Blawan

SHERELLE is leading a new generation of high-speed ravers who are addicted to jungle, drum ‘n’ bass, footwork and juke. Through her DJ sets, radio shows and record label she gives a platform to both scene elders and new talent and is committed to pushing 160bpm+ dance music into the future. The London-born DJ has been busy since that Boiler Room sent her signature brand of low-end energy viral: She’s held down a year-long Radio 1 residency that’s seen her showcase cutting-edge dance music to a mainstream audience as well as host OGs like DJ Spinn, 4Hero, Kode9 and Luke Vibert as well as next gen disruptors like Mantra, L C Y, Yazzus and Fracture; She’s started the Hooversound label alongside partner in club music Naina with releases from Hyroglifics, Sinistarr and Deft; And she’s co-founded the incendiary 6 Figure Gang squad with Fauzia, Jossy Mitsu, Dobby and the aforementioned L C Y and Yazzus. Let the takeover begin.

̸BIOGRAPHY Post-Shaabi from Cairo. 3Phaz is a Cairo based electronic producer mostly known for his debut album ‘Three Phase’, an album that presented a powerful and fresh new take on egyptian mahraganat/shaabi sound; the record was released on Egyptian label 100Copies in 2020. With further singles and remixes released on the likes of Rinse, Boomkat, Polaar, Nashazphone, and Irsh, 3Phaz quickly carved his way into the international club music scene allowing him to perform all around Europe. 3Phaz is currently working on his second album, to be released sometime in 2022. ̸SELECTED DISCOGRAPHY https://3phaz.bandcamp.com/album/three-phase https://irshcairo.bandcamp.com/track/cluster-drum https://floremusic.bandcamp.com/track/coded-language-3phaz-remix https://acidarab.bandcamp.com/track/ras-el-ain-3phaz-remix https://irshcairo.bandcamp.com/track/kabbut-ft-zuli-3phaz https://promesses.bandcamp.com/track/steep-ft-3phaz https://nowaybackuk.bandcamp.com/track/heel-turn

̸BIOGRAPHY Adab became the knowledge of poetry, oratory, ancient Arab tribal history, rhetoric, grammar, philology, and non-Arab civilizations that qualified a person to be called well-bred, or adīb. Characterized often by their palette of sounds, they made a name for themselves in Cleveland spinning a variety of genres (house/techno/beats etc.) and venues alike. Having started djing dance music heavily as a result of finding Cleveland's queer run techno party In Training and being a non binary black youth raised across a few states in the Rustbelt (IL/MICH/OH), they seek to unabashedly open up new understandings for both themselves and others...

̸BIOGRAPHY ✨🧑🏿‍🦱✨ AGY3NA grew up in Nürnberg, a city in Bavaria, Germany. At a young age, he first got in touch with music through different ensembles, where he played both baritone and percussion. Ignited by his early endeavors into Berlin’s gay nightlife, he began DJing at local clubs and bars. He soon started to perform regularly back home in Nürnberg, while also curating and organizing concerts and parties as part of an independent promoter collective. By mixing music from different genres and decades, AGY3NA often creates a feeling of nostalgia on the dancefloor, while always keeping his focus on playful rhythms and uplifting transitions. When he stands behind the decks, AGY3NA connects to his own feelings of freedom on the dancefloor. His music selection gravitates towards spacey, explorative, and rhythm-focused House and Electro. Afrofuturism, an aesthetic that explores the intersection of African culture and futuristic icons, plays a leading role in his artistic work. It not only connects his intrinsic urge for experimentation with his artistic expression, but also links it with his identity as a black man growing up in Germany. His projects are a result of the frictions related to this intersectional identity, which creates a unique narrative that cannot be ignored when listening to his music. After finishing his first degree in psychology, AGY3NA moved to Berlin to pursue a masters in cognitive science, while finetuning his DJing skills. Two years later, he moved to Leipzig, where he currently parallels his music projects with his research interests.

Akua is a Ghanaian-American DJ with roots in North American techno but exemplifies a sonic force that reverberates worldwide. A powerful fixture in the NYC scene for the past six years, she's cemented herself as one of the most distinctive techno DJs coming out of the U.S. in recent years. She has been at the forefront of a new generation of techno artists who find inspiration in the raw, innovative and rebellious spirit of old school techno. Her practice is a passionate dedication to archiving & activating timeless strains of raw and mechanized expression - fusing the new school of North American machine funk while harkening back to the innovation of Detroit, Chicago, & New York City DJs throughout history. A recent move to Berlin, a city that has held a crucial role in the evolution of techno, has provided her with the opportunity to further develop her craft by embracing the transcontinental connection that originally ignited the techno movement. All this plays out in Akua's blazing sets heard around the world - from exerting her renowned vigor behind the decks at hometown haunts like Basement and Nowadays to unleashing landmark sets at Dekmantel, Draaimolen, & Berghain. Already seasoned on the European tour circuit, she continues to garner respect and delight from the most discerning of DJs & dancers alike through her fierce mixing finesse and constantly expanding repertoire of futureproof classics.

̸BIOGRAPHY Ale Hop crafts complex pop arrangements with an experimental noise edge, utilizing electronic effects and computer software in order to mutate and reshape her instrument and voice. Her live performances merge the physical qualities of music with raw emotional states and unorthodox instrument procedures. She builds layers of sounds by blending a complex repertoire of guitar techniques processed by synthesis devices, to create a music of deep physical intensity. She began her career in the 2000s in Lima’s experimental and underground scene. In 2012, following several years of taking part in different pop and electronic bands, she finally started her solo project after performing alone for the first time in Boiler Room, during her residence at the Red Bull Music Academy New York. Ale Hop has performed, screened and exhibited work internationally at institutions and festivals, such as CTM Festival (2022), Haus der Kulturen der Welt (2021), New York’s Museum of Arts and Design (2021), Australia Independent Film Festival (2021), Stockholm City Film Festival (2021), Stedelijk Museum Amsterdam (2020), Somerset House Studios (2019), Heroines of Sound (2019), MALBA Latin American Art Museum of Buenos Aires (2015). ̸SELECTED DISCOGRAPHY Apophenia (Buh Records, 2019) Bodiless (Buh Records, 2018) PANGEA (Buh Records, 2015)

̸BIOGRAPHY Amaliah is a London based DJ and producer with an eclectic taste in sound. She also runs her own label, 'Borne Fruits'. Borne Fruits boss and Rinse FM staple Amaliah commands the rave as one of London’s most exciting artists, hybridizing modern house and techno sounds with global club cuts rooted in a love of soundsystem culture. Emerging from a lineage of inspired ravers immersed in the wide-eyed rush of dubstep’s golden era at Plastic People and London’s vibrant soundsystem culture, Amaliah has transcended these proud influences to stake her own inimitable claim within her native city’s ever-crowded clubbing landscape. Her DJ sets are signified by a purposeful energy informed by years of raving, where she unleashes anything from prog-laden house cuts alongside tribal techno pumpers before diving headfirst into percussive bass warpers and beyond. Crucially, these eclectic club styles sing harmoniously under her exhilarating party stewardship, exposing years of record digging and a general obsession with electronic music. This is exhibited with an impressive archive of mixes for the likes of Boiler Room, Crack Magazine, Hör and a much-loved Rinse FM residency, while also in standout sets at venerable institutions Panorama Bar, De School and Fabric and at festivals like Glastonbury, Love International, Gala and Waterworks. 2019 saw Amaliah establish Borne Fruits, a party collective-turned-label where she made her production debut with Borne Fruits 001 before a further various artists compilation release Club Entry Vol. 1 and an 2 track edits single with venerable Derry hero Or:la titled Y2SLAY followed to great acclaim. More solo productions of hers have dropped since on Earful Of Wax and her own imprint, characterized by driving and playful percussion and an unadulterated raver’s energy built for maximum club impact. This exciting year ahead sees Amaliah joining the Hessle Audio trio at Glastonbury for their The Wow stage takeover, making her debut at Draaimolen Festival and hosting a boat party at Love International as well as a b2b with Aletha at the festival's The Garden Stage. Her label and own productions continue apace too, with a forthcoming bumper-packed Borne Fruits compilation and a highly anticipated full solo debut EP prepped for the end of this year; all of this proving her boundless talent reaching unfathomable heights over the coming months.

DJ, Producer & Label owner Anetha is a trained Architect based in Paris, now fully dedicated to music and focused on developing her career as a DJ, producer and Label Manager. As a leading figure of the new generation of French DJs inspired by EBM, trance, electro and old school 90’s techno tracks, Anetha knows how to make people dance. She always tries to offer an intense, energetic and unpredictable journey to her public, with a strong and fresh tracks’ selection.

̸BIOGRAPHY CONSTRUCTIVIST HI NRG LOVE CORE / HARD HANDBAG / CAKEBEAT DEEJAY DATES 2023 NYD Adonis (London) Jolene (Copenhagen) B2B Eoin Dj 13th January Eris Drew presents Temple of dreams 20th January Planet Rose TBA (Netherlands) January 28th OHM - Venus Vessels (Berlin) b2b DHC 4th February Panorama Bar 10th February (Berlin) Planet Euphorique @ Corsica Studios 18th February (London) Planet Euphorique @ Paradigm 25th February (Groningen) Big Dyke Energy 3rd March @ venue MOT (London) B2B Byron Yeates @ RSO 4th March (Berlin) 8-to-the-floor x Blvsh x x:cuse u @ Alte Munze 7th March Rebel @ C12 11th March (Brussels) Sue Veneers @ Unit 58 17th March (London) Music Sphere @ World Headquarters (Newcastle) De School - 24th March (Amsterdam) Everybody Trance @ 2Macadam 25th March (Nantes) Eris Drew Presents Temple of dreams @Corsica Studios April 1st (London) Dissident (Berlin) 6th April (Off location) FWD @ 60 dock Road London 7th April Phantasy Dance @ Gewolbe (Cologne) W/ Ki/Ki + Dj Sweet6teen STELPLAATS (Leuven) B2B Dj Sweet6teen GODDEZZ @ MOT (London) 22nd April WIGS @ Tempio Del Futuro Perduto (Milan) 24th April SQUISH (San Francisco) 28th April HORS SOL @ AEVE b2b DJsweet6teen 6th May (Berlin) Adonis 7th May (London) Oven Club (Valencia) B2B DJ sweet6teen 13th May Dial Electronico @ El Pueblo Cultural (Ourense) 16th May Intercell (Amsterdam) b2b DJsweet6teen 18th May Tutto passa Hemelvaartsdag (Tilburg) B2B Djsweet6teen 18th May Panorama bar 19th May Freak (Manchester) 20th May Lente Kabinet (Amsterdam) 27th May Klub dramatik (Antwerp) 28th May Previous ----- Awkwardly Social @ OHM 4th June (Berlin) Maricas @ NITSA CLUB 16th June (Barcelona) NOWADAYS pride nonstop party 25th June (NEW YORK) Fast and Bi-furious @ VENUE MOT 16th July (London) Dalston Superstore b2b LUXE 22nd July (London) Body Movements Queer Festival - 30th July (London) Temple of Dreams W/ Eris Drew @ Corsica Studios - 5th August (London) GODDEZZ @ Corsica Studios b2b Henderson 27th August (London) Field Maneuvers 3rd September Garage Noord 5th Birthday (Amsterdam) 4th September XTRA @ Pacha 8th September Eris Drew + Octo Octas Forest stage @ Draaimolen Festival 10th September (Tilburg, Netherlands) Goddezz @ Fabric 16th September Waterworks Festival 17th September Festimi @ LO-FI Amsterdam b2b Byron Yeates 24th September Porzellan Bar @ Aeden (Berlin) 25th September Big Dyke Energy @ Venue MOT 1st October ********* 7th October (London) Hypersoft @ Renate (Berlin) 8th October Ritual poison Takeover @ Transmissions 15th October (London) Love Child W/ Josh Caffe @ Fabric 16th October (London) Temple of Dreams VOL. 2 B2B Eris Drew 21st October (London) Fold w Job Jobse 28th October (London) Ultimate Power assembly @ Ormside Projects 29th October (London) Corsica W Octo Octa 26th Nov (London) Mench Meier (Berlin) 4th November Redstone Press (Glasgow) 12th November Phonovison @ Club Subway 9th December (Cologne) Post club (Vilnius) 16th December Speilraum @ De school 17th December

Autechre is an English IDM group consisting of Rob Brown and Sean Booth signed with Warp Records. Autechre

Azu Tiwaline is a producer inspired by the need to explore her origins, rooted in the Sahara. Her sound is a mix of the organic and the raw, vibrations from the spaces of the desert where entrancing music resonates and ecstatic rituals are commonplace.

̸BIOGRAPHY 🌙 MUTANTE DEL SWANA🌙 🧿 BLITZ MUNICH RESIDENT 🧿 Her name may derive from the Turkish word for ‘different’, but its energy translates into every aspect of BASHKKA’s self-expression. From slaying the dancefloor with sensually acerbic sets to her ardent advocation of the cultural, political and de-colonial advancement of electronic music, BASHKKA is breathing fresh air into the scene with everything she sets her mind to. Irreversibly shaped by a decade living in New York and the Black & Brown trans women who inspired her truest incarnation, BASHKKA brings the flavour and authenticity of The Big Apple’s Ballroom scene to every party she plays. From her hometown residency at Munich’s Blitz Club to Berghain’s Panorama Bar, where she’s quickly become a regular, her sets channel an intoxicating energy that’s self-professedly “CUNT!” And on the other side of the booth, BASHKKA’s unapologetic integrity is echoed in her unwavering activism and commitment to her community. Through her vocal politics and dedication to SWANA and queer representation in the scene, BASHKKA is reimagining the counter-cultural potential of electronic music’s origins for the contemporary club sphere. Her debut EP, forthcoming in 2023, will see BASHKKA’s brazen attitude blended with a highly underrated technical prowess.

Just the hits. Unafraid to dig deep and also play the hits, Detroit-based deejay BEIGE has caught the ears of Boiler Room, T4TLUVNRG, The Bunker, Sublimate, Jack Dept. & other in-the-know crews. A fast-rising talent in the North American queer underground, they have become a regular fixture on the forward-thinking Midwest/East Coast party circuit. From their homebase in Detroit, they host the monthly show Chaotic Neutral on The Lot Radio, organize educational workshops for DJs of marginalized genders as a member of Seraphine Collective, and provide local support to internationally touring acts. The BEIGE sound is anything but—they are known for smooth mixing and colorful, unpretentious sets that whip between genres and tempos: big melodies, big vocals, big Moods. Beyond the usual house-techno-disco touchpoints, expect to hear psychedelic gospel, leftfield club and ballroom, thizz-face electro and UK/global bass, sprinkled with cheeky pop references. Their dramatic approach has earned the support of dance music institutions including Hot Mass, Nowadays, Bossa Nova Civic Club, Elsewhere, and Charivari Festival. On a Funktion-One or in a field under the full moon, BEIGE strives to honor the dancefloor as a space for healing and transformation.

̸BIOGRAPHY Composer and producer, born in Melbourne, Australia in 1980. A member of the Icelandic music collective/record label Bedroom Community, and currently based in Reykjavik, Iceland. The music of Ben Frost is about contrast; influenced as much by Classical Minimalism as by Punk Rock and Metal, Frost's throbbing guitar-based textures emerge from nothing and slowly coalesce into huge, forbidding forms that often eschew conventional structures in favor of the inevitable unfoldings of vast mechanical systems. “…The emotional power of Frost's music comes precisely from the stark contrast between extremely basic musical material and the deadly virtual instruments he invents to perform it… This is Arvo Pärt as arranged by Trent Reznor” – Wire Magazine, 2007 On albums like Steel Wound, released on the Room40 label in 2003 (Pitchfork: “An exemplary ambient experience”), Theory of Machines on Bedroom Community in 2007 (Boomkat: “The Future of electronic music…”) and 2009's BY THE THROAT (NME: “a hollow, unforgiving, brutal yet utterly beautiful record, full of deep intricacies that won’t let you go.”) Frost’s music is more than a cerebral exercise and has an undeniable visceral presence, felt as much as heard. His compositions are created with an acute awareness of the listener and their comfort thresholds, exploiting every extreme of pitch and volume. His notorious, building-shaking performances at international festivals including Montreal’s famed MUTEK combine amplified electronics with the furious thrashing of live guitars. Frost himself has been described as “one of the most interesting and groundbreaking producers in the world today” (Boomkat). His music’s intense physicality has filled gallery spaces and driven contemporary dance productions by Chunky Move, the Icelandic Dance Company, and the acclaimed choreographers Erna Ómarsdottir and Wayne McGregor. Ben recently collaborated with labelmate Daníel Bjarnason, resulting in the album SÓLARIS, released on Bedroom Community in 2011. ̸SELECTED DISCOGRAPHY SÓLARIS (2011) By The Throat (2009) Theory of Machines (2007)

̸BIOGRAPHY Warsaw-based Ukrainian dj, producer and amateur of slow-burning outsider electronics. bijū arose from the need to explore the intersection of machine and body. The need to blur the boundaries between dehumanized electronic music and the natural environment. His selection is a constant search between minimalist and dense, dynamic and slow, sharp and blurry sounds. Inspired by the vibration of synthesizers enriched by echoes emanating from the abyss, transforms the soundscape into a psychedelic spectacle, while enhancing the local experimental scene. As part of the Warsaw based Ukrainian collective SUMISH wants to strengthen interactions between people through synergies, exchange of vision and knowledge, building bridges between the migrant community and local society through the different creative disciplines. His latest LP "Land of Abundance" was released on Berlin based Sons of Traders Records. Curator of Healing Machine radio show on Mutant Radio, dedicated to slow-rolling experimental music. Author of the program Gnostic Methods on Radio Kapitał (archived). ̸SELECTED DISCOGRAPHY https://sonsoftradersrecords.bandcamp.com/album/land-of-abundance

̸BIOGRAPHY Bonzai Bonner, perhaps more colloquially heralded and cheered for as ‘Bonner’ when hammering out Hi-Nrg and Italo in the clubs of Glasgow, has become one of the city’s most influential DJ’s and caretakers. Their approach and work behind the scenes has helped to inspire a new generation of community driven artists, creatives and parties having sought every opportunity to rally for an open minded dance floor and to encourage self expression. Bonner is the pioneering force behind the infamous LGBTQ+ party Shoot Your Shot - a party which has helped champion leftfield dance and electronic music in Glasgow. The parties are joyous, captivating affairs which always leave revellers with a story or two to tell. Smoky rooms, dimly lit, become the backdrop to a whirlwind extravaganza as Bonner commands dancers through the night with long free flowing mixing. Euphoric highs are paired alongside delicate poignant selections reminiscent of the collective escapism and abandonment they seek to find for themselves upon the dance floor. None of this has come without hard work. Bonner has been a prominent presence amidst the Scottish club scene for many years, working doors, promoting parties and hustling fearlessly for a better, more connected scene and the inclusion of those who seek to find comfort in the same music and escapism that they love. Whilst Bonner strives to enlighten dancers, their music is often paired with moody, darker undertones. Drawing upon influences from Post Punk, EBM and Synth Pop - Bonner is a product of an industrial city, a city with an edge in which experiences can shape and solidify an individual. Bonner’s formative years were spent hanging out with friends, honing knowledge in records stores, dancing in murky offbeat bars and underage clubs. The soundtrack? A wild mixture of everything from Joy Division to Bauhaus, Klaus Nomi to Pete Burns, The Pet Shop Boys and beyond. Their tastes evolved as a result of the eclectic chaos which was Glasgow at a time in which groundbreaking bands were formed in the city, when the likes of Alan Miller commanded the culture and creative opportunity lurked on dark street corners and in backstreet basements. It is this ethos which rings true and commands Bonner’s inspiration and drive in the present, this ethos which has lead to the revered success of Shoot Your Shot. Bonner is the result of a whirlwind of musical experiences, rooted in a humble city, which have lead to the conscious, progressive sounds of a DJ with unique taste and integrity.

̸BIOGRAPHY Collaboration project between Pessimist & Loop Faction (Kristian Jabs & Reuben Kramer). Debut album 'We All Have An Impact' was released in October 2019, with a strong message relating to climate change and the destruction of the natural world.

Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Defined by a meticulous approach to the composition, production, art direction and presentation of his work, every release encapsulates Joseph’s idiosyncratic vision. It is a colourful world that gives life to the shadows and throws a mist over the boundaries that have become so commonplace in electronic music. His record The Present Tense provided the launching point for Houndstooth (the label arm of London’s fabric nightclub). The following two releases, Black Octagons and Depicta/Acephale, cemented his status as one of the brightest new talents to emerge in the current wave of producers disturbing the musical landscape. Next up came Suzi Ecto, his debut album, which...

From Utrecht, Carista is the DJ everyone wants to open for them. Self-taught, she bought her first pair of turntables at 19 and turned to YouTube tutorials. After winning a mixtape competition hosted by Rotterdam club BIRD in 2012, she landed a gig and subsequent residency at BIRD and other local clubs. Word started to travel about the charismatic selector, curator, and DJ. She went on to land herself a monthly radio show at Red Light Radio and NTS which got her noticed by a slew of festival programmers. She’s since made her debuts on Boiler Room and at festivals like Secretsundaze, Dekmantel, and ADE, where she opened for De School’s 62-hour party. Her sets are never predictable but always highly danceable. Through her NTS show United Identities, she hopes to continue to promote diversity and inclusivity in the club scene.

̸BIOGRAPHY claire rousay is based in San Antonio, Texas. Her music zeroes in on personal emotions and the minutiae of everyday life -- voicemails, haptics, environmental recordings, stopwatches, whispers and conversations -- exploding their significance.

̸BIOGRAPHY DJ Nah Care is a Copenhagen-based DJ, who's known for his diverse DJ-sets and his work as promoter for Club Versatile. DJ Nah Care is a Danish DJ behind the queer concepts Club Versatile and LGBT Asylum fundraiser, and a general Adonis figure. DJ Nah Care is known for his eclectic selection of contemporary dance music, for bringing a touch of glamour to even the grimiest raves, and for transferring high sexual energy to the floor.

̸BIOGRAPHY 100% affective club music <3

̸BIOGRAPHY #modularsynthesizer #livemusic #pop #vocal #experimentalelectronic Enyang Ha native to Korea is a 9 year transplant to Berlin, the music producer and mastering engineer uses a wide breadth of experimental techniques to create the music in her first EP with a label “1997”. This EP sees her collaborating with System Records by Julien Bracht. Having mastered some of the most innovative releases of this decade for Amnesia Scanner and Arca this EP is without a doubt the beginning of something that pushes the boundary of music beyond the current scope. A well traveled person from having lived in Japan, Korea and the USA as a teenager Enyang emigrated to Berlin in her twenties to tap into a new scene and sound unique to the city. Since then she has been intimately involved in the experimental music scene having performed at CTM festival in January of 2021. Serendipity found Enyang in Berlin and it was this city that transformed her passion for music and took her on a new path, one which would expose her to some of the most cutting edge artists of the world. Having worked intimately with the releases of some of the most experimental artists of our time, Enyang’s own musical sensibility and need for experimentation aligns closely with the roster of her impressive clientele. Driven by a need to express the inherent beauty within the unusual, different or other she uses recordings of her own body’s movements and functions to create a unique sound palette. These recordings become the musical apparatus Enyang uses to compose her tracks. Through the digitisation of her body she is able to transform the sound of her pelvis into a baseline, quite literally making the core of her physical body the foundation of her musical form. In the same way the snapping of an ear become high hats, or an elbow becomes a textured sound hidden in the composition of the track. By metabolising the sounds of her body she is able to build these tracks organically, even through the use of modular synthesizers there remains an intimacy to the EP.

High Priestess of the Motherbeat. Vinyl slinging since 1994. Dissolve boundaries and models. Unlock your body. Find each other.

̸BIOGRAPHY The otherworldly foreground of his techno works are blissfully psychedelic as well as carefully structured for the most subtly disorientating shifts, and hovering amongst this is his wholesome grasp on the purpose and consequence of melody. The unsettling terrain of Evigt Mörker's world can be broken up into a few frenetic parts that give the overall impression of a serene habitat. There's the otherworldly foreground of his techno works that are blissfully psychedelic as well as carefully structured for the most subtly disorientating shifts, and hovering amongst this is his wholesome grasp on the purpose and consequence of melody. Together, this is Evigt Mörker's deadly and addictive mix. Hailing from Sweden, some initial forays into bands in his youth went hand-in-hand with an early exposure to techno. Yet it was the illegal rave scene in Stockholm that would prove to be most formative. The circuit of DJing and parties soon fed into the need to create a platform from which to work, and so the identity and label Evigt Mörker came into being in 2013. The first three releases cemented Evigt Mörker's ability to rouse melodic dynamics out of an ambient setting. Whether settling and fixating on a rhythmic pattern, or shuffling through different emotions, often these tracks would career into rapturous dancefloor pieces. It didn't take long until the formidable Semantica Records tapped him for a release, which produced the stunning EP, 'Helmet of Bones.' From this point, Evigt Mörker would come under the austere wing of Northern Electronics. Two terse yet incandescent EPs, along with a fourth release on his own label, have charged the air for his debut album, 'Krona'. Appearing on Northern Electronics, a brooding intensity defines the album, as well as a technical dexterity for carving dissonance into lush techno tools. For those that have witnessed Evigt Mörker live or as DJ, a different side to his recorded output comes into play. Often far more forceful than his releases, there's an energetic and rhythmic power reserved for these moments. It's perhaps this versatility that's kept him in such high demand as a remixer. Taken to the other end of the spectrum, Evigt Mörker's live shows are capable of elegant ambient pieces, if holding a dancefloor down isn't the modus operandi. ̸SELECTED DISCOGRAPHY https://www.discogs.com/artist/3452465-Evigt-M%C3%B6rker

̸BIOGRAPHY Manchester based producer making music thats a sonic reflection of his heritage, marrying the sounds of latin rhythms & uk low end focus

☿️ Intergalactic Mermaid ☿️ GiGi FM aka Giulia Fournier-Mercadante is a French/Italian force well and truly to be reckoned with. Born and raised in Paris, Gigi moved to New York in her teens after being awarded a dance scholarship at the NYC Ballet and Alvin Ailey where she studied and practiced dance at the highest level before moving onward to her current residence of London where she continues to make waves with her unique approach to Music, Sound, Dance and Art. It wasn’t long until she became a firm fixture of South-London’s close-nit music scene, taking part in organising parties in DIY spaces and DJing regularly across the city (with regular appearances at London’s revered ‘Make Me’ parties). Listing Donato Dozzy, Bjork, Function, Neel, Aleksi Perrälä, Pierre Henry, E. Satie and Suzanne Ciani to name a few among her musical influences, Gigi is as creative in the studio as she is on the decks. GiGi associates textures and colours to sounds within the music, giving her a unique approach to collecting, selecting, playing and making music and affording a natural ability to create atmospheres and ambience unlike many others. After playing two stand-out sets on Boiler Room in recent times, she is now about to embark on a Boiler Room club-tour covering some key UK and European cities, placing her among a select number of her musical piers. Add to this a fast-growing list of gigs and many more exciting projects in the making, the future looks very bright for GiGi FM indeed!

Hamburg native Helena Hauff is an in-demand DJ as well as an acclaimed producer of gritty, hard-edged electro-techno. Her music draws from influences such as acid house, EBM, and industrial, and she records her tracks strictly using analog equipment, usually in one take. Her full-length debut, 2015's Discreet Desires, contains some of her most melodic material, while 2018's Qualm is more stripped-down but no less energetic. Hauff has released a handful of EPs, including 2019's Living with Ants and 2021's Futuros with the Exaltics. ~ AllMusic

̸BIOGRAPHY warsaw-based DJ / vocalist / promoter The founder of FURDA, also associated with Unsound Festival, hermeneia is a Warsaw-based DJ and vocalist who's primarily motivated by the idea of narrative building. She brings this to her DJ sets by focusing on dark, atmospheric, bass-heavy sounds, contrasting bulky floor-fillers with gossamer ambience. As a vocalist, hermeneia is equally as adventurous, working alongside respected hip-hop producer 1988 in his "Ruleta" project, and with harpist Ania Pasic on a forthcoming reinterpretation of Cocteau Twins' legendary "Treasure" album.

̸BIOGRAPHY Trippy house and techno from Amsterdam ̸SELECTED DISCOGRAPHY https://www.discogs.com/Human-Space-Machine-Ornithogallum-EP-/release/11649

̸BIOGRAPHY Producer/DJ Garage and Bass head 128-175BPM

British techno sorcerer and psychedelic shaman james holden is a man of many talents: zeitgeist-defining label boss, trend-setting producer, hugely in-demand monster remixer, and last but by no means least, he can count himself amongst that very modern..James Holden

̸BIOGRAPHY file under: ambient. acid. deep. house. progressive. psychedelic. techno. trance. "It's not what records you have, but what you do with them, that's important" ̸SELECTED DISCOGRAPHY https://www.discogs.com/artist/584256-Jane-Fitz?type=Credits&subtype=Production&filter_anv=0

After learning the ropes at Amsterdam’s legendary club 11, Job began his adventure at the renowned Innervisions label in Berlin. With all Job has achieved so far and a current heavy touring schedule, including appearances spanning from Burning Man to Panorama Bar, one can only wonder where he will go next.

̸BIOGRAPHY With her deep, hypnotic, percussion-driven techno, Dutch artist Julie carefully takes you on a trip through her ever-growing vinyl and digital record collection. Over the past 8 years, Julie has been shaping her own sound as a DJ, which can be described as deep, hypnotic, percussion-driven techno, mostly in the range of 130-137 BPM. Playing both on vinyl and CDJ, she has been showcasing her passion for underground electronic music. She spends a lot of time on her track selection, always on the hunt for unknown jams. She gets inspired by old and new music, without being caught up in the hype. Julie has made a name for herself as Draaimolen Festival resident, and played several successful (closing) sets at clubs like De School (Amsterdam), Tresor (Berlin) and BASSIANI (Tbilisi). She shared the bill with artists such as Donato Dozzy, Oscar Mulero, DVS1, Dasha Rush and Blawan (Live).

DJ, activist, and party-doer ketia is one of the most active upcoming DJs on the Lisbon scene. ketia has a newfound sense of belonging behind decks and feels very grounded in the underground happenings of lisbon a keen ear for new and exciting music, alongside a curious, invested approach to community-building within the Lisbon club scene; insists on mixing as many genres as possible with a promise of bangers only started as coat-check girl at queer rave mina where she debuted and rose to resident and tech bitch. Founder and co-organizer of trans-focused collective Kit Ket - a subversive crossover between a rave and a house party in a non-consistent sonic narrative. A crystal clear mission of bringing honesty to the table as a gateway to bliss on raving.

̸BIOGRAPHY DJ, and label boss of Animalia & Cirrus, currently based in Melbourne, Australia. Kia’s speedy rise to notoriety is no surprise. Although young, Kia plays with the confidence and experience expected of a DJ with many more years under their belt. With a keen ear for bass heavy rhythms, idm and the deeper shades of techno and trance, Kia glides through genres and emotions in exciting and often unexpected ways. Her talent for weaving musical narratives has been recognised by local and international labels, having already constructed revered mixes for Nous’klaer, Truants, c- and Patterns of Perception. Whilst the popularity of these mixes clearly proves her ear for telling stories with music, it’s her bubbly presence behind the booth that really makes her stand out. Kia is an open-eared music digger, searching tirelessly for lost obscurities to pair alongside modern finds and hidden gems by local artists. She wields together her intimate knowledge of local music and attuned ear, bringing it all to a masterful fruition in her record label, ‘Animalia’, with an ambient sub label ‘Cirrus’ recently launched. Beginning in 2019, Animalia is now home to a highly reputable powerhouse of releases, mixes and events which pave the way forward for the future of electronic dance music in Australia. Bringing underground and DIY sounds to the forefront, Kia encourages experimentation and nuance in every release. Bookings at Amsterdam Dance Event, Dekmantel, Sustain Release and Monument festival are a part of a growing list of impressive gigs Kia is being booked for. As she relocates to Europe in early 2023, with a number of exciting shows on the horizon and solo productions in the works, Kia is without a doubt one to keep tabs on.

̸BIOGRAPHY Conductress of Chaos Kiernan Laveaux is a nonbinary trans energy conduit & ecstatic beat conductor from the Great Lakes Originating as one of the driving forces behind In Training, a long running queer event series founded in Cleveland Ohio in 2014, she materialized through the rhythms of life & her loved ones that reflect the rustbelt environment she was birthed from. Inspired by her friends, the experimentalism and joy found within midwestern electronic music, and the forces that gifted her the name Kiernan Laveaux, she's since embarked on a lifelong journey of communicating through the motherbeat She now exists only to channel love and understanding to dancers of open mind and spirit everywhere Effort Won't Betray You

̸BIOGRAPHY Kitty Sarcasm is a music digger since her early years and a DJ by vocation. In her sets, she mixes various genres of electronic music. Starting with the deconstructed Southern American sounds, through Ghetto House, to UK Bass. In her mind, there are no boundaries in experimenting with tunes. She selects tracks over the rigid divisions and tests the limits of musical purists ;) In 2021, her mix was awarded and broadcasted on the British Radio Reprezent by the London-based Keep Hush community. Her selection was also appreciated by hosts from Polish radio stations RAM and Kapitał. Kitty Sarcasm has played gigs at clubs in major Polish cities. She is a co-host of LIBACJA - a series of events. Ex BITE Clique member.

̸BIOGRAPHY ᵔᴥᵔ resident DJ @ Psychotherapy Sessions / PTS in Bristol ˶′◡‵˶ radio host @ Rinse FM & Noods Radio ꒰・◡・๑꒱ one half of Avant Garbage ~_^ master eater @ rice bowl fan club

̸BIOGRAPHY Spearheading a percussive yet atmospheric sound, Konduku’s minimalist approach to hi-energy dance music has reached a singular space. Varying between half-time steppers, futuristic house music and lucid techno experiments, Konduku has assembled a raft of forward thinking club records. Majoring for the likes of Nous’klaer - a label he’s most commonly associated with - to releases with Delsin’s Mantis Series, DJ Nobu’s Bitta label, and his celebrated Parlama EP for Spazio Disponibile - Konduku delivers an undeniable sonic pattern of uptempo, liquid and polyrhythmic groove. Having relocated to Berlin, curious time signatures and rhythmic pulse remain a priority of his DJ sets, and the artist’s ability to stand out comes through an alluring ability to blend & layer sounds that conjure up otherworldy hypnotisms and radical new hybrids in the process. Taking in UK bass culture to his sound, turn-of-the-century tech house and mid-2000s Italian techno, it’s an obsession for drums - and a wider scope for what falls between - that gives Konduku a rare, outsider’s edge. A major musical talent full of artistic influence, Konduku’s sound and style not only inspires but lives long in the memory.

̸BIOGRAPHY Lonnie Holley was born on February 10, 1950 in Birmingham, Alabama. From the age of five, Holley worked various jobs: picking up trash at a drive-in movie theatre, washing dishes, and cooking. He lived in a whiskey house, on the state fairgrounds, and in several foster homes. His early life was chaotic and Holley was never afforded the pleasure of a real childhood. Since 1979, Holley has devoted his life to the practice of improvisational creativity. His art and music, born out of struggle, hardship, but perhaps more importantly, out of furious curiosity and biological necessity, has manifested itself in drawing, painting, sculpture, photography, performance, and sound. Holley’s sculptures are constructed from found materials in the oldest tradition of African American sculpture. Objects, already imbued with cultural and artistic metaphor, are combined into narrative sculptures that commemorate places, people, and events. His work is now in collections of major museums throughout the country, on permanent display in the United Nations, and been displayed in the White House Rose Garden. In January of 2014, Holley completed a one-month artist-in-residence with the Robert Rauschenberg Foundation in Captiva Island, Florida, site of the acclaimed artist’s studio. Holley did not start making and performing music in a studio nor does his creative process mirror that of the typical musician. His music and lyrics are improvised on the spot and morph and evolve with every event, concert, and recording. In Holley’s original art environment, he would construct and deconstruct his visual works, repurposing their elements for new pieces. This often led to the transfer of individual narratives into the new work creating a cumulative composite image that has depth and purpose beyond its original singular meaning. The layers of sound in Holley’s music, likewise, are the result of decades of evolving experimentation. Holley’s music caught the attention of Matt Arnett, whose father has been collecting Holley’s art since the 1980s. In 2006, Matt organized the first professional recordings of Holley’s music. In 2010, Arnett set up a performance by Holley at his home. One of the people in attendance was Lance Ledbetter, founder and owner of the record label Dust-to-Digital. Deeply moved by Holley’s keyboard playing and singing, Ledbetter signed Holley to his record label. Soon after, Holley found himself in the studio again, and in 2010 and 2011, more studio sessions ensued. The result was the album Just Before Music. More recordings continue to be made to celebrate and to document one of America’s most compelling musicians. In early 2014, Holley recorded again with Richard Swift, acclaimed musician and producer at his studio, National Freedom, in Cottage Grove, Oregon. In addition to the studio sessions, Holley began touring as a musician. In August and September of 2013, Holley toured the West Coast with Deerhunter. That tour was followed by a tour of the East Coast with Bill Callahan, and in November and December of 2013, Holley had his first tour through Western Europe (Spain, Portugal, Germany, Denmark, Belgium, The Netherlands, England, and France). Holley has been joined on stage or in the studio by a variety of musicians, including members of Deerhunter, Black Lips, The War on Drugs, Animal Collective, Dirty Projectors, Bon Iver, Julia Holter, Megafaun, as well as Ben Sollee, Steve Gunn, Jenny Hval, Marshall Ruffin, Daniel Lanois, Laraaji, Brian Blade, Alexis Taylor (Hot Chip), Bill Callahan, Dave Eggar, Laraaji, Kelly Pratt (Beirut/Arcade Fire/The Antlers), Sam Amidon, Aaron Embry (Elliot Smith/Edward Sharpe and the Magnetic Zeros) and others. In 2013, Holley’s first records were named to a number of Top Records of the Year lists, including The Washington Post (#4) and The Chicago Sun Times (#2). In 2014, Holley continued to tour, completing another tour of Europe (Belgium, Norway, England, Denmark, the Netherlands, and France) and a USA/Canada tour with Daniel Lanois. Also in 2014, the Metropolitan Museum of Art announced that they had acquired three sculptures by the acclaimed artist and musician, through the generosity of the Souls Grown Deep Foundation. Holley played a number of shows in 2015, touring Europe again to audiences in England, Germany, Switzerland, Belgium, France, and the Netherlands. That tour kicked off with a show at Queen Elizabeth Hall, as part of David Byrne’s Meltdown Festival. In addition to his European tour, Holley played shows at the Brooklyn Academy of Music, The Hammer Museum in LA, The American Folk Art Museum, St. James Hall in Vancouver, The Charleston Music Hall, among many others, but the majority of the year was not spent performing live. In 2015, Holley recorded music for the film Five Nights in Maine, which premiered at the Toronto International Film Festival and saw theatrical release in the summer of 2016. An exhibition of his visual art opened in the summer of 2015, titled Something To Take My Place: The Art of Lonnie Holley, at the Halsey Institute of Contemporary Art, accompanied by a monograph of the same name. In the winter of 2015/16, Supported By the Power: Lonnie Holley, an exhibition of Holley’s sculptures opened at Duke University’s John Hope Franklin Center. Lonnie Holley continues to make art, record music, and tour occasionally, either alone or with collaborators. The songs and the shows are never the same, as Holley never performs the same song twice. In the summer of 2016, he embarked on a tour throughout the Southeastern United States, this time with a full band of frequent collaborators that included Ben Sollee, Stevie Nistor, Kelly Pratt, and Marshall Ruffin. On the tour, the band visited artists, art sites, and museums, and held workshops for adults and children along the way. In late September, 2016, Holley’s music was sampled on the acclaimed third album (22, A Million) from Bon Iver. That same month, Holley was a featured visual artist at AfroPunk/Atlanta, where his found object sculptures were on display. In November of 2016, Holley embarked on his fourth European tour, playing a number of festivals and music venues, culminating in a sold-out, two-night residency at the acclaimed Café Oto in London. He returned to the States in time for the premiere of the short documentary about Holley, The Man is the Music, at Doc NYC in New York. Holley closed out 2016 with his final show of the year at Pioneer Works in Brooklyn, sharing the stage with Bon Iver. 2017 was also a busy year for the artist. In January, an exhibition of his art, Lonnie Holley: I Snuck Off the Slave Ship, opened at the Atlanta Contemporary Art Center. In May, an exhibition entitled Thumbs Up for the Mothership (a two-artist show with Dawn DeDeaux) premiered at MASS MoCA, coinciding with the opening of the new Building 6. His work was also featured in two exhibitions at the de Young Museum (The Fine Arts Museums of San Francisco) and had two solo exhibitions at James Fuentes Gallery, his New York gallery. Additionally, he made wood block prints with Paulson Fontaine Press, collaborated on three etchings and a zine with artist Chris Johanson, played a number of concerts, spent a lot of time in the recording studio preparing for the release of his third album, due out in the spring of 2018.

Lydo is an interdisciplinary artist based in New York City known for their party, X-TRA.SERVICES. Lydo is an interdisciplinary artist based in New York City. As a resident DJ of BASEMENT NY, their distinctive sets explode the parameters of techno, deftly cutting across genres while retaining a highly personal emotional resonance. Whenever Lydo plays, it’s best to leave your expectations at the door and simply prepare for an unexpected array of sonic thrills, ranging from visceral and grooving to mind-bendingly experimental. A key figure in their local scene, Lydo also runs X-TRA GEAR.SERVICES, crafting highly sought-after gear designed for practical ravers. X-TRA is also renowned for its legendary, sold-out underground parties before becoming a seasonal resident party at BASEMENT. A non-binary trans artist themselves, Lydo launched X-TRA.SERVICES to serve and create space for queer, trans, and nonbinary artists and communities of color. Lydo has played at Bassiani, Säule, Sustain-Release and Boiler Room, as well as many subterranean parties in Mexico City, Berlin, Copenhagen and New York. They have also made unforgettable mixes for publications including Crack Magazine and The Face.

Mama Snake first garnered attention as a DJ as part of Copenhagen's now-disbanded Apeiron Crew. She entered the techno scene with a fully formed sound: rattlesnake beats and emotional synths tied together by imperceptible mixing. Her watertight online mixes quickly earned her a following, and she's now busy balancing her life as a touring techno DJ with her job as a recently qualified surgeon.

Representing real drum and bass at it’s finest, Mantra’s deep and emotive sound in the mix comes from an intense passion for the music. With a selection that’s both inspirational as well as educational, her sets bring the beats into balance and cross the spectrum of dark and uplifting styles. Much more than just a DJ, Mantra has already made an impact across the drum and bass scene and looks set to keep rolling strong. Conscious of the history of the music she loves yet always looking to push things forward, she’s no newcomer and her involvement with drum and bass runs much deeper than just a hobby. Having worked for record distributers SRD as well as promoting her own regular club night, Rupture, she’s learnt from the ground up and built a solid foundation on which she continues to grow.

̸BIOGRAPHY Marginal Consort is a Japanese collective improvisational project formed by members of East Bionic Symphonia, an outfit assembled from students of Takehisa Kosugi’s workshop at Bigakko in 1975. Current members are former Taj-Mahal Traveller and guitarist Kazuo Imai, engineer Kei Shii, artist and Gap member Masami Tada, and musician Tomonao Koshikawa.

Crazed rhythms & sonic adventures. Mary Lake, an artist for whom expression and eclecticism is vital. With an international upbringing in Algeria, France and The Netherlands, she seeks a voice through her music, translating inner dynamics in both club and exploratory settings, towards a signature of frenetic yet inviting sets. As a club DJ, Mary serves unorthodox techno, electro and left-field electronics, while always and foremost persuading the crowd to dance. Starting her DJ career through London’s underground scene and NTS activities, she quickly became a familiar face in Amsterdam when returning in 2017, playing at events like Dekmantel and Lowlands festival. Mary has concurrently built up a strong international presence in cities such as Melbourne and Berlin, so be sure to catch her infectious energy anywhere near you soon.

̸BIOGRAPHY Mata Disk is a producer and DJ hailing from Rotterdam, the Netherlands. After saying goodbye to former aliases, Julian Determan aka Mata Disk found himself in a distinctive sound, which combines contemporary club music with ambient and atmospheric elements. A sound that celebrates the experimental and boundary-pushing aspects of music, which can be heard on his 2022 EP ‘Surrounder’ released on Nous’Klaer Audio.

Mor Elian is a Berlin based DJ and producer originating from Tel Aviv and Los Angeles. Label owner at "Fever Am", and booker at "Into The Woods" underground parties in Los Angeles.Mor Elian

̸BIOGRAPHY DJ from Rotterdam running Nous'klaer Audio.

Maya Bouldry-Morrison has been releasing music as Octo Octa since 2011.Octo Octa

known for her eclectic mix of styles, tempos, and sounds, ojoo, fka OJOO GYAL, has a knack for blending diverse elements into an engaging and infectious experience. born and raised in Morocco, and currently based in Brussels, ojoo has established a mean reputation for mapping a sound uniquely hers in meticulous DJ mixes since 2019 at venues across Morocco and Europe, radio shows on Noods and Movement, and mixtapes on Accidental Meetings and Chrome. ojoo’s mixes give equal attention to atmosphere and groove. They are a swirling cauldron of rhythms across a whole spectrum of genres, from old-school dancehall to its most futuristic and distorted mutations, twisting through dub, reggaeton, dembow, grime, and sometimes excursions into the noisy, grubby and sludgy, with illbient, musique concrète, and more. AMX004 - OJOO GYAL vs. FUMU CHMIX005 - OJOO GYAL - Untitled

̸BIOGRAPHY Athens-based French Artist, DJ and producer OKO DJ. Member of label BFDM and of close to the collective Bruits de la Passion. Founder of LYL Radio Paris. Radio broadcaster of women only's "PU$$Y NIGHTMARE" on LYL Radio Originally from Paris, and now based in Athens, Marine Tordjmann alias OKO DJ's implacable rise to prominence has seen her establish as one of the finest DJs and producers to pace the world's stages. Core element of Judaah's Lyon-via-Marseilles operated label BFDM, member of Bruits De La Passion - a crew promoting alternative, off-piste parties that aspire to create safe spaces for creation and recreation, initiator of LYL Radio's Parisian antenna where she hosts her bimestrial show Pu$$y Nightmare - focused on casting a broader, more comprehensive light on female artists, all of that agenda attracting her wider recognition on an international level. 2020 has seen OKO DJ make a noticed debut in solo production with a track on Metaphore's imprint compilation, followed by an acclaimed first 4 tracks experimental EP on Futur 2010, featuring "one of the coolest downtempo tracks of the year" (RA). OKO DJ aims at exploring connections rather than divisions, bridging gaps with spirituality rather than widening them. Dishing out distinctively rich, genre-busting tapestries that transcend all limitative roles, Tordjemann has the secret to channeling surrounding energies and forces in her art with unrestrained panache and authenticity. ̸SELECTED DISCOGRAPHY 2021 - OKO DJ "When Her Lust Had Returned" (Décalé Records) 2020 - OKO DJ "Dans Les Lunes" EP (Futur 2010) 2019 - OKO DJ "Through Scalar Waves" (Metaphore Industrie) 2019 - Women In The Royal Court EP (Red Bull Music Studios Paris) 2016 - Marine Tordjmann feat. GAM / colletivo vandalismo "Rider" (Eye For An Eye Recordings)

̸BIOGRAPHY New album Sen out on 29.09.23 dalmatadaniel.bandcamp.com/album/sen Olivia is one of Unsound’s resident DJs and one of the biggest movers on the Krakow club scene. She’s Dj, producer and who is part of We Are Radar collective, 1/2 Radiation 30376. Few DJs truly have a unique vision: a distinctive approach that draws on a myriad of interconnected styles to create a unified, otherworldly sound of its’ own. Olivia is one such DJ. Initially best known for being one of the key resident DJs at the acclaimed annual Unsound festival that takes place in her home city, Krakow, Olivia has developed a trademark style that couples razor-sharp technical skills with an eclectic but interconnected approach to the raw, weighty and mind-altering music she mixes. Depending on the venue, event and vibe, Olivia might race through angular acid, loose-limbed electro, futuristic Motor City techno, concrete-clad industrial music, surging EBM, twisted Italo, glacial cold wave and metallic new wave. This forward-thinking blend of 1980s-inspired styles and experimental dancefloor workouts has proved popular with peers and punters alike, leading to sets at such leading clubs and festivals as Berghain, De School, Tresor, Golden Pudel, Dekmantel and Nachtdigital. Olivia has also showcased her trademark style via acclaimed mixes for CRACK, The Ransom Note, Dekmantel, Cxema, Digital Tsunami and Inverted Audio, appearances on Boiler Room, and a regular radio show on fast-rising station Noods. The Polish DJ/producer’s achievements are impressive, but no less than she deserves for her hard work and dedication to the underground over the last 16 years. She first rose to prominence as one of the most active DJs on Krakow’s electronic music underground, featuring in a number of collectives and appearing in clubs all over Poland before becoming a leading member of her home city’s We Are Radar party collective. Olivia remains an active member of the Radar collective, which includes a mixture of artists, DJs, events organisers and live performers. She has extensive experience in booking and events too, where the depth of her musical knowledge once more comes to the fore. Today, Olivia has her hands in many projects, collectives and live performance projects. These include Radiation 30376 (a live show with Chino that debuted at Unsound 2019), Morskie Oko (a hybrid live/DJ project with Chino and Steffan Bennemann) and Chrono Bross, a collaborative initiative with Kinzo Chrome. Although she has her hands full as a DJ and live performer, Olivia has devoted increasing amounts of time to music production over the last few years. She released her debut cassette, Skawa – a perfect distillation of her inspirations and influences in five forthright tracks – via K-Hole Trax in 2018, while her music has also featured on compilations from Pointless Geometry and the Wire Magazine. In 2020 she released "Dancing Snake" ep at Pinkman label. On the same label in 2021 she released with Chino "Arka" ep as a Radiation 30376. 2022 was also full of new music out from her with "New Life" ep at Dom Trojga label and split records with Rapha at Dalmata Daniel. She says that new music is on the way; if her DJ sets and previous productions are anything to go by, it will be edgy, uncompromising, unexpected and undeniably unique. ̸SELECTED DISCOGRAPHY Olivia - Skawa (K-HOLE TRAX) Olivia - Dancing Snake (Pinkman) Olivia - Relief (Various - V​/​A Vol. 1/ Voyage Select) Radiation 30376 - Git (Various - House Of Troubles/ Syntetyk) Radiation 30376 - Bajkonur (Various - V​/​A Vol. 1/ Voyage Select) Olivia - Hope (Various - Domownicy Różnoracy Cz​.​2 ‎/ Dom Trojga) Olivia - Relief (Various - V​/​A Vol. 1/ Voyage Select) Olivia - Hey (Various - DDC02 : V/A / Dalmata Daniel) Radiation 30376 - Arka (Pinkman) Olivia - New Lige (Dom Trojga) Olivia - Protesters (Various - Compilation for Ukraine/ Dalmata Daniel) Olivia - split ep with Rapha (Dalmata Daniel) Wulkan - Lush Name (Olivia Remix)

̸BIOGRAPHY Olof Dreijer is a music producer, DJ and musician and a member of the Swedish electronic pop group, The Knife. Olof has been involved in different cultural projects where music plays a central role in communicating political beliefs. His solo project, Oni Ayhun, plays with stereotypical ideas and norms about gender in dance and experimental music. Starting djing around 98' at local school parties, he ran his first club in high school and has been djing since. He started out playing Disco, House, Garage, and Drum n' bass playing more Hip Hop and R&B in the early 2000's. Following this was a long period of playing harder Techno and House, including EBM and Shranz. The last decade has seen him playing mostly throughout Europe when he's not too busy producing music in his Berlin studio. Currently, as a DJ, Olof plays a mix of West African pop music, Kuduro, Acid, Hip Hop, R&B, and melodic Techno and House. He enjoys making fun edits and remixes to play in his sets. He recently remixed the Swedish Batucada group, Yacombe. You can hear it in the opening of his Rinse FM mix. He’s currently producing music for friends like Planningtorock, Zhala, and Houwaida Hedfi aka Hiya wal Âalam- a band in which he also plays the flute & percussion.

̸BIOGRAPHY Peachlyfe (Endurance, Fast Forward) Peachlyfe (they/them) is a hydra-sonic electronic musician that shook & seduced the Copenhagen fast-paced techno scene, claiming their seat along with the Fast Forward Agency. Peachlyfe’s productions and live-sets rebelliously weave across genres, trippy melodies cut with heavy slaps while slithering whispers in your ear sowing the dismantlement of the ‘cistem’. Their previous EP “All Tits are Real, All Money is Fake, All Hail Satan” is an ode to that anarchic-playfulness, a marvellous feat in blending rave-rush joy and queer defiance. ̸SELECTED DISCOGRAPHY Swamplyfe (Lobster Theremin 2021) All Tits are Real, All Money is Fake, All Hail Satan EP (Copenhagen Comfort 2020)

̸BIOGRAPHY O)))

̸BIOGRAPHY French electronic music producer based in Berlin, Germany. Quelza (real name Léo Naït Aïssa), was born at the end of the 90s in the Parisian suburbs. Lulled in the arts since his childhood, his connection with music is made at an early age. But it's in 2013 that he made his first encounter with the Parisian electronic scene which inspired him to start producing his own tracks. Over the years, Quelza has made a name for himself in the scene, earning the respect of renowned artists, such as Oscar Mulero, DVS1, Marcel Dettmann, Ancient Methods, Efdemin or Tommy Four Seven to name a few, and committing to in-depth projects and releases. Quelza is assiduous when it comes to his music - his releases on labels like Mord Records, Palinoia, 47, Hayes Collective and others, push an unorthodox crystal clarity and cinematic sound design that has become his signature as an artist - which, combined with his unique DJ sets, has earned him a spot at some of the most prestigious clubs in Berlin (where he is currently based) and abroad, such as: Berghain, Tresor, Fabric London, Reaktor, KHIDI and several more. Quelza, counts as one of the most satisfyingly mature young guns to emerge out the new wave of techno artists that’s been unfurling in recent times, with an exquisitely panoramic view into his mental multiverse. Championing layered techno wares laced with a breaksy, IDM-informed touch that packs a punch, the Frenchman keeps on carving out a truly distinctive, shape-shifting signature, switching scopes and angles as he ups the rhythmic pressure with every next sequence.

̸BIOGRAPHY Berlin based multidisciplinary artist, DJ and co-founder of the Egyptian label irsh. Rama is a multidisciplinary artist and DJ based in Berlin. With the aim of creating a space and platform for artists from Cairo's experimental electronic music scene, she co-founded the independent music platform called irsh in 2019. What started as a homemade video series featuring Live and DJ sets quickly evolved into a label. As a DJ, Rama swiftly made a name for herself in Cairo's electronic and dance scene by performing at underground parties such as VENT, JellyZone and MOSHTRQ. She is recognized for her ability to draw from a diverse range of sounds without being constrained by genres, making it easy for her to play to the room; whether it’s heavy bass and high energy bangers or groovy beats and hiphop. Her method of mixing is more akin to live mashups than regular blends. On her monthly show on Noods Radio, Rama delves into different sounds, showcasing a wider palette in a space that allows her to play music that may not always be suited for the club. Every two months, she also hosts guest mixes from some of her favorites artists; ZULI, ABADIR, Nadah El Shazly, Sineraw and JENN.

̸BIOGRAPHY Karl O'Connor is most certainly Regis and it is also highly probable that he propagates other pseudonyms . This has only added to the greater mythology surrounding the influential Downwards label that he has run with fellow art terrorist Peter Sutton.. Karl O'Connor is most certainly Regis and it is also highly probable that he propagates other pseudonyms . This has only added to the greater mythology surrounding the influential Downwards label that he has run with fellow art terrorist Peter Sutton ( Female ) since 1993. Unconventional and single-minded to say the least ( what label can boast a back catalogue free of the industry standard cash cow remix ) by decentralising the focus on the dj/producer personality, he remains one of the more highly regarded creative forces within the British techno/electronic scene. Degenerate art indeed.

̸BIOGRAPHY Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. The Welsh-Greek artist cut his teeth as one half of Cassegrain and has been finding new paths for his mutant sound ever since, releasing on Fever AM, the imprint he set up with Mor Elian in 2017, as well as labels like Avian and Modeselektor’s SSPB. In the studio or behind the decks, he brilliantly fuses different strains of ultra-modern techno and broken beat: eyes-down minimal lights up with modular sass, choppy kicks flirt with rolling grooves, and sharp sound design slices through earthy subs. It’s the kind of amphibious sound that can slip into otherworldly spaces while never truly leaving the dance floor. Rhyw turned heads with the heavyweight two-tracker ‘Biggest Bully’ in 2019, earning himself sets at Berghain, Berlin Atonal, Boiler Room Tokyo and Freerotation amongst others. Online and on-air, he’s guested on Hessle Audio’s Rinse FM show and Mixmag’s ‘In Session’ mix series, and contributed podcasts to Crack and FACT. Even when they leave the gate at full pelt, these sets showcase Rhyw’s subtle sense of intricacy, balancing airy atmospheres against tougher tackle. But whatever the energy level, there’s always an alien presence in Rhyw’s sound—a shapeshifter whose twin motives are to bewitch and disorientate the listener.

̸BIOGRAPHY A Bermudian artist working in New York Pronouns: They/Them Russell Ellington Langston Butler is a Black artist from Bermuda, living and working in New York City. Russell has painstakingly cultivated a unique artistic expression that integrates and investigates themes around process, technological innovation, the archive, and decolonization. Their works have taken the form of vinyl records, digital audio releases, live A/V performances, and special archiving projects. Russell’s work has been featured in publications like the New Yorker, Resident Advisor, the East Bay Express, New York Dance Music zine Love Injection, and Bermuda’s national paper, The Royal Gazette. Their dynamic performances have helped them keep a busy tour scheduled, traveling as far and wide as Ukraine, France, Portugal, and the Netherlands to name a few. Through their work with modular synthesizers, Russell has been awarded grants and positions as a featured artist. In 2016, Russell began working with the Synthesizer Library in Portland, Oregon as an artist in residence. There they recorded, performed and held workshops for students. As an extension of this work, Russell’s expertise as an electronic musician was documented in the book Patch & Tweak by Kim Bjørn. This is an educational book about the development and implementation of modular synthesizers. In it Russell shares the intersections of their experiences as a Black, Queer, Trans immigrant in America and how that has informed their process as a musician. In 2019, Russell was awarded the Traveling Scholars Fellowship from the School of the Museum of Fine Arts to continue their work with modular synthesizers at the Synthesizer Library’s Prague, Czech Republic location. They would utilize this time to create over 30 compositions, some of which have been featured on NYC label Mr. Saturday Night and pioneering Berlin techno outfit, Tresor. Most recently, in 2021, Russell has worked as a featured artist, digitally archiving records from the collection of House Music pioneer, Frankie Knuckles, as part an installation created by Theaster Gates in a group show curated by renowned writer and curator, Antwan Sargent, titled “Social Works”. They have also featured on a digital and vinyl compilation celebrating the 30th anniversary of pioneering Techno organization, Tresor. Russell also works professionally as a recording, mix, and mastering engineer, an educator, and a consultant for special audio projects and films. Russell loves to spend their time reading, connecting with friends and family, researching the latest in music technology, and cuddling with their cat SKRRT. ̸SELECTED DISCOGRAPHY God Is Change - Opal Tapes - 2015 The First Step - Black Opal - 2016 The Home I’d Build for Myself and All of My Friends - Left Hand Path - 2018 Constructions Vol 2 - Self Release - 2020 Blah Blah - Mr Saturday Night - 2020 Emotional Bangers Only Vol 1 and 2 - Self Release - 2020

̸BIOGRAPHY ̸SELECTED DISCOGRAPHY discography: Sandwell District SC 01 Regis & Ian J. Richardson - Untergang SC 02 Vandross - Hurt Me I'm Waiting SD 03 Female - Serverlan SD 04 Female - Avon / Cally Remixes SD 05 Silent Servant - The Silent Morning SD 06 CH-Signal Laboratories (8003 Lucerne) Hypnotica Scale SD 07 Function - Isolation SD 08 Kalon - Born Against SD 09 Silent Servant - The Blood of Our King SD 10 Function - Anticipation SD 11 Silent Servant - Violencia (Function and Kalon Mixes) SD 12 N/A - Various Artists

̸BIOGRAPHY "Grinding electronics/noise and speaker ripping techno."

̸BIOGRAPHY No time has been wasted in the wake of Sandwell District’s 2011 demise. Along with Regis and James Ruskin, Silent Servant founded the Jealous God label. In it’s short existence, they have already cut-up and reinterpreted many of the conventions of the.. No time has been wasted in the wake of Sandwell District’s 2011 demise. Along with Regis and James Ruskin, Silent Servant founded the Jealous God label. In it’s short existence, they have already cut-up and reinterpreted many of the conventions of the techno world, forging a unique identity in the process. With it’s highly conceptual aesthetic and relentless dedication to experiment, Jealous God is a flag-bearer for the contemporary electronic avant-garde and a loyal ally to all mutant experimentalists. While insincerity remains the safety of many, Silent Servant’s own productions are brutally honest and resolute, rendering irrelevant those mongering for light. Deeply pensive and forward thinking, his sound is marked by a distinct blend of the disparate and divergent. An appreciation of warehouse techno, industrial noise and post-punk are evident, yet challenged and reworked to form a uniquely modern style - a vitality so controlled and concentrated that it captivates immediately. His live sets are another matter of inventiveness. The superfluous eliminated, Silent Servant has, for years, been rewiring the minds and moving the bodies of those seeking the most meaningful and potent energies that electronic music has to offer. Having developed a special kind of discipline, Silent Servant will no doubt continue to drive forward, bringing the truly adventurous with him. His criterion of action is freedom of movement, timelessness of expression, freedom for transgression; holding truth at most high. To that end, there is no compromise. ̸SELECTED DISCOGRAPHY LP Negative Fascination // Hospital Productions // 2012 12" The Silent Morning // Sandwell District // 2006 Lo Profundo // Historia y Violencia // 2008 Violencia // Sandwell District // 2008 The Blood Of Our King // Sandwell District // 2008 La Noche // Historia y Violencia // 2009 Negative Fascinations // Sandwell District // 2009 El Mar // Semantica Records // 2010 Hypnosis In The Modern Age // Sandwell District // 2011 Negative Fascination (Extended 12" Mixes) // Hospital Productions // 2012 Silent Servant // Mi Alma // Historia y Violencia // 2012 SS* / S* - Sicario De Dios // Jealous God // 2013 Lucy & Silent Servant - History Survivors // Mote-Evolver // 2013 Lust Abandon // Jealous God // 2013 Silent Servant / Broken English Club - Violence And Divinity // Cititrax // 2014 Silent Servant // Mechanics of Emotion // The Corner // 2014 51717 & Silent Servant - Jealous God 06 // Jealous God // 2015 Remixs H&V // Raíz // Silent Servant (Ciencia Ficción Edición) Prologue 15 // Claudio PRC // Clear Depths // Silent Servant Remix Kontra musik // Mikora // Silent Servant Remix Ibandan 100 // Function vs. Jerome Sydenham // White Light // Silent Servant Remix Ostgut Ton // Planetary Assault Systems // Bell Blocker (Silent Servant Remix) Warp Records // Battles – Dross Glop 3 // Inchworm (Silent Servant Remix) Cititrax // The KVB //Pray To The Light Machine (Silent Servant Version) Epm Music // Greg Gow & Gareth Whitehead // Vacant (Silent Servant Remix) Frozen Border // Mary Velo // Manhattan Project (Silent Servant Mix) Puscifer Entertainment // Puscifer // Balls To The Wall (Silent Servant Mix) Dement3d Records // Polar Inertia // Major Axis (Silent Servant Remix) Felte // ERAAS // Briar Path (Silent Servant Interpretation) Asma // Birds (Silent Servant Remix) // M_REC LTD Dais Records // Youth Code // Let The Sky Burn (Silent Servant Remix) Diagonal // Streetwalker // Ooze (Silent Servant Remix) Lust For Youth // International (Silent Servant Remix) // Sacred Bones Records Pole Recordings // Exium // The 12th Planet (Silent Servant Remix) Mute // Liars // Mess On A Mission (Silent Servant Remix) Mecanica // Soft Metals // Tell Me (Silent Servant Edit) Phantasy Sound // Daniel Avery // Spring 27 (Silent Servant Remix) Sacred Bones Records // John Carpenter // Vortex (Silent Servant Remix) Eye Teeth // Israel Vines // WWKD (Silent Servant Remix) aufnahme + wiedergabe // Phase Fatale // Grain (Silent Servant Remix) Spectral Sound // Matrixxman // The Caravan (Silent Servant Remix) Dark Entries // Psychic TV // Alien Be-In (Silent Servant Remix) Booking Information daniela@triangleagency.com

Sonny Moore, better known as electronic visionary Skrillex is part of a new generation of artists that refuse to be restricted by preconceived notions or outside expectations. After the successful independent releaseof “SCARY MONSTERS AND NICE SPRITES”, it became Skrillex's first release on Big Beat Records. Following its release on Beatport, the 9-song EP dominated the charts on the site, with the title track claiming the site’s #1 slot (the first time a dubstep track has ever done so). Aside from the immediate success of “SCARY MONSTERS AND NICE SPRITES,” Skrillex has also made a name for himself as a highly sought-after remixer. He’s already produced officially commissioned remixes for such A-list artists as the Black Eyed Peas (“Rock That Body”), Lady Gaga (“Bad Romance” and “Alejandro”), and La Roux (“In For The Kill”). Skrillex stands not only at the vanguard of electronic dance music, but the perpetually evolving new music industry as a whole.

̸BIOGRAPHY Jazz Brown aka Softi, is an Luton born, Derry raised electronic DJ & Producer, now based in SE London. Known for her experimental genre bending, tempo changing sets, she has gained her self recognition amongst the UK underground scene with resident shows on Rinse Fm, Balamii and Kindred. Mind behind Cozi, a forward thinking party, radio show and community pushing sounds that stimulate the senses, focusing on positive mental health in underground music and clubs”

̸BIOGRAPHY Vinyl-only dance sets Bottle Service @ Black Flamingo Club Moment @ The Lot Radio MICROWAVE 4 ONE @ Soho Radio... SPRKLBB is a vinyl-only DJ based in Brooklyn. He currently hosts Bottle Service at Brooklyn's Black Flamingo, Club Moment on NYCs The Lot Radio, and an experimental monthly "MICROWAVE 4 ONE" on London's Soho Radio. He was the founding resident and programmer for the Ostbahnhof parties in New York and Los Angeles, and has held numerous residencies in Brooklyn at spots like Bossa Nova Civic Club, High+Tight NYC, and The Gateway. A mentee of NYC house duo The Carry Nation, SPRKLBB collaborates with a network of seasoned nightlife veterans to produce events that are campy yet serious, showcasing top names in underground dance music as well as fresh faces in queer nightlife. Currently producing flyers and visuals in collaboration with artist Xander Gaines.

Snake charmer born and located in Thailand with Indian and Japanese roots. Co-founder of Siamese Twins record label focusing on psychedelic sounds rooted in Asia. Co-runs the Karma Klique collective known for raves at obscure locations. As a producer, he released on imprints such as 禁 JIN, Ute and Siamese Twins under his own name, Mogambo and Khun Fluff aliases. As well as periodic ambient albums on his own Extans Mantra imprint. Which led to sought-after collaborations with Full Circle, Yu Su, S.O.N.S, Marc Pinol, and Benedikt Frey. A household name across the region for over a decade playing spaced-out music in forests, warehouses, and castles.

̸BIOGRAPHY TAAHLIAH is an artist, performer and DJ based in Glasgow, Scotland and London, England. TAAHLIAH is a DJ & Producer from Glasgow. After making her name in the underground queer club scenes of Berlin & Glasgow as a DJ and remixer, she took stage as a producer in 2021 when she started releasing on London label untitled (recs). 
 Her debut-EP "Angelica" (out May 28th) brings together TAAHLIAH's expansive production skills and range of influences, moving effortlessly between squeaky-clean hyperpop textures (Brave, Freefalling) and the jacking hard- dance sounds (FMH, Bourgeoisie, Transdimensional) which defined her much lauded Boiler Room debut earlier this year. 
 Throughout Angelica, the producer details a range of autobiographical experiences that have come to shape her as a person and an artist: from coming to terms with being trans (Brave), to coming from a working class background (Bourgeoisie); from breaking up (Tears) to falling in love (Freefalling). Always, as TAAHLIAH seeks to represent and bring visibility to her community, she invariably ends up conveying universal messages of power, acceptance, bravery and euphoric fun. 
 TAAHLIAH has placed herself at the centre of a new generation of electronic producers revitalising both Dance & Pop music. She has shared stages with SOPHIE, LSDXOXO, 100 Gecs, A.G Cook & Eris Drew amongst others. 
 She is the first black trans artist to be nominated at the Scottish Alternative Music Awards, and the first artist to ever be nominated and win in two categories in the same year.

̸BIOGRAPHY Verraco is a DJ and producer from Medellín, Colombia. Co–runs TraTraTrax + Insurgentes. In the daring sonic fiction of JP López, the Medellín artist collides in his productions and DJ sets Latin-influenced tribal techno, hyper-Electronica, carefully crafted IDM and cutting-edge perreo-bass technology with both intensity and precision. Verraco is also one of the heads behind the groundbreaking TraTraTrax and Insurgentes, labels that have become key platforms for Latinx sound explorers in recent years. In 2020 he released his debut album, 'Grial’, which was described as "Colombian electronica of the highest order" and "a cue from the well-known legends of this style, but makes it his own with subtle details and an outsider mentality." He has collaborated with the Berlin institution Tresor and has presented his dynamic performances in Mutek, Dekmantel, Draaimolen, Sónar, Berghain, De School, among others. ̸SELECTED DISCOGRAPHY Verraco – Grial – [Insurgentes 2020] https://insurgentes-co.bandcamp.com/album/grial Verraco – Grial Remixes – [Insurgentes 2020] https://insurgentes-co.bandcamp.com/album/grial-remixes V/A – T30 – [Tresor 2021] https://tresorberlin.bandcamp.com/album/tresor-30

Acid fiend, Techno heathen. Occasional rap producer. It's All Your Fault.

̸BIOGRAPHY Yant has a reputation for combining alluring grooves, hypnosis-inducing sounds and rich powerful beats Manchester-based Yant has a reputation for his meticulously designed productions and dark, groovy, powerful DJ sets. Signing records to Setaoc Mass’s SK_Eleven X, Token Records, and originally BLACKAXON the producer has a solid backing of Techno’s most important figures. Keeping things fresh and moving forward his productions deliver alluring grooves, hypnosis-inducing sounds and rich powerful beats. Each track has distinct personalities and psychoacoustic details to build worlds of their own, always ready to take you to the next place. Berghain, ∄ K-41, Fold and The White Hotel, are just a few of the clubs which have experienced his ability to grip the dancefloor. Full of energy, pushing it to the limits, he rides on the verge of things falling apart, almost close to apocalyptic, but saving you with a surprise up his sleeve. With an open minded passion for music and diverse collection, setting the tone at the start of the night using interesting atmospheres is something he appreciates and makes it his mission to subtly drift with you into the full speed of the night. Whether it’s at the beginning or end of the night, one thing’s for sure, you’re in for a ride. BOOKING: yantbookings@gmail.com ̸SELECTED DISCOGRAPHY Yant - Contravention EP [SK11X006] Yant - Hydro EP [BAXN005] (2020) Yant - Night Shift EP [SK11X001] (2019) Yant - Cosmic Borders EP [BAXN003] (2018)

̸BIOGRAPHY Ziúr is an experimental producer/musician and a fixture in Berlin's rich musical topography. Ziúr is an experimental producer/musician and a fixture in Berlin's rich musical topography. It seems as though she produces her releases in the way someone scoring a television series does, gathering and arranging their selections for each episode … isolating and apprehending definitive scenes and memorializing their ethos in song. Soundtracks, much like her release “Antifate”, guide the listener through radically different emotional states, yet somehow still offer an idea of what underpins a show's (or in this case an album's) particular hues. Ziúr produces music within such a scope, expansive, rich and diverse in texture. The sounds are simultaneously machinistic and deeply anthropomorphic, toying with mechanical isolation and the chaotic spectrum of human emotion. Unlike a soundtrack or score, there is no film to which one can turn to narrativize the music … there is only evocative sounds reaching from each song towards the cybernetic sublime. ̸SELECTED DISCOGRAPHY Blur - EP 2021 (Now Now) Antifate - Album 2021 (Pan) Now Now - EP 2021 (Now Now) Are We? - EP 2020 (Self Released) ATØ - Album 2019 (Planet Mu) Isn't No Place And All Places The Same Place - Mixtape 2019 (Self Released) U Feel Anything? - Album 2017 (Planet Mu) Deeform - EP 2016 (Objects Limited) Taiga - EP 2016 (Infinite Machine)