baloneybillionaire (a.k.a. Good People’s Club): Designer for Tokyo Community Radio, former resident DJ for HNH Records Tokyo. Likes fast paced UKG and Jungle, but plays a variety of different genres.

Hojo comes to Taipei by way of Seattle, USA, and has been DJing and throwing parties for a decade. Always wants to push the edge while keeping the floor moving, no genre is off limits during his set.

∧__∧ ( ･ω･) (っ▄︻▇〓▄︻┻┳═一 /　 )ﾊﾞﾊﾞﾊﾞﾊﾞ ( /￣∪ ฅ•ω•ฅ : soniahhhh@gmail.com

DJ/producer based out of Taipei. Available to DJ and perform live sets of techno, house and ambient music.

It is a collaboration project between well-known music producer Lujiachi Lujiachi Break Hell and Jon Du Forests in the Taipei Basin. LUDU was born between the tangled wires of analog electronic equipment and modular synthesizer. Now it has extended its tentacles to the universe where everything can become a sound source, with digital synthesizer and sound sampling as the backbone. In their hands, suspended mechanical noise, heavy physical impact, and insect-like electronic sounds can all be blended in dance music beats, sound design, and low frequencies of tilting pants. With such diverse materials, LUDU can put the unknown mental state of mankind, the ecological wonders of the different world, the dark city streetscape, and the coolness of avant-garde electronic music into the listener's ears, and directly probe the nerve center.

Scott Noise (TW) is good at controlling the sounds of foreign tribes, fusing acidic technology low frequency, providing mysterious atmosphere and sound services, and opening a path in the chaotic frequency to the entrance of joy. As the city dries up, the possibility of local music scenes is seen in the cracks, and the local scene service is invested. To this day, using electronic technology dance music as a sharpening stone and voodoo as a sharp blade, he continues to accumulate turntable control experience.

̸BIOGRAPHY Bungalovv is the electronic alternative music project lead by Pablo Betas, a core member of the international acclaimed label Infinite Machine and also founder of Trrueno (AR). His sound is the anchorage of middle eastern rhythms, african percussion, pre-columbian instruments and latin american shades. All these elements are articulated forming an experimental ecosystem where a nocturnal, robotic and mechanical faunas coexist. This March 2020 he is releasing a full album by Infinite Machine after a great international success with his last EP ‘Luz Mala’. He usually performs unique live-sets mixing several elements of his tracks with spicy and bittersweet dancefloor ingredients. While at the same time being very active as a club DJ, mixing tribal, african beats, latinamerican rhythms, experimental club, strong dramatic atmospheres and fast hard drum beats. Bungalovv is also a founder of Trrueno (AR), a collective and label which was born in Buenos Aires, Argentina by ten projects united by the common practice of using new technologies as a resource and means to expand the spectrum of aesthetic possibilities in the electronic and experimental music, performance and audiovisual scene. He also worked with Monkeytown Records releasing a track with Catnapp which is in her vinyl ‘FEAR’ (2018). You can watch the videoclip by clicking here. After a succesful liveset at Mutek he did his first European tour playing in more than 5 countries during 2018. Last year he produced and was part of the Trrueno Showcase European Tour. ̸SELECTED DISCOGRAPHY II (2015) - Aural Sects Luz Mala (2017) - Infinite Machine Desarme (2019) - TRRUENO Donde Hubo Fuego (2020) - Infinite Machine

Born in 1997, Xu set out performing and producing harsh noise under the alias “Berserk” since 2015. Initially, he focused on playing rough feedback from handmade instruments and synthesizers before carrying on specializes in no-input effects. Influenced by Japanoise, Death Metal, Hardcore Punk, his live performance is known for highly intense physical energy and massive volume. In 2017, he turned to combining various equipments including no-input pedals/mixer and shortwave radio to session with free improvisation musicians and folk narrator. Different to Berserk’s harsh noise approach, his works as Chia-Chun Xu emphasize more on the interaction between sounds, space, and the others. Besides working on his projects, he also runs the music label, MKUltra Productions, promoting Taiwanese and worldwide noise and experimental musicians.

GAZER (Gary Chen) is a Techno DJ / producer from Taipei. Growing up in the 90s and the millennial generation. He started performing since 2013, always wears black outfit and with the same hairstyle. His music based on Dub and Ambient Techno. Blends atmospheric and experimental sounds together. Rich in flowing elements and inspires different meanings in different listeners. With a heavy emphasis on hypnotic rhythms, but still nevertheless subtly, yet forcefully, infused with melodic variety. Gary offers his listeners an invitation to belong to a special place with saturating sound of bass. Have been promoting the music of Micro House and Techno under the event label of "Resonant共鳴" and "ANKR泊人" since 2014. So far, have held more than 20 events and continue to cultivate related electronic music culture in Taipei.

̸BIOGRAPHY House,Techno,Garage in Tokyo born and raised in Tokyo He play at many famous clubs in Tokyo such as Vent, Contact and Azumaya. shared the stage with major industry names like Kamma & Masalo, DJ Nori and DJ EMMA. 91年東京生まれ、ロックとブラックミュージックがルーツ。その後ヒップホップ、ハウス、テクノ、ガラージと幅広い選曲を行う。

Jesse Chen is a fast rising talentuous Taiwanese Techno Dj. In the last years, he co- created P.A.B.P (Pleasure Always Bring Pain) with Sebastian Wu. Jesse is one of those who bring some freedom queerness, diversity and inclusivity in Taipei. Jesse play a tastefull techno without concession and promptly is talent was recognize and was on the spectrum formosa line up.

Discovering a passion for music from an early age whilst working in a jazz and classical music store in Taipei and collaborating on the LVI exhibition organised to raise awareness of vinyl alongside Jing's studies in graphic printing. In order to pursue her curiosity of music Jing realised she would have to leave her homeland and relocate to Europe. Following her life's natural path Jing cemented foundations through encounters along the way, shortly after arriving in Berlin Jing formed an electronic dream pop band "Polygothica" with close friend Dilijana

從2009年的派對單位 ”BASSNOISE” 到2013年成立 ”Envelope”，身兼DJ與promoter的Legacy全心致力在Drum and Bass的音樂推廣。旅居倫敦後，更嘗試把不同的音色與派對場景在臺北獨立呈現。定期邀請英國新稅DJ/製作人來台演出，系列活動 ”Low End Theory” 也以每月一場的方式不斷放送。 Established in 2009 and 2013 respectively, BASSNOISE and Envelope have been responsible for some of the best nights out in Taipei for seven years running. Keeping it real at both outfits has been Legacy, Taipei's hardest-working Drum n Bass impressario bar none. Legacy also has been front and center at all BASSNOISE and Envelope events in the role of DJ, dropping the most discerning Drum n Bass heard anywhere in the city. Hard-hitting with a take-no-prisoner ethos, Legacy's sets display a keen awareness of where Drum n Bass has been and where it's going. Some of that's no doubt from the years he spent in London, the city that birthed Drum n Bass in the first place.

Ukranian hardcore DJ and producer Miss K8, real name Kateryna Kremko, has spent the last six years steadily climbing the Top 100 DJs poll. After big changes in 2019 — Kremko became a mother for the first time, performing until she was 28 weeks pregnant, and returning to the decks just three months later — the producer returned with brand new music for 2020. Collaborating with Angerfist on an EP earlier this year, as well as releasing a solo effort, the ‘queen of hardcore’ also confirmed a new album would land sometime in 2020 — the first since her 2016 LP ‘Magnet’. Outside of the studio, Kremko still managed to perform gigs this year, returning to the home of hardcore, Defqon.1 festival, for their first virtual event. She joined DJ Mag’s Top 100 DJs Virtual Festival in September, and streamed a skull-crushing birthday live set for fans while in lockdown. If that’s not enough Miss K8 for you, there’s also archive sets online from the DJ at the incredible Dominator Festival in the Netherlands. ~ DJMag

Brothers Hom Yu and Jiun Chi also play in ​ and Dope Purple. They both returned to Taipei in 2017 after finishing their studies and before long began to explore their mutual obsession for Taiwanese occult-inspired art and vintage superstitious imagery, channeling it through music. Mong Tong means many things in Chinese, but the translation they choose to fit their music is “the east-side of dreams”. Growing up in Taiwan in the 90’s, the brothers listen to ​電子琴音樂 which they describe as “relaxing Chinese synth pop” along with video game soundtracks, psychedelic music, doom metal and sound collage/library music. With traditional percussion, sound samples and cult movie quotes in their music, they also describe themselves as "a sample-based psychedelic group".

Amateur DJ, Hardcore, hard trance, hardtek, hard dance

̸BIOGRAPHY OTIH Records. otihrecords.bandcamp.com/ NTS Radio. www.nts.live/shows/raji-rags

Abrasive EP Oroboros EP The Stranded Album

With roots from Taiwan and Japan, Yoshi Nori cut his teeth as a DJ in Chicago around 2003. Not only was he heavily influenced by raw Chicago house sound, combination of minimal side of neo-Detroit, and renaissance of early 2000 post-punk movement shaped as foundation for his ever unpredictable DJ sets. Starting 2020 Yoshi Nori has launched a brand new label "禁 Jin". This project aims to not only introduce Taipei's local talents but also connect with secret gems in Asia's fast-rising production field while providing an injection of colorful international producer juice that can morph the various local elements into an unpredictable futuristic 4/4 sound, in a way foreshadowing what Asia is moving towards.

DJ Dungi Sapor is an Amis princess from Hualien City, Taiwan. In order not to forget its roots, the name uses the name of the family. It is expected to blend the elements of the aborigines into Techno and let the world hear Taiwan's most beautiful music, but the song is not subject to any genre. Dungi's musical taste is unique, and the singing skills are unique. It is always fatal to please all kinds of ethnic groups. Nowadays, you can feel the energy flowing around, and the moment will definitely be sucked into her world, and you Will become a believer in the princess.