producer has cultivated a unique path as an artist, entrepreneur and civic leader, guided by his tendency toward forward thinking.

Claptone is a German DJ and producer duo which specializes in house and tech house genres. They are recognizable by their plague doctor-style golden mask, which serves to intrigue the public as well as keeping their identity hidden. Claptone first surfaced in 2011 with a series of digital singles on Shir Khan's Exploited label. These tracks were generally built around recognizable samples, such as a cover of "Light My Fire" or the haunting melody from Wu-Tang Clan's "C.R.E.A.M." Claptone soon became highly prolific as a remixer, with clients including house producers George Morel and Riva Starr as well as pop groups such as the Pet Shop Boys.

Claude VonStroke created a small underground record label called Dirtybird in 2005 and grew it into a full-fledged events, clothing and music brand over the last 15 years. During this time, he has also managed to release 4 artist albums and some of the most iconic house music tracks of the last two decades. Most people know Claude VonStroke for his smiling DJ persona touring every major city, festival, and basement after-party around the world. But Claude has also influenced the very fabric of the dance community, A&Ring an impeccable roster of acts like Justin Martin, Fisher, Shiba San, Catz n Dogz, Riva Starr, Tim Green, Breach, Eats Everything, Walker & Royce, Shadow Child, and countless others. (And even naming a few of these artists.) Today, his Dirtybird label continues to surprise and innovate in the underground dance scene, releasing an enigmatic combination of house, funk, dirty bass, and electronica.

Following his infectious debut EP on Elrow Music in 2017, Cloonee went on to release on some of the scenes most influential labels, solidifying his break onto the Tech House circuit and gaining support from major taste-makers. Cloonee continued his growth into 2018 releasing “no-nonsense tech house” – Earmilk, on dominant labels such as Lee Foss’ Repopulate Mars and Michael Bibi’s Solid Grooves to name a few. After securing his first Beatport #1 with “Be Good To Me” in early 2019, many more heavily hyped unreleased productions in the pipelines and a hefty international touring schedule; Cloonee’s rise is set to continue.

Sure, Jazzy Jeff is known for being a star in Fresh Prince of Bell Air, but so too is he a hip hop pioneer and icon who has won three Grammy Awards, three American Music Awards, two NAACP Awards, two Soul Train Music Awards and an MTV Music Award. He has recorded with Fresh Prince star Will Smith, and continues to turn out truly majestic albums including ‘The Return of the Magnificent.’ Jeff has also lent his hand to other notable acts including Kenny Lattimore, Tatyana Ali and soul goddess Jill Scott, also from Philadelphia, and also a Grammy winner for here incredible full-length albums. As a DJ, too, Jazzy Jeff has to be one of the most accomplished in the world, with turntable skills honed over decades.

Melbourne based DJ/producer Dom Dolla has taken the world by storm with a series of forward thinking hypnotic house music heaters, including his international breakthrough ‘Take It’, which he quickly followed up with ‘San Frandisco’. With both records accredited gold and platinum, the latter went on to earn him a multitude of accolades including #1 most played triple j, whilst charting at #33 on triple j’s Hottest 100 list, before earning himself an AIR award for Best Independent Dance Release, as well as an ARIA award for Best Dance Release following two previous nominations.

Bristol, England DJ and producer Eats Everything started out spinning jungle and drum'n'bass. Over the years, the man born Daniel Pearce incorporated more bass-loaded house into his repertoire, crafting a party-starting sound the likes of Carl Cox. His non-stop party started in 2011 with his debut track, "Entrance Song" (Pets Records), a heartier and richer version of Disclosure's deep house. The Eats Everything EP followed on Dirtybird, and Pearce, preferring performing over studio time, continued with a series of consistent releases over the following years. A slew of honors helped move along his exposure, notably a few essential mixes for Pete Tong's BBC Radio 1 show, as well as the DJ Mag award for Best British DJ in 2012. In addition to filling dancefloors, he also left his mark on works by Adam F, Jamie Jones, X-Press 2, Four Tet, Skream, Sinead Harnett, and Disclosure. ~ AllMusic

Eli Brown has rapidly established himself as an artist of real distinction in the house world, with his records making an immediate impact upon a flurry of the industry’s biggest names. Having grown up in Bristol, Eli Brown was exposed to a rich array of different musical influences from Jungle to Rave music, form Drum n’ Bass to House. Bristol’s musical heritage has helped define Eli Brown’s sound in an overcrowded House Music scene where he stands out from the rest. His talents have garnered key support from every corner of the dance music spectrum, with the likes of Carl Cox, Green Velvet, Fisher, Claude VonStroke, Black Madonna, Denis Sulta, Calvin Harris & Annie Mac, all endorsing the Bristolian’s productions. Singled out for his gritty style, Eli Brown’s productions are renowned for their singularly sinister approach, creating twisted dancefloor hits packed with vibrant club-ready energy. Self-taught in both his skills behind the turntable and his powerful production prowess...

Representing the Yeti Out crew.. Fergus is a DJ, Producer and Promoter who has worked amongst legends across the music, fashion and art world. From Grandmaster Flash, Adidas, A$AP Mob to Burberry. Back in Hong Kong he runs a monthly club night “South Canton Soul Train” which connects the dots between genres from around the globe such as Canton Funk, Laos Boogie, Seoul Soul, Japanese City Pop, Italo Disco and Classic House.

27-year-old Ida Engberg started DJing hip hop and soul aged 14 after a boyfriend showed her how to mix, but she says “I had absolutely no plans on becoming a DJ, I just saw it as a new way to listen to and interact with music and I loved it!” But fate had other plans – while at a friend’s bar aged 18 his regular DJ called in sick. Ida talked her way onto the decks on the proviso that if it wasn’t working after half an hour she’d get off again – by the time she’d finished playing she’d secured her first weekly residence. “I was probably a terrible DJ” she says modestly, “but he loved the music so he booked me every Friday. At this time I was playing lounge music, ambient and soulful house.”,Ida honed her mixing skills and bagged her second residency through more fortuitous timing – working as a host at a big nightclub, Spy Bar, she stepped in for the errant resident DJ who’d had a skinful and promptly disappeared, leaving the dancefloor in silence. The owner immediately changed her job description to DJ, and put her in the main room, kicking off her DJ career proper. “I guess it was there it really started” says Ida. “I was playing house, tribal and electro and I really loved every second of it! I kept my residency there for two and a half years until I decided I wanted to spread my wings a bit.”,A move to Marbella brought 8 months of club gigs, followed by a season in Ibiza which inspired Ida musically like no other place. “I had fallen deeply in love with the minimal techno sound so it was perfect at the time. In Ibiza I met so many people who shared the same dream- To be working with music.” “I was playing in bars and smaller clubs and in afterhour parties. Everywhere I went it was people with the same passion for music as I had.” At the end of the season, Ida returned to Stockholm landing a top residency at Cocktail Club, the best underground club in Stockholm. “My first gig was a warm up for Eric Prydz and after that I did warm ups for everyone from Damian Lazarus, Mandy, Anja Schneider and Jennifer Cardini to Roger Sanchez and Steve Angello. “Stockholm is a great platform for electronic music. There are so many great producers and DJs living here and people really support each other.”,Although DJing is her first love, it was only a matter of time before Ida tried her hand at production. Her first effort was the massive Disco Volante – signed by John Dahlbäck to his Pickadoll label and released in 2007 with a Sebastien Leger remix it became a huge hit all over the world, featuring on compilations from Ministry of Sound, Defected in the House and Pacha Ibiza. It charted across the whole of Europe, doing especially well in Holland, Belgium and Germany. Two more tracks have followed on Get Physical and Pickadoll plus a remix for Dada Life, and Ida signed with the Plantage13 agency for international gigs. She can be found playing her brand of minimal, techno and tech house in clubs all over the world every weekend, and her love of what she does is obvious to all. Playing unplanned sets allows her to respond to the crowd, and she’s rocked parties and clubs like Miami’s Sunday School for Degenerates, Yes at Watergate in Berlin, Tomorrowland in Belgium, Melkweg in Amsterdam, Catwalk in Rotterdam and Op Art in Portugal to name a few. Lately she also took part in the Drumcode parties with Swedish companion Adam Beyer. “It’s still a musical journey, my style develops all the time and I’m always open to new impressions” says Ida. “That’s what makes it the best job in the world!”

Ivy Lab is a collaborative project between Sabre & StrayIvy Lab

In less than three years, this enigmatic young house producer from Montreal has given the current musical landscape progressively deeper ideas of what house music can mean in the new decade. Beyond the sparkling original releases, eps and remixes, this..Jacques Greene

Jamie Jones is a Welsh DJ, producer and two time DJ Awards winner. A modern-day example of a powerhouse in the music industry; as well as his own productions on a multitude of dance labels, he co-founded the globally successful label Hot Creations and launched the conceptual party Paradise, hosting events the world over including an eight-year residency at DC-10 in Ibiza. A highly respected DJ/producer that pioneered a new genre of house music, Jamie has a dedicated fanbase, hard-working ethos, and a solid team behind him that's been there since the beginning; with such a striking presence in the house and techno scene for the last decade, his entry into the Top 100 DJs poll is long overdue. Next year the Paradise Ibiza residency will launch in Amnesia for the first time, with a new theme — ‘An Age Of Love’. The terrace is a dancefloor that holds many nostalgic memories for Jamie, and we’re sure there will be many more moments to come following his legacy at DC-10. ~ DJMag

Latmun, the moniker of Joe Bradley is making his mark through a unique interpretation of the Tech House soundscape. Both his DJ sets & own productions have a coherent energy, infectious grooves being the key component for crowds to be captivated worldwide. 2016 was career defining for Latmun, with all 3 EP's breaking into the top 10 on the Beatport Tech House releases. This started off with his 'Def' EP on VIVa, which received support from scene heavyweights like Skream, Claptone, Claude Vonstroke, Mathias Tanzmann, Steve Lawler and many more, it still continues to soundtrack the biggest festival stages today. The Dance & Bop EP on Wow! Recordings had similar success and carrying on the momentum through to his most recent offering via Leftwing & Kody's Lost Records. 'Cosmic', the titular track shot all the way up to number 5 in the top 100 tracks chart, showing he earnt being named one of the stand-out artists of 2016.

Hailing from the DC Metro Area, Luke Andy is one of the brightest young stars in electronic music. After only three years of producing and DJing, Luke has already played some of the best venues and festivals in the world, and has an array of collaborations with established producers. After gaining support from artists like Ardalan, Shiba San and Claude Vonstroke, Luke moved to California to pursue his music career. His unique blend of influences include underground hip hop, brazilian bass, and tech house, making him quite the powerhouse in the scene.

Influenced by everything from the sunsets of his San Francisco hometown to DJing the playa at Burning Man, Luttrell’s unique brand of melodic techno has seen him gain heavy support from BBC Radio 1, and receive remix requests from renowned acts Moby, What So Not, and Tycho. Annie Mac made ‘Intergalactic Plastic’ her Hottest Record in the World, and his productions have also been supported by Pete Tong, Kolsch, Joris Voorn, Lane 8 and many more. His early musical influences include The Smashing Pumpkins, Nirvana, and The Prodigy, but a semester spent studying in Berlin introduced him to techno. Now a mainstay of the Anjunadeep touring family, Luttrell has performed at major venues on both sides of the Atlantic, from Bill Graham in San Francisco, to London’s Printworks. 2018 saw him play Holy Ship, the DoLab at Coachella and Tomorrowland, plus supporting Above & Beyond, Rüfüs Du Sol, and Lane 8 on their US tours. He kicked off the year with his debut artist album ‘Into Clouds’ and an accompanying 23 date North American tour. He will play Lightning In A Bottle, Electric Forest and Anjunadeep Explorations later this year, in addition to many other great festivals still to be announced.

DJ, producer, label owner and businessman: Mark Knight has proven a rare and wonderful breed of musical heavyweight. The second highest-selling Beatport artist of all time (with no less than eight No.1’s) his career has spanned more than a decade, with releases on a diverse range of labels such as Suara, 1605, Stereo and of course his own Toolroom. Despite his success, the Grammy-nominated artist has never rested on the laurels of being one of the industry’s most respected and accomplished international players, and continues to push boundaries and set new standards with each year that passes. ~ Soundcloud

Michael Bibi has fast become an established member of the Underground Music scene. The London based new kid has honed is craft between countless hours in the DJ Booth & Locking himself away in his South London studio curating the world wide recognised sound & brand that is 'SolidGrooves'. Bibi is more than just your average Producer/DJ. Playing Music, Making music & a love for the party scene are the three sole things that motivate the SolidGrooves 'Head Honcho', he will not let anyone or anything come between him and making sure that his unique stamp is on every piece of music released & party put on under the brands name.

;a channel to enter other dimensions of coloured refracted dreams and soundwaves.Öona Dahl

A pan-pot is a simple, workday knob, given to side-to-side flip-flopping and not much else. Pan-Pot, on the other hand, are a brilliant multi-dimensional Berlin duo currently twisting house and techno fans into rapturous fits. In just a few short years, Pan-Pot - comprised of Tassilo Ippenberger and Thomas Benedix - have developed a dominate presence amongst the top tier of electronic dance music, with an ascension paralleling the rise of their native label, mobilee records. ~ Mixcloud

Carving a reputation as the contemporary face of British house and techno, Patrick Topping continues to garner widespread acclaim on account of his prolific production prowess and dynamic DJ sets. Soundtracking countless sunrise memories as resident of Jamie Jones’ famed Paradise parties at Ibiza’s DC-10, Patrick’s now 50-release strong back-catalogue is bursting with iconic dance-floor records on labels such as Hot Creations, Truesoul and Relief Records, with further remixes for Calvin Harris and Booka Shade charting Patrick’s meteoric rise. Armed with an arsenal of career defining productions in the form of the Beatport chart-topping ‘Be Sharp Say Nowt’, Green Velvet collaboration ‘Voicemail’, and 2014’s Ibiza track of the season ‘Forget’, Patrick’s far reaching appeal has seen him play numerous festivals including Coachella, Awakenings, Ultra, and Tomorrowland. ~ Soundcloud

A project forged in the white-hot atmospheres of the Irish underground music scene has ushered in the biggest breakout star of the last 18 months – and one of the most exciting new artists in years. Rebūke is a DJ and producer creating something new and genuinely exciting. A soundclash of techno, house and rave records from the early ‘90s creates that elusive thing – a sound of his own. An ever present in the Beatport Top 10, he’s established his own ERĀ Music parties, kicking off with a sold-out Autumn 2019 Tour of UK and Ireland across nine cities and most recently selling out District 8 in Dublin – reflecting his huge popularity and the fan base he has gathered around him.

Rinzen showcases the confidence of a seasoned techno maven. Rinzen builds a melange of techno, progressive, and house influences into something entirely his own. Despite being in the infancy of the project, US producer Rinzen is already staking a claim for one of the most exciting new artists to come out of the West Coast. Rinzen's debut EP 'Forbidden City' is a sonic exploration of human depth.

The German-Italian dance producer was raised in Belgium, speaks four languages, has a masters degree and has lived all over the world. He began playing the cello at the age of seven, he fell in love with dance music in his teenage years and shortly after started creating music. For much of Sacha’s early years, He spent in Berlin as a part of Robosonic, releasing music on labels such as Suara, Defected and Off, and touring the world. It wasn’t until 2012 when he release his first record “the major” on Dirtybird as Sacha Robotti, followed by releases on This Ain’t Bristol, Lost Records, Desert hearts and Insomniac Recordings. His 2017 EP on Desert Hearts Records with Mikey Lion “Ol’ Dirty Hearts” bridged the sound between Desert Hearts and Dirtybird, and May 2018 saw another collaboration between Sacha and Mikey released on the Dirtybird BBQ Compilation. Sacha currently resides in Los Angeles and is still a staple in the Dirtybird community..

Satori is inspired to capture electronic world music, where he combines endless blends of seductive trance and mind-altering earthy tones. It is not defined by any-one genre. Satori is here to satisfy any meditative music-lover by provoking a spiritual journey through his infinite sound-garden. Listen as you take on new dimensions of his musical world, where movement, dreaming and creativity are endless. Let the sound live in your heart, harvesting every last memory of dance and rhythm. Satori’s sound is more than just a switch on a soundboard; he is the man behind the instrument, creating melodies from the piano, kora, kalimba, and guitar in combination with a deeper form of electronic music.

Hailing from Manchester, production duo Mark Richards & James Eliot, collectively known as Solardo, are continuing the city’s rich heritage in house music.Solardo

Stephan Bodzin has been a hugely influential figure within the global techno scene for years. The reason the German has endured where many had fallen by the wayside is because of his devotion to authenticity. “Without it, everything would appear to be nothing more than a hollow shell,” says the son of an experimental musician who is now a revered talent in his own right. After starting out by composing music for several prestigious European theatres, Stephan Bodzin soon fell in love with nocturnal club sounds and began producing his own brand of techno. He impressed right from the off and has gone on to work with Oliver Huntemann under myriad aliases including Rekorder or with Marc Romboy including on albums like “Luna” and more recently “Kerberos & Styx” in 2014. As a solo producer Stephan Bodzin have defined the modern techno scene and has amassed an enviable discography that takes in established labels. ~ Official Website

How does one begin to write about Tiga? Where to even start on a long road marked with notable checkpoints? What can be told that can’t be tallied in raw statis...tics (which he’s a total stickler for), or an unfurled parchment scroll of places gone and plaudits won? The duality of a life split between aspirational popstar and touring deejay falls short: by this point in time he’s lived dozens of lives, let alone a mere two. Frankly the only claim that doesn’t wash is that of being in a legacy mode – because that, to him, denotes the cardinal sin of coasting. And that just won’t do. The core engine pushing Tiga forward is ambition. It’s there, everywhere: at the dials in any given club in any given city in any given country on any given weekend; burning the midnight oil in the Research & Development wing of his career control centre, crisp shirt sleeves rolled, assessing and strategising over his next move; with his feet up on the gleaming glass desk in the penthouse office of Turbo Towers, gold plaques of decade-dominating dancefloor delights flanking him – it’s there. Self-aware, well-moderated, yet totally unrepentant ambition. Plus a bit of wit, too. To be insulated from any real backlash over a quarter-century in the game and across many different hats worn, a touch of humility and humour certainly helps it all go down easy. His goal is to dunk on people with success, but do so in a friendly way, soaring overhead with the sly wink of chutzpah (but never the nudge-nudge of solipsistic irony for irony’s sakes). To maintain pole position while swerving between all these lanes with impunity, he taps into a well-spring of regenerating desire. From the getgo Tiga has sought to not merely play a part in the culture he abandoned all life commitments for age 17, but frequently scale its heights too: Attending Berlin’s Love Parade circa ’92-95, then hearing DJ Hell drop “Sunglasses At Night” to the masses not too many years later. Giving a speech at his Montreal alma mater, then converting some of the impressionable graduates in the audience to come work at Turbo. Starting an independent label on a whim, then reaching 200 releases in a stormy industry with a higher turnover rate than Real Madrid managers. Getting hooked first on the fearless compulsion of Bowie, Reznor and Almond, then the frigid cool of Mills, Hawtin and D. James, then threading the needle consummately between these two worlds. These highwatermarks form the backbone of his pride, and in turn, fuel the self-perpetuating motion machine inside. There’s always extra room in the cockpit, mind. An army of collaborators, remixers and remixees have provided vital thrust over the years. From Alter Ego and Azari & III through Duke Dumont and Depeche Mode; from Matthew Dear and Moby, through Zombie Nation and Zdar, Phillipe; Paranoid London, Pusha T, Pet Shop Boys and Peaches.…on and on it goes. Read between the lines and you’ll get a measure of the man. Teamwork affords stimulus, shuts down ego, and juices something he can’t get to alone. At heart, it brings out the best in Tiga. So it’ll prove in 2018, where the fingers of his well-combed Rolodex currently rest on entries marked Kolsch, The Martinez Brothers, and Hudson Mohawke. The fruits of this friendly jousting with find their way out of track ID requests and into the shops before long (perhaps even by the moment you read this – hope you’re enjoying the future and remembered to short your cryptocurrency in time). It would be a lot easier to rest on his laurels by this point, really. To trade on former glories, reflect fondly on a career spent dovetailing in and out of the spotlight with likeminded friends, turning in a jaded, half-assed representation of himself at festivals and recording sessions when the taxman comes knocking. But Tiga is still too confident, self-respecting, and – how did you guess? – ambi-tious for that. The challenge he seeks is to keep experiencing the frisson of creative alchemy, to lock into a groove where he is truly in the zone, to dig deep and reproduce a fresh take on that first-love feeling of music: something that connects with young ravers and inspires the same spark he felt all those years ago. That’s the spur, the lifeblood, the DNA. And that’s why Tiga remains an ever-present light in our little corner of the universe. See more

Dj/ producer based in Los Angeles, Ca.

An instantly recognizable DJ with his unique style and a one-of-a-kind beard, Will Clarke has solidified his place in dance music with recent hits “Hallelujah”, “U Take Me Higher”, and his collaboration with MK, “My Church” all released on his new label All We Have Is Now. In addition to his work on his own label, Will Clarke has recently put out records on highly esteemed labels Kneaded Pains, We Are The Brave, TrueSoul, and Relief as well as a string of remixes including Duke Dumont’s “Love Song” and a remix of Adam Beyer’s “Your Mind” on Drumcode.

Will’s background as drummer and percussionist led to an obsession with electronic drums, with mixing following closely after.

Otto Yliperttula (born October 8, 1986), known professionally by his stage name, Yotto, is a Finnish DJ, songwriter, and record producer. Currently residing in Helsinki, Finland, the 30-year-old is signed to English deep house label, Anjunadeep. Yotto came to fruition with a string of remixes and originals that caught the ear of Anjunadeep label boss, James Grant. Deemed “a man of many sounds” by Billboard and “an experimental house talent” by Dancing Astronaut, he produces a number of styles within the house music genre and sometimes other forms of electronic music. As well as his own solo releases, Yliperttula has worked alongside other DJs & producers such as Coldplay, Rüfüs, Above & Beyond, Lane 8, and Super8 & Tab. A five track EP titled ‘Stars’ was released in 2013 on The Shapeshifters Nocturnal Groove imprint by Otto and Karolus Viitala under the moniker Something Good. He has also collaborated with his younger brother who performed vocals on tracks under the alias CAPS. ~ The Vogue