Derrick Carter plays parties, makes music, dances, sings, and really, really likes shoes.Derrick Carter

DJ Holographic is a one-woman funk machine born and raised on Detroit Music. Her mission is to serve a mix of musical cuisine that contains consuming house beats, passionate R&B with Hip Hop, unreserved disco, true Detroit Techno, and Motown. Join her as she concocts her next rhythmic dish. Surrounded by members of the Detroit DJ community such as Underground Resistance, Detroit Techno Militia, Rocksteady Disco, DJ Minx, KDJ Records, and DJ Minx, she was inspired and her curiosity got the better of her. She has appeared in the underground scene around Detroit at places such as Grenadier Club, Tangent Gallery, Grasshopper Underground, The Whiskey Parlor, Marble Bar, TV Lounge, The Works, Temple Bar, and more. She has played at festivals such as Movement, Charivari, San Francisco Pride, Red Bull Music Academy in New York, and opened for Black Madonna’s We Still Believe Tour in LA..

Raised in Southern California with the now notoriously known motley crew called Desert Hearts, Marbs, an artistic kid, was primarily influenced by legends like Pink Floyd and Tool, while also listening to underground hip hop, reggae, and rock, displaying his no holds barred love for all genres from an early age. Flash forward to San Francisco's Love Fest, art cars roaming the city, house music spilling from speakers, and Marbs’ musical tastes were forever changed thanks to ruler of the house music game and party guru, Lee Burridge. After years of djing the San Diego, LA, and Burning Man party circuits, the Desert Hearts crew took it upon themselves to throw their own kind of party. One built on love, acceptance, and strictly, House and Techno, their 2012 one time gathering of 200 people in the Mojave has turned into one of the most talked about and adored boutique festivals in the US....

Washington D.C.-based producer and DJ specializing in melodic deep & progressive house and hypnotic tech house & techno. Enamour has become a definitive name of the dance floor, creating masterful soundscapes with no boundary of range: his productions infuse dreamy melodies of deep house, the potent power of progressive house and the smoldering, alluring momentum of dark techno. Enamour is Michael Gold, who was raised near Washington DC -- home to institutions of electronic music like Flash and U Street Music Hall as well as legendary acts like Sharam and Dubfire -- a city invariably considered a hidden heart of the genre in the United States. Long before he could enter a club, Gold found an early interest in music with the piano. A few years later, his fascination continued with guitar, then jazz, indie and later dance -- his passion for music unchanging, despite his evolving taste. His musical intrigue did not go unnoticed, especially as he began DJing open format around DC. Self-taught and curious, an interest in learning how to edit songs together for friends took him down a rabbit hole experimenting with Reason and Ableton and soon, Enamour was born. Enamour’s music has never been pigeonholed in any one genre -- with each new exploration as technical as the next -- a reflection of his eclectic musical upbringing and his foundation in music theory combined with the prowess of a seasoned producer. As a result his production touch is as intricate as it is effective and emotive, proven by his consistent ability to produce tracks that are equally enjoyed as listening experiences at home as they are pouring loudly through a club’s sound system. With each and every one of his releases, he’s continually made fans out of esteemed curators like Pete Tong and Danny Howard as well as leaders like Sasha, Guy J, and Mark Knight. He’s also made his mark as a coveted remixer, reworking the likes of Lane 8, Above & Beyond, Hayden James and Cassian, to name a few. Some of the most renowned institutions of dance music were quick to back those stamps of approval, with Mixmag inducting him into their hand-selected Magnified team of artists on the rise and DJ Mag crowning him “one to watch.” Undeniably, Enamour has become a global presence while also doing his hometown proud as an outstanding mainstay on the legendary Yoshitoshi label, which also calls Washington DC home. Beyond, he’s also released on several of the genre’s most exciting labels including Last Night on Earth, Anjunadeep, Future Classic, Kindisch, Lane 8’s This Never Happened, Rufus Du Sol’s Rose Avenue, Desert Hearts Black, mau5trap and more. Enamour has toured across India, Argentina and North America, playing at Burning Man as well as esteemed venues like The Brooklyn Mirage, Miami’s Treehouse, The Bow in Buenos Aires, Los Angeles’ Sound Nightclub and Washington DC’s own Flash and Echostage. Today, Enamour’s world is limitless. His ability to effortlessly weave and maneuver across the vibrant spectrum of electronic music both in his original productions and dynamic sets has captivated enthusiastic dance floor movers -- enamoured them, if you will -- from all around the world. No boundaries ahead and with plenty of new releases incoming, Enamour only has further and farther to go from here.

Lee has been a Dj for more than three decades. He kind of likes it.Lee Burridge

Over the last ten years, Mark Farina has built himself up to become one of the most sought-after DJs in dance music today. Though he is mostly recognized for his deep-house DJ prowess, it is Farina’ wide-ranging musical knowledge that helped shape the Mushroom Jazz series, a continuously mixed collection of down-tempo, dance-floor jazz for the turntablist generation. A mix-tape made over eight years ago was the project’ original seed – a similarly-styled tape of jazz tunes that articulated a mellower counterpart to the up-tempo “Acid Jazz” movement of the day.,Farina’ “Mushroom Jazz” sound subsequently became popular through a long-running San Francisco club called Jazid Up, then through various Mushroom Jazz clubs thrown domestically and abroad.,Farina began his DJing career at the age of 15, inspired by the strong house and dance music scene pulsating in Chicago’ underground. Along with long time friend and DJ partner, Derrick Carter, Farina cut his teeth on the college radio airwaves of Northwestern University’ WNUR every Friday night for 2 years. Farina has released one album, Mood.,(Nettwerk UK Records, under the name Symbols and Instruments), and several other mix projects including Seasons (Domestic Records), United DJs of America (DMC) and Imperial Dub’ compilation (Imperial Dub) in addition to the Mushroom Jazz series and his mix on OM Records’ “San Francisco Sessions’” debut.

Miss Monique is possibly the most recognised female Progressive House DJ’s in Europe. Gradually rising to prominence, she is beginning to create waves on the international circuit too. Miss Monique is possibly the most recognised female Progressive House DJ’s in Europe. Gradually rising to prominence, she is beginning to create waves on the international circuit too. Recent years have seen Miss Monique make her debut in Ibiza, as well as hundreds of shows across the globe; from Hungary to Belarus, to Czech Republic and even India. Her eclectic mix of trance, progressive house and techno, give Miss Monique a versatility that is suited to intimate venues and festival headline slots, alike. Since entering the studio, she has begun collaborating with some of the world’s most important DJs; her biggest and most recognisable hit, ‘No Fear’ was championed by the likes of Armin van Buuren, Paul van Dyk, Paul Oakenfold, Gareth Emery, and many more. Her live sets on YouTube have garnered thousands of hits, with her most popular set at Radio Intense boasting 6 million views. With her acclaimed Podcast, Mind Games, fans are treated to a fresh DJ set every month.

Boivian Producer based in Los Angeles, California. Agustin Morales was one of the first undergound electronic music producers in Bolivia to release his own productions internationaly, giving him the opportunity to be direct support for several major acts and festivals in Bolivia at the short age of 16. After becoming one of the two most influencial underground producers in the country, Morpei decided to step out of his comfort zone and moved to the U.S. when he turned 18. Today Morpei has established himself as a respected name within the music industry, giving him the oportunity to embark on his first international tour, where he healined 13 out of 15 shows in 6 different countries including; The United States, Bolivia, Chile, Argentina, Dominican Republic and Brazil. The tour was an overall success, boasting outstanding attendance rates resulting in a sold out venue in almost every city including his California debut in Santa Barbara with a crowd of 5000 people. On top of his carrier as a musician, Morpei is also the founder and face of the brand Buriloop, the first Boilivian electronic music concert series to make it out of the country and the only brand in the world to be affiliated to Data Transmission (UK) and House Mag (BRA). Buriloop already executed events in the US and Bolivia gathering oustanding attendances of around 800 people per event.

Production duo from Leeds, UK.

Red Axes is a project created by Tel- Aviv Based producers & DJs Dori Sadovnik & Niv Arzi.Red Axes

Rinzen showcases the confidence of a seasoned techno maven. Rinzen builds a melange of techno, progressive, and house influences into something entirely his own. Despite being in the infancy of the project, US producer Rinzen is already staking a claim for one of the most exciting new artists to come out of the West Coast. Rinzen's debut EP 'Forbidden City' is a sonic exploration of human depth.

Before today there was yesterday and after tomorrow is the future. Elyte and Cnyce's paths were crossed for all time when a Sun Ra light beam sent from Saturn collided with the P-Funk Mothership and sent them tumbling to earth. Now, Soul Clap time trav..Soul Clap

How does one begin to write about Tiga? Where to even start on a long road marked with notable checkpoints? What can be told that can’t be tallied in raw statis...tics (which he’s a total stickler for), or an unfurled parchment scroll of places gone and plaudits won? The duality of a life split between aspirational popstar and touring deejay falls short: by this point in time he’s lived dozens of lives, let alone a mere two. Frankly the only claim that doesn’t wash is that of being in a legacy mode – because that, to him, denotes the cardinal sin of coasting. And that just won’t do. The core engine pushing Tiga forward is ambition. It’s there, everywhere: at the dials in any given club in any given city in any given country on any given weekend; burning the midnight oil in the Research & Development wing of his career control centre, crisp shirt sleeves rolled, assessing and strategising over his next move; with his feet up on the gleaming glass desk in the penthouse office of Turbo Towers, gold plaques of decade-dominating dancefloor delights flanking him – it’s there. Self-aware, well-moderated, yet totally unrepentant ambition. Plus a bit of wit, too. To be insulated from any real backlash over a quarter-century in the game and across many different hats worn, a touch of humility and humour certainly helps it all go down easy. His goal is to dunk on people with success, but do so in a friendly way, soaring overhead with the sly wink of chutzpah (but never the nudge-nudge of solipsistic irony for irony’s sakes). To maintain pole position while swerving between all these lanes with impunity, he taps into a well-spring of regenerating desire. From the getgo Tiga has sought to not merely play a part in the culture he abandoned all life commitments for age 17, but frequently scale its heights too: Attending Berlin’s Love Parade circa ’92-95, then hearing DJ Hell drop “Sunglasses At Night” to the masses not too many years later. Giving a speech at his Montreal alma mater, then converting some of the impressionable graduates in the audience to come work at Turbo. Starting an independent label on a whim, then reaching 200 releases in a stormy industry with a higher turnover rate than Real Madrid managers. Getting hooked first on the fearless compulsion of Bowie, Reznor and Almond, then the frigid cool of Mills, Hawtin and D. James, then threading the needle consummately between these two worlds. These highwatermarks form the backbone of his pride, and in turn, fuel the self-perpetuating motion machine inside. There’s always extra room in the cockpit, mind. An army of collaborators, remixers and remixees have provided vital thrust over the years. From Alter Ego and Azari & III through Duke Dumont and Depeche Mode; from Matthew Dear and Moby, through Zombie Nation and Zdar, Phillipe; Paranoid London, Pusha T, Pet Shop Boys and Peaches.…on and on it goes. Read between the lines and you’ll get a measure of the man. Teamwork affords stimulus, shuts down ego, and juices something he can’t get to alone. At heart, it brings out the best in Tiga. So it’ll prove in 2018, where the fingers of his well-combed Rolodex currently rest on entries marked Kolsch, The Martinez Brothers, and Hudson Mohawke. The fruits of this friendly jousting with find their way out of track ID requests and into the shops before long (perhaps even by the moment you read this – hope you’re enjoying the future and remembered to short your cryptocurrency in time). It would be a lot easier to rest on his laurels by this point, really. To trade on former glories, reflect fondly on a career spent dovetailing in and out of the spotlight with likeminded friends, turning in a jaded, half-assed representation of himself at festivals and recording sessions when the taxman comes knocking. But Tiga is still too confident, self-respecting, and – how did you guess? – ambi-tious for that. The challenge he seeks is to keep experiencing the frisson of creative alchemy, to lock into a groove where he is truly in the zone, to dig deep and reproduce a fresh take on that first-love feeling of music: something that connects with young ravers and inspires the same spark he felt all those years ago. That’s the spur, the lifeblood, the DNA. And that’s why Tiga remains an ever-present light in our little corner of the universe. See more

A relative newcomer, Tini Gessler has risen through the music scene remarkably quickly. Starting out playing small parties in her home town of Sitges, Tini was soon picked up by Pacha Barcelona where she held a 3 year residency and it wasn’t long before she found herself playing at iconic clubs including Space and Pacha Ibiza. Since then Tini has cemented herself as part of the Elrow team, as resident DJ for their underground label KER. Gaining identity for her pumping deep/ tech-house sets, Tini has played across Europe and throughout Central and South America- notably at Rioma Club in Mexico DF with Marc Houle. As an elrow regular Tini also frequently plays alongside international artists such as Jamie Jones, Paco Osuna and Joseph Capriati. This Summer she will be making her debut at Amnesia and Tomorrowland amongst many other major festivals. Following her touring success Tini began producing and released her first EP ‘Going On’ with Toni Varga last year. This year she has an upcoming EP with Tolstoi and Andsan on Safe Music, as well as a hotly anticipated solo EP on KER. Tini cites her inspiration for the tracks came from a recent trip to Africa, in which she encompassed her two passions: nature and music.