Azu Tiwaline is a producer inspired by the need to explore her origins, rooted in the Sahara. Her sound is a mix of the organic and the raw, vibrations from the spaces of the desert where entrancing music resonates and ecstatic rituals are commonplace.

̸BIOGRAPHY CRYSTALLMESS is a DJ, producer, artist and writer based in Paris, France.

Born 1969. Died 1909.

̸BIOGRAPHY Valentina Magaletti is a drummer, percussionist and composer whose goal is to strategically enrich a folkloristic and eclectic palette through endless listening and experimentation with new materials and sounds. She has performed and co-written with many artists including Nicolas Jaar, Jandek, Helm, Raime,Moin, HOly Tongue,Czn Malcom Catto, Charles Hayward, Graham Lewis (Wire, Dome), Tightpaul Sandra (Coil, Spiritualized, Julian Cope), Thurston Moore, Bat for Lashes, Gruff Rhys (Super Furry Animals), and many more. In her current project, Vanishing Twin she has a more conventional jazz approach that finds its escape in the drone/field recordings of the percussive narrative in other experimental/avant-garde productions. Valentina was born in Bari, Italy, and lives in London. She has performed widely with festivals including: UnSound (Toronto,Krakow),Wysyng Art Centre(Cambridge) Atonal(Berlin),Festival International Musiques Actuelle (Victoriaville),Festival de la Cité (Lusanne)Museum of Modern Art(Moscow),The Great Escape (BBC Stage),(Brighton),Incubate festival Tilburg),Nuits Sonores(Lion),Hyperreality(Vienna) Tauron Nowa Muzyk Festival(Katowice) Bozar(Bruxelles),Hyperreality(Vienna)ANLG(NYC),EcoFestival(Madrid), Loop Festival(Los Angeles),Phono Festival (Odense),Tremor(Azores), Roskilde (Roskilde),Jazz is Dead(Turin),Le Guess who?(Utrecht),RewireTheHague),Glastonbury(Glastonbury),Supersonic(Birmingham),Sonar(Reykjavik),Time Zones(Bari),Tempo Reale(Florence). Other performance highlights include several improvised or repertoire presentations at Cafe Oto (London),commissioned work for Zabludowicz collection(London),The Barbican(London),Southbank Center (London),National Theatre and Dance (Lisbon),Sonoscopia (Porto),VAC(Palazzo Delle Zattere, Venezia) Valentina has performed or composed music released on labels including Editions Mego, Trilogy Tapes, Offen,Takuroku,Marionette,Hands in the Dark,Blank Editions,Confront,Latency,Horn of Plenty,Meakusma,Emotional Response,Other People,Soundway,Fire Records and mony more. ̸SELECTED DISCOGRAPHY https://valentinamagaletti.com/Releases

̸BIOGRAPHY Wata Igarashi has developed a clear sound of his own. He brings together the euphoric and psychedelic, with his music standing out for its crystalline structures and shimmering intensity. Igarashi’s distinctive take on techno is on display across a series of EPs on Midgar and The Bunker NY, as well as on Semantica, Time to Express, and Bitta. Recent standout remixes of Aurora Halal, Volte-Face and Prins Thomas have further demonstrated his considerable talents as a producer. The same mentality is present in his performances, whether DJing or playing live, with his measured control of frequencies and intensities shaping the dancefloor as he explores the more psychedelic dimensions of techno. In this way, Igarashi’s considered approach is one that stimulates the body and mind, generating energy and emotion. Wata Igarashiは独自のサウンドを確立したアーティストだ。緻密なサウンドデザインや構成力を持ち、陶酔感とサイケデリックさを融合させたIgarashi特有のテクノは、MidgarやThe Bunker NYの一連のEPやSemantica、Time to Express、 Bittaのリリースで聴く事ができる。また彼のプロデューサーとしての才能は、近年のAurora Halal、Volte-Face、 Prins Thomasの傑出したリミックス・ワークでも顕著に表れている。彼はDJやライブといったパフォーマンスにおいても、制作と同じ精神性を持っていて、緻密な音響とエネルギーのコントロールでテクノのさらなるサイケデリックな次元を探求し、ダンスフロアを陶酔へと導く。Igarashiのアプローチは身体と心の両方を刺激し、強いエネルギーと感情を生み出す。 ̸ SELECTED DISCOGRAPHY 2016 Stealth 2/3: Night [Time to Express] NNN08: Death Orange [Semantica] Ciphers EP [Midgar] Haziest Just Before The Dawn [Bitta] Semantica10. IV [Semantica] 2015 Pulse Width (Wata Igarashi Remix) - Ruhig [Midgar] 2014 Junctions EP [Midgar] Acid Bubblebath (Wata Igarashi Remix) - SERi [Acidworx] 2013 Mariana Wax 000 [Mariana Wax] Paranoid EP [Counter Pulse] Rotating Field EP [Sienna Obscure] 2012 Carp (Wata Igarashi Remix)/ Jin Hiyama [Gynoid Audio] 2011 Middle Eye Black EP [Statra Recordings] As It Is EP [Gynoid Audio]

̸BIOGRAPHY Post-Shaabi from Cairo. 3Phaz is a Cairo based electronic producer mostly known for his debut album ‘Three Phase’, an album that presented a powerful and fresh new take on egyptian mahraganat/shaabi sound; the record was released on Egyptian label 100Copies in 2020. With further singles and remixes released on the likes of Rinse, Boomkat, Polaar, Nashazphone, and Irsh, 3Phaz quickly carved his way into the international club music scene allowing him to perform all around Europe. 3Phaz is currently working on his second album, to be released sometime in 2022. ̸SELECTED DISCOGRAPHY https://3phaz.bandcamp.com/album/three-phase https://irshcairo.bandcamp.com/track/cluster-drum https://floremusic.bandcamp.com/track/coded-language-3phaz-remix https://acidarab.bandcamp.com/track/ras-el-ain-3phaz-remix https://irshcairo.bandcamp.com/track/kabbut-ft-zuli-3phaz https://promesses.bandcamp.com/track/steep-ft-3phaz https://nowaybackuk.bandcamp.com/track/heel-turn

As a phototropic flower, powering its way to the light through dense foliage, AAGUU is keen to find a stretch of your soul to soundtrack with his music. As a phototropic flower, powering its way to the light through dense foliage, AAGUU is keen to find a stretch of your soul to soundtrack with his music. Mirroring the dynamics in the tropical rain forests of Goa where he resides, his inquisitive mind operates intuitively to illuminate fleeting moments of existence. His purpose is manifold: connecting the dots for dancers, elevating the spirit of the reveller, respecting the journey of the individual. AAGUU’s wide-eyed innocence and natural curiosity to build stories informs his blessed touch, shaping ephemeral memories with music. For an inkling into the vibe that AAGUU creates, you can trace its footprints on the sandy beaches of Anjuna all the way back to the Goa parties: genre fluid electronic body music punching up into the air, a heady mix of freedom & psychedelia; DJs casting levitation spells. He treasures this ‘sacred arena of the imagination’. It’s an aural & visual playground where the journey is as crucial as the destination.

̸BIOGRAPHY Founder and resident DJ of Sure Thing. Founder of Sure Thing, a label, event, and mix series dedicated to developing the audience for experimental and boundary-pushing electronic music throughout the US. As a performer, Aaron is inspired by the complex conversations that occur between music and emotion on the dance floor, and the way we experience these interactions together. Reflecting upon memories of these conversations, each set leaps between delicately layered moments that are at times expansile, blissful, and propulsive toward an energetic infinity.

̸BIOGRAPHY Globally-acclaimed, pioneering dub-reggae ensemble led by original co-founder, master percussionist and royal rastaman, Bonjo Iyabhinghi Noa Co-founded by the legendary underground producer Adrian Sherwood, African Head Charge is a globally-acclaimed, pioneering dub-reggae ensemble led by original co-founder, master percussionist and royal rastaman, Bonjo Iyabhinghi Noah. Their epic live show features a line-up of 6-8 world-star performers, fusing together djembes, guitars, drums, keys and vocals with heavy electronic sampling. The collective use this blend of live and electronica to generate an intoxicating soundscape of reggae-inflected drumming, visceral vocals and bottomless, thrumming bass-lines that truly reach to the heart of your being.

̸BIOGRAPHY Aho Ssan Aho Ssan is the artist name of Paris based Niamké Désiré. After studying graphic design and cinema, he began to compose electronic music and create his own digital instruments. Shortly thereafter he went on to win the Foundation France television prize for his soundtrack to the film D’Ingha Mago in 2015 and has worked on several projects related to IRCAM. His debut LP ""Simulacrum"" will be released Via Subtext Recordings. Aho Ssan debuted "Simulacrum" at Berlin Atonal 2019.

̸BIOGRAPHY Ale Hop crafts complex pop arrangements with an experimental noise edge, utilizing electronic effects and computer software in order to mutate and reshape her instrument and voice. Her live performances merge the physical qualities of music with raw emotional states and unorthodox instrument procedures. She builds layers of sounds by blending a complex repertoire of guitar techniques processed by synthesis devices, to create a music of deep physical intensity. She began her career in the 2000s in Lima’s experimental and underground scene. In 2012, following several years of taking part in different pop and electronic bands, she finally started her solo project after performing alone for the first time in Boiler Room, during her residence at the Red Bull Music Academy New York. Ale Hop has performed, screened and exhibited work internationally at institutions and festivals, such as CTM Festival (2022), Haus der Kulturen der Welt (2021), New York’s Museum of Arts and Design (2021), Australia Independent Film Festival (2021), Stockholm City Film Festival (2021), Stedelijk Museum Amsterdam (2020), Somerset House Studios (2019), Heroines of Sound (2019), MALBA Latin American Art Museum of Buenos Aires (2015). ̸SELECTED DISCOGRAPHY Apophenia (Buh Records, 2019) Bodiless (Buh Records, 2018) PANGEA (Buh Records, 2015)

Amelia Holt is best known for her shapeshifting sets, weaving through genres and tempos creating a narrative flow uniquely her own. She currently holds down a residency at Public Records and runs an eponymous monthly music newsletter, In Your Dirty Ears, highlighting her favorite new electronic releases and more, with Yumi and S. Casella. Incubating since 2020, Uwu dust bath is her newly launched label co-birthed with Athen’s based DJ, Noff. A bubble of sensory bliss, the label acts as a virtual hub, connecting and documenting blissfully leftfield artists who share mutual affiliation for sonic release and elevated states.

Avalon Emerson is from the desert. While she currently lives in Berlin, the music she produces comes from the dreamlike expanse and abstract textures of the Sonoran landscapes of Arizona. Her journey has taken her from that sunbaked state to the contemporary dance music mecca via a long stint in San Francisco, where she cut her teeth as a DJ in the city's storied warehouse party scene. In her DJ sets and productions now, she offers a timeless narrative that reflects a passion for the sound design of new wave, the futurism of techno, the soul of American house and the exuberance of rave. Though she's built up steam in 2015 from multiple sets at Panorama Bar, and globetrotting all around Europe and North America, she's just getting started, and continues to outdo herself with original productions released on labels like Shtum, Spring Theory, Icee Hot, and her own DJ tool edit pool, the Cybernedits series.

̸BIOGRAPHY BAMBII is a global club DJ known for her genre jumping sets that push music exploration and the spirit of dance and rave culture everywhere. Kirsten Azan, baptized Bambii, is one of Canada’s most compelling DJs. Whether online or on dancefloors, her political and musical vernacular give credence to dance music’s ever expanding reach, the relationships it helps forge between individuals, cultures and spaces. As proof, she has spent the last few years touring Europe and Asia as a solo artist and on support for some of the world’s most relevant artists - Mykki Blanco, Kelela, and BbyMutha, to name just a few. She's a reoccurring name across European venues like Paris’ Afropunk and Germany’s Open Source Festival. On this side of the Atlantic, her event series ‘JERK’ has made stops in Halifax, Los Angeles, New York and Montreal building on the success of the event’s 7th year of existence in hometown Toronto. Publications are also keeping afloat - Wonderland, VOGUE, CRACK, DUMMY and DAZED all want a piece - and awaiting her debut EP, set to hit the internet before the year closes. ̸SELECTED DISCOGRAPHY 2019 NITEVISION - BAMBII FEAT. PAMPUTTAE

DJ, producer and owner of the Timedance record label, based in Bristol (UK)Batu

Just the hits. Unafraid to dig deep and also play the hits, Detroit-based deejay BEIGE has caught the ears of Boiler Room, T4TLUVNRG, The Bunker, Sublimate, Jack Dept. & other in-the-know crews. A fast-rising talent in the North American queer underground, they have become a regular fixture on the forward-thinking Midwest/East Coast party circuit. From their homebase in Detroit, they host the monthly show Chaotic Neutral on The Lot Radio, organize educational workshops for DJs of marginalized genders as a member of Seraphine Collective, and provide local support to internationally touring acts. The BEIGE sound is anything but—they are known for smooth mixing and colorful, unpretentious sets that whip between genres and tempos: big melodies, big vocals, big Moods. Beyond the usual house-techno-disco touchpoints, expect to hear psychedelic gospel, leftfield club and ballroom, thizz-face electro and UK/global bass, sprinkled with cheeky pop references. Their dramatic approach has earned the support of dance music institutions including Hot Mass, Nowadays, Bossa Nova Civic Club, Elsewhere, and Charivari Festival. On a Funktion-One or in a field under the full moon, BEIGE strives to honor the dancefloor as a space for healing and transformation.

Raised in Düsseldorf but now based in Berlin, Binh has been exploring his deep love for digging for more than a decade. It’s a trait that defines his much-loved sound. Like the food he grew up cooking in his family’s restaurants, there are a few simple things behind Binh’s success: timeless ingredients, intuition, an innate sense of taste and the all-important creative flair.

̸BIOGRAPHY Amal, James Bangura, & Nativesun Hailing from the District of Columbia, come together to bring you a new sound, the sound of their city. Born from the essence, Black Rave Culture lifts up the torch and begins to walk forward spreading the message of Black Rave. Amal, James Bangura, & Nativesun Hailing from the District of Columbia, come together to bring you a new sound, the sound of their city. ̸SELECTED DISCOGRAPHY Haus Of Altr - Black Rave Culture Vol1 BRC - Black Rave Culture Vol2

Blawan

Norwegian-Mexican artist, producer and DJ Norwegian-Mexican artist and producer Carmen Villain makes atmospheric music made up of tapestries of field-recordings, acoustic instruments such as flute, clarinet, piano, and electronics, culminating in her own distinctive sound combining elements of fourth world, dub and ambient. Through an experimental approach to production and composition, the results are often a mixture of abstract soundscapes rich in detail, permeated with beautiful harmonies, melodies and dubby beats. She has done a number of releases for labels such as Smalltown Supersound, Geographic North (USA) and Longform Editions (AUS), and has been remixed by Parris, Dj Python, Jay Glass Dubs, Karima F, Yu Su, Klara Lewis, Gigi Masin, Biosphere, Peaking Lights, D.K. and more. "Perlita EP" (Geographic North 2021) "Affection in a Time of Crisis" (Longform Editions 2020) "Both Lines Will Be Blue" (Smalltown Supersound 2019)

̸BIOGRAPHY Made in China at Awkwardly Social Berlin

̸BIOGRAPHY DJ/Producer Merge/ L.A.G. Brooklyn-based DJ and producer Clarisa Kimskii has cemented her musical footprint on the borough since moving back in 2022. Through a palpable blend of psychedelic and driving techno, Clarisa’s approach to the genre is deeply idiosyncratic - an assemblage of both timeless and modern grooves. As a producer, Clarisa has contributed to a handful of respected labels (Monday Off, Dusk & Haze, Mysteries of the Deep, etc.) within her sonic niche, but it’s through her own label L.A.G where the ethos of her sound truly takes form - a detailed variation of propulsive and atmospheric soundscapes. Clarisa is deeply rooted in the techno subculture’s underground, and in early 2022 - the 20+ year veteran was named resident DJ of the Brooklyn-based, queer party Merge. Through her residency at Merge and regular appearances at the city’s premiere institutions in BASEMENT and Nowadays, Clarisa’s prestige is undeniably felt. Her pure, yet passionate approach to DJing has graced the decks of memorable nights at international institutions in Tresor, About Blank, Output, Griessmuehle, and at notably iconic parties in Wrecked, Club Toilet, and The Bunker NY. Recent festival appearances at Taiwan’s Organik Festival and North America’s Honcho Campout and Sustain-Release have only elevated her reputation as a force within those respective communities. The saga continues with juicy bits on the horizon.

Searing with Sichuan spice – Cora is bringing the heat from Chengdu. Orbiting the cosmic specters of techno, trance, house, bass and breakbeat, Cora’s ever-evolving sound delivers with compelling momentum and astral intuition – superimposing dramatic subplots and emotional undertows onto unfurling rhythmic narratives, while channeling an acute sensitivity to the kinetic desires of the dancefloor. All-night basement parties in the sleepless underbelly of Hong Kong’s OMA at the fulcrum of the ‘10s initiated Cora’s swift departure from the glitz and glamour of a long-time modelling career and stint as an indie film actor, towards an inspired pursuit of electronic energies and club music catharsis. An intercontinental dance savant, raving from China to Saigon and beyond – Cora has been a vital force in activating meridians between underground club scenes in East Asia and the rest of the world. Incubated over years of work, sweat and tears at dedicated nightspots The Observatory in Ho Chi Minh City and .TAG Chengdu, her nuanced aesthetic and penchant for ephemeral grooves have now synthesized into a sophisticated style of her own. After countless days and nights as the last girl on the dancefloor, Cora is one of the emerging talents providing the soundtrack to a city awakened, accelerating at a time where dance music has never been more vital.

Primed to become an ‘overnight success’ in a similar way all overnight successes break-through; following many years of hard-work, Cormac is currently one of dance music’s best-kept secrets. With a rapidly growing reputation as a revered selector, the Northern Ireland born DJ is setting a course for dancefloors the world over with his sound that comprises the breadth of the house and techno spectrum, but with one defining characteristic; always records that touch the inner sanctum of the human spirit. Since he began collecting music as a teenager near Belfast, his journey has been singularly driven by the discovery of amazing sounds, and his humble role in the constantly renewed potential for dancefloor transcendence. Having traded in an all-too-quiet rural Irish life for the hedonism and high times of a very different London in the early 00s, Cormac was a regular dancer at zeitgeist defining institutions such as Trash, Nag Nag Nag and Bugged Out.

̸BIOGRAPHY The essence of Dame Area – the project of Barcelona-based duo Silvia Kostance and Viktor L. Crux – is formidable, volatile, unpredictable. During the last years Dame Area developed a unique music style recognized as "Tribal Wave": mixing synth bassline arpeggios and live percussions, noises and congas, industrialism and tribalism, Italian and Spanish, Dame Area are running across the same path and breathing the same air of the EBM/Industrial driven Diseño Corbusier or the drum compositions of Roberto De Simone Across two albums and several EPs for the likes of Mannequin Records, B.F.E Records and their own cult imprint / DIY organization Màgia Roja (described by The Quietus as “a place unlike any other in Spain, perhaps any other on earth”), Dame Area have executed an eclectic, discerning form of contemporary industrial music, deploying compulsive minimal synth and primal polyrhythms, as well as uniquely reconstrued elements of post-punk & EBM. An artistic identity that embraces influence yet eschews compromise. Starting to play live in 2018 they have toured extensively in Europe, sometimes also in a trio format with Jess Webb from Gnod/Anthroprophh at drums.

̸BIOGRAPHY I will show you fear in a handful of dust. I will show you fear in a handful of dust. ̸SELECTED DISCOGRAPHY December - Night Of Nights (Pinkman) December - 64 Ways To Rob A Friend (Return To Disorder) December - Bright Red (Mannequin) December - Issue n°11 (Jealous God) December - Half Cuts #1 (In Paradisum) December - On a Leash (Where To Now?) December - In Advance Of The Broken Arm (Blackest Ever Black / A14) December tape (Where To Now?)

A selectress with no inhibitions digging & choosing parts that build to Adventurous, Energetic, Seductive, & Rapturous sets spanning many genres. Dee Diggs is a DJ and writer based in Brooklyn, NY. She is unapologetically black, queer, and a life long student of the tenets of House Music. The year 2020 found her at the top of her game after a debut European tour during August 2019, her name was popping up on top bills on a weekly basis in NYC. Her energetic, yet deep approach to DJing has seen this Boston to Brooklyn transplant lighting up dancefloors all over; in particular, garnering attention in the queer party scene. This mixes well with her ethos: using her influence to create space for marginalized groups to express & organize themselves. Her aim is to contribute to & sustain more spaces where these groups are valued and thanked by name for their contributions to humanity. Thank the OG Black innovators of House & Techno! Thank you, Disco-era Queens & Queers alike for the theatrics & fanfare of nightlife as we know it! There are homages to these origins alluded to in her taste and most noteworthy mixes. Dee Diggs’ mix for FACT Magazine was released in March 2019 and charted on Pitchfork’s and Resident Advisors’ own Best Mixes of 2019 lists. It cut an arch through dance music’s past and present to convey an interesting melding of Dee’s signature sounds: lyrical storied tracks, sensual club edits, soulful realness, sneaky grooves, passionate thumpers, and nostalgic endings. Her eponymous party, House of Diggs debuted in February 2020 to stir and settle the hearts of all the lovers of house, funk, soul, disco, and R&B in Brooklyn, before the COVID-19 pandemic and subsequent club closings curtailed that momentum for 1.5 years. However, 2021 has found her making strides again. Diggs is still crafting stellar DJ mixes for her Soundcloud and radio guest spots, while also building her music production chops in her home studio in Brooklyn. She has resumed curating House of Diggs as an event series at Jupiter Disco, a rotary focused intimate dance floor in Bushwick and also holds a DJ residency at a hi-fi nightclub in Gowanus, BK named Public Records.

deep creep is an experimental DJ focusing on the weirder side of trance, progressive house, breaks & more. She is the head curator of the pi pi pi mix series that showcases DJs from around the world with mixes based on temperature. deep creep is a resident of The Lot Radio.

Di Linh is a young artist from Vietnam. Since she began the musical path, she has been making her mark by the diverse and colorful music selection. She is a part of Hanoi Underground Movement (HUM) and resident DJ at Savage. Till this day, Di Linh often plays in familiar places like Savage, Kobala, Smack Dab,... through local events HUM, Snug, SBD, This is, Guinguette, Unuzual and Quest, Duality, Recess, Studio Adventure, Epizode Festival. Besides, her name also appears the same night with well-known artists such as Lauer, Red Rack’em, Local Suicide, Haruka, Omer, Curses and many more around the world in Epizode. And the highlight of her music career was her performance in HUM Showcase (Epizode) with Marco Yanes, which also mentioned in the official review from Data Transmission. Each space gives her different inspirations, Di Linh is always looking and developing herself to give the audiences a fresh feeling, while still retaining her own unique color. She knows how to lead the audiences' emotions...

̸BIOGRAPHY DIORA, a Cape Townian gem, who currently resides in Amsterdam, is a multi-disciplinary artist. She blends heavy techno, hardcore and industrial sounds with strings of vocals to amplify the sexiness in the air. DIORA, a Cape Townian gem, who currently resides in Amsterdam, is a multi-disciplinary artist. She blends heavy techno, hardcore and industrial sounds with strings of vocals to amplify the sexiness in the air. Although only recently starting to play, she sure knows how to provide a party with her vibrant energy, charisma and her considered selection of tracks. She has been involved in Berlin and Amsterdam nightlife with a focus on bringing more light to trans people and their safety within club spaces.

New Delhi-raised, Bali-based DJ, DITA. New Delhi raised, Bali-based artist DITA began her DJ-ing career in 2014 after being exposed to the varying perspectives constituting Indonesia’s music culture. Exploring the sounds with a keen ear and a growing excitement, DITA established her collective “Interrupted” which solidified her eclectic practice as she bounced between Jakartan and Balinese dance-floors. Armed with musical prowess and an infectious spirit, you can now find DITA with a wide-range of versatile selections including Proto-House, Disco, 90’s breaks, Balearic and beyond. ‍ DITA’s nuanced sound curated over the years has seen her play on stages such as Boiler Room, Wonderfruit Festival, all across Australia and at Potato Head Bali where she is a key resident.

Hailing from South Korea, the tongue in cheek DJ has established herself as a late night mind twister of the highest order, flawlessly bending genres and vibes from Detroit electro to UK rave, techno, acid, trance, house and faster, harder leftfield electronics – you name it!

DJ Holographic is a one-woman funk machine born and raised on Detroit Music. Her mission is to serve a mix of musical cuisine that contains consuming house beats, passionate R&B with Hip Hop, unreserved disco, true Detroit Techno, and Motown. Join her as she concocts her next rhythmic dish. Surrounded by members of the Detroit DJ community such as Underground Resistance, Detroit Techno Militia, Rocksteady Disco, DJ Minx, KDJ Records, and DJ Minx, she was inspired and her curiosity got the better of her. She has appeared in the underground scene around Detroit at places such as Grenadier Club, Tangent Gallery, Grasshopper Underground, The Whiskey Parlor, Marble Bar, TV Lounge, The Works, Temple Bar, and more. She has played at festivals such as Movement, Charivari, San Francisco Pride, Red Bull Music Academy in New York, and opened for Black Madonna’s We Still Believe Tour in LA..

Japanese DJ, founder of Cabaret Recordings.DJ Masda

DJ Nobu is a DJ from Chiba city in Japan. He organises now legendary party called Future Terror and his own label Bitta in his home town.DJ Nobu ̸BIOGRAPHY Japan’s DJ Nobu is one of a kind; a DJ with no fixed style but instead a very real ability to draw on a wide world of music and cook up his own unique sound spaces. Nobu is something of a cult figure for those who know with decades of experience, all of which are distilled at his acclaimed party ‘Future Terror’, his label ‘Bitta’ and his few choice production outings. All of this has slowly but surely turned Nobu from being one of Japan’s, to one of the world’s most in demand selectors who is famously flexible and ever evolving. ̸SELECTED DISCOGRAPHY - NO WAY BACK / mixed by DJ NOBU label: ?? / Lastrum catalog: LACD-0094 (TGCS-3831) format: CD released: Dec 20th 2006 - CREEP INTO SHADOWS THE MIDNIGHT D EDITS / DJ NOBU label: Underground Gallery catalog: UGCD-801 format: CD released: April 3rd 2008 - DIARY / DAZZ Y DJ NOBU label: ?? / Lastrum Music Entertainment Inc. catalog: LACD-0143 format: CD released: August 6th 2008 - Endbeginning (Dazz Y DJ Nobu Omi Dub 12"Remix), (Nobu's Dub) / Crue-L Grand Orchestra label: Crue-L catalog: KYTHMAK132 format: 12" released: Apr 2010 - 011 e.p. / DJ NOBU label: GRASSWAXX RECORDINGS catalog: GWEP-07 format: 12" released: July 2010 - ZERO SET II -Reconstruct- / V.A. "Skin QER REMIX (reconstructed by DJ NOBU)" label: MUSICMINE catalog: MMCD20001 format: CD released: October 20th 2010 - ON / mixed by DJ NOBU label: MUSICMINE catalog: MMCD20002 format: CD released: December 22nd 2010 - Draw, Untitled / IORI, DJ NOBU label: Bitta catalog: Bitta001 format: 12" released: November 13rd 2012 - Crustal Movement Volume 01 - Dream Into Dream label: Tearbridge Records catalog: NFCD-27349 format: CD released: March 27th 2013 - Canadian Bellfield, Untitled / Steven Porter, DJ NOBU label: Bitta catalog: Bitta002 format: 12" released: December 12th 2013 - For Your Eyes Only Sampler One / V.A. "Sway" / DJ NOBU label: Semantica Records catalog: SEMANTICA 60​.​1 format: 12" released: December 20th 2013

̸BIOGRAPHY Despite his humble persona, as a DJ and producer, DOTT is an integral player in Bangkok’s ever-expanding underground house and techno scene. Can be sure his sounds will be typified by a deep house and minimal ingrained, tripping groove focused mentality. Although his sound is constantly evolving, DOTT interests is stapled to music for dancing. The approach in both his production and DJ sets is rooted in love for deep house and minimal, combining indelible bassline grooves with an intoxicating analogue sound palette. Despite his humble persona, as a DJ and producer, DOTT is an integral player in Bangkok’s expanding underground house and techno scene, he has played in some of the cities key venues such as BEAM, Glow, Safe Room and De Commune. His reputation has spread across the dance music scene network from clubs to festivals bringing his unique style to Singapore’s Headquarters, Epizode Festival, TAG Chengdu, Wonderfruit, Montreux Jazz Festival, Karma Kastle and a few of illegal and secret parties DOTT is also one of the three founders of "More Rice", an Asia-based, vinyl only label together with Sarayu and Mikhail, in which the direction is more towards obscurity. Their main vision is to support Asia's upcoming talents by creating great connections between them and other international artists around the world. He has played alongside the likes of Roman Flügel, Maayan Nidam, Dandy Jack, Thomas Melchior, Archie Hamilton, Alexi Delano and Eric Volta to name but a few. More recently he has toured Europe, bringing his sound to Paris, Lausanne and Fribourg. As a producer he has released on Body Parts, Oblack, Little Helpers, Whoyostro, Baile Musik as well as his own imprint More Rice and many more.

̸BIOGRAPHY Nihilist Queer Revolt Musik

Half Thai/Persian DJ. Born & raised in Bangkok, Thailand

London-based DJ, promoter and NTS radio host. Boss at Osàre! Editions. Many DJs claim to be champions of free-spirited eclecticism, but few truly break boundaries or swerve convention. Step forward Elena Colombi, a DJ and radio host whose inspired sets are not only open-minded and mind-altering, but also seek to toy with the emotions of listeners and dancers via shifts in intensity, tone, light and shadow. Her distinctive approach is truly unique, in part thanks to a widescreen grasp of different musical cultures, sounds and rhythms, born out of travelling the world with her family from a young age. This nomadic approach is something that Colombi still embraces. After ten years living in London and making her mark in the city’s electronic music underground and a brief relocation to Brussels, the artist is now based in Amsterdam, where she can be found contributing to the vital local scene whilst focusing on her new label, Osàre! Editions. Launched in the summer of 2019, the imprint was inspired by the Italian translation of ‘daring’ or ‘bold’. In keeping with Colombi’s approach to DJing, the label will provide a home for future-facing music shot through with forward-thinking experimentation and abandon, and imbued with a sense of complete freedom, transcending expectations of time or genre. This approach is a neat fit with her musical style, which taps into a wide range of influences and inspirations old and new. Since she began her journey through DJ culture, the Italian artist has prioritised energy and emotion over form and function, paying particular attention to obscure and undiscovered artists. While ‘anything goes’ is undoubtedly her mantra, her dynamic sets are perfectly balanced with the kind of effortless flow that many DJs fail to master with a lifetime of practice. As well as documenting her far-reaching taste via her monthly NTS shows, Elena has contributed outstanding mixes for FACT and Crack Magazine, Beats In Space, Intergalactic FM, Digital Tsunami and Dekmantel, where she also took part in a live discussion with John Talabot on the Art of DJing, a panel that was recorded by Resident Advisor and later broadcast as part of the RA Exchange podcast series. On the festival circuit she’s made appearances at Dekmantel, Club To Club, Nuits Sonores, ADE, Unsound and more, together with an annual residency for the boutique UK festival Field Maneuvers and a quarterly curated night at Belgrade’s Club Drugstore. Her outsider-led approach also gained recognition from the established art world, going back-to-back with homegrown Manchester legend Jon K at the Whitworth Art Gallery (a feat repeated at Atonal in Berlin), as well as bringing her selections to the Tate Modern in London for the Tate Lates series. The different strands of Colombi’s DJ career are almost as diverse and otherworldly as her on-point selections, a reflection of her ability to translate her vast music knowledge and sets to differing environments. Yet it’s in clubs that her celebrated talents hit home hardest.

̸BIOGRAPHY Emptyset is a multidisciplinary production project founded founded by James Ginzburg and Paul Purgas exploring the sonic possibilities connecting electroacoustic and computer music, architecture and performance. Their music focusses on compositional structures, dynamics control and textural detailing, working with elemental sonics and the material properties of sound. Their output is informed by the evolution of electronic and improvised music, full frequency production and forensic sound design reflecting upon tonal and avant-garde traditions and the history of experimental media. Based in Berlin and London they have worked on several expanded projects within performance and installation settings incorporating spatial acoustics, broadcasting, large scale instruments and vocalisation, through commissions developed for the Architecture Foundation, Tate Britain, V&A and Deutschlandradio. Releasing material through Thrill Jockey their latest recorded material has employed custom instrument design and analogue processing presented in Borders and advanced computing and the emerging field of raw audio synthesis in their recent album Blossoms.

̸BIOGRAPHY Just when you thought things couldn't get any weirder.

̸BIOGRAPHY producer dj singer person FAUZIA first broke through as a DJ. Inspired by the interwoven legacies of fast music from either side of the Atlantic, her monthly NTS show sees her blend together the best of footwork, jungle and everything in between — with the likes of Mall Grab, Kode9, DJ Taye, Om Unit and Ikonika stopping in for guest spots. The start of 2020 saw FAUZIA start to showcase her own original music for the first time, first with a celebrated production mix for DISCWOMAN, and then with a contribution to the flagship 10th edition in HAUS of ALTR’s various artists series — picking up glowing press from Resident Advisor, Mixmag, DJ Mag, Crack, Pitchfork and more in the process. It was with a series of missives released during the pandemic that FAUZIA’s music really started to evolve - from the starry-eyed breaks of ‘Fragments’ through to ‘are you hoping for a miracle?’ and ‘time’, a pair of downtempo pop releases that saw FAUZIA sing on her material for the first time while also collaborating with Kelela and George Riley. Her new live show debuted at Wysing Polyphonic in the Summer of 2021, followed by appearances supporting Loraine James and Space Afrika. December 2021 saw FAUZIA sell out her first headline at Southbank Centre’s Purcell room, accompanied by her band.

The Disco DJ who represents Seoul. Founder of The Monkey Business & Dub Plate. Over the past year, DJ FFAN has been showing his strong presence in the underground club scene of Seoul, while playing liaison role between Seoul and overseas dance music scene. He has been hosting various party series including The Monkey Business, Dub Plate and Anger Management Disco Club, and making it very successful with a lot of great guests from Asia, Europe and North America, such as Chida, Eric Duncan, Justin Van Der Volgen, The Backwoods, Tiago, Gonno, Hugo Capablanca. FFAN is the son of DJ Lee Jin, who is the Korea’s very first club DJ, which means he’s making special geneology as the only second generation DJ in Korea. In 2009, FFAN started DJing as a resident DJ of Club Via. Then he made his mark by becoming a member of Lad Monkeys and Disco Experience. In 2010, he started hosting a party series called ‘The Monkey Business’, and raised himself as a next generation DJ of Korea’s Disco & House music scene. He’s known for captivating people on the dancefloors by multifarious sounds and storytelling, mainly based on Dub Disco, House and Techno. In 2016, starting from his Boiler Room gig, FFAN has been widen his overseas activities ranging over the whole Asia, including Japan, Indonesia and Thailand. 지난 한 해 DJ FFAN은 서울의 언더그라운드 클럽씬의 핵심적 존재로서의 무게감을 드러내며, 서울과 해외의 댄스 뮤직씬을 연결하는 키맨 역할을 해냈다. 그는 몽키비즈니스The Monkey Business, 덥플레이트Dub Plate에 이어 앵거 매니지먼트 디스코 클럽Anger Management Disco Club까지 다양한 파티를 주최하며, Chida, Eric Duncan, Justin Van Der Volgen, The Backwoods, Tiago, Gonno, Hugo Capablanca 등 아시아와 유럽, 북미의 핵심 게스트들을 연이어 초대해 성공리에 파티를 개최했다. 그는 한국 최초의 클럽 DJ 이진의 아들이라는 특별한 출생으로, 한국 유일의 2세대 DJ로써의 특별한 계보를 만들어 가고 있는 중이다. 2009년 Club Via의 마지막 레지던트로써 DJ를 시작하여, Lad Monkeys, Disco Experience의 멤버로 활동하며 두각을 드러냈고, 2010년 시작된 The Monkey Business를 통해 한국 Disco & House 씬의 차세대 DJ로 발돋움 했다. 최근엔 Namsan Shepherd Club을 창설하여 넥스트 제너레이션 DJ를 발굴하고 육성하며 새로운 경계선을 열고자 노력하고 있다. 그는 Dub Disco를 베이스로 House, Techno 등 다채로운 사운드와 스토리텔링을 통해 관객들을 이끌기로 유명하다. 2016년 보일러 룸 Boiler room 라이브를 통해 물꼬가 트인 그의 해외 활동은 일본, 인도네시아, 태국 등 아시아권을 아우르며 스펙트럼을 넓히고 있다.

̸BIOGRAPHY Boss woman behind POLAAR label, Flore is an essential artist on the french electronic music scene. Pionner in the leftfield bass music field, she has just released a second album RITUALS, acclaimed on BBC radio 1 & 6, Mixmag, Tsugi and Trax Magazine... Propelled by curiosity and meticulosity through the last two decades, Flore built her musical journey guided by risk and a generous creativity. 
If her musical and cultural roots go back to jamaican sound systems, breaks and drum and bass, her musical culture and tastes cover a wider territory that ranges from Pink Floyd to Sun O))). This constant interest for new forms and sounds stands behind her path as the live artist she is now, from DJ through producer to being the first woman Ableton certified trainer in France. As a DJ, she brought her explosive sets to numerous european clubs, venues and festivals such as Les Nuits Sonores, Fabric, Fusion Festival. Her Boiler Room set is memorable. Flore is a DJ renowned for the energy of the sets, the rowdiness she brings to the dancefloor and her ability to communicate with the public. Her work capacity and diverse skills led her to collaborate with other artists in various contexts such as with Arandel at La Philarmonie de Paris in 2018 for an exclusive creation for the prestigious institution, working with theater directors and dancers. Crown on top of an already rich collections of gems, she is the boss lady of POLAAR, one of the most exciting musical label of these last years in France. Flore has become a true master at tailoring her sound, often with a sense of anticipation of what was in sight on the electronic music scene : from “Raw “ (2010, Botchit & Scarper) predicting the global bass phenomenon to “Rituals” her second album (2020, POLAAR) cruising on a futuristic and personal interpretation of techno and breaks in all their various forms. Flore keeps the trip real, away from calculation and visibility preoccupation all of which make of her a genuine creative force in the european musical landscape and a sought after live act. ̸SELECTED DISCOGRAPHY https://floremusic.bandcamp https://open.spotify.com/playlist/0wkiGHK5NpzIhbQQGlhF6L?si=RUtNNTQ9Sc28gPfi8GHLWA

̸BIOGRAPHY Manchester based producer making music thats a sonic reflection of his heritage, marrying the sounds of latin rhythms & uk low end focus

̸BIOGRAPHY London DJ, producer, vinyl collector & musical curator Gideön has been playing Deep House, Northern Soul, Roots Reggae, Acid House, Disco, Soul, Vintage Gospel and Rare Groove for the last 29 years. GIDEÖN (HOMO-CENTRIC RECORDS / NYC DOWNLOW / ADONIS / R3 SOUNDSYSTEM / BLOCK9) GIDEÖN has a background in music spanning 30 years. In addition to his practice as a recording artist, stage designer and curator, he is a touring DJ and is an avid collector of vinyl. Since his first set of turntables in 1990, GIDEÖN has devoted his life to collecting vinyl from the US, Jamaica, Latin America, Africa, and the UK. He specialises in Northern Soul, Latin, Reggae, Gospel, and Disco rarities. House Music, above all, is his first and greatest love. He has a degree in Music with Visual Practice (BA Hons) and is currently guest Creative Director of Music for London Borough of Culture 2022. GIDEÖN co-founded, co-created and curates Block9’s festival nightlife institutions NYC Downlow, Genosys, Maceo’s and IICON and is also resident and co-booker at London’s hottest queer club night Adonis. As a radio DJ, GIDEÖN has been actively involved in broadcasting for many years now. After cutting his teeth on London’s pirate stations in the late nineties, he has hosted a weekly show on London’s Soho Radio for 3 years. He is a frequent guest on London’s Rinse FM and has recently contributed to BBC Radio One, NTS and BBC 6 Music. GIDEÖN has been very involved in political activism over the years and is now increasingly focussed on organising hybrid cultural-political events partnering music and protest, often under the banner of R3 Soundsystem. Together with Love Music Hate Racism, GIDEÖN has organised major sound system interventions on many of the Stop Brexit and Stop Trump and Anti-Fascism protests. He is actively involved with fundraising for several LGBTQ+, human rights and social justice organisations including AllOut, Prepster, Human Dignity Trust and Refugee Community Kitchen. Gideon sits on the advisory committee of The Right to Dance, part of War Child’s NGO Network. R3 Soundsystem is a consortium of DJs, musicians, producers, record labels, festivals, nightclubs, sound systems, activists, and cultural organisations, all united by love of music and the rejection of right-wing nationalist values. R3’s three Rs stand for RESIST / REJECT / REVOLT. https://www.instagram.com/gideon_dj_official/

☿️ Intergalactic Mermaid ☿️ GiGi FM aka Giulia Fournier-Mercadante is a French/Italian force well and truly to be reckoned with. Born and raised in Paris, Gigi moved to New York in her teens after being awarded a dance scholarship at the NYC Ballet and Alvin Ailey where she studied and practiced dance at the highest level before moving onward to her current residence of London where she continues to make waves with her unique approach to Music, Sound, Dance and Art. It wasn’t long until she became a firm fixture of South-London’s close-nit music scene, taking part in organising parties in DIY spaces and DJing regularly across the city (with regular appearances at London’s revered ‘Make Me’ parties). Listing Donato Dozzy, Bjork, Function, Neel, Aleksi Perrälä, Pierre Henry, E. Satie and Suzanne Ciani to name a few among her musical influences, Gigi is as creative in the studio as she is on the decks. GiGi associates textures and colours to sounds within the music, giving her a unique approach to collecting, selecting, playing and making music and affording a natural ability to create atmospheres and ambience unlike many others. After playing two stand-out sets on Boiler Room in recent times, she is now about to embark on a Boiler Room club-tour covering some key UK and European cities, placing her among a select number of her musical piers. Add to this a fast-growing list of gigs and many more exciting projects in the making, the future looks very bright for GiGi FM indeed!

Guido Balboa starts his music journey in Hong Kong. His style is highly influences by his roots that are based in the country of the Dolce Vita. As he is slowly introducing himself in the Hong Kong scene he is discovering everyday something more about the well known and the forgotten artists of his native country making his mission always more clear: Make Italo Disco Great Again.

Hamburg native Helena Hauff is an in-demand DJ as well as an acclaimed producer of gritty, hard-edged electro-techno. Her music draws from influences such as acid house, EBM, and industrial, and she records her tracks strictly using analog equipment, usually in one take. Her full-length debut, 2015's Discreet Desires, contains some of her most melodic material, while 2018's Qualm is more stripped-down but no less energetic. Hauff has released a handful of EPs, including 2019's Living with Ants and 2021's Futuros with the Exaltics. ~ AllMusic

Hibiya Line is not Japanese. Behind that name hides Dan, a Swiss-Vietnamese guy who in 2006 began playing live acts mixing beats, house and techno in his hometown of Lausanne, Switzerland with two friends. They quickly made a name for themselves were invited to play in some of the most prestigious clubs and festivals around the country such as the Montreux Jazz Festival, Paleo, and Motel Campoto name a few. His deep immersion in the Swiss party scene eventually brought him to Saigon in 2012, and in 2013, he opened The Observatory. Since then, Hibiya Line has become known as one of the most versatile and resilient DJs in the region, with more than enough capacity and drive to take full control of dance floors from the sundown to sunrise. Hibiya Line’s sound explores the house, disco and techno, but his dancefloor can always expect to experience some open-ended style tracks thrown in that make the audio journey more diverse and interesting...

̸BIOGRAPHY Producer/DJ Garage and Bass head 128-175BPM

MARICAS / MistressISAbella

̸BIOGRAPHY Istanbul Ghetto Club is a music-driven multidisciplinary collective, combining delightful Anatolian, Greek and Mesopotamian tunes with modular synthesizer and performing arts, always with a sense of humor and an erotic touch. One night Kamil was working in a Pavyon in Istanbul. Pavyons are live music bars in which traditional Turkish folk music is played, usually with the bağlama. Men come to Pavyons to swim in different oceans. While Kamil was playing Bağlama, Mahmut came into the bar. With his outward appearance, his lighter skin color, he didn't seem to fit in. Actually Mahmut just wanted to ask for directions, but then, because people started looking at him strangely, he felt offended. He thought to himself, "I live here too, why can't I come to this bar and have fun like everyone else?” Somehow Mahmut and some of the other guests started to discuss. It had started to escalate more and more, and Kamil saw how people had started to push him. So Kamil stopped playing and ran to help him. The crowd was so heated up that they started hitting Kamil and Mahmut. In the end, they threw both of them out of the bar. Kamil's Bağlama was destroyed and Mahmut's nose was broken. To cool down, they went to have some Çorba. At the restaurant, Mahmut told Kamil that he makes electronic music. While eating and talking they planned to start a project together with Bağlama and modular synthesizer: something like a tasty Çorba. ̸SELECTED DISCOGRAPHY Istanbul Ghetto Club - Hamam Dreaming (Single)

After more than a decade spent building an enviable reputation for herself in the clubs of Paris, Jennifer Cardini has become an international concern. Jennifer Cardini long since outgrew Pulp – the Parisian club where she first made her name– and set off on a mission to take her vision of house music to audiences around Europe and beyond. Over the course of a career spanning of fifteen years, she has delivered DJ sets fusing techno, electro and disco at the world’s most prestigious clubs (Panorama Bar in Berlin, De School in Amsterdam, Lux in Lisbon, Good Room in New York) and hottest festivals (Melt, Nuit Sonores, Burning Man). Yet her dancefloor philosophy is reflected not only by her sets and the music released on her labels, including electro imprint Correspondant and the more indie oriented Dischi Autunno but also by her engagement in support of the LGBT-community. Based in Berlin following six years in Cologne, Jennifer Cardini continues travelling all around the world transmitting her love for music to us through the dancefloor!

̸BIOGRAPHY ٩ʕ•͡וʔ۶ Who's the guy ..!?

Jonathan Kusuma is a musician, producer and DJ based in Singapore and Jakarta. Running his label and Parties Dekadenz in Jakarta, a resident DJ in Headquarters and Tuff Club in Singapore. His main releases have been under the influential music labels I’m a Cliché (Paris) (Automatone EP, 2016) and Cocktail d’Amore (Berlin) (Black Magic EP, 2016), Cocktail d’Amore 10 Anniversary Compilation 2019. Kusuma has also been released by various internationally respected labels, such as Correspondant (Berlin)'s compilations (2016 and 2017), Ene Records (Japan), Power Station (Melbourne). He has also done remixes for Correspondant, Roam Recording (Los Angeles), La Belle Records(Paris), Calypso (Mexico), Hard Fist (Lyon) and Tom Tom Disco (UK). In 2014 he released his debut EP "Gong 3000" on I’m a Cliché followed by the "Underpass" EP on Love on the Rocks (Berlin) in 2015. Additionally, in the same year, he released various remix projects for 5alad on "Factor City" Label (Barcelona), Split Secs on "Machine Limited"

̸BIOGRAPHY a little write up about him ; JonnyVicious, a young and mischievous disc jockey who credits his musical intelligence to everything he’s heard since the age of zygote. A creature that evolved in an environment led by the foundation of curiosity a.. a little write up about him ; JonnyVicious, a young and mischievous disc jockey who credits his musical intelligence to everything he’s heard since the age of zygote. A creature that evolved in an environment led by the foundation of curiosity and laughter. Intuitive and diverse, he enjoys mixing in sounds of far and wide, adding in the bells of religious controversy and food. He lives, breathes, and has been enslaved by the rhythmic power of making rooms full of earthlings move spastically. He is one with earth and earth is one with him. Male. Links; Facebook: https://www.facebook.com/jonnyviciousjc?fref=ts Soundcloud: https://soundcloud.com/jonnyvicious

Born and raised in Amsterdam, Kamma's path to her craft could not have come more naturally. A child to parents who both have DJed professionally for over 25 years, Kamma was brought up on jazz, funk, disco and early house. Her instictive nature and open-mindedness make her a purveyour of a wide range of sounds, going deep beyond her traditional roots. With an effortless contrast of energy and emotions, she journeys dancers into complex rhythms, dreamy waves and new era electronics. Together with Masalo, Kamma is behind the rising Amsterdam party series “Brighter Days”, a festive get together, celebrating dance music culture to the fullest. Here she has graced the decks with masters such as Hunee, Colleen ‘Cosmo’ Murphy, Ge-ology and Kuniyuki Takahashi. With class-act performances at festivals like DGTL and Dimensions, and beautiful trips on the horizon, Kamma is ready to present the colourful depths of her record crate!

̸BIOGRAPHY Sound artist, live performer, DJ and independent researcher in sonic and media cultures. Mariachiara Troianiello, the Milan-based sound artist behind the moniker Katatonic Silentio, works at the crossroads of electronic music, performing arts and sound studies. Both as a live performer and an independent researcher, she seeks to bridge different spheres and approaches to sonic production. Active as a DJ for more than 15 years, her sets adopt multiple forms, fluctuating between an analogue past and a technological, fast-paced future. At times, her sets focus on pure abstraction, consisting of ethereal soundscapes that seek to transcend the tangible through a mix of musique concrète, world, spoken word, ambient or dub. At others, they come across as concrete and club-oriented, crossing techno, broken beats or drum n bass. Mariachiara views sound as a critical tool and has a genuine interest in exploring sonic possibilities and practices from both artistic and sociological perspectives. As an independent researcher, she is a member of the Scientific Advisory Board of USMARADIO: Interdepartmental Research Centre for Radiophonic Studies at the University of San Marino. In her undergraduate thesis in 2015, Mariachiara looked at the different notions of radio and broadcasting between underground and mainstream and the multiple performative possibilities of the medium itself – a topic she currently puts into practice through her project Expanded Radio Research Unit. As of now, she holds radio residencies on EOS and LYL. Mariachiara also collaborates with Anonima/Luci, a light art collective with whom she develops installations that reconfigure architectural spaces by combining light and sound. Together with choreographer and dancer Olimpia Fortuni, she performs „X“, an ongoing compositional study that draws on sound, movement and space. ̸SELECTED DISCOGRAPHY - EOS Compilation 01 / EOS Radio, 2022 - Pho Beat Bazar Vol. 2 / PHO BHO, 2022 - Freefloat Remixes / Worst Records, 2022 - Paradisia Vol. ∞ / Gangs of Ducks, 2021 - NOOD5 / Noods Radio, 2021 - Club Winston Remixes / Club Winston, 2021 - Tabula Rasa / llian Tape, 2021 - Alkisah II / MAKA – The Alkisah Reworks Divisi Italia / ArteTetra, 2021 - Prisoner Of The Self / Remixed / Bristol NormCore, 2021 - Bittissue / Biodiversità Records, 2020 - Prisoner Of The Self / Bristol NormCore, 2020 - Dis/Continuum / Mother’s Finest Compilation / Mother’s Finest, 2020 - Grains / Self-released, 2020 - VVAA Forever / Haunter Records, 2019 - Emotional Gun / Cyberspeak Music, 2019 - Roland System-1 / One Instrument Records, 2017

̸BIOGRAPHY Kim Ann Foxman / Firehouse Recordings / self:timer / Pleasure Planet The short-story version of Kim Ann Foxman’s trajectory is pretty simple: An island-born kid dreams of a life in clubland, hits the big city and, with a little bit of luck and a lot of hard work, emerges as one of dance music’s leading figures. But it’s the details that transforms her singular tale into something far more fascinating than the standard-issue success story. After all, what other DJ can lay claim to the title of Miss Teen Filipina Hawaii? How many can say that their first job in nightlife was when in high school, serving as the in-house dancer and serving rave smoothies at an all-ages club? How many, after moving to New York by way of San Francisco in the early ’00s, can say that they helped to rejuvenate the city’s then-stale nightlife via her residency at one of the best parties ever held in a hole-in-the-wall gay bar, the Mad Clams affair? How many have tasted stardom as one of the original members of the scene-making dance-music collective Hercules and Love Affair? Exactly one, and it’s Kim Ann. But it’s a safe bet that she would have made it to where she is today without those biographical eccentricities, because her near-classical take on jacking club rhythms is hard to resist, sounding as fantastic at a full-scale mega-rave as it does at a grimy basement bash. It’s a universally appealing sound that’s taken her around the world—the past few years have seen her playing such hallowed halls as Fabric, Berghain, DC-10, Concrete and Contact, all while holding down a residency at her hometown’s Good Room. A lifetime in clubbing has informed Kim Ann’s studio work as well, with her music—much of it coming out on her own Firehouse label—synthesizing the best elements of raw house, propulsive 303 material, emotive techno and even the occasional hint of trance into a hugely satisfying whole that lives somewhere between the weird and the wonderful. And then there’s her latest project, Pleasure Planet, which sees her teaming with Andrew Potter and Brian Hersey to add sparkling touches of extraterrestrial new wave to the mix on her new sublabel, self:timer. It’s yet another twist in the continuing saga of Kim Ann Foxman—and, we’d wager, there are plenty more to come. Bio Written By Bruce Tantum

Dubstepper Kode9 is the founder of Hyperdub.Kode9

and u r a thief and u drink 2 muchLaurel Halo

Amsterdam based DJ and Producer Lena Willikens. Resident at Salon Des Amateurs, Düsseldorf. Artist on Dekmantel Rec. Radio broadcaster of "Lightning Conductor" on NTS Radio. Lena Willikens doesn’t play the hits. When she’s behind the decks, even her biggest fans often have no idea exactly what she’s playing, and that’s part of the magic. Like all DJs, Willikens of course has a passion for records and is always on the hunt for elusive bits of music, but as an artist, her work doesn’t hinge on any one track or even a handful of tracks. She’s after something bigger, something that’s truly transportive for those on the dancefloor, and the tracks she plays – whether they’re bizarre slices of synth exploration, some ominously churning proto-industrial stomp, or something else that simply defies classification – are all parts of a larger, more psychically satisfying whole. These days, however, Willikens' radio adventures happen on NTS, where she pilots the monthly Lightning Conductor program. Now based in Amsterdam, her curatory prowess prompted an invite from Dekmantel to put together the fifth installment of their acclaimed Selectors compilation series, and she also contributed a track to the label’s run of all-star 10th anniversary EPs. As a remixer, she's been tapped in recent years to rework the likes of Lena Platonos, rRoxymore, S U R V I V E, Simian Mobile Disco, and Ana Helder, amongst others. And amidst all this activity, she's also been busy with Phantom Kino Ballett, a collaboration with artist Sarah Szczesny that lands somewhere between immersive audio-visual experience and performance art, allowing Willikens to indulge her transportive impulses in a completely new way. Nevertheless, it’s in the DJ booth where Willikens continues to make the biggest impact. As of late, she’s forged a particularly potent partnership with fellow sonic explorer and Salon des Amateurs alum Vladimir Ivkovic, the two engaging in a sort of mind meld that brings together their shared love of electronic music’s darkest and most bizarre corners. Shawn Reynaldo

̸BIOGRAPHY LIGRYE has brought his blend of house, techno and bass to Seoul underground staple venues since his 2013 debut at Exit. His soundscapes have shapeshifted since then and evolved to include afrobeats, ballroom house and experimental world rhythms. He has contributed his select sound to parties such as Pute Deluxe and Boiler Room in Seoul as well as bigger festivals such as ULTRA Korea, Spectrum, Holiday Land and Arcadia Festival in Korea. He is a natural collaborator and has added his flavor as a core member of the Pute Deluxe creative collective, and his residency at the TRES parties with the formidable Kingmck has put him on the map as a permanent fixture in the Seoul underground music scene. LIGRYE is also sought after on the art and fashion scene and has played at the Balmain x H&M store openings and the Louis Vuitton collection opening in Seoul, the Seoul Fashion Festival, the Playboy Korea launch party as well as the Art Basel after party in Hong Kong. Internationally, he has successfully toured china, Dada Beijing, Dada Shanghai, Oil Shenzen, NOX chengdu and ALTN8 Festival and Art Basel in Hong Kong. Hailing from South Africa, LIGRYE started a uniquely Afro-esque party JOL at Cakeshop which features beats from his home country and other sounds inspired by the continent. Filtered, a party that celebrates the intersection of music and art is also LIGRYE’s brainchild. Shade is arguably LIGRYE’s biggest claim to the industry as it is not only a party with the hottest DJs, music and people but also features international performers. Yaeji, Kim Anna Foxman, Mike Q, Byrell the Great, Zebra Katz and Tygapaw, to name a few, are some performers who have graced the decks and dancefloors of Shade. His latest collaborative party is Femme, an ode to the feminine. Both Shade and Femme are creative, LGBTQIA inclusive spaces. He has been featured internationally, ID magazine US, Poland, Japan and Mexico, Dazed and Confused Korea and OkayAfrica as a formidable creative in Seoul.

Liv is a NYC-based DJ.

Loraine James is a producer who uses a minimalist setup and unbound creativity, she utilises IDM glitch aesthetics with an improvisational, jazz-rooted spirit and a unique talent for integrating her diverse influences into cohesive and emotive pieces. Hailing from Enfield, North London, adventurous producer Loraine James is a rising voice in the electronic music community. Taking piano lessons as a child and growing up listening to a wide range of genres has instilled a voracious musical curiosity in her that resonates throughout her productions. While classes at college, and later on Westminster University’s Commercial Music course, facilitated her encounter with the basic tools for digital production, her approach is closer to DIY culture than formal training. Often expressing her love for IDM, her intricate, highly intuitive and emotional tracks, composed used minimal, easily-available setup, and openly queer identity stand in direct opposition with the genre’s traditionally male, white and gear-fetishising intellectualism. James’s music is at once abrasive and vulnerable, a powerful dichotomy used to fuse together the many disparate elements from London’s sound universe which she integrates into her music, moulding grime, R&B, jazz and ambient into novel sonic creations with an instinct for improvisation. In 2017, her self-released debut album Detail caught the ear of many music aficionados, but 2019’s sophomore For You And I LP on Hyperdub would make her a breakthrough star, receiving unanimous acclaim from peers, fans and critics at the likes of Crack, DJ Mag, The Quietus, Mixmag and Pitchfork. On Nothing EP, her second Hyperdub release, she explores new directions with a diverse group of international collaborators including Uruguayan producer Lila Tirando a Violeta, Jonnine Standish of Australian duo HTRK and Iranian-British rapper Tardast. by Andra Nikolayi

Lydo is an interdisciplinary artist based in New York City known for their party, X-TRA.SERVICES. Lydo is an interdisciplinary artist based in New York City. As a resident DJ of BASEMENT NY, their distinctive sets explode the parameters of techno, deftly cutting across genres while retaining a highly personal emotional resonance. Whenever Lydo plays, it’s best to leave your expectations at the door and simply prepare for an unexpected array of sonic thrills, ranging from visceral and grooving to mind-bendingly experimental. A key figure in their local scene, Lydo also runs X-TRA GEAR.SERVICES, crafting highly sought-after gear designed for practical ravers. X-TRA is also renowned for its legendary, sold-out underground parties before becoming a seasonal resident party at BASEMENT. A non-binary trans artist themselves, Lydo launched X-TRA.SERVICES to serve and create space for queer, trans, and nonbinary artists and communities of color. Lydo has played at Bassiani, Säule, Sustain-Release and Boiler Room, as well as many subterranean parties in Mexico City, Berlin, Copenhagen and New York. They have also made unforgettable mixes for publications including Crack Magazine and The Face.

Fun-sized DJ based in Kuala Lumpur. Previously under the moniker, LissaZombie I play House, Techno and Disco - anything that will make you shake! LZZY is a Malaysia-based self-taught DJ, who has gone from teenage bedroom selector to regional club regular. From her early days of drawing inspiration by dancing it off to fidget electro, to spending summers in Europe, LZZY's sound has since grown to cover what she labels as high energy party music. After 10 years in the scene, she has graced the decks from Bali, Tokyo to Amsterdam. You can find her dropping disco on a sunny Sunday afternoon or creating chaos on the dancefloor with pulsing house, crunchy techno with dollops of acid.

̸BIOGRAPHY Montreal's Maara continues to make a splash for herself in the international dance music scene with her productions and mixes. Hailing from Montreal, Maara has made her mark on the dance music scene since her 2021 breakout EP 'Ultimate Reward' on NAFF recordings. Maara has continued to build a name for herself, releasing her subsequent EP on Sonido Isla 'Potion Activated', which features 'The Forbidden Plum', nominated for Best Song of 2021 by Resident Advisor. Her most recent release on Radiant Love 'Goddess Within' celebrates queerness with its hot, euphoric energy. In addition to her solo releases, Maara has contributed to various international compilations and continues to bless the scene by bringing a playful atmosphere to dance floor bangers. Her mixes and DJ sets cover high energy progressive, trance, electro, break beat lit energy.

̸BIOGRAPHY “Genres are disturbing. I play vibes,"

̸BIOGRAPHY Magico (Ring, Seoul) A Korean DJ, born and raised in Uijeongbu, located in the suburbs of Seoul. He felt strong sense of vocation for electronic music in the early days of his dj career while playing at underground parties. He has always been touched by the deep and minimalistic aspects of house/techno music. His unique music selection and exquisite mixing style embrace many of the timeless bits and pieces from both old and new electronic music eras, making him shine as one of the essential djs/selectors in the Korean underground scene. He has been engaged in forming a solid local music scene since 2011, as a resident dj for club Mystik where notable djs from around the world have showcased their talents and he is one of the resident djs for club Ring in Seoul since 2020. He is receiving lovecalls from world clubs and events such as Closer, Club Der Visionaere (Hoppetosse), Robert Johnson, Resoulte (New York), Sublime (Paraguay), Motif (Nicaragua). He also curates his monthly event, Voice where he invites likeminded international djs who share a common attitude to deepen the range of styles available in the Seoul underground scene.

Mama Snake first garnered attention as a DJ as part of Copenhagen's now-disbanded Apeiron Crew. She entered the techno scene with a fully formed sound: rattlesnake beats and emotional synths tied together by imperceptible mixing. Her watertight online mixes quickly earned her a following, and she's now busy balancing her life as a touring techno DJ with her job as a recently qualified surgeon.

̸BIOGRAPHY Visual Artist

̸BIOGRAPHY Maria w Horn is interested in manipulation of time and space through sonic extremes, and overload/loss of perceptual stimuli. Her musical output oscillates between extended drone textures and high-density gestural music with intense strobe lights and visual material. She is an integral part of New Music in Sweden through her involvement in Fylkingen, Drömfakulteten, Sthlm Drone Society and her own label XKatedral. ̸SELECTED DISCOGRAPHY Diverted Units - Holodisc 2016 Minutiae - Sthlm Drone Society vol I - Xkatedral 2016 Magenta - Xkatedral 2016 Hästköttskandalen - Space girls - Fylkingen records 2015

̸BIOGRAPHY Salogni's musical background was cultivated in her native Italy between the small towns of Capriolo and Brescia, where she spent her formative years, collaborating with musical acts of all styles. She started working as a live sound engineer for the local social centre and independent radio station Radio Onda D'Urto, non-profit left-wing venues and counterculture organizations for a variety of gigs, festivals, and theatre productions. After moving to London in 2010 she took a 9 months course at Alchemea College of Audio Engineering to learn Pro Tools, and shortly after began her career working as a recording engineer across major recording studios both nationally and internationally.[1] As a producer and mixer, Marta Salogni has worked with Björk, Depeche Mode, Romy,[2] M.I.A., Groove Armada, Animal Collective, Black Midi, HAAi,[3] Bar Italia, Ela Minus, Westerman, Philip Selway, Jayda G, Circuit Des Yeux, Dream Wife, Holly Herndon, Porridge Radio,[4] Anna Meredith,[5] Ela Minus,[6] Methyl Ethyl,[7] Lafawndah,[8] Puma Blue,[9] Kàryyn,[10] Planningtorock,[11] Daniel Avery,[12] Duval Timothy, Emel Mathlouthi,[13] Factory Floor, Kelela, Liars, Alex Cameron, Daniel Blumberg, Little Boots, Temples, Insecure Men,[14] The Orielles, HMLTD, and Django Django. [15] As an engineer, Salogni worked with producers such as Danton Supple and David Wrench. Alongside Wrench, she has worked on projects with Frank Ocean, The xx, Goldfrapp, FKA Twigs, Blossoms, Glass Animals, Pixx, Shura, Bloc Party, and LA Priest. She has also worked on Tracey Thorn's 2018 Record alongside producer Ewan Pearson.[16] Salogni has worked with the record labels XL Recordings, Young Turks, Mute, DFA Records, Virgin EMI Records, 4AD, Polydor Records, Domino Recording Company, Heavenly Recordings, Sony Music, and One Little Indian. She is involved in the London music scene, playing both composed and improvised live sets using tape machines, loops, and feedbacks. She recorded and mixed the 2023 Depeche Mode album Memento Mori[17] with James Ford, who had produced the band's previous album Spirit. Marta was awarded the MPG (Music Producer’s Guild) Breakthrough Engineer of the Year 2018,[18] Breakthrough Producer of the Year 2020[19] and UK Music Producer of the Year 2022.[20]

Amsterdam born and raised artist Masalo has been making waves, in the Amsterdam scene and beyond, for the past few years. With roots in Japan, his diversified upbringing is strongly translated into his musical output. Masalo’s DJing is proof of this hybridism, unearthing organic music from the past and combining them with new era dance music in a seamless way. This year his tour de force Dekmantel Boiler Room together with Kamma, along a full touring schedule of club and festival appearances has put him in the international spot. Masalo’s production art embodies the same spirit, where hybridism is being a key philosophy in his work. His choice cuts have found their home on the Rush Hour label, the imprint he’s closely connected with. With the recent ‘New Dance’ EP and a remix for New York’s Tom Noble, winning the hearts of many dance aficionados around the globe, a prospect is emerging as brightly as his party’s name. Together with Kamma, he runs the dance party series Brighter Days, a colourful get-together celebrating dance music culture to the fullest. Brighter Days pushes the spirit of friendship and togetherness on the dancefloor, welcoming local talent along tastemakers such as Colleen ‘Cosmo’ Murphy, Hunee, Kuniyuki, DJ Spinna and many more. Recently Masalo contributed in the creation of Doka Studio together with a dedicated team of local creatives. Located in the Volkshotel building in the east-side of Amsterdam, Doka Studio is a sound bar and dance club focussing on immersive sound experiences. An intimate space with high-end audio equipement where subcultures unite and young talents and established protagonists resonate their soundwaves into the night. Masalo lives and breathes music with a raw and unadulterated approach to good vibes over from Amsterdam to the world.

̸BIOGRAPHY Mayo is a project that is influenced by the sounds I heard growing up combined with the music I listen to nowdays, bringing together the past to meet the future of music and sound Since day one i was exposed to music. from vinyl records that played non stop at home, with wide diversity of disco funk and jazz, to radio stations I was addicted to that played house, nu-disco and electronic music. Our house atmosphere was built on music. Whether it was long car rides with the radio playing in the background or my dad having his annual Friday morning record sesh, blasting his music so all the neighbors could hear, I was constantly surrounded and influenced by music. At a young age I was learning to play a number of instruments such as drums, piano and sax which only made me eager to create more. At age 13 i first got to use a music software and produce my own sound. 3 years later, I was djing at local party’s, friendly gatherings and social events so I never stoped since. Mayo is a project that is influenced by the sounds I heard growing up combined with the music I listen to nowdays, bringing together the past to meet the future of music and sound

̸BIOGRAPHY MC Yallah is a Kenyan rapper based in Uganda, and an affiliate of Nyege Nyege. Recently she teamed up with Debmaster to release Kubali on acclaimed Nyege Nyege sublabel Hakuna Kulala. A veteran of the industry, she became involved in hip-hop music back in 1999, spreading a message of integrity and motivation among local youth.

Under alias MLCH hides Florian Mélinette, co-founder of FuFu and Hong Kong based Dj. Music lover from his boyhood, this french guy spend most of his time digging in order to drop the secret weapons and classics, switching from Chicago House to Deep atmosphere without forgetting some funky/disco tunes. He play with passion and a desire to get a whole club bouncing. He already played alongside international artists such as Move D, Jayda G, Christopher Rau, Pablo Valentino, Trus'me, Soichi Terada, Jus-Ed, Lay-Far, Crackazat, Sameed,... His favorite expression: " When the drummers change their beats, the dancers must also change their steps."

Mogwaa is one of South Korea's shining stars. A producer with a vast repertoire of styles under his belt, he takes rhythmic cues from a wide palette, including jazz-funk, Latin percussion and dreamwave. His debut release on Peggy Gou's label, for instance, featured funky electro and sparkling Balearic house fit for Ibiza sunsets.

An outspoken voice in the normally non-confrontational world of electronic dance music, Moodymann (Kenny Dixon Jr.) is committed to keeping a distinctly black imprint on techno and house. Moodymann

Iranian born but California based Artist/DJ Mozhgan has been honing her dark arts on the decks for quite some time. In 2011 she started "We Are Monsters," a party to develop her passion for contemporary, dark, and mysterious dance floor sounds. Mozhgan is a sonic alchemist who’s musical languages traverse between mysterious planes and wondrous vortexes. Her singular technique focuses on uncanny juxtapositions of sound that seamlessly unify and project spiritual light, creating luminous pronunciations that voyage deep into the shadowy spaces of the subconscious. As an acolyte of the acidic temple, and founder of the We are Monsters gatherings, Mozhgan fearlessly confronts the constricting limits of the status quo while simultaneously rejecting them with arcane spells that defy time and space. By projecting hypnotic sound waves that rupture the mundane, her cosmic utterances permit extraterrestrial passages that venture beyond the tranquil pathways of familiarity.

Record collector, DJ, Producer and Label Owner of Klasse Recordings. Over 15 years of collecting music and djing in clubs, Mr. Ho entertains crowds with his energetic and eclectic sets that are rooted in House, Techno, Disco, Electronica and dance music from all from all over the world.

̸BIOGRAPHY The Rotterdam born, raised and based DJ Nala Brown has been cultivating a sound that explores different genres. The co-founder of the all female collective AMPFEMININE has been blowing up in recent times, with sets for Boiler Room & Hör and decking the stages of Glastonbury and WHP.

̸BIOGRAPHY Nala Sinephro's music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Nala Sinephro is a Caribbean-Belgian composer, producer and musician living in London. Sinephro's debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a orb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more. Following electrifying live performances across the London scene, word of Nala Sinephro's playing has spread throughout the UK jazz scene and procured support from NTS, London Contemporary Orchestra, Spitfire Audio, Gilles Peterson, Virgil Abloh, Touching Bass and The Guardian. In 2021, she joined the innovative Warp Records roster and continues to weave her unique sound world. ̸SELECTED DISCOGRAPHY Space 1.8 (Warp Records) released September, 2021 Nala Sinephro - Live at Real World Studios with Edward Wakili-Hick & Dwayne Kilvington (NTS) released August, 2021 Nubya Garcia - Together Is A Beautiful Place To Be (Nala Sinephro Remix) released October, 2021

̸BIOGRAPHY Nastya Vogan is a Kyiv-based electronic producer and composer, a resident of ∄. With a background in classical music, she opens up an electronic space to channel different influences from rare leftfield techno, electro and breakbeat to innovative electro-acoustic performances with an orchestra.

̸BIOGRAPHY Originally from Fremantle, Western Australia, Neu-Romancer is a Berlin based producer, musician and DJ. Playing the likes of Zanias ( Fleisch ) and post-punk band Ciern, her broad aesthetic entangles Dark Disco, Electro, EBM, Italo and sleazy beats - bringing a playful light to the depths of the dark realm. Solo release soon to come on Fleisch Records.

̸BIOGRAPHY Athens-based French Artist, DJ and producer OKO DJ. Member of label BFDM and of close to the collective Bruits de la Passion. Founder of LYL Radio Paris. Radio broadcaster of women only's "PU$$Y NIGHTMARE" on LYL Radio Originally from Paris, and now based in Athens, Marine Tordjmann alias OKO DJ's implacable rise to prominence has seen her establish as one of the finest DJs and producers to pace the world's stages. Core element of Judaah's Lyon-via-Marseilles operated label BFDM, member of Bruits De La Passion - a crew promoting alternative, off-piste parties that aspire to create safe spaces for creation and recreation, initiator of LYL Radio's Parisian antenna where she hosts her bimestrial show Pu$$y Nightmare - focused on casting a broader, more comprehensive light on female artists, all of that agenda attracting her wider recognition on an international level. 2020 has seen OKO DJ make a noticed debut in solo production with a track on Metaphore's imprint compilation, followed by an acclaimed first 4 tracks experimental EP on Futur 2010, featuring "one of the coolest downtempo tracks of the year" (RA). OKO DJ aims at exploring connections rather than divisions, bridging gaps with spirituality rather than widening them. Dishing out distinctively rich, genre-busting tapestries that transcend all limitative roles, Tordjemann has the secret to channeling surrounding energies and forces in her art with unrestrained panache and authenticity. ̸SELECTED DISCOGRAPHY 2021 - OKO DJ "When Her Lust Had Returned" (Décalé Records) 2020 - OKO DJ "Dans Les Lunes" EP (Futur 2010) 2019 - OKO DJ "Through Scalar Waves" (Metaphore Industrie) 2019 - Women In The Royal Court EP (Red Bull Music Studios Paris) 2016 - Marine Tordjmann feat. GAM / colletivo vandalismo "Rider" (Eye For An Eye Recordings)

̸BIOGRAPHY Bass, drums, and dogs lover. Monthly Therapy Dog on Refuge Worldwide

It would be wrong to start talking about where Ouissam comes from – after a decade in Asia, he’s now something of a regional entity that has managed to change the dance music scene wherever he has laid down roots. His approach to a dance floor is as simple as it is intuitive and elegant: nothing that can make a room shudder with joy is barred from his selections.As the founder of Hong Kong’s Cliche Records, he was one of the first in that city to cultivate a disco-house-techno synthesis that shifted the understanding of what could be danced to there. He went on to create the magnetic Homesick and Fragrant Harbour labels, before suddenly setting his sights on Hanoi in Vietnam, where he has established the dance mecca Savage where he runs the monthly queer night Snug. And on top of all that, he found time to curate the coveted Equation festival, now entering its second year..

̸ BIOGRAPHY Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it, “so this is the track that was on every 5 minutes at Warehouse Project. ”That track and the duo’s own ‘Le Tigre’ were played out constantly by the likes of Four Tet and Ben UFO, the former also hiring the duo to remix his track ‘Teenage Birdsong’. Then there are their edits. Thom Yorke was so impressed by the duo’s versions of ‘Not The News’that he let them release the tracks on their own Polykicks label. Add to that their cheeky version of Rosalia –‘A Palé’,which caught the ear and the eye of the respected flamenco artist, as well as being a highlight of their live performances pre-lockdown. Then the world abruptly stopped, all their forthcoming gigs were cancelled and suddenly Overmono were able to fully commit their energy to their legendary Bromley studio. It’s was during this time that the duo feel they’ve been able to realise exactly what Overmono’s music should be. “Our work together had so far been about exploring and defining what Overmono is... and we feel like we’ve got this now”.

̸BIOGRAPHY Pär Grindvik has been a central figure in the Swedish electronic scene since the 90s having released music across a plethora of acclaimed electronic labels, including a string of hits on his own Stockholm LTD imprint as well as Drumcode, with frequent.. Pär Grindvik has been a central figure in the Swedish electronic scene since the 90s as record store owner, label manager and producer. In his artistic career Pär has released music across a plethora of acclaimed electronic labels, including a string of hits on his own Stockholm LTD imprint as well as Drumcode, with frequent collaborator Hardcell. Pär’s recent output has seen him contribute music to labels such as Semantica, Marbacka, Sinister and Dystopian. Founded in 2002, Stockholm LTD began as an outlet for singles and EPs from Swedish artists with a focus on releasing timeless electronic music. It has since developed into a hallmark for finely crafted electronic music from a range of international artists. Over the past two decades Pär’s involvement with the electronic music community has branched out across the globe. Openly passionate about supporting underground talent, Pär works closely with an ever-expanding repertoire of labels and artists. As a DJ Pär tours the world, transporting his deft and uniquely dynamic DJ sets to techno fans internationally and on a weekly basis. His worldwide popularity as a performer stems not only from his skill and versatility but also as a result of the energy he puts into every performance. It's this combination that enables him to bring the heat to the best clubs in the world. ̸SELECTED DISCOGRAPHY -Par Grindvik - The Planets II - 029sx -Marbacka - Marbacka - Marbacka -Par Grindvik - The Planets - Stockholm / A&S -Various Artists - No Way Back - Stockholm LTD -Par Grindvik - Air - Stockholm LTD -Various Artists - Untitled - Stockholm LTD -Par Grindvik - Wyatt ARP - Stockholm LTD -Various Artists - Untitled - Stockholm LTD -Various Artists - No Strange Waters - Stockholm LTD -Par Grindvik - Score For Direction (Remixes) - Stockholm LTD -Van Rivers / Par Grindvik - Versions - Stockholm LTD -Par Grindvik - Score For Direction - Stockholm LTD -The Hollow - We want it bad - Stockholm LTD -Adam Craft/Grindvik - Catch me/ Nand-Grind - Stockholm LTD -Grindvik - Battle of Berth Elisabeth -Stockholm LTD -Grindvik & Hardcell - Gate - Stockholm LTD -Grindvik & Hardcell - Streetlife - Stockholm LTD -Grindvik & Hardcell - GEM - Stockholm LTD

̸BIOGRAPHY DJ & producer from Santiago de Chile, currently residing in Europe. ̸SELECTED DISCOGRAPHY https://linktr.ee/paulatape

Ball of energy.Peach

̸BIOGRAPHY Every day since 1982 From obtuse angles to intense physicality, Peder Mannerfelt’s highly individual take on techno demands attention and consideration. While his many-sided body of work reaches back more than a decade, the Swedish producer’s current investigations in the field of experimental dance music are as prolific as they are unpredictable. After a series of albums as Roll The Dice alongside Malcolm Pardon, he lent his production skills to Fever Ray’s acclaimed debut album and 2017’s Plunge and is currently busy exploring a new strain of techno-pop together with Pär Grindvik as Aasthma. Working under his own name Mannerfelt’s sonic imprint can be most acutely felt. Accompanying appearances on Voam, Hinge Finger, Numbers and more, he established his own label Peder Mannerfelt Produktions to carry the bulk of his output, and that of kindred spirits such as Klara Lewis, Code Walk and Sissel Wincent. Peder Mannerfelt music is always rooted in the kinetic energy of techno even as it seeks to break down the genre’s rigid, illusory formulae.

Some artists fully deserve their hype and Powder is definitely one of them. Momoko "Moko" Goto, better known in the DJ world as Powder, has successfully taken her neon charged creations out of the Tokyo underground and into the discerning worldwide house & techno public. After her debut on Lovefingers’ ESP Institute, Powder’s cosmic rhythms found a home on Samo DJ’s Born Free & Discodromo’s CockTail d’Amore Music, pushing her tribal-inspired, hypnotic sound further into a surreal house, techno and psychedelic disco territory. She recently ushered in a brand new mix series for Beats in Space, a further testament to her DJ skills and sensibilities. Beyond her work as a music creator, Powder’s DJing backs up her production style with many influences. As a selector, she has notably eclectic tastes, which run the gamut from house to no wave to Japanese synthpop, utilizing extended loops and subtle blends to create a genre-defying, transcendent experience.

̸BIOGRAPHY p_r p_r ̸SELECTED DISCOGRAPHY CAGE W MIRRORED BARS (2016) O FUCC IM ON THE WRONG PLANET (2018) RESONANCE IN EXOPLANETARY HYBRIDIZATION (2018) ++ MORE BEFORE, MORE AFTER

̸BIOGRAPHY Rabon Aibo (born 1988) is a Berlin-based Kurdish artist specialized in sound, visuals, and installations. Drawing inspiration from literature and film, his compositions create captivating atmospheres, sculpting cinematic experiences. He defines his sets as "sonic fiction," blurring the boundaries of reality. Aibo believes that all sound frequencies can form their own musical language, and he creates meticulously crafted ambiences for immersive listening. With his diverse cultural background, Aibo's art reflects a fusion of influences, inviting audiences to explore a world that transcends conventional boundaries.

̸BIOGRAPHY Rắn Cạp Đuôi has been at the forefront of sound art and experimental music in Vietnam since 2015. They are in a constant state of flux, deconstruction and rebirth, resulting in chaotic sheets of sound and compositions which border on violence and beauty. Rắn Cạp Đuôi - một tập thể những cá nhân không bó hẹp hay lệ thuộc trường lớp âm nhạc nào, với họ, sự khiếm khuyết kỹ năng có thể bù đắp bởi sự cởi mở phóng khoáng. Cởi mở tứ phía và chẳng bao giờ ngừng nghỉ ở một trường âm thanh nào. Rắn Cạp Đuôi-vẫy-vùng trong những trường âm thanh vô luật dữ dội và chìm đắm kì khôi. ---------------------------------------------------------------------- Rắn Cạp Đuôi is a Saigon-based collective of autodidacts for whom the relative absence of virtuosity might or might not have been made up for with an abundance of go for it open-mindedness. Schizophrenically hopscotching between but never comfortably resting. The group channels the un-neat ruleless strangely ferocious world of quantum mechanics. Also fuck Attis Ngo why is he a related artist ̸SELECTED DISCOGRAPHY *1 (Nhạc Gãy) Ngủ Ng​à​y Ngay Ng​à​y T​ậ​n Thế (Subtext) Trẻ Em Tồi Tệ. (Rarities and outtakes album)

̸BIOGRAPHY Karl O'Connor is most certainly Regis and it is also highly probable that he propagates other pseudonyms . This has only added to the greater mythology surrounding the influential Downwards label that he has run with fellow art terrorist Peter Sutton.. Karl O'Connor is most certainly Regis and it is also highly probable that he propagates other pseudonyms . This has only added to the greater mythology surrounding the influential Downwards label that he has run with fellow art terrorist Peter Sutton ( Female ) since 1993. Unconventional and single-minded to say the least ( what label can boast a back catalogue free of the industry standard cash cow remix ) by decentralising the focus on the dj/producer personality, he remains one of the more highly regarded creative forces within the British techno/electronic scene. Degenerate art indeed.

̸BIOGRAPHY Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. The Welsh-Greek artist cut his teeth as one half of Cassegrain and has been finding new paths for his mutant sound ever since, releasing on Fever AM, the imprint he set up with Mor Elian in 2017, as well as labels like Avian and Modeselektor’s SSPB. In the studio or behind the decks, he brilliantly fuses different strains of ultra-modern techno and broken beat: eyes-down minimal lights up with modular sass, choppy kicks flirt with rolling grooves, and sharp sound design slices through earthy subs. It’s the kind of amphibious sound that can slip into otherworldly spaces while never truly leaving the dance floor. Rhyw turned heads with the heavyweight two-tracker ‘Biggest Bully’ in 2019, earning himself sets at Berghain, Berlin Atonal, Boiler Room Tokyo and Freerotation amongst others. Online and on-air, he’s guested on Hessle Audio’s Rinse FM show and Mixmag’s ‘In Session’ mix series, and contributed podcasts to Crack and FACT. Even when they leave the gate at full pelt, these sets showcase Rhyw’s subtle sense of intricacy, balancing airy atmospheres against tougher tackle. But whatever the energy level, there’s always an alien presence in Rhyw’s sound—a shapeshifter whose twin motives are to bewitch and disorientate the listener.

I play many instruments and have done for many years. I started composing around 12 years old, and continue to do so now more than ever.

Roshan Menon or Roshan is a DJ, photographer and the Founder / A&R of SaturdaySelects; an imprint specialising in music, events and independent radio based in Kuala Lumpur, Malaysia. Having started DJ-ing back in 2017, Roshan is driven and inspired by the sounds of Moodymann, HUNEE, Louie Vega, LEFTO & Gilles Peterson and the way they control the crowd throughout their set He has opened and played alongside the likes of Soulection artists Jarreau Vandal, esta.,Joe Kay, Jael, The Whooligan, Yukibeb and other notable DJs such as Branko, Peggy Gou, Dixon, Bambounou, Cezaire & Yung Bae. Roshan looks to consistently keep his crowd grooving and dancing all night long at his shows by taking them on an explorative journey of music that he wants to share with those who join him on the dance floor.

̸BIOGRAPHY Ruhail Qaisar is a self-taught artist from Ladakh, India. As a musician, he explores the confines of memory, the dry rot of intergenerational trauma, and the eerie swarms of the human unconscious, incorporating vernacular poetics, and improvised chaos. The work serves to transmit sound-collage memoirs based on real-life events and local mythos, as developed through his recollections of growing up in the frontier villages of Ladakh, located in the high-altitude Himalayas. Hauntological drones disturbed with spastic tremors of post-industrial delirium and cruel power electronics. His debut album will be released on Aisha Devis’s label Danse Noire on 27 Jan 2023. ̸SELECTED DISCOGRAPHY Fatima (DN019) Danse Noire

̸BIOGRAPHY Filipino Producer & DJ Saint Guel. An artist to keep an eye on. Miguel Santiago aka Saint Guel basks in dance music — his being distinctly warm and clean-cut. The Filipino DJ/producer started behind the decks at 15 and tinkered with personal production two years after. Since then, he’s carefully carving his corner: an altogether irresistibly groovy one. Across his recent releases, "Caught Up" (FuFu Records) "Still Life” (More Rice Records / Thailand) and “Over and Over / For The Floor” (Transit Records / Philippines) are easily breaking through as foreseeable dance floor bangers post-pandemic. Perhaps it’s him soaking up the Manila nightlife, his frequent pilgrimage across international festivals or his inherent taste and thirst for a warbling world. Whatever it is, it’s looking like everyone is here for it. ̸SELECTED DISCOGRAPHY __

̸BIOGRAPHY ̸SELECTED DISCOGRAPHY discography: Sandwell District SC 01 Regis & Ian J. Richardson - Untergang SC 02 Vandross - Hurt Me I'm Waiting SD 03 Female - Serverlan SD 04 Female - Avon / Cally Remixes SD 05 Silent Servant - The Silent Morning SD 06 CH-Signal Laboratories (8003 Lucerne) Hypnotica Scale SD 07 Function - Isolation SD 08 Kalon - Born Against SD 09 Silent Servant - The Blood of Our King SD 10 Function - Anticipation SD 11 Silent Servant - Violencia (Function and Kalon Mixes) SD 12 N/A - Various Artists

̸BIOGRAPHY Co-Founder of More Rice Records, a record label focussed on giving exposure to Asian artists all over the world. Entering its fifth year More Rice has become one of the key names in South East Asian Underground Dance Music. As a DJ and Producer Sarayu is considered as an integral player in Bangkok’s growing underground house and techno scene. His UK driven sound has taken all over the world playing venues and festivals such as Zukunft, Silbergold, Village Underground, Fabric and Feel Festival. He can be seen playing regularly at some of Bangkok’s key parties and venues such as Never Normal, De Commune, Karma, Transport and Wonderfruit Festival. Under quarantine in 2020 Sarayu released his first track on a VA compilation “Harvest Vol. 1”, under his own imprint. In 2021 he released his debut EP “Pridi 303” again, on More Rice, remixed by MR. Ho. As well as, opening More Rice Record Store, a hotspot for music lovers and vinyl diggers all over the world and launching Bangkok Community Radio. Early 2023 Sarayu released his latestl EP “Intelligent Jump Rope Music” scheduled for release on Boiled Wonderland Records, keep an eye out for more remixes and releases over the course of this year.

̸BIOGRAPHY Amsterdam based dj Between the binaries of darker moods and bliss energies - Sarkawt Hamad's sound is unmistakable. Grown up in the Netherlands, the Erbil born- Amsterdam based artist finds inspiration in all sorts of elements: from fascination for rock music, to dreamy pop and her roots. Firmly entrenched in the Dutch underground scene, she translates this experience into a melodic flow behind the decks. Diverse in sources, her sets ebb effortlessly between genre - from breaks, to leftliefd techno and house, all connected through a contagious energy. Sarkawt creates a space in which euphoria, more pensive states and deep soft noise can coexist.

̸BIOGRAPHY Electronic music producer, co-founder of Skull Disco and founder of Woe To The Septic Heart!

̸BIOGRAPHY Shannen SP is a London based artist, curator and DJ. Shannen SP is a London-based artist, DJ and curator. She has worked with UK labels Hyperdub Records and NTS Records, and is the co-curator of Ø at Corsica Studios, the experimental event series that meshes music, art, technology and performance. Her musical focus lies in the experimental sounds coming out of global diasporas and the African continent, reflected in her recent collaboration with NTS Records on Amapiano Now.

̸BIOGRAPHY "Grinding electronics/noise and speaker ripping techno."

SHERELLE is leading a new generation of high-speed ravers who are addicted to jungle, drum ‘n’ bass, footwork and juke. Through her DJ sets, radio shows and record label she gives a platform to both scene elders and new talent and is committed to pushing 160bpm+ dance music into the future. The London-born DJ has been busy since that Boiler Room sent her signature brand of low-end energy viral: She’s held down a year-long Radio 1 residency that’s seen her showcase cutting-edge dance music to a mainstream audience as well as host OGs like DJ Spinn, 4Hero, Kode9 and Luke Vibert as well as next gen disruptors like Mantra, L C Y, Yazzus and Fracture; She’s started the Hooversound label alongside partner in club music Naina with releases from Hyroglifics, Sinistarr and Deft; And she’s co-founded the incendiary 6 Figure Gang squad with Fauzia, Jossy Mitsu, Dobby and the aforementioned L C Y and Yazzus. Let the takeover begin.

Over the course of two decades, Shinedoe has carved a path into the world of house and techno that is entirely her own.Shinedoe

̸BIOGRAPHY DJ / Producer from London. NTS - Soup To Nuts show Balamii Radio ̸SELECTED DISCOGRAPHY IP Addy 7" - Eglo Records From The Floor To The Booth 12" - Eglo Records

̸BIOGRAPHY Latency Recordings / Mura Oka co-founder Booking requests : contact@latencyrecordings.com ̸SELECTED DISCOGRAPHY Mura Oka - Auftakt LP (LTNC004) : http://www.discogs.com/Mura-Oka-Auftakt-LP/release/5785189

̸BIOGRAPHY Sigha is the alias of London Based techno producer, James Shaw. To date he has released primarily on Hotflush Recordings, Blueprint Recordings his own imprint Our Circula Sound and been commissioned to provide remixes for a wide range of labels includ.. Sigha is the alias of London Based techno producer, James Shaw. To date he has released primarily on Hotflush Recordings, Blueprint Recordings his own imprint Our Circula Sound and been commissioned to provide remixes for a wide range of labels including CLR, Mikrowave, Metalheadz, Echocord, Steadfast and Sudden Drop amongst others. ̸SELECTED DISCOGRAPHY 2009: Expansions/Bruised (Hotflush Recordings) Remembrance /On The Strip (Hotflush Recordings) Seperation (with Spherix) (Immerse Recordings) Rawww ep (Hotflush Recordings) 2010: Shake EP (hotflush Recordings) Early Morning Lights (Marcel Dettmann remix)/ Over The Edge (Our Circula Sound) 2011: I Am Apathy, I Am Submission/The Black House/Between Here & Yesterday (Blueprint) HF029 EP (Hotflush Recordings) The Politics Of Dying EP (Our Circula Sound) Remixes: Tommy Four Seven - Verge (Sigha Remix) (CLR) Tripmastaz - Botinko Dub (Sigha Reduction) (Sudden Drop) Commix - Emily's Smile (Sighas Shes Still Smiling mix) (Metalheadz) Resoe - Minus and Plus - (Sigha Remix) (Echocord) Echologist - Slow Burn (Sigha Remix) (Steadfast)

̸BIOGRAPHY Simo Cell is a French rising talent from originary from Nantes. Now Paris-based, this producer differentiates himself by his singular style that melt Uk codes to a wider electronic music background. His two first Eps on Dnuos Yvitil and Fragil Musique illustrate clearly an affiliation to the Bristol scene but put on the table other inputs acquired after several years playing and travelling worldwide. As a DJ, he officiates on very original and adaptative repertoire. Listening to a Simo Cell's set is always unpredictable and full of discovery. ̸SELECTED DISCOGRAPHY Simo Cell - Cellar Door / Piste Jaune

̸BIOGRAPHY Kansas City-born Zoey Shopmaker, aka Sister Zo, has long been on a path entirely of her own making. After getting her start performing at underground poetry events in her hometown, she eventually moved on to playing live beat sets during open mic nights at one of KC's most pivotal queer nightlife institutions of the 21st century, the Uptown Arts Bar. Occasionally she'd wander upstairs to Niche, a 100-cap club with a legendary sound system known as the Meta HiFi. There she got her first taste of the sounds of the UK bass continuum and the LA beat scene, with its prominent figureheads like Flying Lotus, Ras G and Shlohmo. Ever the nomad, she would spend her mid-twenties traveling, flitting between cities like New York and LA and the mountainous terrain of the Colorado Rockies. At 26 years old, she left behind a stable career in psychotherapy to pursue her creative dreams. This would lead her back to Niche where a ravenous desire to evolve as an artist connected her with Peter Anthony, aka Coughman, who ran the independent KC collective and label, Intelligent Sound. Soon Anthony encouraged Zo and her friends Mazzy Mann and Lorelei Kretsinger to build a platform of their own. In October 2017, the three of them founded the UN/TUCK queer/trans collective and record label. Over the next two years, they tirelessly built UN/TUCK into an internationally recognized platform, releasing their own music and organizing shows and parties curated specifically for trans and queer people in Kansas City. Under the name BTRFLY, Zo produced her own LA-inspired beats and rapped over them in her sets. As she delved further into the realms of Chicago house, early 2000s UK dubstep, and the hybrid sounds of Hessle Audio, Hyperdub and Idle Hands, she discovered a profound love for DJing and a different kind of production. Now based in Brooklyn, she has made definitive creative statements in 2022, releasing her debut EP, Screw Cheek, on acclaimed UK club label, Scuffed Recordings, and a follow-up EP, Freak Shift, on Martyn's hallowed 3024 imprint, as well as a slew of national bookings at Bunker NY, Texture Detroit, Sole Rehab, clubs like Nowadays, Good Room and Kremwerk, festivals like Slingshot and Honcho Campout and many more on the horizon. It's clear that Zo has solidified her place as an emerging artist firmly in her own lane, with tracks that span the continuum of UK bass and North American techno and house, and mixes that seamlessly capture and defy her genres of interest, blending deep dark percussive bass and broken beat with blistering techno, psychedelic house, east coast club and more. ̸SELECTED DISCOGRAPHY Screw Cheek EP - Scuffed Recordings Freak Shift EP - 3024

It’s hard to pin Sivanesh’s style down. Crafting and developing his own brand of sultry off-kilter house and groovy heads-down techno through his long-standing residency at CÉ LA VI Singapore, his sound goes above and beyond current genres and trends. At its 5th year now, the residency sees him taking charge of the world-renowned main room, playing extended DJ-sets every Sunday night. Apart from this residency, Sivanesh is a regular fixture at some of the region’s most respected venues, with regular dates at The Headquarters and Kilo Lounge in Singapore. Co-founder of Sivilian Affairs and music director for Potato Head and Kilo in Singapore, Sivanesh also holds a monthly residency on AAJA Radio in London every third Monday of the month. Sivanesh’s sound goes beyond current trends in genres. Held together by equal amounts of rhythm & groove, his diverse playlists have led him to play alongside cult favourites such as Chaos In The CBD (In Dust We Trust), d’Julz (Bass Culture), Gerd Janson (Running Back), John Talabot (Hivern Discs), Kornél Kovács (Studio Barnhus), Okain (Talman Records), and Rampa (Keinemusik). Regional attention started after a well-received opening set at Cercle’s debut Asia show in 2019 with The Martinez Brothers. Since then, he has gone on to play at festivals and dance institutions across the region such as Airhouse (South Korea), Iron Fairies (Kuala Lumpur), Potato Head (Bali), Savage (Hanoi), Villa Project (Saigon), and Weekend Voyage (Phu Quoc). Powered by the belief that Asia is the place to be right now for dance music, Sivanesh co-founded the bookings and events agency Sivilian Affairs, which emphasises local and regional talents. In line with his goals of strengthening the Asian dance scene and building a healthy ecosystem through Sivilian Affairs, recent bookings for their parties include Baldo (Subwax) from Barcelona, Dr Yez (Tantra) from Bali, Jesse You (Walls & Pals) from Seoul, Jonnyvicious (Shagrilla) from Kuala Lumpur, Manikk (Savage) from Hanoi, Roshan (SaturdaySelects) from Kuala Lumpur, and Dexter Colt, Leland, Mako, Ramesh K, and The Weatherman from Singapore. Citing seminal American house music duo Mood II Swing as an early musical influence, Sivanesh's diverse playlists are held together by equal amounts of groove and soul. His roots will always be house, but being open-minded and anchored in the belief that only quality matters and genres do not, he is always aware of what the room he is playing for needs. That may be his best trait. It is this versatility that enables him to share the stage with some of the finest selectors in the world, such as Chloe (Bpitch), Chaos In The CBD (In Dust We Trust), d’Julz (Bass Culture), Jasper James (Optimo Trax), Rampa (Keinemusik), and more, in the last few months. More recently, he was selected by Cercle to warm up for their debut Asia show with The Martinez Brothers in November 2019, and then ended the year with a well-received DJ set at the Rainforest Pavilion at the Wonderfruit festival in Thailand. He might surprise you with a track from an unexpected corner, but that's exactly what he intends to do.

Skee Mask is a versatile producer from Munich, who doesn’t want to be identified. He got influenced by a lot of different types of music over the last years, which made his productions pretty various. Skee Mask’s direction is mostly rolling rhythms, combined with electronic soundscapes, always forcing to create a deep vibe. His influences mainly are from “old” techno labels like Chain Reaction, Warp Records or Counterbalance. He’s still developing his procedure in making tracks, but always staying himself. In his DJ sets he tries to create a deep trip, constituted of organic grooves and diverse clang accompaniments. Skee Mask would describe his DJ-Set variations as techno, ambient and mostly experimental, forward thinking.

̸BIOGRAPHY Soft Break is a Rotterdam-born and based DJ, audiovisual artist and designer. Early encounters with her city's jungle, dubstep and grime scene are heavily reflected in her eclectic sets. Her DJ sets move through gentle vocals, percussion, hard drums, footwork, hiphop and sub destroying bass. Expect genre-busting, energy-driven aural narratives, full of unexpected twists and turns. Graduated from No Shade DJ Mentoring Program 2020 in Berlin, she’s steadily rising. 2022 became a year of major debuts, wowing crowds at Dekmantel Festival, De School, WOO HAH!, Vandalized, Sonic Acts, SPIELRAUM and Dekmantel Selectors throughout a variety of outstanding sets, frequently sharing the stage with her companion Nala Brown. She is a founding member of the collective AMPFEMININE, curating mixes by femme-identifying DJ’s, booking talent and hosting events and parties. Through her work in music, design, and art, she aims to highlight Black Dutch representations in archives and questions notions of memory, identity, space and time. Soft Break has performed and talked on panels regarding feminism, spatiality of social relations and queers politics at institutions such as Stedelijk Museum Amsterdam and Het Nieuwe Instituut.

̸BIOGRAPHY DJ and producer from Glasgow, operating via Berlin. There are DJs who can extend a single vibe over the course of a night – and then there’s “another way of doing things”, hints Solid Blake. You can guess which camp the Glasgow-born DJ falls in. Bringing the frozen pulse of electro together with dissident techno and bass from all eras, Emma Blake’s side-winding DJ sets and slick productions have made her a fixture of the European underground over the last half-decade, but after years away from home – first in her beloved Copenhagen and now in the techno bustle of Berlin – she’s emerging from her lockdown cocoon with a recalibrated approach. Drawing more and more from the sweatbox euphoria of her early rave days, the next phase of Solid Blake looks set to be shot in Technicolor. Solid Blake’s first original material, inspired by the pneumatics of classic electro and late-late-night acid techno, appeared on choice underground labels Seilscheibenpfeiler and Outer Zone, and she was quickly recognised for her production chops, joining the 2018 cohort of Red Bull Music Academy in Berlin and picking up a nomination for Best Breakthrough Producer from DJ Mag. More recently her output has included remixes for Pär Grindvik and Marc Acardipane, contributions to the Club Quarantäne and Herrensauna compilations, and a live-focused collaboration with CPH techno mainstay Ctrls under the banner Historical Repeater. Despite making her name in the techno-heavy zones of Mitteleuropa, over the years she’s felt the Glasgow influence growing stronger, as she’s pulled towards more eclectic selections and high-contrast blends. More risk equals more excitement – something she’s also discovered through her talent for playing back-to-back DJs like Skee Mask, Stenny and old friend Mama Snake. With new releases forthcoming, plus work on a brand new live show, Solid Blake is speeding towards a distinct new era in her life as an artist. The future can only get weirder.

cowboy 3XL kwia resident headbangers ball lucky lotto spin cycle dance tutorial vague music ̸SELECTED DISCOGRAPHY Caveman LSD (city2 st. giga) uon - zlo (Motion Ward) uon - untitled (West Mineral Ltd.) Ghostride The Drift (xpq?) Critical Amnesia (xpq?) APPX​:​05 thru - thru (Appendix.Files) xphresh - xephon (3XL) APPX:10 Cypher - Glasgow (Appendix.Files) Crimeboys - Very Dark Past (3XL) Caveman LSD - Total Annihilation Beach (Isla)

Spekki Webu, the master mind behind the Mirror Zone imprint. Coming from a small city called Delft that lays in between Rotterdam and The Hague. Enter the Mirror Zone with the mysterious chief mind expander Spekki Webu as he deconstructs time and space through his hypnotizing psychedelic sets. Like a master snake charmer he entrances entire dance floors with mind-boggling mixes and mesmerizing selections of jungle, tripped-out trance, breaks, Goa, and extraterrestrial tribal techno to name a few. Unrestrained by genre or tempo limitations he shifts gears between hypnotic slowmotion and breakneck 90’s rave so nimbly it induces an unexplained cerebral high. His sound has a rawness to it, shaped by years spent in the gabber scene and as a junglist in and around his terrestrial hometown Delft. On his shamanic quest as gatekeeper into the world hidden within your mind he established the record label ’Mirror Zone’ in late 2017 where reflections of his musical introspections come to fruition...

̸BIOGRAPHY Stella Zekri represents an encouraging generation of DJs in Berlin that set out to keep things interesting. She has forged a singular path as an exhilarating DJ unafraid to slow down and sensualize the dancefloor, while providing a myriad of euphoria. Stella Zekri represents an encouraging generation of DJs in Berlin that set out to keep things interesting. She has forged a singular path as an exhilarating DJ unafraid to slow down and sensualize the dancefloor, while providing a myriad of euphoria. Deemed the queen of long sets, Stella's sets have become somewhat of a phenomenon in the sometimes dense, and spellbound city of Berlin. They are truly an exalting, and gleeful experience. Every song she plays out is a statement, and she is unafraid to jump between pitched down trance, old school hip hop, disco, house and new beat. Each record is something she has found, loved and insists you come along for the ride. Stella currently holds a residency at HÖR Berlin, and one of the city’s biggest and most beloved Queer parties: Cocktail d'Amore. She is also co-founder and curator of the new party Body Language. ̸SELECTED DISCOGRAPHY 2022 Détends-toi (mini album) on Cosmic Romance

Rising in Turin and currently based in Munich, Stenny debuts with his first 12″ Solstice Deity on the Zenker Brothers label Ilian Tape in 2013. Mainly inspired by the spirit of 90’s Techno and IDM, his contribution as a producer could be described as club focused but not merely functional. The dusty and stepping drum programming, often contrasting with the dense, atmospheric surrounding, is one of the peculiarities of his style, which in fact, references often to the Jungle or Hardcore era, but basically aims to evolve with no genre boundaries. As a Dj he maintains a similar, versatile and open minded approach, ranging between contemporary and classic but forward thinking club music.

̸ BIOGRAPHY Latency Recordings co-founder Significative DJ references: • Contact (Tokyo) • Berlin Atonal (Berlin) • Panorama Bar (Berlin) • Freerotation Festival (Wales) • Robert Johnson (Offenbach) • Concrete (Paris) • Organik Festival (Taiwan) • Weather Festival (Paris) • About Blank (Berlin) • Under Bron (Stockholm) • Circus (Osaka) • TBA (New-York) • Rex (Paris) • Club Der Visionaere (Berlin) • Culture Box (Copenhagen) • Lantern (Beijing) • Dance Tunnel (London) • Fusion Festival (Larz) • Griessmuehle (Berlin) ...

Snake charmer born and located in Thailand with Indian and Japanese roots. Co-founder of Siamese Twins record label focusing on psychedelic sounds rooted in Asia. Co-runs the Karma Klique collective known for raves at obscure locations. As a producer, he released on imprints such as 禁 JIN, Ute and Siamese Twins under his own name, Mogambo and Khun Fluff aliases. As well as periodic ambient albums on his own Extans Mantra imprint. Which led to sought-after collaborations with Full Circle, Yu Su, S.O.N.S, Marc Pinol, and Benedikt Frey. A household name across the region for over a decade playing spaced-out music in forests, warehouses, and castles.

̸BIOGRAPHY One of the most creative and eclectic French producers of the new generation, effortlessly navigating between house, minimal and electro. Recently given residency of the infamous CONCRETE club in Paris, ̸SELECTED DISCOGRAPHY Sweely - All the Reasons (https://soundcloud.com/lobster-theremin/hawaii006-sweely-all-the-reasons) Sweely – Calm Down Homie EP (https://soundcloud.com/la_chinerie/cdh001-calm-down-homie-sweely) Sweely - It comes from him (https://soundcloud.com/recordeep-mag/premiere-sweely-it-comes-from-him-swltd04) Sweely - The time has come (https://soundcloud.com/bokharirecords/sets/bk015-sweely-the-time-has-come) Sweely - Drafted sounds (https://soundcloud.com/dtape/sets/dtp001-sweely-drafted-sounds)

̸BIOGRAPHY CDMX-based DJ & producer. Argentinian DJ and producer, Tayhana, has established herself, in a short period of time, as one of the most relevant and promising figures in the club scene around the world. Self-taught by her experience as a founder of one of the most radical parties in South America that revalued the original music of the continent, she is recognized as a central figure in the Club Latinx genre. Thanks to her aggressive way of playing, a fearless imagination mixing different rhythms, BPMs and a wide range of experimental sounds from Latin America, but mostly because of her creative capacity as a producer and a beatmaker to push the boundaries of what has been possible in the encounter of urban and traditional music from all over the continent, she has called the attention of artists such as Rosalía, Daniela Lalita, Mare Advertencia Lírica, Gaika, among many others producers and well known DJs in the industry. Currently based in México, she has been part of the record label N.A.A.F.I, with whom she released her first albúm “Tierra del Fuego”, with great acceptance and broad recognition by the specialized media in the electronic music scene. The impact of this singular approach to club music gave her the chance to be booked in extensive tours around Europe, Asia and all over Latin America. Over the last few years she has played in a wide range of the most relevant festivals that embrace club culture such as Primavera Sound, Lollapalooza (ARG), Mutek (USA), Unsound (POL), Festival Estereo Picnic (CO), Festival Ceremonia (MX), SXSW (TX) and also institutions like MoMA Ps1 (NY-USA) among many others. Recently, Tayhana’s work as a music producer and a beatmaker, has been selected and recognized in large scale productions by artists such as GAIKA and ROSALÍA, for whom she produce the beat “CUUUUUuuute” for her world acclaimed latest album “Motomami”, being the only female producer involved on the record that would win ‘Best Alternative Album’ at the GRAMMY Awards and ‘Album of the Year’ at the LATIN GRAMMYS Awards. But also, she has been invited as a producer in the original soundtrack of WAKANDA FOREVER, one of the latest blockbuster movies of MARVEL, next to the artist Foudeqush with the song “Con la brisa”. In the past decade, the relevance of her work has not only inspire the multiplication and emergence of differents clubs centered in electronic music from Latin America, but also a broad number of producers and djs, specially females, opening a new kind of recognition to the beautiful complexity of the sound of Latinx culture.

̸BIOGRAPHY King of Blends, bon-vivant, living embodiment of the Paris underground, Teki Latex never fails to impress with his high energy sets. The Rinse mainstay also had a large stint on BBC Radio 1 as a resident, among many other accomplishments in his 25 + year career, His numerous mixtapes, Boiler Room and Mixmag Lab appearances are testimonies to his playful yet precise Lego-like approach to DJing Having graced clubs and festivals across the UK & Europe such as - Nitsa, Fabric, Primavera, Field Maneuvers, Horst, The Warehouse Project, OHM, CTM, Unsound, Dekmantel Selectors & more, he has established himself as a one-of-a-kind sonic architect with a holistic point of view who can provide dynamic, vibrant performances wherever he goes. A man with head turning style on and off the decks, Teki caters to many different tastes while cherishing the specificities of each genre he touches, constantly balancing lesser-known underground gems with nostalgic anthems. Expect anything from Techno, Booty & Hardcore to Grime and Italo with a few bursts of Dance and accelerated pop slipped in, in order to push the euphoria levels to the maximum. Teki Latex takes the crowd on a journey, with some unexpected twists when the time is right. ̸SELECTED DISCOGRAPHY Teki Latex «Answer / Dinosaurs With Guns / I Was Sober» (EP, 2010 – Sound Pellegrino) Teki Latex «Dinosaurs With Guns remixes» (EP, 2010 – Sound Pellegrino) Para One & Teki Latex «5th Dimension» (EP, 2011 – Marble) Teki Latex «Zodiac» (EP, 2011 – www.bachexteki.com) Sound Pellegrino Thermal Team «Bassface / Pretty Pretty Good» (EP, 2011 – Sound Pellegrino) Sound Pellegrino Thermal Team «Bassface remixes» (EP, 2011 – Sound Pellegrino) Sound Pellegrino Thermal Team «Strange Touch / Ice Palace» (EP, 2012 – Sound Pellegrino) Sound Pellegrino Thermal Team «Activate / I Be» (EP, 2012 – Sound Pellegrino) Modeselektor & Sound Pellegrino Thermal Team «Negativity» (single, 2013 – 50 Weapons)

How does one begin to write about Tiga? Where to even start on a long road marked with notable checkpoints? What can be told that can’t be tallied in raw statis...tics (which he’s a total stickler for), or an unfurled parchment scroll of places gone and plaudits won? The duality of a life split between aspirational popstar and touring deejay falls short: by this point in time he’s lived dozens of lives, let alone a mere two. Frankly the only claim that doesn’t wash is that of being in a legacy mode – because that, to him, denotes the cardinal sin of coasting. And that just won’t do. The core engine pushing Tiga forward is ambition. It’s there, everywhere: at the dials in any given club in any given city in any given country on any given weekend; burning the midnight oil in the Research & Development wing of his career control centre, crisp shirt sleeves rolled, assessing and strategising over his next move; with his feet up on the gleaming glass desk in the penthouse office of Turbo Towers, gold plaques of decade-dominating dancefloor delights flanking him – it’s there. Self-aware, well-moderated, yet totally unrepentant ambition. Plus a bit of wit, too. To be insulated from any real backlash over a quarter-century in the game and across many different hats worn, a touch of humility and humour certainly helps it all go down easy. His goal is to dunk on people with success, but do so in a friendly way, soaring overhead with the sly wink of chutzpah (but never the nudge-nudge of solipsistic irony for irony’s sakes). To maintain pole position while swerving between all these lanes with impunity, he taps into a well-spring of regenerating desire. From the getgo Tiga has sought to not merely play a part in the culture he abandoned all life commitments for age 17, but frequently scale its heights too: Attending Berlin’s Love Parade circa ’92-95, then hearing DJ Hell drop “Sunglasses At Night” to the masses not too many years later. Giving a speech at his Montreal alma mater, then converting some of the impressionable graduates in the audience to come work at Turbo. Starting an independent label on a whim, then reaching 200 releases in a stormy industry with a higher turnover rate than Real Madrid managers. Getting hooked first on the fearless compulsion of Bowie, Reznor and Almond, then the frigid cool of Mills, Hawtin and D. James, then threading the needle consummately between these two worlds. These highwatermarks form the backbone of his pride, and in turn, fuel the self-perpetuating motion machine inside. There’s always extra room in the cockpit, mind. An army of collaborators, remixers and remixees have provided vital thrust over the years. From Alter Ego and Azari & III through Duke Dumont and Depeche Mode; from Matthew Dear and Moby, through Zombie Nation and Zdar, Phillipe; Paranoid London, Pusha T, Pet Shop Boys and Peaches.…on and on it goes. Read between the lines and you’ll get a measure of the man. Teamwork affords stimulus, shuts down ego, and juices something he can’t get to alone. At heart, it brings out the best in Tiga. So it’ll prove in 2018, where the fingers of his well-combed Rolodex currently rest on entries marked Kolsch, The Martinez Brothers, and Hudson Mohawke. The fruits of this friendly jousting with find their way out of track ID requests and into the shops before long (perhaps even by the moment you read this – hope you’re enjoying the future and remembered to short your cryptocurrency in time). It would be a lot easier to rest on his laurels by this point, really. To trade on former glories, reflect fondly on a career spent dovetailing in and out of the spotlight with likeminded friends, turning in a jaded, half-assed representation of himself at festivals and recording sessions when the taxman comes knocking. But Tiga is still too confident, self-respecting, and – how did you guess? – ambi-tious for that. The challenge he seeks is to keep experiencing the frisson of creative alchemy, to lock into a groove where he is truly in the zone, to dig deep and reproduce a fresh take on that first-love feeling of music: something that connects with young ravers and inspires the same spark he felt all those years ago. That’s the spur, the lifeblood, the DNA. And that’s why Tiga remains an ever-present light in our little corner of the universe. See more

'Heart Can Still Somersault' Out Now on Ghostly International/Spectral Sound Label Head of Valby Rotary with Louf tomvr.bandcamp.com/

First blowing a gale as a forerunner of the new wave of Melbourne dance producers, Tornado Wallace’s distinct and perceptive electronics now find him in a constant rotation of both hemispheres, spending most of the year based in Berlin. From formative house beginnings, the ESP Institute initiation Thinking Allowed proved Tornado Wallace as a force to be reckoned with - the driving groove and Will Powers stargazing quickly matched by an EP of eco-electro burners on Beats In Space. This two timing continued for another round with ESP issuing the elegant Circadia, while Beats In Space got their churning acid two-tracker Kangaroo Ground/Ferntree Gully. In tandem, krautback duo Coober Pedy University Band was formed with Otologic’s Tom Moore, who he’d previously stirred up trouble with as fractions of C Grade and Animals Dancing - two long standing parties of undeniable impact on their hometown. Their trance inducing debut on Soft Rocks' imprint Kinfolk recruited vocals from a lesser known Chet Faker, followed by the bonkers 2014 anthem Kookabura. After some time in between releases due to an increasingly busy DJ schedule, 2016 sees the release of a Tornado Wallace 12” on Second Circle, sister label to cult Amsterdam archivists Music From Memory, as well as a long overdue and eagerly awaited album Lonely Planet, on Gerd Janson's Running Back. ̸SELECTED DISCOGRAPHY Tornado Wallace - Second Circle - SC005 - 2016 Kangaroo Ground/Ferntree Gully - Beats In Space - BIS018 - 2015 Circadia - ESP Institute - ESP019 - 2014 Desperate Pleasures - Beats In Space - BIS008 - 2013 Thinking Allowed - ESP Institute - ESP015 - 2013

Made up of literal brothers Seelie (Liam) & Mr Mowgli (Luke), alongside - figurative brother - Brent Burns, the trio bring a lot to Bangkok’s party table. Musically they incorporate a lot of grand tackle, ranging from Balearic & afro-cosmic, all the way across the rainbow of goodness to Chicago house & Detroit techno. They definitely pay close attention to what’s hot internationally & are all committed hunters of dance floor fire. Quite apart from that, they’re all excellent lads, & at their discos, the DJ ego is firmly set aside in favour of party fun.

̸BIOGRAPHY Truth iz Kode. Traxx is a lover of music — one with a passion so intense that it overcomes genre divides to weave an altogether original, exciting, and multi-textured musical fabric which envelops both the avid clubber and the home listener, as well as everyone in between. Not content to be labeled as merely a DJ, a producer, or even a DJ/Producer, Traxx is a self-described “artist of sound.” A sound that is distinctive and highly emotional which defies classification and invites analysis and discussion. From eclectic and avant-garde tunes to old school jack tracks and far beyond, Traxx hears it all without discrimination, pretension or elitism. Traxx has released music on numerous underground labels in the US and Europe including Gigolo, Relief, Muzique, M/O/S, and Crème. His music has come to the world under a bucket load of alias' including Dirty Criminals, XX Art, Mysterio, ViLLan X, Saturn V(with Tadd Mullinix), X2, and more. He's also collaborated with the heads of underground to shape his unique definition of Jakbeat that's was created amongst JTC and D'Marc Cantu in the early years between 2005- 2007. In addition to releasing music for other imprints Traxx also started his own label Nation in April of 2007 which has allowed him to develop and recontextualize the various aspects of his sound. In 2009 Traxx stepped out into the light with his first full length 'Faith' album under his own name for his Chicago based imprint Nation which received positive response and feedback from around the globe. Like many in Chicago, Traxx was drawn into house music through the legendary WBMX radio shows and two trips to see Ron Hardy at the legendary Music Box. Describing his first experience with house, Traxx recalls "nothing could compare, things were being discovered.. this period stays with me because of the intense energy that was applied - it's a feeling, an emotion, a mental state of transcendental connection -a spiritual force with the higher being through the physical vessel of the body." His first release appeared on DJ Hell's Gigolo label in the early 00's under the collective alias The Dirty Criminals which was a Chicago based collective that featured mainly the work of working with collaborators like Charles Manier, Mystic Bill Torres, Daryl 'Deecoy' Cura, Matt Nee(Kompute), Josh Werner, Stephen Hitchell plus early on work from Jamal Moss aka Hieroglyphic Being. In addition to a number of 12"s Dirty Criminals released, two albums were very well received in Europe - 2004's "Organized Confuzion" and 2006's Collision Between Us And The Damned" which featured a cover of an early unreleased version of "Acid Tracks" by Phuture that was played around Chicago. Traxx also contributed vocals to the track "Let No Man Jack" on Hell's "NY Muscle" album on Gigolo but it's perhaps on his many mysterious 12"s that Traxx has set the ground work for in the last seven years where there's been a constant stream of them burning up dance floors with the new sound of Jakbeat that's shaping the scene by releasing an 'Adjustment Production' for Gavin Russom of DFA's LCD Soundsystem from 1 of his current alias projects as Mutant Beat Dance for a sombre tingling cosmic, deep disco brilliance concept, and also releasing with New York label Rong Records with another excellent 2 track release of 'Another World/New News Is Old News' to releasing a stunning solo project on MOS Deep Under The Poetic Painter M pseudonym, with a frenetic yet hypnotizing house track that echoes memories of downpitched Newbeat material and the hooky coldness of new age, following thru with incredible support and feedback in 2012 then again with another solid production from analog machinists Traxx and Wanzer for another Mutant Beat Dance release for the Rush Hour label with 'Let Me Go' featuring Naughty Wood on vocals that have said that they produced arguably 'the best 80s Chicago house record NOT made in the 80s. -inspired by the early days of house music- In an age of digital perfection Traxx is analog, when he DJs he plays vinyl and when he's in the studio he uses hardware. His sound recalls the past but pushes for the future with an overtly emotional and experimental approach. ̸SELECTED DISCOGRAPHY -Discography TRAXX under the names of Traxx, XxArt, X2, Saturn V, Mutant Beat Dance, MoMo & The Dirty Criminals: The Dirty Criminals – Are You Saved? Move! – Gigolo – 12“ – 2001 The Dirty Criminals – Organised Confusion – Gigolo – 2x12“/CD – 2004 The Dirty Criminals - Collision Between Us And The Damned – Gigolo 2x12“– 2006 Jak The Box – Kompute Musik 14 – 12“ – 2006 X2/Saturn/DMC-Primitive Cypher – Relief Records – 12“ – 2006 Traxx-Stranger In The Strangest Of Lands – Crème Organization – 12“ – 2006 Traxx-MTT Inversion – Crème Organization – 12“ – 2007 X2-Photon / Solara – M/O/S – 12“ – 2007 Saturn V-H-Sync 'The House Of Muzique' – Muzique Records – 12“ – 2006 X2-Barely A Track – Crème Jak – 12“ – 2007 Saturn V-Your Mind – Crème Jak – 2007 Mutant Beat Dance – In A Daze - Discos Capablanca 2009 JM Strap – The Owl In Daylight - Frigio 2009 Traxx –To The Beat Bizarre/An Insane Abstract Experiment – Lumberjacks In Hell – 2011 Traxx,JTC,D'Marc Cantu – Definition Of Jak Definition Of Hope – Lux Records 2011 The Poetic Painter M – Marie's Transendance – MOS Deep 2011 Mutant Beat Dance – Another World/New News Is Old News – Rong Music 2011 Traxx – Gold (One Blonde Strange Idea) – RVNG International 2012 Mutant Beat Dance – Let Me Go Feat.Naughty Wood/ Rottonfunk – Rush Hour 2012 VILLan X / dcantu – Disparate Implementations – Sequencias – 2012 Mutant Beat Dance- Urban Dust/Sketch III- L.I.E.S 2012 Mutant Beat Dance- Mutated Moods- Light Sounds Dark 2013 Transformation – LIES Black – 2014 Traxx/NpNk – Revenge Of The Poulet Cat – Macadam Mambo 2014 Traxx/Amir Alexander – Howard/Loyola Acid Frenzy EP – Anunnaki Cartel 2014 Musumeci – Tag Fur Tag(Traxx Tape Cut) – Mannequin 2014 Mutant Beat Dance – PolyfonikDizko – Rush Hour – 2015 Traxx/Villan X – Concept 1210 – June – 2015 Mutant Beat Dance Debut Album – S/T – Rush Hour – 2018 Traxx–Bizzarre Beat II – LIES –2020 An Anomaly– Decadent Skies – Offen – 2021 Traxx– Fight 4 Luv – Basement Floor– 2023 The Creative Technology Consortium– Panoramic Coloursound – Dark Entries –2023 Remixes: Orlando Voorn – Flash – Gigolo – 12“ – 2002 (with Filippo „Naughty“ Moscatello) DJ Hell – Repassion – Gigolo – 12“ – 1999 – (with Deecoy) Ron Hardy – Acid Edit – Illinois Illuminated – Antenna International Mutant Beat Dance - The Adjustment of Night Sky for Gavin Russom- DFA 2011 Blondes – Gold(One Blonde Strange Idea) – RVNG International 2012 YSS - Descend - Traxx remix – Under Bron 2013 Appears as vocalist on: Let No Man Jack (on DJ Hell's NY Muscle album) – Gigolo – 3x12“/CD – 2003 Let No Man Jack – Gigolo – 12“ – 2005 Let No Man Jack (Abe Duque Remix) – Größenwahn 1992-2005 / Monotoni Durch Automation (NY Muscle Interpretationen – Gigolo – 2xCD – 2005 Compilation Appearances on: A Tribute To Robert Moog – Crème Organization – CD – 2006 International DeeJay Gigolos CD 9 – Gigolo – 2xCD – 2006 International DeeJay Gigolos CD 7 – Gigolo – 2xCD – 2003 International DeeJay Gigolos CD 4 – Gigolo – 2xCD – 2000 International DeeJay Gigolos CD 5 – Gigolo – 2xCD – 2000 The Japanese Gigolo Inferno – 2xCD – Music Mine Inc. – 2003 The Box Collection #1 – 5xCD – Gigolo – 2005 Funboy 3 – 12“ – Gigolo – 2006 We Are Gigolo 12“ Showcase No. 8 – Gigolo – 2006 American Gigolo II – CD – Gigolo – 2006 City To City 3 Dj Deep's Journey Through Chicago, Detroit and New York's Secret House Gems - BBE - 2010 Light Sounds Dark- Ideas Of Reference And The Luna Sea - 1 sided 12" M.o.M.o- High Voltage Re-Enactment (M.O.M.O Cut + Re Designed It) - 2015 -Nation Release Catalog Discography: Nation 001 - Traxx/X2- Mysterio/Juz Jak Nation 002 - Villan X ft. Naughty Wood/2AM/FM - Heartbeat Crazy/Don't Front Nation 003 - XXart/X2 - This Moment/House Not House Nation 004 - Beta Evers - Transient - Paralyzed/Foreign Control/Prisoner Of Mind Nation 005 - The Modern Electronic Element EP(Serie 1) - Saturn V - Locomotion D'Marc Cantu - In A Time/Beau Wanzer - Fuk u Klaxons Nation 006 - Prototype Substance EP - Villan X Feat.Naughty Wood+ Jonny Quest - Sikk Truth/JTC Feat.Rodger Devine -The Monolith Nation 007- Traxx - Faith - Double Vinyl/CD Album Nation 008- Future Elektronix EP - D'Marc Cantu - It's My Body/ The Maniacs - Luv Eternal Nation 009- Rhythm Relics EP - Saturn V - The Fresh Heir/ X2 - Modem Nation 010- J.T.C. - Creep Acid Double Vinyl Album Nation 011- The Modern Electronic Element Serie 2 Compilation Nation 012- Nancy Fortune- Remain Human Album Nation 013- Charles Manier- Charles Manier Album Nation 014- Red Light- 7" Nation 015- Beau Wanzer 'Power Outage' 10" Nation 16.1- The Doomsday Initiative Part 1(2AMFM) Nation 16.2- The Doomsday Initiative Part 2(Two Dogs In A House) Nation 17- The Modern Electronic Element Serie 3 Compilation Nation 18- The Xecond Xoming Of Black Meteoric Star Nation 19- Modern Analysis “12" Nation 20- Mutant Beat Dance- No Comfort For Control Nation 21- SSPS- The Life & Times Of GiGi Black Nation 22- William Kincaid- Altered Ground “12” Kode 1- Charles Manier- “12" Kode 2- D'Marc Cantu / Black Meteoric Star- Split Concept Kode 3- D'Marc Cantu- Homefront I Kode 4- Sacred Article / SSPS- Output Signal Kode 5- Transformation / Beau Wanzer- Kozmik/Orbit ‎ Kode 6- Internal/External- “12” Kode 7- EchoDroides- Glowing In The Dark DirtyBlends (Exclusive Compilation Label) DB1 - The Jak- Wicked Hysteria / Tribute DB2 - The Jak- Sequential Sleaze / Hardy's Haunted Box DB3 - The Jak- Black Accordion / Dirty Riddim 87 DB4 - The Jak- Gravity D-Lyte / Zodiak- The Last Voice DB5 - Lex Lathan- Mayhem Manipulation / William Kincaid- Cant Be DB6- The Jak- A Lost Religion / Rudy Rugar- Pazuzu/ Back To Enterprise DB7- The Jak- An Offbeat Formation Of Control / The Falcon- The Syringe

Resident DJ at CockTail d'Amore party in Berlin, label artist and half of GreenVision.

̸BIOGRAPHY next stop Shell City

Name: Tzusing Birthday: ??? Height: 183cm Blood type: O Astrology sign: Cancer Looks: 5 stars Sense of humor: 5 stars Drinking ability: 5 starsTzusing

A versatile DJ with hidden depths and surprising power. Transcending our body and minds through dance rituals is what comes naturally to me. Amsterdam-based devotee Van Anh is a DJ pur sang with over a decade of experience to her name, making her the respected artist we get to enjoy today. Her love for digging, selecting, and mixing oozes through every vessel of her body. The name 'Van Anh', which translates to 'clouds', fits her way of mixing like a glove, allowing her to resonate with the sound waves of her liking. Very much like clouds, her sound takes on multiple shapes and forms, varying from deep ethereal ambient to hard, uncompromising techno. Never monolithic, what makes listening to Van Anh so enjoyable is the intricate way of combining all these sounds, bridging music from the past and the present. Played / upcoming events: Berghain (DE), De School, Vault Sessions, Awakenings, Parallel Festival (SE), Breakfast Club Amsterdam, Garage Noord, Dour Festival (BE)

̸BIOGRAPHY Electronic producer & composer Seb Gainsborough (Vessel) began his career as a purveyor of left-field, bass driven electronica, using his unique sonic palate to create immersive compositions, exploring texture and tone, the organic and the man-made. His first album, Order of Noise (Tri Angle Records 2012) saw him position himself as an artist at the vanguard of new British electronic music. 2014’s ‘Punish, Honey’ signalled a distinct departure from everything Vessel had previously released. Following two years of touring the output from ‘Order of Noise’ and his output from the ten years prior, Vessel approached ‘Punish, Honey’ differently, stepping aside from digital music tools in favour of analogue hardware and unique, hand-crafted instrumentation in order to develop an entirely unique sonic palette. Lead single, Red Sex picked up cult status, being used in Park Chan Wook’s The Handmaiden, on Alexander McQueen’s catwalks and as the soundtrack to a swathe of contemporary dance works whilst simultaneously destroying dank basement dancefloors around the world. Following ‘Punish, Honey’ Gainsborough’s focus shifted to a collaborative, exploratory approach, in particular, blurring the boundaries between live and synthesised sound. Gainsborough teamed up with Erased Tapes’ Immix Ensemble for his first foray into the ‘classical’ world, this resulted in a new commission for the re-launch of Tate Britain ‘Transition’, released on Erased Tapes in 2016. "At some point, I realised I had faded away from much of the music I used to identify with," Gainsborough told Dazed. "When I started getting deeply into classical and chamber music, I let out a big sigh of relief, like, finally. This is the language I've been looking for." This sparked a critical mass of new ideas and partnerships that would change Gainsborough’s music output forever. Gainsborough formed a close bond with Rakhi Singh, Immix’s violinist who opened his eyes to a lifetime of new listening. They began to write their first collaborative work not long after meeting. Written In Fire, a response to Janáček’s string quartet ‘Intimate Letters’ dropped in 2019, kicking off a rapid fire triptych alongside chamber opera ‘Paradise Lost’ and ‘Passion’, alongside acclaimed cellist Lucy Railton. If ‘Transition’ was Gainsborough dipping his toe into the water of the instrumental world, this was him diving in head first. All the while, alongside this exploration, collaboration and creative play, Gainsborough was simultaneously penning ‘Queen of Golden Dogs’, an album that would be his first true, cohesive amalgamation of his deep, nuanced electronic music and the new world of experimental and classical music that was unfolding before his eyes. Marrying ‘orchestral string stabs with propulsive percussion for a sound that is equal parts Arnold Schoenberg and Oneohtrix Point Never.’ Queen of Golden Dogs, was released (again by Tri Angle) in 2018. It marks a stark departure from the producer’s previous work, taking that next step on Gainsborough’s creative journey, combining chamber-rave freak outs with vocal segues and neo-classical pieces. In the live domain, the work is performed alongside acclaimed visual artist, and long time collaborator Pedro Maia, director of the masterpiece accompaniment to QOGD’s lead single Paplu. Maia creates a visual companion truly befitting of Gainsborough’s immersive, visceral, fluid musical output. Vessel, continues to be a truly singular voice, whatever his next move is, it’s likely to be unlike anything you’ll have ever heard before. ̸SELECTED DISCOGRAPHY Nylon Sunset EP - 2011 (Left Blank) Standard EP - 2012 (Left Blank) Order of Noise - 2012 (Tri Angle) Misery Is A Communicable Disease - 2013 (Liberation Technologies) Punish, Honey - 2014 (Tri Angle) Transition (with Immix Ensemble) - 2016 (Erased Tapes) Queen of Golden Dogs - 2018 (Tri Angle)

„The challenging sets he delivers are not always easy, but almost always ingenious“ Strange Sounds From Beyond Vladimir Ivkovic is a DJ. He’s more than that of course, but as his essence, Ivkovic is someone with a particularly unique talent for selecting records and weaving them into a larger – and often unusually compelling – narrative. Born and raised in Belgrade, he first dabbled in DJing as a teenager in the mid ’80s, but it was only after leaving Yugoslavia (to study in Germany) and later coming back for a summertime visit that he truly immersed himself in the craft, taking up position behind the decks during a series of impromptu parties at a lakeside restaurant owned by his parents. From there, he spent much of the next two decades honing his skills while throwing events like Selected and Substance that played host to a cross-section of boundary-pushing DJs, long before it was fashionable to do so. Eventually, Ivkovic found his musical and spiritual home at Salon des Amateurs, an unassuming spot in Düsseldorf that’s gradually proven to be wildly influential, giving rise in recent years to otherworldly talents like Lena Willikens, Tolouse Low Trax, Jan Schulte and many others, including Ivkovic himself. With its small size, Salon des Amateurs provided something of an open platform, a place where true music lovers could experience DJs exploring sounds and genres that strayed far from traditional electronic dance music tropes. That same adventurous spirit has found its way into Ivkovic’s curation of Offen Music, a label he launched in 2015. Although the imprint’s output is all but impossible to neatly categorize – experimental Serbian rarities sit alongside ambient excursions and moody synth-pop in the label’s catalogue – the label’s open-minded approach and embrace of off-kilter sounds perfectly encapsulates Ivkovic’s artistic temperament. In recent years, that temperament has increasingly found devoted followers all around the globe. Simply put, Ivkovic has become a staple of the European club circuit; despite his many years in the humble confines of Salon des Amateurs, he’s proven to be just as comfortable at celebrated nightspots like De School (Amsterdam), Berghain (Berlin), Nitsa (Barcelona), Kaiku (Helsinki), Sub Club (Glasgow), Phonox (London), Fold (London), Corsica Studios (London), The White Hotel (Manchester), Mutabor (Moscow), Pacha (Ibiza), Blitz (Munich), Zukunft (Zurich), Concrete (Paris), Lux Fragil (Lisbon), Robert Johnson (Frankfurt), Circoloco (Ibiza) and others too numerous to list. He’s no stranger to touring either, having taken extended DJ trips to Canada (September 2017), Asia (July 2018), Australia (January 2018), Brazil and Colombia (March 2018), USA (2019, April 2022), Brazil (September 2022). Even the festival circuit has come calling, inviting Ivkovic and his inventive rhythms to large-scale events like Primavera Sound, Unsound, World Minimal Music, Houghton, Strange Sounds from Beyond, Dekmantel, Flow, TodaysArt, Robot, Waking Life, Terraforma, Dancity, Positive Education, Elevate, Love International, Dimensions, Kala, Sziget, The Crave … and that’s just a partial list. Still, despite all of these international adventures, Ivkovic has kept his focus on music, especially the dark and often psychedelic sounds that lurk in its unexplored corners. Each month, he distilled some of that love into Lunatic Love Songs, a much-loved and sonically borderless program on Red Bull Radio. He still does it with his frequent contributions for Noods Radio, Kiosk Radio or Oddity Radio to name a few. Whether he’s broadcasting on the radio or piloting the dancefloor, Ivkovic is someone who applies a curatorial mindset and a deep love of music to all of his creative exploits. Yes, he’s a DJ, but he’s so much more than that; he’s a storyteller, a connoisseur and, most importantly, an artist. Vladimir Ivkovic - lOVe Tape - The Sameheads C60 Series ‎– SC60 #6 https://www.discogs.com/Vladimir-Ivkovic-lOVe-tape/release/8840249 Vladimir Ivkovic & Ivan Smagghe – IDMEMO: A Future Of Nostalgia https://www.discogs.com/master/1923870-Vladimir-Ivkovic-Ivan-Smagghe-IDMEMO-A-Future-Of-Nostalgia Vladimir Ivkovic – Gospels For Moopie https://www.discogs.com/release/17260789-Vladimir-Ivkovic-Gospels-For-Moopie Vladimir Ivkovic – Sweet Earth Flying https://www.discogs.com/release/18485422-Vladimir-Ivkovic-Sweet-Earth-Flying Various – Vidal Benjamin Presents: Uprooted #1 Vladimir Ivković https://www.discogs.com/release/24885869-Various-Vidal-Benjamin-Presents-Uprooted-1-Vladimir-Ivković

̸BIOGRAPHY Berlin Dj and Producer Raiders Berlin

̸BIOGRAPHY TECHNOだけに限らずジャンルの垣根を超えたシネマティック且つPSYCHEDELICなプレイで世界20ヶ国を渡り歩く。ネットラジオの絶対的な存在であるロンドンNTS Radioを筆頭に、世界のコアな層に届けるマニアックなプログラムにもミックスを提供。山頂瞑想茶屋とのプロジェクトYuta Chayaを始め、Liquid Drop Grooveから良質な楽曲リリースが多数控えている。 ///ENG YUTA (Liquid Drop Groove) YUTA is a DJ / Organizer / Label A&R in Japan, started his career since 2004. His visions are transformation from Retro Goa Trance DJ under the legendary MATSURI label, to the one and only his Psychedelic Techno project Liquid Drop Groove. YUTA has started "Agaitida" in 2015, based in Okinawa in world heritage village with a beautiful sunset location. The theme is bridge to Southeast Asia. Psychedelic Techno label Liquid Drop Groove was established in 2016, concept is a vision to create a space and sound that ripple made by a drop on the surface. In 2021, YUTA has launched SPECTACLE, a techno festival with DJ Nobu. Like its name, it will be a big event. He provides mixes for London's NTS Radio that one of the best internet radio, and for maniac podcasts that reach a core audience around the world. He also runs to quality releases on Liquid Drop Groove, and managing podcasts and downbeat videos. A new wave in the techno scene by an original style. His music describes as PSYCHEDELIC with build up and cinematic flow comes from his huge experience as an artist, performing at greatest festivals such as Eclipse Festival (Australia/Indonesia/USA), Ozora (Hungary), Modem (Croatia), Tribal Gathering (Panama) etc. And numerous clubs in Asia and some Europe. "Life = psychedelic" is a phrase he values. ///JPN YUTA (Liquid Drop Groove) 2004年よりキャリアをスタート。アーティスト活動を軸に、オーガナイザー・レーベルA&R・ブッキング等、現在は多角的にPSYCHEDELIC TECHNOを仕掛けるプロデューサーも担う。 2010年代、レトロゴアトランスのリバイバルブームを巻き起こしたMATSURIのブレーンとして世界的に注目される。 2015年から始動した「朝陽が昇る」を由来とする沖縄Agaitidaを主宰。世界遺産となったヤンバルを舞台に人生観を変える体験をテーマに東南アジアの掛け橋となる。 2016年、「波紋状の音と空間」をコンセプトにレーベル兼プロダクションLiquid Drop Grooveを発足、2020年のパンデミック中に脚光を浴びる。2021年には「天空の楽園」をコンセプトとした野外フェスEDEN 、DJ Nobuとシーンの変革に一石を投じるべくSPECTACLE、そして2023年はNESSが主軸のThe Gods Planetとバイナルレーベルをローンチ。テーマに沿ってPodcastや動画の配信など、テクノシーンに置いても異端児として根付く。 メインアクティビティとするDJでは、TECHNOだけに限らずジャンルの垣根を超えたシネマティック且つPSYCHEDELICなプレイで世界20ヶ国を渡り歩く。ネットラジオの絶対的な存在であるロンドンNTS Radioを筆頭に、世界のコアな層に届けるマニアックなプログラムにもミックスを提供。山頂瞑想茶屋とのプロジェクトYuta Chayaを始め、Liquid Drop Grooveから良質な楽曲リリースが多数控えている。 ̸SELECTED DISCOGRAPHY YUTA http://www.mixcloud.com/goadjyuta https://soundcloud.com/liquiddropgroove/sets/yuta Liquid Drop Groove http://www.liquiddropgroove.com https://soundcloud.com/liquiddropgroove https://www.youtube.com/c/LiquidDropGroove https://www.instagram.com/liquiddropgroove.new/ https://www.facebook.com/LiquidDropGroove

Yves Tumor is the solo moniker of Sean Bowie, the enigmatic multi-instrumentalist and producer based in Turin, Italy.Yves Tumor

̸BIOGRAPHY Seven years after his viral single “Ima Read,” performer, songwriter and producer Zebra Katz returns to present his debut album, LESS IS MOOR. Seven years after his viral single “Ima Read,” performer, songwriter and producer Zebra Katz returns to present his debut album, LESS IS MOOR. Written and produced between Berlin and London, LESS IS MOOR features guest appearances by Shygirl and S. Ruston, with a myriad of star co-producers such as Sega Bodega, Tony Quattro, and fellow Red Bull Music Academy graduate, Torus. Amidst all this talent, there’s rarely a down moment on the album. Together, these tracks capture sides of Zebra Katz the world has yet to see and reveal his artistic versatility. His multiple inspirations are channelled into a series of high-energy bangers, all of which required years of collaboration to complete, a DIY attitude, and a commitment to a high concept without excess production. Recent singles “IN IN IN” and “LOUSY” are examples of Zebra Katz’ desire to repossess his narrative, exploring issues like the Black experience and sexuality, all the while mixing in devastating ruminations on the life of a star: “they all love when you dead / and you six underground.” LESS IS MOOR will have listeners on their heels, especially in moments that show Zebra Katz’s talent for improvisation and drawing on the moment. The freestyle on “ZAD DRUMZ” came about after an improvised session at Red Bull in Berlin with co-producer Torus. “INTRO” was made at a party loft in Berlin. The gabber-oriented sound reflected the chaotic sounds of the party below. “All I wanna do is keep the dance floor jumping,” sings Zebra Katz on “ISH,” the next single in line for release. “NECKLACE,” a guitar-strummed slow jam, is a rare moment of respite on an otherwise high-energy album. The very next track, “SLEEPN” jumps back in with a bubblegum beat and subversive lyrics: “blackface, war paint / throw a hex on ‘em.” “LICK IT N SPLIT” is the album’s sexy and high-spirited ending featuring Shygirl. Born Ojay Morgan, Zebra Katz, is a first-generation Jamaican-American born in West Palm Beach, Florida. Morgan’s artistic days began early: his senior thesis at the Eugene Lang College of Liberal Arts at The New School found him premiering “Moor Contradictions,” a precursor to LESS IS MOOR that combined performance art with music at La Mama Theatre in 2007. Skip ahead to 2012, when the music world explodes over Zebra Katz’s sensational hit, “Ima Read.” Picked up by Diplo’s Mad Decent imprint Jeffree's, the track garnered further popularity when it ran for 11 minutes on a Rick Owens runway at Paris Fashion Week. The next five years found Zebra Katz touring nonstop in Europe and the United States, delivering memorable and genre-breaking live performances at venues like the Broad Museum in Los Angeles, the New Museum in New York, the Metropolitan Museum, MoMA PS1, Brooklyn Museum, and Art Basel in Switzerland. It was during this same period that Morgan released the mixtapes Champagne and DRKLNG; two EPS, Winter Titty and Nu Renegade, a collaboration with Leila Arab. Zebra Katz wanted to dive into production for LESS IS MOOR immediately after releasing Nu Renegade, but an exciting new opportunity took him away from the project: from 2017-2018, Zebra Katz joined the Gorillaz on their Humanz tour and was featured on the tracks, “Sex Murder Party,” “The Apprentice,” and “Out of Body,” which also featured Kilo Kish and Imani Vonsha. For years, Zebra Katz has been working as an independent and self-managed artist, thriving despite the lack of backing from a major label or a debut studio album. Now, with greater support behind him, LESS IS MOOR announces a deeper look into the sonic universe of Zebra Katz. The album stays true to the off-the-cuff way that Zebra Katz initially started to make music seven years ago but it finds the musician newly empowered and unafraid of being noise-driven, biting, caustic. Nor is he afraid to draw inspiration from diverse sources like Little Richard, Nina Simone, James Baldwin, and Grace Jones. Sexually charged and abrasive, LESS IS MOOR is a bold, sonic experiment that meshes industrial hip-hop with drum ‘n’ bass and unidentifiable sonic territory. Used as early as the Middle Ages, the word “moor” refers to the black Muslims of Northern Africa. Today it simply means black and is synonymous with “negro.” When Zebra Katz says “I’m that sick sadistic fucking twisted bitch” on “ZAD DRUMZ,” he’s wearing his darkness for all to see. If you listen hard enough, you can almost hear James Baldwin saying, “To be a Negro in this country and to be relatively conscious is to be in a rage almost all the time.” LESS IS MOOR lets you into this rage so you can dance with it.

̸BIOGRAPHY Ziúr is an experimental producer/musician and a fixture in Berlin's rich musical topography. Ziúr is an experimental producer/musician and a fixture in Berlin's rich musical topography. It seems as though she produces her releases in the way someone scoring a television series does, gathering and arranging their selections for each episode … isolating and apprehending definitive scenes and memorializing their ethos in song. Soundtracks, much like her release “Antifate”, guide the listener through radically different emotional states, yet somehow still offer an idea of what underpins a show's (or in this case an album's) particular hues. Ziúr produces music within such a scope, expansive, rich and diverse in texture. The sounds are simultaneously machinistic and deeply anthropomorphic, toying with mechanical isolation and the chaotic spectrum of human emotion. Unlike a soundtrack or score, there is no film to which one can turn to narrativize the music … there is only evocative sounds reaching from each song towards the cybernetic sublime. ̸SELECTED DISCOGRAPHY Blur - EP 2021 (Now Now) Antifate - Album 2021 (Pan) Now Now - EP 2021 (Now Now) Are We? - EP 2020 (Self Released) ATØ - Album 2019 (Planet Mu) Isn't No Place And All Places The Same Place - Mixtape 2019 (Self Released) U Feel Anything? - Album 2017 (Planet Mu) Deeform - EP 2016 (Objects Limited) Taiga - EP 2016 (Infinite Machine)

̸BIOGRAPHY ZULI is a Musician/Producer/DJ from Cairo, Egypt Ahmed El Ghazoly aka ZULI (stylized in all capitals), is a musician, producer, and sound artist from Cairo, Egypt. Internationally, ZULI is best known for his releases on Lee Gamble’s UIQ – which included a string of EPs as well as his debut LP Terminal, an album that highlighted the depth in his productions, as he simultaneously combines experimentations in rap/hip-hop with music for listening as well as the dancefloor. The Italian Haunter Records also saw the release of the infamous Trigger Finger EP which went on to be remixed by the likes of TSVI, AYA, Acre and more. In 2019, ZULI launched a video series ‘irsh’ together with Rama where they curated and invited artists to play video recorded sets in a social setting. Only having the chance to record two episodes before the pandemic struck, they launched a label and released the two compilations. Locally in Cairo, ZULI is best known for his work in the Hip-hop scene, particularly with rapper Abyusif (who appeared on ZULI’s 2018 album ‘Terminal') but also in the Electronic music scene as part of the now defunct collective Kairo Ist Koming (KIK) between 2012-2015. It’s there he founded Cairo’s alternative music venue and club, VENT, together with Asem Tag aka ($$$TAG$$$), which existed between 2013-2015 before transforming their project into a namesake club night and festival. Around the same time, VENT London was established at the now closed Dance Tunnel venue by a third partner, Mohamed Elshourbagui. ZULI’s music garners support all over the board ranging from the likes of Aphex Twin and Autechre, to Ben UFO and Bradley Zero, even Richie Hawtin through its wide ranging sound. He joined the NTS Radio roster in 2016 with a monthly show that includes a dedicated hour to guest appearances from up and coming DJs and ones he meets touring around the world. ̸SELECTED DISCOGRAPHY Trigger Finger EP - SPCTR010 - May 2018 Terminal LP - UIQLP003 - November 2018 All Caps EP - UIQ0012 - March 2021