Rinzen showcases the confidence of a seasoned techno maven. Rinzen builds a melange of techno, progressive, and house influences into something entirely his own. Despite being in the infancy of the project, US producer Rinzen is already staking a claim for one of the most exciting new artists to come out of the West Coast. Rinzen's debut EP 'Forbidden City' is a sonic exploration of human depth.

With early co-signs from Skream and Rusko, a feature on Diplo’s ‘Blow Your Head’ compilation, and the launch of a bubbling new SMOG event series in LA, John Dadzie, professionally known as 12th Planet, quickly became known as one of the first ambassadors of dubstep in the US. As the sound began to spread, he helped navigate its uncharted territories with tracks like the breakout “68” single, released on his newly launched SMOG label, and collaborations alongside Skrillex and Kill the Noise (“Burst”, followed by the Grammy winning “Right on Time”). In the following years, 12th Planet became a household name within the global dance music circuit with official releases on Interscope, Mad Decent, Monstercat, and OWSLA, as well as support on Skrillex’s Mothership Tours, and stops at major festivals like Coachella, Lollapalooza, EDC, HARD, and Ultra.

One of dance music’s brightest stars, 27-year old Berlin based producer and live act Ben Böhmer has had another monumental year. His debut album ‘Breathing’, released on Anjunadeep at the end of 2019, has since attained over 25 million streams, drawing admirers from across the Electronic music spectrum; including Boris Brejcha, who remixed the title track and pronounced Ben as his ‘Breakthrough Artist of 2020’. A string of other singles and remixes released across the year have seen Ben become a mainstay in the flagship Electronic playlists and Beatport 100, as he sets his sights on his second album, due out towards the end of 2021.

Charlotte de Witte’s a Belgian born DJ whose surge on the scene has resulted in her being one of the most sought-after names in electronic music today. Highlight performances across the continents, Mixmag & DJ Mag covers, high-ranking positions in the charts & lists, and owner of one of the strongest social media profiles in music today, confirm her status as nouveaux techno royalty. Acclaimed accolades such as Best Techno at the DJ Awards in 2019 and a high profile residency at BBC Radio 1 are honoring validations of de Witte’s hard work. However it’s her everlasting pursuit to push her boundaries and those of electronic music, that drives her.

Following his infectious debut EP on Elrow Music in 2017, Cloonee went on to release on some of the scenes most influential labels, solidifying his break onto the Tech House circuit and gaining support from major taste-makers. Cloonee continued his growth into 2018 releasing “no-nonsense tech house” – Earmilk, on dominant labels such as Lee Foss’ Repopulate Mars and Michael Bibi’s Solid Grooves to name a few. After securing his first Beatport #1 with “Be Good To Me” in early 2019, many more heavily hyped unreleased productions in the pipelines and a hefty international touring schedule; Cloonee’s rise is set to continue.

Derrick Carter plays parties, makes music, dances, sings, and really, really likes shoes.Derrick Carter

Appropriate music for any occasion.

DJ Holographic is a one-woman funk machine born and raised on Detroit Music. Her mission is to serve a mix of musical cuisine that contains consuming house beats, passionate R&B with Hip Hop, unreserved disco, true Detroit Techno, and Motown. Join her as she concocts her next rhythmic dish. Surrounded by members of the Detroit DJ community such as Underground Resistance, Detroit Techno Militia, Rocksteady Disco, DJ Minx, KDJ Records, and DJ Minx, she was inspired and her curiosity got the better of her. She has appeared in the underground scene around Detroit at places such as Grenadier Club, Tangent Gallery, Grasshopper Underground, The Whiskey Parlor, Marble Bar, TV Lounge, The Works, Temple Bar, and more. She has played at festivals such as Movement, Charivari, San Francisco Pride, Red Bull Music Academy in New York, and opened for Black Madonna’s We Still Believe Tour in LA..

Inspiring dance moves and encouraging energy transfer, Wonx creates a unique spiritual bass experience for his fans during every performance. Imagine wavy undulations guiding you onto the dance floor. The bass rolls in and raises your vibrations to a peak. Then you’re rocked by a soothing melody that brings you back to the present. People glide away from a Wonx set feeling energized, relaxed, and ready to seize the day or night. Austin Hilton, known as Wonx, brings chill vibes to every party. People are naturally attracted to his calm demeanor and wonky bass. With mashup style DJing, he brings together sounds like drippy dark bass, guitar, and sensual vocals to find the sweet spot where they all overlap.

Washington D.C.-based producer and DJ specializing in melodic deep & progressive house and hypnotic tech house & techno. Enamour has become a definitive name of the dance floor, creating masterful soundscapes with no boundary of range: his productions infuse dreamy melodies of deep house, the potent power of progressive house and the smoldering, alluring momentum of dark techno. Enamour is Michael Gold, who was raised near Washington DC -- home to institutions of electronic music like Flash and U Street Music Hall as well as legendary acts like Sharam and Dubfire -- a city invariably considered a hidden heart of the genre in the United States. Long before he could enter a club, Gold found an early interest in music with the piano. A few years later, his fascination continued with guitar, then jazz, indie and later dance -- his passion for music unchanging, despite his evolving taste. His musical intrigue did not go unnoticed, especially as he began DJing open format around DC. Self-taught and curious, an interest in learning how to edit songs together for friends took him down a rabbit hole experimenting with Reason and Ableton and soon, Enamour was born. Enamour’s music has never been pigeonholed in any one genre -- with each new exploration as technical as the next -- a reflection of his eclectic musical upbringing and his foundation in music theory combined with the prowess of a seasoned producer. As a result his production touch is as intricate as it is effective and emotive, proven by his consistent ability to produce tracks that are equally enjoyed as listening experiences at home as they are pouring loudly through a club’s sound system. With each and every one of his releases, he’s continually made fans out of esteemed curators like Pete Tong and Danny Howard as well as leaders like Sasha, Guy J, and Mark Knight. He’s also made his mark as a coveted remixer, reworking the likes of Lane 8, Above & Beyond, Hayden James and Cassian, to name a few. Some of the most renowned institutions of dance music were quick to back those stamps of approval, with Mixmag inducting him into their hand-selected Magnified team of artists on the rise and DJ Mag crowning him “one to watch.” Undeniably, Enamour has become a global presence while also doing his hometown proud as an outstanding mainstay on the legendary Yoshitoshi label, which also calls Washington DC home. Beyond, he’s also released on several of the genre’s most exciting labels including Last Night on Earth, Anjunadeep, Future Classic, Kindisch, Lane 8’s This Never Happened, Rufus Du Sol’s Rose Avenue, Desert Hearts Black, mau5trap and more. Enamour has toured across India, Argentina and North America, playing at Burning Man as well as esteemed venues like The Brooklyn Mirage, Miami’s Treehouse, The Bow in Buenos Aires, Los Angeles’ Sound Nightclub and Washington DC’s own Flash and Echostage. Today, Enamour’s world is limitless. His ability to effortlessly weave and maneuver across the vibrant spectrum of electronic music both in his original productions and dynamic sets has captivated enthusiastic dance floor movers -- enamoured them, if you will -- from all around the world. No boundaries ahead and with plenty of new releases incoming, Enamour only has further and farther to go from here.

Enrico Sangiuliano is a name you will have noted if you have been anywhere in the electronic music scene for the last few years. Starting out as a sound engineer in Italy, he started to produce electronic music in the ’90s. Italy was his playground, with the illegal rave scene exploding, this was where he made his first break. International recognition came in 2015 with his remix of DJ Boris’s “Can You Hear Me” on Alleanza, claiming the title as Beatport's highest selling techno track. ~ Soundcloud

man of the people

17 year old pop/house producer from France.,Check the BandPage tab of the Facebook page for upcoming shows !,Management (for production, remix, press and other inquiries) :,marco@manajamma.com,Bookings:,William Morris Endeavor – Worldwide Excl N&S America,Steve Hogan –,SJH@wmeentertainment.com,AM Only – North &South America,Alan Gary – alan@amonly.com / Paul Morris – paul@amonly.com,Personnal (please contact management instead for professional inquiries) :,itsMadeon(at)gmail.com

Over the last ten years, Mark Farina has built himself up to become one of the most sought-after DJs in dance music today. Though he is mostly recognized for his deep-house DJ prowess, it is Farina’ wide-ranging musical knowledge that helped shape the Mushroom Jazz series, a continuously mixed collection of down-tempo, dance-floor jazz for the turntablist generation. A mix-tape made over eight years ago was the project’ original seed – a similarly-styled tape of jazz tunes that articulated a mellower counterpart to the up-tempo “Acid Jazz” movement of the day.,Farina’ “Mushroom Jazz” sound subsequently became popular through a long-running San Francisco club called Jazid Up, then through various Mushroom Jazz clubs thrown domestically and abroad.,Farina began his DJing career at the age of 15, inspired by the strong house and dance music scene pulsating in Chicago’ underground. Along with long time friend and DJ partner, Derrick Carter, Farina cut his teeth on the college radio airwaves of Northwestern University’ WNUR every Friday night for 2 years. Farina has released one album, Mood.,(Nettwerk UK Records, under the name Symbols and Instruments), and several other mix projects including Seasons (Domestic Records), United DJs of America (DMC) and Imperial Dub’ compilation (Imperial Dub) in addition to the Mushroom Jazz series and his mix on OM Records’ “San Francisco Sessions’” debut.

Miss Monique is possibly the most recognised female Progressive House DJ’s in Europe. Gradually rising to prominence, she is beginning to create waves on the international circuit too. Miss Monique is possibly the most recognised female Progressive House DJ’s in Europe. Gradually rising to prominence, she is beginning to create waves on the international circuit too. Recent years have seen Miss Monique make her debut in Ibiza, as well as hundreds of shows across the globe; from Hungary to Belarus, to Czech Republic and even India. Her eclectic mix of trance, progressive house and techno, give Miss Monique a versatility that is suited to intimate venues and festival headline slots, alike. Since entering the studio, she has begun collaborating with some of the world’s most important DJs; her biggest and most recognisable hit, ‘No Fear’ was championed by the likes of Armin van Buuren, Paul van Dyk, Paul Oakenfold, Gareth Emery, and many more. Her live sets on YouTube have garnered thousands of hits, with her most popular set at Radio Intense boasting 6 million views. With her acclaimed Podcast, Mind Games, fans are treated to a fresh DJ set every month.

Boivian Producer based in Los Angeles, California. Agustin Morales was one of the first undergound electronic music producers in Bolivia to release his own productions internationaly, giving him the opportunity to be direct support for several major acts and festivals in Bolivia at the short age of 16. After becoming one of the two most influencial underground producers in the country, Morpei decided to step out of his comfort zone and moved to the U.S. when he turned 18. Today Morpei has established himself as a respected name within the music industry, giving him the oportunity to embark on his first international tour, where he healined 13 out of 15 shows in 6 different countries including; The United States, Bolivia, Chile, Argentina, Dominican Republic and Brazil. The tour was an overall success, boasting outstanding attendance rates resulting in a sold out venue in almost every city including his California debut in Santa Barbara with a crowd of 5000 people. On top of his carrier as a musician, Morpei is also the founder and face of the brand Buriloop, the first Boilivian electronic music concert series to make it out of the country and the only brand in the world to be affiliated to Data Transmission (UK) and House Mag (BRA). Buriloop already executed events in the US and Bolivia gathering oustanding attendances of around 800 people per event.

Daniela Di Lillo, better known by her stage name Nora En Pure, is a South African-Swiss DJ and deep house producer. Nora En Pure is the deep house & indie dance music sensation that is rippling through the sonic sphere with her beautiful blend of electronic beats. A core member of the Helvetic Nerds group, Nora leads listeners out of the darker realms of deep house with intricate instrumentals and enlightening melodies. Every track she gets her hands on turns to gold and every performance she gives leaves the audience in awe. Gracing the decks of some of the most revered dance music spots over the years, Nora has played sets at the likes of Ultra Music Festival, Coachella, Tomorrowland, Ushuaïa Ibiza, Mysteryland USA and held residencies at the world's largest club Privilege Ibiza and Marquee Dayclub Las Vegas. Touring relentlessly all over the globe to bring her scintillating sound to as many countries as humanly possible, her loyal and ever-growing fan base is scattered all across the planet.

Phantoms, comprised of Los Angeles based Kyle Kaplan & Vinnie Pergola, are a live electronic act that does exactly that. Often tough to box in…..their style is best described as blurring the lines of house music & indie-dance ,while retaining a pop sensibility. Incorporating distinctive synth and drum patterns, the duo have become synonymous with their ‘genre’ of alternative electronic. Launching in 2016 with debut EP, “Broken Halo”, the duo were quickly signed to Republic/Casablanca, releasing their eponymous debut album the following year. ‘Phantoms’ featured the chart topping “Just A Feeling” (ft Verite), clinching #1 spots on US Dance Radio for 4 straight weeks, iTunes electronic chart and sitting atop the SiriusXM / BPM Top 20 countdown for over 8 weeks, and being named BPM’s ‘Breaker of the Year’.

Production duo from Leeds, UK.

Rebūke is a standout star. A breakout act forged in the white-hot atmosphere of the Irish underground music scene. An artist constantly searching for something new and exciting who’s captured that elusive thing – a sound and a style... all his own. ERA is Rebūke’s brand new world. A place for people to lose themselves in a realm of sound and vision. The first release, the double header “Glow / Void” – is an introduction to ERA’s universe, where Rebūke has created a captivating sense of futurism. Carefully crafted pieces of music accompanied by a visual narrative, allowing people to experience Rebūke’s ERA vision and storytelling in full and create something truly remarkable across music releases, live shows, and a thriving online community. All of this has been built on a rock-solid discography on some of the most sought-after labels of the last decade. His Afterlife collaboration with Anyma ‘Syren’ is a magnificent piece of forward thinking melodic techno and has already become one of the most requested tracks of 2023. ‘Along Came Polly’ was a game changing track that sounded like nothing else at the time. It rocketed to the top of the Beatport charts, staying there for two months. It was Essential New Tune for Pete Tong on BBC Radio 1 and established instantly Rebuke’s reputation for creative sound design. On the remix front his magic touch has been applied to a who’s who of underground music including Underworld, Tiga and Kölsch, Chris Lake, Kevin Saunderson, Green Velvet, Max Cooper among others. He continues to sell out venues across the globe and expand his fanbase with a series of carefully curated ERA live shows in Barcelona, Beirut, New York, Los Angeles and beyond.

Before today there was yesterday and after tomorrow is the future. Elyte and Cnyce's paths were crossed for all time when a Sun Ra light beam sent from Saturn collided with the P-Funk Mothership and sent them tumbling to earth. Now, Soul Clap time trav..Soul Clap

A love for SUBwoofers and elecTRONICS has brought us Subtronics. Growing up in Philadelphia, PA, Jesse Kardon, AKA Subtronics, had a passion for his drum set and Radiohead. While in high school, he discovered electronic music and became enamored with the scene. Fusing his unique blend of cutting-edge sound design with hard-hitting bass, Subtronics seeks to push the envelope with sound engineering. On the live front, he has built a rabid following with his high-energy sets and advanced mixing skills. When his sell-out Cyclops Invasion Tour was cut short due to the global pandemic in 2020, Subtronics seized the opportunity to continue reaching new audiences. He became an official partner on Twitch, produced 3-dimensional XR/VR live-stream sets, dropped a Splice Sample Pack, pioneered socially distanced drive-in and pod events with Monster Energy as a sponsor, and launched his very own label, Cyclops Recordings, in December of 2020. Subtronics’ label is home to his last four EPs, as well as multiple releases featuring the next generation of bass music producers. In January of 2022, Subtronics dropped his debut album ‘FRACTALS’ which came in at #4 on Billboard’s Dance/Electronic Album Chart, and had dedicated billboards in Times Square and Los Angeles. The album coincided with his massive 50+ date sell-out national headline FRACTAL TOUR, which featured state-of-the-art production and ground-breaking visuals. The tour traveled with a custom-built stage, featuring a floating DJ table within a reflective black hole, dubbed ‘The Wormhole.’ Notable venues on the run included Gila River Arena, WaMu Theater, Coca Cola Roxy, Avant Gardner, Echostage, and more.

How does one begin to write about Tiga? Where to even start on a long road marked with notable checkpoints? What can be told that can’t be tallied in raw statis...tics (which he’s a total stickler for), or an unfurled parchment scroll of places gone and plaudits won? The duality of a life split between aspirational popstar and touring deejay falls short: by this point in time he’s lived dozens of lives, let alone a mere two. Frankly the only claim that doesn’t wash is that of being in a legacy mode – because that, to him, denotes the cardinal sin of coasting. And that just won’t do. The core engine pushing Tiga forward is ambition. It’s there, everywhere: at the dials in any given club in any given city in any given country on any given weekend; burning the midnight oil in the Research & Development wing of his career control centre, crisp shirt sleeves rolled, assessing and strategising over his next move; with his feet up on the gleaming glass desk in the penthouse office of Turbo Towers, gold plaques of decade-dominating dancefloor delights flanking him – it’s there. Self-aware, well-moderated, yet totally unrepentant ambition. Plus a bit of wit, too. To be insulated from any real backlash over a quarter-century in the game and across many different hats worn, a touch of humility and humour certainly helps it all go down easy. His goal is to dunk on people with success, but do so in a friendly way, soaring overhead with the sly wink of chutzpah (but never the nudge-nudge of solipsistic irony for irony’s sakes). To maintain pole position while swerving between all these lanes with impunity, he taps into a well-spring of regenerating desire. From the getgo Tiga has sought to not merely play a part in the culture he abandoned all life commitments for age 17, but frequently scale its heights too: Attending Berlin’s Love Parade circa ’92-95, then hearing DJ Hell drop “Sunglasses At Night” to the masses not too many years later. Giving a speech at his Montreal alma mater, then converting some of the impressionable graduates in the audience to come work at Turbo. Starting an independent label on a whim, then reaching 200 releases in a stormy industry with a higher turnover rate than Real Madrid managers. Getting hooked first on the fearless compulsion of Bowie, Reznor and Almond, then the frigid cool of Mills, Hawtin and D. James, then threading the needle consummately between these two worlds. These highwatermarks form the backbone of his pride, and in turn, fuel the self-perpetuating motion machine inside. There’s always extra room in the cockpit, mind. An army of collaborators, remixers and remixees have provided vital thrust over the years. From Alter Ego and Azari & III through Duke Dumont and Depeche Mode; from Matthew Dear and Moby, through Zombie Nation and Zdar, Phillipe; Paranoid London, Pusha T, Pet Shop Boys and Peaches.…on and on it goes. Read between the lines and you’ll get a measure of the man. Teamwork affords stimulus, shuts down ego, and juices something he can’t get to alone. At heart, it brings out the best in Tiga. So it’ll prove in 2018, where the fingers of his well-combed Rolodex currently rest on entries marked Kolsch, The Martinez Brothers, and Hudson Mohawke. The fruits of this friendly jousting with find their way out of track ID requests and into the shops before long (perhaps even by the moment you read this – hope you’re enjoying the future and remembered to short your cryptocurrency in time). It would be a lot easier to rest on his laurels by this point, really. To trade on former glories, reflect fondly on a career spent dovetailing in and out of the spotlight with likeminded friends, turning in a jaded, half-assed representation of himself at festivals and recording sessions when the taxman comes knocking. But Tiga is still too confident, self-respecting, and – how did you guess? – ambi-tious for that. The challenge he seeks is to keep experiencing the frisson of creative alchemy, to lock into a groove where he is truly in the zone, to dig deep and reproduce a fresh take on that first-love feeling of music: something that connects with young ravers and inspires the same spark he felt all those years ago. That’s the spur, the lifeblood, the DNA. And that’s why Tiga remains an ever-present light in our little corner of the universe. See more

A relative newcomer, Tini Gessler has risen through the music scene remarkably quickly. Starting out playing small parties in her home town of Sitges, Tini was soon picked up by Pacha Barcelona where she held a 3 year residency and it wasn’t long before she found herself playing at iconic clubs including Space and Pacha Ibiza. Since then Tini has cemented herself as part of the Elrow team, as resident DJ for their underground label KER. Gaining identity for her pumping deep/ tech-house sets, Tini has played across Europe and throughout Central and South America- notably at Rioma Club in Mexico DF with Marc Houle. As an elrow regular Tini also frequently plays alongside international artists such as Jamie Jones, Paco Osuna and Joseph Capriati. This Summer she will be making her debut at Amnesia and Tomorrowland amongst many other major festivals. Following her touring success Tini began producing and released her first EP ‘Going On’ with Toni Varga last year. This year she has an upcoming EP with Tolstoi and Andsan on Safe Music, as well as a hotly anticipated solo EP on KER. Tini cites her inspiration for the tracks came from a recent trip to Africa, in which she encompassed her two passions: nature and music.

First debuting in 2014, Los Angeles bass producer Tsuruda is a classically trained musician who blends experimental hip-hop with avant-garde electronics. Today, he stands at the upper echelon of bass music culture with one of the most impressive bodies of work in independent electronic music. Tsuruda has self-released four full-length projects — ‘drumsand,’ ‘madness,’ ‘rawflavor’ and ‘RIP’ — in addition to his two-part compilation series, ‘Internet Slaps Vol. 1’ and ‘Internet Slaps Vol. 2.’ His discography includes singles on labels like Team Supreme, Darker Than Wax and 1985 Music, plus remixes for Noisia, The Glitch Mob and more.

Valentino Khan is a music producer & DJ from Los Angeles, CA.,He has produced music for hip hop legend T.I. and has upcoming EDM releases on Mad Decent and Dim Mak Records.,He burst onto the electronic dance music scene in 2011 through creating & producing all music for a project titled “Market Price.” His remix of the entire Watch The Throne album generated buzz & support from MTV, Mad Decent and other fixtures within the blogosphere.,His music has received support from Diplo, Steve Aoki, Dillon Francis, Bart B More, Will Bailey, Ac Slater, Alvin Risk, Torro Torro and many more.,With his productions in electronic dance music and hip hop, 2012 is shaping up to be a big year for Valentino.,For booking/remix/production inquiries contact:,info@valentinokhan.com

ZHU is the mysterious Chinese-American artist behind the 2014 hit single “Faded”. His real name is Steven Zhu and he was born in 1989 in Los Angeles, California. Although he released his first single anonymously in 2014, it wasn’t until 2015 that ZHU revealed himself as the mastermind behind the project. Over the years, he has become one of the most prolific electronic music producers in the world. ZHU’s career began with his self-titled debut album in 2014. The album featured several hit singles such as “Faded”, “Stay Closer” and “Working for It”. Since then, he has released four more albums: Ringos Desert (2016), Generationwhy (2016), Stardustexhalemarrakechdreams (2017) and RINGOS BACK (2019). He has also collaborated with many notable artists such as Tame Impala, KAYTRANADA, Skrillex, and Nero. In 2015, ZHU was nominated for a Grammy Award in the Best Dance/Electronic Album category for his debut album. He won the award for Best Dance Recording at the 2016 Grammy Awards for his collaboration with Skrillex and they Boyz Noize on “Working For It”. In 2018, he was also nominated for a Grammy Award in the Best Dance/Electronic Album category for his most recent album RINGOS BACK. Moreover, he has performed at various festivals around the world such as Coachella, Electric Daisy Carnival and Ultra Music Festival.