DJ Nobu is a DJ from Chiba city in Japan. He organises now legendary party called Future Terror and his own label Bitta in his home town.DJ Nobu ̸BIOGRAPHY Japan’s DJ Nobu is one of a kind; a DJ with no fixed style but instead a very real ability to draw on a wide world of music and cook up his own unique sound spaces. Nobu is something of a cult figure for those who know with decades of experience, all of which are distilled at his acclaimed party ‘Future Terror’, his label ‘Bitta’ and his few choice production outings. All of this has slowly but surely turned Nobu from being one of Japan’s, to one of the world’s most in demand selectors who is famously flexible and ever evolving. ̸SELECTED DISCOGRAPHY - NO WAY BACK / mixed by DJ NOBU label: ?? / Lastrum catalog: LACD-0094 (TGCS-3831) format: CD released: Dec 20th 2006 - CREEP INTO SHADOWS THE MIDNIGHT D EDITS / DJ NOBU label: Underground Gallery catalog: UGCD-801 format: CD released: April 3rd 2008 - DIARY / DAZZ Y DJ NOBU label: ?? / Lastrum Music Entertainment Inc. catalog: LACD-0143 format: CD released: August 6th 2008 - Endbeginning (Dazz Y DJ Nobu Omi Dub 12"Remix), (Nobu's Dub) / Crue-L Grand Orchestra label: Crue-L catalog: KYTHMAK132 format: 12" released: Apr 2010 - 011 e.p. / DJ NOBU label: GRASSWAXX RECORDINGS catalog: GWEP-07 format: 12" released: July 2010 - ZERO SET II -Reconstruct- / V.A. "Skin QER REMIX (reconstructed by DJ NOBU)" label: MUSICMINE catalog: MMCD20001 format: CD released: October 20th 2010 - ON / mixed by DJ NOBU label: MUSICMINE catalog: MMCD20002 format: CD released: December 22nd 2010 - Draw, Untitled / IORI, DJ NOBU label: Bitta catalog: Bitta001 format: 12" released: November 13rd 2012 - Crustal Movement Volume 01 - Dream Into Dream label: Tearbridge Records catalog: NFCD-27349 format: CD released: March 27th 2013 - Canadian Bellfield, Untitled / Steven Porter, DJ NOBU label: Bitta catalog: Bitta002 format: 12" released: December 12th 2013 - For Your Eyes Only Sampler One / V.A. "Sway" / DJ NOBU label: Semantica Records catalog: SEMANTICA 60​.​1 format: 12" released: December 20th 2013

Born 1969. Died 1909.

̸BIOGRAPHY Producer, Dj and Live Performances. Call me. Gabo Barranco, also known as AAAA is a Mexican electronic music producer and performer, who works with an 'out of the box' approach. Barranco’s work is driven by analogue hardware, creating intense music pieces, varying from melancholic melodious ambient to undeniably heavy acid assaults. Throughout a relatively short career, he has performed and been part of events such as MUTEK MX, SXSW, BERGHAIN, FREEDOM (COL), Institut fuer Zukunft (GER), Comunite (MX) and Red Bull Music Academy Montreal. His music has been released by fresh and cutting-edge record labels, such as New York Haunted (NL), Omnidisc (MIAMI), Jack Dept. (NYC), Acid Avengers (FRA) and collaborating with die-hard heads like Tin Man. ̸SELECTED DISCOGRAPHY Shiva Watts (ANTIME) 2014 East is the Beast w/Tin Man 2015 True Peak Ep (New York Haunted) 2016 Anorak Ep (Jack Dept. NY) 2017 Jazz D Ep (Omnidisc) 2017 Interdimensional Grid / DOVS (Jack Dept. NY) 2018 Acid Avengers 010 Split 2018 Silent Cities / DOVS (Acid Test) 2019

As a phototropic flower, powering its way to the light through dense foliage, AAGUU is keen to find a stretch of your soul to soundtrack with his music. As a phototropic flower, powering its way to the light through dense foliage, AAGUU is keen to find a stretch of your soul to soundtrack with his music. Mirroring the dynamics in the tropical rain forests of Goa where he resides, his inquisitive mind operates intuitively to illuminate fleeting moments of existence. His purpose is manifold: connecting the dots for dancers, elevating the spirit of the reveller, respecting the journey of the individual. AAGUU’s wide-eyed innocence and natural curiosity to build stories informs his blessed touch, shaping ephemeral memories with music. For an inkling into the vibe that AAGUU creates, you can trace its footprints on the sandy beaches of Anjuna all the way back to the Goa parties: genre fluid electronic body music punching up into the air, a heady mix of freedom & psychedelia; DJs casting levitation spells. He treasures this ‘sacred arena of the imagination’. It’s an aural & visual playground where the journey is as crucial as the destination.

̸BIOGRAPHY Remote Viewing Gateway Light and bleep beats researcher, producer but primarily DJ Aitch is coming from a long residency at infamous Milan squat Macao (now closed). There he has grown a reputation for his wide selection, dipping into cynical techno tools, hyperspeed kinetic cracks and wubby UK club sound. One of the head behind Ambient Rave Exp, Chill Room Records Club hazy Sunday afternoons, Bristol Normcore affiliate and 1/3 of Cortex of Light with fellow heads Piezo and Primordial Ooze with whom release two live albums, tracks and remixes on Artetetra, Communion and Comic Sans.

Al Burro (London) first got interested in electronica back in 1994 when he first heard Jeff Mills’ Transmission 1. Drawn to the futuristic soundscape, he and a friend bought their first set of belt-driven decks back in 1995 and this began a longstanding affair with techno. After annoying the neighbours for a couple of years, they decided to branch out and start annoying people at private parties and smaller venues, and annoy them they did. But, with practice and time came a more well-rounded sound; after which, he took a 5-year sabbatical from DJing and took his turn on the dance floors around the world. Al Burro is equally at home in industrial warehouses as in ambient pastures. He is a firm believer in variations on a common theme: It's about the mood not the genre. He has held residencies at Korner in Taipei and Delta in Hong Kong. Al Burro (London) first got interested in electronica back in 1994 when he first heard Jeff Mills’ Transmission 1. Drawn to the futuristic soundscape, he and a friend bought their first set of belt-driven decks back in 1995 and this began a longstanding affair with techno. After annoying the neighbours for a couple of years, they decided to branch out and start annoying people at private parties and smaller venues, and annoy them they did. But, with practice and time came a more well-rounded sound; after which, he took a 5-year sabbatical from DJing and took his turn on the dance floors around the world. When next Al stopped travelling long enough to make owning musical equipment logistically possible, Al discovered a more mature sound. The Detroit Soul and Motown roots remained, but added to this was a drive for a more worldly sound and an appreciation of other forms of music including jazz, hip hop, swing, house and too many more to mention. Al cites as some of his influences: Gilles Peterson, Ninja Tunes, Mr Scruff, DJ Food, Jurassic 5, Radiohead, Jeff Mills, Dave Clarke, Derrick May, UR and the list goes on.

̸BIOGRAPHY Ale Hop crafts complex pop arrangements with an experimental noise edge, utilizing electronic effects and computer software in order to mutate and reshape her instrument and voice. Her live performances merge the physical qualities of music with raw emotional states and unorthodox instrument procedures. She builds layers of sounds by blending a complex repertoire of guitar techniques processed by synthesis devices, to create a music of deep physical intensity. She began her career in the 2000s in Lima’s experimental and underground scene. In 2012, following several years of taking part in different pop and electronic bands, she finally started her solo project after performing alone for the first time in Boiler Room, during her residence at the Red Bull Music Academy New York. Ale Hop has performed, screened and exhibited work internationally at institutions and festivals, such as CTM Festival (2022), Haus der Kulturen der Welt (2021), New York’s Museum of Arts and Design (2021), Australia Independent Film Festival (2021), Stockholm City Film Festival (2021), Stedelijk Museum Amsterdam (2020), Somerset House Studios (2019), Heroines of Sound (2019), MALBA Latin American Art Museum of Buenos Aires (2015). ̸SELECTED DISCOGRAPHY Apophenia (Buh Records, 2019) Bodiless (Buh Records, 2018) PANGEA (Buh Records, 2015)

̸BIOGRAPHY Amselysen explores and experiments with the content and the form of any and all genres, before repackaging the whole into leftfield electronic. Under Amselysen, Hakeem Lapointe explores and experiments with the content and the form of any and all genres, before repackaging the whole into leftfield electronic, notably: experimental, ambient, conceptronica, techno, noise, and IDM. Never shying away from challenging their audience’s comfort, Amselysen is sure to deliver novel sounds and standard-defying experiences. Known for their chaotic iconoclastic interventions and their unique sense of subversion, they like to present hyperdynamic blends of electronic compositions, as demonstrated in their debut album, Hypnagogic Surge, released on Genot Centre [Prague, Czech Republic] Amselysen has shared the stage with trailblazing acts such as: Caterina Barbieri, Lorenzo Senni, Courtesy, Dreamcrusher, Jesse Osborne-Lanthier, Myriam Bleau, i.o., Racine, Keru Not Ever, amongst others. ̸SELECTED DISCOGRAPHY Organe Solaire [Genot Centre] https://genot.bandcamp.com/album/organe-solaire Hypnagogic Surge [Genot Centre] https://genot.bandcamp.com/album/hypnagogic-surge Priori - Ani Ma (Amselysen Remix) https://prioricamp.bandcamp.com/album/on-a-nimbus-remixes Amselysen [Ep] [Dream Disk Lab] https://dreamdisklab.bandcamp.com/album/amselysen

̸BIOGRAPHY ANACO is originally from Bilbao and now based in Paris. DJ and resident on the radio Rinse France since 2018 she hosts a monthly show through which she expresses her varied musical universe. ANACO is originally from Bilbao and now based in Paris. DJ and resident on the radio Rinse France since 2018 she hosts a monthly show through which she expresses her varied musical universe. Strongly influenced by the club culture of the 90s (jungle, footwork, ghetto tech, UK garage, reggaeton...), her style is also nourished by the contemporary scenes, always more creative in the mix of genres. Driven by the will to sculpt atmospheres and moments apart, Anais is known for her sets in which she plays with time, with bodies and with minds. She has performed at many well-known booths and stages (La Machine, Concrète, Trésor, Positive Education...) and recently joined RAG, founder of the lesbian collective Barbi(e)turix, for a parallel project celebrating the whole spectrum of Italo Body Music.

̸BIOGRAPHY Montreal based French electronic music producer, guitarist and DJ. Producer, DJ, and co-manager of Kizi Garden Records

DJ, Producer & Label owner Anetha is a trained Architect based in Paris, now fully dedicated to music and focused on developing her career as a DJ, producer and Label Manager. As a leading figure of the new generation of French DJs inspired by EBM, trance, electro and old school 90’s techno tracks, Anetha knows how to make people dance. She always tries to offer an intense, energetic and unpredictable journey to her public, with a strong and fresh tracks’ selection.

̸BIOGRAPHY Swiss-DJ Audrey Danza is a resident at the club Motel Campo, in Geneva. She founded her label Proxima in 2020. Audrey Danza is a prominent Swiss-DJ known for her eclectic and high energy selection of music. Recognized for her highly refined taste across genres, her DJ sets slide easily between moods, tempos, and styles. She is famous for creating euphoric moments in clubs, blending gloomy, bright, and euphoric techno and trance vibes. Raised at Motel Campo where she is a resident since 2019, Audrey splits now her time between Geneva and Berlin, where she draws inspiration from both cities' vibrant music scenes. She sees her music as being "fun" and "colorful," reflecting her passion and dedication to her craft. Always learning from the past, she has started to release some of her personal work, from edits to remixes, seeking to weave together playful sounds for the club goer. Her comprehensive knowledge of dance music led her to establish the label Proxima, where she has reissued multiple pieces of music from the 80’s and 90’s on vinyl, which have gained international reach. Her regular appearances at Panorama Bar/Berghain have solidified her reputation as a sought-after DJ with an impeccable taste in music. Her energetic mix for her first Boiler Room in Bali was highly acclaimed and showcased her skills and versatility as a DJ. Audrey is now expanding her repertoire to include production work, with rumors circulating that she is preparing to release her own tracks. Always eager to learn and experiment, Audrey continues to push her own boundaries. ̸SELECTED DISCOGRAPHY Tracks: · Audrey Danza - Synchronized Encounters [Proxima] Remixes: · Zerocks - You Too (Audrey Danza Space Remix) [Proxima] · Cold End - Metropolitan Jungle (Audrey Danza Remix) [Proxima] · Neu Verboten - Church of Sins (Audrey Danza Remix) (Dancefloor Memories) [Proxima] · Jogada - Cavalo (Audrey Danza Remix) [Púca Sounds]

Aux88 are Detroit's electro and bass-heavy techno pioneers Tom Tom ,K-1,Posatronix & Blak Tony To many, the name Aux 88 has long been synonymous with the term Techno Bass. Having been influenced by the early days of Detroit Techno, as well as the glory days of the Electro Funk and Miami Bass era, the duo had the vision to create something that could actually become a style of Electro, helping not just to revive it, but also to give it a direction which the sound could take and evolve from what it once was…and that’s exactly what happened, the rest is history! Having been involved in the making of Electro sounds for almost 25 years, Tommy “Tom Tom” Hamilton, Keith “K-1″ Tucker, William “POSATRONIX” Smith, and Anthony “BlakTony” Horton have just about done it all. To this day, they continue to push the boundaries by not just perfecting the mix, but also by innovating on what has previously been done. Techno Bass from the legendary Direct Beat Record Label created A sound that would soon take over the Detroit dance scene, eventually moving on to revolutionize Europe and beyond.

̸BIOGRAPHY is anyone there? EN Hawa Sarita (DJ, singer, poetess, writer) and Cristofeu (DJ, producer) merge their dreams and influences to create Baraka. From this alchemy raise a cathartic and moving sound whose repetitive beats and acid tones coming from the depths heal souls and warm hearts. The two DJs celebrate their love for club culture using powerful TR8s, incisive break beats, synthetic layers inspired by trance and trip-hop as well as cavernous female voices. These alliances of electronic music, 90’ aesthetics and dreamy undulations intertwine like the yin and yang and promise a mystical universe with futuristic imagery. With 7 tracks, with empowering, liberating and current lyrics, Baraka shows an intensity in the voices and productions with liquid and moving sounds, all with a touch of sweetness. A true hymn to the party, to poetry, to the night, the duo plays with genres and offers a hybrid work, going from trance through trip-hop to drum'n bass, with a touch of pop that will delight any audience. To be listened to at home as well as in front of a powerful sound system, Baraka is well and truly part of this new scene on which we will have to count in the years to come! FR Hawa Sarita (DJ, chanteuse, poétesse, autrice) et Cristofeu (DJ et producteur) fusionnent leurs rêves et leurs diverses influences pour faire naître le projet Baraka, synonyme de «bonne étoile». De cette alchimie sonore éclot une musique cathartique et mouvante, dont les beats répétitifs et les sonorités acid venues des profondeurs réparent les âmes et réchauffent les coeurs. Les deux DJs célèbrent leur amour pour la club culture à coup de TR8 tapageuses, de break beats incisifs, de nappes synthétiques puisées dans la trance et le trip-hop, et de voix féminines caverneuses aux résonances libératrices. Ces alliances de musique électronique, d’esthétiques 90’ et d’ondulations oniriques s’imbriquent tels le yin et le yang et promettent un univers mystique à l’imagerie futuriste. Avec 7 morceaux, aux textes empouvoirants, libérateurs et actuels, Baraka démontre une intensité dans les voix et les productions aux sonorités liquides et mouvantes, le tout avec une pointe de douceur. Véritable hymne à la fête, à la poésie, à la nuit, le duo s’amuse des genres et propose une oeuvre hybride, allant de la trance en passant par le trip-hop jusqu’à la drum’n bass, avec cette touche de pop qui ravira tout public. A écouter aussi bien chez soi que devant un système son puissant, Baraka fait bel et bien partie de cette nouvelle scène sur laquelle il faudra compter dans les années à venir! ̸SELECTED DISCOGRAPHY Baraka - Baraka Baraka - Baraka (Remixes Part 2) Baraka - Half Faces (Lacchesi Remix)

̸BIOGRAPHY Beatrice was born in France and raised by Brits, which accounts for their interest in cross-culture sub-genres leaning towards the UK underground scene. They are a resident DJ on Rinse France. ̸SELECTED DISCOGRAPHY ~surf - Proximity EP

̸BIOGRAPHY Assuming the role of a fully independent DJ, freelance art director, and record shop proprietor, Blume is first and foremost a student of sound. Blume, hailing from the vibrant tapestry of Buenos Aires's electronic underground music scene, now finds herself a part of mainland Europe. Following five initial years in Amsterdam, living as a co-habitant of De School, she ultimately settled in the pulsating heart of artistic expression: Berlin. Establishing her online record store Format Wars in 2019, hosting and curating associated pop-up events, she is a DJ whose club-centric sound moves inwards from the peripheries of dance music. With sets, unlimited and freeform, finding inspiration through sonic qualities she treasures, Blume embraces a broad dynamic that’s both heavy in bass and energetic as it is ghostly, glitchy and atmospheric. Adding drums, broken beats and jungle influences to a sound that can equally fall away into life-affirming, dreamy ambient, Blume’s sets are an adventurous exploration of tempo and texture. No stranger to clubs like OHM & About Blank in Berlin, to events like co:clear in Glasgow or Saint-Étienne’s esteemed Positive Education festival - primetime Blume can also be found online for NTS, HÖR and Rinse FM (UK) to the bi-monthly radio show she hosts on Noods called The Otherness. And as Format Wars Records makes inroads to becoming a physical location in 2024, she is dedicating her studies and research further afield to emerging AI technologies, generative tools and new production techniques. With Blume’s stylistic approach, intrepid sound and quality aesthetic already allied with an international repute of labels, domestic crews and local radio, it’s clear the artist’s creative expression, entrepreneurial instinct and synergism are poised for the future ahead.

̸BIOGRAPHY Larry McCarthy creates postmodern rhythmic drama at the burning intersection of UK dance music. Bruce's music operates at all speeds without any predictable formula. Some tracks stutter and thump with cybernetic power; others flutter and glide in poignant shades of blurring colour. It’s a fragmented, low-frequency meltdown, evocative shimmers of light emanating from the cracks. Sometimes what you're listening to is suddenly scraped off and wiped away, leaving only silence as you blink in disbelief. With a deep understanding of tension and release - essential for thrills and head-spins - McCarthy has been a fundamental force in the continuing output of the pioneering label collective Hessle Audio since his 2014 debut. Since its inception, McCarthy has been also a close affiliate of the Timedance label, where he’s continued to expand his sound, along with Livity Sound and Hemlock. McCarthy’s hyperactive and surreal humour allows him to recreate the process of converting experimental abstraction into exhilarating energy when he’s performing as a DJ. His nuanced dancefloor approach has already taken him on tour as far as Japan. He further explores his own marriage of heartfelt music and daft humour via his monthly Noods Radio show, ‘Get Loose! With Bruce,’ coyly lassoing together various sonic phenomena that inspire his music. McCarthy’s debut album is only the third artist album to be released on Hessle Audio. It was very successful in amplifying his powers to change the shape of electronic music through deep, hi-tech self-expression.

̸BIOGRAPHY Carmen Jaci is a French-Canadian experimental music producer currently based in the Netherlands. Using hybrid sounds that merge acoustic instruments with synthesizers and vocal recordings, Carmen constructs a sound world where electronic and classical music overlap. Over the years, she has crafted a personal and unique language which largely revolves around the ideas of discontinuity and formal deconstruction. Her writing rapidly alternates between contrasting spaces and sonic elements, drawing influence from popular and classical artists such as Foodman, Igor Stravinsky and Grimes. As described by Musicworks magazine: “Although the music moves through countless changes from one ultrashort fragment to the next in a state of near weightlessness, it doesn’t sound disjointed. On the contrary, there is a clear line that holds the composition together.” Likewise, her work retains a subtly humorous tone as well as a highly polished sound production that almost reminds us of pop music. ̸SELECTED DISCOGRAPHY Happy Child

̸BIOGRAPHY Catnapp is a Live Act from Buenos Aires, Argentina, based in Berlin that combines breakbeat, drum and bass, electronic, pop, rapping and other genres, resulting in an intense nostalgic atmosphere with Fat percussion and lots of treble. ̸SELECTED DISCOGRAPHY 05-2010 - CtodaT - Blackside Inc. 09-2010 - Catterpillar - (No Label) 08-2011 - Bardo - Blackside Inc. 03-2012 - We Got This (Single) (No Label) 05-2012 - No Money Whatever - Caballito Netlabel 09-2012 - Make Your Speakers Boom - If The Kids Records 03-2014 - A Cliff in an Eyeblink - Crang Records 2014 - A Cliff in an Eyeblink Remixes - Independent 2015 - A Cliff in an Eyeblink Remixes Vol II - Independent 2017 - Back - Napp Records 2018 - Fear - Monkeytown Records 2018 - No Cover & Easy - Monkeytown Records 2019 - Break - Monkeytown Records

̸BIOGRAPHY CCL specializes in the liquefaction of rhythmic and melodic matter - combustive phase transitions through cowgirl-breaks, trip-funk, wiggle steppers.

̸BIOGRAPHY Heavy weight club and experimental electronic music. With a background in audio-visual arts and scientific research (EHESS), Clarence is an active member of the Lyon electronic music scene, currently working as a software developer. In club, she mainly blends techno, electro, break and bass music, remaining careful to not be confined to a specific genre, fusing tracks that feature futuristic sound design and industrial soundscapes into intense and powerful atmospheres. ----------------- Dans une approche affranchie des genres, Clarence relie sound-design futuriste et sonorités industrielles au travers d’une sélection toujours soignée et personnelle. Ses sets pour le club, oscillant principalement entre techno, electro, breaks et bass music sous toutes leurs formes, sont marqués par des échappées dénotant d’influences provenant tant de l’expérimentales, de la rythmic noise, du drône, que du dub, de la wave, de l’abstract, du hip hop ou du post-club, ou tout matériel sonores pouvant servir à la construction d’une atmosphère intense, souvent sombre, toujours hypnotique et euphorique. Après des années entre Lyon, le Brésil, Paris, Marseille, Berlin et avoir joué ses premiers sets dans des soirées queers du Griessmühle, elle devient membre en 2015 du label et collectif lyonnais Groovedge et de Schlagwerk sorti sur Criminal Justice Act. Passée par les studios de LYL dont elle a récemment rejoint l’équipe ou ceux de The Word, par le booth du Terminal, du Sucre ou des rendez-vous plus confidentiels de ses pairs, Clarence démontre et à chacune de ses apparitions son habilité à faire danser et exorciser.

Searing with Sichuan spice – Cora is bringing the heat from Chengdu. Orbiting the cosmic specters of techno, trance, house, bass and breakbeat, Cora’s ever-evolving sound delivers with compelling momentum and astral intuition – superimposing dramatic subplots and emotional undertows onto unfurling rhythmic narratives, while channeling an acute sensitivity to the kinetic desires of the dancefloor. All-night basement parties in the sleepless underbelly of Hong Kong’s OMA at the fulcrum of the ‘10s initiated Cora’s swift departure from the glitz and glamour of a long-time modelling career and stint as an indie film actor, towards an inspired pursuit of electronic energies and club music catharsis. An intercontinental dance savant, raving from China to Saigon and beyond – Cora has been a vital force in activating meridians between underground club scenes in East Asia and the rest of the world. Incubated over years of work, sweat and tears at dedicated nightspots The Observatory in Ho Chi Minh City and .TAG Chengdu, her nuanced aesthetic and penchant for ephemeral grooves have now synthesized into a sophisticated style of her own. After countless days and nights as the last girl on the dancefloor, Cora is one of the emerging talents providing the soundtrack to a city awakened, accelerating at a time where dance music has never been more vital.

Primed to become an ‘overnight success’ in a similar way all overnight successes break-through; following many years of hard-work, Cormac is currently one of dance music’s best-kept secrets. With a rapidly growing reputation as a revered selector, the Northern Ireland born DJ is setting a course for dancefloors the world over with his sound that comprises the breadth of the house and techno spectrum, but with one defining characteristic; always records that touch the inner sanctum of the human spirit. Since he began collecting music as a teenager near Belfast, his journey has been singularly driven by the discovery of amazing sounds, and his humble role in the constantly renewed potential for dancefloor transcendence. Having traded in an all-too-quiet rural Irish life for the hedonism and high times of a very different London in the early 00s, Cormac was a regular dancer at zeitgeist defining institutions such as Trash, Nag Nag Nag and Bugged Out.

̸BIOGRAPHY Solo project of Samuel Ricciuti, founder of Chez.Kito.Kat Records. En Resident of the TEMPIO NERO parties in Montreal and of N10.AS radio with his show VORTEX/IL CIBO, Samuel Ricciuti Alias ​​D.B.Y. (Dog Bless You), Queer artist, has been producing music and mixing since the late 1990s. D.B.Y is also manager and founder of the label Chez.Kito.Kat Records which he created and which has produced 92 albums and organized more than 200 shows for 20 years on independant and electronic scene between Europe and North America. First arrived in production with a sampler as a beatmaker and dj for HIP HOP bands, he discovered electronic music in the mid-90s. It is quite naturally that he turned to productions initially oriented downtempo / breakbeat to arrive at an electronic music influenced by the Electro bass scene from UK and Detroit and the European techno and minimal scene. Samuel Ricciuti published several albums under the name of Dog Bless You, then D.B.Y., on Japanese, French, Canadian or even Luxembourgish labels, the last of which "La Science du Language" in tribute to its breakbeat roots was highlighted by The Wire. He also worked on more experimental and V/A works, such as music for documentaries, dance performances, or with the artist Daniel Buren at the Museum of Modern Art in Luxembourg for the sound setting of one of the visual artist's works in 2009. After more than 25 years of activity on the European and then Canadian electronic music scene, Samuel Ricciuti is still as active as a DJ and producer and continues to have a particular affection for live performances, which has led him to play in respected festivals and shows of the electronic scene in Europe and Canada. Fr Résident des soirées TEMPIO NERO a Montréal et de la radio N10.AS avec son emission VORTEX/IL CIBO, Samuel Ricciuti Alias D.B.Y. (Dog Bless You), artiste Queer, produit de la musique et mixe depuis la fin des années 1990. D'abord arrivé à la production avec un sampler en tant que beatmaker et dj pour des formations HIP HOP, il a découvert les musiques électroniques au milieu des 90’s. C'est tout naturellement qu'il s'est tourné vers des productions d'abord orientées downtempo/breakbeat pour arriver à une musique électronique influencée par la scène bass UK, la scene electro de Detroit et la scène minimal techno européenne. Samuel Ricciuti a publié plusieurs albums sous le nom de Dog Bless You, puis D.B.Y., sur des labels japonais, français, canadiens ou encore luxembourgeois, dont le dernier "La Science du langage" en hommage à ses racines breakbeat a été mis en avant par la bible musicale The Wire. D.B.Y est aussi manager et fondateur du label Chez.Kito.Kat Records qu'il a créé et qui a produit à ce jour 91 albums et organisé plus de 200 shows depuis 20 ans entre l’Europe et l’Amérique du nord. Il a aussi pu travailler sur des travaux plus expérimentaux et V/A, comme des musiques de documentaires, de performances danse, ou avec l'artiste Daniel Buren au Musée D'art Moderne de Luxembourg pour la mise en son d'une des œuvres de l'artiste plasticien en 2009. Après plus de 25 ans d'activité sur la scène des musiques électroniques européennes puis canadiennes, Samuel Ricciuti est toujours aussi actif en tant que DJ et producteur et continu d'avoir un affect tout particulier pour les performances live, ce qui l'a amené à jouer dans des salles et soirées respectées de la scène électronique en Europe et au Canada. ̸SELECTED DISCOGRAPHY Fragment, Album, SoundzOfNowhere, 2007 This Could Be Anywhere, Wondernoize Records, 2007 Split with Meny Helkin, Chez.Kito.Kat Records, 2009 Ghost & Friends, Chez.Kito.Kat Records, 2012 Friends Becoming Ghosts, Chez.Kito.Kat Records, 2013 La Sciende Du Langage, Chez.Kito.Kat Records/Specific Recording, 2019

Deadbeat is Scott Monteith, an adopted Montrealer who has been releasing his own special blend of dub laden, minimal electronics since 2000.Deadbeat

A selectress with no inhibitions digging & choosing parts that build to Adventurous, Energetic, Seductive, & Rapturous sets spanning many genres. Dee Diggs is a DJ and writer based in Brooklyn, NY. She is unapologetically black, queer, and a life long student of the tenets of House Music. The year 2020 found her at the top of her game after a debut European tour during August 2019, her name was popping up on top bills on a weekly basis in NYC. Her energetic, yet deep approach to DJing has seen this Boston to Brooklyn transplant lighting up dancefloors all over; in particular, garnering attention in the queer party scene. This mixes well with her ethos: using her influence to create space for marginalized groups to express & organize themselves. Her aim is to contribute to & sustain more spaces where these groups are valued and thanked by name for their contributions to humanity. Thank the OG Black innovators of House & Techno! Thank you, Disco-era Queens & Queers alike for the theatrics & fanfare of nightlife as we know it! There are homages to these origins alluded to in her taste and most noteworthy mixes. Dee Diggs’ mix for FACT Magazine was released in March 2019 and charted on Pitchfork’s and Resident Advisors’ own Best Mixes of 2019 lists. It cut an arch through dance music’s past and present to convey an interesting melding of Dee’s signature sounds: lyrical storied tracks, sensual club edits, soulful realness, sneaky grooves, passionate thumpers, and nostalgic endings. Her eponymous party, House of Diggs debuted in February 2020 to stir and settle the hearts of all the lovers of house, funk, soul, disco, and R&B in Brooklyn, before the COVID-19 pandemic and subsequent club closings curtailed that momentum for 1.5 years. However, 2021 has found her making strides again. Diggs is still crafting stellar DJ mixes for her Soundcloud and radio guest spots, while also building her music production chops in her home studio in Brooklyn. She has resumed curating House of Diggs as an event series at Jupiter Disco, a rotary focused intimate dance floor in Bushwick and also holds a DJ residency at a hi-fi nightclub in Gowanus, BK named Public Records.

Di Linh is a young artist from Vietnam. Since she began the musical path, she has been making her mark by the diverse and colorful music selection. She is a part of Hanoi Underground Movement (HUM) and resident DJ at Savage. Till this day, Di Linh often plays in familiar places like Savage, Kobala, Smack Dab,... through local events HUM, Snug, SBD, This is, Guinguette, Unuzual and Quest, Duality, Recess, Studio Adventure, Epizode Festival. Besides, her name also appears the same night with well-known artists such as Lauer, Red Rack’em, Local Suicide, Haruka, Omer, Curses and many more around the world in Epizode. And the highlight of her music career was her performance in HUM Showcase (Epizode) with Marco Yanes, which also mentioned in the official review from Data Transmission. Each space gives her different inspirations, Di Linh is always looking and developing herself to give the audiences a fresh feeling, while still retaining her own unique color. She knows how to lead the audiences' emotions...

New Delhi-raised, Bali-based DJ, DITA. New Delhi raised, Bali-based artist DITA began her DJ-ing career in 2014 after being exposed to the varying perspectives constituting Indonesia’s music culture. Exploring the sounds with a keen ear and a growing excitement, DITA established her collective “Interrupted” which solidified her eclectic practice as she bounced between Jakartan and Balinese dance-floors. Armed with musical prowess and an infectious spirit, you can now find DITA with a wide-range of versatile selections including Proto-House, Disco, 90’s breaks, Balearic and beyond. ‍ DITA’s nuanced sound curated over the years has seen her play on stages such as Boiler Room, Wonderfruit Festival, all across Australia and at Potato Head Bali where she is a key resident.

Few DJs and producers are as widely and universally acclaimed in techno circles as Italian Donato Dozzy. He has a rare ability to work his way into peoples’ minds in both contemporary and classical settings, conjuring real mood and atmosphere. Never one to pay heed to the zeitgeist, he prefers to deal in hypnotic soundscapes that really take you on a trip. Enigmatic as he is, and laidback as he seems, as an artist he is constantly unveiling new work. Displaying a large variation in terms of sound and method across many new releases each year — some of which come on his co-owned label Spazio Disponibile — he also puts out installations for public spaces and museums, uses obscure musical instruments, collaborates with likeminded producers, classical singers or visual artists. Donato seems to continuously challenge himself on a creative level: whatever method he uses, though, he is always likely to permeate your cerebral cortex and rewire it in fascinating and compelling new ways.

̸BIOGRAPHY Despite his humble persona, as a DJ and producer, DOTT is an integral player in Bangkok’s ever-expanding underground house and techno scene. Can be sure his sounds will be typified by a deep house and minimal ingrained, tripping groove focused mentality. Although his sound is constantly evolving, DOTT interests is stapled to music for dancing. The approach in both his production and DJ sets is rooted in love for deep house and minimal, combining indelible bassline grooves with an intoxicating analogue sound palette. Despite his humble persona, as a DJ and producer, DOTT is an integral player in Bangkok’s expanding underground house and techno scene, he has played in some of the cities key venues such as BEAM, Glow, Safe Room and De Commune. His reputation has spread across the dance music scene network from clubs to festivals bringing his unique style to Singapore’s Headquarters, Epizode Festival, TAG Chengdu, Wonderfruit, Montreux Jazz Festival, Karma Kastle and a few of illegal and secret parties DOTT is also one of the three founders of "More Rice", an Asia-based, vinyl only label together with Sarayu and Mikhail, in which the direction is more towards obscurity. Their main vision is to support Asia's upcoming talents by creating great connections between them and other international artists around the world. He has played alongside the likes of Roman Flügel, Maayan Nidam, Dandy Jack, Thomas Melchior, Archie Hamilton, Alexi Delano and Eric Volta to name but a few. More recently he has toured Europe, bringing his sound to Paris, Lausanne and Fribourg. As a producer he has released on Body Parts, Oblack, Little Helpers, Whoyostro, Baile Musik as well as his own imprint More Rice and many more.

̸BIOGRAPHY Eclectic Colombian Berlin based musician, transmedia artist and producer. Her works always transits from minimal, ambient and brutalism, becoming an non-easy to pigeonhole character, always in-between concepts and against rigid concepts. Efe Ce Ele aka Feli Cabrera López is a Colombian artist currently based in Barcelona. Her interest in music started when she received her first Drum kit at the age of 5, when she started to have her first troubles with neighbors because of her instinct to hit and hit until breaking. After that, she walked a path of no return in music, learning different instruments and playing with different bands until adolescence. Her start in electronic music was when she moved to live in Buenos Aires after having 18 years old, then she started private clases of sound synthesis, sampling techniques and music production. Then, same as with the first drumm, she started making unbearable noises that she learned after to manage and turn into music creations between genres like IDM, Techno, Electro and Ambient. After that and until now, she runs a prolific music career, performing in Latinamerica and Europe, and releasing music with different independent labels such as: Specimen Records / Sound-Space (UK), Éter (Colombia), Dissident Movement (Italy), Ghara (Switzerland) and Pildoras Tapes (Colombia), among others. ̸SELECTED DISCOGRAPHY Inside - Dissident Movement Nacer - Éter Subsuelo Coltan - Sound-Space Sync - PHKT Label Sinoise - Fragmentar Label

Half Thai/Persian DJ. Born & raised in Bangkok, Thailand

High Priestess of the Motherbeat. Vinyl slinging since 1994. Dissolve boundaries and models. Unlock your body. Find each other.

̸BIOGRAPHY Eƨƨe Ran is an electronic music producer based in Montreal, Canada. His hardware based practice gives rise to an obscure industrial techno where rhythms and textures share common grounds. Eƨƨe Ran is an electronic music producer based in Montreal, Canada. His hardware based practice gives rise to an obscure industrial techno where rhythms and textures share common grounds. Constantly searching for the curiosities of the sonic domain, he puts experimentation at the core of his practice. This exploration leads to a distinctive pallet of synthetic percussion sounds blent with analogous sequences and noisy layers, without ever losing sight of groove. At the beginning of 2020 Esse Ran released his first EP Folding The Dishes under his previous alias Absurde on Humidex Records, a label he co-founded in 2019 along with Softcoresoft and S. Chioini. The 4 track 12 inch cut had a promising launch with a distribution by Lobster Distribution, a music video made by himself premiering on Hate channel and positive reviews and mentions in Exclaim magazine, Le Devoir newspaper and CultMtl blog. Previously he also performed at Mutek Montreal, Mutek Mexico, Mutek Buenos Aires and Exposé Noir with his collective Musique Nouvelle, a live-oriented techno duo formed with S. Chioini. ̸SELECTED DISCOGRAPHY Constant Decay (2023) Derelict Memories (2022)

̸BIOGRAPHY Just when you thought things couldn't get any weirder.

̸BIOGRAPHY Sound Architecture. Marked by his awakened sensibility to depth, Feral consistently carries a thread of spirituality throughout his work. He has inherently embodied the spirit of deep techno, of which defines Hypnus Records, through his passion for audio engineering, hardware experimentation and fascination for percussive instruments. Feral’s affinity for the shamanic calls of the tribal drum have led him across the world to discover and nurture his defining sound. Finding comfort in the solitude of his studio, Feral’s visions emerge in the crepusular hours of his native city, Rome. With a heightened sense of spatial awareness, the sounds of Feral unearth the path of his multidimensional world, transporting the listener to a haunting, yet grounding refuge within. ̸SELECTED DISCOGRAPHY HYPNUS008 - Hara Devata (2015) HYPNUS012 - Heruka (2016) HYPNUS016 - Climbing Himalaya: Part I (2018) HYPNUS018 - Climbing Himalaya: Part II (2018) HYPNUS021 - Court of Light (2019) HYPNUS025 - Ultraviolet Radiation (2020) HYPNUS028 - Woodland (2020) AUBE001 - L'Aube Rouge (2020) MMV012 - Absolute Zero (2021)

The Disco DJ who represents Seoul. Founder of The Monkey Business & Dub Plate. Over the past year, DJ FFAN has been showing his strong presence in the underground club scene of Seoul, while playing liaison role between Seoul and overseas dance music scene. He has been hosting various party series including The Monkey Business, Dub Plate and Anger Management Disco Club, and making it very successful with a lot of great guests from Asia, Europe and North America, such as Chida, Eric Duncan, Justin Van Der Volgen, The Backwoods, Tiago, Gonno, Hugo Capablanca. FFAN is the son of DJ Lee Jin, who is the Korea’s very first club DJ, which means he’s making special geneology as the only second generation DJ in Korea. In 2009, FFAN started DJing as a resident DJ of Club Via. Then he made his mark by becoming a member of Lad Monkeys and Disco Experience. In 2010, he started hosting a party series called ‘The Monkey Business’, and raised himself as a next generation DJ of Korea’s Disco & House music scene. He’s known for captivating people on the dancefloors by multifarious sounds and storytelling, mainly based on Dub Disco, House and Techno. In 2016, starting from his Boiler Room gig, FFAN has been widen his overseas activities ranging over the whole Asia, including Japan, Indonesia and Thailand. 지난 한 해 DJ FFAN은 서울의 언더그라운드 클럽씬의 핵심적 존재로서의 무게감을 드러내며, 서울과 해외의 댄스 뮤직씬을 연결하는 키맨 역할을 해냈다. 그는 몽키비즈니스The Monkey Business, 덥플레이트Dub Plate에 이어 앵거 매니지먼트 디스코 클럽Anger Management Disco Club까지 다양한 파티를 주최하며, Chida, Eric Duncan, Justin Van Der Volgen, The Backwoods, Tiago, Gonno, Hugo Capablanca 등 아시아와 유럽, 북미의 핵심 게스트들을 연이어 초대해 성공리에 파티를 개최했다. 그는 한국 최초의 클럽 DJ 이진의 아들이라는 특별한 출생으로, 한국 유일의 2세대 DJ로써의 특별한 계보를 만들어 가고 있는 중이다. 2009년 Club Via의 마지막 레지던트로써 DJ를 시작하여, Lad Monkeys, Disco Experience의 멤버로 활동하며 두각을 드러냈고, 2010년 시작된 The Monkey Business를 통해 한국 Disco & House 씬의 차세대 DJ로 발돋움 했다. 최근엔 Namsan Shepherd Club을 창설하여 넥스트 제너레이션 DJ를 발굴하고 육성하며 새로운 경계선을 열고자 노력하고 있다. 그는 Dub Disco를 베이스로 House, Techno 등 다채로운 사운드와 스토리텔링을 통해 관객들을 이끌기로 유명하다. 2016년 보일러 룸 Boiler room 라이브를 통해 물꼬가 트인 그의 해외 활동은 일본, 인도네시아, 태국 등 아시아권을 아우르며 스펙트럼을 넓히고 있다.

FJAAK, the Berlin-based duo of hardware heads, have been constantly making a name for themselves over the last half a decade. Having grown up together in Spandau on the outskirts of Berlin, Felix Wagner and Aaron Röbig began quite early to create all different kinds of music before ending up taking on the city’s heritage – techno – to make it their own.

̸BIOGRAPHY Boss woman behind POLAAR label, Flore is an essential artist on the french electronic music scene. Pionner in the leftfield bass music field, she has just released a second album RITUALS, acclaimed on BBC radio 1 & 6, Mixmag, Tsugi and Trax Magazine... Propelled by curiosity and meticulosity through the last two decades, Flore built her musical journey guided by risk and a generous creativity. 
If her musical and cultural roots go back to jamaican sound systems, breaks and drum and bass, her musical culture and tastes cover a wider territory that ranges from Pink Floyd to Sun O))). This constant interest for new forms and sounds stands behind her path as the live artist she is now, from DJ through producer to being the first woman Ableton certified trainer in France. As a DJ, she brought her explosive sets to numerous european clubs, venues and festivals such as Les Nuits Sonores, Fabric, Fusion Festival. Her Boiler Room set is memorable. Flore is a DJ renowned for the energy of the sets, the rowdiness she brings to the dancefloor and her ability to communicate with the public. Her work capacity and diverse skills led her to collaborate with other artists in various contexts such as with Arandel at La Philarmonie de Paris in 2018 for an exclusive creation for the prestigious institution, working with theater directors and dancers. Crown on top of an already rich collections of gems, she is the boss lady of POLAAR, one of the most exciting musical label of these last years in France. Flore has become a true master at tailoring her sound, often with a sense of anticipation of what was in sight on the electronic music scene : from “Raw “ (2010, Botchit & Scarper) predicting the global bass phenomenon to “Rituals” her second album (2020, POLAAR) cruising on a futuristic and personal interpretation of techno and breaks in all their various forms. Flore keeps the trip real, away from calculation and visibility preoccupation all of which make of her a genuine creative force in the european musical landscape and a sought after live act. ̸SELECTED DISCOGRAPHY https://floremusic.bandcamp https://open.spotify.com/playlist/0wkiGHK5NpzIhbQQGlhF6L?si=RUtNNTQ9Sc28gPfi8GHLWA

̸BIOGRAPHY France Jobin is a sound / installation / artist, composer and curator residing in Montreal, Canada. Her audio art can be qualified as “sound-sculpture”, revealing a minimalist approach to complex sound environments where analog and digital intersect. Her installations express a parallel path, incorporating both musical and visual elements inspired by the architecture of physical spaces. Her works can be “experienced” in a variety of unconventional spaces and new technology festivals across Canada, the United States, South America, South Africa, Europe and Japan. Jobin has created solo recordings for No-ware (CL-DE), popmuzik records (JP), bake/staalplaat (NL), ROOM40 (AU), nvo (AT), DER (US), ATAK (JP), murmur records (JP), Baskaru (FR) and the prestigious LINE label (US). Jobin’s sound art is also part of countless compilation albums, notably on the ATAK (JP), bremsstrahlung (US), Mutek (CA), murmur records (JP), and/oar (US), tsuku boshi (FR), everest records (CH), and Contour Editions (US) labels. She is also featured in the influential book and recording, Extract, Portraits of Soundartists (book + 2 cd), released on the nonvisualobjects label (AT). The collaborative album ligne, created with sound artist Tomas Phillips, was released on the ATAK label (JP) and her recent collaboration with acclaimed artist Richard Chartier, DUO, is released on the mAtter label in Japan. Her installations and screenings have been shown internationally at museums and festivals. Her work P Orbital released on LINE (Valence, LINE054) was presented in the context of ESCUCHAS, a first sound art exhibit for the Museum of Modern Art in Medellin, Colombia. P Orbital was also presented at CONTEXT-ing / Listening as CONTEXT at the Miami Art Fair in Florida, Call & Response, London Uk as well as at the Haunted formalism exhibit in LA curated by Volume. An invitation to the AIR Artist-In-Residence program in Krems, Austria enabled her to create und transit, a sound installation set in the MinoritenKirche cloister in Stein (AT) and und transit.03 has been presented in the exhibit “Dock” at the Ancien Palais de Justice’ sound installation and listening space Her two ongoing collaborations with visual artist Cédrick Eymenier (FR) have resulted in EVENT HORIZON, an audio/video piece, and The Answer, a movie, with the soundtrack by France Jobin and Stephan Mathieu. EVENT HORIZON was screened in Paris (2010), at the Venezuela Biennale in Merida state (2010) and was performed live at the Torrance Art Museum in Los Angeles (2010) and ISEA RUHR 2010 (DE). The Answer was screened at IAC, Villeurbanne, France in March – May 2016. In 2011, Jobin was one of five international artists selected to present her sound installation, Entre-Deux, in the new media exhibit Data/Fields, curated by Richard Chartier at Artisphere in the Washington, DC area, along with Ryoji Ikeda, Mark Fell, Caleb Coppock, and Andy Graydon. Her proposition received critical acclaim from the national press. Entre-Deux has recently been presented at N38E13 in Palermo, Sicily (2017). She premiered the audio visual performance of “intrication” at Mutek AR 2018 with the Argentinian visual duo prifma. Her audio visual collaboration: “Mirror Neurons” with sound artist Fabio Perletta (IT) and xx+xy visuals (IT) was screened as a world premiere at A x S / ak-sis / FESTIVAL 2014 | CURIOSITY as part of the Synergetica Screening in Los Angeles in September 2014. In October 2015, France was invited to take part in an artist residency at EMPAC (Troy,NY) which resulted in the creation of a new light sound work entitled 4.35 – R0 – 413, a collaboration with Alena Samoray, lighting designer. Her latests installations, ‘Inter/sperse’ and ‘Entre/temps’ both premiered in Italy. ‘Inter/sperse’ is a site specific installation created in the context of an international residency organized by Museolaboratorio, LUX and farmacia901. It opened May 27 2017 at Museolaboratorio, Città Sant’Angelo Italy. ‘Entre/temps’ is a site specific installation commissioned by Enzo De Leonibus, artistic director of the EaRrEtMeI festival which opened in Palena, Itally, June 4 2017. She has also participated in numerous music and new technology festivals such as Mutek (Montreal, 2001, 2004 – 2009, 2014, 2017, 2019, AR 2018), EM15 (Montreal 2014), EMPAC (US 2011, 2015), roBOT 8 (Italy 2015) Angelica Festival (Italy 2016), Portobeseno (Italy 2014), Interferenze – Liminaria (Italy 2014), Flussi Media Arts Festival (Italy 2014), FIMAV, SEND + RECEIVE (Winnipeg, 2003, 2005), Club Transmediale (Berlin, 2004), Shut up and Listen (Vienna, 2009), ISEA RUHR 2010 (Germany), the surface tension tour (Japan, 2012) and the Symétrie tour (Japan 2016). “immersound” is a concert event/philosophy concept initiated by Jobin, which proposes the creation of a dedicated listening environment by focusing on the physical comfort of the audience within a specifically designed space. The premise of “immersound” is to seek out/explore new perceptions in and experiences of the listening process by pushing the notion of “immersion” to its possible limits. She created and produced “immersound” from 2011 to 2015 at Oboro in Montreal. She was a finalist at the Sonic Arts Awards 2014 (IT) in the Sonic Research category. In January 2013, the Conseil québécois de la musique (CQM) awarded the prestigious Opus Prize for Concert of the year to France Jobin for her concert at AKOUSMA 8. Jobin’s work continues to evolve as technologies enable her to create new environments. France Jobin is published by Touch Music/Fairwood Music UK Ltd ̸SELECTED DISCOGRAPHY 2019 - Solitude on Silent Records (USA) 2018 - Intrication on No. 2018 - DUO with Richard Chartier on mAtter (JP) 2017 - Scènes on LINE (USA) 2016 - Radiance 11 with Stephan Mathieu - Music for The Answer on Schwebung (DE) 2016 - Singulum on Line (USA) 2014 - Sans repères on popmuzik records (JP)

A regular inside the DJ booth of Pawnshop, Taipei - Gemnital used to live in Berlin and study to be a sound artist. Gemnital, who grew up inthe 90s, embarked on a musical journey ranging fromHip-Hop and R&B to rock, jazz, experimental music,exploring the realms of psychedelic, funk, and disco. As time went on, he delved deeper into various genres but eventually circled back to Mandarin golden melodies. During his studies in Leipzig, Germany, he found himself immersed in underground warehouse parties held in ruins and forests. Later in Berlin, he discovered his true self in a multitude of clubs and queer parties, mastering the art of creating and maintaining energy and ambiance within different spaces. Now back in Taipei, he is a regular DJ at Pawnshop and a regular member of the popular queer party "Hakone Hotspring" and "Homepleasure". On the dance floor, he aims to play without boundaries, seamlessly blending familiar and unfamiliar tracks picked from his diverse musical experiences, creating an atmosphere of pure dancefloor bliss. Recently, he has been exploring the intersection of Techno and House, seeking speed and exhilaration from genres like Hardgroove, and strives to craft sets that take the listeners on a captivating journey with well-defined peaks and transitions. Beyond his DJ persona, Gemnital is deeply involved in sound research and the field of sound art. He is a university lecturer and critic in the realm of sound art, and his personal sound walks and installation works have been showcased at art festivals such as Berlin's 48 Stunden Neukölln.

̸BIOGRAPHY London DJ, producer, vinyl collector & musical curator Gideön has been playing Deep House, Northern Soul, Roots Reggae, Acid House, Disco, Soul, Vintage Gospel and Rare Groove for the last 29 years. GIDEÖN (HOMO-CENTRIC RECORDS / NYC DOWNLOW / ADONIS / R3 SOUNDSYSTEM / BLOCK9) GIDEÖN has a background in music spanning 30 years. In addition to his practice as a recording artist, stage designer and curator, he is a touring DJ and is an avid collector of vinyl. Since his first set of turntables in 1990, GIDEÖN has devoted his life to collecting vinyl from the US, Jamaica, Latin America, Africa, and the UK. He specialises in Northern Soul, Latin, Reggae, Gospel, and Disco rarities. House Music, above all, is his first and greatest love. He has a degree in Music with Visual Practice (BA Hons) and is currently guest Creative Director of Music for London Borough of Culture 2022. GIDEÖN co-founded, co-created and curates Block9’s festival nightlife institutions NYC Downlow, Genosys, Maceo’s and IICON and is also resident and co-booker at London’s hottest queer club night Adonis. As a radio DJ, GIDEÖN has been actively involved in broadcasting for many years now. After cutting his teeth on London’s pirate stations in the late nineties, he has hosted a weekly show on London’s Soho Radio for 3 years. He is a frequent guest on London’s Rinse FM and has recently contributed to BBC Radio One, NTS and BBC 6 Music. GIDEÖN has been very involved in political activism over the years and is now increasingly focussed on organising hybrid cultural-political events partnering music and protest, often under the banner of R3 Soundsystem. Together with Love Music Hate Racism, GIDEÖN has organised major sound system interventions on many of the Stop Brexit and Stop Trump and Anti-Fascism protests. He is actively involved with fundraising for several LGBTQ+, human rights and social justice organisations including AllOut, Prepster, Human Dignity Trust and Refugee Community Kitchen. Gideon sits on the advisory committee of The Right to Dance, part of War Child’s NGO Network. R3 Soundsystem is a consortium of DJs, musicians, producers, record labels, festivals, nightclubs, sound systems, activists, and cultural organisations, all united by love of music and the rejection of right-wing nationalist values. R3’s three Rs stand for RESIST / REJECT / REVOLT. https://www.instagram.com/gideon_dj_official/

̸BIOGRAPHY Aimée Portioli is a Berlin-based Dutch-Italian composer and sound designer who records and performs as Grand River. Portioli makes experimental electronic music with rich emotional colours. Her work, influenced by minimalism and ambient music, is atmospheric yet rhythmically complex, incorporating a wide range of contemporary compositional and production techniques. The name Grand River evokes nature, scale, and movement, all key forces in Portioli’s work. Her first release as Grand River was 2017’s Crescente EP, which was named by XLR8R as one of the best releases of the year. She followed this with her debut album Pineapple (Spazio Disponibile, 2018), which garnered praise from The Quietus among others, while its follow-up Blink A Few Times To Clear Your Eyes (Editions Mego, 2020) was positively received by Resident Advisor and The Verge, and was elected among best albums of 2020 by Inverted Audio. Her work has separately appeared on compilations by Ghostly International, Tresor, and Longform Editions. Her third album All Above will be released in 2023 once again on Editions Mego. 

Besides her studio albums, Portioli has created original sound art installations for Rome’s La Galleria Nazionale and Milan’s Il Pianeta, a project of Terraforma Festival. She also contributed her interpretation of a meditation piece for the Soundworks app together with MUTEK, collaborated with Ableton for the creation of Live 11 and Ableton Loop and created and performed her piece “Tuning the Wind” in 4D sound in several occasions. Portioli has performed as Grand River at major international venues and festivals, including CTM Festival, NODE Festival, Berghain, MUTEK, Mapping Festival, Kraftwerk, Barbican Hall, Funkhaus, Maintenant Festival, Le Guess Who?, The Labyrinth, WOS Festival, and many more. She was selected to take part in SHAPE Platform’s 2021 programme. She collaborates with visual artist Marco Ciceri on special A/V performances, as well as on the visuals for One Instrument, the record label she founded that invites artists to respond to a unique creative brief – to create a piece of music using just one instrument. Aimée Portioli holds a bachelor’s degree from the Faculty of Linguistics and Communication of Milan. Her thesis explored the psychology of the communicative function of music in media. Her work today is motivated by similar questions of sound and music as a form of communication that goes beyond language. ̸SELECTED DISCOGRAPHY All Above - Editions Mego, 2023 Blink A Few Times To Clear Your Eyes - Editions Mego, 2020 This Was Us - Ghostly International, 2019 (Grammy Nominated 2021) Light Index Opening - Longform Editions, 2019 Pineapple - Spazio Disponibile, 2018 Crescente - Spazio Disponibile, 2017

Guido Balboa starts his music journey in Hong Kong. His style is highly influences by his roots that are based in the country of the Dolce Vita. As he is slowly introducing himself in the Hong Kong scene he is discovering everyday something more about the well known and the forgotten artists of his native country making his mission always more clear: Make Italo Disco Great Again.

̸BIOGRAPHY Management: tomjcater@gmail.com - Bookings: naomi@earth-agency.com

Hamburg native Helena Hauff is an in-demand DJ as well as an acclaimed producer of gritty, hard-edged electro-techno. Her music draws from influences such as acid house, EBM, and industrial, and she records her tracks strictly using analog equipment, usually in one take. Her full-length debut, 2015's Discreet Desires, contains some of her most melodic material, while 2018's Qualm is more stripped-down but no less energetic. Hauff has released a handful of EPs, including 2019's Living with Ants and 2021's Futuros with the Exaltics. ~ AllMusic

̸BIOGRAPHY Resident Antagonist the dream is over. I am detritus

Hibiya Line is not Japanese. Behind that name hides Dan, a Swiss-Vietnamese guy who in 2006 began playing live acts mixing beats, house and techno in his hometown of Lausanne, Switzerland with two friends. They quickly made a name for themselves were invited to play in some of the most prestigious clubs and festivals around the country such as the Montreux Jazz Festival, Paleo, and Motel Campoto name a few. His deep immersion in the Swiss party scene eventually brought him to Saigon in 2012, and in 2013, he opened The Observatory. Since then, Hibiya Line has become known as one of the most versatile and resilient DJs in the region, with more than enough capacity and drive to take full control of dance floors from the sundown to sunrise. Hibiya Line’s sound explores the house, disco and techno, but his dancefloor can always expect to experience some open-ended style tracks thrown in that make the audio journey more diverse and interesting...

̸BIOGRAPHY Commissioned Works or Bookings Worldwide contact me Direct An American Sound Artist & Experimental Composer having recorded for a variety of labels (including Sony Europe - Axis/6277- Ghostly - NINJA TUNE - RVNG Intl - Soul Jazz Records) - Mathematics Recordings -Voted URB Magazines Top 100 of 2004 in a Group act & Top 100 as a solo artist, Jamal Moss has long been a part of the Chicago house/techno scene as both a Promoter/Producer & DJ. Moss’s first creative endeavors were as part of a crew that created industrial soundscapes / Art Noise for the Liquid Love parties at the famed Powerplant in Chicago from 1989-90. When the Powerplant was closed, Moss and his cohorts started Liquid Sex, which became a magnet for many well-known house artists such as Steve Poindexter, who put Moss in touch with future collaborators the Chicago Bad Boys collective. From the Fall of 1993 - to the Summer of 1996 was Host/DJ for WNUR'S 89.3 StreetBeat Program Showcasing a segment named JACK-FM( Thank U Shaun Fahey ). He was also taken under the wing of house legend Adonis, who became a key mentor figure in Moss’s life and an inspiration for his moniker: "I decided to give myself meaning and purpose, to honor my father (who gave me life) and my mentor Adonis (who gave me knowledge); I named myself Hieroglyphic Being ( Performed Live at 2004 DEMF'S Underground Stage / A Featured Artists In Germany's DE:BUG Magazine issue 92 in 2005 / Voted URB Magazines Top 100 in 2005 & has Composed Works Featured On Time Out Magazines The Other side of Paris DVD Guide Along with Bauhaus/Front 242/Black Strobe & Featured in other MAGAZINE PRINT + DIGITAL COVERAGE: The Wire – The Guardian – Bomb Magazine – Chicago Reader – Chicago Tribune – Washington Post – Resident Advisor – Fact Magazine – Vice – Mixmag – The Georgia Straight – XLR8R – The Quietus – South Side Weekly – Crack Magazine – Electronic Beats – Groove Magazine – The Fader – Pop Matters – Financial Times – Village Voice – Time Out – Spin – Noisey – Pitchfork – Vogue . Composed works for a Tribute to Robert Moog Benefit Compilation & a Featured Artist in Xlr8tr's 100 Aniversary issue aug 2006 & has done Analog Composition Covers & Analog Editing For Alexander Robotnick - Miles Davis - Sun Ra in 2007 & 2008 ).” HAS OPENED FOR: The Sun RA Arkestra – Kamasi Washington – Shabazz Palaces – Chris & Cosey – Holly Herndon – William Basinski – Actress – Silver Apples – Senyawa – Morton Subotnick – Vatican Shadow – Dean Blunt – Mala - John Maus - Shabazz Palaces - Joachim Hans Rodelious - Wolf Eyes - Silver Apples - Morton Subotnick & many More. PERFORMED/COLLABORATIONS/LECTURES WITH: Mark Sanders – Orphy Robinson – Adonis – Evan Parker – Shabaka Hutchings – Marshall Allen – Jean-Francois Pauvros – Danny Thompson – Hamid Drake – Steve Poindexter – Jean-Marc Foussat – Wolf-Eyes – Reggie Watts – Janelle Monae – Shazad Ismaily – Greg Fox CLUBS + VENUES PERFORMED: Berghain – Corsica Studios – Cafe OTO – University Of Chicago – Oberlin – Tate Modern – Zoo – MOMA PS1 -HKW : Art Institute In Berlin – Palazzo Re Enzo – Barbican – EMPAC – Royal Albert Hall – Paradiso – Rex Club – Jazz Cafe – The Art School – Trafo : House of Contemporary Arts – Exploratorium of San Francisco – Smart Bar – Panther Room – Dude Club – Lux Fragil – House Of Electronic Arts Basel FESTIVALS PERFORMED: ADE – Big Ears – BEMF – Moogfest – Bestival – Dance City – Unsound – Le Guess Who – Phono Festival – Free Rotation – New Forms Festival – Roskilde Festival – Melbourne Music Week – Milhoes De Festa – Donau Festival – Dimensions Festival - Dekmental And the last of the line of producers directly influenced by Ron Hardy at the Music Box, which he is uniquely qualified to write a new chapter of Chicago's Rich Musical history. ̸SELECTED DISCOGRAPHY Untitled (12", W/Lbl) Mathematics Recordings 1996 The Dirty Criminals (12") International Deejay Gigolo Records 2001 If (12") Mathematics Recordings 2002 Du Commencement A L'Eternite (12") 6277 2004 Du Commencement A L'Eternite (12", Promo, W/Lbl) 6277 2004 Machines For Lovers EP (12", EP) Spectral Sound 2004 The Temple Of The Moon (7", Blu) Mathematics Recordings 2004 Conversations In A Analog Dialect (12") Klang Elektronik 2005 Liquid Sex EP (12", EP) Spectral Sound 2005 The Sound Of Music E.P. (12", EP) Mathematics Recordings 2005 Cosmic Dust E.P. (12", EP) Mathematics Recordings 2006 The Acid Test Pt. 1 (12", RE) Mathematics Recordings 2006 Guidance / Direction E.P. (12", EP) Apnea 2007 Living In A Zome EP (12", EP) Mathematics Recordings 2008 So Much Noise 2 Be Heard (2x12", Ltd) Mathematics Recordings 2008 So Much Noise 2 Be Heard (2xCD, Album, Dou) Mathematics Recordings 2008 The Bathroom Sessions (CDr, Ltd) Music From Mathematics 2008 The Bathroom Sessions Select (12", Promo, W/Lbl, Sta) Morphine Records 2008 The Bathroom Sessions Select (12") Morphine Records 2008 The Secret Life Of Water E.P. (12") Same Soul Different Body Imprint 2008 The 12th Planet (CDr) Quadrant Recordings 2009 Remixes: Bout Ready To Jak (Remixes) (12") Bout Ready To Jak (Hie... Spectral Sound 2004 London's Calling E.P. (12", EP) Washing Faces (A Hiero... Mathematics Recordings 2007 Appears On: Organized Confuzion (CD) Death Is Nothing To Fe... International Deejay Gigolo Records 2004 Organized Confuzion (CD, Album, Promo, Car) Death Is Nothing To Fe... International Deejay Gigolo Records 2004 1 (CD, Comp, Promo) -2 Net28 2008 1 (CD, Comp, Dig) -2 Net28 2008 Music From Mathematics (CD, Comp) Mathematics Recordings 2008 The Bremen Orchestra EP (12", EP) Bremen Orchestra (Re-... Mathematics Recordings 2008 Tracks Appear On: Organized Confuzion (2x12") Death Is Nothing To Fear International Deejay Gigolo Records 2004 Organized Confuzion (2x12", W/Lbl) Death Is Nothing To Fear International Deejay Gigolo Records 2004 Spectral Sound Vol. 1 (2xLP) Je Suis Musique Spectral Sound 2005 Spectral Sound Vol. 1 (CD, Comp + CD, Mixed) Je Suis Musique, Apple Spectral Sound 2005 The Mission Objective (CDr) Bird Songs For Amelie 6277 2005 A Tribute To Robert Moog (CD, Comp) Altar Crème Organization 2006 Diamanten Und Raketen (CD) D.O.S. Klang Elektronik 2006 1 (CD, Comp, Promo) -2 Net28 2008 1 (CD, Comp, Dig) -2 Net28 2008 Mix May 2008 (File, MP3, Mixed) Je Suis Musique Time To Express 2008 Music From Mathematics (CD, Comp) Residue, Temple Of The... Mathematics Recordings 2008 Spectral Sound Vol. 2 (File, Comp + File, Mixed) Machines For Lovers, L... Spectral Sound 2009 The CS Strategy (12") Eargasmic Recordings 2004 Ancient Echoes EP (12", EP) Klang Elektronik 2005 Relics & Artifacts (12", RP) Frantic Flowers 2005 Relics & Artifacts (12", Cle) Frantic Flowers 2005 Scene 1 (7", Whi) Jack-FM 2005 Scene 2 (7", Whi) Jack-FM 2005 Scene 3 (7") Jack-FM 2005 Scene 5 (12") Jack-FM 2006 Remixes: The House Of Muzique (12") Blackholes (Unreleased... Muzique Records 2005 The House Of Muzique (Volume 2) (12") System Free (Re-Beated... Muzique Records 2007 RA.105 (File, MP3, Mixed, Pod) Blackholes (Unreleased... Resident Advisor 2008 Tracks Appear On: The Other Side Paris (DualDisc) Return 2 Saturn Deaf Dumb & Blind, Breakbeat Science Recordings 2005 The Other Side Paris (DualDisc, Mixed, Comp) Return 2 Saturn TimeOut Records (2) 2005 Thoughts From Chicago Vol. One (12") God Energy Eargasmic Recordings 2005 Time Out Presents The Other Side: Paris (DualDisc, Mixed, Comp) Return 2 Saturn Resist Music 2006 Diamanten Und Raketen II (CD, Comp) Ancient Echoes (A Trib... Klang Elektronik 2008 Thoughts From Chicago Vol. Two (12") Leo Leo Rising (Rhythm... Eargasmic Recordings 2008 My Life As A Skinny Puppy (12") Mathematics Recordings 2003 Kill Bill (12") Interdimensional Transmissions 2005 Kill Bill (12", Ltd, Blu) Interdimensional Transmissions 2005 Hurt U / No Love E.P. (12", EP) Mathematics Recordings 2007 A Music Box Reflection (12", S/Sided, Ltd) Crème Organization 2008 Appears On: Made In China (12") Made In China (IBM Edit) Crème Organization 2007 Reflection Series #1 (12", W/Lbl) Medusa Edits 2008 The Northside Revival (12", W/Lbl) Medusa Edits 2008 Tracks Appear On: Destroy Your Powercenters - IT Future 2006 (CDr, Album, Smplr) Kill Bill, Black Sunda... Interdimensional Transmissions 2006 International Deejay Gigolos CD 11 (2xCD, Album, Comp) Kill Bill (BMG Edit) International Deejay Gigolo Records 2009 MO CD 001 Various Members Only Re-Edits (CDr, Comp, Ltd) 2005 MO1 Various Historical Archives Volume 1 (12") 2006 MO10 Various Historical Archives Volume 10 (12") 2008 MO11 Various Historical Archives Volume 11 (12") 2008 MO12 Various Historical Archives Volume 12 (12") 2009 MO2 Various Historical Archives Volume 2 (12") 2006 MO3 Various Historical Archives Volume 3 (12") 2006 MO4 Various Historical Archives Volume 4 (12") 2007 MO5 Various Historical Archives Volume 5 (12") 2007 MO6 Various Historical Archives Volume 6 (12") 2007 MO7 Various Historical Archives Volume 7 (12") 2007 MO8 Various Historical Archives Volume 8 (12") 2008 MO9 Various Historical Archives Volume 9 (12") 2008

̸BIOGRAPHY Intercity-Express is Audio/Visual project by Tetsuji Ohno based in Tokyo. Intercity-Express is Audio/Visual project by Tetsuji Ohno based in Tokyo. He started working as a DJ from middle of 90's and started composition from end of 90's, makes AudioVisual work in parallel with Ad music. He went through a lot of musical experience,HOUSE,TECHNO,NOISE,Electronica.. and the sound to be born therefrom leads synesthesia. recent concert and exhibition. [MUTEK] - Montreal [MUTEK.JP] - Tokyo [MUTEK.MX] - Mexico City [Scopitone Festival] - France [Sunscape Festival] - Republic of Malta [FILE] - Brasil [LPM] - Italy,Amsterdam [HPL media street event] - Russia [Shinjuku Creators Fest] - Tokyo ...and more

Jonathan Kusuma is a musician, producer and DJ based in Singapore and Jakarta. Running his label and Parties Dekadenz in Jakarta, a resident DJ in Headquarters and Tuff Club in Singapore. His main releases have been under the influential music labels I’m a Cliché (Paris) (Automatone EP, 2016) and Cocktail d’Amore (Berlin) (Black Magic EP, 2016), Cocktail d’Amore 10 Anniversary Compilation 2019. Kusuma has also been released by various internationally respected labels, such as Correspondant (Berlin)'s compilations (2016 and 2017), Ene Records (Japan), Power Station (Melbourne). He has also done remixes for Correspondant, Roam Recording (Los Angeles), La Belle Records(Paris), Calypso (Mexico), Hard Fist (Lyon) and Tom Tom Disco (UK). In 2014 he released his debut EP "Gong 3000" on I’m a Cliché followed by the "Underpass" EP on Love on the Rocks (Berlin) in 2015. Additionally, in the same year, he released various remix projects for 5alad on "Factor City" Label (Barcelona), Split Secs on "Machine Limited"

̸BIOGRAPHY a little write up about him ; JonnyVicious, a young and mischievous disc jockey who credits his musical intelligence to everything he’s heard since the age of zygote. A creature that evolved in an environment led by the foundation of curiosity a.. a little write up about him ; JonnyVicious, a young and mischievous disc jockey who credits his musical intelligence to everything he’s heard since the age of zygote. A creature that evolved in an environment led by the foundation of curiosity and laughter. Intuitive and diverse, he enjoys mixing in sounds of far and wide, adding in the bells of religious controversy and food. He lives, breathes, and has been enslaved by the rhythmic power of making rooms full of earthlings move spastically. He is one with earth and earth is one with him. Male. Links; Facebook: https://www.facebook.com/jonnyviciousjc?fref=ts Soundcloud: https://soundcloud.com/jonnyvicious

̸BIOGRAPHY Queer Dj & producer TRANS(CE) HIGH NRG

Born and raised in Amsterdam, Kamma's path to her craft could not have come more naturally. A child to parents who both have DJed professionally for over 25 years, Kamma was brought up on jazz, funk, disco and early house. Her instictive nature and open-mindedness make her a purveyour of a wide range of sounds, going deep beyond her traditional roots. With an effortless contrast of energy and emotions, she journeys dancers into complex rhythms, dreamy waves and new era electronics. Together with Masalo, Kamma is behind the rising Amsterdam party series “Brighter Days”, a festive get together, celebrating dance music culture to the fullest. Here she has graced the decks with masters such as Hunee, Colleen ‘Cosmo’ Murphy, Ge-ology and Kuniyuki Takahashi. With class-act performances at festivals like DGTL and Dimensions, and beautiful trips on the horizon, Kamma is ready to present the colourful depths of her record crate!

̸BIOGRAPHY Cameron Sofia Winters, known professionally as KAVARI, is a British artist, music producer, and DJ currently based in Glasgow, Scotland. Known for her high contrast productions and performances that fuse industrial, ambient, club, & alternative electronic. KAVARI was born on November 27th 1998 in Birkenhead, England and later moved to the North East of Scotland in early childhood. She began performing later in her teens at club nights and underground raves in and around Scotland. Her abrasive sound design and soft melodic soundscapes have garnered her great amounts of attention, cementing herself as one of the key rising talents of the UK underground music scene. Her work being supported by the likes of Aphex Twin, Hudson Mohawke, Mura Masa, and many more. Her productions and performances are known to be incredibly high energy, intense, and genre-less experiences that display the dark and haunting side of electronic music. Influenced by artists such as Skrillex, Genesis P-Orridge, Lorn, & Arca, her work spans the most delicate realms of ambience to the harshest planes of noise. KAVARI released her debut EP 'If the Benign Was to Ever Be So Pure' in May 2021 via the Scottish record label MELD. Following that with a string of self released mixtapes, singles, edits, and EPs. Her latest project 'Suture' was self released on August 19th 2022. ̸SELECTED DISCOGRAPHY kavarimusic.bandcamp.com

̸BIOGRAPHY Kazuya Nagaya uses bronze bells, gongs and singing bowls which are mostly used in Buddhist or Hindu rituals in Tibet, Bali and Japan. He creates unique ambient music by mixing these sacred instruments with modern instruments such as keyboards and electric guitars.Before starting his solo carrier, Nagaya composed music for broadcasted commercials and won the finalist prize for "Best Use of Sound" from the "Hollywood Radio & Television Sociaty". Earlier, in his twenties, he started out pursuing his talents in literature and became a writer. His works, especially his story titled "Indio no mabushii kami" about Japan's ethnic minority, won enthusiastic praise within Japan's publishing circles. During this period, he also became deeply interested in literary works that were becoming lost in the shuffle of contemporary Japanese society: novels like the "Tales of Genji", as well as Buddhist folktales and Zen philosophical works. These interests breathed life into his music, and the sensibilities and philosophical views which he developed during his literary years have come to be reflected in large measure in the music he creates today. An example of this can be detected in the sounds of bells heard so frequently in his music. The giant bells found in Japanese temples are rung each New Year's eve. The sound is believed to purify and wash away the cares of this mortal world, and crowds flock to listen in reverent silence. What they listen for, however, is not the sound at the moment the bell is struck, but rather the fading sound that follows. As the sound fades away, simultaneously, the depth of their own silence grows even greater. In this way, the sound of the bell makes people aware of the profound silence -- and richness -- lying within themselves. It is silence of a depth fundamentally identical to that which is engendered through meditation or Zen. The temple bell, meditation and Zen are all ways of penetrating into the depths of one's self. Nagaya began his carrier as a solo musician with the 1999 release of his first album, "Utsuho". He has released an additional 7 solo albums since then, as of 2010. In 2002, released a collaboration entitled "Resonator" with the American avant-garde composer Carl Stone. In 2004, Nagaya`s tracks were used extensively in "Gaia Symphony No. 4", a well-known documentary flim directed by Jin Tatsumura. In 2005, composed the sound track for the mexican film "WA". In 2007, appeared in the movie "Gaia Symphony No. 6". Also published a book, "For All the Radiant Darknesses", a collection of his essays which is about his life, remarkable persons he has met, and reflections on his travels in troubled societies in the third world (developing world). In 2008, joined with the compilation album "Tranchillizer" which was released by the chill out & trance label, Peak Records, in Switzerland. In 2010, joined with the soundtrack "Gaia Symphony No. 7" Nagaya is active as a performer of live music in Japan, the US and the other countries. He has Collaborated with an eclectic range of artists, from musicians, dancers or painters to monks of esoteric Tibetan Buddhism, channelers, and a Native American story teller in Alaska. ̸SELECTED DISCOGRAPHY 2. Works Silent Garden / solo album / sep. 2010 Gaia Symphony no.7 / soundtrack / jul. 2010 Harmonic in the Light / solo album / jun. 2009 Tranchillizer / V.A. / apr. 2008 For All the Radiant Darknesses / Book / nov. 2007 Gaia Symphony no.6 / movie performing / may 2007 Illuminations / Pluto / solo album / jan. 2006 For All the Radiant Darknesses / solo album / oct. 2004 Kumano / TV programm starring / sep. 2003 Secret Rhymes / solo album / jan. 2003 Resonator / album with Carl Stone / jun. 2002 Gaia Symphony no.4 / soundtrack / oct. 2001 Skyward the Spirit, Earthbound the Soul / solo album / jul. 2001 Kumano of a Thousand Gods / solo album / apr. 2000 Utsuho / solo album / jan. 1999 3. Live Performances Performance with a Hawaiian shaman / Japan / 2010 Performance with a Hawaiian shaman / Hawai / 2009 Solo tour in California / California tour / 2007 Solo tour in California / California tour / 2005 Performance with monks / Japan tour / 2005 Performance with a singer Susan Osborn / Japan tour / 2004 Performance with a native american story teller / Japan tour / 2004 Performance with monks /Mongolia tour / 2004 Performance with a dancer, Senrei Nishikawa /Poland tour / 2001 Collaboration with a artist, Shinji Komiya / Vienna, Austria / 1999 Performance with a member of KODO / Japan tour / 1999 etc. 4. Collaborators Carl Stone (musician) KODO (musicain) Toshinori Kondo (musician) Susan Osborn (musician) Sayoko Yamaguchi (dancer) Tibetan buddhism monks (monks) Native american story teller (medicine man) Hawaiian kafuna (shaman) Jin Tatsumura (movie director) etc.

̸BIOGRAPHY Kim Ann Foxman / Firehouse Recordings / self:timer / Pleasure Planet The short-story version of Kim Ann Foxman’s trajectory is pretty simple: An island-born kid dreams of a life in clubland, hits the big city and, with a little bit of luck and a lot of hard work, emerges as one of dance music’s leading figures. But it’s the details that transforms her singular tale into something far more fascinating than the standard-issue success story. After all, what other DJ can lay claim to the title of Miss Teen Filipina Hawaii? How many can say that their first job in nightlife was when in high school, serving as the in-house dancer and serving rave smoothies at an all-ages club? How many, after moving to New York by way of San Francisco in the early ’00s, can say that they helped to rejuvenate the city’s then-stale nightlife via her residency at one of the best parties ever held in a hole-in-the-wall gay bar, the Mad Clams affair? How many have tasted stardom as one of the original members of the scene-making dance-music collective Hercules and Love Affair? Exactly one, and it’s Kim Ann. But it’s a safe bet that she would have made it to where she is today without those biographical eccentricities, because her near-classical take on jacking club rhythms is hard to resist, sounding as fantastic at a full-scale mega-rave as it does at a grimy basement bash. It’s a universally appealing sound that’s taken her around the world—the past few years have seen her playing such hallowed halls as Fabric, Berghain, DC-10, Concrete and Contact, all while holding down a residency at her hometown’s Good Room. A lifetime in clubbing has informed Kim Ann’s studio work as well, with her music—much of it coming out on her own Firehouse label—synthesizing the best elements of raw house, propulsive 303 material, emotive techno and even the occasional hint of trance into a hugely satisfying whole that lives somewhere between the weird and the wonderful. And then there’s her latest project, Pleasure Planet, which sees her teaming with Andrew Potter and Brian Hersey to add sparkling touches of extraterrestrial new wave to the mix on her new sublabel, self:timer. It’s yet another twist in the continuing saga of Kim Ann Foxman—and, we’d wager, there are plenty more to come. Bio Written By Bruce Tantum

a house / techno / broken beat / experimental producer and dj, based in Sofia, Bulgaria.KiNK

̸BIOGRAPHY Spearheading a percussive yet atmospheric sound, Konduku’s minimalist approach to hi-energy dance music has reached a singular space. Varying between half-time steppers, futuristic house music and lucid techno experiments, Konduku has assembled a raft of forward thinking club records. Majoring for the likes of Nous’klaer - a label he’s most commonly associated with - to releases with Delsin’s Mantis Series, DJ Nobu’s Bitta label, and his celebrated Parlama EP for Spazio Disponibile - Konduku delivers an undeniable sonic pattern of uptempo, liquid and polyrhythmic groove. Having relocated to Berlin, curious time signatures and rhythmic pulse remain a priority of his DJ sets, and the artist’s ability to stand out comes through an alluring ability to blend & layer sounds that conjure up otherworldy hypnotisms and radical new hybrids in the process. Taking in UK bass culture to his sound, turn-of-the-century tech house and mid-2000s Italian techno, it’s an obsession for drums - and a wider scope for what falls between - that gives Konduku a rare, outsider’s edge. A major musical talent full of artistic influence, Konduku’s sound and style not only inspires but lives long in the memory.

̸BIOGRAPHY Montreal based beat-maker and composer active since 2003. Also releases music as Vertigo Inc. ̸SELECTED DISCOGRAPHY Tell Me About It 2003 Melted Dubs Strange Daze EP 2004 Odds And Ends Music Dirty Work Vol 1 2005 Odds and Ends Music Broken Telephone 2006 Uma Records Dirty Work Vol 2 2006 Odds And Ends Music Bouncing, Burning & Bitching 2007 Guesthouse Music The Throwdown 2007 Muzique Boutique Recordings Cabin Fever EP 2008 Imprint Music I Keep On Moving 2009 Galactique Recordings A Million Pieces 2010 Semisquare Call Answer - Now Attract EP 2012 Vertigo Inc - Ritual Objects 2014 Unfulfillment Vertigo Inc - Preen 2015 Unfulfillment Vertigo Inc - The Water Margin 2016 Mysticisms Intermediate LP 2018 Appears On: San Francisco Sessions OM 2004 MOS Sessions MOS 2007 House Of Om OM 2007 Nectar Vol 2 Agave 2008 Live In Tokyo OM 2008 Powder In Space BIS 2019

̸BIOGRAPHY Lia Catreux is a Paris-based DJ who loves playing with a myriad of influences and intensities: her DJ sets take us from weighty blends of Breaks, Drum & Bass, Experimental, Hard Dance & Bass music towards darker, ambient and minimalist vibes. Digging into heterogeneous influences with a wide range of intensities, Lia stands out with an unpredictable selection and a mischievous energy, with a strong penchant for 90s to post-internet Rave sounds, tinged with futuristic bass, breaks and experimentation with a more or less familiar feel, all of witch plunges you into a harsh world of fantasy. Resident of the [re]sources label (and their show on Rinse radio), she recently released « Let In Sink » on their birthday compilation. She is also the curator of the compilation 'Place: France' for the New York label Air Texture, on which she released her first track, "United Taste”. Her releases also include a track in collaboration with SNKLS on Club Late Music and another for the Lachrymose Rescue label.

̸BIOGRAPHY LIGRYE has brought his blend of house, techno and bass to Seoul underground staple venues since his 2013 debut at Exit. His soundscapes have shapeshifted since then and evolved to include afrobeats, ballroom house and experimental world rhythms. He has contributed his select sound to parties such as Pute Deluxe and Boiler Room in Seoul as well as bigger festivals such as ULTRA Korea, Spectrum, Holiday Land and Arcadia Festival in Korea. He is a natural collaborator and has added his flavor as a core member of the Pute Deluxe creative collective, and his residency at the TRES parties with the formidable Kingmck has put him on the map as a permanent fixture in the Seoul underground music scene. LIGRYE is also sought after on the art and fashion scene and has played at the Balmain x H&M store openings and the Louis Vuitton collection opening in Seoul, the Seoul Fashion Festival, the Playboy Korea launch party as well as the Art Basel after party in Hong Kong. Internationally, he has successfully toured china, Dada Beijing, Dada Shanghai, Oil Shenzen, NOX chengdu and ALTN8 Festival and Art Basel in Hong Kong. Hailing from South Africa, LIGRYE started a uniquely Afro-esque party JOL at Cakeshop which features beats from his home country and other sounds inspired by the continent. Filtered, a party that celebrates the intersection of music and art is also LIGRYE’s brainchild. Shade is arguably LIGRYE’s biggest claim to the industry as it is not only a party with the hottest DJs, music and people but also features international performers. Yaeji, Kim Anna Foxman, Mike Q, Byrell the Great, Zebra Katz and Tygapaw, to name a few, are some performers who have graced the decks and dancefloors of Shade. His latest collaborative party is Femme, an ode to the feminine. Both Shade and Femme are creative, LGBTQIA inclusive spaces. He has been featured internationally, ID magazine US, Poland, Japan and Mexico, Dazed and Confused Korea and OkayAfrica as a formidable creative in Seoul.

̸BIOGRAPHY Make Your Own Meaning, Timedance. Producer / DJ / Mix Engineer

Fun-sized DJ based in Kuala Lumpur. Previously under the moniker, LissaZombie I play House, Techno and Disco - anything that will make you shake! LZZY is a Malaysia-based self-taught DJ, who has gone from teenage bedroom selector to regional club regular. From her early days of drawing inspiration by dancing it off to fidget electro, to spending summers in Europe, LZZY's sound has since grown to cover what she labels as high energy party music. After 10 years in the scene, she has graced the decks from Bali, Tokyo to Amsterdam. You can find her dropping disco on a sunny Sunday afternoon or creating chaos on the dancefloor with pulsing house, crunchy techno with dollops of acid.

̸BIOGRAPHY Magico (Ring, Seoul) A Korean DJ, born and raised in Uijeongbu, located in the suburbs of Seoul. He felt strong sense of vocation for electronic music in the early days of his dj career while playing at underground parties. He has always been touched by the deep and minimalistic aspects of house/techno music. His unique music selection and exquisite mixing style embrace many of the timeless bits and pieces from both old and new electronic music eras, making him shine as one of the essential djs/selectors in the Korean underground scene. He has been engaged in forming a solid local music scene since 2011, as a resident dj for club Mystik where notable djs from around the world have showcased their talents and he is one of the resident djs for club Ring in Seoul since 2020. He is receiving lovecalls from world clubs and events such as Closer, Club Der Visionaere (Hoppetosse), Robert Johnson, Resoulte (New York), Sublime (Paraguay), Motif (Nicaragua). He also curates his monthly event, Voice where he invites likeminded international djs who share a common attitude to deepen the range of styles available in the Seoul underground scene.

̸BIOGRAPHY Visual Artist

Amsterdam born and raised artist Masalo has been making waves, in the Amsterdam scene and beyond, for the past few years. With roots in Japan, his diversified upbringing is strongly translated into his musical output. Masalo’s DJing is proof of this hybridism, unearthing organic music from the past and combining them with new era dance music in a seamless way. This year his tour de force Dekmantel Boiler Room together with Kamma, along a full touring schedule of club and festival appearances has put him in the international spot. Masalo’s production art embodies the same spirit, where hybridism is being a key philosophy in his work. His choice cuts have found their home on the Rush Hour label, the imprint he’s closely connected with. With the recent ‘New Dance’ EP and a remix for New York’s Tom Noble, winning the hearts of many dance aficionados around the globe, a prospect is emerging as brightly as his party’s name. Together with Kamma, he runs the dance party series Brighter Days, a colourful get-together celebrating dance music culture to the fullest. Brighter Days pushes the spirit of friendship and togetherness on the dancefloor, welcoming local talent along tastemakers such as Colleen ‘Cosmo’ Murphy, Hunee, Kuniyuki, DJ Spinna and many more. Recently Masalo contributed in the creation of Doka Studio together with a dedicated team of local creatives. Located in the Volkshotel building in the east-side of Amsterdam, Doka Studio is a sound bar and dance club focussing on immersive sound experiences. An intimate space with high-end audio equipement where subcultures unite and young talents and established protagonists resonate their soundwaves into the night. Masalo lives and breathes music with a raw and unadulterated approach to good vibes over from Amsterdam to the world.

Mika Oki is a visual artist, Dj and producer born in Paris. With a background in sculpture and electro-acoustic music, she explore the notion of intangible spaces and emotional landscapes through AV installations, music and mixes. Like a sculptor who knows that the slightest miscalculated move of a chisel could damage the totality of an artwork, Mika Oki’s selections elude great mastery and undeniable preparation. Doing wonders in her many radio shows, it’s difficult to realise her taste in rumbles and undeniable love for sounds from across the Channel (drum and bass, UK garage, 2-step, grime…) before seeing her on the dancefloor. Never hesitating to alternate a 90s dance anthem with an obscure juke track, she also manages to gather seemingly disparate and conflicting elements together, creating an incredible coherence. Percussive but generous, erudite yet uninhibited, she pieces together unique mixes that never cease to surprise. Eternal dreamer, she uses abstract sound textures and kinetic images to generate mind trips, body journeys through music performances and immersive installations. She also developed an interest in Djing in clubs and radio shows where she translate her atmospherical experimentations, blurring The boundaries between techno, dub and ambient/narrative sounds. This year, she played in European audiovisual festivals like TodaysArt, SONICA, CYNETART and in Uganda for the last Nyege Nyege festival. She also exhibited her work “Reverse Osmosis” at Berlin Atonal 2018. Her involvement in the electronic and experimental music scenes, and her desire to highlight the Belgian artistic community led her to become station manager at The Word Radio in Brussels.

̸BIOGRAPHY M I M I (aka Maria Green) is a Brussels-based artist & DJ living in Belgium since 1998, she explores her Afro-European cultural heritage through various media. She also does not stick to any particular style of music, but constantly explores and combines. Seeking progressive movements while exploring her roots, she approaches art and music with her own Afro-futurism. Cosmic electronic sounds, mesmerizing rhythms, percussions, all mixed with today's hottest tracks.

Under alias MLCH hides Florian Mélinette, co-founder of FuFu and Hong Kong based Dj. Music lover from his boyhood, this french guy spend most of his time digging in order to drop the secret weapons and classics, switching from Chicago House to Deep atmosphere without forgetting some funky/disco tunes. He play with passion and a desire to get a whole club bouncing. He already played alongside international artists such as Move D, Jayda G, Christopher Rau, Pablo Valentino, Trus'me, Soichi Terada, Jus-Ed, Lay-Far, Crackazat, Sameed,... His favorite expression: " When the drummers change their beats, the dancers must also change their steps."

Mogwaa is one of South Korea's shining stars. A producer with a vast repertoire of styles under his belt, he takes rhythmic cues from a wide palette, including jazz-funk, Latin percussion and dreamwave. His debut release on Peggy Gou's label, for instance, featured funky electro and sparkling Balearic house fit for Ibiza sunsets.

Robert Henke, born in 1969 in Munich. I was always fascinated by technology, wanted to become an enigneer. Some day I discovered Oxygene by Jean Michel Jarre and I could not stop listen to it again and again. I did stupid jobs after school and finally..Monolake

Iranian born but California based Artist/DJ Mozhgan has been honing her dark arts on the decks for quite some time. In 2011 she started "We Are Monsters," a party to develop her passion for contemporary, dark, and mysterious dance floor sounds. Mozhgan is a sonic alchemist who’s musical languages traverse between mysterious planes and wondrous vortexes. Her singular technique focuses on uncanny juxtapositions of sound that seamlessly unify and project spiritual light, creating luminous pronunciations that voyage deep into the shadowy spaces of the subconscious. As an acolyte of the acidic temple, and founder of the We are Monsters gatherings, Mozhgan fearlessly confronts the constricting limits of the status quo while simultaneously rejecting them with arcane spells that defy time and space. By projecting hypnotic sound waves that rupture the mundane, her cosmic utterances permit extraterrestrial passages that venture beyond the tranquil pathways of familiarity.

Record collector, DJ, Producer and Label Owner of Klasse Recordings. Over 15 years of collecting music and djing in clubs, Mr. Ho entertains crowds with his energetic and eclectic sets that are rooted in House, Techno, Disco, Electronica and dance music from all from all over the world.

̸BIOGRAPHY Nadia's roots in Rotterdam and current location in Berlin equally speak to her affinity for techno - propulsive, dynamic machinations which manifest in DJ sets as well as live hardware performances. From deep pools of ambience to the brain-feeding mechanisms of electro and techno, Nadia Struiwigh’s gift is in expressing herself with conviction through her machines. As an accomplished live artist and producer, her affinity for synthesis and sequencing results in a spellbinding strain of electronica drawn from a richly personal sonic space she has marked out for herself. Struiwigh’s recorded output has appeared on labels like Central Processing Unit, Nous’klaer Audio and Dekmantel - albums and EPs which reach from crunchy sequenced beats to vast swathes of pure, melodic tones. Her roots in Rotterdam and current location in Berlin equally speak to her affinity for techno - propulsive, dynamic machinations which manifest in DJ sets as well as live hardware performances. As a teenager enthralled with the Warp school of electronica and leftfield downtempo, Struiwigh was set on a path of discovery where the intricacy of production met with her impassioned, intuitive approach to composition. Her exacting approach to the technical aspects of the craft has earned her the knowledge to extract her own voice from any medium, but more importantly her music emerges from a very human need to communicate and connect. That connection is best manifested outside the studio. Struiwigh’s live sets range from patient, beatless immersions to kinetic peak-time rushes, sometimes straddling the divide in line with her omnivorous passion for ambient and techno alike. At times she’ll present her released works in a more patient, listening setting, while for the sensory overload of the dancefloor she tends towards a more improvised, open-ended approach to techno and electro. The exact make up of her live rig changes from gig to gig, keeping her inspired and ensuring no two performances are the same. High-profile shows in concert halls sit alongside strobe lit club sessions - she’s since become a resident DJ for Tresor to indulge her love of driving, psychedelically-charged techno, while warm-up sets give her the chance to indulge the deeper dimensions of the music she loves. The range of her tastes can be heard across leading platforms such as RA, Phantasy, Bleep and Red Light Radio, who have all invited her to their esteemed mix series’. Plugged into the moment and constantly exploring new dimensions of her sound, Struiwigh champions electronic music as a springboard for possibilities. With an exquisite clarity which comes from both technical skill and clear-eyed intention, her music thrives on heart and experimentation, powered by machines with as much character as the human at the controls.

̸BIOGRAPHY Neek is a Grime producer from Bristol, UK. He produces records with fellow Bristolian Kahn, with releases under the monikers Kahn & Neek and Gorgon Sound.

NUSNOOM ∞ MOONSUN NUSNOOM, a South Korean artist, has a unique style of blending the sound of nature, techno, tribal, and other genres, along with his exquisite taste in music, and has earned his first debut at one of the most outstanding venues in Seoul, Faust. He is equipped with re-branded classic style, which combines elements of techno, fast and hypnotic beats, and African drum sound. He interacts with the crowd and their state of mind eye to eye and creates a focused and vivid experience accordingly.

DJ and producer NVST from Switzerland has established herself as one of the rising stars of the international clubbing and electronic music scene. Playing uncompromising sets around the world, this hyperactive artist seems insatiable. DJ and producer NVST from Switzerland has established herself as one of the rising stars of the international clubbing and electronic music scene. Playing uncompromising sets around the world, this hyperactive artist seems insatiable. A regular guest at the most prestigious clubbing festivals (Amsterdam Dance Event, Positive Education, Dekmantel Selectors) and the trendiest clubs of the moment (Garage Noord, Tresor, Ankali, Zhao Dai), she leaves no one indifferent. In addition to DJ sets under her own name, she is part of the Drift Institute, a live group that blends post-punk, abstract, and techno. NVST's growing reputation is built on sharp, powerful, and deeply committed sets. Taking her audience by surprise, she doesn't hesitate to put them in uncomfortable situations to lead them into a trance. Breakbeats, industrial, techno, and acid are just a few of the strings to her bow. Her style draws from all genres in order to transcend them and create moments of collective communion. The values that drive NVST's approach to DJing are far from conventionalism and commercial approaches. As an advocate for a more open and inclusive electronic music scene, she is part of the Female:Pressure family and fights for better representation in the nightlife industry. In addition to her already impressive schedule, she co-directs the Big Science label with Warzou, a sound experimentation laboratory focused on marginal electronic music. She is also a resident DJ on LYLRadio and Rinse FM. NVST's discography is also extensive. In addition to numerous remixes published here and there, she has released an EP and two albums under her own name, an album with the Drift Institute, and she announces the upcoming release of a new album on the Geneva-based label Les Disques Magnétiques (a sub-label of Disques Bongo Joe). In addi­tion to these accom­plish­ments, her recent fea­ture in a Tre­sor com­pi­la­tion solid­i­fies her posi­tion at the fore­front of cut­ting-edge under­ground elec­tron­ic music. ̸ SELECTED DISCOGRAPHY SOLO RELEASE NVST - Filled with Oil LP ― Les Disques Magnétiques - 2023 NVST – Drum in the Bass of Attention LP ― Big Science - 2022 NVST – Stop Violence Motivate Violence ― Serious Trouble - 2021 NVST – Compiled Works 2017-2019 LP ― Big Science - 2020 COMPILATION X FEATURING RELEASE
 NVST – Heatstress (Tunnel Edition) ― Tresor Records NVST – The Snitch Cant Fist (Cloud94 Version) ― Selfreleased NVST – Petroleum Dub ― Pracht NVST – Fire & Exposure (Flames In The Car EdItion ― Tsunami Records NVST – Domination Of Controversity (That Is (So) Useless Version) ― Jerry Horny NVST – If The Sheriff My Family ( Forevervacation Edition) ― Die Idole NVST – Store Of Love – Proxima Records 
NVST – 6weeksquarantine2yearstherapy (Autohifive Final Countdown Mix) ― Subject To Restriction NVST – Safer Safe (When Doggos Building Bridges Mix) ― TRNSTN
 NVST – Velo Moto 184 (CMS DJ Drivin High Passing Police Version) ― Sumo Smash Records
 NVST – Empire State (Autohifive Danger Zone 1994 Mix) ― Club Culture 
 NVST – Sankt-Prex (Autohifive Under the Surface Mix) ― Kashev Tapes & Oramics
 VOCALIST WORK Théo Muller FT NVST – Devil Moon ― KRAKZH
 Théo Muller FT NVST – Les Rave Party Sont Interdites ― KRAKZH
 Exhausted Modern FT NVST – Something Stronger ― Endless Illusion REMIX Neu Verboten – Sangre Digital (NVST Hifire Remix) ― Jupiter 4 Jolly – Secular Theodicy (Autohifive Windowsdown Remix) ― Kashev Tapes Exhausted Modern – Hard Working Rats (NVST Hifive Remix) ― Endless Illusion Anatolian Weapons – Black Sea ( NVST Waving Edition) ― Lurid Music ALIASES RELEASE The Drift Institute – Damages and Their Slices LP ― Pensament Sonic Autohifive – Benzin ( NVST GTA MIX) ― Les Points Autohifive – Say It From The End (Vilnius Edition) ― 777 Records Autohifive – No Shoes / Time 2 Go (NVST C1984 EDIT) ― Nasty Entreprises
 
Autohifive – Safe Room Explosion ( Stress Result Version) ― W.T.N.T Autohifive – Lost Dog Walk ( Lonely NVST Version) ― selfreleased
 Autohifive – Cargo XXL ( NVST remix) ― Brainwaves

known for her eclectic mix of styles, tempos, and sounds, ojoo, fka OJOO GYAL, has a knack for blending diverse elements into an engaging and infectious experience. born and raised in Morocco, and currently based in Brussels, ojoo has established a mean reputation for mapping a sound uniquely hers in meticulous DJ mixes since 2019 at venues across Morocco and Europe, radio shows on Noods and Movement, and mixtapes on Accidental Meetings and Chrome. ojoo’s mixes give equal attention to atmosphere and groove. They are a swirling cauldron of rhythms across a whole spectrum of genres, from old-school dancehall to its most futuristic and distorted mutations, twisting through dub, reggaeton, dembow, grime, and sometimes excursions into the noisy, grubby and sludgy, with illbient, musique concrète, and more. AMX004 - OJOO GYAL vs. FUMU CHMIX005 - OJOO GYAL - Untitled

It would be wrong to start talking about where Ouissam comes from – after a decade in Asia, he’s now something of a regional entity that has managed to change the dance music scene wherever he has laid down roots. His approach to a dance floor is as simple as it is intuitive and elegant: nothing that can make a room shudder with joy is barred from his selections.As the founder of Hong Kong’s Cliche Records, he was one of the first in that city to cultivate a disco-house-techno synthesis that shifted the understanding of what could be danced to there. He went on to create the magnetic Homesick and Fragrant Harbour labels, before suddenly setting his sights on Hanoi in Vietnam, where he has established the dance mecca Savage where he runs the monthly queer night Snug. And on top of all that, he found time to curate the coveted Equation festival, now entering its second year..

The story of the DJ, live artist, and producer Pablo Bozzi is a love story with music that he formed for the first time at age 6, spending his childhood and adolescence practicing the harpsichord at the National Conservatory of Toulouse, Pablo Bozzi is a Berlin-based producer, live artist and DJ who is now behind a multitude of aliases. 'and co-projects. Its sound is unique, and some have come to classify it as "Italo Bozzy Music". From EBM and Techno, through New Wave, to Italo, New Beat, and Industrial, he maintains little respect for conventional parameters within electronic music.

̸BIOGRAPHY DJ & producer from Santiago de Chile, currently residing in Europe. ̸SELECTED DISCOGRAPHY https://linktr.ee/paulatape

Ball of energy.Peach

̸BIOGRAPHY DJ, Producer & Vocalist (DFA Records) For as long as she can remember, Annegret Fiedler has created electronic melodies to soundtrack her daydreams. Drawing on her early love for brooding New Wave and Post-Punk, she became Perel, an electronic producer, vocalist and DJ who spent much of the 2010s shaping her sound – and to just praise. As well as being the first German artist to sign to James Murphy’s seminal dance-punk label DFA Records, Perel has performed internationally as a live act and DJ, from the floors of throbbing techno clubs to major city festivals. Growing up in the East German state of Saxony, she learned how to write and produce songs, inspired by Apex Twin, Kraftwerk and The Cure, among others. Later drawn to Berlin and its underground club scene, she took on the persona of Perel, writing, producing and singing on solo material for labels like Running Back, Uncanny Valley, Kompakt and Permanent Vacation. In an ever-evolving club scene with myriad faces, Perel stood out by singing over her DJ sets, bridging the mood of her own live sound with her selections. Perel drifted into the orbit of the heads of DFA Records, who released her debut solo album Hermetica in the spring of 2018. Her sound has a natural kinship with DFA: playful basslines undulate as thumping house and techno synths drive home the message of her hooks and refrains, ghostly vocalizations that speak of romance, dread and power.

̸BIOGRAPHY An intergalactic journey open to the reception of biosounds from remote solar systems. Letters from alien worlds that tell of infinite possibilities of life. The soundtrack of synthetic planets aimed at hyperevolution of intelligent organisms. ..・༓ (。𖡔 Pianeti Sintetici ('synthetic planets' in Italian) is a new conceptual project by Davide Perrone (Primal Code) that draws inspiration from the factories of Magrathea, a planet in Douglas Adams' classic space opera The Hitchhiker's Guide to the Galaxy, where artificial planets are manufactured on commission. 'This concept has always fascinated me, and I chose the name to frame a hypothetical future of synthetic worlds, told with sound,' Davide says. 'I like to imagine the howls of creatures inhabiting solar systems outside our own. Rarefied atmospheres, alien sequences, and unfamiliar tonal scales. So, I see Pianeti Sintetici as an open-ended design research project where I can explore these inspirations.'

̸BIOGRAPHY Electronic music producer, dj and sound designer based in Milan.

Some artists fully deserve their hype and Powder is definitely one of them. Momoko "Moko" Goto, better known in the DJ world as Powder, has successfully taken her neon charged creations out of the Tokyo underground and into the discerning worldwide house & techno public. After her debut on Lovefingers’ ESP Institute, Powder’s cosmic rhythms found a home on Samo DJ’s Born Free & Discodromo’s CockTail d’Amore Music, pushing her tribal-inspired, hypnotic sound further into a surreal house, techno and psychedelic disco territory. She recently ushered in a brand new mix series for Beats in Space, a further testament to her DJ skills and sensibilities. Beyond her work as a music creator, Powder’s DJing backs up her production style with many influences. As a selector, she has notably eclectic tastes, which run the gamut from house to no wave to Japanese synthpop, utilizing extended loops and subtle blends to create a genre-defying, transcendent experience.

Under the Priori Moniker, Québecois musician Francis Latreille has established himself as a crucial voice in underground techno. His 2019 full-length debut On A Nimbus, released on his own NAFF imprint, was a haunting foray into the possibility/impossibility of technological utopia, where elements of dub techno, drum & bass, IDM, and tech-house curiously converged, resulting in an album at once familiar, modern, and undeniably singular. Francis followed that with a string of essential releases–from the slow-burning techy meditations of SCN and Little Flower to the anthemic, trance-inflected Infinity–ending with 2021’s Your Own Power. Priori is also an accomplished mixing engineer; a quick search will reveal an exhaustive list of credits on projects by Roza Terenzi, D. Tiffany, Escape Artist, Bambii, Gene Tellem, Maara, and ex-terrestrial, to name a few. Between the label he runs with Adam Feingold (aka ex-terrestrial) and the studio he runs with Patrick Holland, Francis is quietly shaping the course of underground electronic dance music in Canada and abroad.

Quan’s expertise designing and operating modular synthesizers delivers a musical palette that jumps between uplifting experimental soundscapes, minimal techno, and deep house. A prominent figure in the development of Vietnam’s experimental electronic music scene, the spontaneous revisions to his live, ever-evolving improvised performances provide an endlessly varied alternative to traditional loop-structured song formats.

̸BIOGRAPHY Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. The Welsh-Greek artist cut his teeth as one half of Cassegrain and has been finding new paths for his mutant sound ever since, releasing on Fever AM, the imprint he set up with Mor Elian in 2017, as well as labels like Avian and Modeselektor’s SSPB. In the studio or behind the decks, he brilliantly fuses different strains of ultra-modern techno and broken beat: eyes-down minimal lights up with modular sass, choppy kicks flirt with rolling grooves, and sharp sound design slices through earthy subs. It’s the kind of amphibious sound that can slip into otherworldly spaces while never truly leaving the dance floor. Rhyw turned heads with the heavyweight two-tracker ‘Biggest Bully’ in 2019, earning himself sets at Berghain, Berlin Atonal, Boiler Room Tokyo and Freerotation amongst others. Online and on-air, he’s guested on Hessle Audio’s Rinse FM show and Mixmag’s ‘In Session’ mix series, and contributed podcasts to Crack and FACT. Even when they leave the gate at full pelt, these sets showcase Rhyw’s subtle sense of intricacy, balancing airy atmospheres against tougher tackle. But whatever the energy level, there’s always an alien presence in Rhyw’s sound—a shapeshifter whose twin motives are to bewitch and disorientate the listener.

I play many instruments and have done for many years. I started composing around 12 years old, and continue to do so now more than ever.

Roshan Menon or Roshan is a DJ, photographer and the Founder / A&R of SaturdaySelects; an imprint specialising in music, events and independent radio based in Kuala Lumpur, Malaysia. Having started DJ-ing back in 2017, Roshan is driven and inspired by the sounds of Moodymann, HUNEE, Louie Vega, LEFTO & Gilles Peterson and the way they control the crowd throughout their set He has opened and played alongside the likes of Soulection artists Jarreau Vandal, esta.,Joe Kay, Jael, The Whooligan, Yukibeb and other notable DJs such as Branko, Peggy Gou, Dixon, Bambounou, Cezaire & Yung Bae. Roshan looks to consistently keep his crowd grooving and dancing all night long at his shows by taking them on an explorative journey of music that he wants to share with those who join him on the dance floor.

̸BIOGRAPHY Filipino Producer & DJ Saint Guel. An artist to keep an eye on. Miguel Santiago aka Saint Guel basks in dance music — his being distinctly warm and clean-cut. The Filipino DJ/producer started behind the decks at 15 and tinkered with personal production two years after. Since then, he’s carefully carving his corner: an altogether irresistibly groovy one. Across his recent releases, "Caught Up" (FuFu Records) "Still Life” (More Rice Records / Thailand) and “Over and Over / For The Floor” (Transit Records / Philippines) are easily breaking through as foreseeable dance floor bangers post-pandemic. Perhaps it’s him soaking up the Manila nightlife, his frequent pilgrimage across international festivals or his inherent taste and thirst for a warbling world. Whatever it is, it’s looking like everyone is here for it. ̸SELECTED DISCOGRAPHY __

̸BIOGRAPHY Salamanda is a Seoul-based Leftfield Ambient music producer/DJ duo of Uman Therma (Sala) and Yetsuby (Manda). The duo have been reaching out to a wider range of listeners around the world with their debut full-length albums released on Good Morning Tapes, Small Méasures and Human Pitch labels, as well as their mixes introduced in multiple domestic & international radio stations including Seoul Community Radio, NTS Radio & LYL Radio. Salamanda believes every sound has beauty, and loves to collect and experiment with all kinds of sounds from the world around them. ̸SELECTED DISCOGRAPHY 2020.12 Allez (Good Morning Tapes) 2021.09 Sphere (Small Méasures) 2022.06 ashbalkum (Human Pitch)

Sapphire Slows is what you might call an everything-ist: she produces, DJs, plays synth and keyboard, and her eerie, drone-like vocals float over her tracks, embellishing their shadowy textures. After the brutal awakening of the 2011 earthquakes in Japan, she became motivated to pursue a career in music. Now a notable name in Tokyo’s electronic music scene, she has toured North America, Europe, China and her home country, and released on labels such as Japan’s Big Love and Los Angeles’ Not Not Fun/100% Silk. While some of her songs are submerged in a blue-ish, slo-mo haze as her name suggests, others are more abrasive and in tune with the whirring pace of krautrock, as on 2014’s Allegoria album.

̸BIOGRAPHY Co-Founder of More Rice Records, a record label focussed on giving exposure to Asian artists all over the world. Entering its fifth year More Rice has become one of the key names in South East Asian Underground Dance Music. As a DJ and Producer Sarayu is considered as an integral player in Bangkok’s growing underground house and techno scene. His UK driven sound has taken all over the world playing venues and festivals such as Zukunft, Silbergold, Village Underground, Fabric and Feel Festival. He can be seen playing regularly at some of Bangkok’s key parties and venues such as Never Normal, De Commune, Karma, Transport and Wonderfruit Festival. Under quarantine in 2020 Sarayu released his first track on a VA compilation “Harvest Vol. 1”, under his own imprint. In 2021 he released his debut EP “Pridi 303” again, on More Rice, remixed by MR. Ho. As well as, opening More Rice Record Store, a hotspot for music lovers and vinyl diggers all over the world and launching Bangkok Community Radio. Early 2023 Sarayu released his latestl EP “Intelligent Jump Rope Music” scheduled for release on Boiled Wonderland Records, keep an eye out for more remixes and releases over the course of this year.

̸BIOGRAPHY Emerging from Montréal’s vibrant community of experimental artists, Simon Chioini creates a hybrid of new music aesthetics and genre-fusing electronic sounds. Emerging from Montréal’s vibrant community of experimental artists, Simon Chioini creates a hybrid of new music aesthetics and genre-fusing electronic sounds. Through long-form electroacoustic pieces and sharp technoïd productions, his exercises in abstract composition tied with club elements have honest roots. Drawing from a considerable academic background and a self-driven study of the past decades’ outlier electronic music, the diversity of his influences is manifest. Innovative labels such as Rephlex, Warp and Planet Mu, or the pioneering musique concrète of the GRM come to mind as primary examples of that scope. The S. Chioini alias was introduced in July 2019 with “+4 Degrees”, a single that also nudged at the issue of climate change and that got the attention of DJs for its angular rhythms and refined sound design. Coincidentally, the release marked the launch of Humidex, a label Chioini cofounded with friends Absurde and softcoresoft to promote the local techno scene. Previously, his music appeared under the name DJ Voilà on Noumenal Loom (USA, 2017) and the defunct 1080p (Canada, 2016). Closer to his present projects, Compositions 012–015 was published by Where To Now? (UK) in 2016. The album compiles Chioini’s work during his first years studying electroacoustic composition at the Conservatoire de musique de Montréal. Chioini performed for intimate venues such as Montréal’s Datcha, Société des arts technologiques (SAT), and Eastern Bloc or New York’s The Gateway, Bossa Nova Civic Club and Trans-Pecos. On the international level, he participated in festivals such as Mutek (Montréal 2018/2016, Buenos Aires 2018, Mexico 2017), Sight & Sound (Montréal 2019/2016), Akousma (Montréal 2018/2016/2015), and L’Espace du son (Belgium 2015). Finally, he hosts Acte musique, a show featuring new electronic music of all kinds and focusing on the most forward-looking outputs from artists around the Globe. Acte musique airs twice a month on n10.as (pronounced Antennas), an internet radio station broadcasting from Montréal since 2016. ̸SELECTED DISCOGRAPHY Simon Chioini — Climat avenir [Anòmia, 2021] Simon Chioini — Composition 012-015 [Where To Now?, 2016] S. Chioini — Amour détritus [Self release, August 7, 2020] S. Chioini, Absurde, softcoresoft — Humidex 001 [Humidex, 2019] DJ Voilà — Dumbledogs [Noumenal Loom, 2017] DJ Voilà — Aimless Summer [1080p, 2016]

̸BIOGRAPHY Electronic music producer, co-founder of Skull Disco and founder of Woe To The Septic Heart!

̸BIOGRAPHY Shoeg is the solo project of Carlos Martorell. ̸SELECTED DISCOGRAPHY Container (Orange Milk, 2018) The Swarm (901 Editions, 2018) Vaseline (Memory No. 36, 2017)

It’s hard to pin Sivanesh’s style down. Crafting and developing his own brand of sultry off-kilter house and groovy heads-down techno through his long-standing residency at CÉ LA VI Singapore, his sound goes above and beyond current genres and trends. At its 5th year now, the residency sees him taking charge of the world-renowned main room, playing extended DJ-sets every Sunday night. Apart from this residency, Sivanesh is a regular fixture at some of the region’s most respected venues, with regular dates at The Headquarters and Kilo Lounge in Singapore. Co-founder of Sivilian Affairs and music director for Potato Head and Kilo in Singapore, Sivanesh also holds a monthly residency on AAJA Radio in London every third Monday of the month. Sivanesh’s sound goes beyond current trends in genres. Held together by equal amounts of rhythm & groove, his diverse playlists have led him to play alongside cult favourites such as Chaos In The CBD (In Dust We Trust), d’Julz (Bass Culture), Gerd Janson (Running Back), John Talabot (Hivern Discs), Kornél Kovács (Studio Barnhus), Okain (Talman Records), and Rampa (Keinemusik). Regional attention started after a well-received opening set at Cercle’s debut Asia show in 2019 with The Martinez Brothers. Since then, he has gone on to play at festivals and dance institutions across the region such as Airhouse (South Korea), Iron Fairies (Kuala Lumpur), Potato Head (Bali), Savage (Hanoi), Villa Project (Saigon), and Weekend Voyage (Phu Quoc). Powered by the belief that Asia is the place to be right now for dance music, Sivanesh co-founded the bookings and events agency Sivilian Affairs, which emphasises local and regional talents. In line with his goals of strengthening the Asian dance scene and building a healthy ecosystem through Sivilian Affairs, recent bookings for their parties include Baldo (Subwax) from Barcelona, Dr Yez (Tantra) from Bali, Jesse You (Walls & Pals) from Seoul, Jonnyvicious (Shagrilla) from Kuala Lumpur, Manikk (Savage) from Hanoi, Roshan (SaturdaySelects) from Kuala Lumpur, and Dexter Colt, Leland, Mako, Ramesh K, and The Weatherman from Singapore. Citing seminal American house music duo Mood II Swing as an early musical influence, Sivanesh's diverse playlists are held together by equal amounts of groove and soul. His roots will always be house, but being open-minded and anchored in the belief that only quality matters and genres do not, he is always aware of what the room he is playing for needs. That may be his best trait. It is this versatility that enables him to share the stage with some of the finest selectors in the world, such as Chloe (Bpitch), Chaos In The CBD (In Dust We Trust), d’Julz (Bass Culture), Jasper James (Optimo Trax), Rampa (Keinemusik), and more, in the last few months. More recently, he was selected by Cercle to warm up for their debut Asia show with The Martinez Brothers in November 2019, and then ended the year with a well-received DJ set at the Rainforest Pavilion at the Wonderfruit festival in Thailand. He might surprise you with a track from an unexpected corner, but that's exactly what he intends to do.

Skee Mask is a versatile producer from Munich, who doesn’t want to be identified. He got influenced by a lot of different types of music over the last years, which made his productions pretty various. Skee Mask’s direction is mostly rolling rhythms, combined with electronic soundscapes, always forcing to create a deep vibe. His influences mainly are from “old” techno labels like Chain Reaction, Warp Records or Counterbalance. He’s still developing his procedure in making tracks, but always staying himself. In his DJ sets he tries to create a deep trip, constituted of organic grooves and diverse clang accompaniments. Skee Mask would describe his DJ-Set variations as techno, ambient and mostly experimental, forward thinking.

̸BIOGRAPHY Skesa (Téo Farley) is a Montréal-based Techno DJ and producer whose recordings blend electronic and organic sounds. Skesa’s music has been influenced by a wide range of genres including house, techno, breakbeat and soul. Born in 1997, Teo was brought up listening to his parents’ trip-hop and jazz records, which led him to study drums and percussions during his teenage years, taking part in various jazz and hip-hop bands. Skesa’s debut EP, ‘Anywhere Outside’, was released in spring 2019, showcasing a sound sitting at the crossroads of hip-hop and dancefloor grooves. It featured collaborations from the likes of LayFullStop, Wasiu and Eric Biddines. Since then, he has thoroughly embraced dance music with a series of singles and remixes encompassing complex percussions and textures. His second outing, ‘System’, combined elements of house and techno into an abstract, reflective, yet tonally rich EP. The music video for 'World', which casts an unknown character wandering the streets of Paris, was notably featured on Madorasindahouse. Through these various projects, Téo has established himself as one of the most exciting newcomers in the Montréal electronic music scene, performing at various events and festivals such as Piknic Electronik, MUTEK and Mural, and sharing the stage with artists such as Kaytranada and Patrick Holland. Skesa released his new EP ‘Inside Out’ on Kookoo Records in May this year.

̸BIOGRAPHY Sklaer provides a mesmerizing journey into deep and mental techno, with influences of breaks and idm. She seeks to recreate an atmosphere as sexy as hypnotic in a clubbing and dance dynamic.

̸BIOGRAPHY The Belgian producer SKY H1 found wild success with her first EPs on Creamcake and PAN’s sublabel, Codes, followed by an appearance on PAN’s ‘Mono No Aware’ compilation. SKY H1’s early works capture the blurring lines between her foundational experiences in drum and bass, grime, dubstep, and techno, all tilted towards the schematic bursts of pop. 

Her newest LP ‘Azure’, released on AD93 (december 2021), builds on this foundation and generously elaborates a delicate medley of experiences, forms, and functions into an imaginative and quietly ambitious debut album. ‘Azure’ was slowly brought to life over the last years in a live setting. Playing extensively across Europe, and with frequent bouts of touring taking her to the US, Canada, Japan, China, and Russia, SKY H1 has been continuously writing and assembling banks of music to incorporate into club, concert, and gallery settings. More recently, composing for film and video in both cinema and art environments has become a parallel arc of her practice.

̸BIOGRAPHY Space Afrika With their slow-stepping, spacious urban dubscapes, Space Afrika harness ambient, Detroit techno and shades of early nineties Sheffield with a fresh and open approach to composition — this is dub techno stripped-down, sealed in a time capsule and sent back from the near future. Driving, echo-laden deep beats form the bed for a heavily subaquatic sound palette with undercurrents of cybernetic dread. Friends for almost 2 decades, the two Joshuas formed Space Afrika after years of listening to music together, sequestered by harsh Northern winters. Heavily inspired by the industrial architecture of Northwest England and notions of travel, their sonic framework evokes images of rust and disintegrating concrete, and sensations of movement and redemption — exuding a distorted analogue soul offering escape into their overcast skies. Closely associated with Brighton/London label, Where to Now?, who slink along a vintage axis of post-punk, On-U Sound, minimal and no wave influences, Space Afrika's diverse and creative radio shows (notably their residencies on NTS and Reform Radio) also display a breadth of curiosities in experimental and avant-garde music, old and new.

̸BIOGRAPHY Twisted, healing, dark, enlightening – for the darker shades of helter-skelter riddims that'll take you into a new dimension of floating still driving percussive realms

cowboy 3XL kwia resident headbangers ball lucky lotto spin cycle dance tutorial vague music ̸SELECTED DISCOGRAPHY Caveman LSD (city2 st. giga) uon - zlo (Motion Ward) uon - untitled (West Mineral Ltd.) Ghostride The Drift (xpq?) Critical Amnesia (xpq?) APPX​:​05 thru - thru (Appendix.Files) xphresh - xephon (3XL) APPX:10 Cypher - Glasgow (Appendix.Files) Crimeboys - Very Dark Past (3XL) Caveman LSD - Total Annihilation Beach (Isla)

Spekki Webu, the master mind behind the Mirror Zone imprint. Coming from a small city called Delft that lays in between Rotterdam and The Hague. Enter the Mirror Zone with the mysterious chief mind expander Spekki Webu as he deconstructs time and space through his hypnotizing psychedelic sets. Like a master snake charmer he entrances entire dance floors with mind-boggling mixes and mesmerizing selections of jungle, tripped-out trance, breaks, Goa, and extraterrestrial tribal techno to name a few. Unrestrained by genre or tempo limitations he shifts gears between hypnotic slowmotion and breakneck 90’s rave so nimbly it induces an unexplained cerebral high. His sound has a rawness to it, shaped by years spent in the gabber scene and as a junglist in and around his terrestrial hometown Delft. On his shamanic quest as gatekeeper into the world hidden within your mind he established the record label ’Mirror Zone’ in late 2017 where reflections of his musical introspections come to fruition...

̸BIOGRAPHY SPIME.IM is an artistic collective that aims to investigate, through transmedia projects, the aesthetics and the languages derived from the affirmation of digital reality. SPIME.IM use technology, 3D art and electronic music to weave immersive audio-video experiences, which explore the boundaries of identity, corporeity and perception, in a world where our virtual doppelgänger takes on an increasingly intense position, protagonist and all-encompassing. SPIME.IM was born as a word pun between the concept theorized by Bruce Sterling - the spime for the note, an object that can be traced through space and time for the duration of its existence - and the contraction of English «I am». If the Being is therefore the object of the intertwining between the real and the virtual, then it becomes possible to create new imaginaries that turn into immersive environments and narrative spaces in which artificial and natural, science and humanity, imagination and reality interpenetrate, giving life to new boundaries to be explored, to experience the own consciousness and what, while invisible to our eyes, surrounds and influences us. ̸SELECTED DISCOGRAPHY SPIME.IM - EXALAND - OUS019

̸BIOGRAPHY Stefana Fratila is a Romanian-born, Toronto-based artist, composer, and DJ.

Snake charmer born and located in Thailand with Indian and Japanese roots. Co-founder of Siamese Twins record label focusing on psychedelic sounds rooted in Asia. Co-runs the Karma Klique collective known for raves at obscure locations. As a producer, he released on imprints such as 禁 JIN, Ute and Siamese Twins under his own name, Mogambo and Khun Fluff aliases. As well as periodic ambient albums on his own Extans Mantra imprint. Which led to sought-after collaborations with Full Circle, Yu Su, S.O.N.S, Marc Pinol, and Benedikt Frey. A household name across the region for over a decade playing spaced-out music in forests, warehouses, and castles.

̸BIOGRAPHY One of the most creative and eclectic French producers of the new generation, effortlessly navigating between house, minimal and electro. Recently given residency of the infamous CONCRETE club in Paris, ̸SELECTED DISCOGRAPHY Sweely - All the Reasons (https://soundcloud.com/lobster-theremin/hawaii006-sweely-all-the-reasons) Sweely – Calm Down Homie EP (https://soundcloud.com/la_chinerie/cdh001-calm-down-homie-sweely) Sweely - It comes from him (https://soundcloud.com/recordeep-mag/premiere-sweely-it-comes-from-him-swltd04) Sweely - The time has come (https://soundcloud.com/bokharirecords/sets/bk015-sweely-the-time-has-come) Sweely - Drafted sounds (https://soundcloud.com/dtape/sets/dtp001-sweely-drafted-sounds)

̸BIOGRAPHY french dj/producer & sound designer

̸BIOGRAPHY Andrew Morrison, AKA The Cyclist, is a UK producer known for his psychedelic approach to many forms of electronic music from DIY busted techno, and gauzy melodic house submerged in tape distortion, to Jungle and Footwork. Influenced by an eclectic range of music from Krautrock and 60s psychedelia to early Chicago house, techno, jungle and dub, his critically acclaimed album Bones In Motion, named one of the best releases of 2013 by XLR8R and Boomkat, was the first album released in the collaboration of Leaving Records and Stones Throw Records. In 2014 Morrison introduced a new alias, Buz Ludzha, via the ‘Love Repetitive Rhythmics’ 12” on All City Records, before returning again as The Cyclist in November to release his second album, Flourish, named one of the best albums of 2014 by FACT, having premiered on Pitchfork Advance. In recent years The Cyclist has had ongoing mind expanding releases on the likes of Hypercolour and 100% silk as well as founding his own label Tape Throb Records. Most recently he heads the Overload radio, Label and event series in Liverpool. ̸SELECTED DISCOGRAPHY Albums Beat At The Heart Of The City (2018) Sapa Inca Delerium (2017) Flourish (2014) Bones In motion (2013) Bending Brass (2011) EPs and Singles STP (2022) The Weather Underground EP (2020) Boards of Chicago (2018) Alabaster Thrones (2018) Requite (2018) Hot House EP (2015) Love Repetitive Rhythmics (as Buz Ludzha) (2014)

̸BIOGRAPHY dj / producer / label manager / party in bzh Théo Muller has played a key role in the french electronic scene the last decade as a co-founder of the Midi Deux parties, website & label in Bretagne, a former resident/curator at La Machine du Moulin Rouge or as a label manager of Krakzh. The talented Rennes dj established himself in the same time as a racy producer on the label of Concrete with an EP hailed by Laurent Garnier, Chloé or Move D. He also contributed to Lumière Noire's label, Vastechoses, Worst Records, Vernacular, Eddy Larkin, Grid, Rutilance, Dôme and his own label, Krakzh. In 2020, he released his first album "Gouzanv Pe Unanin" including featuring with Antoine from Positive Education or swiss artist NVST. Able to play at any time and for hours, he has his own way to captivate the dancers between dub, techno and rock. From friendly raves in Bretagne to Transmusicales, Dimensions or Montreux Jazz Festival, he knows how to have a special time.

Originally from Hawaii & Taiwan, now Brooklyn based DJ/producer Timo Lee. She plays regularly in NYC, the curator of all vinyl sessions at Good Bar & label boss of Chomp! Chomp! Her style is eclectic to keep your finger tapping & head bobbing. Timo Lee emerged her background in Honolulu and Taipei. From early childhood, Timo has kept her ear to the speaker, fingers tapping to the rhythm. A child of the 90’s, she was weaned on rave culture’s pulsing electronic beats. As the 2000’s progressed, her tastes evolved as she embraced underground disco, house, electronica. Timo hosted a weekly three-hour radio show for 8 years on KTUH Honolulu, and played with numerous talented DJs including DJ Harvey, Bonobo, James Murphy, Thomas Bullock, DJ Garth, Tiger and Woods, Daniele Baldelli, Tim Sweeney and more at thirtyninehotel. She was the booker for the club for 6 years and very involved with shaping the local dance scene in Hawaii for the past decade. Timo relocated to Brooklyn NY in 2014, flying back and forth from NYC to Honolulu for her bar, Bevy, a popular nightspot in Kaka’ako. She is spending most of her time here in NYC, playing regularly at Good Room, The Lot Radio and numerous nightclubs in the city. She is a long-standing member in the Brooklyn dance music community and is the curator behind "Wax the Van" - a weekly all vinyl listening session at Good Bar, also label boss of Chomp! Chomp! Records featuring various artists with underground dance music since 2020. This year marks 20 years of Timo’s DJ and music journey, her set is eclectic and diverse with a blend of different genres to keep you finger tapping and head bobbing, like she always says “Music needs to make you feel something within, there is no limitation on how and what you can do with it.”

'Heart Can Still Somersault' Out Now on Ghostly International/Spectral Sound Label Head of Valby Rotary with Louf tomvr.bandcamp.com/

First blowing a gale as a forerunner of the new wave of Melbourne dance producers, Tornado Wallace’s distinct and perceptive electronics now find him in a constant rotation of both hemispheres, spending most of the year based in Berlin. From formative house beginnings, the ESP Institute initiation Thinking Allowed proved Tornado Wallace as a force to be reckoned with - the driving groove and Will Powers stargazing quickly matched by an EP of eco-electro burners on Beats In Space. This two timing continued for another round with ESP issuing the elegant Circadia, while Beats In Space got their churning acid two-tracker Kangaroo Ground/Ferntree Gully. In tandem, krautback duo Coober Pedy University Band was formed with Otologic’s Tom Moore, who he’d previously stirred up trouble with as fractions of C Grade and Animals Dancing - two long standing parties of undeniable impact on their hometown. Their trance inducing debut on Soft Rocks' imprint Kinfolk recruited vocals from a lesser known Chet Faker, followed by the bonkers 2014 anthem Kookabura. After some time in between releases due to an increasingly busy DJ schedule, 2016 sees the release of a Tornado Wallace 12” on Second Circle, sister label to cult Amsterdam archivists Music From Memory, as well as a long overdue and eagerly awaited album Lonely Planet, on Gerd Janson's Running Back. ̸SELECTED DISCOGRAPHY Tornado Wallace - Second Circle - SC005 - 2016 Kangaroo Ground/Ferntree Gully - Beats In Space - BIS018 - 2015 Circadia - ESP Institute - ESP019 - 2014 Desperate Pleasures - Beats In Space - BIS008 - 2013 Thinking Allowed - ESP Institute - ESP015 - 2013

Made up of literal brothers Seelie (Liam) & Mr Mowgli (Luke), alongside - figurative brother - Brent Burns, the trio bring a lot to Bangkok’s party table. Musically they incorporate a lot of grand tackle, ranging from Balearic & afro-cosmic, all the way across the rainbow of goodness to Chicago house & Detroit techno. They definitely pay close attention to what’s hot internationally & are all committed hunters of dance floor fire. Quite apart from that, they’re all excellent lads, & at their discos, the DJ ego is firmly set aside in favour of party fun.

Resident DJ at CockTail d'Amore party in Berlin, label artist and half of GreenVision.

̸BIOGRAPHY TSVI, AKA Guglielmo Barzacchini, is an Italian DJ and producer based in London; he makes functional, electronic percussive tracks with influences originating from a diverse range of music from all over the world. TSVI is a leading light of the London’s rave underground scene, and he is the co-founder of the UK-based record label Nervous Horizon, which is shaping the contemporary sound of highly percussive, stripped back, club music. His debut album ‘Inner Worlds’, released in October 2018, is an exploration of his Hindu upbringing and the Sufi Islam introduced by his partner. He has received support from Aphex Twin, Gilles Peterson, Kode9 (Hyperdub), Mike Paradinas (Planet Mu) and many more. In recent years, he performed at CTM festival 2019 at Berghain, Field Day London, No Bounds Festival, and he also toured internationally in Europe as well as in China, Japan, Korea and more. In late 2019, Barzacchini made his debut on London-based label AD93 with his new alias, Anunaku; the project is strictly focused on dance floor material within the 125-130bpm spectrum and it explores the use of various drums from around the world combined with elements of UK underground club music.

̸BIOGRAPHY next stop Shell City

A versatile DJ with hidden depths and surprising power. Transcending our body and minds through dance rituals is what comes naturally to me. Amsterdam-based devotee Van Anh is a DJ pur sang with over a decade of experience to her name, making her the respected artist we get to enjoy today. Her love for digging, selecting, and mixing oozes through every vessel of her body. The name 'Van Anh', which translates to 'clouds', fits her way of mixing like a glove, allowing her to resonate with the sound waves of her liking. Very much like clouds, her sound takes on multiple shapes and forms, varying from deep ethereal ambient to hard, uncompromising techno. Never monolithic, what makes listening to Van Anh so enjoyable is the intricate way of combining all these sounds, bridging music from the past and the present. Played / upcoming events: Berghain (DE), De School, Vault Sessions, Awakenings, Parallel Festival (SE), Breakfast Club Amsterdam, Garage Noord, Dour Festival (BE)

̸BIOGRAPHY Vardae is a project with the ambition of breaking away from the genre barrier, to explore new sounds territory around the love of psychedelic music.

̸BIOGRAPHY Von Riu is a Paris based DJ and producer who made a name for himself co-founding his label Jerry Horny with Maté in 2020. Von Riu is a Paris based DJ and producer who made a name for himself co-founding his label Jerry Horny with Maté in 2020. This long-time music fanatic has become one to watch omnivorous tastes producer, shaping his own sound a littlemore through each new release, juggling between cinematographic gloomy atmospheres, incisive trancy techno, clubby bass & break music and modern progressive trance. After making the transition from always being on the dancefloor to someone who now oversees the party, anyone who has witnessed Von Riu playing can testify about his deft mixing skills and the way he dexterously flows between whatever corner of adventurous electronic music. At the forefront of the French electronic music scene, his label Jerry Horny came up with a corporate-businesscore vision which through self improvement and growth hacking techniques has made a name for itself with few compilations and EPs bringing together the best names of the electro/break/bass music scene.

̸BIOGRAPHY Wata Igarashi has developed a clear sound of his own. He brings together the euphoric and psychedelic, with his music standing out for its crystalline structures and shimmering intensity. Igarashi’s distinctive take on techno is on display across a series of EPs on Midgar and The Bunker NY, as well as on Semantica, Time to Express, and Bitta. Recent standout remixes of Aurora Halal, Volte-Face and Prins Thomas have further demonstrated his considerable talents as a producer. The same mentality is present in his performances, whether DJing or playing live, with his measured control of frequencies and intensities shaping the dancefloor as he explores the more psychedelic dimensions of techno. In this way, Igarashi’s considered approach is one that stimulates the body and mind, generating energy and emotion. Wata Igarashiは独自のサウンドを確立したアーティストだ。緻密なサウンドデザインや構成力を持ち、陶酔感とサイケデリックさを融合させたIgarashi特有のテクノは、MidgarやThe Bunker NYの一連のEPやSemantica、Time to Express、 Bittaのリリースで聴く事ができる。また彼のプロデューサーとしての才能は、近年のAurora Halal、Volte-Face、 Prins Thomasの傑出したリミックス・ワークでも顕著に表れている。彼はDJやライブといったパフォーマンスにおいても、制作と同じ精神性を持っていて、緻密な音響とエネルギーのコントロールでテクノのさらなるサイケデリックな次元を探求し、ダンスフロアを陶酔へと導く。Igarashiのアプローチは身体と心の両方を刺激し、強いエネルギーと感情を生み出す。 ̸ SELECTED DISCOGRAPHY 2016 Stealth 2/3: Night [Time to Express] NNN08: Death Orange [Semantica] Ciphers EP [Midgar] Haziest Just Before The Dawn [Bitta] Semantica10. IV [Semantica] 2015 Pulse Width (Wata Igarashi Remix) - Ruhig [Midgar] 2014 Junctions EP [Midgar] Acid Bubblebath (Wata Igarashi Remix) - SERi [Acidworx] 2013 Mariana Wax 000 [Mariana Wax] Paranoid EP [Counter Pulse] Rotating Field EP [Sienna Obscure] 2012 Carp (Wata Igarashi Remix)/ Jin Hiyama [Gynoid Audio] 2011 Middle Eye Black EP [Statra Recordings] As It Is EP [Gynoid Audio]

Woody92 is a visionary artist who’s musical craft runs parallel with a visual aesthetic resulting in very tangible outcomes. This highly expressive being draws influence from an array of external factors outside of music; subjects such as history, graphic design, the medieval era, the path of religion and the church all play a decisive role. He also keeps a tight circle of like-minded music heads many of which collectively shape the landscape of the Dutch underground scene. His story as an artist can be traced back to his hometown of Delft, a quiet part of the Netherlands with little musical identity but crucially neighbours with bigger brother The Hague. That being said Woody still caught glimpses of the psychadelic Techno, mystical ambient, free tribal tekno and push forward goa and psy-trance movements but locally it failed to rival that of the likes of Rotterdam & Amsterdam.....

̸BIOGRAPHY x/o is a multidisciplinary artist whose music floats between contrasting fields of delicate soundscapes and distorted percussive detail, a juxtaposition which extends into their artistic practice through conceptual layering of ideas and textures. ̸SELECTED DISCOGRAPHY Chaos Butterfly (LP, released 4.4.22 on Precious Metals) cocoon egg (EP, released 11.11.17 on Quantum Natives)

̸BIOGRAPHY Yuri Urano a.k.a. Yullippe An electronic music artist born in Osaka. Her fascinating voice and sound are highly regarded, and she engages in global activities that transcend genres and borders. An electronic music artist born in Osaka. Her fascinating voice and sound are highly regarded, and she engages in global activities that transcend genres and borders. In January 2018, she participated "INTERLUDE from TDME" one of the biggest audition searching next generation of creators for electronic music, and won the GRAND PRIX. In April she performed with Ryoji Ikeda and RADIQ at Namba hatch in Osaka.In September she released a single from CPU Records, and then released Reed from her eponymous label YL. At MUTEK.JP in December 2020, She performed an ambient / experimental live set with visual artist Manami Sakamoto. She shows her talent in various musical fields. She produced music for TEDxKobe. She made an appearance at "The Star Festival 2017"(very popular Japanese Music Festival) as a secret DJ a.k.a "Ghost Selectors", and made a huge buzz. ̸SELECTED DISCOGRAPHY 2018 Reed by YL Autline by CPU 2017 Selfish & Anchor by Yullippe 2016 Lys by Yullippe 2015 Night Flower by Yullippe 2014 test I: i.a.m.y.o by edition.nord Crash & Reborn by Different10

̸BIOGRAPHY Yurk is a Puerto Rican DJ, producer based in Brooklyn. With a wide range of inspirations expanding from latin to electronic music, funk, jazz and ambient. Each performance is a genre blending involvement. As a producer Yurk has performed live hardware and DJ sets around various clubs and art spaces in New York. ̸SELECTED DISCOGRAPHY https://mechanical.bandcamp.com/track/mec022-euterpes-tune https://yurkmusic.bandcamp.com/album/a-place-not-found https://mechanical.bandcamp.com/track/mec021-bushwick-roll https://soundcloud.com/yurkmusic

̸BIOGRAPHY TECHNOだけに限らずジャンルの垣根を超えたシネマティック且つPSYCHEDELICなプレイで世界20ヶ国を渡り歩く。ネットラジオの絶対的な存在であるロンドンNTS Radioを筆頭に、世界のコアな層に届けるマニアックなプログラムにもミックスを提供。山頂瞑想茶屋とのプロジェクトYuta Chayaを始め、Liquid Drop Grooveから良質な楽曲リリースが多数控えている。 ///ENG YUTA (Liquid Drop Groove) YUTA is a DJ / Organizer / Label A&R in Japan, started his career since 2004. His visions are transformation from Retro Goa Trance DJ under the legendary MATSURI label, to the one and only his Psychedelic Techno project Liquid Drop Groove. YUTA has started "Agaitida" in 2015, based in Okinawa in world heritage village with a beautiful sunset location. The theme is bridge to Southeast Asia. Psychedelic Techno label Liquid Drop Groove was established in 2016, concept is a vision to create a space and sound that ripple made by a drop on the surface. In 2021, YUTA has launched SPECTACLE, a techno festival with DJ Nobu. Like its name, it will be a big event. He provides mixes for London's NTS Radio that one of the best internet radio, and for maniac podcasts that reach a core audience around the world. He also runs to quality releases on Liquid Drop Groove, and managing podcasts and downbeat videos. A new wave in the techno scene by an original style. His music describes as PSYCHEDELIC with build up and cinematic flow comes from his huge experience as an artist, performing at greatest festivals such as Eclipse Festival (Australia/Indonesia/USA), Ozora (Hungary), Modem (Croatia), Tribal Gathering (Panama) etc. And numerous clubs in Asia and some Europe. "Life = psychedelic" is a phrase he values. ///JPN YUTA (Liquid Drop Groove) 2004年よりキャリアをスタート。アーティスト活動を軸に、オーガナイザー・レーベルA&R・ブッキング等、現在は多角的にPSYCHEDELIC TECHNOを仕掛けるプロデューサーも担う。 2010年代、レトロゴアトランスのリバイバルブームを巻き起こしたMATSURIのブレーンとして世界的に注目される。 2015年から始動した「朝陽が昇る」を由来とする沖縄Agaitidaを主宰。世界遺産となったヤンバルを舞台に人生観を変える体験をテーマに東南アジアの掛け橋となる。 2016年、「波紋状の音と空間」をコンセプトにレーベル兼プロダクションLiquid Drop Grooveを発足、2020年のパンデミック中に脚光を浴びる。2021年には「天空の楽園」をコンセプトとした野外フェスEDEN 、DJ Nobuとシーンの変革に一石を投じるべくSPECTACLE、そして2023年はNESSが主軸のThe Gods Planetとバイナルレーベルをローンチ。テーマに沿ってPodcastや動画の配信など、テクノシーンに置いても異端児として根付く。 メインアクティビティとするDJでは、TECHNOだけに限らずジャンルの垣根を超えたシネマティック且つPSYCHEDELICなプレイで世界20ヶ国を渡り歩く。ネットラジオの絶対的な存在であるロンドンNTS Radioを筆頭に、世界のコアな層に届けるマニアックなプログラムにもミックスを提供。山頂瞑想茶屋とのプロジェクトYuta Chayaを始め、Liquid Drop Grooveから良質な楽曲リリースが多数控えている。 ̸SELECTED DISCOGRAPHY YUTA http://www.mixcloud.com/goadjyuta https://soundcloud.com/liquiddropgroove/sets/yuta Liquid Drop Groove http://www.liquiddropgroove.com https://soundcloud.com/liquiddropgroove https://www.youtube.com/c/LiquidDropGroove https://www.instagram.com/liquiddropgroove.new/ https://www.facebook.com/LiquidDropGroove

̸BIOGRAPHY Zaatar زْعَتر music is the peculiar combination of both her origins : Moroccan and Belgian. She finds her inspiration in the post punk and EBM movement of the late 80’ and early 90’. Her tracks are therefore built around a gritty and rough baseline that sets the mood for frenetic body dances. Melodies and sounds inherited from her home country - Morocco- completes her soundscape in a way that is her own. During her DJ sets she invites the public on a captivating journey from light to darkness, an oscillation between joy and melancholy sometimes punctuated by oriental melodies. Co-founder and resident of the Laisse Tomber Les Filles collective, she works to celebrate women on the decks, freedom and diversity, values that never leave her, especially behind the decks. She joins the label Ritmo Fatale with the track Abiad Al Layali already considered as an EBM reference. Discover

̸BIOGRAPHY Michael Paradinas (born 1971) records primarily under the name µ-Ziq (pronounced "music") in addition to a large number of aliases. He runs the british electronic label Planet Mu and first emerged on Rephlex in 1993 with the album 'Tango N'Vectif' and.. Mike Paradinas has become one of the very few artists working with electronics to produce a recognisable amd personalised sound while at the same time mixing far-reaching experimentalism with accessibility through infectious melodies and rhythms. Achieving healthy record sales and staying true to the pioneering spirit of the underground is no mean feat. Hailing from Raynes Park, South West London, Paradinas began operating under the name µ-Ziq whilst studying for a degree in Architecture at Kingston University in 1991. he eventually left before completing the course, partially due to a lack of interest, but more importantly to concentrate all efforts towards his music on a full time basis. Early recordingsfirst emerged on the Rephlex label with the now classic 'Tango N'Vectif' in 1993, followed a few months later by a second, 'Bluff Limbo' in 1994 - on it's initial promo run of 1000 copies, it rapidly gained a noteriety out of all proportion to it's availability, even entering the NME top 50 albums of that year. 'Tango...' meanwhile has gone on to sell in excess of 40,000 copies. In March 1995, Mike signed to Virgin and released the 'Salsa With Mesquite' ep and the album 'In Pine Effect' ("the difference is that where the Aphex Twin's topographical doodles suggest undiscovered, unpeopled planets, µ-ZIq's approach is a good deal more emotional, attempting to tap into the inner, surfing the soul... This is 'techno' elevated above the mere functionalism of the dancefloor, lighting fires in the heart and painting pictures for the mind's eye." - Melody Maker). This year also saw the genesis of 'Jake Slazenger', one of Mike's numerous pseudonyms with the acclaimed future-past casio jazz-funk of the 'Makesaracket' album on Clear. 1996 saw Paradinas join forces with Richard James for Aphex's one and only collaboration album 'Mike and Rich' on Rephlex; it was also the year that Mike signed to Warp for his second Jake Slazenger album and indie chart number 1: 'Das Ist Ein Groovy Beat, Ja'. May 1997 saw the release of 'Lunatic Harness', his third album proper, which saw µ-Ziq introducing more aspects of jungle style programming into his music (previously showcased on the 'Urmur Bile Trax' series). This time he was mixing elements of twisted hip hop, carnivalesque synths, toy-town world music and - what became known as - 'drill & bass' with his own inimitable style. Though he may incorporate these elements in his music, Mike never lets these influences smother a track entirely, instead mixing it all up into an end result that is both innovative and new. At 50,000 worldwide sales & counting, album of the week in both NME and Melody Maker, many others thought so too. 20 years ago Mike launched his own independent record label 'Planet Mu' releasing material by Venetian Snares, Remarc, Vex'd, Machinedrum, Kuedo & Jlin amongst many many others, including some of his own projects 'Kid Spatula' & the 'Slag Boom Van Loon' collaborations with Jochem Paap (aka Speedy J). Now over 350 releases old, Planet Mu has become one of the mainstays of the electronic music scene along with Ninjatune and Warp records, gaining more respect with every year that passes. In July '99 Mike released 'Royal Astronomy' on Virgin Records' 'Hut Recordings' subsiduary. Musically a sizeable shift from 'Lunatic Harness', the album focused more on his orchestral leanings (which were already present on 'In Pine Effect') and he was further inspired (as support act on her 1998 Homogenic tour) by Björk's use of live string sections in her shows. The album revealed a more poppy and melodic side to Paradinas than on previous occasions, while taking care not to discard any of the innovative programming and cutting edge beats that he'd become renowned for. The album was preceded by aa single 'The Fear', an infeciously haunting vocal track with pastoral strings underpinned by a Northern Soul mid-tempo shuffler rhythm, displayting the versatile nature of Paradinas' output. In 2003 Paradinas' Planet Mu label released one of their most successful records to date: 'Bilious Paths', Mike's 10th album as µ-Ziq. 12 tracks of hard cut-up breaks and electronics, distorted washes of melodic detrius and occasional serene ambience. Much of the album charted new territory for Paradinas, like the opening track 'Johnny Maastricht' which was inspired by the then new and emerging Garage sounds which would eventually coelesce into Dubstep and Grime, but with Mike's own trademark melodic sensibilities taking the place of the bass and the 'Grape Nut Beats' duo of tracks which mixed 6/8 gabber/tekno, old skool rave and nu-skool breaks to devestating effect. 'On/Off featured the vocal 'talents' of Ghostly's Mike Dykehouse (who has also released on Planet Mu) embellishing a dirty-bass electro anthem about panties. 'Bilious Paths' has gone on to sell over fifteen thousand copies worldwide. ̸SELECTED DISCOGRAPHY As µ-Ziq Albums Tango n' Vectif (1993) Bluff Limbo (1994) µ-Ziq Vs The Auteurs(1994) In Pine Effect (1995) Lunatic Harness (1997) Royal Astronomy (1999) Bilious Paths (2003) Duntisbourne Abbots Soulmate Devastation Technique (2007) Chewed Corners (2013) XTLP (2015) EPs Phi*1700 (U/V) (1994) Salsa with Mesquite (1995) Urmur Bile Trax Volume 1 & 2 (1997) My Little Beautiful (1997) Brace Yourself (1998) The Fear (1999) Ease Up (2005) XTEP (2013) Rediffusion (2014) As Tusken Raiders / Rude Ass Tinker Bantha Trax (1995) Bantha Trax Vol. 2 (1999) The Motorbike Track (1999) Imperial Break/Silk Ties (2001) As Jake Slazenger Makesaracket (1995) Megaphonk (1995) Nautilus (1996) Das Ist Ein Groovybeat, Ja (1996) Pewter Dragon (2006) As Kid Spatula Spatula Freak (1995) Full Sunken Breaks (2000) Meast (2004) As Gary Moscheles Shaped to Make Your Life Easier (1996) Collaborations Diesel M (with Marco Jerrentrup) M for Multiple (1993) Mike & Rich (with Richard D. James aka Aphex Twin) Expert Knob Twiddlers (1996) Slag Boom Van Loon (with Jochem Paap aka Speedy J) Slag Boom Van Loon (1998) So Soon (2001)