AngeliKa is active in the electronic music scene in Hong Kong, playing diverse genres ranging from deep house, and techno to jungle and DnB. AngeliKa is a Hong Kong-based DJ and co-founder of the local event label "Abyss". She is characterized by her versatile, hypnotic yet melodic soundscapes and pounding rhythms. Through music, AngeliKa wishes to take listeners on a journey into the unknown, to explore the peculiar and beautiful corners of their minds.

Gargoyle Girlfriend, the solo moniker of Rachel McInerney is an American born visual artist, producer, vocalist and DJ based in Hong Kong.

Beginning to learn the art of DJ-ing at 16, in his DJ sets one will find a nice blend of different genres ranging from Deep, Tech, House, Techno, Minimal, Acid, Electro, Balearic, Soul, Funk, Disco, and more. Having a lifelong love for a wide spectrum of music, Jeremy delivers a rocking DJ set every time with his impressive knowledge of tunes of all sorts. Jeremy surely knows a lot about the styles of music, the labels, the re-mixers, and the producers who create these tunes. Going beyond the music he plays, Jeremy strives to surpass the art of mixing. Reviews from the clubbing scenes often mention his tight solid mixing, awesome selection, and sequencing of his tunes. For those who have gone to see Jeremy’s spin before, they know that he is a DJ who knows the stuff well beyond many counterparts for a long long time! He holds residencies for top Underground clubs in Hong Kong which includes Oma and Social Room. Besides Hong Kong, he has also performed in many other top clubs and venues around the world.

JVSY is a Producer DJ duo formed by Jovin Lee and Atlas Iu, also known as BURN and telvanni26. They debuted as techno producers in 2021. The organic instruments and found sounds they incorporate into their composition makes their signature cinematic sound. They are also known for their cross-genre explorations inspired by elements from house, techno, electronica, drum and bass, nu-jazz and more. With a strong classical and pop music background, they are also adept as filmer scorers, composers and session musicians.

DJ Misty Penguin started life when transwoman Beatrice sneaked inside the DJ booth of local underground mecca Acadana and fondled the decks. Her isolated presence as a trans person allowed her time to immerse herself into endless genres of music. Misty Penguin plays around with the Yin and the Yang in her, her sunny outlook and life attitude pushed her to become 'Yang' Misty, playing sensual positive grooves to jack your body and has DJed for opening and closing parties at Eaton HK and 宀 Gallery. Only when she relapse into 'Yin' Misty will she occasionally play an intense set at local techno stronghold OMA or others,

Sunsiaré, birthed Jean-François Amadei, is no new face to the East-Asia scene. A figure whose tastes have manifested themselves by way of the Hanoi based Savage Club - whose early days saw a slew of talent pass through the Vietnamese capital and prompted a resurgence of local electronic artists. JF is a natural-born record digger, whose knowledge of what makes a dance floor move goes beyond the last decade and whose diverse collection begs for sonic exploration. Playing alongside such artists as Berghain’s Roi Perez, Boris & Barker, as well as DJ heavyweights like Gonno and Cormac, Amadei is not unfamiliar to the art of the mix. JF, whose hands are also behind the Homesick, FGHB, and the newly launched labels 宀, gave way to creative minds like Powder, Mr. Ho, Marquis Hawkes, General Ludd, and LPZ. Both labels, whose outlets were dedicated to timeless reworks, can be seen riddled with Jf’s influences. New pastures have led Jean-Francois to the recently minted Hong Kong-based 宀 club in 2018, in which he holds the utmost weight of talent buying for the club's weekly programming of European imports, as well as local Hong Kongese as well as regional artists and DJs alike. A pillar for Hong Kong underground nightlife and a staple for any debaucherous dancer seeking audial refuge while in the city, 宀 has quickly become a backbone to an ever-blossoming dance floor community flourishing out of Asia and away from the Euro-centric grip of Dance Music’s recent past.

Hailing from London’s Legendary Halls of Music, C-Scale started off spinning garage and DnB on the iconic 1210s in 2002. After shifting and evolving into house and techno, they found a home, settling in and reigniting melodic-house beats. Playing at various clubs and bars up and down the UK, C-Scale hung-up the headphones, moving to HK. Following a 7-year hiatus, C-Scale was tempted back on the scene by the likes of Yotto, Lane 8, Cristoph, Adjunadeep, and Hot Since 82's tones and music. C-Scale draws its inspiration from legends of the scene like: EZ, Dj Hype, Andy C, Carl Cox, Eddie Halliwell, Qbert, and Crafty Cuts; and forms alchemic amalgamation to bring together different styles and genres into the mix.

Deasy is a Hong Kong based DJ, originally from London which is where his love for mixing began - on the 1210’s blending Drum & Bass back in 2005. After being a regular on the London radio station ‘Inner City FM’, he proceeded to have a residency at the night ‘Evolution’ at the club Mission (Leeds). Since then, Deasy has moved to Hong Kong where he is currently a resident at Oma - the perfect place for him to explore the deep and tech house side of the scene.

DMK is a Miyazaki native, a specialized Japanese chef by day and digger in his free time. In Miyazaki, he was part of the “Boogie or Die” and “Spice” party crews. Heavily influenced by boogie, funk, and soul, he has a smooth and sensual approach to DJing and an endless appetite for records. As the co-founder and 1 of the 2 main sourcers for Bad Times Disco, he curates rare Asian groove records, dance singles, and only understands pure quality. Bad Times Disco is an online record store, pop up party, and radio show in Hong Kong made up of two committed diggers, Ani Phoebe (NYC) and DMK (Japan). Together, they dig for the city's forgotten records - rare Asian grooves, dubby disco, soul, experimental electronic music, 90s dance and more.

Luk Man Hon has drawn a fascinating, squiggled line across the globe, through some of the world’s most interesting places. Originally from Hong Kong (Wan Chai), Hon moved to Lincolnshire in the UK at age 15. It was there he learned firsthand the ways of the UK, notably its famed exploits: music and culture. It was here, ensconced in 90’s and 00’s electronic music culture, that he got into buying vinyl. From Hard House to Psy Trance, Happy Hardcore, Hard Techno and beyond, it was in these early days he saw the intrinsic value; both monetary and cultural, of records. Flash forward to his University studies at Plymouth, Hon spent extended time in both New York and Amsterdam. Both already bubbling over with electronic music culture as it was in the UK, Hon now felt the draw of permanence to Europe and the west. Hong Kong called, but it was London that answered. In pre-recession 2008, London was rife with opportunity. Hon seized the moment and started selling second-hand vinyl, using the web platform Discogs. He still had a love for the culture, and regularly partied at outdoor raves and in the east end warehouses. Curiously enough, he fused experience with business acumen, and set up shop in one of the very warehouses he frequented. His connections in the scene proved vital, as DJ’s, collectors and others would keep handing him the keys to their collections; with the intent they be sold on commission. Essentially speaking, ‘pimping’ their collection. Thus a new era began, one aptly named: Vinyl Pimp. In the 11 years of Vinyl Pimp, names such as Ben Sims, Giles Peterson, Doc Scott, and Phil Asher all flocked to Hon to flog their wares. As a collector, selector, and businessman, the breadth of content passing through his hands broadened his tastes ad infinitum. As the years went by this expanded further afield into Jazz, Disco, House, Ambient, and Experimental.

Hugo first discovered underground house and techno when he worked as an event photographer in 2010. The bold and mesmerizing tunes he heard at legendary venues Yumla and Bassment piqued his interest in the art of DJing. With his photography on hiatus since 2017, Hugo now plays consistent, well-curated sets to diverse audiences. Hugo's taste in 4/4 dance music can best be described as “very deep”, but he also enjoys experimenting with hip hop and indie rock – the two genres he grew up with - when the moment is right. Arriving at each gig with an external hard drive worth of uncompressed music, there are always the right tunes at Hugo's disposal, for a bar session, club night or beach party. Hugo has played at some of Hong Kong's most notable events and venues including Acadana, Fauve Radio, Mihn Club, Oma, Schweinehund Teknival and Shi Fu Miz Festival.

Konstantin aka Kostiya had never imagined that listening to a kick for hours on end would become a passion, but with time, this hypnotic rhythm has shaped his life in many more aspects than could ever be foreseen. Kostiya is a Moscow-born, Hong Kong-raised producer and DJ. With a fair set of skills and talent, his career took off in Vancouver, quickly becoming known for his deep and melodic style. His performances are full of energy, twists, and emotion. In Vancouver, he plays as a resident DJ at Vancouver’s You Plus One Haus, where he sided gigs with the industry’s finest such as Edu Imbernon and Matthias Meyer. In Hong Kong, you can find him spinning at venues such as Salon 10, Oma, and others. Kostiya runs his label Beatsolow which has played a unique part in Vancouver's previous era of music. He and two friends he was living with at the time were regularly hosting the city's best artists and bringing undiscovered talent to light, all inside of a unique house just off the East of Vancouver, the nights were long, the music was loud, the time was unique. Fast forward, Beatsolow has shifted focus on releasing a range of melodic, deep, and experimental sounds whilst oftentimes adopting unique ways of distributing them. ̸SELECTED DISCOGRAPHY Kostiya & Savaggio - Ellipsis (Original Mix) [Magician On Duty] Kostiya & Savaggio - Pinnacle (Original Mix) [Magician On Duty] Kostiya & Savaggio - Ellipsis (Ki Ya Tori Remix) [Magician On Duty] Kostiya & Savaggio - Ellipsis (Wareika Remix) [Magician On Duty] Kostiya & Perspectiv - El Nido (Original Mix) [Beatsolow] Jimi Jules - My City's On Fire (Kostiya Remix) [Unreleased] Kostiya - Reverie (Original Mix) [Beatsolow]

As a professional, K.Woon has curated immersive atmospheres for luxury, sportswear, and food & beverage brands in commercial spaces. She is obsessed with crate-digging when traveling. Her academic work examines how emerging technologies such as AI, streaming platforms, social media are reshaping the music discovery experience, and suggests ways to create sustainability in the creative industry. She is now dedicated to curating a sound of her own in the underground space ------------------------------------------------------------------------------------ ̸BIOGRAPHY K.Woon is a homegrown crate digger of dark and dissonant sounds. Her selections often resonate the sounds of nonconformity for the untamed, embracing the hazy mirages that emanate from this decaying aura of living dystopia. K.Woon is a homegrown crate digger of dark and dissonant sounds ranging from dub to brutal techno; retrowave to electro, from rhythmic noise to deconstructed beats and so on. Nevertheless, she has curated immersive virtual and music experiences for luxury brands, sportswear, cafe and restaurants across varieties of channels throughout the APAC. Her academic work examines how emerging technologies, such as streaming platforms, social media, AI and algorithms- reshape the music discovery experience and suggest pathways towards a more sustainable creative industry. Her selections often delve into the aesthetic illusion of intense desires in the darkness for the untamed dance floor. 來自香港的 K.Woon 熱衷於發掘概黑暗又出奇不意的音樂，Dub、暴烈Techno，都是她的首選，又或是充滿IDM氛圍、光怪陸離的雜音、機械式嘈音或是打破常規的拍子韻律等等之音樂也是她的心頭好。 她亦曾為不少高級時裝品牌、運動品牌、Cafe及餐廳⋯⋯等等客戶在亞太地區度身訂造音樂體驗。而她在學院裡亦研究串流平台、社交媒體、AI 及演算法等等科技，如何改變人們發掘音樂的方式，並建議音樂產業如何持續發展。 K.Woon 喜歡選取來自世界各地的滄海遺珠，在滿載暗湧的舞池中凝造末日反烏托邦之音。

Wolf’s usual selections travel from house to techno, influenced by strong percussive grooves and deep but uplifting vibes. His sets lean heavily to new releases and fresh artists, weaved with layers of live re-mixed loops and samples. Mike's style is shaped to fit Balearic summer nights or days, either in the club, poolside by the beach, at a fashion launch, or on the side stage at a festival.

Belgian DJ, owner of the Kalahari Oyster Cult label and the vinyl-focused distribution One Eye Witness. Working a symbiotic balance between his day job behind the steering wheel of Amsterdam-based webshop and distributor One Eye Witness and his seafood-luvin'label Kalahari Oyster Cult, when the night clocks in, Brussels native Rey Colino has long proven his dedication and talent when it comes to ubiquitous on and off-stage dancefloor busting operations. Thrusting his arrows smack dab the intersection of '90s grown ambient techno, sun-bleached house, further hybrid bassy riddims, and acid-infused electronics, Colino casts his net far and wide to paint amply textured, straight-out groovy narratives that, in addition to syncing up the dancers together through elaborate selections and surgical DJ swagger, sure know how to buildup the highest levels of energy and harness the ensuing storm with ever consistent style and panache.

Woonjii is a veteran crate digger based in Hong Kong. Shortly after debuting for Entropy_Disorder at 宀 Mihn Club in 2021, Woonjii continues to play hybrid DJ sets on digital and/or vinyl records for those seeking off-limit experience. Woonjii’s DJing journey began with club debut for Entropy Disorder at 宀 Club in 2021. Her experimental style has continuously attracted a group of followers who like to discover off-limit experiences on the untamed dance floor. She then quickly became the go-to DJ for adventurous organizers looking for edgier sounds. Woonjii has acquired rare collections of techno and experimental records, mostly released after 2000 after the record store she always hung out in an industrial building closed down in 2019-2020. While she spent past years sorting such rare items, she continues digging many up-and-coming dance floor grooves.