Al Burro (London) first got interested in electronica back in 1994 when he first heard Jeff Mills’ Transmission 1. Drawn to the futuristic soundscape, he and a friend bought their first set of belt-driven decks back in 1995 and this began a longstanding affair with techno. After annoying the neighbours for a couple of years, they decided to branch out and start annoying people at private parties and smaller venues, and annoy them they did. But, with practice and time came a more well-rounded sound; after which, he took a 5-year sabbatical from DJing and took his turn on the dance floors around the world. Al Burro is equally at home in industrial warehouses as in ambient pastures. He is a firm believer in variations on a common theme: It's about the mood not the genre. He has held residencies at Korner in Taipei and Delta in Hong Kong. Al Burro (London) first got interested in electronica back in 1994 when he first heard Jeff Mills’ Transmission 1. Drawn to the futuristic soundscape, he and a friend bought their first set of belt-driven decks back in 1995 and this began a longstanding affair with techno. After annoying the neighbours for a couple of years, they decided to branch out and start annoying people at private parties and smaller venues, and annoy them they did. But, with practice and time came a more well-rounded sound; after which, he took a 5-year sabbatical from DJing and took his turn on the dance floors around the world. When next Al stopped travelling long enough to make owning musical equipment logistically possible, Al discovered a more mature sound. The Detroit Soul and Motown roots remained, but added to this was a drive for a more worldly sound and an appreciation of other forms of music including jazz, hip hop, swing, house and too many more to mention. Al cites as some of his influences: Gilles Peterson, Ninja Tunes, Mr Scruff, DJ Food, Jurassic 5, Radiohead, Jeff Mills, Dave Clarke, Derrick May, UR and the list goes on.

baloneybillionaire (a.k.a. Good People’s Club): Designer for Tokyo Community Radio, former resident DJ for HNH Records Tokyo. Likes fast paced UKG and Jungle, but plays a variety of different genres.

̸BIOGRAPHY Techno, Deep House, Trance, Breaks. Taipei, Taiwan based.

Discovering a passion for music from an early age whilst working in a jazz and classical music store in Taipei and collaborating on the LVI exhibition organised to raise awareness of vinyl alongside Jing's studies in graphic printing. In order to pursue her curiosity of music Jing realised she would have to leave her homeland and relocate to Europe. Following her life's natural path Jing cemented foundations through encounters along the way, shortly after arriving in Berlin Jing formed an electronic dream pop band "Polygothica" with close friend Dilijana

LinGia aka 林姐 is a Taipei-based Techno / House / Electronica DJ. Love needs no explanation, LinGia's golden fingers tickle you. Dance with queers, Taiwan can help parties.

̸BIOGRAPHY TOSKA is the DJ pseudonym for Ting-Wei Hsu and roughly translates to “a vague restlessness, mental throes, yearning”… Twelve years ago, TOSKA began his relationship with underground electronic music. At that time, he embraced a wide variety of genres, including drum & bass, tribal, breakbeat and other forms of experimental music such as, ambient, dark techno, dub techno, industrial, and minimal. In 2014, TOSKA began performing at Taipei’s KORNER. In 2015, he was appointed as one of KORNER’s resident DJs, and has guest DJed in Tokyo, Seoul, Shanghai, Hangzhou and SMOKE MACHINE’s 2018 Organik Festival in Hualian.

Abrasive EP Oroboros EP The Stranded Album

With roots from Taiwan and Japan, Yoshi Nori cut his teeth as a DJ in Chicago around 2003. Not only was he heavily influenced by raw Chicago house sound, combination of minimal side of neo-Detroit, and renaissance of early 2000 post-punk movement shaped as foundation for his ever unpredictable DJ sets. Starting 2020 Yoshi Nori has launched a brand new label "禁 Jin". This project aims to not only introduce Taipei's local talents but also connect with secret gems in Asia's fast-rising production field while providing an injection of colorful international producer juice that can morph the various local elements into an unpredictable futuristic 4/4 sound, in a way foreshadowing what Asia is moving towards.