̸BIOGRAPHY Space Afrika With their slow-stepping, spacious urban dubscapes, Space Afrika harness ambient, Detroit techno and shades of early nineties Sheffield with a fresh and open approach to composition — this is dub techno stripped-down, sealed in a time capsule and sent back from the near future. Driving, echo-laden deep beats form the bed for a heavily subaquatic sound palette with undercurrents of cybernetic dread. Friends for almost 2 decades, the two Joshuas formed Space Afrika after years of listening to music together, sequestered by harsh Northern winters. Heavily inspired by the industrial architecture of Northwest England and notions of travel, their sonic framework evokes images of rust and disintegrating concrete, and sensations of movement and redemption — exuding a distorted analogue soul offering escape into their overcast skies. Closely associated with Brighton/London label, Where to Now?, who slink along a vintage axis of post-punk, On-U Sound, minimal and no wave influences, Space Afrika's diverse and creative radio shows (notably their residencies on NTS and Reform Radio) also display a breadth of curiosities in experimental and avant-garde music, old and new.

̸BIOGRAPHY Post-Shaabi from Cairo. 3Phaz is a Cairo based electronic producer mostly known for his debut album ‘Three Phase’, an album that presented a powerful and fresh new take on egyptian mahraganat/shaabi sound; the record was released on Egyptian label 100Copies in 2020. With further singles and remixes released on the likes of Rinse, Boomkat, Polaar, Nashazphone, and Irsh, 3Phaz quickly carved his way into the international club music scene allowing him to perform all around Europe. 3Phaz is currently working on his second album, to be released sometime in 2022. ̸SELECTED DISCOGRAPHY https://3phaz.bandcamp.com/album/three-phase https://irshcairo.bandcamp.com/track/cluster-drum https://floremusic.bandcamp.com/track/coded-language-3phaz-remix https://acidarab.bandcamp.com/track/ras-el-ain-3phaz-remix https://irshcairo.bandcamp.com/track/kabbut-ft-zuli-3phaz https://promesses.bandcamp.com/track/steep-ft-3phaz https://nowaybackuk.bandcamp.com/track/heel-turn

̸BIOGRAPHY Globally-acclaimed, pioneering dub-reggae ensemble led by original co-founder, master percussionist and royal rastaman, Bonjo Iyabhinghi Noa Co-founded by the legendary underground producer Adrian Sherwood, African Head Charge is a globally-acclaimed, pioneering dub-reggae ensemble led by original co-founder, master percussionist and royal rastaman, Bonjo Iyabhinghi Noah. Their epic live show features a line-up of 6-8 world-star performers, fusing together djembes, guitars, drums, keys and vocals with heavy electronic sampling. The collective use this blend of live and electronica to generate an intoxicating soundscape of reggae-inflected drumming, visceral vocals and bottomless, thrumming bass-lines that truly reach to the heart of your being.

̸BIOGRAPHY Ale Hop crafts complex pop arrangements with an experimental noise edge, utilizing electronic effects and computer software in order to mutate and reshape her instrument and voice. Her live performances merge the physical qualities of music with raw emotional states and unorthodox instrument procedures. She builds layers of sounds by blending a complex repertoire of guitar techniques processed by synthesis devices, to create a music of deep physical intensity. She began her career in the 2000s in Lima’s experimental and underground scene. In 2012, following several years of taking part in different pop and electronic bands, she finally started her solo project after performing alone for the first time in Boiler Room, during her residence at the Red Bull Music Academy New York. Ale Hop has performed, screened and exhibited work internationally at institutions and festivals, such as CTM Festival (2022), Haus der Kulturen der Welt (2021), New York’s Museum of Arts and Design (2021), Australia Independent Film Festival (2021), Stockholm City Film Festival (2021), Stedelijk Museum Amsterdam (2020), Somerset House Studios (2019), Heroines of Sound (2019), MALBA Latin American Art Museum of Buenos Aires (2015). ̸SELECTED DISCOGRAPHY Apophenia (Buh Records, 2019) Bodiless (Buh Records, 2018) PANGEA (Buh Records, 2015)

Avalon Emerson is from the desert. While she currently lives in Berlin, the music she produces comes from the dreamlike expanse and abstract textures of the Sonoran landscapes of Arizona. Her journey has taken her from that sunbaked state to the contemporary dance music mecca via a long stint in San Francisco, where she cut her teeth as a DJ in the city's storied warehouse party scene. In her DJ sets and productions now, she offers a timeless narrative that reflects a passion for the sound design of new wave, the futurism of techno, the soul of American house and the exuberance of rave. Though she's built up steam in 2015 from multiple sets at Panorama Bar, and globetrotting all around Europe and North America, she's just getting started, and continues to outdo herself with original productions released on labels like Shtum, Spring Theory, Icee Hot, and her own DJ tool edit pool, the Cybernedits series.

Azu Tiwaline is a producer inspired by the need to explore her origins, rooted in the Sahara. Her sound is a mix of the organic and the raw, vibrations from the spaces of the desert where entrancing music resonates and ecstatic rituals are commonplace.

̸BIOGRAPHY BAMBII is a global club DJ known for her genre jumping sets that push music exploration and the spirit of dance and rave culture everywhere. Kirsten Azan, baptized Bambii, is one of Canada’s most compelling DJs. Whether online or on dancefloors, her political and musical vernacular give credence to dance music’s ever expanding reach, the relationships it helps forge between individuals, cultures and spaces. As proof, she has spent the last few years touring Europe and Asia as a solo artist and on support for some of the world’s most relevant artists - Mykki Blanco, Kelela, and BbyMutha, to name just a few. She's a reoccurring name across European venues like Paris’ Afropunk and Germany’s Open Source Festival. On this side of the Atlantic, her event series ‘JERK’ has made stops in Halifax, Los Angeles, New York and Montreal building on the success of the event’s 7th year of existence in hometown Toronto. Publications are also keeping afloat - Wonderland, VOGUE, CRACK, DUMMY and DAZED all want a piece - and awaiting her debut EP, set to hit the internet before the year closes. ̸SELECTED DISCOGRAPHY 2019 NITEVISION - BAMBII FEAT. PAMPUTTAE

̸BIOGRAPHY CRYSTALLMESS is a DJ, producer, artist and writer based in Paris, France.

̸BIOGRAPHY DIORA, a Cape Townian gem, who currently resides in Amsterdam, is a multi-disciplinary artist. She blends heavy techno, hardcore and industrial sounds with strings of vocals to amplify the sexiness in the air. DIORA, a Cape Townian gem, who currently resides in Amsterdam, is a multi-disciplinary artist. She blends heavy techno, hardcore and industrial sounds with strings of vocals to amplify the sexiness in the air. Although only recently starting to play, she sure knows how to provide a party with her vibrant energy, charisma and her considered selection of tracks. She has been involved in Berlin and Amsterdam nightlife with a focus on bringing more light to trans people and their safety within club spaces.

̸BIOGRAPHY Manchester based producer making music thats a sonic reflection of his heritage, marrying the sounds of latin rhythms & uk low end focus

̸BIOGRAPHY Salogni's musical background was cultivated in her native Italy between the small towns of Capriolo and Brescia, where she spent her formative years, collaborating with musical acts of all styles. She started working as a live sound engineer for the local social centre and independent radio station Radio Onda D'Urto, non-profit left-wing venues and counterculture organizations for a variety of gigs, festivals, and theatre productions. After moving to London in 2010 she took a 9 months course at Alchemea College of Audio Engineering to learn Pro Tools, and shortly after began her career working as a recording engineer across major recording studios both nationally and internationally.[1] As a producer and mixer, Marta Salogni has worked with Björk, Depeche Mode, Romy,[2] M.I.A., Groove Armada, Animal Collective, Black Midi, HAAi,[3] Bar Italia, Ela Minus, Westerman, Philip Selway, Jayda G, Circuit Des Yeux, Dream Wife, Holly Herndon, Porridge Radio,[4] Anna Meredith,[5] Ela Minus,[6] Methyl Ethyl,[7] Lafawndah,[8] Puma Blue,[9] Kàryyn,[10] Planningtorock,[11] Daniel Avery,[12] Duval Timothy, Emel Mathlouthi,[13] Factory Floor, Kelela, Liars, Alex Cameron, Daniel Blumberg, Little Boots, Temples, Insecure Men,[14] The Orielles, HMLTD, and Django Django. [15] As an engineer, Salogni worked with producers such as Danton Supple and David Wrench. Alongside Wrench, she has worked on projects with Frank Ocean, The xx, Goldfrapp, FKA Twigs, Blossoms, Glass Animals, Pixx, Shura, Bloc Party, and LA Priest. She has also worked on Tracey Thorn's 2018 Record alongside producer Ewan Pearson.[16] Salogni has worked with the record labels XL Recordings, Young Turks, Mute, DFA Records, Virgin EMI Records, 4AD, Polydor Records, Domino Recording Company, Heavenly Recordings, Sony Music, and One Little Indian. She is involved in the London music scene, playing both composed and improvised live sets using tape machines, loops, and feedbacks. She recorded and mixed the 2023 Depeche Mode album Memento Mori[17] with James Ford, who had produced the band's previous album Spirit. Marta was awarded the MPG (Music Producer’s Guild) Breakthrough Engineer of the Year 2018,[18] Breakthrough Producer of the Year 2020[19] and UK Music Producer of the Year 2022.[20]

̸BIOGRAPHY MC Yallah is a Kenyan rapper based in Uganda, and an affiliate of Nyege Nyege. Recently she teamed up with Debmaster to release Kubali on acclaimed Nyege Nyege sublabel Hakuna Kulala. A veteran of the industry, she became involved in hip-hop music back in 1999, spreading a message of integrity and motivation among local youth.

An outspoken voice in the normally non-confrontational world of electronic dance music, Moodymann (Kenny Dixon Jr.) is committed to keeping a distinctly black imprint on techno and house. Moodymann

̸BIOGRAPHY The Rotterdam born, raised and based DJ Nala Brown has been cultivating a sound that explores different genres. The co-founder of the all female collective AMPFEMININE has been blowing up in recent times, with sets for Boiler Room & Hör and decking the stages of Glastonbury and WHP.

̸BIOGRAPHY Nala Sinephro's music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Nala Sinephro is a Caribbean-Belgian composer, producer and musician living in London. Sinephro's debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a orb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more. Following electrifying live performances across the London scene, word of Nala Sinephro's playing has spread throughout the UK jazz scene and procured support from NTS, London Contemporary Orchestra, Spitfire Audio, Gilles Peterson, Virgil Abloh, Touching Bass and The Guardian. In 2021, she joined the innovative Warp Records roster and continues to weave her unique sound world. ̸SELECTED DISCOGRAPHY Space 1.8 (Warp Records) released September, 2021 Nala Sinephro - Live at Real World Studios with Edward Wakili-Hick & Dwayne Kilvington (NTS) released August, 2021 Nubya Garcia - Together Is A Beautiful Place To Be (Nala Sinephro Remix) released October, 2021

̸ BIOGRAPHY Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it, “so this is the track that was on every 5 minutes at Warehouse Project. ”That track and the duo’s own ‘Le Tigre’ were played out constantly by the likes of Four Tet and Ben UFO, the former also hiring the duo to remix his track ‘Teenage Birdsong’. Then there are their edits. Thom Yorke was so impressed by the duo’s versions of ‘Not The News’that he let them release the tracks on their own Polykicks label. Add to that their cheeky version of Rosalia –‘A Palé’,which caught the ear and the eye of the respected flamenco artist, as well as being a highlight of their live performances pre-lockdown. Then the world abruptly stopped, all their forthcoming gigs were cancelled and suddenly Overmono were able to fully commit their energy to their legendary Bromley studio. It’s was during this time that the duo feel they’ve been able to realise exactly what Overmono’s music should be. “Our work together had so far been about exploring and defining what Overmono is... and we feel like we’ve got this now”.

̸BIOGRAPHY Rắn Cạp Đuôi has been at the forefront of sound art and experimental music in Vietnam since 2015. They are in a constant state of flux, deconstruction and rebirth, resulting in chaotic sheets of sound and compositions which border on violence and beauty. Rắn Cạp Đuôi - một tập thể những cá nhân không bó hẹp hay lệ thuộc trường lớp âm nhạc nào, với họ, sự khiếm khuyết kỹ năng có thể bù đắp bởi sự cởi mở phóng khoáng. Cởi mở tứ phía và chẳng bao giờ ngừng nghỉ ở một trường âm thanh nào. Rắn Cạp Đuôi-vẫy-vùng trong những trường âm thanh vô luật dữ dội và chìm đắm kì khôi. ---------------------------------------------------------------------- Rắn Cạp Đuôi is a Saigon-based collective of autodidacts for whom the relative absence of virtuosity might or might not have been made up for with an abundance of go for it open-mindedness. Schizophrenically hopscotching between but never comfortably resting. The group channels the un-neat ruleless strangely ferocious world of quantum mechanics. Also fuck Attis Ngo why is he a related artist ̸SELECTED DISCOGRAPHY *1 (Nhạc Gãy) Ngủ Ng​à​y Ngay Ng​à​y T​ậ​n Thế (Subtext) Trẻ Em Tồi Tệ. (Rarities and outtakes album)

̸BIOGRAPHY Ruhail Qaisar is a self-taught artist from Ladakh, India. As a musician, he explores the confines of memory, the dry rot of intergenerational trauma, and the eerie swarms of the human unconscious, incorporating vernacular poetics, and improvised chaos. The work serves to transmit sound-collage memoirs based on real-life events and local mythos, as developed through his recollections of growing up in the frontier villages of Ladakh, located in the high-altitude Himalayas. Hauntological drones disturbed with spastic tremors of post-industrial delirium and cruel power electronics. His debut album will be released on Aisha Devis’s label Danse Noire on 27 Jan 2023. ̸SELECTED DISCOGRAPHY Fatima (DN019) Danse Noire

SHERELLE is leading a new generation of high-speed ravers who are addicted to jungle, drum ‘n’ bass, footwork and juke. Through her DJ sets, radio shows and record label she gives a platform to both scene elders and new talent and is committed to pushing 160bpm+ dance music into the future. The London-born DJ has been busy since that Boiler Room sent her signature brand of low-end energy viral: She’s held down a year-long Radio 1 residency that’s seen her showcase cutting-edge dance music to a mainstream audience as well as host OGs like DJ Spinn, 4Hero, Kode9 and Luke Vibert as well as next gen disruptors like Mantra, L C Y, Yazzus and Fracture; She’s started the Hooversound label alongside partner in club music Naina with releases from Hyroglifics, Sinistarr and Deft; And she’s co-founded the incendiary 6 Figure Gang squad with Fauzia, Jossy Mitsu, Dobby and the aforementioned L C Y and Yazzus. Let the takeover begin.

̸BIOGRAPHY DJ / Producer from London. NTS - Soup To Nuts show Balamii Radio ̸SELECTED DISCOGRAPHY IP Addy 7" - Eglo Records From The Floor To The Booth 12" - Eglo Records

̸BIOGRAPHY Soft Break is a Rotterdam-born and based DJ, audiovisual artist and designer. Early encounters with her city's jungle, dubstep and grime scene are heavily reflected in her eclectic sets. Her DJ sets move through gentle vocals, percussion, hard drums, footwork, hiphop and sub destroying bass. Expect genre-busting, energy-driven aural narratives, full of unexpected twists and turns. Graduated from No Shade DJ Mentoring Program 2020 in Berlin, she’s steadily rising. 2022 became a year of major debuts, wowing crowds at Dekmantel Festival, De School, WOO HAH!, Vandalized, Sonic Acts, SPIELRAUM and Dekmantel Selectors throughout a variety of outstanding sets, frequently sharing the stage with her companion Nala Brown. She is a founding member of the collective AMPFEMININE, curating mixes by femme-identifying DJ’s, booking talent and hosting events and parties. Through her work in music, design, and art, she aims to highlight Black Dutch representations in archives and questions notions of memory, identity, space and time. Soft Break has performed and talked on panels regarding feminism, spatiality of social relations and queers politics at institutions such as Stedelijk Museum Amsterdam and Het Nieuwe Instituut.

Rising in Turin and currently based in Munich, Stenny debuts with his first 12″ Solstice Deity on the Zenker Brothers label Ilian Tape in 2013. Mainly inspired by the spirit of 90’s Techno and IDM, his contribution as a producer could be described as club focused but not merely functional. The dusty and stepping drum programming, often contrasting with the dense, atmospheric surrounding, is one of the peculiarities of his style, which in fact, references often to the Jungle or Hardcore era, but basically aims to evolve with no genre boundaries. As a Dj he maintains a similar, versatile and open minded approach, ranging between contemporary and classic but forward thinking club music.

̸BIOGRAPHY CDMX-based DJ & producer. Argentinian DJ and producer, Tayhana, has established herself, in a short period of time, as one of the most relevant and promising figures in the club scene around the world. Self-taught by her experience as a founder of one of the most radical parties in South America that revalued the original music of the continent, she is recognized as a central figure in the Club Latinx genre. Thanks to her aggressive way of playing, a fearless imagination mixing different rhythms, BPMs and a wide range of experimental sounds from Latin America, but mostly because of her creative capacity as a producer and a beatmaker to push the boundaries of what has been possible in the encounter of urban and traditional music from all over the continent, she has called the attention of artists such as Rosalía, Daniela Lalita, Mare Advertencia Lírica, Gaika, among many others producers and well known DJs in the industry. Currently based in México, she has been part of the record label N.A.A.F.I, with whom she released her first albúm “Tierra del Fuego”, with great acceptance and broad recognition by the specialized media in the electronic music scene. The impact of this singular approach to club music gave her the chance to be booked in extensive tours around Europe, Asia and all over Latin America. Over the last few years she has played in a wide range of the most relevant festivals that embrace club culture such as Primavera Sound, Lollapalooza (ARG), Mutek (USA), Unsound (POL), Festival Estereo Picnic (CO), Festival Ceremonia (MX), SXSW (TX) and also institutions like MoMA Ps1 (NY-USA) among many others. Recently, Tayhana’s work as a music producer and a beatmaker, has been selected and recognized in large scale productions by artists such as GAIKA and ROSALÍA, for whom she produce the beat “CUUUUUuuute” for her world acclaimed latest album “Motomami”, being the only female producer involved on the record that would win ‘Best Alternative Album’ at the GRAMMY Awards and ‘Album of the Year’ at the LATIN GRAMMYS Awards. But also, she has been invited as a producer in the original soundtrack of WAKANDA FOREVER, one of the latest blockbuster movies of MARVEL, next to the artist Foudeqush with the song “Con la brisa”. In the past decade, the relevance of her work has not only inspire the multiplication and emergence of differents clubs centered in electronic music from Latin America, but also a broad number of producers and djs, specially females, opening a new kind of recognition to the beautiful complexity of the sound of Latinx culture.

How does one begin to write about Tiga? Where to even start on a long road marked with notable checkpoints? What can be told that can’t be tallied in raw statis...tics (which he’s a total stickler for), or an unfurled parchment scroll of places gone and plaudits won? The duality of a life split between aspirational popstar and touring deejay falls short: by this point in time he’s lived dozens of lives, let alone a mere two. Frankly the only claim that doesn’t wash is that of being in a legacy mode – because that, to him, denotes the cardinal sin of coasting. And that just won’t do. The core engine pushing Tiga forward is ambition. It’s there, everywhere: at the dials in any given club in any given city in any given country on any given weekend; burning the midnight oil in the Research & Development wing of his career control centre, crisp shirt sleeves rolled, assessing and strategising over his next move; with his feet up on the gleaming glass desk in the penthouse office of Turbo Towers, gold plaques of decade-dominating dancefloor delights flanking him – it’s there. Self-aware, well-moderated, yet totally unrepentant ambition. Plus a bit of wit, too. To be insulated from any real backlash over a quarter-century in the game and across many different hats worn, a touch of humility and humour certainly helps it all go down easy. His goal is to dunk on people with success, but do so in a friendly way, soaring overhead with the sly wink of chutzpah (but never the nudge-nudge of solipsistic irony for irony’s sakes). To maintain pole position while swerving between all these lanes with impunity, he taps into a well-spring of regenerating desire. From the getgo Tiga has sought to not merely play a part in the culture he abandoned all life commitments for age 17, but frequently scale its heights too: Attending Berlin’s Love Parade circa ’92-95, then hearing DJ Hell drop “Sunglasses At Night” to the masses not too many years later. Giving a speech at his Montreal alma mater, then converting some of the impressionable graduates in the audience to come work at Turbo. Starting an independent label on a whim, then reaching 200 releases in a stormy industry with a higher turnover rate than Real Madrid managers. Getting hooked first on the fearless compulsion of Bowie, Reznor and Almond, then the frigid cool of Mills, Hawtin and D. James, then threading the needle consummately between these two worlds. These highwatermarks form the backbone of his pride, and in turn, fuel the self-perpetuating motion machine inside. There’s always extra room in the cockpit, mind. An army of collaborators, remixers and remixees have provided vital thrust over the years. From Alter Ego and Azari & III through Duke Dumont and Depeche Mode; from Matthew Dear and Moby, through Zombie Nation and Zdar, Phillipe; Paranoid London, Pusha T, Pet Shop Boys and Peaches.…on and on it goes. Read between the lines and you’ll get a measure of the man. Teamwork affords stimulus, shuts down ego, and juices something he can’t get to alone. At heart, it brings out the best in Tiga. So it’ll prove in 2018, where the fingers of his well-combed Rolodex currently rest on entries marked Kolsch, The Martinez Brothers, and Hudson Mohawke. The fruits of this friendly jousting with find their way out of track ID requests and into the shops before long (perhaps even by the moment you read this – hope you’re enjoying the future and remembered to short your cryptocurrency in time). It would be a lot easier to rest on his laurels by this point, really. To trade on former glories, reflect fondly on a career spent dovetailing in and out of the spotlight with likeminded friends, turning in a jaded, half-assed representation of himself at festivals and recording sessions when the taxman comes knocking. But Tiga is still too confident, self-respecting, and – how did you guess? – ambi-tious for that. The challenge he seeks is to keep experiencing the frisson of creative alchemy, to lock into a groove where he is truly in the zone, to dig deep and reproduce a fresh take on that first-love feeling of music: something that connects with young ravers and inspires the same spark he felt all those years ago. That’s the spur, the lifeblood, the DNA. And that’s why Tiga remains an ever-present light in our little corner of the universe. See more

̸BIOGRAPHY next stop Shell City

Name: Tzusing Birthday: ??? Height: 183cm Blood type: O Astrology sign: Cancer Looks: 5 stars Sense of humor: 5 stars Drinking ability: 5 starsTzusing

̸BIOGRAPHY Valentina Magaletti is a drummer, percussionist and composer whose goal is to strategically enrich a folkloristic and eclectic palette through endless listening and experimentation with new materials and sounds. She has performed and co-written with many artists including Nicolas Jaar, Jandek, Helm, Raime,Moin, HOly Tongue,Czn Malcom Catto, Charles Hayward, Graham Lewis (Wire, Dome), Tightpaul Sandra (Coil, Spiritualized, Julian Cope), Thurston Moore, Bat for Lashes, Gruff Rhys (Super Furry Animals), and many more. In her current project, Vanishing Twin she has a more conventional jazz approach that finds its escape in the drone/field recordings of the percussive narrative in other experimental/avant-garde productions. Valentina was born in Bari, Italy, and lives in London. She has performed widely with festivals including: UnSound (Toronto,Krakow),Wysyng Art Centre(Cambridge) Atonal(Berlin),Festival International Musiques Actuelle (Victoriaville),Festival de la Cité (Lusanne)Museum of Modern Art(Moscow),The Great Escape (BBC Stage),(Brighton),Incubate festival Tilburg),Nuits Sonores(Lion),Hyperreality(Vienna) Tauron Nowa Muzyk Festival(Katowice) Bozar(Bruxelles),Hyperreality(Vienna)ANLG(NYC),EcoFestival(Madrid), Loop Festival(Los Angeles),Phono Festival (Odense),Tremor(Azores), Roskilde (Roskilde),Jazz is Dead(Turin),Le Guess who?(Utrecht),RewireTheHague),Glastonbury(Glastonbury),Supersonic(Birmingham),Sonar(Reykjavik),Time Zones(Bari),Tempo Reale(Florence). Other performance highlights include several improvised or repertoire presentations at Cafe Oto (London),commissioned work for Zabludowicz collection(London),The Barbican(London),Southbank Center (London),National Theatre and Dance (Lisbon),Sonoscopia (Porto),VAC(Palazzo Delle Zattere, Venezia) Valentina has performed or composed music released on labels including Editions Mego, Trilogy Tapes, Offen,Takuroku,Marionette,Hands in the Dark,Blank Editions,Confront,Latency,Horn of Plenty,Meakusma,Emotional Response,Other People,Soundway,Fire Records and mony more. ̸SELECTED DISCOGRAPHY https://valentinamagaletti.com/Releases

̸BIOGRAPHY Electronic producer & composer Seb Gainsborough (Vessel) began his career as a purveyor of left-field, bass driven electronica, using his unique sonic palate to create immersive compositions, exploring texture and tone, the organic and the man-made. His first album, Order of Noise (Tri Angle Records 2012) saw him position himself as an artist at the vanguard of new British electronic music. 2014’s ‘Punish, Honey’ signalled a distinct departure from everything Vessel had previously released. Following two years of touring the output from ‘Order of Noise’ and his output from the ten years prior, Vessel approached ‘Punish, Honey’ differently, stepping aside from digital music tools in favour of analogue hardware and unique, hand-crafted instrumentation in order to develop an entirely unique sonic palette. Lead single, Red Sex picked up cult status, being used in Park Chan Wook’s The Handmaiden, on Alexander McQueen’s catwalks and as the soundtrack to a swathe of contemporary dance works whilst simultaneously destroying dank basement dancefloors around the world. Following ‘Punish, Honey’ Gainsborough’s focus shifted to a collaborative, exploratory approach, in particular, blurring the boundaries between live and synthesised sound. Gainsborough teamed up with Erased Tapes’ Immix Ensemble for his first foray into the ‘classical’ world, this resulted in a new commission for the re-launch of Tate Britain ‘Transition’, released on Erased Tapes in 2016. "At some point, I realised I had faded away from much of the music I used to identify with," Gainsborough told Dazed. "When I started getting deeply into classical and chamber music, I let out a big sigh of relief, like, finally. This is the language I've been looking for." This sparked a critical mass of new ideas and partnerships that would change Gainsborough’s music output forever. Gainsborough formed a close bond with Rakhi Singh, Immix’s violinist who opened his eyes to a lifetime of new listening. They began to write their first collaborative work not long after meeting. Written In Fire, a response to Janáček’s string quartet ‘Intimate Letters’ dropped in 2019, kicking off a rapid fire triptych alongside chamber opera ‘Paradise Lost’ and ‘Passion’, alongside acclaimed cellist Lucy Railton. If ‘Transition’ was Gainsborough dipping his toe into the water of the instrumental world, this was him diving in head first. All the while, alongside this exploration, collaboration and creative play, Gainsborough was simultaneously penning ‘Queen of Golden Dogs’, an album that would be his first true, cohesive amalgamation of his deep, nuanced electronic music and the new world of experimental and classical music that was unfolding before his eyes. Marrying ‘orchestral string stabs with propulsive percussion for a sound that is equal parts Arnold Schoenberg and Oneohtrix Point Never.’ Queen of Golden Dogs, was released (again by Tri Angle) in 2018. It marks a stark departure from the producer’s previous work, taking that next step on Gainsborough’s creative journey, combining chamber-rave freak outs with vocal segues and neo-classical pieces. In the live domain, the work is performed alongside acclaimed visual artist, and long time collaborator Pedro Maia, director of the masterpiece accompaniment to QOGD’s lead single Paplu. Maia creates a visual companion truly befitting of Gainsborough’s immersive, visceral, fluid musical output. Vessel, continues to be a truly singular voice, whatever his next move is, it’s likely to be unlike anything you’ll have ever heard before. ̸SELECTED DISCOGRAPHY Nylon Sunset EP - 2011 (Left Blank) Standard EP - 2012 (Left Blank) Order of Noise - 2012 (Tri Angle) Misery Is A Communicable Disease - 2013 (Liberation Technologies) Punish, Honey - 2014 (Tri Angle) Transition (with Immix Ensemble) - 2016 (Erased Tapes) Queen of Golden Dogs - 2018 (Tri Angle)

Yves Tumor is the solo moniker of Sean Bowie, the enigmatic multi-instrumentalist and producer based in Turin, Italy.Yves Tumor

̸BIOGRAPHY ZULI is a Musician/Producer/DJ from Cairo, Egypt Ahmed El Ghazoly aka ZULI (stylized in all capitals), is a musician, producer, and sound artist from Cairo, Egypt. Internationally, ZULI is best known for his releases on Lee Gamble’s UIQ – which included a string of EPs as well as his debut LP Terminal, an album that highlighted the depth in his productions, as he simultaneously combines experimentations in rap/hip-hop with music for listening as well as the dancefloor. The Italian Haunter Records also saw the release of the infamous Trigger Finger EP which went on to be remixed by the likes of TSVI, AYA, Acre and more. In 2019, ZULI launched a video series ‘irsh’ together with Rama where they curated and invited artists to play video recorded sets in a social setting. Only having the chance to record two episodes before the pandemic struck, they launched a label and released the two compilations. Locally in Cairo, ZULI is best known for his work in the Hip-hop scene, particularly with rapper Abyusif (who appeared on ZULI’s 2018 album ‘Terminal') but also in the Electronic music scene as part of the now defunct collective Kairo Ist Koming (KIK) between 2012-2015. It’s there he founded Cairo’s alternative music venue and club, VENT, together with Asem Tag aka ($$$TAG$$$), which existed between 2013-2015 before transforming their project into a namesake club night and festival. Around the same time, VENT London was established at the now closed Dance Tunnel venue by a third partner, Mohamed Elshourbagui. ZULI’s music garners support all over the board ranging from the likes of Aphex Twin and Autechre, to Ben UFO and Bradley Zero, even Richie Hawtin through its wide ranging sound. He joined the NTS Radio roster in 2016 with a monthly show that includes a dedicated hour to guest appearances from up and coming DJs and ones he meets touring around the world. ̸SELECTED DISCOGRAPHY Trigger Finger EP - SPCTR010 - May 2018 Terminal LP - UIQLP003 - November 2018 All Caps EP - UIQ0012 - March 2021