SHERELLE is leading a new generation of high-speed ravers who are addicted to jungle, drum ‘n’ bass, footwork and juke. Through her DJ sets, radio shows and record label she gives a platform to both scene elders and new talent and is committed to pushing 160bpm+ dance music into the future. The London-born DJ has been busy since that Boiler Room sent her signature brand of low-end energy viral: She’s held down a year-long Radio 1 residency that’s seen her showcase cutting-edge dance music to a mainstream audience as well as host OGs like DJ Spinn, 4Hero, Kode9 and Luke Vibert as well as next gen disruptors like Mantra, L C Y, Yazzus and Fracture; She’s started the Hooversound label alongside partner in club music Naina with releases from Hyroglifics, Sinistarr and Deft; And she’s co-founded the incendiary 6 Figure Gang squad with Fauzia, Jossy Mitsu, Dobby and the aforementioned L C Y and Yazzus. Let the takeover begin.

Skee Mask is a versatile producer from Munich, who doesn’t want to be identified. He got influenced by a lot of different types of music over the last years, which made his productions pretty various. Skee Mask’s direction is mostly rolling rhythms, combined with electronic soundscapes, always forcing to create a deep vibe. His influences mainly are from “old” techno labels like Chain Reaction, Warp Records or Counterbalance. He’s still developing his procedure in making tracks, but always staying himself. In his DJ sets he tries to create a deep trip, constituted of organic grooves and diverse clang accompaniments. Skee Mask would describe his DJ-Set variations as techno, ambient and mostly experimental, forward thinking.

Yves Tumor is the solo moniker of Sean Bowie, the enigmatic multi-instrumentalist and producer based in Turin, Italy.Yves Tumor

070 Shake aka Danielle Balbuena has gained a horde of praises with her debut album Modus Vivendi, dripping sentimental and true hip hop. The album’s seasoned production combines both the simplicity of bleakness and retro-futuristic synthesizers. The singer-rapper is also known for touring with the band The 1975 and has also collaborated with Pusha T, Nas and DJ Khaled.

100 gecs is a duo between Laura Les and Dylan Brady. Scavenging scraps of musical influences and welding them into dangerous machines, they destroy the competition with their army of lethal bangers. Critically heralded as “very good” and “music,” their ambition knows no bounds.

One of the most important dance music acts of all time, 808 State played a major role in popularizing acid house in the U.K. at the end of the 1980s, and have remained a primary influence on several generations of techno, IDM, and alternative dance artists. Initially associated with the Madchester scene, which otherwise consisted of dance-friendly rock bands descended from post-punk and psychedelia, they were among the first groups to put a British spin on Detroit techno and Chicago house, producing electronic tracks that were complex and experimental yet melodic and accessible. Debuting with the free-flowing acid tracks of 1988's Newbuild, the group scored a major hit with the lush, summery 1989 single "Pacific," which hit the U.K. Top Ten and remains one of the most beloved tunes of the rave era.

̸BIOGRAPHY Sheffield-born now Manchester-based Evan Majumdar-Swift is a young DJ/Producer embodying the renegade spirit of his native Steel City spanning genres, sounds and attitudes. Growing up amongst the bleep legends of the rolling Sheffield hills, Evan began nurturing his Ableton sorcery skills at an early age. At just 18 years old, he released his first EP 'Provisional Electronics' on CPU Records, quickly followed by his *debut* DJ set at the Boiler Room label showcase. Fast forward a bit and Evan's graduated from techno wunderkind to one of the most multi-faceted producers around. His 2019 debut album 'Excitable, Girl' saw him push the boundaries of experimental electro to include italo-tinged euphoric arpeggios, bittersweet cascading piano melodies and, of course, absolutely massive drops. With a range of dates around the UK & abroad, this young protégé is certainly one to watch. ̸SELECTED DISCOGRAPHY Provisional Electronics [00111101] Excitable, Girl [01000111]

British-born, Ghanaian/Russian/German Henrietta Smith-Rolla, goes by Afrodeutsche as an ode to her rare roots. She has recently exploded on the UK scene with her Afrofuturistic electro, techno, Detroit house, and classical sound. It may seem like quite the mix, but it works. Her first-ever live gig, she opened for Carl Craig in Ibiza in 2016. Now, she hosts a monthly radio show on NTS where she keeps listeners coming back to hear her unexpected mixes of dark techno, jacking house, and footwork. 2019 was a big year for her. Publications like The Guardian and Dummy Mag sang her praises after her 2018 release of her debut album “Break Before Make” on Skam. She has since released an EP on River Rapid and hit the decks at Dekmantel, Sónar, Berghain, and Printworks.

̸BIOGRAPHY Spinning a multitude of genres, ranging from Acid to Club to Footwork just to name a few, a.a plays tracks that get the crowd moving. Recently supporting the likes of I Hate Models, LCY and Dr Cryptic, she’s one to watch on the Steel City scene.

Altın Gün offer an exciting mix of Turkish folk, psychedelia, funk and rock. After performing in Istanbul , bassist Jasper Verhulst became fascinated by the Turkish sound of the 70s. At that time, artists like Selda, Barış Manço and Erkin Koray combined traditional music with western rock influences. Along with bandmates Ben Rider and the bands' first drummer, Nic Mauskovic, Verhulst searched for Turkish musicians to revive this sound. They found Merve Dasdemir and Erdinc Yildiz Ecevit through Facebook. Jungle by Night’s energetic percussionist Gino Groeneveld joined the group and the band was complete. Altın Gün play songs from the aforementioned artists from the 70’s and their lesser-known contemporaries and also make their own arrangements of Turkish traditionals. This way different worlds meet and form a refreshing danceable sound. In 2018 drummer Daniel Smienk joined the band. The new album, Gece, will be released in April 2019 on Glitterbeat Records.

Avalon Emerson is from the desert. While she currently lives in Berlin, the music she produces comes from the dreamlike expanse and abstract textures of the Sonoran landscapes of Arizona. Her journey has taken her from that sunbaked state to the contemporary dance music mecca via a long stint in San Francisco, where she cut her teeth as a DJ in the city's storied warehouse party scene. In her DJ sets and productions now, she offers a timeless narrative that reflects a passion for the sound design of new wave, the futurism of techno, the soul of American house and the exuberance of rave. Though she's built up steam in 2015 from multiple sets at Panorama Bar, and globetrotting all around Europe and North America, she's just getting started, and continues to outdo herself with original productions released on labels like Shtum, Spring Theory, Icee Hot, and her own DJ tool edit pool, the Cybernedits series.

Azu Tiwaline is a producer inspired by the need to explore her origins, rooted in the Sahara. Her sound is a mix of the organic and the raw, vibrations from the spaces of the desert where entrancing music resonates and ecstatic rituals are commonplace.

̸BIOGRAPHY BAMBII is a global club DJ known for her genre jumping sets that push music exploration and the spirit of dance and rave culture everywhere. Kirsten Azan, baptized Bambii, is one of Canada’s most compelling DJs. Whether online or on dancefloors, her political and musical vernacular give credence to dance music’s ever expanding reach, the relationships it helps forge between individuals, cultures and spaces. As proof, she has spent the last few years touring Europe and Asia as a solo artist and on support for some of the world’s most relevant artists - Mykki Blanco, Kelela, and BbyMutha, to name just a few. She's a reoccurring name across European venues like Paris’ Afropunk and Germany’s Open Source Festival. On this side of the Atlantic, her event series ‘JERK’ has made stops in Halifax, Los Angeles, New York and Montreal building on the success of the event’s 7th year of existence in hometown Toronto. Publications are also keeping afloat - Wonderland, VOGUE, CRACK, DUMMY and DAZED all want a piece - and awaiting her debut EP, set to hit the internet before the year closes. ̸SELECTED DISCOGRAPHY 2019 NITEVISION - BAMBII FEAT. PAMPUTTAE

DJ, producer and owner of the Timedance record label, based in Bristol (UK)Batu

Despite having garnered a steadfast reputation for his eclectic, fluid sets packed with hearty bass and forward-thinking percussion, alongside support from a consortium of the underground's brightest — Bluetoof is anything but riding the wave of his success. Instead, this South London-based DJ, producer, and label head is an artist in a state of metamorphosis, looking to redefine his work and explore his own identity. Born in Scotland, but raised in Kent, Bluetoof - aka Ben Farjani - was exposed to an "eclectic mix" of music from his parents, who had worked within Glasgow's clubbing industry in the '90s — US garage, house, R&B, "lots of hip hop.

̸BIOGRAPHY Larry McCarthy creates postmodern rhythmic drama at the burning intersection of UK dance music. Bruce's music operates at all speeds without any predictable formula. Some tracks stutter and thump with cybernetic power; others flutter and glide in poignant shades of blurring colour. It’s a fragmented, low-frequency meltdown, evocative shimmers of light emanating from the cracks. Sometimes what you're listening to is suddenly scraped off and wiped away, leaving only silence as you blink in disbelief. With a deep understanding of tension and release - essential for thrills and head-spins - McCarthy has been a fundamental force in the continuing output of the pioneering label collective Hessle Audio since his 2014 debut. Since its inception, McCarthy has been also a close affiliate of the Timedance label, where he’s continued to expand his sound, along with Livity Sound and Hemlock. McCarthy’s hyperactive and surreal humour allows him to recreate the process of converting experimental abstraction into exhilarating energy when he’s performing as a DJ. His nuanced dancefloor approach has already taken him on tour as far as Japan. He further explores his own marriage of heartfelt music and daft humour via his monthly Noods Radio show, ‘Get Loose! With Bruce,’ coyly lassoing together various sonic phenomena that inspire his music. McCarthy’s debut album is only the third artist album to be released on Hessle Audio. It was very successful in amplifying his powers to change the shape of electronic music through deep, hi-tech self-expression.

Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Defined by a meticulous approach to the composition, production, art direction and presentation of his work, every release encapsulates Joseph’s idiosyncratic vision. It is a colourful world that gives life to the shadows and throws a mist over the boundaries that have become so commonplace in electronic music. His record The Present Tense provided the launching point for Houndstooth (the label arm of London’s fabric nightclub). The following two releases, Black Octagons and Depicta/Acephale, cemented his status as one of the brightest new talents to emerge in the current wave of producers disturbing the musical landscape. Next up came Suzi Ecto, his debut album, which...

Channel Tres is a producer, DJ, musician and artist from Compton, CA whose style and aesthetic is quickly making him one of the most buzz-worthy talents to hit the scene. Channel Tres fell in love with the art of music and production at the early age of nine when he stumbled across a CD entitled "The Love Below". From that moment, he knew he wanted to make and be a part of how music inspires people. He started playing drums and directing the church choir as a teenager. Then his desire to explore further music connections led him to attend University in Oklahoma where he studied music technology, composition and theory. His education only broadened his knowledge and love for the craft and set him on a path to create music that is clearly outside of the box.

̸BIOGRAPHY Resident DJ and party starter for music collectives The Beatriarchy, More Pussy 3mpire, and Thirdspace.

Deadbeat is Scott Monteith, an adopted Montrealer who has been releasing his own special blend of dub laden, minimal electronics since 2000.Deadbeat

̸BIOGRAPHY 16v hatchback breakbeat NRG kickin’ it out of your Kenwood system. Part of the Club Glow collective In a blizzard of breakbeats, b-lines and acid hooks, Denham Audio have brought new urgency and vitality to the modern rave scene. The sound they’re pushing is rooted in the legacy of UK hardcore, but those foundational sounds and styles are given a thorough spruce up, feeding into the buoyant areas of exploration happening between 140 and 160 BPM. Releases have been coming thick and fast, from early outings on Nineteen Ninety Four and Artifice through to a blistering run on WNCL, Frendzone! (alongside Violet), Lobster Theremin, Sneaker Social Club and more. Across these 12”s you can hear every shred of influence spilling out – from the upfront hardcore and jungle through to hip hop and reggae, and beyond the confines of music into sci-fi and anime. As well as a relentless charge of rave-ready EPs and DJ sets spanning the UK and as far as Seoul, Tokyo, Berlin, New York and elsewhere, the Denham Audio pressure also piles into the Club Glow collective. Alongside Borai, LMajor and Mani Festo, Denham are presenting a communal front which first manifested as a tape series and now spans 12” drops, a monthly session on Balamii Radio and coordinated blitzes on appropriately sized dancehalls. It’s a natural extension of Denham’s production endeavours, succinctly captured on the SNKRX05 12” as “16v hatchback breakbeat NRG kickin’ it out of your Kenwood system.” We couldn’t have put it better ourselves.

As one of the most iconic artists of her generation in electronic music to date, Ellen Allien embodies the core ethos of techno: a visionary who looks to the future for inspiration, carving out her own niche and presiding over an empire that has imbued the world of techno and dance music with her unique DNA. A dynamic selector who prides herself on her extensive knowledge of music and dance floors worldwide, she has travelled the globe as a DJ playing at every major club on the circuit and commanding the big stage at festivals from Europe to South America. Ellen’s eternally creative mind has led to the production of nine solo albums and an extensive back catalogue of singles, EPs and remix work. ~ Artist Official Website

A young lady, born to a Japanese father and a Turkish mother.Fatima Yamaha

FKA twigs has her invincible way of weaving pop aesthetics into her production and performance and is one of your most requested artists. Drawing from R&B, electro, pop, trip-hop and avantgarde, the British artist’s distinctive style has inspired the trends of modern pop music in the past years and could hardly fit better into our “New World”. Also known as a merited dancer, the musician’s and producer’s debut album LP1 came out in 2014. It wowed the critics, a wide crowd and was, for instance, a Mercury Prize nominee. Last year’s release, Magdalene, an album reflecting the artist’s sorrow and fears, has reached even further in thanks and praise and has been recognized as one of the best albums of the year.

̸BIOGRAPHY Manchester based producer making music thats a sonic reflection of his heritage, marrying the sounds of latin rhythms & uk low end focus

Front 242’s history starts in 1981 when Daniel B. lays out his ideas on a first single: « Body to Body ». Patrick Codenys (keyboards) and Jean-Luc De Meyer (vocals) join the band for the first album « Geography » in (1982), followed by Richard 23 (vocalist/stage performer) in 1983. While developing their own independent recording and graphic units, along with a unique presentation on stage, the band progressively reaches a larger audience in Europe, touring and releasing records of its brand new genre they soon label « Electronic Body Music (aka EBM) ». EBM being a collage and synthesis of music and sounds, recycled from the media or TV, often reflecting or enriched by other artistic disciplines. In 1984, Front 242 sign on the label Wax Trax from Chicago. The EP « Take One » (1984) is their first U.S. release, their success there will be massive.

̸BIOGRAPHY Girls Don’t Sync are an all-female group of DJs, producers and curators who are bringing much needed inclusivity and energy to underrepresented dancefloors worldwide. Girls Don’t Sync are an all-female group of DJs, producers and curators who are bringing much needed inclusivity and energy to underrepresented dancefloors worldwide. Matty Chiabi, Sophia Violet, Hannah Lynch and G33 came together to form Girls Don’t Sync in summer 2021, and exploded onto the scene soon after with one of the most-watched Mixmag Lab’s of the year. Their fresh take on UKG, house and bass has made them a must-see act at the likes of Glastonbury, Boomtown, Parklife, Lost & Found and many more this year, winning fans around the world for their boundless energy and the unforgettable atmosphere they create with each performance. In an era of feminine resurgence, Girls Don’t Sync are inspiring a new generation of dance music fans and becoming leaders of their scene.

̸BIOGRAPHY Gracie T runs South Asian creative collective, Daytimers and platform for underrpresented artists, The Beatriarchy. Hope Works resident and Threads Radio regular (Tiny Okra airing monthly). Listen to her recent Rinse FM guest mix on soundcloud now. Resident at Hope Works, Sheffield and Threads Radio, London. Gracie T spins everything from Dancehall to Grime to Jungle and Footwork. She has supported the likes of Conducta, LCY, Anz & Jossy Mitsu. Tiny Okra airs every month on Threads Radio Book me/send me tunes: DJGracieT@gmail.com

Hamburg native Helena Hauff is an in-demand DJ as well as an acclaimed producer of gritty, hard-edged electro-techno. Her music draws from influences such as acid house, EBM, and industrial, and she records her tracks strictly using analog equipment, usually in one take. Her full-length debut, 2015's Discreet Desires, contains some of her most melodic material, while 2018's Qualm is more stripped-down but no less energetic. Hauff has released a handful of EPs, including 2019's Living with Ants and 2021's Futuros with the Exaltics. ~ AllMusic

Honey Dijon had carved a distinct niche for herself in the world of underground electronic music, coming to be associated with exquisitely curated cross-genre sets and total dance-floor chaos wherever she plays - from Berghain to Space or Smart Bar. As a producer, her reputation for bringing this knowledge to her forward thinking creations is growing all the time. ~ Soundcloud

Every DJ would like to think themselves a real musical connoisseur, but Hunee really is - it’s not him that says so, but pretty much anyone else whenever the man born Hun Choi pops up in conversation. His DJ sets have of course taken him all over the world from Aus to Asia, America to Europe, but they take listeners much further. As likely to draw for a classic house record as he is a disco curveball, a boogie delight or mixing an African bomb into a techno record, each selection he makes is a thing of true passion – you can see it not only in his eyes, but so too in the eyes of those dancing along whether he is making one of his appearances on Boiler Room or holding down a residency on NTS radio.

Jamie Tiller has an often unrivalled knack for rescuing a seemingly endless supply of discarded musical gems from the murky depths of the record underworlds..Jamie Tiller

The beat-maker and knob shaker from The XX. Also a prolific remix artist and producer.Jamie xx

Canadian by birth and now London-based, Jayda G has risen steadily and stealthily through the dance music underground with her infectious energy, vitality and boundless enthusiasm.Jayda G

Office TycoonJensen Interceptor

Born Mikayla Simpson on February 16, 2000, Koffee’s mission is to preserve Jamaica’s roots and culture in music and to empower the youth of her generation through her musical journey across the world. “I want to make a better world for the generation that's coming up, to promote love and peace, and even though I’m young, I feel that the Creator has blessed me with talent and wisdom to get the job done”. – Koffee.

A wind of change is blowing over the cultural landscape of Kinshasa, DR Congo. An explosive alternative scene is thriving. KOKOKO! is the sound of it.

and u r a thief and u drink 2 muchLaurel Halo

Simbiatu “Simbi” Abisola Abiola Ajikawo says it herself when she puts on her superheroine mask and goes by the name of Little Simz: “I’m Jay-Z on a bad day, Shakespeare on my worst days”. And on that pernicious Venom that pollutes GREY Area from the very core, she concludes that some people will never acknowledge her as the best just because she’s got ovaries. Those who have recognised her worth get a mention: Jay-Z, Mr Lamar and the woman who knows all about being a woman, black and furious, Lauryn Hill. And let’s not forget the Mercury Prize judges who nominated her for her third LP. Not bad, huh?

Originally from Portugal, Mafalda brings the sun to London, where she is now based, through her sets of tropical jazz, soul, RnB and everything in between. She celebrates the values she stands for through the music she plays, carrying a message of peace, love, unity and hope. Having moved to London only five years ago, Mafalda has co-founded the reissue label Melodies International with Floating Points which is responsible for reissuing rare groove gems such as Tomorrow’s People’s Open Soul and Trio Ternura’s A Gira to name a few. She has played at key festivals such as Dekmantel, Field Day, Worldwide Festival, Dimensions, Nuits Sonores and is about to play at Primavera Sound and have her first Australian tour this year. Other highlights include Boiler Room, Dingwalls, Cosmic Slop and the You’re A Melody parties.

Mama Snake first garnered attention as a DJ as part of Copenhagen's now-disbanded Apeiron Crew. She entered the techno scene with a fully formed sound: rattlesnake beats and emotional synths tied together by imperceptible mixing. Her watertight online mixes quickly earned her a following, and she's now busy balancing her life as a touring techno DJ with her job as a recently qualified surgeon.

DJ and producer Marcel Dettmann is recognised as one of the most influential proponents of contemporary techno. Widely associated with iconic trademarks including Berlin, Berghain and Hard Wax, Dettmann stays true to his roots by consistently innovating his interpretation of electronic music, integrating art with the scene. Raised in the former GDR, in a small town near Berlin, Dettmann had already begun to develop his passion for electronic music in his youth. Bands like Depeche Mode, The Cure and Front 242, as well as post-punk and industrial, count as his earliest influences, long before he discovered his affinity for techno. His hometown lacked a record store specialising in electronic music, so between 1995 and 1998 Dettmann began selling vinyl from his own home. He purchased records from various distributers, Hard Wax amongst others, both to resell to his friends and to cement the foundation for his own considerable collection. Like many of his friends, the mid-nineties saw Dettmann frequenting Berlin’s nightlife. This included club institutions E-Werk and Tresor where the resident DJs of that time aroused his passion for the Chicago and Detroit influenced sound. In 1999, after many (including self-organised) parties, his turning point came; Dettmann began to work as a resident DJ at Ostgut, Berghain’s predecessor. Shortly thereafter upon receiving a job offer from Hard Wax, he finally moved to Berlin. His apprenticeship as a vinyl buyer and seller as well as DJ, granted him an extensive depth of musical knowledge and intuition. Dettmann quests tirelessly for new ways and inspiration to further develop his own concept of electronic music. His label MDR (Marcel Dettmann Records) serves as a platform upon which to shape his musical vision, and through its releases, to launch new talent onto the techno scene. As a curator and producer, Dettmann fosters the call to create in a way which is equally timeless and innovative. His own releases comprise two albums on Ostgut Ton, numerous singles and remixes for artists of various genres – Junior Boys, Fever Ray, Moderat, Commix, Clark and Laibach to name a few. Furthermore, he has produced compilation albums for London’s fabric club, Berlin’s Berghain, the Belgian techno label Music Man and one issue of the DJ Kicks compilation series on !K7 imprint. Outside of the club context, Marcel Dettmann has established himself as a multi-faceted artist. He designed the sound concept for „New Works“, an exhibition of photographer Frederike von Rauch, contributed to the contemporary dance project „Masse“ – together with Frank Wiedemann and choreographer Nadja Saidakowa in cooperation with Berghain and the Berlin State Ballet. His single “Seduction feat. Emika” provided the soundtrack to director and screenwriter Parker Ellerman’s short film of the same name. As a passionate DJ and one of the faces of Berghain, Dettmann seeks to inspire his listeners with sounds both reduced and rough, balanced by emotional and surprising moments throughout his sets. Between pure techno, banging Chicago, tracks old and new of the past twenty-five years, Marcel Dettmann communicates his message with an apparent effortlessness.

Techno FuturistMatrixxman

Mézigue est malheureusement parti au Pérou développer un nouveau type de ciment. Il doit manger des pierres ce qui ne lui permet plus de se déplacer de façon uniforme. Malgré cela il a réussi grâce à la loi de stunt à recalibrer Tarza 8. [Translated by Google Translate] Mézigue unfortunately left for Peru to develop a new type of cement. He must eat stones which no longer allows him to move uniformly. Despite this he was able to recalibrate Tarza 8 thanks to the stunt law.

Born in the French mountains, Grenoble, 1973, Kittin expressed an interest in the visual arts – she studied both contemporary and graphic arts. As time progressed, however, Kittin found herself emulating her parents’ musical tastes by developing an interest in musical genres ranging from classic, jazz, funk & disco to English Pop. Finding her niche in Electronic Music in 1991, Kittin raved all around the country before doing her first mix in April of 1993. Her first set came one year later in 1994, at which time she started her career with Tekmics Booking Agency, playing in the famous Dragon Ball wild parties of Southern France.,<br/ >In pursuit of other opportunities, Kittin left France in 1996 and relocated to Geneva, Switzerland, where she would join the Mental Groove Record Posse one year later. Through years of an exciting and mobile career as a DJ, Miss Kittin is confident with her own personal sound. She states, “I get quickly bored when I listen to the same sound. DJs have to take risks, without only thinking about what people want to hear. Some people say I’m too technical. That’ true, but this technique also gives me the freedom to concentrate only on music.”

An outspoken voice in the normally non-confrontational world of electronic dance music, Moodymann (Kenny Dixon Jr.) is committed to keeping a distinctly black imprint on techno and house. Moodymann

̸BIOGRAPHY MYNA specialises in showcasing the best the African diaspora has to offer. From house, to Gqom, to baile funk, her mixes are infused with energy and nuance. Based in the north of the UK, MYNA is well known for her bouncy playful mixes traveling from afrobeat and afro house to baile funk and beyond. In some of her latest mixes, DJ MYNA takes you through a brooding percussive soundscape, influenced by her heavier tastes in metal, hardcore and Gqom and her Nigerian heritage. MYNA has been busy playing events in the north of the UK. Notably at No Bounds Festival 2020, White Hotel, and Soup Kitchen. To explore different concepts, genres and BPM's MYNA has curated shows for 1020 radio, Reform Radio, Sable Radio, NARR Radio, Steam Radio MCR, and Threads Radio to name a few.

̸ BIOGRAPHY Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it, “so this is the track that was on every 5 minutes at Warehouse Project. ”That track and the duo’s own ‘Le Tigre’ were played out constantly by the likes of Four Tet and Ben UFO, the former also hiring the duo to remix his track ‘Teenage Birdsong’. Then there are their edits. Thom Yorke was so impressed by the duo’s versions of ‘Not The News’that he let them release the tracks on their own Polykicks label. Add to that their cheeky version of Rosalia –‘A Palé’,which caught the ear and the eye of the respected flamenco artist, as well as being a highlight of their live performances pre-lockdown. Then the world abruptly stopped, all their forthcoming gigs were cancelled and suddenly Overmono were able to fully commit their energy to their legendary Bromley studio. It’s was during this time that the duo feel they’ve been able to realise exactly what Overmono’s music should be. “Our work together had so far been about exploring and defining what Overmono is... and we feel like we’ve got this now”.

Paramida moved to Berlin in 2010 and has since made an impact to the local club scene with a distinctive and sensualizing approach to music. Her varied sets represent something hopeful, something unusual, something unlikely. A beacon of pleasure and surprise. Blending proto-house to trance, percussive gems with high-energy techno, Italian dream house and irresistible new beat – Paramida is truly committed to digging. The Panorama Bar resident is a confident, talented and occasionally provocative artist in a city whose musical rules are often made to be played by and begging to be broken. While working at OYE Records, she began her life as a DJ between a tireless party scene by night and days immersed in music. In the years since, those same instincts have taken Paramida to far-out places. Her singular thirst for often obscure, always incredible music has lead her to residencies at two of the world's most renowned nightclubs. Already a regular fixture in the booth at Offenbach’s rightfully coveted...

Phase Fatale is the Berlin-based techno project of Hayden Payne, with residencies at Berghain and Khidi. Emerging as Phase Fatale in 2014, Berlin-based DJ, producer, and label owner, Hayden Payne is rewriting the discourse of Techno with his cross-pollination of gnarly basslines, sensual narratives, and mind-control mechanics. Demonstrating his vision through an authentic, highly curated sonic lens of techno, Payne’s rhythmic excursions draw on both his roots in the New York and Berlin underground as well as his reputable experience performing to dancefloors globally. Exemplified by long-standing tenures as a resident for esteemed institutions such as Berlin’s Berghain as well as KHIDI in Georgia's capital Tbilisi, Payne demonstrates a resolute understanding of harnessing club synergy across his productions and DJ sets. With three full-length albums under his belt, including the 2020 sophomore release ‘Scanning Backwards’ on Berghain’s Ostgut Ton, Payne’s sonic signature pushes the boundaries of techno sensibilities and reflects the zeitgeist whilst staying true to his vision. Wasting no time since his solo project’s inception to showcase his expert sonic ability, Payne has toured throughout Europe performing at renowned clubs and festivals worldwide, releasing numerous records on labels including Jealous God, Ostgut Ton, and his label BITE. Payne launched the BITE imprint in 2018 as a means to platform cutting-edge sound production across a diverse roster of international artists. Along with fellow Soft Crash protagonist Pablo Bozzi pioneering ‘Italo Body Music’, BITE’s seminal synthesis of curated techno solidifies the label as a tour de force taste-maker within electronic music with showcases worldwide including Berghain and their 5-year anniversary compilation ‘Shedding Skin’ in 2023. Hailing from post-punk roots, Payne draws on his depth of musical knowledge and a multitude of influences. His merging of nuanced references and high-concept narratives remain geared towards the dancefloor at its core, subtleties of his multifarious sonic palette act as the foundations for his layered wall of sound.

̸BIOGRAPHY Phatworld is made up of the owners of rave label 'Off me nut records' Dankle & Tich from The Squire Of Gothos. Phatworld produce Bassline & Jungle but elements of Techno, Garage & House can be found in their productions. for booking info contact - o.. Phatworld is made up of the owners of rave label 'Off me nut records' Dankle & Tich from The Squire Of Gothos. Phatworld produce Bassline & Jungle but elements of Techno, Garage & House can be found in their productions. for booking info contact - offmenutrecords@gmail.com

Polo & Pan was born under the stars in 2012, shortly after there orbital collision of two satellites : Polocorp & Peter Pan.

Production duo from Leeds, UK.

Over the last ten years, his works have become some of the most indispensable in modern dance music..Randomer

Roza Terenzi DJ/Producer Melb, Aus.Roza Terenzi

STUCK IN THE CLOUDS Sampa The Great, A Zambian Poet and singer-songwriter who expresses through music and poetry.

̸BIOGRAPHY Shannon from Admin is a DJ & creative from Manchester UK. Shannon From Admin is the Creative Director and Resident of @thebeatriarchy, a collective amplifying the underrepresented voices of Black, Brown creatives, creatives of colour, queer, trans and non-binary creatives, femme and female identifying creatives in the music scene and surrounding industries.

̸BIOGRAPHY Space Afrika With their slow-stepping, spacious urban dubscapes, Space Afrika harness ambient, Detroit techno and shades of early nineties Sheffield with a fresh and open approach to composition — this is dub techno stripped-down, sealed in a time capsule and sent back from the near future. Driving, echo-laden deep beats form the bed for a heavily subaquatic sound palette with undercurrents of cybernetic dread. Friends for almost 2 decades, the two Joshuas formed Space Afrika after years of listening to music together, sequestered by harsh Northern winters. Heavily inspired by the industrial architecture of Northwest England and notions of travel, their sonic framework evokes images of rust and disintegrating concrete, and sensations of movement and redemption — exuding a distorted analogue soul offering escape into their overcast skies. Closely associated with Brighton/London label, Where to Now?, who slink along a vintage axis of post-punk, On-U Sound, minimal and no wave influences, Space Afrika's diverse and creative radio shows (notably their residencies on NTS and Reform Radio) also display a breadth of curiosities in experimental and avant-garde music, old and new.

Special Request is the new rugged alias for house and techno stalwart Paul Woolford. Inspired by the unruly conventions of UK pirate radio stations, this project captures the raw energy and diversity of the illegal airwaves and uses this as a springboard of inspiration for a series of heavyweight productions that span from murky house through darkside techno to chaotic eye-of-the-storm hardcore/jungle tear-outs. The end results are incendiary.

Spekki Webu, the master mind behind the Mirror Zone imprint. Coming from a small city called Delft that lays in between Rotterdam and The Hague. Enter the Mirror Zone with the mysterious chief mind expander Spekki Webu as he deconstructs time and space through his hypnotizing psychedelic sets. Like a master snake charmer he entrances entire dance floors with mind-boggling mixes and mesmerizing selections of jungle, tripped-out trance, breaks, Goa, and extraterrestrial tribal techno to name a few. Unrestrained by genre or tempo limitations he shifts gears between hypnotic slowmotion and breakneck 90’s rave so nimbly it induces an unexplained cerebral high. His sound has a rawness to it, shaped by years spent in the gabber scene and as a junglist in and around his terrestrial hometown Delft. On his shamanic quest as gatekeeper into the world hidden within your mind he established the record label ’Mirror Zone’ in late 2017 where reflections of his musical introspections come to fruition...

Theo Parrish was born in Washington D.C. in 1972 and raised in Chicago, IL where his passion for music developed. MIles Davis, Stevie Wonder, Jimi Hendrix, Nina Simone, George Gershwin, Bob Marley, as well as his uncle, jazz musician Dexter Sims, all h..Theo Parrish

How does one begin to write about Tiga? Where to even start on a long road marked with notable checkpoints? What can be told that can’t be tallied in raw statis...tics (which he’s a total stickler for), or an unfurled parchment scroll of places gone and plaudits won? The duality of a life split between aspirational popstar and touring deejay falls short: by this point in time he’s lived dozens of lives, let alone a mere two. Frankly the only claim that doesn’t wash is that of being in a legacy mode – because that, to him, denotes the cardinal sin of coasting. And that just won’t do. The core engine pushing Tiga forward is ambition. It’s there, everywhere: at the dials in any given club in any given city in any given country on any given weekend; burning the midnight oil in the Research & Development wing of his career control centre, crisp shirt sleeves rolled, assessing and strategising over his next move; with his feet up on the gleaming glass desk in the penthouse office of Turbo Towers, gold plaques of decade-dominating dancefloor delights flanking him – it’s there. Self-aware, well-moderated, yet totally unrepentant ambition. Plus a bit of wit, too. To be insulated from any real backlash over a quarter-century in the game and across many different hats worn, a touch of humility and humour certainly helps it all go down easy. His goal is to dunk on people with success, but do so in a friendly way, soaring overhead with the sly wink of chutzpah (but never the nudge-nudge of solipsistic irony for irony’s sakes). To maintain pole position while swerving between all these lanes with impunity, he taps into a well-spring of regenerating desire. From the getgo Tiga has sought to not merely play a part in the culture he abandoned all life commitments for age 17, but frequently scale its heights too: Attending Berlin’s Love Parade circa ’92-95, then hearing DJ Hell drop “Sunglasses At Night” to the masses not too many years later. Giving a speech at his Montreal alma mater, then converting some of the impressionable graduates in the audience to come work at Turbo. Starting an independent label on a whim, then reaching 200 releases in a stormy industry with a higher turnover rate than Real Madrid managers. Getting hooked first on the fearless compulsion of Bowie, Reznor and Almond, then the frigid cool of Mills, Hawtin and D. James, then threading the needle consummately between these two worlds. These highwatermarks form the backbone of his pride, and in turn, fuel the self-perpetuating motion machine inside. There’s always extra room in the cockpit, mind. An army of collaborators, remixers and remixees have provided vital thrust over the years. From Alter Ego and Azari & III through Duke Dumont and Depeche Mode; from Matthew Dear and Moby, through Zombie Nation and Zdar, Phillipe; Paranoid London, Pusha T, Pet Shop Boys and Peaches.…on and on it goes. Read between the lines and you’ll get a measure of the man. Teamwork affords stimulus, shuts down ego, and juices something he can’t get to alone. At heart, it brings out the best in Tiga. So it’ll prove in 2018, where the fingers of his well-combed Rolodex currently rest on entries marked Kolsch, The Martinez Brothers, and Hudson Mohawke. The fruits of this friendly jousting with find their way out of track ID requests and into the shops before long (perhaps even by the moment you read this – hope you’re enjoying the future and remembered to short your cryptocurrency in time). It would be a lot easier to rest on his laurels by this point, really. To trade on former glories, reflect fondly on a career spent dovetailing in and out of the spotlight with likeminded friends, turning in a jaded, half-assed representation of himself at festivals and recording sessions when the taxman comes knocking. But Tiga is still too confident, self-respecting, and – how did you guess? – ambi-tious for that. The challenge he seeks is to keep experiencing the frisson of creative alchemy, to lock into a groove where he is truly in the zone, to dig deep and reproduce a fresh take on that first-love feeling of music: something that connects with young ravers and inspires the same spark he felt all those years ago. That’s the spur, the lifeblood, the DNA. And that’s why Tiga remains an ever-present light in our little corner of the universe. See more

̸BIOGRAPHY next stop Shell City

Name: Tzusing Birthday: ??? Height: 183cm Blood type: O Astrology sign: Cancer Looks: 5 stars Sense of humor: 5 stars Drinking ability: 5 starsTzusing

Kathy Yaeji Lee (born August 6, 1993 in New York City, U.S.), also known as Yaeji, is a Korean-American singer/producer of electronic deep house music, with whispered vocals in Korean and English. Yaeji was born in Flushing, Queens as a single child in a Korean family. Growing up, she moved from New York to Atlanta when she was 5, and then to South Korea in the third grade. Yaeji grew up in Seoul, South Korea, and eventually moved back to the United States to study conceptual art, East Asian studies and graphic design at Carnegie Mellon University in Pittsburgh. Yaeji embraced DJing as a hobby while attending Carnegie Mellon, after learning how to use Traktor and beginning to DJ at house parties. She DJed for two years before learning Ableton, making her own music and debuting on Carnegie Mellon's college radio station. Yaeji graduated from Carnegie Mellon in 2015.

Munich based brothers and owners of the record label Ilian Tape.Zenker Brothers