Discovering a passion for music from an early age whilst working in a jazz and classical music store in Taipei and collaborating on the LVI exhibition organised to raise awareness of vinyl alongside Jing's studies in graphic printing. In order to pursue her curiosity of music Jing realised she would have to leave her homeland and relocate to Europe. Following her life's natural path Jing cemented foundations through encounters along the way, shortly after arriving in Berlin Jing formed an electronic dream pop band "Polygothica" with close friend Dilijana

Abrasive EP Oroboros EP The Stranded Album

̸BIOGRAPHY part of DUMP (berlin) resident dj at climax (berlin)

DJ/Producer based in Taipei Taiwan

Al Burro (London) first got interested in electronica back in 1994 when he first heard Jeff Mills’ Transmission 1. Drawn to the futuristic soundscape, he and a friend bought their first set of belt-driven decks back in 1995 and this began a longstanding affair with techno. After annoying the neighbours for a couple of years, they decided to branch out and start annoying people at private parties and smaller venues, and annoy them they did. But, with practice and time came a more well-rounded sound; after which, he took a 5-year sabbatical from DJing and took his turn on the dance floors around the world. Al Burro is equally at home in industrial warehouses as in ambient pastures. He is a firm believer in variations on a common theme: It's about the mood not the genre. He has held residencies at Korner in Taipei and Delta in Hong Kong. Al Burro (London) first got interested in electronica back in 1994 when he first heard Jeff Mills’ Transmission 1. Drawn to the futuristic soundscape, he and a friend bought their first set of belt-driven decks back in 1995 and this began a longstanding affair with techno. After annoying the neighbours for a couple of years, they decided to branch out and start annoying people at private parties and smaller venues, and annoy them they did. But, with practice and time came a more well-rounded sound; after which, he took a 5-year sabbatical from DJing and took his turn on the dance floors around the world. When next Al stopped travelling long enough to make owning musical equipment logistically possible, Al discovered a more mature sound. The Detroit Soul and Motown roots remained, but added to this was a drive for a more worldly sound and an appreciation of other forms of music including jazz, hip hop, swing, house and too many more to mention. Al cites as some of his influences: Gilles Peterson, Ninja Tunes, Mr Scruff, DJ Food, Jurassic 5, Radiohead, Jeff Mills, Dave Clarke, Derrick May, UR and the list goes on.

A regular inside the DJ booth of Pawnshop, Taipei - Gemnital used to live in Berlin and study to be a sound artist. Gemnital, who grew up inthe 90s, embarked on a musical journey ranging fromHip-Hop and R&B to rock, jazz, experimental music,exploring the realms of psychedelic, funk, and disco. As time went on, he delved deeper into various genres but eventually circled back to Mandarin golden melodies. During his studies in Leipzig, Germany, he found himself immersed in underground warehouse parties held in ruins and forests. Later in Berlin, he discovered his true self in a multitude of clubs and queer parties, mastering the art of creating and maintaining energy and ambiance within different spaces. Now back in Taipei, he is a regular DJ at Pawnshop and a regular member of the popular queer party "Hakone Hotspring" and "Homepleasure". On the dance floor, he aims to play without boundaries, seamlessly blending familiar and unfamiliar tracks picked from his diverse musical experiences, creating an atmosphere of pure dancefloor bliss. Recently, he has been exploring the intersection of Techno and House, seeking speed and exhilaration from genres like Hardgroove, and strives to craft sets that take the listeners on a captivating journey with well-defined peaks and transitions. Beyond his DJ persona, Gemnital is deeply involved in sound research and the field of sound art. He is a university lecturer and critic in the realm of sound art, and his personal sound walks and installation works have been showcased at art festivals such as Berlin's 48 Stunden Neukölln.

What is more addictive and seductive than the unchained melody and the aggression of music? Without a doubt,the violent music which makes people indulge in is even more appealing. Under the incitement of Jazz and Disco, every note is shaking, and every movement is distorting. DJ Klosing is adept at deep and minimal house. 腰肢的旋律，音樂暴力。 還有什麼比大腿敲打臀部更色情？當然還是音樂的暴力，驅動著忘形的肢體。 在爵士和迪斯可的鼓動下，每一個音符都震撼靈魂，每一個動作都極盡扭曲變形。 Minimal/Deep house是DJ Klosing所擅長的。

DJ/producer based out of Taipei. Available to DJ and perform live sets of techno, house and ambient music.

̸BIOGRAPHY The singular brand of house music that Taylor Freels produces as Liquid Earth is uniquely transatlantic, infusing the rhythmic sensibilities of London and Berlin with the sun-soaked serenity of his native California. The singular brand of house music that Taylor Freels produces as Liquid Earth is uniquely transatlantic, infusing the rhythmic sensibilities of London and Berlin with the sun-soaked serenity of his native California. Part '80s sleaze, part '90s deepness, part '00s wiggle, Freels makes dance music cocktails that pop like a twist of lime hitting seltzer. Melodic, crisp, and always refreshing, each track by the California-native is singularly recognizable as he refashions vintage sounds for the clubs of tomorrow. Under his most recent alias, Liquid Earth, Freels has been pushing, as Resident Advisor put it, "tech house with a twist." His state-of-the-art analog grooves emerged from the ether fully formed in 2019 with some of the deepest basslines and crunchiest melodies out there. Freels' squigly take on contemporary house and techno always comes primed with a dose of California sunshine. Carrying on the legacy of storied California predecessors like Halo and Hipp-E, he's been swiveling heads and moving bodies with releases on labels at the vanguard of the underground, like Limousine Dream and TerraFirm, collaborations with Tornado Wallace as Dinnervisions, and a remix of his starry-eyed, "Scope Zone" by Youandewan landed him a spot on Beatportal's Top 50 Songs of 2021. More than just a producer, Freels knows how to pack a punch behind the decks, moving from classic Detroit and Chicago tracks to UK tech house with aplomb and mastery. His bookings and podcasts have been piling up like hot cakes with best-in-class mixes for the likes of Honey Soundsystem and Butter Side Up and DJ appearances at Dimensions Festival and Panorama Bar. Freels' music, as both a DJ and a producer, remains unparalleled in its ability to solder funk with deepness. His early releases that propelled him to prominence on labels like NYC's Let's Play House and Melbourne’s Voyage Recordings, displayed an almost encyclopedic knowledge of house music. As Urulu, Freels zig-zagged across time and space to create music that felt embryonically transatlantic alongside a sugar rush of rave nostalgia. He now uses the Liquid Earth moniker to bring that same intimate knowledge to the trippier corners of the cosmos. With a seemingly endless trove of creativity and energy congealing behind the Liquid Earth project, Freels is poised to continue his take over of club land's headiest and spaciest dance floors.

MiniJay has a unique philosophy regarding what he thinks music is all about: He focuses on not only the quality of sound, but the uniqueness of individual elements, which are two of many reasons that distinguish him from others. MiniJay's music is heavily influenced by Robert Dietz (Frankfurt, Germany), Stimming (Hamburg, Germany) and Andrew Meadows (London, UK) just to name a few. MiniJay was an important purveyor of dance music in the UK. His titles include Bass Kitchen promoter, HubRadio / Brap.FM DJ and Chemical Records Battle of the DJs 2008 judge. He held residencies at Bass Kitchen, Deep Fried House, Beats on Toast and headRUSH. With his return to Taiwan, he is now the head chef of Bass Kitchen Taiwan and, using the knowledge and skill sets that he gained in the UK, is currently taking the club night from strength to strength. His reputation as a DJ is also growing rapidly, making MiniJay one to watch for the future!

Sean started his journey in sound when he was 15 attended his first rave back in 1998, since then the 4 on the 4 beat has been his soul and motivation. In 2000 Sean joined Blue Studio, one of the first electronic dance music production groups in Vancouver and in 2003 he started his own production group Motivation. Between 2001~ 2005，Motivation put out over 20 major events and become an important part of many Vancouver millennials partying careers. In 2005 Motivation invited the essential mix favourite of that year, Lee Coombs and same day Sean made his first DJ debut. Started 2006 Sean fell in love with deep house & tech house rhthym and deep bassline and in the same year he became the resident DJ of Vancouver's most talk-about underground production team PH1.