Matt Radovich aka Mike Hunt has been a main player in Melbournes dj circuit for years. With over 25 years experience spinning all over Victoria and featuring at all major parties and clubs throughout Melbourne with is roster full with weekly residences at The Workshop, Captain Melville (formerly Miss Libertine), The Espy, House of Frank, Lucky Coq and The Penny Black....

Kazuma Onishi is a Japanese DJ & Producer based in Melbourne, Australia. With a strong gravitational pull towards Techno, Kazuma has a diverse range and taste in music, often playing Minimal House, Deep House, Tech House. Using a unique and interesting style of mixing developed over years of playing different styles, including hip hop, R&B and Trance, Kazuma often finds unique and new ways of blending tracks and genres. As a producer he is able to incorporate loops and samples into his sets, drawing on his wide array of inspiration to create a multi layered groove and colorful journey. His music is often hypnotic, spacey and high energy with a driving sense of direction balanced with trance inducing melody. Kazuma has played at Australian festivals such as Strawberry Fields, Earthcore and underground parties in Melbourne at venues such as Seven night club, Bond bar, My Aeon, Brown Alley, New Guernica, One six one, Loop, Boney, Sub club, The bottom end, Ground floor and Shed 14.

Inarguably the don of house music in Australia, Janette Pitruzzello aka DJ JNETT has brought heat to Melbourne’s music culture since the early 90s, with an inimitable underground sound that truly defies any categorization. Her boundless crates of wax & supreme turntable technique spans through a galactic wormhole of house, techno, funk, soul, disco, dub, reggae, afro, brasilian and hip hop with a kid gloved finesse like no other, winning over the broadest of audiences every time. With heavyweight knowledge, an undisputed love for music, and an ear-to-ear that hits just as hard as her selections, Janette continuously leaves dance floors hugging, smiling and sweating. She’s warmed up crowds for the likes of Frankie Knuckles, Larry Heard AKA Mr Fingers, Theo Parrish, Moodymann, Danny Krivit, Peven Everett, Sadar Bahar, St Germain & Floating Points – and boy, will they tell you about the time they got to kick it with DJ JNETT.

Fergus Sweetland is a Melbourne based producer and DJ who's invested himself in electronic music since 2007. Since then, Fergus has probed various genres and influences, especially techno music. His exploration into the structure and rhythms of house music taught him valuable lessons in production. Fergus' focus changed from house to techno after experiencing Marcel Dettmann's set at Rainbow Serpent. Consequently, he has since devoted his time to techno, both producing, DJ'ing and performing works of the genre. Currently, he is involved in managing the Melbourne based podcast 'Bomphcast' and performing as a live techno and production duo, Back Burners. This act, performed with his close friend Tillman Schäuble, explores a darker side of techno with modulars sounds and intricate rhythms which Fergus creates using the Roland TR8. His DJ set's are a sonic experience which delve into layerings of sounds, hypnotic rhythms and soundscapes while maintaining a forceful and impacting low end beat and groove.

Genki Tanaka plays “ Dance Music ” based on disco . He has filled dance floors with music from across the genres. Because he was born in Tokyo and because especially his hometown Shinjuku Kabuki-cho has many people, ethnicities, and cultures, that has hugely inspired his life and music . He has played many clubs and festivals in Tokyo since 2011. Sometimes he plays disco and other times techno , soul , rock ... His performances are characterized by consistently great music. Furthermore, he has organized parties that have been featured in international artists. He has been trying to perform in Melbourne / Australia since 2019.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Although having only performed for two or so years, Kia plays with the confidence and experience expected of a DJ with many more years under their belt. With a keen ear for bass heavy rhythms and the deeper shades of techno, Kia glides through genres and emotions in exciting and often unexpected ways.Her talent for weaving musical narratives has been recognised by local and international labels, having already constructed revered mixes for Nous’klaer, Truants, c and Patterns of Perception. Whilst the popularity of these mixes clearly proves her ear for telling stories with music, it’s her bubbly presence behind the booth that really makes her stand out. Kia is an open eared music digger, searching tirelessly for lost obscurities to pair alongside modern finds and hidden gems by her friends. In support of the community of talented friends she finds herself surrounded by in Melbourne, she runs her her own label, Animalia.