̸BIOGRAPHY Remote Viewing Gateway Light and bleep beats researcher, producer but primarily DJ Aitch is coming from a long residency at infamous Milan squat Macao (now closed). There he has grown a reputation for his wide selection, dipping into cynical techno tools, hyperspeed kinetic cracks and wubby UK club sound. One of the head behind Ambient Rave Exp, Chill Room Records Club hazy Sunday afternoons, Bristol Normcore affiliate and 1/3 of Cortex of Light with fellow heads Piezo and Primordial Ooze with whom release two live albums, tracks and remixes on Artetetra, Communion and Comic Sans.

Two friends meet outside Karlsruhe, in Schwarzwald. One is an explorer of galaxies far away, the other a composer of fragments. Together they create a joie de vivre, arranging and deconstructing their creations, their own formations. Beneath their feet, a stone world rests against the living world, touching rivers, mountains, forest floors and the first foot trails between Schwarzwald, Vosges Mountains and Naturpark Pfälzerwald. This stone world is made of smooth subterranean rock that swirls and folds. Altered from its original igneous by pressures a hundred thousand years strong. What was once sharp is now smooth. Lines become curves, reversals. If you were to try read its origin, its strata, you would not tell which direction the past flowed or the future began.

Amelie Lens has risen rapidly through the European techno ranks over the past couple of years. She’s now consistently high up the bill (if not topping it) at events like Awakenings, DGTL and Ibiza staples DC-10 and Hï, and this year debuts in the Top 100 DJs poll. The Belgian’s Lenske label has simultaneously gone from strength to strength, building its name around the five-person crew of AIROD, Farrago, Milo Spkyers, Ahl Iver and Lens herself. Granite-tough techno is the name of the game; epic vibes suited to the cavernous hangars Lens fills on a regular basis. And with its newest addition — Lens’ ‘Higher’ EP — the label has now dropped 13 releases in just two years. ~ DJMag

̸BIOGRAPHY ANACO is originally from Bilbao and now based in Paris. DJ and resident on the radio Rinse France since 2018 she hosts a monthly show through which she expresses her varied musical universe. ANACO is originally from Bilbao and now based in Paris. DJ and resident on the radio Rinse France since 2018 she hosts a monthly show through which she expresses her varied musical universe. Strongly influenced by the club culture of the 90s (jungle, footwork, ghetto tech, UK garage, reggaeton...), her style is also nourished by the contemporary scenes, always more creative in the mix of genres. Driven by the will to sculpt atmospheres and moments apart, Anais is known for her sets in which she plays with time, with bodies and with minds. She has performed at many well-known booths and stages (La Machine, Concrète, Trésor, Positive Education...) and recently joined RAG, founder of the lesbian collective Barbi(e)turix, for a parallel project celebrating the whole spectrum of Italo Body Music.

DJ, Producer & Label owner Anetha is a trained Architect based in Paris, now fully dedicated to music and focused on developing her career as a DJ, producer and Label Manager. As a leading figure of the new generation of French DJs inspired by EBM, trance, electro and old school 90’s techno tracks, Anetha knows how to make people dance. She always tries to offer an intense, energetic and unpredictable journey to her public, with a strong and fresh tracks’ selection.

Aphex Twin, aka Richard D. James, is a name synonymous with the intriguingly named genre of IDM (Intelligent Dance Music). Aphex Twin

̸BIOGRAPHY Swiss-DJ Audrey Danza is a resident at the club Motel Campo, in Geneva. She founded her label Proxima in 2020. Audrey Danza is a prominent Swiss-DJ known for her eclectic and high energy selection of music. Recognized for her highly refined taste across genres, her DJ sets slide easily between moods, tempos, and styles. She is famous for creating euphoric moments in clubs, blending gloomy, bright, and euphoric techno and trance vibes. Raised at Motel Campo where she is a resident since 2019, Audrey splits now her time between Geneva and Berlin, where she draws inspiration from both cities' vibrant music scenes. She sees her music as being "fun" and "colorful," reflecting her passion and dedication to her craft. Always learning from the past, she has started to release some of her personal work, from edits to remixes, seeking to weave together playful sounds for the club goer. Her comprehensive knowledge of dance music led her to establish the label Proxima, where she has reissued multiple pieces of music from the 80’s and 90’s on vinyl, which have gained international reach. Her regular appearances at Panorama Bar/Berghain have solidified her reputation as a sought-after DJ with an impeccable taste in music. Her energetic mix for her first Boiler Room in Bali was highly acclaimed and showcased her skills and versatility as a DJ. Audrey is now expanding her repertoire to include production work, with rumors circulating that she is preparing to release her own tracks. Always eager to learn and experiment, Audrey continues to push her own boundaries. ̸SELECTED DISCOGRAPHY Tracks: · Audrey Danza - Synchronized Encounters [Proxima] Remixes: · Zerocks - You Too (Audrey Danza Space Remix) [Proxima] · Cold End - Metropolitan Jungle (Audrey Danza Remix) [Proxima] · Neu Verboten - Church of Sins (Audrey Danza Remix) (Dancefloor Memories) [Proxima] · Jogada - Cavalo (Audrey Danza Remix) [Púca Sounds]

̸BIOGRAPHY is anyone there? EN Hawa Sarita (DJ, singer, poetess, writer) and Cristofeu (DJ, producer) merge their dreams and influences to create Baraka. From this alchemy raise a cathartic and moving sound whose repetitive beats and acid tones coming from the depths heal souls and warm hearts. The two DJs celebrate their love for club culture using powerful TR8s, incisive break beats, synthetic layers inspired by trance and trip-hop as well as cavernous female voices. These alliances of electronic music, 90’ aesthetics and dreamy undulations intertwine like the yin and yang and promise a mystical universe with futuristic imagery. With 7 tracks, with empowering, liberating and current lyrics, Baraka shows an intensity in the voices and productions with liquid and moving sounds, all with a touch of sweetness. A true hymn to the party, to poetry, to the night, the duo plays with genres and offers a hybrid work, going from trance through trip-hop to drum'n bass, with a touch of pop that will delight any audience. To be listened to at home as well as in front of a powerful sound system, Baraka is well and truly part of this new scene on which we will have to count in the years to come! FR Hawa Sarita (DJ, chanteuse, poétesse, autrice) et Cristofeu (DJ et producteur) fusionnent leurs rêves et leurs diverses influences pour faire naître le projet Baraka, synonyme de «bonne étoile». De cette alchimie sonore éclot une musique cathartique et mouvante, dont les beats répétitifs et les sonorités acid venues des profondeurs réparent les âmes et réchauffent les coeurs. Les deux DJs célèbrent leur amour pour la club culture à coup de TR8 tapageuses, de break beats incisifs, de nappes synthétiques puisées dans la trance et le trip-hop, et de voix féminines caverneuses aux résonances libératrices. Ces alliances de musique électronique, d’esthétiques 90’ et d’ondulations oniriques s’imbriquent tels le yin et le yang et promettent un univers mystique à l’imagerie futuriste. Avec 7 morceaux, aux textes empouvoirants, libérateurs et actuels, Baraka démontre une intensité dans les voix et les productions aux sonorités liquides et mouvantes, le tout avec une pointe de douceur. Véritable hymne à la fête, à la poésie, à la nuit, le duo s’amuse des genres et propose une oeuvre hybride, allant de la trance en passant par le trip-hop jusqu’à la drum’n bass, avec cette touche de pop qui ravira tout public. A écouter aussi bien chez soi que devant un système son puissant, Baraka fait bel et bien partie de cette nouvelle scène sur laquelle il faudra compter dans les années à venir! ̸SELECTED DISCOGRAPHY Baraka - Baraka Baraka - Baraka (Remixes Part 2) Baraka - Half Faces (Lacchesi Remix)

̸BIOGRAPHY Beatrice was born in France and raised by Brits, which accounts for their interest in cross-culture sub-genres leaning towards the UK underground scene. They are a resident DJ on Rinse France. ̸SELECTED DISCOGRAPHY ~surf - Proximity EP

Considering his meteoric rise to fame, it would be easy to stereotype Black Coffee as just another black diamond, a BEE beat magnet out to mine the insatiable upwardly mobile urban house-party market. But as he proved on his South African Music Award-winning album Home Brewed, this DJ and producer defies convention. Sidestepping Afro-house clichés and stage-managed highs in favour of restrained sophistication, Black Coffee’s penchant is for true Afropolitan house: home-brewed but trendsetting, fashion-conscious and future-focused. Expect almost sculptural balance and beauty.

̸BIOGRAPHY Assuming the role of a fully independent DJ, freelance art director, and record shop proprietor, Blume is first and foremost a student of sound. Blume, hailing from the vibrant tapestry of Buenos Aires's electronic underground music scene, now finds herself a part of mainland Europe. Following five initial years in Amsterdam, living as a co-habitant of De School, she ultimately settled in the pulsating heart of artistic expression: Berlin. Establishing her online record store Format Wars in 2019, hosting and curating associated pop-up events, she is a DJ whose club-centric sound moves inwards from the peripheries of dance music. With sets, unlimited and freeform, finding inspiration through sonic qualities she treasures, Blume embraces a broad dynamic that’s both heavy in bass and energetic as it is ghostly, glitchy and atmospheric. Adding drums, broken beats and jungle influences to a sound that can equally fall away into life-affirming, dreamy ambient, Blume’s sets are an adventurous exploration of tempo and texture. No stranger to clubs like OHM & About Blank in Berlin, to events like co:clear in Glasgow or Saint-Étienne’s esteemed Positive Education festival - primetime Blume can also be found online for NTS, HÖR and Rinse FM (UK) to the bi-monthly radio show she hosts on Noods called The Otherness. And as Format Wars Records makes inroads to becoming a physical location in 2024, she is dedicating her studies and research further afield to emerging AI technologies, generative tools and new production techniques. With Blume’s stylistic approach, intrepid sound and quality aesthetic already allied with an international repute of labels, domestic crews and local radio, it’s clear the artist’s creative expression, entrepreneurial instinct and synergism are poised for the future ahead.

Simon Green aka Bonobo is back with his sixth album – the masterful, magisterial “Migration” – is a record which cements his place in the very highest echelons of electronic music and beyond. By turns lush, manic, beautiful, melancholy, joyful, packed.. Bonobo’s last album, “The North Borders”, went Top 30 in the UK and was number 1 in the electronic charts in both the US and UK. In support, his 12-piece collective (over an 18 month period) played 175 shows across four continents and 30 countries, wowing a total audience of around 2 million people. In fact, Songkick reckoned him to be amongst the most travelled artists on the planet that year. The tour included two sell outs at the Sydney Opera House, an all-day festival at the Roundhouse culminating in a sold out show at Alexandra Palace (10k cap) plus a number of high profile festival slots. Over the course of five albums for the legendary label Ninja Tune, a myriad of tours, singles, remixes and production work for other artists, Bonobo has built a large, loyal and engaged global fanbase: over half a million album sales and over one hundred and fifty million streams on Spotify point to the levels of success achieved by this quiet, self-effacing man. Most recently, Bonobo curated an international series of Outlier events including a sold out all day festival at Tobacco Dock in London and further parties in Berlin, Madrid, Paris and New York. After the epic North Borders tour, Bonobo relocated once again, continuing his gradual move westward by laying down roots in Los Angeles. He had spent almost three years out on the road with no fixed home and on returning to New York, he found it a “noisy, stressful environment” and decided to try the other coast. All this – both the monumental live and DJ tours and his new home in a city full of people from somewhere else – has fed into what makes “Migration” such a special record. Drawing on both a new interest in found-sound and the “euphoric, spiritual moments” he experienced when playing his all-night DJ sets at his Output residency (where many of “Migrations” tracks were road tested) in New York and his Outlier events around the world, Green has placed the unstable, the heartbreaking, the often beautiful migratory life at the core of how he understands humanity, and hence how he understands music. Migration is to him, “The study of people and spaces,” he expands, “It’s interesting how one person will take an influence from one part of the world and move with that influence and effect another part of the world. Over time, the identities of places evolve.” It’s also true that the person will be changed. Green’s newest work is itself a statement of this change and growth.

̸BIOGRAPHY Larry McCarthy creates postmodern rhythmic drama at the burning intersection of UK dance music. Bruce's music operates at all speeds without any predictable formula. Some tracks stutter and thump with cybernetic power; others flutter and glide in poignant shades of blurring colour. It’s a fragmented, low-frequency meltdown, evocative shimmers of light emanating from the cracks. Sometimes what you're listening to is suddenly scraped off and wiped away, leaving only silence as you blink in disbelief. With a deep understanding of tension and release - essential for thrills and head-spins - McCarthy has been a fundamental force in the continuing output of the pioneering label collective Hessle Audio since his 2014 debut. Since its inception, McCarthy has been also a close affiliate of the Timedance label, where he’s continued to expand his sound, along with Livity Sound and Hemlock. McCarthy’s hyperactive and surreal humour allows him to recreate the process of converting experimental abstraction into exhilarating energy when he’s performing as a DJ. His nuanced dancefloor approach has already taken him on tour as far as Japan. He further explores his own marriage of heartfelt music and daft humour via his monthly Noods Radio show, ‘Get Loose! With Bruce,’ coyly lassoing together various sonic phenomena that inspire his music. McCarthy’s debut album is only the third artist album to be released on Hessle Audio. It was very successful in amplifying his powers to change the shape of electronic music through deep, hi-tech self-expression.

Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Defined by a meticulous approach to the composition, production, art direction and presentation of his work, every release encapsulates Joseph’s idiosyncratic vision. It is a colourful world that gives life to the shadows and throws a mist over the boundaries that have become so commonplace in electronic music. His record The Present Tense provided the launching point for Houndstooth (the label arm of London’s fabric nightclub). The following two releases, Black Octagons and Depicta/Acephale, cemented his status as one of the brightest new talents to emerge in the current wave of producers disturbing the musical landscape. Next up came Suzi Ecto, his debut album, which...

From Utrecht, Carista is the DJ everyone wants to open for them. Self-taught, she bought her first pair of turntables at 19 and turned to YouTube tutorials. After winning a mixtape competition hosted by Rotterdam club BIRD in 2012, she landed a gig and subsequent residency at BIRD and other local clubs. Word started to travel about the charismatic selector, curator, and DJ. She went on to land herself a monthly radio show at Red Light Radio and NTS which got her noticed by a slew of festival programmers. She’s since made her debuts on Boiler Room and at festivals like Secretsundaze, Dekmantel, and ADE, where she opened for De School’s 62-hour party. Her sets are never predictable but always highly danceable. Through her NTS show United Identities, she hopes to continue to promote diversity and inclusivity in the club scene.

̸BIOGRAPHY Catnapp is a Live Act from Buenos Aires, Argentina, based in Berlin that combines breakbeat, drum and bass, electronic, pop, rapping and other genres, resulting in an intense nostalgic atmosphere with Fat percussion and lots of treble. ̸SELECTED DISCOGRAPHY 05-2010 - CtodaT - Blackside Inc. 09-2010 - Catterpillar - (No Label) 08-2011 - Bardo - Blackside Inc. 03-2012 - We Got This (Single) (No Label) 05-2012 - No Money Whatever - Caballito Netlabel 09-2012 - Make Your Speakers Boom - If The Kids Records 03-2014 - A Cliff in an Eyeblink - Crang Records 2014 - A Cliff in an Eyeblink Remixes - Independent 2015 - A Cliff in an Eyeblink Remixes Vol II - Independent 2017 - Back - Napp Records 2018 - Fear - Monkeytown Records 2018 - No Cover & Easy - Monkeytown Records 2019 - Break - Monkeytown Records

DJ, radio host, curator, label head and party promoter - CC:DISCO! is hopelessly lost in music and there’s no turning back. Playing disco, house and boogie cuts with her heart at the controls, CC triggers a joyous feedback loop that infects the dancefloor. There’s no pretension, only pure feeling. A Melbourne club scene mainstay, CC began connecting with audiences just like the heroes before her - through FM radio. Having presented shows since the age of 15, her weekly PBS FM slot of six years ‘Smoke and Mirrors’ became a local institution - the quintessential Friday night party starter - priming her for her bi-weekly residency on Rinse FM, as well as knock out guest spots for NTS, Red Light Radio and Dublab. Now stationed in Lisbon, CC continues to rise as one of her fertile hometown’s most active exports. With three extensive UK/EU tours in 2018, she’s commanded the hallowed dancehalls of Sub Club, ://about blank, Kompass and DJOON. Well versed in mobilizing people on mass...

̸BIOGRAPHY CCL specializes in the liquefaction of rhythmic and melodic matter - combustive phase transitions through cowgirl-breaks, trip-funk, wiggle steppers.

̸BIOGRAPHY Heavy weight club and experimental electronic music. With a background in audio-visual arts and scientific research (EHESS), Clarence is an active member of the Lyon electronic music scene, currently working as a software developer. In club, she mainly blends techno, electro, break and bass music, remaining careful to not be confined to a specific genre, fusing tracks that feature futuristic sound design and industrial soundscapes into intense and powerful atmospheres. ----------------- Dans une approche affranchie des genres, Clarence relie sound-design futuriste et sonorités industrielles au travers d’une sélection toujours soignée et personnelle. Ses sets pour le club, oscillant principalement entre techno, electro, breaks et bass music sous toutes leurs formes, sont marqués par des échappées dénotant d’influences provenant tant de l’expérimentales, de la rythmic noise, du drône, que du dub, de la wave, de l’abstract, du hip hop ou du post-club, ou tout matériel sonores pouvant servir à la construction d’une atmosphère intense, souvent sombre, toujours hypnotique et euphorique. Après des années entre Lyon, le Brésil, Paris, Marseille, Berlin et avoir joué ses premiers sets dans des soirées queers du Griessmühle, elle devient membre en 2015 du label et collectif lyonnais Groovedge et de Schlagwerk sorti sur Criminal Justice Act. Passée par les studios de LYL dont elle a récemment rejoint l’équipe ou ceux de The Word, par le booth du Terminal, du Sucre ou des rendez-vous plus confidentiels de ses pairs, Clarence démontre et à chacune de ses apparitions son habilité à faire danser et exorciser.

DJ Holographic is a one-woman funk machine born and raised on Detroit Music. Her mission is to serve a mix of musical cuisine that contains consuming house beats, passionate R&B with Hip Hop, unreserved disco, true Detroit Techno, and Motown. Join her as she concocts her next rhythmic dish. Surrounded by members of the Detroit DJ community such as Underground Resistance, Detroit Techno Militia, Rocksteady Disco, DJ Minx, KDJ Records, and DJ Minx, she was inspired and her curiosity got the better of her. She has appeared in the underground scene around Detroit at places such as Grenadier Club, Tangent Gallery, Grasshopper Underground, The Whiskey Parlor, Marble Bar, TV Lounge, The Works, Temple Bar, and more. She has played at festivals such as Movement, Charivari, San Francisco Pride, Red Bull Music Academy in New York, and opened for Black Madonna’s We Still Believe Tour in LA..

Although only 28, DJ Marky is already a veritable superstar DJ in his homeland Brasil. Based in Sao Paulo, the clubbing and dance music capital of Brasil, Marky is well established as one of Brazil’s biggest DJs and producer talents. DJ Marky began making a name for himself in the early 90’s pioneering the sounds of UK Drum & Bass/Jungle, appealing to lovers of dance music of all styles for his sheer artistry on a pair of Technics 1210’s. In 94/95 Jungle became popular in Brasil and DJ Marky emerged as one of Brasil’s leading DJs of this new exciting scene. He stopped working at record shop, Up Dance Records, moving on to a high profile residency at the then legendary Toca club. Marky had radio shows on various stations both mainstream and underground, and his success at that time culminated in the mid-90’s with a massive drum & bass/jungle compilation released on UK’s Suburban Base Records. Marky was awarded DJ of the year in Brasil in 95 and 96 and was runner up in 98.

DJ Nobu is a DJ from Chiba city in Japan. He organises now legendary party called Future Terror and his own label Bitta in his home town.DJ Nobu ̸BIOGRAPHY Japan’s DJ Nobu is one of a kind; a DJ with no fixed style but instead a very real ability to draw on a wide world of music and cook up his own unique sound spaces. Nobu is something of a cult figure for those who know with decades of experience, all of which are distilled at his acclaimed party ‘Future Terror’, his label ‘Bitta’ and his few choice production outings. All of this has slowly but surely turned Nobu from being one of Japan’s, to one of the world’s most in demand selectors who is famously flexible and ever evolving. ̸SELECTED DISCOGRAPHY - NO WAY BACK / mixed by DJ NOBU label: ?? / Lastrum catalog: LACD-0094 (TGCS-3831) format: CD released: Dec 20th 2006 - CREEP INTO SHADOWS THE MIDNIGHT D EDITS / DJ NOBU label: Underground Gallery catalog: UGCD-801 format: CD released: April 3rd 2008 - DIARY / DAZZ Y DJ NOBU label: ?? / Lastrum Music Entertainment Inc. catalog: LACD-0143 format: CD released: August 6th 2008 - Endbeginning (Dazz Y DJ Nobu Omi Dub 12"Remix), (Nobu's Dub) / Crue-L Grand Orchestra label: Crue-L catalog: KYTHMAK132 format: 12" released: Apr 2010 - 011 e.p. / DJ NOBU label: GRASSWAXX RECORDINGS catalog: GWEP-07 format: 12" released: July 2010 - ZERO SET II -Reconstruct- / V.A. "Skin QER REMIX (reconstructed by DJ NOBU)" label: MUSICMINE catalog: MMCD20001 format: CD released: October 20th 2010 - ON / mixed by DJ NOBU label: MUSICMINE catalog: MMCD20002 format: CD released: December 22nd 2010 - Draw, Untitled / IORI, DJ NOBU label: Bitta catalog: Bitta001 format: 12" released: November 13rd 2012 - Crustal Movement Volume 01 - Dream Into Dream label: Tearbridge Records catalog: NFCD-27349 format: CD released: March 27th 2013 - Canadian Bellfield, Untitled / Steven Porter, DJ NOBU label: Bitta catalog: Bitta002 format: 12" released: December 12th 2013 - For Your Eyes Only Sampler One / V.A. "Sway" / DJ NOBU label: Semantica Records catalog: SEMANTICA 60​.​1 format: 12" released: December 20th 2013

Few DJs and producers are as widely and universally acclaimed in techno circles as Italian Donato Dozzy. He has a rare ability to work his way into peoples’ minds in both contemporary and classical settings, conjuring real mood and atmosphere. Never one to pay heed to the zeitgeist, he prefers to deal in hypnotic soundscapes that really take you on a trip. Enigmatic as he is, and laidback as he seems, as an artist he is constantly unveiling new work. Displaying a large variation in terms of sound and method across many new releases each year — some of which come on his co-owned label Spazio Disponibile — he also puts out installations for public spaces and museums, uses obscure musical instruments, collaborates with likeminded producers, classical singers or visual artists. Donato seems to continuously challenge himself on a creative level: whatever method he uses, though, he is always likely to permeate your cerebral cortex and rewire it in fascinating and compelling new ways.

̸BIOGRAPHY Femi Koleoso - Drums TJ Koleoso - Bass Joe Armon Jones - Keys Dylan Jones - Trumpet James Mollison - Saxophone

̸BIOGRAPHY Sound Architecture. Marked by his awakened sensibility to depth, Feral consistently carries a thread of spirituality throughout his work. He has inherently embodied the spirit of deep techno, of which defines Hypnus Records, through his passion for audio engineering, hardware experimentation and fascination for percussive instruments. Feral’s affinity for the shamanic calls of the tribal drum have led him across the world to discover and nurture his defining sound. Finding comfort in the solitude of his studio, Feral’s visions emerge in the crepusular hours of his native city, Rome. With a heightened sense of spatial awareness, the sounds of Feral unearth the path of his multidimensional world, transporting the listener to a haunting, yet grounding refuge within. ̸SELECTED DISCOGRAPHY HYPNUS008 - Hara Devata (2015) HYPNUS012 - Heruka (2016) HYPNUS016 - Climbing Himalaya: Part I (2018) HYPNUS018 - Climbing Himalaya: Part II (2018) HYPNUS021 - Court of Light (2019) HYPNUS025 - Ultraviolet Radiation (2020) HYPNUS028 - Woodland (2020) AUBE001 - L'Aube Rouge (2020) MMV012 - Absolute Zero (2021)

FJAAK, the Berlin-based duo of hardware heads, have been constantly making a name for themselves over the last half a decade. Having grown up together in Spandau on the outskirts of Berlin, Felix Wagner and Aaron Röbig began quite early to create all different kinds of music before ending up taking on the city’s heritage – techno – to make it their own.

̸BIOGRAPHY Boss woman behind POLAAR label, Flore is an essential artist on the french electronic music scene. Pionner in the leftfield bass music field, she has just released a second album RITUALS, acclaimed on BBC radio 1 & 6, Mixmag, Tsugi and Trax Magazine... Propelled by curiosity and meticulosity through the last two decades, Flore built her musical journey guided by risk and a generous creativity. 
If her musical and cultural roots go back to jamaican sound systems, breaks and drum and bass, her musical culture and tastes cover a wider territory that ranges from Pink Floyd to Sun O))). This constant interest for new forms and sounds stands behind her path as the live artist she is now, from DJ through producer to being the first woman Ableton certified trainer in France. As a DJ, she brought her explosive sets to numerous european clubs, venues and festivals such as Les Nuits Sonores, Fabric, Fusion Festival. Her Boiler Room set is memorable. Flore is a DJ renowned for the energy of the sets, the rowdiness she brings to the dancefloor and her ability to communicate with the public. Her work capacity and diverse skills led her to collaborate with other artists in various contexts such as with Arandel at La Philarmonie de Paris in 2018 for an exclusive creation for the prestigious institution, working with theater directors and dancers. Crown on top of an already rich collections of gems, she is the boss lady of POLAAR, one of the most exciting musical label of these last years in France. Flore has become a true master at tailoring her sound, often with a sense of anticipation of what was in sight on the electronic music scene : from “Raw “ (2010, Botchit & Scarper) predicting the global bass phenomenon to “Rituals” her second album (2020, POLAAR) cruising on a futuristic and personal interpretation of techno and breaks in all their various forms. Flore keeps the trip real, away from calculation and visibility preoccupation all of which make of her a genuine creative force in the european musical landscape and a sought after live act. ̸SELECTED DISCOGRAPHY https://floremusic.bandcamp https://open.spotify.com/playlist/0wkiGHK5NpzIhbQQGlhF6L?si=RUtNNTQ9Sc28gPfi8GHLWA

I've been in this game for as long as I can remember, seeking out bits of punk rock, pop and reggae when I was still a kid in Walsall. When slap bass days arrived in the mid eighties I started to get into Loose Ends, Change and Maze travelling for funk..Goldie

̸BIOGRAPHY Management: tomjcater@gmail.com - Bookings: naomi@earth-agency.com

Honey Dijon had carved a distinct niche for herself in the world of underground electronic music, coming to be associated with exquisitely curated cross-genre sets and total dance-floor chaos wherever she plays - from Berghain to Space or Smart Bar. As a producer, her reputation for bringing this knowledge to her forward thinking creations is growing all the time. ~ Soundcloud

MARICAS / MistressISAbella

After more than a decade spent building an enviable reputation for herself in the clubs of Paris, Jennifer Cardini has become an international concern. Jennifer Cardini long since outgrew Pulp – the Parisian club where she first made her name– and set off on a mission to take her vision of house music to audiences around Europe and beyond. Over the course of a career spanning of fifteen years, she has delivered DJ sets fusing techno, electro and disco at the world’s most prestigious clubs (Panorama Bar in Berlin, De School in Amsterdam, Lux in Lisbon, Good Room in New York) and hottest festivals (Melt, Nuit Sonores, Burning Man). Yet her dancefloor philosophy is reflected not only by her sets and the music released on her labels, including electro imprint Correspondant and the more indie oriented Dischi Autunno but also by her engagement in support of the LGBT-community. Based in Berlin following six years in Cologne, Jennifer Cardini continues travelling all around the world transmitting her love for music to us through the dancefloor!

̸BIOGRAPHY Queer Dj & producer TRANS(CE) HIGH NRG

̸BIOGRAPHY Cameron Sofia Winters, known professionally as KAVARI, is a British artist, music producer, and DJ currently based in Glasgow, Scotland. Known for her high contrast productions and performances that fuse industrial, ambient, club, & alternative electronic. KAVARI was born on November 27th 1998 in Birkenhead, England and later moved to the North East of Scotland in early childhood. She began performing later in her teens at club nights and underground raves in and around Scotland. Her abrasive sound design and soft melodic soundscapes have garnered her great amounts of attention, cementing herself as one of the key rising talents of the UK underground music scene. Her work being supported by the likes of Aphex Twin, Hudson Mohawke, Mura Masa, and many more. Her productions and performances are known to be incredibly high energy, intense, and genre-less experiences that display the dark and haunting side of electronic music. Influenced by artists such as Skrillex, Genesis P-Orridge, Lorn, & Arca, her work spans the most delicate realms of ambience to the harshest planes of noise. KAVARI released her debut EP 'If the Benign Was to Ever Be So Pure' in May 2021 via the Scottish record label MELD. Following that with a string of self released mixtapes, singles, edits, and EPs. Her latest project 'Suture' was self released on August 19th 2022. ̸SELECTED DISCOGRAPHY kavarimusic.bandcamp.com

a house / techno / broken beat / experimental producer and dj, based in Sofia, Bulgaria.KiNK

̸BIOGRAPHY Spearheading a percussive yet atmospheric sound, Konduku’s minimalist approach to hi-energy dance music has reached a singular space. Varying between half-time steppers, futuristic house music and lucid techno experiments, Konduku has assembled a raft of forward thinking club records. Majoring for the likes of Nous’klaer - a label he’s most commonly associated with - to releases with Delsin’s Mantis Series, DJ Nobu’s Bitta label, and his celebrated Parlama EP for Spazio Disponibile - Konduku delivers an undeniable sonic pattern of uptempo, liquid and polyrhythmic groove. Having relocated to Berlin, curious time signatures and rhythmic pulse remain a priority of his DJ sets, and the artist’s ability to stand out comes through an alluring ability to blend & layer sounds that conjure up otherworldy hypnotisms and radical new hybrids in the process. Taking in UK bass culture to his sound, turn-of-the-century tech house and mid-2000s Italian techno, it’s an obsession for drums - and a wider scope for what falls between - that gives Konduku a rare, outsider’s edge. A major musical talent full of artistic influence, Konduku’s sound and style not only inspires but lives long in the memory.

̸BIOGRAPHY Lia Catreux is a Paris-based DJ who loves playing with a myriad of influences and intensities: her DJ sets take us from weighty blends of Breaks, Drum & Bass, Experimental, Hard Dance & Bass music towards darker, ambient and minimalist vibes. Digging into heterogeneous influences with a wide range of intensities, Lia stands out with an unpredictable selection and a mischievous energy, with a strong penchant for 90s to post-internet Rave sounds, tinged with futuristic bass, breaks and experimentation with a more or less familiar feel, all of witch plunges you into a harsh world of fantasy. Resident of the [re]sources label (and their show on Rinse radio), she recently released « Let In Sink » on their birthday compilation. She is also the curator of the compilation 'Place: France' for the New York label Air Texture, on which she released her first track, "United Taste”. Her releases also include a track in collaboration with SNKLS on Club Late Music and another for the Lachrymose Rescue label.

Simbiatu “Simbi” Abisola Abiola Ajikawo says it herself when she puts on her superheroine mask and goes by the name of Little Simz: “I’m Jay-Z on a bad day, Shakespeare on my worst days”. And on that pernicious Venom that pollutes GREY Area from the very core, she concludes that some people will never acknowledge her as the best just because she’s got ovaries. Those who have recognised her worth get a mention: Jay-Z, Mr Lamar and the woman who knows all about being a woman, black and furious, Lauryn Hill. And let’s not forget the Mercury Prize judges who nominated her for her third LP. Not bad, huh?

̸BIOGRAPHY Make Your Own Meaning, Timedance. Producer / DJ / Mix Engineer

̸BIOGRAPHY DJ, bassist and producer based in Bristol and London. Born in London to Congolese parents, Marla Kether is a session musician, producer and DJ. She is currently working with vocalists Yazmin Lacey, Loyle Carner and Obongjayar, as well as working on a self-produced dance music EP to be released in Summer 2023. Since taking up DJing during lockdown in 2020 Marla has rapidly honed her craft, playing at venues across the country and festivals including Latitude; and contributing outstanding mixes for the likes of 6 Music, NTS and Foundation FM. The different strands of Marla’s musical career are almost as diverse and otherworldly as her excellent selections, which commonly feature a bass-led blend of kuduro, dembow, techno and Jersey club, as well as high-energy house and disco tunes from around the globe.

Max Cooper has carved a unique position for himself as an artist mixing emotional dance floor experimentation with fine art sound design & stunning visuals. Join Max's list for updates and limited release DJ mixes & music - www.maxcooper.net/#joinMax Cooper

̸BIOGRAPHY M I M I (aka Maria Green) is a Brussels-based artist & DJ living in Belgium since 1998, she explores her Afro-European cultural heritage through various media. She also does not stick to any particular style of music, but constantly explores and combines. Seeking progressive movements while exploring her roots, she approaches art and music with her own Afro-futurism. Cosmic electronic sounds, mesmerizing rhythms, percussions, all mixed with today's hottest tracks.

Born Pedro Maia, Mochakk is a 22-year-old sensation whose thrilling persona behind the decks matches his prolific production. Growing up in the midst of skating and hip-hop culture, he found his musical start as a beatmaker before eventually pivoting to electronic music. After discovering house music in particular, he became a dedicated student of the genre and used that to his advantage as he progressively made waves in his home country of Brazil, both as a meticulous producer and mesmerizing performer. In recent months, his presence has gone global as he’s embarked upon an expansive North American tour with multiple sold out dates in tow, dominated a laundry list of festivals internationally, done B2B sets with the likes of Vintage Culture, and is now headed toward a slot at the church, Circoloco this summer. With standout releases like “False Need” via Black Book alongside an exponentially growing fanbase with over 1 million followers, not to mention a smash forthcoming remix for The Martinez Brothers.

Robert Henke, born in 1969 in Munich. I was always fascinated by technology, wanted to become an enigneer. Some day I discovered Oxygene by Jean Michel Jarre and I could not stop listen to it again and again. I did stupid jobs after school and finally..Monolake

̸BIOGRAPHY Neek is a Grime producer from Bristol, UK. He produces records with fellow Bristolian Kahn, with releases under the monikers Kahn & Neek and Gorgon Sound.

DJ and producer NVST from Switzerland has established herself as one of the rising stars of the international clubbing and electronic music scene. Playing uncompromising sets around the world, this hyperactive artist seems insatiable. DJ and producer NVST from Switzerland has established herself as one of the rising stars of the international clubbing and electronic music scene. Playing uncompromising sets around the world, this hyperactive artist seems insatiable. A regular guest at the most prestigious clubbing festivals (Amsterdam Dance Event, Positive Education, Dekmantel Selectors) and the trendiest clubs of the moment (Garage Noord, Tresor, Ankali, Zhao Dai), she leaves no one indifferent. In addition to DJ sets under her own name, she is part of the Drift Institute, a live group that blends post-punk, abstract, and techno. NVST's growing reputation is built on sharp, powerful, and deeply committed sets. Taking her audience by surprise, she doesn't hesitate to put them in uncomfortable situations to lead them into a trance. Breakbeats, industrial, techno, and acid are just a few of the strings to her bow. Her style draws from all genres in order to transcend them and create moments of collective communion. The values that drive NVST's approach to DJing are far from conventionalism and commercial approaches. As an advocate for a more open and inclusive electronic music scene, she is part of the Female:Pressure family and fights for better representation in the nightlife industry. In addition to her already impressive schedule, she co-directs the Big Science label with Warzou, a sound experimentation laboratory focused on marginal electronic music. She is also a resident DJ on LYLRadio and Rinse FM. NVST's discography is also extensive. In addition to numerous remixes published here and there, she has released an EP and two albums under her own name, an album with the Drift Institute, and she announces the upcoming release of a new album on the Geneva-based label Les Disques Magnétiques (a sub-label of Disques Bongo Joe). In addi­tion to these accom­plish­ments, her recent fea­ture in a Tre­sor com­pi­la­tion solid­i­fies her posi­tion at the fore­front of cut­ting-edge under­ground elec­tron­ic music. ̸ SELECTED DISCOGRAPHY SOLO RELEASE NVST - Filled with Oil LP ― Les Disques Magnétiques - 2023 NVST – Drum in the Bass of Attention LP ― Big Science - 2022 NVST – Stop Violence Motivate Violence ― Serious Trouble - 2021 NVST – Compiled Works 2017-2019 LP ― Big Science - 2020 COMPILATION X FEATURING RELEASE
 NVST – Heatstress (Tunnel Edition) ― Tresor Records NVST – The Snitch Cant Fist (Cloud94 Version) ― Selfreleased NVST – Petroleum Dub ― Pracht NVST – Fire & Exposure (Flames In The Car EdItion ― Tsunami Records NVST – Domination Of Controversity (That Is (So) Useless Version) ― Jerry Horny NVST – If The Sheriff My Family ( Forevervacation Edition) ― Die Idole NVST – Store Of Love – Proxima Records 
NVST – 6weeksquarantine2yearstherapy (Autohifive Final Countdown Mix) ― Subject To Restriction NVST – Safer Safe (When Doggos Building Bridges Mix) ― TRNSTN
 NVST – Velo Moto 184 (CMS DJ Drivin High Passing Police Version) ― Sumo Smash Records
 NVST – Empire State (Autohifive Danger Zone 1994 Mix) ― Club Culture 
 NVST – Sankt-Prex (Autohifive Under the Surface Mix) ― Kashev Tapes & Oramics
 VOCALIST WORK Théo Muller FT NVST – Devil Moon ― KRAKZH
 Théo Muller FT NVST – Les Rave Party Sont Interdites ― KRAKZH
 Exhausted Modern FT NVST – Something Stronger ― Endless Illusion REMIX Neu Verboten – Sangre Digital (NVST Hifire Remix) ― Jupiter 4 Jolly – Secular Theodicy (Autohifive Windowsdown Remix) ― Kashev Tapes Exhausted Modern – Hard Working Rats (NVST Hifive Remix) ― Endless Illusion Anatolian Weapons – Black Sea ( NVST Waving Edition) ― Lurid Music ALIASES RELEASE The Drift Institute – Damages and Their Slices LP ― Pensament Sonic Autohifive – Benzin ( NVST GTA MIX) ― Les Points Autohifive – Say It From The End (Vilnius Edition) ― 777 Records Autohifive – No Shoes / Time 2 Go (NVST C1984 EDIT) ― Nasty Entreprises
 
Autohifive – Safe Room Explosion ( Stress Result Version) ― W.T.N.T Autohifive – Lost Dog Walk ( Lonely NVST Version) ― selfreleased
 Autohifive – Cargo XXL ( NVST remix) ― Brainwaves

known for her eclectic mix of styles, tempos, and sounds, ojoo, fka OJOO GYAL, has a knack for blending diverse elements into an engaging and infectious experience. born and raised in Morocco, and currently based in Brussels, ojoo has established a mean reputation for mapping a sound uniquely hers in meticulous DJ mixes since 2019 at venues across Morocco and Europe, radio shows on Noods and Movement, and mixtapes on Accidental Meetings and Chrome. ojoo’s mixes give equal attention to atmosphere and groove. They are a swirling cauldron of rhythms across a whole spectrum of genres, from old-school dancehall to its most futuristic and distorted mutations, twisting through dub, reggaeton, dembow, grime, and sometimes excursions into the noisy, grubby and sludgy, with illbient, musique concrète, and more. AMX004 - OJOO GYAL vs. FUMU CHMIX005 - OJOO GYAL - Untitled

The story of the DJ, live artist, and producer Pablo Bozzi is a love story with music that he formed for the first time at age 6, spending his childhood and adolescence practicing the harpsichord at the National Conservatory of Toulouse, Pablo Bozzi is a Berlin-based producer, live artist and DJ who is now behind a multitude of aliases. 'and co-projects. Its sound is unique, and some have come to classify it as "Italo Bozzy Music". From EBM and Techno, through New Wave, to Italo, New Beat, and Industrial, he maintains little respect for conventional parameters within electronic music.

Peggy Gou is a South Korean-born DJ and producer based in Berlin. During the 2010s, she became internationally renowned for energetic DJ sets, which dreamily flow through various styles of techno, house, and electro. Her own tracks, such as the acclaimed 2018 single "It Makes You Forget (Itgehane)," are vibrant, joyous productions that echo vintage deep house and post-disco without sounding like a throwback. ~

̸BIOGRAPHY DJ, Producer & Vocalist (DFA Records) For as long as she can remember, Annegret Fiedler has created electronic melodies to soundtrack her daydreams. Drawing on her early love for brooding New Wave and Post-Punk, she became Perel, an electronic producer, vocalist and DJ who spent much of the 2010s shaping her sound – and to just praise. As well as being the first German artist to sign to James Murphy’s seminal dance-punk label DFA Records, Perel has performed internationally as a live act and DJ, from the floors of throbbing techno clubs to major city festivals. Growing up in the East German state of Saxony, she learned how to write and produce songs, inspired by Apex Twin, Kraftwerk and The Cure, among others. Later drawn to Berlin and its underground club scene, she took on the persona of Perel, writing, producing and singing on solo material for labels like Running Back, Uncanny Valley, Kompakt and Permanent Vacation. In an ever-evolving club scene with myriad faces, Perel stood out by singing over her DJ sets, bridging the mood of her own live sound with her selections. Perel drifted into the orbit of the heads of DFA Records, who released her debut solo album Hermetica in the spring of 2018. Her sound has a natural kinship with DFA: playful basslines undulate as thumping house and techno synths drive home the message of her hooks and refrains, ghostly vocalizations that speak of romance, dread and power.

̸BIOGRAPHY An intergalactic journey open to the reception of biosounds from remote solar systems. Letters from alien worlds that tell of infinite possibilities of life. The soundtrack of synthetic planets aimed at hyperevolution of intelligent organisms. ..・༓ (。𖡔 Pianeti Sintetici ('synthetic planets' in Italian) is a new conceptual project by Davide Perrone (Primal Code) that draws inspiration from the factories of Magrathea, a planet in Douglas Adams' classic space opera The Hitchhiker's Guide to the Galaxy, where artificial planets are manufactured on commission. 'This concept has always fascinated me, and I chose the name to frame a hypothetical future of synthetic worlds, told with sound,' Davide says. 'I like to imagine the howls of creatures inhabiting solar systems outside our own. Rarefied atmospheres, alien sequences, and unfamiliar tonal scales. So, I see Pianeti Sintetici as an open-ended design research project where I can explore these inspirations.'

̸BIOGRAPHY Electronic music producer, dj and sound designer based in Milan.

̸BIOGRAPHY Raye / Dj / Poducer / Platform7Club Owner / Burner Spanish DJ/producer and owner of the exciting new Platform7 Club, Raye, has achieved much at a relatively young age. Having started producing at the age of 22, he dedicated much of his time growing up in Madrid to his love of electronic music. He immersed himself in his art, and began both exploring and creating new and innovative sounds. His music style developed rapidly and he developed a unique style for which he quickly became known. Raye’s reputation for mixing and creating powerful sets, with deep cuts and energetic bursts have given him acclaim across the country. He began releasing music with Spanish record labels early in his career, and his EPs have become well known amongst big stalwarts of the industry. His music has been remixed by artists such as Miguel Puente, Horatio and Berny, and he has collaborated with other great producers such as Joeski and Rick Wade. Raye is resident DJ in ‘Studio 76,' one of the most prestigious clubs in Madrid and remains in great demand. He is also often seen in a range of clubs, such as SanPapa, Warehouse, Entity and Class. His international work has progressed rapidly, and has seen him play in the US, UK, Mexico, France, Germany and Thailand, to name a few. His successful tour in Columbia and Mexico in 2017 saw him play in the biggest clubs such as Club 01 (Playa Carmen), Zamna (full moon party, Tulum)and Mono Club (City of Mexico). You will see him in music festivals such as Burning Man, Coincidance and Electrosplash and he has shared the DJ booth with artists such as Robert Babicz, Fur Coat, Francesca Lombardo, Funk D’Void, Einmusik, Atish and Tiefschwarz. Last year, his third at Burning Man, he played at one of the most respected camps, The Kazbah, whilst not forgetting many other exciting appearances in clubs around Europe such as Kater Blau (Berlin), Fridas Buxe (Zurich), Mantra (Genova) and many more. In 2017 he launched his own sensational "Oasis" party movement which has become a successful and iconic event for people wanting a more sensual and expressive vibe. His unbridled passion and creativity continues further with his latest and most exciting venture, his new club, Platform7. He has created a unique space that is already attracting world class artists such as Cristian Varela, Technasia and Fatima Hajji, and is rapidly becoming recognised across the country. Raye seems to be in his best years and 2018 looks to promise much more. He will continue his international work and will play in Columbia, Guatemala, and Honduras plus more, and will of course continue to be seen across Europe. Look out for Raye releasing his music on the new 'Studio 76' record label this year; an exciting label that has also attracted artists such as Alexis Cabrera, Ariel Rodz, Ray Okpara and many more. Finally, be warned, Raye has some big plans for Platform7 Club and is sure to impress...watch this space! For bookings and enquiries in North, Central and South America please contact Alejandro Ortega at The Mothership Agency: Email: alejandro@themothershipagency.com Web: www.themothershipagency.com/management/raye For bookings and enquiries in Europe please contact Platform7 club: Email: platform7club@gmail.com

̸BIOGRAPHY Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. The Welsh-Greek artist cut his teeth as one half of Cassegrain and has been finding new paths for his mutant sound ever since, releasing on Fever AM, the imprint he set up with Mor Elian in 2017, as well as labels like Avian and Modeselektor’s SSPB. In the studio or behind the decks, he brilliantly fuses different strains of ultra-modern techno and broken beat: eyes-down minimal lights up with modular sass, choppy kicks flirt with rolling grooves, and sharp sound design slices through earthy subs. It’s the kind of amphibious sound that can slip into otherworldly spaces while never truly leaving the dance floor. Rhyw turned heads with the heavyweight two-tracker ‘Biggest Bully’ in 2019, earning himself sets at Berghain, Berlin Atonal, Boiler Room Tokyo and Freerotation amongst others. Online and on-air, he’s guested on Hessle Audio’s Rinse FM show and Mixmag’s ‘In Session’ mix series, and contributed podcasts to Crack and FACT. Even when they leave the gate at full pelt, these sets showcase Rhyw’s subtle sense of intricacy, balancing airy atmospheres against tougher tackle. But whatever the energy level, there’s always an alien presence in Rhyw’s sound—a shapeshifter whose twin motives are to bewitch and disorientate the listener.

Richie Hawtin played an essential role in developing the sound of minimal techno, as well as spreading its popularity throughout the global club scene. Most famous for his experimental acid techno productions as Plastikman, including the classic albums Musik (1994) and Consumed (1998), he is equally well-regarded for his groundbreaking live sets and mix CDs (especially 1999's Decks, EFX & 909) which utilize cutting-edge DJ technology, fusing loops of techno records with additional synthesizers and drum machines. Initially based in Windsor, Ontario and connected with the techno scene in nearby Detroit, he co-founded the highly influential Plus 8 (and its harder sublabel Probe Records) along with John Acquaviva, later establishing Minus and relocating to Berlin during the early 2000s, just as minimal techno began receiving mainstream exposure. Hawtin has continued pushing the limits of technology, developing highly conceptual events which are often intertwined with the art world. ~ AllMusic

Roza Terenzi DJ/Producer Melb, Aus.Roza Terenzi

Born 1969. Died 1909.

̸BIOGRAPHY Electronic music producer, co-founder of Skull Disco and founder of Woe To The Septic Heart!

Skee Mask is a versatile producer from Munich, who doesn’t want to be identified. He got influenced by a lot of different types of music over the last years, which made his productions pretty various. Skee Mask’s direction is mostly rolling rhythms, combined with electronic soundscapes, always forcing to create a deep vibe. His influences mainly are from “old” techno labels like Chain Reaction, Warp Records or Counterbalance. He’s still developing his procedure in making tracks, but always staying himself. In his DJ sets he tries to create a deep trip, constituted of organic grooves and diverse clang accompaniments. Skee Mask would describe his DJ-Set variations as techno, ambient and mostly experimental, forward thinking.

̸BIOGRAPHY Sklaer provides a mesmerizing journey into deep and mental techno, with influences of breaks and idm. She seeks to recreate an atmosphere as sexy as hypnotic in a clubbing and dance dynamic.

Currently based in Berlin, Soda Plains is originally from Hong Kong via West Midland, UK, but few other details have been revealed.

For Solomun, music isn’t just a tool to make people dance. Music is as diverse as life itself: many different shades, moments, and memories to be made.Solomun

̸BIOGRAPHY Twisted, healing, dark, enlightening – for the darker shades of helter-skelter riddims that'll take you into a new dimension of floating still driving percussive realms

cowboy 3XL kwia resident headbangers ball lucky lotto spin cycle dance tutorial vague music ̸SELECTED DISCOGRAPHY Caveman LSD (city2 st. giga) uon - zlo (Motion Ward) uon - untitled (West Mineral Ltd.) Ghostride The Drift (xpq?) Critical Amnesia (xpq?) APPX​:​05 thru - thru (Appendix.Files) xphresh - xephon (3XL) APPX:10 Cypher - Glasgow (Appendix.Files) Crimeboys - Very Dark Past (3XL) Caveman LSD - Total Annihilation Beach (Isla)

Spekki Webu, the master mind behind the Mirror Zone imprint. Coming from a small city called Delft that lays in between Rotterdam and The Hague. Enter the Mirror Zone with the mysterious chief mind expander Spekki Webu as he deconstructs time and space through his hypnotizing psychedelic sets. Like a master snake charmer he entrances entire dance floors with mind-boggling mixes and mesmerizing selections of jungle, tripped-out trance, breaks, Goa, and extraterrestrial tribal techno to name a few. Unrestrained by genre or tempo limitations he shifts gears between hypnotic slowmotion and breakneck 90’s rave so nimbly it induces an unexplained cerebral high. His sound has a rawness to it, shaped by years spent in the gabber scene and as a junglist in and around his terrestrial hometown Delft. On his shamanic quest as gatekeeper into the world hidden within your mind he established the record label ’Mirror Zone’ in late 2017 where reflections of his musical introspections come to fruition...

̸BIOGRAPHY french dj/producer & sound designer

Marea Stamper, professionally known as the Blessed Madonna, is one of the most celebrated DJs of her time, thanks to her eclectic, joyous sets, which can encompass anything from classic electro and new wave to the latest techno and house white labels. Her production work, including the widely praised 2016 single "He Is the Voice I Hear," walks the line between disco and techno, with the emotional weight of the former and the driving momentum of the latter. One of dance music's foremost activists, she is renowned for her commitment to humanitarian work and her outspoken views on LGBTQ rights and gender inclusivity. ~ AllMusic

̸BIOGRAPHY dj / producer / label manager / party in bzh Théo Muller has played a key role in the french electronic scene the last decade as a co-founder of the Midi Deux parties, website & label in Bretagne, a former resident/curator at La Machine du Moulin Rouge or as a label manager of Krakzh. The talented Rennes dj established himself in the same time as a racy producer on the label of Concrete with an EP hailed by Laurent Garnier, Chloé or Move D. He also contributed to Lumière Noire's label, Vastechoses, Worst Records, Vernacular, Eddy Larkin, Grid, Rutilance, Dôme and his own label, Krakzh. In 2020, he released his first album "Gouzanv Pe Unanin" including featuring with Antoine from Positive Education or swiss artist NVST. Able to play at any time and for hours, he has his own way to captivate the dancers between dub, techno and rock. From friendly raves in Bretagne to Transmusicales, Dimensions or Montreux Jazz Festival, he knows how to have a special time.

How does one begin to write about Tiga? Where to even start on a long road marked with notable checkpoints? What can be told that can’t be tallied in raw statis...tics (which he’s a total stickler for), or an unfurled parchment scroll of places gone and plaudits won? The duality of a life split between aspirational popstar and touring deejay falls short: by this point in time he’s lived dozens of lives, let alone a mere two. Frankly the only claim that doesn’t wash is that of being in a legacy mode – because that, to him, denotes the cardinal sin of coasting. And that just won’t do. The core engine pushing Tiga forward is ambition. It’s there, everywhere: at the dials in any given club in any given city in any given country on any given weekend; burning the midnight oil in the Research & Development wing of his career control centre, crisp shirt sleeves rolled, assessing and strategising over his next move; with his feet up on the gleaming glass desk in the penthouse office of Turbo Towers, gold plaques of decade-dominating dancefloor delights flanking him – it’s there. Self-aware, well-moderated, yet totally unrepentant ambition. Plus a bit of wit, too. To be insulated from any real backlash over a quarter-century in the game and across many different hats worn, a touch of humility and humour certainly helps it all go down easy. His goal is to dunk on people with success, but do so in a friendly way, soaring overhead with the sly wink of chutzpah (but never the nudge-nudge of solipsistic irony for irony’s sakes). To maintain pole position while swerving between all these lanes with impunity, he taps into a well-spring of regenerating desire. From the getgo Tiga has sought to not merely play a part in the culture he abandoned all life commitments for age 17, but frequently scale its heights too: Attending Berlin’s Love Parade circa ’92-95, then hearing DJ Hell drop “Sunglasses At Night” to the masses not too many years later. Giving a speech at his Montreal alma mater, then converting some of the impressionable graduates in the audience to come work at Turbo. Starting an independent label on a whim, then reaching 200 releases in a stormy industry with a higher turnover rate than Real Madrid managers. Getting hooked first on the fearless compulsion of Bowie, Reznor and Almond, then the frigid cool of Mills, Hawtin and D. James, then threading the needle consummately between these two worlds. These highwatermarks form the backbone of his pride, and in turn, fuel the self-perpetuating motion machine inside. There’s always extra room in the cockpit, mind. An army of collaborators, remixers and remixees have provided vital thrust over the years. From Alter Ego and Azari & III through Duke Dumont and Depeche Mode; from Matthew Dear and Moby, through Zombie Nation and Zdar, Phillipe; Paranoid London, Pusha T, Pet Shop Boys and Peaches.…on and on it goes. Read between the lines and you’ll get a measure of the man. Teamwork affords stimulus, shuts down ego, and juices something he can’t get to alone. At heart, it brings out the best in Tiga. So it’ll prove in 2018, where the fingers of his well-combed Rolodex currently rest on entries marked Kolsch, The Martinez Brothers, and Hudson Mohawke. The fruits of this friendly jousting with find their way out of track ID requests and into the shops before long (perhaps even by the moment you read this – hope you’re enjoying the future and remembered to short your cryptocurrency in time). It would be a lot easier to rest on his laurels by this point, really. To trade on former glories, reflect fondly on a career spent dovetailing in and out of the spotlight with likeminded friends, turning in a jaded, half-assed representation of himself at festivals and recording sessions when the taxman comes knocking. But Tiga is still too confident, self-respecting, and – how did you guess? – ambi-tious for that. The challenge he seeks is to keep experiencing the frisson of creative alchemy, to lock into a groove where he is truly in the zone, to dig deep and reproduce a fresh take on that first-love feeling of music: something that connects with young ravers and inspires the same spark he felt all those years ago. That’s the spur, the lifeblood, the DNA. And that’s why Tiga remains an ever-present light in our little corner of the universe. See more

̸BIOGRAPHY next stop Shell City

̸BIOGRAPHY Vardae is a project with the ambition of breaking away from the genre barrier, to explore new sounds territory around the love of psychedelic music.

̸BIOGRAPHY Von Riu is a Paris based DJ and producer who made a name for himself co-founding his label Jerry Horny with Maté in 2020. Von Riu is a Paris based DJ and producer who made a name for himself co-founding his label Jerry Horny with Maté in 2020. This long-time music fanatic has become one to watch omnivorous tastes producer, shaping his own sound a littlemore through each new release, juggling between cinematographic gloomy atmospheres, incisive trancy techno, clubby bass & break music and modern progressive trance. After making the transition from always being on the dancefloor to someone who now oversees the party, anyone who has witnessed Von Riu playing can testify about his deft mixing skills and the way he dexterously flows between whatever corner of adventurous electronic music. At the forefront of the French electronic music scene, his label Jerry Horny came up with a corporate-businesscore vision which through self improvement and growth hacking techniques has made a name for itself with few compilations and EPs bringing together the best names of the electro/break/bass music scene.

̸BIOGRAPHY Wata Igarashi has developed a clear sound of his own. He brings together the euphoric and psychedelic, with his music standing out for its crystalline structures and shimmering intensity. Igarashi’s distinctive take on techno is on display across a series of EPs on Midgar and The Bunker NY, as well as on Semantica, Time to Express, and Bitta. Recent standout remixes of Aurora Halal, Volte-Face and Prins Thomas have further demonstrated his considerable talents as a producer. The same mentality is present in his performances, whether DJing or playing live, with his measured control of frequencies and intensities shaping the dancefloor as he explores the more psychedelic dimensions of techno. In this way, Igarashi’s considered approach is one that stimulates the body and mind, generating energy and emotion. Wata Igarashiは独自のサウンドを確立したアーティストだ。緻密なサウンドデザインや構成力を持ち、陶酔感とサイケデリックさを融合させたIgarashi特有のテクノは、MidgarやThe Bunker NYの一連のEPやSemantica、Time to Express、 Bittaのリリースで聴く事ができる。また彼のプロデューサーとしての才能は、近年のAurora Halal、Volte-Face、 Prins Thomasの傑出したリミックス・ワークでも顕著に表れている。彼はDJやライブといったパフォーマンスにおいても、制作と同じ精神性を持っていて、緻密な音響とエネルギーのコントロールでテクノのさらなるサイケデリックな次元を探求し、ダンスフロアを陶酔へと導く。Igarashiのアプローチは身体と心の両方を刺激し、強いエネルギーと感情を生み出す。 ̸ SELECTED DISCOGRAPHY 2016 Stealth 2/3: Night [Time to Express] NNN08: Death Orange [Semantica] Ciphers EP [Midgar] Haziest Just Before The Dawn [Bitta] Semantica10. IV [Semantica] 2015 Pulse Width (Wata Igarashi Remix) - Ruhig [Midgar] 2014 Junctions EP [Midgar] Acid Bubblebath (Wata Igarashi Remix) - SERi [Acidworx] 2013 Mariana Wax 000 [Mariana Wax] Paranoid EP [Counter Pulse] Rotating Field EP [Sienna Obscure] 2012 Carp (Wata Igarashi Remix)/ Jin Hiyama [Gynoid Audio] 2011 Middle Eye Black EP [Statra Recordings] As It Is EP [Gynoid Audio]

Woody92 is a visionary artist who’s musical craft runs parallel with a visual aesthetic resulting in very tangible outcomes. This highly expressive being draws influence from an array of external factors outside of music; subjects such as history, graphic design, the medieval era, the path of religion and the church all play a decisive role. He also keeps a tight circle of like-minded music heads many of which collectively shape the landscape of the Dutch underground scene. His story as an artist can be traced back to his hometown of Delft, a quiet part of the Netherlands with little musical identity but crucially neighbours with bigger brother The Hague. That being said Woody still caught glimpses of the psychadelic Techno, mystical ambient, free tribal tekno and push forward goa and psy-trance movements but locally it failed to rival that of the likes of Rotterdam & Amsterdam.....

̸BIOGRAPHY Zaatar زْعَتر music is the peculiar combination of both her origins : Moroccan and Belgian. She finds her inspiration in the post punk and EBM movement of the late 80’ and early 90’. Her tracks are therefore built around a gritty and rough baseline that sets the mood for frenetic body dances. Melodies and sounds inherited from her home country - Morocco- completes her soundscape in a way that is her own. During her DJ sets she invites the public on a captivating journey from light to darkness, an oscillation between joy and melancholy sometimes punctuated by oriental melodies. Co-founder and resident of the Laisse Tomber Les Filles collective, she works to celebrate women on the decks, freedom and diversity, values that never leave her, especially behind the decks. She joins the label Ritmo Fatale with the track Abiad Al Layali already considered as an EBM reference. Discover