NGHTMRE’s ascent to the upper echelons of dance music stardom has been nothing short of dream-like. His meticulous production and pulsating performances have cemented him as both a festival mainstay and dance music tastemaker. His collaborations with Zeds Dead, Dillon Francis, PnB Rock, Wiz Khalifa, and Flux Pavilion have catapulted him across the world, from Tomorrowland in Belgium to World EDC China and Japan

He’s the modern day Mozart, today’s leading talent in the ever-growing trance scene. He’s the pride of Moldova, known for his unique and very own sound. He is Andrei Rata, better known as Andrew Rayel.,Born on July 21st, 1992, his young age never stopped him from taking the lead in the next generation of EDM producers. Developing strong musical skills, he studied orchestral music and kicked off his producing career at only 13 years of age. It didn’t take long for the passionate music lover to translate his ideas into sounds. He created a truly unique, significant sound, one of piano power, harmonic balance and euphoric tales. And so, years later, his originals and remixes are praised by many and loved by more. But, rest assured, the Andrew Rayel story has only just started...

Blurring the lines between electronic and hip-hop with Latin influences, internationally-recognized producer act Boombox Cartel has risen the ranks as an unparalleled force in the world of dance music. In 2017, Boombox Cartel started touring the project globally, securing sold-out shows and prime festival slots at Lollapalooza, Global Dance Festival, Electric Daisy Carnival, and more. With his intention to bring his music and people from all backgrounds together in every performance, the artist’s built up accreditation in the dance music realm speaks for itself. Today, Boombox Cartel continues to inspire musical boundaries in his genre-blending output. Alongside releases on record labels such as Mad Decent, OWSLA, and Spinnin, Boombox Cartel has also been featured in prominent publications like Billboard, Noisey, Complex, and DJ MAG, and currently stands as the #1 ranked Mexican DJ in the world. The world of Boombox Cartel stands on the precipice of global domination.

Following his infectious debut EP on Elrow Music in 2017, Cloonee went on to release on some of the scenes most influential labels, solidifying his break onto the Tech House circuit and gaining support from major taste-makers. Cloonee continued his growth into 2018 releasing “no-nonsense tech house” – Earmilk, on dominant labels such as Lee Foss’ Repopulate Mars and Michael Bibi’s Solid Grooves to name a few. After securing his first Beatport #1 with “Be Good To Me” in early 2019, many more heavily hyped unreleased productions in the pipelines and a hefty international touring schedule; Cloonee’s rise is set to continue.

It is said that electronic music is on the verge of a major shift. That the most exceptional of talents are lining up to earn their spot, trying their hardest to make a difference. David Gravell is one of those destined to succeed. Through his masterfully composed productions and high-energy live sets, David Gravell is able to change the game entirely. With a sound so intense it turns any crowd into a pack of fist-pumpers, the humble Dutchman not only captivates clubbers around the world, but also makes the elite take notice.

Almost out of nowhere, Los Angeles� Dillon Francis has broken from the throng of young electronic music dj/producers. With a stream of world-class remixes and releases, Dillon has caught the attention of some of the top players in club land, including Steve Aoki, Diplo, Will I. Am, Drop The Lime, Sinden, and Tittsworth to name some. In less than a year his blistering productions have been heavily supported by Major Lazer, who opened their show with “Westside!,” a Dutch House-flavored monster that was consistently rinsed by top djs on both sides of the pond, including Sinden and Steve Aoki. The tune is finally seeing a proper release on Diplo’s Mad Decent label, where Dillon will be releasing his “Masta Blasta” EP as well in the near future.. From his first dubstep release on Play Me Records, the heavy “Take Me High” peaked at No. 13 on the Beatport dubstep chart and was played in full by Rusko in every one of his sets for his current OMG tour. In the coming months, Dillon will have releases on Mad Decent, Dim Mak, Top Billin’, as well as Plant Music, where he will be releasing his next club EP. At ease behind the turntables and in the studio, in the electro world and in dubstep, Dillon is what you would call an open-format electronic dj who sees no delineation between making music and playing it. He has gotten huge support from the most important dance music blogs (Dim Mak, Mad Decent, Discobelle, Gotta Dance Dirty) ever since releasing his first bootlegs last year, and 2011 promises to be Dillon’s breakout year.

French dance music producer, Quentin Dombres or professionally known as Dombresky has been producing music for nearly a decade and a half now. It took years for Dombresky to find his way out of local markets in France and onto the global level but that breakthrough occurred when he produced an official remix for A-Trak’s “We All Fall Down”. From there, Dombresky’s career started to explode; connecting the dots with fellow Frenchman Tchami. The two created “Freakin” which debuted on Tchami’s EP. With that success, the two would collaborate again, when Dombresky released singles “Wait” and “Utopia” on Tchami’s label ‘Confession’.

Melbourne based DJ/producer Dom Dolla has taken the world by storm with a series of forward thinking hypnotic house music heaters, including his international breakthrough ‘Take It’, which he quickly followed up with ‘San Frandisco’. With both records accredited gold and platinum, the latter went on to earn him a multitude of accolades including #1 most played triple j, whilst charting at #33 on triple j’s Hottest 100 list, before earning himself an AIR award for Best Independent Dance Release, as well as an ARIA award for Best Dance Release following two previous nominations.

In 2013 after winning Insomniac’s Discovery Project Contest, Tony Fresh launched the Dr. Fresch brand. His debut self-titled EP and innovative hip-hop/rap remixes exploded in the blogosphere and Dr. Fresch was subsequently featured at #9 on Billboard Magazine’s “Next Big Sound” Chart. Dr. Fresch has continued to gain serious momentum over the course of the last year. With releases on OWSLA and Ministry of Sound, and over 30 million plays on SoundCloud, Dr. Fresch has quickly solidified himself as one of the most unique emerging dance music artists. His signature “Future Ghetto” brand weaves together elements of house, hip-hop/rap, and trap to create a unique, forward-thinking sound.

Dutch brothers Victor and Stephan Leicher are fast conquering the world of dance music as scintillating duo Dubvision. With everyone from Hardwell to David Guetta to Avicii and Tiësto supporting their show-stopping productions, their prolific output has enjoyed immense exposure across the world.,Although born some eight years apart, the Leicher brothers soon bonded over music after being made to learn instruments by their parents. Victor (the younger of the two) began his experimentations in electronic music at a young age, using rudimentary computer programs, which soon piqued the interest of Stephan. After time spent growing up in different countries, they eventually pooled their resources to form the act known as DubVision.

New York City-based DJ, producer and remixer GATTÜSO (AKA Reem Taoz), is quickly making a name for himself on the global dance music scene. He hit the ground running in summer 2018 with his first original production “Who We Are,” and in just over a year’s time he signed an exclusive record deal with legendary dance music label Ultra Music.

Infected Mushroom – Erez Eisen and Amit Duvdevani (aka Duvdev) – has been the leading group within the global psy-trance scene for nearly a decade. Incorporating pumping, bad-ass grooves and infectious melodies and live instruments and vocals into their songs, they’ve performed live – a feat that many of their DJ peers aspire to accomplish – for well over a million people around the globe.,The band’s energetic live show has triumphed at some of the world’s biggest and most important music festivals (OMIX Festival in Mexico, Miami’s Ultra Festival, Tribe in Sao Paulo, among countless others), and they continue to regularly sell-out top clubs such as the Brixton Academy in London, Toronto’s Koolhaus at the Government, and Avalon in New York and Los Angeles. Their success as an electronic music band on the global concert circuit has translated into record sales in excess of 150,000 albums over the course of six acclaimed independent albums. Not bad for two guys from Haifa who started producing music mostly to escape boredom.,“We met in 1996 through a DJ friend,” recalls Erez. “Duvdev was in Goa at the time, and I was working on another project with a German guy. We met and tried to do one track together, and we’ve continued on since then.”,A year later, Erez and Duvdev started buying equipment and began to take Infected Mushroom – a name they stole from a disbanded local punk band – seriously. Finding little influence in Israel’s music scene, they drew inspiration from bands like Metallica and The Prodigy. Early productions led to club dates and gigs at local parties. Before long, the twosome had developed quite a loyal following. While the headlines were filled with news about violence and bloodshed, Infected Mushroom’s music touched the hearts of the burgeoning Israeli trance scene, and clubbers began looking to the band’s music for a respite from the tumultuous political situation.,“People were dying and the government saw that dealing with that as more important than abolishing trance parties,” says Erez. “And now the government is supporting trance parties. They want people to party, instead of staying home. There are places in the United States that you cannot go to because it is too dangerous because there are crazy people living there. It’s the same thing in Israel.”,Brandishing a multi-influenced trance sound that hadn’t been heard before, Erez and Duvdev were turned down by nearly every record label in Israel when they attempted to get a deal. “Nobody wanted to sign us,” recalls Erez. “We went to the biggest and smallest labels in Israel, and nobody was interested. At the time, we really believed in our music and continued looking for people to sign us. Fortunately, there was this A&R guy from BNE named Avi Youssef [and BNE’s owner, Avi Brand] who gave us a chance.”,In 1998, BNE released Infected Mushroom’s debut album, The Gathering. Inspired by the surreal ambient styles of Simon Posford, X-Dream and Transwave, it took a few months for the forward-thinking album to catch on. But once it did, the buzz within the global psy-trance scene became deafening.,The group’s second album, Classical Mushroom, was released in 2000. “This album was totally different that the first album,” says Duvdev, who, like Erez, is a classically trained musician. “Not only did we expand our style, but the album was big in Europe and Japan. It sounded totally different that the other trance music that was happening at the time.”,“The trance scene at the time was really monotonic as opposed to melodic with chords,” adds Erez. “We put a lot of classical elements into that album; it sounded different, and that’s why it stood out. At the beginning, nobody believed in that one as well.”,Infected Mushroom’s third album, B.P. Empire, followed in 2001. The combination of their live show and diverse electronic palette eventually won them the support of critics and a new legion of hardcore fans in North and South America. In 2003, Infected Mushroom issued their sprawling double-disc album, Converting Vegetarians. Perhaps one of their most ambitious recordings to date, Converting Vegetarians was a sonic departure away from trance. Leading the listener through trance, freestyle and ambient sounds, the album paved the way for 2004’s I’m The Supervisor.,“After we made the chilled-out non-danceable side to Converting Vegetarians, we wanted to make something for the trance fans that was danceable and full-on,” says Duvdev of I’m The Supervisor. “This album is trance, except for the last track. There’s more singing, and it’s the most difficult thing we’ve done. Using the voice as an instrument is tough to do. We’re like every band in that we’re trying to search for something new with every album.”,Always one step of their audience, Infected Mushroom are constantly pushing themselves. With fame and success in their homeland and in the global electronic music community, Infected Mushroom threw caution to the wind and relocated to Los Angeles in January 2005. The purpose was to take themselves out of their comfort zone in order to take their music to the next level.,“The weather is a lot like Israel’s,” says Erez, “and we still don’t know the city very well. But we’re here and we’re looking to push ourselves and do the sort of things that we couldn’t do in Israel.”,As they work in their adopted surroundings and continue to tour the world, Erez and Duvdev have added famed Israeli guitarist Erez Netz and Brazilian percussionist Rogerio Jardim to select live shows. They’re also busy finishing material for their seventh album, Vicious DeLicious, which contains a myriad of new musical explorations, from Flamenco guitar, to hip hop, to thrash-metal undertones. They have even been commissioned to remix recordings of rock legends, The Doors. But today they are especially proud to be recognized by their fans – Infected Mushroom was named #12 in DJ Magazine’s Top 100 DJ list, a 14 place jump from their debut on the list last year.,While they see themselves more as an electronic band rather than a psy-trance outfit these days, their track record of producing everything from trance to downtempo makes them feel that they can realize all of their musical aspirations.,“Being in the studio is like playing a PlayStation game, where you have to pass a level each time,” says Duvdev. “That’s our goal every time we do a session. The energy that you get at the parties makes you want to go right back into the studio and create new tracks. You need to be in the studio and do the shows; they’re both connected to each other. Our mission now is the same as when we started out, and that’s to get Infected Mushroom’s music out to more people.”

DJ John Summit is a Chicago-based DJ and producer known for his deep and tech house music. He rose to prominence in the early 2010s with a string of successful releases on popular labels such as Dirtybird, Relief, and Sola. His sound is characterized by groovy basslines, soulful vocals, and a strong club-oriented vibe. He has performed at major festivals and clubs around the world and has also collaborated with other artists in the electronic dance music scene. In recent years, Summit has also gained attention for his remixes of popular songs, many of which have been widely shared on social media. He continues to push the boundaries of the genre and maintain a dedicated fanbase.

From one-to-watch to leader of the pack, Julian Jordan’s rapid ascent through the dance music world has been something to behold. It’s no surprise given the fresh quality of his productions, which always surprise and delight in equal measures. Not beholden to tired formulas or following the latest trend, he instead paves his own way with innovative rhythms, atypical riffs and endlessly inventive production.

The world has already been changed with his unique, raw and strong bass-filled sound. With releases on labels like Laidback Luke’s label MixMash, Dyro’s imprint WOLV, Fedde Le Grand’s Flamingo and later on Martin Garrix’ STMPD, people have encountered his sounds on dance events around the globe.

Born in the Philippines but based out of Washington, DC, Manila Killa is a 24 year old music obsessive whose passion for producing transformed from self-taught ableton lessons into a full-fledged career earning him millions of streams online, major festival billings and prominent press coverage. All while finishing his college degree, Manila Killa has found time to kickstart two other music projects that are equally as accomplished -- Hotel Garuda & Moving Castle.

Mark Sixma is an artist whose music is known by the heart of dance music on a global scale. Born and raised in the capital of dance - Breda, the Dutch city that provided the world scene leaders such as Tiesto and Hardwell. He is responsible for some of the most revered timeless dance music and edm anthems.

Surging head-first into the future via his distinctive futuristic sound, Matt Nash continues to soar on account of his powerful production prowess in the studio, and dynamic skills behind the decks. 

London-raised and now Amsterdam-based, the UK talent’s foundations for success were firmly cemented at an early stage, via releases on a plethora of huge labels, including Hardwell’s ‘Revealed’ imprint, and Axwell’s iconic ‘Axtone Records’, where Matt’s ‘Starlight (Could you Be Mine)’ - a 2014 collaboration with Don Diablo - rocketed up the Beatport charts, becoming an instant classic of the ‘EDM’ golden era.

At just 22 years of age, Maurice West has unquestionably solidified his name among some of the most promising producers in the dance music space. Maurice found his musical upbringing in a household of talented musicians and quickly took to the piano, guitar and drums. At an early stage in his career, the Dutch native caught the eye of veteran duo W&W and was immediately taken under their wing with a deal on their Mainstage Music imprint. His instantaneously recognizable bigroom and progressive sound has led to countless releases alongside some of the industry’s most in-demand names over the years, including Tiësto, Hardwell, Steve Aoki, KSHMR and D-Block & S-Te-Fan.

Through releasing massive club records, playing festivals around the world, and representing the Pardon My French crew (alongside DJ Snake, Tchami, and Malaa), Mercer is no stranger to the house music scene. Born in the 80s, Mercer's approach to producing and creating music is influenced by the disco and house music he grew up with. The French DJ is coming full force with his new single ‘Satisfy’, combining his inspirations of funk and house music and featuring vocals from legend Ron Carroll.

Rezz is the moniker of Isabelle Rezazadeh, a Canadian DJ/producer from Niagara Falls, Ontario known for her moody, dark-hued production style. She became a staple of the Mau5trap label in the latter half of the 2010s where she released a pair of full-length albums in 2017 and 2018. An EP and spate of high profile singles like 2020's "Someone Else" and 2021's "Sacrificial" followed over the next few years. InsurrectionBorn and raised in the Ukraine by her Ukrainian mother and Iranian father, she and her family moved to Canada when Isabelle was young. She also discovered music at an early age, and fell in love with EDM when she snuck into Toronto nightclubs while still in her teens. Rezazadeh began DJing at age 16 and moved into making her own dark, minimal-inspired productions soon after, teaching herself the basics with online tutorials. After gaining a following from songs she posted online, Rezz attracted the attention of stars such as Skrillex and Deadmau5. ~ AllMusic

‘Uplifting’ is without a doubt the word that best describes Dutch DJ, producer, platinum selling artist and sustainability pioneer, Sam Feldt. Having built a career upon his distinctly feel-good sound, Sam already has a double album and a multitude of top-selling releases under his belt. Besides his musical activities he has developed a platform – Fangage – for artists to connect with their fans better. His next project is to spearhead a movement that will help influencers adopt a more sustainable lifestyle, giving back to the planet to reduce and compensate their own environmental impact and encouraging others to do the same. Both in music and life, Sam has his sights set firmly on the future.

Slander is an electronic DJ/Producer duo from Los Angeles, California. The duo consists of two members Derek Andersen and Scott Land. They both started as ravers which inspired them to become DJ’s . They came up with the name “Slander” by combining both their names: “S(cott) L(and)” and “Ander(sen)”. They specialize in creating three different sub-genres of EDM: trap, house, and dubstep. However, they call the genre of music they play “Heaven Trap” which covers the Feels and the Turn-up of Electronic Dance Music

Since making their dance music debut in 2014, Australian duo SLUMBERJACK—composed of Perth natives Fletcher Ehlers and Morgan Then—have collected 3 Gold records, toured across 3 continents, racked up over 100 million streams, and collaborated with artists such as Alison Wonderland, What So Not, Daniel Johns, Vera Blue and more. SLUMBERJACK’s 2017 Fracture EP ranked #1 on the iTunes Australia electronic chart and featured two ARIA Gold-certified tracks, “Afraid, Unafraid” and "Fracture". Following that, the Sarawak EP featured collaborations with TroyBoi and Ekali, and the heavily Triple J-playlisted “Hide and Seek”. More recently, the duo released their Black & Blue EP including their standout Daktyl collaboration “Crucified” ft. MOONZz.

One check of Slushii’s ever-growing record of credentials and there’s no doubt that the 20-year-old, forward-thinker is the future of electronic dance music. To describe Slushii’s ascent as meteoric would be an understatement —in just two years since he emerged on the scene, he’s brought his vibrant, textured sonics to five continents and countless countries, with three headlining tours already under his belt. Slushii has electrified festival crowds everywhere from EDC Las Vegas to Germany’s Parookaville, Tomorrowland to Lollapalooza, all while holding down residencies at some of the world’s most renowned clubs, including Intrigue and Encore Beach Club. His rap sheet doesn’t end at his relentless touring itinerary either.

A household name in dance music with astronomical streaming numbers and a decade’s worth of hits in his music catalogue, Thomas Gold is a producer who’s highly regarded in the scene. Gold’s devoted fan base and undisputed hits have been the catalyst to the producer's domination, landing him performances at festival mainstages including Ultra Music Festival, Coachella, Tomorrowland and many more.

When it comes to any artform, the details are everythingNow, Tinashe always pays attention to every last detail. Not only does the multi-platinum-certified R&B disruptor sing, write, and dance, but she also produces, mixes, engineers, creative directs, and edits. As a result, she blazes past any and all boundaries. “As an entertainer and a creative person, I feel limitless,” she asserts. “I don’t feel pressure to conform, because I don’t have to. I don’t sit around and wait for opportunities to fall out of the sky either. When I started making music, I took it upon myself to learn how to do everything. There are very few female producers and engineers. I want to represent that you can be part of each step in the process. In the more recent years, it’s been a discovery of all the things I can do. There’s a sense of boundlessness and fearlessness. I really developed my instincts, and I trust them.”

Tokyo Machine is a moniker with a unique brand of EDM that combines endearing 8-bit infused sounds with vicious, heavy basslines. His music has earned him millions of plays, featurings in video games and TV, thousands of die hard fans all over the world and the support from the likes of Tiësto, Martin Garrix, David Guetta, Dillon Francis, Afrojack, Slushii, Herobust and more. Since his debut show at EDC Las Vegas in 2017, Tokyo Machine has established himself as a chiptune stage-beast, who alongside his little Tokimon friends steals the show on every continent. Get ready to join TOKYO MACHINE, ROBO-CHAN and the rest of the TOKI-CREW on a flight to the stars, because this rocket isn’t slowing down any time soon.

Trouze is an LA/Singaporean electronic trio fronted by Declan that combines uplifting vocals with melodic productions of electronic music and beats. Like their makeup, Trouze thrives on the synergy of diversity and have produced music with Sam Feldt (Netherlands), Shapov (Russia), Rozes, Elephante, T-Pain (USA), Krosses (India/ UK), etc. They are the first Singaporean artists to have tracks released by Axwell’s Axtone Records, Armin Van Buuren’s Armada Music and Laidback Luke’s Mixmash Records.

Lukas Ruiz, known as Vintage Culture, is a Brazilian DJ and producer. The Brazilian artist has more than 1.5B streams online, 8M across his social media platforms, and currently ranks at #30 in DJ Mag’s Top 100. Vintage Culture has graced the cover of Rolling Stone, was nominated as one of the most influential “30 Under 30” by Forbes, and premiere his very-first Essential Mix for Pete Tong on BBC Radio 1. In 2020, he collaborated with Tiësto, David Guetta, Meduza, Robin Schulz, and Jorja Smith, going Platinum on multiple releases, as well as topping the Billboard Hot Dance and Spotify Dance Charts. He simultaneously had 3 songs on Beatport's TOP 10, including the #1 Main Chart Overall with his debut single at Defected Records, “It Is What It Is.” Lukas has used his platform as an artist to raise over USD 100k via his Covid-19 relief project in Brazil. Also, he is the creative force and owner of the fast-growing international Festival and Fashion Brand Só Track Boa.

Dj/ producer based in Los Angeles, Ca.

"Like his future funk cohorts, Portland-based producer Yung Bae taps influences that are as varied as they are danceable: disco, funk, R&B and even Japanese “city pop.” These largely sampled grooves — obscure and otherwise — manifest as undeniably vintage sounds presented in gleaming, modern electronic trappings." - All Things Go

Originally from a background of more traditional sound engineering, running his own recording studio, recording bands, artists, and gaining a following in America with his solo project “Place Your Bet$”, it was when he moved to Guildford, UK to study a degree in Music production at the ACM that Zomboy discovered a new love for electronic music. Zomboy sites influences such as Skrillex, Reso, Rusko, and Bare Noize as the reason he wanted to dominate the Dubstep scene.,And dominate he has. His debut EP on Never Say Die Records smashed the beatport charts and was in the top 5 releases of Dubstep for over 8 weeks. His tracks have been championed by heavyweights Skrillex, Mista Jam, Flux Pavilion, and Modestep. In just 6 months his tracks have been licensed to over 8 different compilations from Warner Music to Ministry of Sound. His original productions and remixes regularly clock up over a million views on youtube and he has officially remixed for top 40 artists DJ Fresh (Hot Right Now) and Nadia Ali (Pressure).,One to watch is an understatement…