Searing with Sichuan spice – Cora is bringing the heat from Chengdu. Orbiting the cosmic specters of techno, trance, house, bass and breakbeat, Cora’s ever-evolving sound delivers with compelling momentum and astral intuition – superimposing dramatic subplots and emotional undertows onto unfurling rhythmic narratives, while channeling an acute sensitivity to the kinetic desires of the dancefloor. All-night basement parties in the sleepless underbelly of Hong Kong’s OMA at the fulcrum of the ‘10s initiated Cora’s swift departure from the glitz and glamour of a long-time modelling career and stint as an indie film actor, towards an inspired pursuit of electronic energies and club music catharsis. An intercontinental dance savant, raving from China to Saigon and beyond – Cora has been a vital force in activating meridians between underground club scenes in East Asia and the rest of the world. Incubated over years of work, sweat and tears at dedicated nightspots The Observatory in Ho Chi Minh City and .TAG Chengdu, her nuanced aesthetic and penchant for ephemeral grooves have now synthesized into a sophisticated style of her own. After countless days and nights as the last girl on the dancefloor, Cora is one of the emerging talents providing the soundtrack to a city awakened, accelerating at a time where dance music has never been more vital.

Di Linh is a young artist from Vietnam. Since she began the musical path, she has been making her mark by the diverse and colorful music selection. She is a part of Hanoi Underground Movement (HUM) and resident DJ at Savage. Till this day, Di Linh often plays in familiar places like Savage, Kobala, Smack Dab,... through local events HUM, Snug, SBD, This is, Guinguette, Unuzual and Quest, Duality, Recess, Studio Adventure, Epizode Festival. Besides, her name also appears the same night with well-known artists such as Lauer, Red Rack’em, Local Suicide, Haruka, Omer, Curses and many more around the world in Epizode. And the highlight of her music career was her performance in HUM Showcase (Epizode) with Marco Yanes, which also mentioned in the official review from Data Transmission. Each space gives her different inspirations, Di Linh is always looking and developing herself to give the audiences a fresh feeling, while still retaining her own unique color. She knows how to lead the audiences' emotions...

DJ Holographic is a one-woman funk machine born and raised on Detroit Music. Her mission is to serve a mix of musical cuisine that contains consuming house beats, passionate R&B with Hip Hop, unreserved disco, true Detroit Techno, and Motown. Join her as she concocts her next rhythmic dish. Surrounded by members of the Detroit DJ community such as Underground Resistance, Detroit Techno Militia, Rocksteady Disco, DJ Minx, KDJ Records, and DJ Minx, she was inspired and her curiosity got the better of her. She has appeared in the underground scene around Detroit at places such as Grenadier Club, Tangent Gallery, Grasshopper Underground, The Whiskey Parlor, Marble Bar, TV Lounge, The Works, Temple Bar, and more. She has played at festivals such as Movement, Charivari, San Francisco Pride, Red Bull Music Academy in New York, and opened for Black Madonna’s We Still Believe Tour in LA..

̸BIOGRAPHY Despite his humble persona, as a DJ and producer, DOTT is an integral player in Bangkok’s ever-expanding underground house and techno scene. Can be sure his sounds will be typified by a deep house and minimal ingrained, tripping groove focused mentality. Although his sound is constantly evolving, DOTT interests is stapled to music for dancing. The approach in both his production and DJ sets is rooted in love for deep house and minimal, combining indelible bassline grooves with an intoxicating analogue sound palette. Despite his humble persona, as a DJ and producer, DOTT is an integral player in Bangkok’s expanding underground house and techno scene, he has played in some of the cities key venues such as BEAM, Glow, Safe Room and De Commune. His reputation has spread across the dance music scene network from clubs to festivals bringing his unique style to Singapore’s Headquarters, Epizode Festival, TAG Chengdu, Wonderfruit, Montreux Jazz Festival, Karma Kastle and a few of illegal and secret parties DOTT is also one of the three founders of "More Rice", an Asia-based, vinyl only label together with Sarayu and Mikhail, in which the direction is more towards obscurity. Their main vision is to support Asia's upcoming talents by creating great connections between them and other international artists around the world. He has played alongside the likes of Roman Flügel, Maayan Nidam, Dandy Jack, Thomas Melchior, Archie Hamilton, Alexi Delano and Eric Volta to name but a few. More recently he has toured Europe, bringing his sound to Paris, Lausanne and Fribourg. As a producer he has released on Body Parts, Oblack, Little Helpers, Whoyostro, Baile Musik as well as his own imprint More Rice and many more.

Half Thai/Persian DJ. Born & raised in Bangkok, Thailand

MARICAS / MistressISAbella

House/Techno DJ based in Hong Kong, Marco is a trained guitarist for over a decade and crossed over to electronic music in 2010, and since then has focused in the art of DJing and production A co-founder of Utopia Hong Kong, Marco & Utopia are now a household name firmly cemented in the underground of Hong Kong.

It would be wrong to start talking about where Ouissam comes from – after a decade in Asia, he’s now something of a regional entity that has managed to change the dance music scene wherever he has laid down roots. His approach to a dance floor is as simple as it is intuitive and elegant: nothing that can make a room shudder with joy is barred from his selections.As the founder of Hong Kong’s Cliche Records, he was one of the first in that city to cultivate a disco-house-techno synthesis that shifted the understanding of what could be danced to there. He went on to create the magnetic Homesick and Fragrant Harbour labels, before suddenly setting his sights on Hanoi in Vietnam, where he has established the dance mecca Savage where he runs the monthly queer night Snug. And on top of all that, he found time to curate the coveted Equation festival, now entering its second year..

Some artists fully deserve their hype and Powder is definitely one of them. Momoko "Moko" Goto, better known in the DJ world as Powder, has successfully taken her neon charged creations out of the Tokyo underground and into the discerning worldwide house & techno public. After her debut on Lovefingers’ ESP Institute, Powder’s cosmic rhythms found a home on Samo DJ’s Born Free & Discodromo’s CockTail d’Amore Music, pushing her tribal-inspired, hypnotic sound further into a surreal house, techno and psychedelic disco territory. She recently ushered in a brand new mix series for Beats in Space, a further testament to her DJ skills and sensibilities. Beyond her work as a music creator, Powder’s DJing backs up her production style with many influences. As a selector, she has notably eclectic tastes, which run the gamut from house to no wave to Japanese synthpop, utilizing extended loops and subtle blends to create a genre-defying, transcendent experience.

Born 1969. Died 1909.

̸BIOGRAPHY Filipino Producer & DJ Saint Guel. An artist to keep an eye on. Miguel Santiago aka Saint Guel basks in dance music — his being distinctly warm and clean-cut. The Filipino DJ/producer started behind the decks at 15 and tinkered with personal production two years after. Since then, he’s carefully carving his corner: an altogether irresistibly groovy one. Across his recent releases, "Caught Up" (FuFu Records) "Still Life” (More Rice Records / Thailand) and “Over and Over / For The Floor” (Transit Records / Philippines) are easily breaking through as foreseeable dance floor bangers post-pandemic. Perhaps it’s him soaking up the Manila nightlife, his frequent pilgrimage across international festivals or his inherent taste and thirst for a warbling world. Whatever it is, it’s looking like everyone is here for it. ̸SELECTED DISCOGRAPHY __

It’s hard to pin Sivanesh’s style down. Crafting and developing his own brand of sultry off-kilter house and groovy heads-down techno through his long-standing residency at CÉ LA VI Singapore, his sound goes above and beyond current genres and trends. At its 5th year now, the residency sees him taking charge of the world-renowned main room, playing extended DJ-sets every Sunday night. Apart from this residency, Sivanesh is a regular fixture at some of the region’s most respected venues, with regular dates at The Headquarters and Kilo Lounge in Singapore. Co-founder of Sivilian Affairs and music director for Potato Head and Kilo in Singapore, Sivanesh also holds a monthly residency on AAJA Radio in London every third Monday of the month. Sivanesh’s sound goes beyond current trends in genres. Held together by equal amounts of rhythm & groove, his diverse playlists have led him to play alongside cult favourites such as Chaos In The CBD (In Dust We Trust), d’Julz (Bass Culture), Gerd Janson (Running Back), John Talabot (Hivern Discs), Kornél Kovács (Studio Barnhus), Okain (Talman Records), and Rampa (Keinemusik). Regional attention started after a well-received opening set at Cercle’s debut Asia show in 2019 with The Martinez Brothers. Since then, he has gone on to play at festivals and dance institutions across the region such as Airhouse (South Korea), Iron Fairies (Kuala Lumpur), Potato Head (Bali), Savage (Hanoi), Villa Project (Saigon), and Weekend Voyage (Phu Quoc). Powered by the belief that Asia is the place to be right now for dance music, Sivanesh co-founded the bookings and events agency Sivilian Affairs, which emphasises local and regional talents. In line with his goals of strengthening the Asian dance scene and building a healthy ecosystem through Sivilian Affairs, recent bookings for their parties include Baldo (Subwax) from Barcelona, Dr Yez (Tantra) from Bali, Jesse You (Walls & Pals) from Seoul, Jonnyvicious (Shagrilla) from Kuala Lumpur, Manikk (Savage) from Hanoi, Roshan (SaturdaySelects) from Kuala Lumpur, and Dexter Colt, Leland, Mako, Ramesh K, and The Weatherman from Singapore. Citing seminal American house music duo Mood II Swing as an early musical influence, Sivanesh's diverse playlists are held together by equal amounts of groove and soul. His roots will always be house, but being open-minded and anchored in the belief that only quality matters and genres do not, he is always aware of what the room he is playing for needs. That may be his best trait. It is this versatility that enables him to share the stage with some of the finest selectors in the world, such as Chloe (Bpitch), Chaos In The CBD (In Dust We Trust), d’Julz (Bass Culture), Jasper James (Optimo Trax), Rampa (Keinemusik), and more, in the last few months. More recently, he was selected by Cercle to warm up for their debut Asia show with The Martinez Brothers in November 2019, and then ended the year with a well-received DJ set at the Rainforest Pavilion at the Wonderfruit festival in Thailand. He might surprise you with a track from an unexpected corner, but that's exactly what he intends to do.

̸BIOGRAPHY Space Afrika With their slow-stepping, spacious urban dubscapes, Space Afrika harness ambient, Detroit techno and shades of early nineties Sheffield with a fresh and open approach to composition — this is dub techno stripped-down, sealed in a time capsule and sent back from the near future. Driving, echo-laden deep beats form the bed for a heavily subaquatic sound palette with undercurrents of cybernetic dread. Friends for almost 2 decades, the two Joshuas formed Space Afrika after years of listening to music together, sequestered by harsh Northern winters. Heavily inspired by the industrial architecture of Northwest England and notions of travel, their sonic framework evokes images of rust and disintegrating concrete, and sensations of movement and redemption — exuding a distorted analogue soul offering escape into their overcast skies. Closely associated with Brighton/London label, Where to Now?, who slink along a vintage axis of post-punk, On-U Sound, minimal and no wave influences, Space Afrika's diverse and creative radio shows (notably their residencies on NTS and Reform Radio) also display a breadth of curiosities in experimental and avant-garde music, old and new.

Snake charmer born and located in Thailand with Indian and Japanese roots. Co-founder of Siamese Twins record label focusing on psychedelic sounds rooted in Asia. Co-runs the Karma Klique collective known for raves at obscure locations. As a producer, he released on imprints such as 禁 JIN, Ute and Siamese Twins under his own name, Mogambo and Khun Fluff aliases. As well as periodic ambient albums on his own Extans Mantra imprint. Which led to sought-after collaborations with Full Circle, Yu Su, S.O.N.S, Marc Pinol, and Benedikt Frey. A household name across the region for over a decade playing spaced-out music in forests, warehouses, and castles.

Resident DJ at CockTail d'Amore party in Berlin, label artist and half of GreenVision.

̸BIOGRAPHY TECHNOだけに限らずジャンルの垣根を超えたシネマティック且つPSYCHEDELICなプレイで世界20ヶ国を渡り歩く。ネットラジオの絶対的な存在であるロンドンNTS Radioを筆頭に、世界のコアな層に届けるマニアックなプログラムにもミックスを提供。山頂瞑想茶屋とのプロジェクトYuta Chayaを始め、Liquid Drop Grooveから良質な楽曲リリースが多数控えている。 ///ENG YUTA (Liquid Drop Groove) YUTA is a DJ / Organizer / Label A&R in Japan, started his career since 2004. His visions are transformation from Retro Goa Trance DJ under the legendary MATSURI label, to the one and only his Psychedelic Techno project Liquid Drop Groove. YUTA has started "Agaitida" in 2015, based in Okinawa in world heritage village with a beautiful sunset location. The theme is bridge to Southeast Asia. Psychedelic Techno label Liquid Drop Groove was established in 2016, concept is a vision to create a space and sound that ripple made by a drop on the surface. In 2021, YUTA has launched SPECTACLE, a techno festival with DJ Nobu. Like its name, it will be a big event. He provides mixes for London's NTS Radio that one of the best internet radio, and for maniac podcasts that reach a core audience around the world. He also runs to quality releases on Liquid Drop Groove, and managing podcasts and downbeat videos. A new wave in the techno scene by an original style. His music describes as PSYCHEDELIC with build up and cinematic flow comes from his huge experience as an artist, performing at greatest festivals such as Eclipse Festival (Australia/Indonesia/USA), Ozora (Hungary), Modem (Croatia), Tribal Gathering (Panama) etc. And numerous clubs in Asia and some Europe. "Life = psychedelic" is a phrase he values. ///JPN YUTA (Liquid Drop Groove) 2004年よりキャリアをスタート。アーティスト活動を軸に、オーガナイザー・レーベルA&R・ブッキング等、現在は多角的にPSYCHEDELIC TECHNOを仕掛けるプロデューサーも担う。 2010年代、レトロゴアトランスのリバイバルブームを巻き起こしたMATSURIのブレーンとして世界的に注目される。 2015年から始動した「朝陽が昇る」を由来とする沖縄Agaitidaを主宰。世界遺産となったヤンバルを舞台に人生観を変える体験をテーマに東南アジアの掛け橋となる。 2016年、「波紋状の音と空間」をコンセプトにレーベル兼プロダクションLiquid Drop Grooveを発足、2020年のパンデミック中に脚光を浴びる。2021年には「天空の楽園」をコンセプトとした野外フェスEDEN 、DJ Nobuとシーンの変革に一石を投じるべくSPECTACLE、そして2023年はNESSが主軸のThe Gods Planetとバイナルレーベルをローンチ。テーマに沿ってPodcastや動画の配信など、テクノシーンに置いても異端児として根付く。 メインアクティビティとするDJでは、TECHNOだけに限らずジャンルの垣根を超えたシネマティック且つPSYCHEDELICなプレイで世界20ヶ国を渡り歩く。ネットラジオの絶対的な存在であるロンドンNTS Radioを筆頭に、世界のコアな層に届けるマニアックなプログラムにもミックスを提供。山頂瞑想茶屋とのプロジェクトYuta Chayaを始め、Liquid Drop Grooveから良質な楽曲リリースが多数控えている。 ̸SELECTED DISCOGRAPHY YUTA http://www.mixcloud.com/goadjyuta https://soundcloud.com/liquiddropgroove/sets/yuta Liquid Drop Groove http://www.liquiddropgroove.com https://soundcloud.com/liquiddropgroove https://www.youtube.com/c/LiquidDropGroove https://www.instagram.com/liquiddropgroove.new/ https://www.facebook.com/LiquidDropGroove

As a phototropic flower, powering its way to the light through dense foliage, AAGUU is keen to find a stretch of your soul to soundtrack with his music. As a phototropic flower, powering its way to the light through dense foliage, AAGUU is keen to find a stretch of your soul to soundtrack with his music. Mirroring the dynamics in the tropical rain forests of Goa where he resides, his inquisitive mind operates intuitively to illuminate fleeting moments of existence. His purpose is manifold: connecting the dots for dancers, elevating the spirit of the reveller, respecting the journey of the individual. AAGUU’s wide-eyed innocence and natural curiosity to build stories informs his blessed touch, shaping ephemeral memories with music. For an inkling into the vibe that AAGUU creates, you can trace its footprints on the sandy beaches of Anjuna all the way back to the Goa parties: genre fluid electronic body music punching up into the air, a heady mix of freedom & psychedelia; DJs casting levitation spells. He treasures this ‘sacred arena of the imagination’. It’s an aural & visual playground where the journey is as crucial as the destination.

̸BIOGRAPHY Aho Ssan Aho Ssan is the artist name of Paris based Niamké Désiré. After studying graphic design and cinema, he began to compose electronic music and create his own digital instruments. Shortly thereafter he went on to win the Foundation France television prize for his soundtrack to the film D’Ingha Mago in 2015 and has worked on several projects related to IRCAM. His debut LP ""Simulacrum"" will be released Via Subtext Recordings. Aho Ssan debuted "Simulacrum" at Berlin Atonal 2019.

Two friends meet outside Karlsruhe, in Schwarzwald. One is an explorer of galaxies far away, the other a composer of fragments. Together they create a joie de vivre, arranging and deconstructing their creations, their own formations. Beneath their feet, a stone world rests against the living world, touching rivers, mountains, forest floors and the first foot trails between Schwarzwald, Vosges Mountains and Naturpark Pfälzerwald. This stone world is made of smooth subterranean rock that swirls and folds. Altered from its original igneous by pressures a hundred thousand years strong. What was once sharp is now smooth. Lines become curves, reversals. If you were to try read its origin, its strata, you would not tell which direction the past flowed or the future began.

Amelie Lens has risen rapidly through the European techno ranks over the past couple of years. She’s now consistently high up the bill (if not topping it) at events like Awakenings, DGTL and Ibiza staples DC-10 and Hï, and this year debuts in the Top 100 DJs poll. The Belgian’s Lenske label has simultaneously gone from strength to strength, building its name around the five-person crew of AIROD, Farrago, Milo Spkyers, Ahl Iver and Lens herself. Granite-tough techno is the name of the game; epic vibes suited to the cavernous hangars Lens fills on a regular basis. And with its newest addition — Lens’ ‘Higher’ EP — the label has now dropped 13 releases in just two years. ~ DJMag

Aphex Twin, aka Richard D. James, is a name synonymous with the intriguingly named genre of IDM (Intelligent Dance Music). Aphex Twin

Azu Tiwaline is a producer inspired by the need to explore her origins, rooted in the Sahara. Her sound is a mix of the organic and the raw, vibrations from the spaces of the desert where entrancing music resonates and ecstatic rituals are commonplace.

DJ & Producer /Kajunga, Sly Fox Raw grooves / moody tunes / acid trax / clap slap / midwest soul. Bookings/ info@kajungarecords.com

Binah Cereus formerly known under the name of Dj Sebiseb has reinvented herself to share her passion for a new era of transcending genres of music to take you on a timeless voyage.

Considering his meteoric rise to fame, it would be easy to stereotype Black Coffee as just another black diamond, a BEE beat magnet out to mine the insatiable upwardly mobile urban house-party market. But as he proved on his South African Music Award-winning album Home Brewed, this DJ and producer defies convention. Sidestepping Afro-house clichés and stage-managed highs in favour of restrained sophistication, Black Coffee’s penchant is for true Afropolitan house: home-brewed but trendsetting, fashion-conscious and future-focused. Expect almost sculptural balance and beauty.

̸BIOGRAPHY Amal, James Bangura, & Nativesun Hailing from the District of Columbia, come together to bring you a new sound, the sound of their city. Born from the essence, Black Rave Culture lifts up the torch and begins to walk forward spreading the message of Black Rave. Amal, James Bangura, & Nativesun Hailing from the District of Columbia, come together to bring you a new sound, the sound of their city. ̸SELECTED DISCOGRAPHY Haus Of Altr - Black Rave Culture Vol1 BRC - Black Rave Culture Vol2

Blawan

Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Defined by a meticulous approach to the composition, production, art direction and presentation of his work, every release encapsulates Joseph’s idiosyncratic vision. It is a colourful world that gives life to the shadows and throws a mist over the boundaries that have become so commonplace in electronic music. His record The Present Tense provided the launching point for Houndstooth (the label arm of London’s fabric nightclub). The following two releases, Black Octagons and Depicta/Acephale, cemented his status as one of the brightest new talents to emerge in the current wave of producers disturbing the musical landscape. Next up came Suzi Ecto, his debut album, which...

From Utrecht, Carista is the DJ everyone wants to open for them. Self-taught, she bought her first pair of turntables at 19 and turned to YouTube tutorials. After winning a mixtape competition hosted by Rotterdam club BIRD in 2012, she landed a gig and subsequent residency at BIRD and other local clubs. Word started to travel about the charismatic selector, curator, and DJ. She went on to land herself a monthly radio show at Red Light Radio and NTS which got her noticed by a slew of festival programmers. She’s since made her debuts on Boiler Room and at festivals like Secretsundaze, Dekmantel, and ADE, where she opened for De School’s 62-hour party. Her sets are never predictable but always highly danceable. Through her NTS show United Identities, she hopes to continue to promote diversity and inclusivity in the club scene.

Carlos Souffront is a DJ's DJ from Detroit with impeccable taste who apparently has one of the most insane acid collections in the world.

Norwegian-Mexican artist, producer and DJ Norwegian-Mexican artist and producer Carmen Villain makes atmospheric music made up of tapestries of field-recordings, acoustic instruments such as flute, clarinet, piano, and electronics, culminating in her own distinctive sound combining elements of fourth world, dub and ambient. Through an experimental approach to production and composition, the results are often a mixture of abstract soundscapes rich in detail, permeated with beautiful harmonies, melodies and dubby beats. She has done a number of releases for labels such as Smalltown Supersound, Geographic North (USA) and Longform Editions (AUS), and has been remixed by Parris, Dj Python, Jay Glass Dubs, Karima F, Yu Su, Klara Lewis, Gigi Masin, Biosphere, Peaking Lights, D.K. and more. "Perlita EP" (Geographic North 2021) "Affection in a Time of Crisis" (Longform Editions 2020) "Both Lines Will Be Blue" (Smalltown Supersound 2019)

DJ, radio host, curator, label head and party promoter - CC:DISCO! is hopelessly lost in music and there’s no turning back. Playing disco, house and boogie cuts with her heart at the controls, CC triggers a joyous feedback loop that infects the dancefloor. There’s no pretension, only pure feeling. A Melbourne club scene mainstay, CC began connecting with audiences just like the heroes before her - through FM radio. Having presented shows since the age of 15, her weekly PBS FM slot of six years ‘Smoke and Mirrors’ became a local institution - the quintessential Friday night party starter - priming her for her bi-weekly residency on Rinse FM, as well as knock out guest spots for NTS, Red Light Radio and Dublab. Now stationed in Lisbon, CC continues to rise as one of her fertile hometown’s most active exports. With three extensive UK/EU tours in 2018, she’s commanded the hallowed dancehalls of Sub Club, ://about blank, Kompass and DJOON. Well versed in mobilizing people on mass...

̸BIOGRAPHY Made in China at Awkwardly Social Berlin

Primed to become an ‘overnight success’ in a similar way all overnight successes break-through; following many years of hard-work, Cormac is currently one of dance music’s best-kept secrets. With a rapidly growing reputation as a revered selector, the Northern Ireland born DJ is setting a course for dancefloors the world over with his sound that comprises the breadth of the house and techno spectrum, but with one defining characteristic; always records that touch the inner sanctum of the human spirit. Since he began collecting music as a teenager near Belfast, his journey has been singularly driven by the discovery of amazing sounds, and his humble role in the constantly renewed potential for dancefloor transcendence. Having traded in an all-too-quiet rural Irish life for the hedonism and high times of a very different London in the early 00s, Cormac was a regular dancer at zeitgeist defining institutions such as Trash, Nag Nag Nag and Bugged Out.

̸BIOGRAPHY CRYSTALLMESS is a DJ, producer, artist and writer based in Paris, France.

̸BIOGRAPHY The essence of Dame Area – the project of Barcelona-based duo Silvia Kostance and Viktor L. Crux – is formidable, volatile, unpredictable. During the last years Dame Area developed a unique music style recognized as "Tribal Wave": mixing synth bassline arpeggios and live percussions, noises and congas, industrialism and tribalism, Italian and Spanish, Dame Area are running across the same path and breathing the same air of the EBM/Industrial driven Diseño Corbusier or the drum compositions of Roberto De Simone Across two albums and several EPs for the likes of Mannequin Records, B.F.E Records and their own cult imprint / DIY organization Màgia Roja (described by The Quietus as “a place unlike any other in Spain, perhaps any other on earth”), Dame Area have executed an eclectic, discerning form of contemporary industrial music, deploying compulsive minimal synth and primal polyrhythms, as well as uniquely reconstrued elements of post-punk & EBM. An artistic identity that embraces influence yet eschews compromise. Starting to play live in 2018 they have toured extensively in Europe, sometimes also in a trio format with Jess Webb from Gnod/Anthroprophh at drums.

Dj/ Producer from Miami, FlDanny Daze

̸BIOGRAPHY I will show you fear in a handful of dust. I will show you fear in a handful of dust. ̸SELECTED DISCOGRAPHY December - Night Of Nights (Pinkman) December - 64 Ways To Rob A Friend (Return To Disorder) December - Bright Red (Mannequin) December - Issue n°11 (Jealous God) December - Half Cuts #1 (In Paradisum) December - On a Leash (Where To Now?) December - In Advance Of The Broken Arm (Blackest Ever Black / A14) December tape (Where To Now?)

Dallas based Producer/DJ Decoder is a producer who specializes in the realm of minimal and sci fi techno. He also co-runs a vinyl imprint "Toca" alongside Jay York.

A selectress with no inhibitions digging & choosing parts that build to Adventurous, Energetic, Seductive, & Rapturous sets spanning many genres. Dee Diggs is a DJ and writer based in Brooklyn, NY. She is unapologetically black, queer, and a life long student of the tenets of House Music. The year 2020 found her at the top of her game after a debut European tour during August 2019, her name was popping up on top bills on a weekly basis in NYC. Her energetic, yet deep approach to DJing has seen this Boston to Brooklyn transplant lighting up dancefloors all over; in particular, garnering attention in the queer party scene. This mixes well with her ethos: using her influence to create space for marginalized groups to express & organize themselves. Her aim is to contribute to & sustain more spaces where these groups are valued and thanked by name for their contributions to humanity. Thank the OG Black innovators of House & Techno! Thank you, Disco-era Queens & Queers alike for the theatrics & fanfare of nightlife as we know it! There are homages to these origins alluded to in her taste and most noteworthy mixes. Dee Diggs’ mix for FACT Magazine was released in March 2019 and charted on Pitchfork’s and Resident Advisors’ own Best Mixes of 2019 lists. It cut an arch through dance music’s past and present to convey an interesting melding of Dee’s signature sounds: lyrical storied tracks, sensual club edits, soulful realness, sneaky grooves, passionate thumpers, and nostalgic endings. Her eponymous party, House of Diggs debuted in February 2020 to stir and settle the hearts of all the lovers of house, funk, soul, disco, and R&B in Brooklyn, before the COVID-19 pandemic and subsequent club closings curtailed that momentum for 1.5 years. However, 2021 has found her making strides again. Diggs is still crafting stellar DJ mixes for her Soundcloud and radio guest spots, while also building her music production chops in her home studio in Brooklyn. She has resumed curating House of Diggs as an event series at Jupiter Disco, a rotary focused intimate dance floor in Bushwick and also holds a DJ residency at a hi-fi nightclub in Gowanus, BK named Public Records.

New Delhi-raised, Bali-based DJ, DITA. New Delhi raised, Bali-based artist DITA began her DJ-ing career in 2014 after being exposed to the varying perspectives constituting Indonesia’s music culture. Exploring the sounds with a keen ear and a growing excitement, DITA established her collective “Interrupted” which solidified her eclectic practice as she bounced between Jakartan and Balinese dance-floors. Armed with musical prowess and an infectious spirit, you can now find DITA with a wide-range of versatile selections including Proto-House, Disco, 90’s breaks, Balearic and beyond. ‍ DITA’s nuanced sound curated over the years has seen her play on stages such as Boiler Room, Wonderfruit Festival, all across Australia and at Potato Head Bali where she is a key resident.

DJ Chia Pudding takes having fun very seriously. Deeply inspired by the r&b and hip hop of the 90s and early 00s, her selections are at once forward looking while also referencing this admired era of the past. In her musical curations, she seeks to strike a balance between the light heartedness of the rave as well as its ability to offer deep transformation. If you find yourself on her dance floor, you’ll likely hear the sounds of UK garage, bass, breaks, and house. But she’s open to anything if it moves her body and spirit. She curates Swung, a party focused on the sounds she loves the most: low end frequencies and broken rhythms.

Although only 28, DJ Marky is already a veritable superstar DJ in his homeland Brasil. Based in Sao Paulo, the clubbing and dance music capital of Brasil, Marky is well established as one of Brazil’s biggest DJs and producer talents. DJ Marky began making a name for himself in the early 90’s pioneering the sounds of UK Drum & Bass/Jungle, appealing to lovers of dance music of all styles for his sheer artistry on a pair of Technics 1210’s. In 94/95 Jungle became popular in Brasil and DJ Marky emerged as one of Brasil’s leading DJs of this new exciting scene. He stopped working at record shop, Up Dance Records, moving on to a high profile residency at the then legendary Toca club. Marky had radio shows on various stations both mainstream and underground, and his success at that time culminated in the mid-90’s with a massive drum & bass/jungle compilation released on UK’s Suburban Base Records. Marky was awarded DJ of the year in Brasil in 95 and 96 and was runner up in 98.

DJ Nobu is a DJ from Chiba city in Japan. He organises now legendary party called Future Terror and his own label Bitta in his home town.DJ Nobu ̸BIOGRAPHY Japan’s DJ Nobu is one of a kind; a DJ with no fixed style but instead a very real ability to draw on a wide world of music and cook up his own unique sound spaces. Nobu is something of a cult figure for those who know with decades of experience, all of which are distilled at his acclaimed party ‘Future Terror’, his label ‘Bitta’ and his few choice production outings. All of this has slowly but surely turned Nobu from being one of Japan’s, to one of the world’s most in demand selectors who is famously flexible and ever evolving. ̸SELECTED DISCOGRAPHY - NO WAY BACK / mixed by DJ NOBU label: ?? / Lastrum catalog: LACD-0094 (TGCS-3831) format: CD released: Dec 20th 2006 - CREEP INTO SHADOWS THE MIDNIGHT D EDITS / DJ NOBU label: Underground Gallery catalog: UGCD-801 format: CD released: April 3rd 2008 - DIARY / DAZZ Y DJ NOBU label: ?? / Lastrum Music Entertainment Inc. catalog: LACD-0143 format: CD released: August 6th 2008 - Endbeginning (Dazz Y DJ Nobu Omi Dub 12"Remix), (Nobu's Dub) / Crue-L Grand Orchestra label: Crue-L catalog: KYTHMAK132 format: 12" released: Apr 2010 - 011 e.p. / DJ NOBU label: GRASSWAXX RECORDINGS catalog: GWEP-07 format: 12" released: July 2010 - ZERO SET II -Reconstruct- / V.A. "Skin QER REMIX (reconstructed by DJ NOBU)" label: MUSICMINE catalog: MMCD20001 format: CD released: October 20th 2010 - ON / mixed by DJ NOBU label: MUSICMINE catalog: MMCD20002 format: CD released: December 22nd 2010 - Draw, Untitled / IORI, DJ NOBU label: Bitta catalog: Bitta001 format: 12" released: November 13rd 2012 - Crustal Movement Volume 01 - Dream Into Dream label: Tearbridge Records catalog: NFCD-27349 format: CD released: March 27th 2013 - Canadian Bellfield, Untitled / Steven Porter, DJ NOBU label: Bitta catalog: Bitta002 format: 12" released: December 12th 2013 - For Your Eyes Only Sampler One / V.A. "Sway" / DJ NOBU label: Semantica Records catalog: SEMANTICA 60​.​1 format: 12" released: December 20th 2013

̸BIOGRAPHY Nihilist Queer Revolt Musik

Tales from the abyss

London-based DJ, promoter and NTS radio host. Boss at Osàre! Editions. Many DJs claim to be champions of free-spirited eclecticism, but few truly break boundaries or swerve convention. Step forward Elena Colombi, a DJ and radio host whose inspired sets are not only open-minded and mind-altering, but also seek to toy with the emotions of listeners and dancers via shifts in intensity, tone, light and shadow. Her distinctive approach is truly unique, in part thanks to a widescreen grasp of different musical cultures, sounds and rhythms, born out of travelling the world with her family from a young age. This nomadic approach is something that Colombi still embraces. After ten years living in London and making her mark in the city’s electronic music underground and a brief relocation to Brussels, the artist is now based in Amsterdam, where she can be found contributing to the vital local scene whilst focusing on her new label, Osàre! Editions. Launched in the summer of 2019, the imprint was inspired by the Italian translation of ‘daring’ or ‘bold’. In keeping with Colombi’s approach to DJing, the label will provide a home for future-facing music shot through with forward-thinking experimentation and abandon, and imbued with a sense of complete freedom, transcending expectations of time or genre. This approach is a neat fit with her musical style, which taps into a wide range of influences and inspirations old and new. Since she began her journey through DJ culture, the Italian artist has prioritised energy and emotion over form and function, paying particular attention to obscure and undiscovered artists. While ‘anything goes’ is undoubtedly her mantra, her dynamic sets are perfectly balanced with the kind of effortless flow that many DJs fail to master with a lifetime of practice. As well as documenting her far-reaching taste via her monthly NTS shows, Elena has contributed outstanding mixes for FACT and Crack Magazine, Beats In Space, Intergalactic FM, Digital Tsunami and Dekmantel, where she also took part in a live discussion with John Talabot on the Art of DJing, a panel that was recorded by Resident Advisor and later broadcast as part of the RA Exchange podcast series. On the festival circuit she’s made appearances at Dekmantel, Club To Club, Nuits Sonores, ADE, Unsound and more, together with an annual residency for the boutique UK festival Field Maneuvers and a quarterly curated night at Belgrade’s Club Drugstore. Her outsider-led approach also gained recognition from the established art world, going back-to-back with homegrown Manchester legend Jon K at the Whitworth Art Gallery (a feat repeated at Atonal in Berlin), as well as bringing her selections to the Tate Modern in London for the Tate Lates series. The different strands of Colombi’s DJ career are almost as diverse and otherworldly as her on-point selections, a reflection of her ability to translate her vast music knowledge and sets to differing environments. Yet it’s in clubs that her celebrated talents hit home hardest.

̸BIOGRAPHY Emptyset is a multidisciplinary production project founded founded by James Ginzburg and Paul Purgas exploring the sonic possibilities connecting electroacoustic and computer music, architecture and performance. Their music focusses on compositional structures, dynamics control and textural detailing, working with elemental sonics and the material properties of sound. Their output is informed by the evolution of electronic and improvised music, full frequency production and forensic sound design reflecting upon tonal and avant-garde traditions and the history of experimental media. Based in Berlin and London they have worked on several expanded projects within performance and installation settings incorporating spatial acoustics, broadcasting, large scale instruments and vocalisation, through commissions developed for the Architecture Foundation, Tate Britain, V&A and Deutschlandradio. Releasing material through Thrill Jockey their latest recorded material has employed custom instrument design and analogue processing presented in Borders and advanced computing and the emerging field of raw audio synthesis in their recent album Blossoms.

̸BIOGRAPHY Just when you thought things couldn't get any weirder.

̸BIOGRAPHY producer dj singer person FAUZIA first broke through as a DJ. Inspired by the interwoven legacies of fast music from either side of the Atlantic, her monthly NTS show sees her blend together the best of footwork, jungle and everything in between — with the likes of Mall Grab, Kode9, DJ Taye, Om Unit and Ikonika stopping in for guest spots. The start of 2020 saw FAUZIA start to showcase her own original music for the first time, first with a celebrated production mix for DISCWOMAN, and then with a contribution to the flagship 10th edition in HAUS of ALTR’s various artists series — picking up glowing press from Resident Advisor, Mixmag, DJ Mag, Crack, Pitchfork and more in the process. It was with a series of missives released during the pandemic that FAUZIA’s music really started to evolve - from the starry-eyed breaks of ‘Fragments’ through to ‘are you hoping for a miracle?’ and ‘time’, a pair of downtempo pop releases that saw FAUZIA sing on her material for the first time while also collaborating with Kelela and George Riley. Her new live show debuted at Wysing Polyphonic in the Summer of 2021, followed by appearances supporting Loraine James and Space Afrika. December 2021 saw FAUZIA sell out her first headline at Southbank Centre’s Purcell room, accompanied by her band.

The Disco DJ who represents Seoul. Founder of The Monkey Business & Dub Plate. Over the past year, DJ FFAN has been showing his strong presence in the underground club scene of Seoul, while playing liaison role between Seoul and overseas dance music scene. He has been hosting various party series including The Monkey Business, Dub Plate and Anger Management Disco Club, and making it very successful with a lot of great guests from Asia, Europe and North America, such as Chida, Eric Duncan, Justin Van Der Volgen, The Backwoods, Tiago, Gonno, Hugo Capablanca. FFAN is the son of DJ Lee Jin, who is the Korea’s very first club DJ, which means he’s making special geneology as the only second generation DJ in Korea. In 2009, FFAN started DJing as a resident DJ of Club Via. Then he made his mark by becoming a member of Lad Monkeys and Disco Experience. In 2010, he started hosting a party series called ‘The Monkey Business’, and raised himself as a next generation DJ of Korea’s Disco & House music scene. He’s known for captivating people on the dancefloors by multifarious sounds and storytelling, mainly based on Dub Disco, House and Techno. In 2016, starting from his Boiler Room gig, FFAN has been widen his overseas activities ranging over the whole Asia, including Japan, Indonesia and Thailand. 지난 한 해 DJ FFAN은 서울의 언더그라운드 클럽씬의 핵심적 존재로서의 무게감을 드러내며, 서울과 해외의 댄스 뮤직씬을 연결하는 키맨 역할을 해냈다. 그는 몽키비즈니스The Monkey Business, 덥플레이트Dub Plate에 이어 앵거 매니지먼트 디스코 클럽Anger Management Disco Club까지 다양한 파티를 주최하며, Chida, Eric Duncan, Justin Van Der Volgen, The Backwoods, Tiago, Gonno, Hugo Capablanca 등 아시아와 유럽, 북미의 핵심 게스트들을 연이어 초대해 성공리에 파티를 개최했다. 그는 한국 최초의 클럽 DJ 이진의 아들이라는 특별한 출생으로, 한국 유일의 2세대 DJ로써의 특별한 계보를 만들어 가고 있는 중이다. 2009년 Club Via의 마지막 레지던트로써 DJ를 시작하여, Lad Monkeys, Disco Experience의 멤버로 활동하며 두각을 드러냈고, 2010년 시작된 The Monkey Business를 통해 한국 Disco & House 씬의 차세대 DJ로 발돋움 했다. 최근엔 Namsan Shepherd Club을 창설하여 넥스트 제너레이션 DJ를 발굴하고 육성하며 새로운 경계선을 열고자 노력하고 있다. 그는 Dub Disco를 베이스로 House, Techno 등 다채로운 사운드와 스토리텔링을 통해 관객들을 이끌기로 유명하다. 2016년 보일러 룸 Boiler room 라이브를 통해 물꼬가 트인 그의 해외 활동은 일본, 인도네시아, 태국 등 아시아권을 아우르며 스펙트럼을 넓히고 있다.

FLAWS (Kai Hickinson) is a UK based DJ, Producer and Label Owner. FLAWS (Kai Hickinson) A UK based DJ, Producer and Label Owner. Internationally influenced and served with quiet confidence, his music draws you in, giving you something for the mind as well as the dance floor. FLAWS is already receiving attention for his music in the wider techno scene, resident of Eerste Communie (Netherlands) while steadily gaining support from respected DJs and appearing with slots himself at club events in London, Marrakech, Manchester, Berlin and beyond. Indeed, his DJing style represents an extension of the attention to detail present in his own work, tracks come together on a deeper level but the groove and devotion to pure rhythm is always present. With his unwavering dedication to quality and his commitment to pushing the boundaries of what electronic dance music can be, FLAWS is an artist who is poised to make a major impact on the global music scene. 'His DJ sets are a masterclass in rhythm and attention to detail, seamlessly blending together tracks to create an experience that is both immersive and unforgettable.' Enquires/Bookings - contact@stoiclegacy.com

̸BIOGRAPHY Boss woman behind POLAAR label, Flore is an essential artist on the french electronic music scene. Pionner in the leftfield bass music field, she has just released a second album RITUALS, acclaimed on BBC radio 1 & 6, Mixmag, Tsugi and Trax Magazine... Propelled by curiosity and meticulosity through the last two decades, Flore built her musical journey guided by risk and a generous creativity. 
If her musical and cultural roots go back to jamaican sound systems, breaks and drum and bass, her musical culture and tastes cover a wider territory that ranges from Pink Floyd to Sun O))). This constant interest for new forms and sounds stands behind her path as the live artist she is now, from DJ through producer to being the first woman Ableton certified trainer in France. As a DJ, she brought her explosive sets to numerous european clubs, venues and festivals such as Les Nuits Sonores, Fabric, Fusion Festival. Her Boiler Room set is memorable. Flore is a DJ renowned for the energy of the sets, the rowdiness she brings to the dancefloor and her ability to communicate with the public. Her work capacity and diverse skills led her to collaborate with other artists in various contexts such as with Arandel at La Philarmonie de Paris in 2018 for an exclusive creation for the prestigious institution, working with theater directors and dancers. Crown on top of an already rich collections of gems, she is the boss lady of POLAAR, one of the most exciting musical label of these last years in France. Flore has become a true master at tailoring her sound, often with a sense of anticipation of what was in sight on the electronic music scene : from “Raw “ (2010, Botchit & Scarper) predicting the global bass phenomenon to “Rituals” her second album (2020, POLAAR) cruising on a futuristic and personal interpretation of techno and breaks in all their various forms. Flore keeps the trip real, away from calculation and visibility preoccupation all of which make of her a genuine creative force in the european musical landscape and a sought after live act. ̸SELECTED DISCOGRAPHY https://floremusic.bandcamp https://open.spotify.com/playlist/0wkiGHK5NpzIhbQQGlhF6L?si=RUtNNTQ9Sc28gPfi8GHLWA

MIXED PRINTS on Street Beat WNUR 89.3FM + wnur.org flower food (real name Emma Danch), is a Chicago-based DJ, sound artist and radio host of “Mixed Prints” on WNUR Streetbeat. The eclectic late-night electronic show - named for Danch’s frequently colorful and eccentric fashion sense - blends noise, drone, field recordings, trance, ambient, and left field techno. Danch’s taste reflects a diverse musical upbringing, from 13 years as a classically trained French horn player to experiments in electroacoustic music and generative sound art. Danch has performed experimental works at Dev9t festival in Belgrade, Serbia and at the International Symposium on Electronic Arts in Hong Kong, and she has provided local support for Matthew Dear, JX-216, and Douala. When she's not mixing, she's promoting, working the door, assisting with visual installations, and ricocheting ecstatically across the dance floor.

Furtive is a broad-spectrum, full-gonzo rave conjurer: they're a Philadelphia-based producer, DJ, event organizer, and visual artist - bending and blending genres, mediums, experiences, and crowds into raveworld magic. Furtive is a full-gonzo rave conjurer and relentless creative tinkerer, intractably committed to the rave as a Philadelphia-based producer, DJ, underground event organizer, and dancer. Furtive brings a scintillating and sentimental touch to their many polished and focused genre-spanning productions, informed by over a decade of experience in the studio and yielding a rich selection of self-released tracks, contributions to VA comps, and recent vinyl pressings. A veritable product of the contemporary American underground, Furtive cut their teeth as a DJ and DIY event organizer in Washington, DC’s warehouses, where they played a turnkey role in putting on some of the District’s zaniest techno parties. Furtive now co-runs an intimate, blossoming off-the-books venue in Philly. As a DJ, Furtive has supported internationally celebrated, no-nonsense acts and held court in dingy local watering holes with eclectic selections and a steadfast focus on pacing and dynamics, regularly jumping genres to build moving and impactful sets. Beyond the fog and speaker stacks, Furtive creates art in a variety of mediums.

̸BIOGRAPHY London DJ, producer, vinyl collector & musical curator Gideön has been playing Deep House, Northern Soul, Roots Reggae, Acid House, Disco, Soul, Vintage Gospel and Rare Groove for the last 29 years. GIDEÖN (HOMO-CENTRIC RECORDS / NYC DOWNLOW / ADONIS / R3 SOUNDSYSTEM / BLOCK9) GIDEÖN has a background in music spanning 30 years. In addition to his practice as a recording artist, stage designer and curator, he is a touring DJ and is an avid collector of vinyl. Since his first set of turntables in 1990, GIDEÖN has devoted his life to collecting vinyl from the US, Jamaica, Latin America, Africa, and the UK. He specialises in Northern Soul, Latin, Reggae, Gospel, and Disco rarities. House Music, above all, is his first and greatest love. He has a degree in Music with Visual Practice (BA Hons) and is currently guest Creative Director of Music for London Borough of Culture 2022. GIDEÖN co-founded, co-created and curates Block9’s festival nightlife institutions NYC Downlow, Genosys, Maceo’s and IICON and is also resident and co-booker at London’s hottest queer club night Adonis. As a radio DJ, GIDEÖN has been actively involved in broadcasting for many years now. After cutting his teeth on London’s pirate stations in the late nineties, he has hosted a weekly show on London’s Soho Radio for 3 years. He is a frequent guest on London’s Rinse FM and has recently contributed to BBC Radio One, NTS and BBC 6 Music. GIDEÖN has been very involved in political activism over the years and is now increasingly focussed on organising hybrid cultural-political events partnering music and protest, often under the banner of R3 Soundsystem. Together with Love Music Hate Racism, GIDEÖN has organised major sound system interventions on many of the Stop Brexit and Stop Trump and Anti-Fascism protests. He is actively involved with fundraising for several LGBTQ+, human rights and social justice organisations including AllOut, Prepster, Human Dignity Trust and Refugee Community Kitchen. Gideon sits on the advisory committee of The Right to Dance, part of War Child’s NGO Network. R3 Soundsystem is a consortium of DJs, musicians, producers, record labels, festivals, nightclubs, sound systems, activists, and cultural organisations, all united by love of music and the rejection of right-wing nationalist values. R3’s three Rs stand for RESIST / REJECT / REVOLT. https://www.instagram.com/gideon_dj_official/

Mauritius-born and now based in Paris, GЯEG is resident of Parisian’s hottest parties « La Creole » and also member of the growing label « Boukan Records ». 📡 Bimonthly on Rinse France Mauritius-born and now Paris-based, GЯEG is a 21-year-old DJ and producer who has been exploring the club scene since his arrival in France in 2019. Member of the growing Parisian label Boukan Records, resident of the Paris hottest party La Creole, and resident on the web radio Rinse France; his eclectic and energetic mixes brought him under the spotlight of the French club scene, seducing the public and the media (Libération, Trax Magazine, Tsugi, DJ Mag…). Supported by international DJs like Teki Latex, Kampire or Jyoty, GЯEG released his debut EP "Eau Coulée Smart City" on the Parisian label LaVibe in June 2021, a potent hit of jungle, kuduro, shatta, techno and house. Praised by Resident Advisor, the fusion of his musical influences from electronic music to Afro-Caribean sound, has seen him be part of DJ Mag UK “emerging artists to hear”. The EP, features a track with King Doudou (J.Balvin, PNL, Bad Gyal) and is arranged and mixed by the talented Casual Gabber’s producer Krampf. While mixing for Boiler Room’s « Hard Dance », GЯEG also played some major venues and festivals like Nuits Sonores, The Peacock Society, TransMusicales, La Gravière Club (Geneva) and Razzmatazz Club (Barcelona).

Guido Balboa starts his music journey in Hong Kong. His style is highly influences by his roots that are based in the country of the Dolce Vita. As he is slowly introducing himself in the Hong Kong scene he is discovering everyday something more about the well known and the forgotten artists of his native country making his mission always more clear: Make Italo Disco Great Again.

Hamburg native Helena Hauff is an in-demand DJ as well as an acclaimed producer of gritty, hard-edged electro-techno. Her music draws from influences such as acid house, EBM, and industrial, and she records her tracks strictly using analog equipment, usually in one take. Her full-length debut, 2015's Discreet Desires, contains some of her most melodic material, while 2018's Qualm is more stripped-down but no less energetic. Hauff has released a handful of EPs, including 2019's Living with Ants and 2021's Futuros with the Exaltics. ~ AllMusic

Hibiya Line is not Japanese. Behind that name hides Dan, a Swiss-Vietnamese guy who in 2006 began playing live acts mixing beats, house and techno in his hometown of Lausanne, Switzerland with two friends. They quickly made a name for themselves were invited to play in some of the most prestigious clubs and festivals around the country such as the Montreux Jazz Festival, Paleo, and Motel Campoto name a few. His deep immersion in the Swiss party scene eventually brought him to Saigon in 2012, and in 2013, he opened The Observatory. Since then, Hibiya Line has become known as one of the most versatile and resilient DJs in the region, with more than enough capacity and drive to take full control of dance floors from the sundown to sunrise. Hibiya Line’s sound explores the house, disco and techno, but his dancefloor can always expect to experience some open-ended style tracks thrown in that make the audio journey more diverse and interesting...

Honey Dijon had carved a distinct niche for herself in the world of underground electronic music, coming to be associated with exquisitely curated cross-genre sets and total dance-floor chaos wherever she plays - from Berghain to Space or Smart Bar. As a producer, her reputation for bringing this knowledge to her forward thinking creations is growing all the time. ~ Soundcloud

̸BIOGRAPHY Istanbul Ghetto Club is a music-driven multidisciplinary collective, combining delightful Anatolian, Greek and Mesopotamian tunes with modular synthesizer and performing arts, always with a sense of humor and an erotic touch. One night Kamil was working in a Pavyon in Istanbul. Pavyons are live music bars in which traditional Turkish folk music is played, usually with the bağlama. Men come to Pavyons to swim in different oceans. While Kamil was playing Bağlama, Mahmut came into the bar. With his outward appearance, his lighter skin color, he didn't seem to fit in. Actually Mahmut just wanted to ask for directions, but then, because people started looking at him strangely, he felt offended. He thought to himself, "I live here too, why can't I come to this bar and have fun like everyone else?” Somehow Mahmut and some of the other guests started to discuss. It had started to escalate more and more, and Kamil saw how people had started to push him. So Kamil stopped playing and ran to help him. The crowd was so heated up that they started hitting Kamil and Mahmut. In the end, they threw both of them out of the bar. Kamil's Bağlama was destroyed and Mahmut's nose was broken. To cool down, they went to have some Çorba. At the restaurant, Mahmut told Kamil that he makes electronic music. While eating and talking they planned to start a project together with Bağlama and modular synthesizer: something like a tasty Çorba. ̸SELECTED DISCOGRAPHY Istanbul Ghetto Club - Hamam Dreaming (Single)

After more than a decade spent building an enviable reputation for herself in the clubs of Paris, Jennifer Cardini has become an international concern. Jennifer Cardini long since outgrew Pulp – the Parisian club where she first made her name– and set off on a mission to take her vision of house music to audiences around Europe and beyond. Over the course of a career spanning of fifteen years, she has delivered DJ sets fusing techno, electro and disco at the world’s most prestigious clubs (Panorama Bar in Berlin, De School in Amsterdam, Lux in Lisbon, Good Room in New York) and hottest festivals (Melt, Nuit Sonores, Burning Man). Yet her dancefloor philosophy is reflected not only by her sets and the music released on her labels, including electro imprint Correspondant and the more indie oriented Dischi Autunno but also by her engagement in support of the LGBT-community. Based in Berlin following six years in Cologne, Jennifer Cardini continues travelling all around the world transmitting her love for music to us through the dancefloor!

Jonathan Kusuma is a musician, producer and DJ based in Singapore and Jakarta. Running his label and Parties Dekadenz in Jakarta, a resident DJ in Headquarters and Tuff Club in Singapore. His main releases have been under the influential music labels I’m a Cliché (Paris) (Automatone EP, 2016) and Cocktail d’Amore (Berlin) (Black Magic EP, 2016), Cocktail d’Amore 10 Anniversary Compilation 2019. Kusuma has also been released by various internationally respected labels, such as Correspondant (Berlin)'s compilations (2016 and 2017), Ene Records (Japan), Power Station (Melbourne). He has also done remixes for Correspondant, Roam Recording (Los Angeles), La Belle Records(Paris), Calypso (Mexico), Hard Fist (Lyon) and Tom Tom Disco (UK). In 2014 he released his debut EP "Gong 3000" on I’m a Cliché followed by the "Underpass" EP on Love on the Rocks (Berlin) in 2015. Additionally, in the same year, he released various remix projects for 5alad on "Factor City" Label (Barcelona), Split Secs on "Machine Limited"

̸BIOGRAPHY a little write up about him ; JonnyVicious, a young and mischievous disc jockey who credits his musical intelligence to everything he’s heard since the age of zygote. A creature that evolved in an environment led by the foundation of curiosity a.. a little write up about him ; JonnyVicious, a young and mischievous disc jockey who credits his musical intelligence to everything he’s heard since the age of zygote. A creature that evolved in an environment led by the foundation of curiosity and laughter. Intuitive and diverse, he enjoys mixing in sounds of far and wide, adding in the bells of religious controversy and food. He lives, breathes, and has been enslaved by the rhythmic power of making rooms full of earthlings move spastically. He is one with earth and earth is one with him. Male. Links; Facebook: https://www.facebook.com/jonnyviciousjc?fref=ts Soundcloud: https://soundcloud.com/jonnyvicious

Juana has enticed crowds all over the world at venues such as Berghain, WAS, De School, Basement, Nowadays, and numerous underground warehouses. Over the past several years, Juana has played alongside DJs such as, DVS1, Jamaica Suk, Perc, Headless Horseman, 999999999, Efdemin, and DJ Stingray. Juana joined the Discwoman roster in 2017 and is a founding member of the DC QT BIPOC collective NOXEEMA JACKSON since 2021. Juana originally hails from the city of Chicago. She started out like most, as a random kid on the dance floor every week at places like The Generator and Boom Boom Room, and has been DJing house, techno, and disco parties since roughly 2001. Juana moved to DC in 2003 and began hosting weekly live internet radio shows on HandzOnRadio (Baltimore) and Cyberjamz (Tampa) and playing parties in the DC deep house scene, upping her skills alongside legendary DJs like Sam “the Man” Burns,” and at clubs including Red and the DC Sanctuary. Juana started obsessively collecting disco and early house records in the late 90s and eventually developed an undying penchant for straight-ahead techno and darker shades of Chicago underground acid and deep house of the 80s and 90s. Over the past several years, Juana has made her mark in DC as one of only a handful of techno DJs, as a member of the founding squad of the Sequence collective, led by Ron Jackson. Sequence was the first underground party committed to consistently showcasing local and global techno DJs and crafting a dark, dangerous, sometimes hellishly uncomfortable party vibe hitherto unavailable in the DC area. As a producer, her first release “Discipline Issues” was released as part of a compilation on Katie Rex’s Bound label, and her first independent EP “Floating” landed in 2020. Her most recent EP “Peaks” was released in July 2021, and she also appeared on the TRAX ONLY Soft Touch compilation in spring of 2021 and the Neighborhoods Vol. 1 compilation on World Building in fall of 2021. She is currently working on her first full-length album project for release in 2023.

Known as a techno producer who has her own unique and innovative sounds, Julia has most recently been featured on Bandcamp Daily as the best electronic music producer and in a glowing review in The New Yorker that called her talent "beguiling" and "rare" Known as a techno producer who has her own unique and innovative sounds, Julia has most recently been featured on Bandcamp Daily as the best electronic music producer and in a glowing review in The New Yorker that called her talent "beguiling" and "rare" and that her music "fills the mind." She is the founder and curator of the music record label JUJUKA, co-founder of the event series Radial exploring the intersection between live sonic art and electronic experimental music at the Fridman Gallery and is a resident at The Lot Radio in NYC. Her sets are dense and vivid. Unpredictable. She herself is enthusiastic and energetic with a charismatic fatal charm. Govor knows how to move, make others feel and engage. She also is a consummate cat wrangler, experienced squirrel whisperer and can rock the hell out of a vintage ski suit.

Born and raised in Amsterdam, Kamma's path to her craft could not have come more naturally. A child to parents who both have DJed professionally for over 25 years, Kamma was brought up on jazz, funk, disco and early house. Her instictive nature and open-mindedness make her a purveyour of a wide range of sounds, going deep beyond her traditional roots. With an effortless contrast of energy and emotions, she journeys dancers into complex rhythms, dreamy waves and new era electronics. Together with Masalo, Kamma is behind the rising Amsterdam party series “Brighter Days”, a festive get together, celebrating dance music culture to the fullest. Here she has graced the decks with masters such as Hunee, Colleen ‘Cosmo’ Murphy, Ge-ology and Kuniyuki Takahashi. With class-act performances at festivals like DGTL and Dimensions, and beautiful trips on the horizon, Kamma is ready to present the colourful depths of her record crate!

There are few musicians who manage to explore the convergence between techno and experimental as successfully as David Letellier. Kangding Ray’s complex sound aesthetic tests boundaries, evolving tirelessly in its exploration of texture, rhythm, and sound design. KR has remixed artists such as Martin Gore and Ben Frost on Mute, Battles on Warp, Oscar Mulero on Polegroup or Inigo Kennedy on Token. Letellier’s foundations in rock and musique concrete give his music a vitality and uniqueness that has won fans the world over, from discerning avant-garde–electronica listeners, all the way to devoted clubbers. Those who have been following Letellier since his debut album, 2006’s Stabil, will recognize not only his meticulous and constantly developing approach to sound design, but also the conceptual gravity behind his releases. Through a string of recent EP’s and albums, culminating with the critically acclaimed “Solens Arc”, KR showed his ability to keep his artistic approach while delivering direct and powerful club-leaning tracks and darkly cinematic soundscapes. On 2015’s “Cory Arcane”, he pushed the limits of his sound even further. Relinquishing standard rhythmic structures and conventional tonal models, he delivered what is perhaps his most sophisticated release yet; a raw and visceral universe, allowing a more fluid dialogue between soul and machines. 2017’s “HYPER OPAL MANTIS” released on Stroboscopic Artefacts heralds a new era for Kangding Ray, where he explores the tension between the natural and artificial, the body and mind, which are central themes in electronic music in general, and Techno in particular. The means of creation, focused around technology and interactions with machines, contrast with the emotional response to sound, the mystical ritual of collective dancing, and the ethos of liberation and tolerance embedded in the culture it has produced. As he describes it himself in a recent interview : “I’ve been evolving since a couple of years at the outer fringes of the club culture, where it overlaps with different experimental and avant-garde genres. While i intend to continue to explore that zone as a free maverick, i also wanted to give something back to the scene, something strong, beautiful and functional at the same time, while retaining enough personality to be exciting.” ( Adapted from words by Vincent Morris)

̸BIOGRAPHY Sound artist, live performer, DJ and independent researcher in sonic and media cultures. Mariachiara Troianiello, the Milan-based sound artist behind the moniker Katatonic Silentio, works at the crossroads of electronic music, performing arts and sound studies. Both as a live performer and an independent researcher, she seeks to bridge different spheres and approaches to sonic production. Active as a DJ for more than 15 years, her sets adopt multiple forms, fluctuating between an analogue past and a technological, fast-paced future. At times, her sets focus on pure abstraction, consisting of ethereal soundscapes that seek to transcend the tangible through a mix of musique concrète, world, spoken word, ambient or dub. At others, they come across as concrete and club-oriented, crossing techno, broken beats or drum n bass. Mariachiara views sound as a critical tool and has a genuine interest in exploring sonic possibilities and practices from both artistic and sociological perspectives. As an independent researcher, she is a member of the Scientific Advisory Board of USMARADIO: Interdepartmental Research Centre for Radiophonic Studies at the University of San Marino. In her undergraduate thesis in 2015, Mariachiara looked at the different notions of radio and broadcasting between underground and mainstream and the multiple performative possibilities of the medium itself – a topic she currently puts into practice through her project Expanded Radio Research Unit. As of now, she holds radio residencies on EOS and LYL. Mariachiara also collaborates with Anonima/Luci, a light art collective with whom she develops installations that reconfigure architectural spaces by combining light and sound. Together with choreographer and dancer Olimpia Fortuni, she performs „X“, an ongoing compositional study that draws on sound, movement and space. ̸SELECTED DISCOGRAPHY - EOS Compilation 01 / EOS Radio, 2022 - Pho Beat Bazar Vol. 2 / PHO BHO, 2022 - Freefloat Remixes / Worst Records, 2022 - Paradisia Vol. ∞ / Gangs of Ducks, 2021 - NOOD5 / Noods Radio, 2021 - Club Winston Remixes / Club Winston, 2021 - Tabula Rasa / llian Tape, 2021 - Alkisah II / MAKA – The Alkisah Reworks Divisi Italia / ArteTetra, 2021 - Prisoner Of The Self / Remixed / Bristol NormCore, 2021 - Bittissue / Biodiversità Records, 2020 - Prisoner Of The Self / Bristol NormCore, 2020 - Dis/Continuum / Mother’s Finest Compilation / Mother’s Finest, 2020 - Grains / Self-released, 2020 - VVAA Forever / Haunter Records, 2019 - Emotional Gun / Cyberspeak Music, 2019 - Roland System-1 / One Instrument Records, 2017

̸BIOGRAPHY Kim Ann Foxman / Firehouse Recordings / self:timer / Pleasure Planet The short-story version of Kim Ann Foxman’s trajectory is pretty simple: An island-born kid dreams of a life in clubland, hits the big city and, with a little bit of luck and a lot of hard work, emerges as one of dance music’s leading figures. But it’s the details that transforms her singular tale into something far more fascinating than the standard-issue success story. After all, what other DJ can lay claim to the title of Miss Teen Filipina Hawaii? How many can say that their first job in nightlife was when in high school, serving as the in-house dancer and serving rave smoothies at an all-ages club? How many, after moving to New York by way of San Francisco in the early ’00s, can say that they helped to rejuvenate the city’s then-stale nightlife via her residency at one of the best parties ever held in a hole-in-the-wall gay bar, the Mad Clams affair? How many have tasted stardom as one of the original members of the scene-making dance-music collective Hercules and Love Affair? Exactly one, and it’s Kim Ann. But it’s a safe bet that she would have made it to where she is today without those biographical eccentricities, because her near-classical take on jacking club rhythms is hard to resist, sounding as fantastic at a full-scale mega-rave as it does at a grimy basement bash. It’s a universally appealing sound that’s taken her around the world—the past few years have seen her playing such hallowed halls as Fabric, Berghain, DC-10, Concrete and Contact, all while holding down a residency at her hometown’s Good Room. A lifetime in clubbing has informed Kim Ann’s studio work as well, with her music—much of it coming out on her own Firehouse label—synthesizing the best elements of raw house, propulsive 303 material, emotive techno and even the occasional hint of trance into a hugely satisfying whole that lives somewhere between the weird and the wonderful. And then there’s her latest project, Pleasure Planet, which sees her teaming with Andrew Potter and Brian Hersey to add sparkling touches of extraterrestrial new wave to the mix on her new sublabel, self:timer. It’s yet another twist in the continuing saga of Kim Ann Foxman—and, we’d wager, there are plenty more to come. Bio Written By Bruce Tantum

̸ BIOGRAPHY Minimal and Hypnotic Techno DJ and Producer based in Chicago ̸ SELECTED DISCOGRAPHY https://www.discogs.com/artist/5203975-Kobe-Dupree kobedupree.bandcamp.com

Dubstepper Kode9 is the founder of Hyperdub.Kode9

and u r a thief and u drink 2 muchLaurel Halo

̸BIOGRAPHY LIGRYE has brought his blend of house, techno and bass to Seoul underground staple venues since his 2013 debut at Exit. His soundscapes have shapeshifted since then and evolved to include afrobeats, ballroom house and experimental world rhythms. He has contributed his select sound to parties such as Pute Deluxe and Boiler Room in Seoul as well as bigger festivals such as ULTRA Korea, Spectrum, Holiday Land and Arcadia Festival in Korea. He is a natural collaborator and has added his flavor as a core member of the Pute Deluxe creative collective, and his residency at the TRES parties with the formidable Kingmck has put him on the map as a permanent fixture in the Seoul underground music scene. LIGRYE is also sought after on the art and fashion scene and has played at the Balmain x H&M store openings and the Louis Vuitton collection opening in Seoul, the Seoul Fashion Festival, the Playboy Korea launch party as well as the Art Basel after party in Hong Kong. Internationally, he has successfully toured china, Dada Beijing, Dada Shanghai, Oil Shenzen, NOX chengdu and ALTN8 Festival and Art Basel in Hong Kong. Hailing from South Africa, LIGRYE started a uniquely Afro-esque party JOL at Cakeshop which features beats from his home country and other sounds inspired by the continent. Filtered, a party that celebrates the intersection of music and art is also LIGRYE’s brainchild. Shade is arguably LIGRYE’s biggest claim to the industry as it is not only a party with the hottest DJs, music and people but also features international performers. Yaeji, Kim Anna Foxman, Mike Q, Byrell the Great, Zebra Katz and Tygapaw, to name a few, are some performers who have graced the decks and dancefloors of Shade. His latest collaborative party is Femme, an ode to the feminine. Both Shade and Femme are creative, LGBTQIA inclusive spaces. He has been featured internationally, ID magazine US, Poland, Japan and Mexico, Dazed and Confused Korea and OkayAfrica as a formidable creative in Seoul.

Simbiatu “Simbi” Abisola Abiola Ajikawo says it herself when she puts on her superheroine mask and goes by the name of Little Simz: “I’m Jay-Z on a bad day, Shakespeare on my worst days”. And on that pernicious Venom that pollutes GREY Area from the very core, she concludes that some people will never acknowledge her as the best just because she’s got ovaries. Those who have recognised her worth get a mention: Jay-Z, Mr Lamar and the woman who knows all about being a woman, black and furious, Lauryn Hill. And let’s not forget the Mercury Prize judges who nominated her for her third LP. Not bad, huh?

Loraine James is a producer who uses a minimalist setup and unbound creativity, she utilises IDM glitch aesthetics with an improvisational, jazz-rooted spirit and a unique talent for integrating her diverse influences into cohesive and emotive pieces. Hailing from Enfield, North London, adventurous producer Loraine James is a rising voice in the electronic music community. Taking piano lessons as a child and growing up listening to a wide range of genres has instilled a voracious musical curiosity in her that resonates throughout her productions. While classes at college, and later on Westminster University’s Commercial Music course, facilitated her encounter with the basic tools for digital production, her approach is closer to DIY culture than formal training. Often expressing her love for IDM, her intricate, highly intuitive and emotional tracks, composed used minimal, easily-available setup, and openly queer identity stand in direct opposition with the genre’s traditionally male, white and gear-fetishising intellectualism. James’s music is at once abrasive and vulnerable, a powerful dichotomy used to fuse together the many disparate elements from London’s sound universe which she integrates into her music, moulding grime, R&B, jazz and ambient into novel sonic creations with an instinct for improvisation. In 2017, her self-released debut album Detail caught the ear of many music aficionados, but 2019’s sophomore For You And I LP on Hyperdub would make her a breakthrough star, receiving unanimous acclaim from peers, fans and critics at the likes of Crack, DJ Mag, The Quietus, Mixmag and Pitchfork. On Nothing EP, her second Hyperdub release, she explores new directions with a diverse group of international collaborators including Uruguayan producer Lila Tirando a Violeta, Jonnine Standish of Australian duo HTRK and Iranian-British rapper Tardast. by Andra Nikolayi

Lydo is an interdisciplinary artist based in New York City known for their party, X-TRA.SERVICES. Lydo is an interdisciplinary artist based in New York City. As a resident DJ of BASEMENT NY, their distinctive sets explode the parameters of techno, deftly cutting across genres while retaining a highly personal emotional resonance. Whenever Lydo plays, it’s best to leave your expectations at the door and simply prepare for an unexpected array of sonic thrills, ranging from visceral and grooving to mind-bendingly experimental. A key figure in their local scene, Lydo also runs X-TRA GEAR.SERVICES, crafting highly sought-after gear designed for practical ravers. X-TRA is also renowned for its legendary, sold-out underground parties before becoming a seasonal resident party at BASEMENT. A non-binary trans artist themselves, Lydo launched X-TRA.SERVICES to serve and create space for queer, trans, and nonbinary artists and communities of color. Lydo has played at Bassiani, Säule, Sustain-Release and Boiler Room, as well as many subterranean parties in Mexico City, Berlin, Copenhagen and New York. They have also made unforgettable mixes for publications including Crack Magazine and The Face.

Fun-sized DJ based in Kuala Lumpur. Previously under the moniker, LissaZombie I play House, Techno and Disco - anything that will make you shake! LZZY is a Malaysia-based self-taught DJ, who has gone from teenage bedroom selector to regional club regular. From her early days of drawing inspiration by dancing it off to fidget electro, to spending summers in Europe, LZZY's sound has since grown to cover what she labels as high energy party music. After 10 years in the scene, she has graced the decks from Bali, Tokyo to Amsterdam. You can find her dropping disco on a sunny Sunday afternoon or creating chaos on the dancefloor with pulsing house, crunchy techno with dollops of acid.

̸BIOGRAPHY “Genres are disturbing. I play vibes,"

̸BIOGRAPHY Magico (Ring, Seoul) A Korean DJ, born and raised in Uijeongbu, located in the suburbs of Seoul. He felt strong sense of vocation for electronic music in the early days of his dj career while playing at underground parties. He has always been touched by the deep and minimalistic aspects of house/techno music. His unique music selection and exquisite mixing style embrace many of the timeless bits and pieces from both old and new electronic music eras, making him shine as one of the essential djs/selectors in the Korean underground scene. He has been engaged in forming a solid local music scene since 2011, as a resident dj for club Mystik where notable djs from around the world have showcased their talents and he is one of the resident djs for club Ring in Seoul since 2020. He is receiving lovecalls from world clubs and events such as Closer, Club Der Visionaere (Hoppetosse), Robert Johnson, Resoulte (New York), Sublime (Paraguay), Motif (Nicaragua). He also curates his monthly event, Voice where he invites likeminded international djs who share a common attitude to deepen the range of styles available in the Seoul underground scene.

Mama Snake first garnered attention as a DJ as part of Copenhagen's now-disbanded Apeiron Crew. She entered the techno scene with a fully formed sound: rattlesnake beats and emotional synths tied together by imperceptible mixing. Her watertight online mixes quickly earned her a following, and she's now busy balancing her life as a touring techno DJ with her job as a recently qualified surgeon.

Born in 91’, growing up surrounded by the vast open spaces of Vietnam's countryside, the gloomy yet energetic colors and sounds of nature flowed over into my music, creating adventures on the dance floors. With a mix of various genres, using techno, indie dance, electronica, down tempo, and more, I wish to bring ravers deep impressions and new concepts of beauty in contemporary music. Let your soul sink into a bustling dance and take you to another land with Manikk.

̸BIOGRAPHY Visual Artist

Marco Shuttle has always achieved a lot with a little, and that is the singular aesthetic that stands him apart. His cinematic techno sounds are unusually organic: they build pressure in subtle ways and his meticulous grooves never fail to take listeners on a trip to somewhere new and exciting. As a result of this, he has become a firm favourite amongst the techno cognoscenti and has released on some of the most revered labels of the day, from famed New York club The Bunker’s new label to Peter van Hoesen’s untouchable Time To Express via Clone SOS and his regular home, Eerie Records. Italian born but London based, where he also gained his MA in Fashion at St Martin’s. What ties his creative work together is a focus on abstract yet organic texture and the same thing defines his tightly woven DJ sets from fabric to Berghain to Labyrinth in Japan. His eclectic cerebral sound takes cues from jazz and musique concrete as much as it does from acid house and Detroit techno.

̸BIOGRAPHY Maria w Horn is interested in manipulation of time and space through sonic extremes, and overload/loss of perceptual stimuli. Her musical output oscillates between extended drone textures and high-density gestural music with intense strobe lights and visual material. She is an integral part of New Music in Sweden through her involvement in Fylkingen, Drömfakulteten, Sthlm Drone Society and her own label XKatedral. ̸SELECTED DISCOGRAPHY Diverted Units - Holodisc 2016 Minutiae - Sthlm Drone Society vol I - Xkatedral 2016 Magenta - Xkatedral 2016 Hästköttskandalen - Space girls - Fylkingen records 2015

just adventuring through space and time...chill stuff Marteka Fair’s love for underground club music — specifically techno — burgeoned at an early age, placing her behind the decks for the first time in 2014. Before long, Fair became a staple in the scenes she frequented, specifically those in Washington, DC, San Francisco, and throughout North Carolina. The eclectic nature of her DJ sets are not a reflection of a refusal to commit to one genre. Rather, they point toward exceptional taste and a uniquely encyclopedic love of club music, which is front and center in her productions and multi-genre mixes. Since 2016, Marteka Fair’s unusual approach — fueled by a combination of her synesthesia and a love for crate-digging — have earned her gigs alongside techno legends such as Perc, Dustin Zahn, and Marcel Fengler, as well as a mini-tour in Lima, Peru, and closing duties at Flash in Washington, DC. Her most recent release, “Maths,” dropped on DC-born label Eklektik Elektrik on December 7th, “and reflects her sonic curiosity and willingness to get gritty with sound” (EE).

Amsterdam born and raised artist Masalo has been making waves, in the Amsterdam scene and beyond, for the past few years. With roots in Japan, his diversified upbringing is strongly translated into his musical output. Masalo’s DJing is proof of this hybridism, unearthing organic music from the past and combining them with new era dance music in a seamless way. This year his tour de force Dekmantel Boiler Room together with Kamma, along a full touring schedule of club and festival appearances has put him in the international spot. Masalo’s production art embodies the same spirit, where hybridism is being a key philosophy in his work. His choice cuts have found their home on the Rush Hour label, the imprint he’s closely connected with. With the recent ‘New Dance’ EP and a remix for New York’s Tom Noble, winning the hearts of many dance aficionados around the globe, a prospect is emerging as brightly as his party’s name. Together with Kamma, he runs the dance party series Brighter Days, a colourful get-together celebrating dance music culture to the fullest. Brighter Days pushes the spirit of friendship and togetherness on the dancefloor, welcoming local talent along tastemakers such as Colleen ‘Cosmo’ Murphy, Hunee, Kuniyuki, DJ Spinna and many more. Recently Masalo contributed in the creation of Doka Studio together with a dedicated team of local creatives. Located in the Volkshotel building in the east-side of Amsterdam, Doka Studio is a sound bar and dance club focussing on immersive sound experiences. An intimate space with high-end audio equipement where subcultures unite and young talents and established protagonists resonate their soundwaves into the night. Masalo lives and breathes music with a raw and unadulterated approach to good vibes over from Amsterdam to the world.

Max Cooper has carved a unique position for himself as an artist mixing emotional dance floor experimentation with fine art sound design & stunning visuals. Join Max's list for updates and limited release DJ mixes & music - www.maxcooper.net/#joinMax Cooper

For over a decade, Max Gardner has dedicated himself to techno. He's a constant presence in the Bay Area scene, playing clubs and warehouse parties, hosting his own events, and producing his own hammerhead machine music, performing all-hardware live sets solo and in collaboration. In 2011, Gardner co-founded Direct To Earth, a party and event series. Through his work with DTE, Gardner has hosted, promoted, and DJed beside some of the world's most well-regarded techno talents — in dirty warehouses, hazy afterparties, and top-tier clubs. His DJ sets run through the gamut of techno in its purest forms, inspired by the heavy, synth-forward sounds of Detroit and Berlin classics and new-school players from the Netherlands, Latin America, and the U.S. Midwest. He focuses on driving rhythms and intricate, long-form mixing — hypnotic blends that provide just the right amount of subtlety to whipped-up dancers. Gardner has also been producing his own material for years, and in 2018, he released his first 12", an EP entitled "Broken Knives & Pinkies" on Bay Area imprint Excise. Besides his solo productions, Gardner also collaborates with San Francisco hardware technician Marc Kelechava as Transpose, an all-hardware techno duo whose debut performance tore the roof off a MUTEK San Francisco afterparty. He's been busy for years, but Max Gardner's just getting started in 2019. Watch this space.

̸BIOGRAPHY Mayo is a project that is influenced by the sounds I heard growing up combined with the music I listen to nowdays, bringing together the past to meet the future of music and sound Since day one i was exposed to music. from vinyl records that played non stop at home, with wide diversity of disco funk and jazz, to radio stations I was addicted to that played house, nu-disco and electronic music. Our house atmosphere was built on music. Whether it was long car rides with the radio playing in the background or my dad having his annual Friday morning record sesh, blasting his music so all the neighbors could hear, I was constantly surrounded and influenced by music. At a young age I was learning to play a number of instruments such as drums, piano and sax which only made me eager to create more. At age 13 i first got to use a music software and produce my own sound. 3 years later, I was djing at local party’s, friendly gatherings and social events so I never stoped since. Mayo is a project that is influenced by the sounds I heard growing up combined with the music I listen to nowdays, bringing together the past to meet the future of music and sound

As a record collector, DJ, promoter and producer, Craig has been passionately involved in underground music culture for over 30 years. When asked “What do you spin?” Minneapolis artist, Craig Lambert (aka Focus) has always answered “Records.” Craig started collecting records over 40 years ago and has spent nearly three decades passionately sharing those records and his love of music with dance floors across the Midwest. Through hundreds of club, lounge, and warehouse appearances, Craig and his crew, The Disco Devils, have carved a unique niche in the crowded, competitive DJ culture. With his simple “2 turntables and a mixer” approach to DJing and his vast knowledge of music history, Craig is able to seamlessly weave the old with the new, creating cohesive sets spanning multiple genres and generations. With a “focus” on the roots of modern dance music from the ‘70s, ‘80s, and ‘90s, Craig’s collection of 12” singles is world class. Before each gig he spends hours browsing his archives, pulling hundreds of potential candidates for the upcoming session. He ultimately whittles the selections down to a few crates of records that will allow him to create a unique musical experience, custom tailored to each event. Music production, a study that began for him over twenty years ago, has now moved to the forefront with live performances and releases under the moniker “MMC” (aka Midnight Music Club). Craig’s timeless yet distinctly “old school” sound is reminiscent of early Chicago and Detroit pioneers, with a blend of deep house, techno and electro that is uniquely his own. 2017 saw the vinyl release of his first published work on Chicago’s “Descendants of the Deep” label. In 2018 he is honored with a forthcoming solo EP on Headphoniq, another highly regarded Chicago publisher where he is label mates with some of the most respected producers in underground dance music history.

Mike Parker’s experimental and ritualistic approach sets him apart from the rest and in a time of over-saturation he is still one of those few artists whose sound you can spot in a heartbeat. For 20 plus years, he has perfected a unique interpretation of techno, instantly recognisable to contemporary audiences, which has earned him a legendary global status inspiring the likes of Donato Dozzy and many of his peers for decades now. Mike first stepped onto the scene in ‘97 with two fiery EP’s that would set the tone for his future musical endeavours. The following year would see the birth of his label Geophone which became the outlet for his long-running series of 12” records and debut album which all played a pivotal role in establishing his sonic persona. Hard work doesn’t go unnoticed and after earning his stripes in the US Parker’s productions would cross the Atlantic and find themselves on some of Europe’s most established labels. Over the past ten years, the likes of Tresor, Semantica and Spazio Disponibile have all played host to a number of his EP’s while his second studio album found a home with the mighty Prologue back in 2013 to much acclaim. In 2019 he will relight the fire with his Geophone imprint and continue to leave his mark on techno by doing so. As a DJ, Parker rose through the mid-1990s as a mainstay in the US’s emerging warehouse party scene. His hypnotic, abstract and hard-hitting approach to performing earned him a highly respected reputation and further increased his devoted following. His wealth of experience in the booth has been acquired with regular performances across North America, Europe and Asia making Parker a well-seasoned underground veteran. From his humble beginnings to the present-day Mike Parker has amassed an impressive list of credentials paving his own lane with a unique style that breathes innovation yet honours the true values of techno. And after 20 years in the game, Mike is still a dominant figure that continues to carve his own niche in the ever-expanding world of electronic music.

Under alias MLCH hides Florian Mélinette, co-founder of FuFu and Hong Kong based Dj. Music lover from his boyhood, this french guy spend most of his time digging in order to drop the secret weapons and classics, switching from Chicago House to Deep atmosphere without forgetting some funky/disco tunes. He play with passion and a desire to get a whole club bouncing. He already played alongside international artists such as Move D, Jayda G, Christopher Rau, Pablo Valentino, Trus'me, Soichi Terada, Jus-Ed, Lay-Far, Crackazat, Sameed,... His favorite expression: " When the drummers change their beats, the dancers must also change their steps."

Born Pedro Maia, Mochakk is a 22-year-old sensation whose thrilling persona behind the decks matches his prolific production. Growing up in the midst of skating and hip-hop culture, he found his musical start as a beatmaker before eventually pivoting to electronic music. After discovering house music in particular, he became a dedicated student of the genre and used that to his advantage as he progressively made waves in his home country of Brazil, both as a meticulous producer and mesmerizing performer. In recent months, his presence has gone global as he’s embarked upon an expansive North American tour with multiple sold out dates in tow, dominated a laundry list of festivals internationally, done B2B sets with the likes of Vintage Culture, and is now headed toward a slot at the church, Circoloco this summer. With standout releases like “False Need” via Black Book alongside an exponentially growing fanbase with over 1 million followers, not to mention a smash forthcoming remix for The Martinez Brothers.

Mogwaa is one of South Korea's shining stars. A producer with a vast repertoire of styles under his belt, he takes rhythmic cues from a wide palette, including jazz-funk, Latin percussion and dreamwave. His debut release on Peggy Gou's label, for instance, featured funky electro and sparkling Balearic house fit for Ibiza sunsets.

Iranian born but California based Artist/DJ Mozhgan has been honing her dark arts on the decks for quite some time. In 2011 she started "We Are Monsters," a party to develop her passion for contemporary, dark, and mysterious dance floor sounds. Mozhgan is a sonic alchemist who’s musical languages traverse between mysterious planes and wondrous vortexes. Her singular technique focuses on uncanny juxtapositions of sound that seamlessly unify and project spiritual light, creating luminous pronunciations that voyage deep into the shadowy spaces of the subconscious. As an acolyte of the acidic temple, and founder of the We are Monsters gatherings, Mozhgan fearlessly confronts the constricting limits of the status quo while simultaneously rejecting them with arcane spells that defy time and space. By projecting hypnotic sound waves that rupture the mundane, her cosmic utterances permit extraterrestrial passages that venture beyond the tranquil pathways of familiarity.

Record collector, DJ, Producer and Label Owner of Klasse Recordings. Over 15 years of collecting music and djing in clubs, Mr. Ho entertains crowds with his energetic and eclectic sets that are rooted in House, Techno, Disco, Electronica and dance music from all from all over the world.

Bill's move to Chicago in 1988 was crucial in the development of his DJ & Production career. Growing up in Miami, he had been involved in various parts of the music industry, from working at Flamingo Record Pool (run by Bill Kelly of WMC Fame), to playing guitar for the band "Life In Sodom" (80’s Synth/Goth Band). His interest in both House & Industrial music inspired him to make his move to the Windy City, and as far as timing, it couldn't have been any better. Bill quickly became involved in the night scene with residency at clubs like Shelter Nightclub, Crobar, & Smart Bar. Bill is a key figure in Chicago’s second wave of House & Techno producers. He’s considered an big influence by Dj's like Black Madonna, Kink, Axel Boman, & Matrixxman. His styles vary from current Detroit Techno & Chicago Acid, to rare House & Italo Disco tracks. Currently he frequents clubs like Panorama Bar in Berlin, and holds a weekly residency, as well as a monthly in Miami.

̸BIOGRAPHY Nastya Vogan is a Kyiv-based electronic producer and composer, a resident of ∄. With a background in classical music, she opens up an electronic space to channel different influences from rare leftfield techno, electro and breakbeat to innovative electro-acoustic performances with an orchestra.

̸BIOGRAPHY Originally from Fremantle, Western Australia, Neu-Romancer is a Berlin based producer, musician and DJ. Playing the likes of Zanias ( Fleisch ) and post-punk band Ciern, her broad aesthetic entangles Dark Disco, Electro, EBM, Italo and sleazy beats - bringing a playful light to the depths of the dark realm. Solo release soon to come on Fleisch Records.

̸BIOGRAPHY Athens-based French Artist, DJ and producer OKO DJ. Member of label BFDM and of close to the collective Bruits de la Passion. Founder of LYL Radio Paris. Radio broadcaster of women only's "PU$$Y NIGHTMARE" on LYL Radio Originally from Paris, and now based in Athens, Marine Tordjmann alias OKO DJ's implacable rise to prominence has seen her establish as one of the finest DJs and producers to pace the world's stages. Core element of Judaah's Lyon-via-Marseilles operated label BFDM, member of Bruits De La Passion - a crew promoting alternative, off-piste parties that aspire to create safe spaces for creation and recreation, initiator of LYL Radio's Parisian antenna where she hosts her bimestrial show Pu$$y Nightmare - focused on casting a broader, more comprehensive light on female artists, all of that agenda attracting her wider recognition on an international level. 2020 has seen OKO DJ make a noticed debut in solo production with a track on Metaphore's imprint compilation, followed by an acclaimed first 4 tracks experimental EP on Futur 2010, featuring "one of the coolest downtempo tracks of the year" (RA). OKO DJ aims at exploring connections rather than divisions, bridging gaps with spirituality rather than widening them. Dishing out distinctively rich, genre-busting tapestries that transcend all limitative roles, Tordjemann has the secret to channeling surrounding energies and forces in her art with unrestrained panache and authenticity. ̸SELECTED DISCOGRAPHY 2021 - OKO DJ "When Her Lust Had Returned" (Décalé Records) 2020 - OKO DJ "Dans Les Lunes" EP (Futur 2010) 2019 - OKO DJ "Through Scalar Waves" (Metaphore Industrie) 2019 - Women In The Royal Court EP (Red Bull Music Studios Paris) 2016 - Marine Tordjmann feat. GAM / colletivo vandalismo "Rider" (Eye For An Eye Recordings)

̸BIOGRAPHY Bass, drums, and dogs lover. Monthly Therapy Dog on Refuge Worldwide

̸BIOGRAPHY Pär Grindvik has been a central figure in the Swedish electronic scene since the 90s having released music across a plethora of acclaimed electronic labels, including a string of hits on his own Stockholm LTD imprint as well as Drumcode, with frequent.. Pär Grindvik has been a central figure in the Swedish electronic scene since the 90s as record store owner, label manager and producer. In his artistic career Pär has released music across a plethora of acclaimed electronic labels, including a string of hits on his own Stockholm LTD imprint as well as Drumcode, with frequent collaborator Hardcell. Pär’s recent output has seen him contribute music to labels such as Semantica, Marbacka, Sinister and Dystopian. Founded in 2002, Stockholm LTD began as an outlet for singles and EPs from Swedish artists with a focus on releasing timeless electronic music. It has since developed into a hallmark for finely crafted electronic music from a range of international artists. Over the past two decades Pär’s involvement with the electronic music community has branched out across the globe. Openly passionate about supporting underground talent, Pär works closely with an ever-expanding repertoire of labels and artists. As a DJ Pär tours the world, transporting his deft and uniquely dynamic DJ sets to techno fans internationally and on a weekly basis. His worldwide popularity as a performer stems not only from his skill and versatility but also as a result of the energy he puts into every performance. It's this combination that enables him to bring the heat to the best clubs in the world. ̸SELECTED DISCOGRAPHY -Par Grindvik - The Planets II - 029sx -Marbacka - Marbacka - Marbacka -Par Grindvik - The Planets - Stockholm / A&S -Various Artists - No Way Back - Stockholm LTD -Par Grindvik - Air - Stockholm LTD -Various Artists - Untitled - Stockholm LTD -Par Grindvik - Wyatt ARP - Stockholm LTD -Various Artists - Untitled - Stockholm LTD -Various Artists - No Strange Waters - Stockholm LTD -Par Grindvik - Score For Direction (Remixes) - Stockholm LTD -Van Rivers / Par Grindvik - Versions - Stockholm LTD -Par Grindvik - Score For Direction - Stockholm LTD -The Hollow - We want it bad - Stockholm LTD -Adam Craft/Grindvik - Catch me/ Nand-Grind - Stockholm LTD -Grindvik - Battle of Berth Elisabeth -Stockholm LTD -Grindvik & Hardcell - Gate - Stockholm LTD -Grindvik & Hardcell - Streetlife - Stockholm LTD -Grindvik & Hardcell - GEM - Stockholm LTD

̸BIOGRAPHY DJ & producer from Santiago de Chile, currently residing in Europe. ̸SELECTED DISCOGRAPHY https://linktr.ee/paulatape

Ball of energy.Peach

̸BIOGRAPHY Every day since 1982 From obtuse angles to intense physicality, Peder Mannerfelt’s highly individual take on techno demands attention and consideration. While his many-sided body of work reaches back more than a decade, the Swedish producer’s current investigations in the field of experimental dance music are as prolific as they are unpredictable. After a series of albums as Roll The Dice alongside Malcolm Pardon, he lent his production skills to Fever Ray’s acclaimed debut album and 2017’s Plunge and is currently busy exploring a new strain of techno-pop together with Pär Grindvik as Aasthma. Working under his own name Mannerfelt’s sonic imprint can be most acutely felt. Accompanying appearances on Voam, Hinge Finger, Numbers and more, he established his own label Peder Mannerfelt Produktions to carry the bulk of his output, and that of kindred spirits such as Klara Lewis, Code Walk and Sissel Wincent. Peder Mannerfelt music is always rooted in the kinetic energy of techno even as it seeks to break down the genre’s rigid, illusory formulae.

Peggy Gou is a South Korean-born DJ and producer based in Berlin. During the 2010s, she became internationally renowned for energetic DJ sets, which dreamily flow through various styles of techno, house, and electro. Her own tracks, such as the acclaimed 2018 single "It Makes You Forget (Itgehane)," are vibrant, joyous productions that echo vintage deep house and post-disco without sounding like a throwback. ~

̸BIOGRAPHY p_r p_r ̸SELECTED DISCOGRAPHY CAGE W MIRRORED BARS (2016) O FUCC IM ON THE WRONG PLANET (2018) RESONANCE IN EXOPLANETARY HYBRIDIZATION (2018) ++ MORE BEFORE, MORE AFTER

̸BIOGRAPHY Rabon Aibo (born 1988) is a Berlin-based Kurdish artist specialized in sound, visuals, and installations. Drawing inspiration from literature and film, his compositions create captivating atmospheres, sculpting cinematic experiences. He defines his sets as "sonic fiction," blurring the boundaries of reality. Aibo believes that all sound frequencies can form their own musical language, and he creates meticulously crafted ambiences for immersive listening. With his diverse cultural background, Aibo's art reflects a fusion of influences, inviting audiences to explore a world that transcends conventional boundaries.

Real Girl is the moniker of Midwest-born and raised DJ and multi-media artist Josie Simon. Real Girl started DJ'ing at college in Ohio when the song-selectors that spun at the parties on campus all started to graduate, leaving a void that she felt compelled to fill. While house basements were Real Girl's preferred venue at the time, her DJ sets have been seen at above-ground college venues such as the Oberlin ‘Sco for events such as Queer Beers, at Oberlin music festival Pretty Fest (started by Sarah Snider ‘17) in 2018 and 2019, opening for Oberlin’s Solarity event in May of 2019, and as the mix-master for Oberlin’s slam poetry group OSLAM’s Grand Slam in Spring 2019. Her selections could also be heard for a semester in 2019 on 91.5 FM WOBC, Oberlin’s own college and community radio station, for her early Friday morning radio show TRANSMISSION. In the brief months between when she graduated and when the pandemic hit, her selections could be heard at DJ Lemz's DC party Sleaze, Slamdunkapher's Minneapolis party Purr, and the Janelovesu! single release party at New York's H0l0 Bar. She now runs a radio show on Verge.fm called Beat Conduit where you can hear a new Real Girl mix every first Friday of the month.

̸BIOGRAPHY Karl O'Connor is most certainly Regis and it is also highly probable that he propagates other pseudonyms . This has only added to the greater mythology surrounding the influential Downwards label that he has run with fellow art terrorist Peter Sutton.. Karl O'Connor is most certainly Regis and it is also highly probable that he propagates other pseudonyms . This has only added to the greater mythology surrounding the influential Downwards label that he has run with fellow art terrorist Peter Sutton ( Female ) since 1993. Unconventional and single-minded to say the least ( what label can boast a back catalogue free of the industry standard cash cow remix ) by decentralising the focus on the dj/producer personality, he remains one of the more highly regarded creative forces within the British techno/electronic scene. Degenerate art indeed.

̸BIOGRAPHY Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. The Welsh-Greek artist cut his teeth as one half of Cassegrain and has been finding new paths for his mutant sound ever since, releasing on Fever AM, the imprint he set up with Mor Elian in 2017, as well as labels like Avian and Modeselektor’s SSPB. In the studio or behind the decks, he brilliantly fuses different strains of ultra-modern techno and broken beat: eyes-down minimal lights up with modular sass, choppy kicks flirt with rolling grooves, and sharp sound design slices through earthy subs. It’s the kind of amphibious sound that can slip into otherworldly spaces while never truly leaving the dance floor. Rhyw turned heads with the heavyweight two-tracker ‘Biggest Bully’ in 2019, earning himself sets at Berghain, Berlin Atonal, Boiler Room Tokyo and Freerotation amongst others. Online and on-air, he’s guested on Hessle Audio’s Rinse FM show and Mixmag’s ‘In Session’ mix series, and contributed podcasts to Crack and FACT. Even when they leave the gate at full pelt, these sets showcase Rhyw’s subtle sense of intricacy, balancing airy atmospheres against tougher tackle. But whatever the energy level, there’s always an alien presence in Rhyw’s sound—a shapeshifter whose twin motives are to bewitch and disorientate the listener.

Richie Hawtin played an essential role in developing the sound of minimal techno, as well as spreading its popularity throughout the global club scene. Most famous for his experimental acid techno productions as Plastikman, including the classic albums Musik (1994) and Consumed (1998), he is equally well-regarded for his groundbreaking live sets and mix CDs (especially 1999's Decks, EFX & 909) which utilize cutting-edge DJ technology, fusing loops of techno records with additional synthesizers and drum machines. Initially based in Windsor, Ontario and connected with the techno scene in nearby Detroit, he co-founded the highly influential Plus 8 (and its harder sublabel Probe Records) along with John Acquaviva, later establishing Minus and relocating to Berlin during the early 2000s, just as minimal techno began receiving mainstream exposure. Hawtin has continued pushing the limits of technology, developing highly conceptual events which are often intertwined with the art world. ~ AllMusic

I play many instruments and have done for many years. I started composing around 12 years old, and continue to do so now more than ever.

One of the biggest names in the German electronic music scene. Active since the early 1990's, Flugel is a chameleon visiting many styles from ambient/idm to house, techno, electro and leftfield. Works solo or with long time partner Jorn Elling Wuttke...Roman Flügel

Roshan Menon or Roshan is a DJ, photographer and the Founder / A&R of SaturdaySelects; an imprint specialising in music, events and independent radio based in Kuala Lumpur, Malaysia. Having started DJ-ing back in 2017, Roshan is driven and inspired by the sounds of Moodymann, HUNEE, Louie Vega, LEFTO & Gilles Peterson and the way they control the crowd throughout their set He has opened and played alongside the likes of Soulection artists Jarreau Vandal, esta.,Joe Kay, Jael, The Whooligan, Yukibeb and other notable DJs such as Branko, Peggy Gou, Dixon, Bambounou, Cezaire & Yung Bae. Roshan looks to consistently keep his crowd grooving and dancing all night long at his shows by taking them on an explorative journey of music that he wants to share with those who join him on the dance floor.

Roza Terenzi DJ/Producer Melb, Aus.Roza Terenzi

Kajunga Records co-founder. Clave House co-conspirator. Minneapolis DJ & Producer Based out of Minneapolis, Ryote is an ever-evolving, genre bending selector and producer exploring the infinite haze of underground dance music. Defined by his imaginative and industrious attitude, he’s a founding member of the Kajunga imprint and co-conspirator with Detroit's Clave House. Featured on labels Always Human Tapes, Abstrakt Xpressions and Kajunga, Ryote’s releases thus far have fallen in realms of spaced-out techno, experimental ambient and leftfield house. As versatility is one of his priorities as a DJ, his sets expand anywhere from early morning atmospheres, psychedelic downtempo grooves to squiggly, party driving electro.

̸BIOGRAPHY ̸SELECTED DISCOGRAPHY discography: Sandwell District SC 01 Regis & Ian J. Richardson - Untergang SC 02 Vandross - Hurt Me I'm Waiting SD 03 Female - Serverlan SD 04 Female - Avon / Cally Remixes SD 05 Silent Servant - The Silent Morning SD 06 CH-Signal Laboratories (8003 Lucerne) Hypnotica Scale SD 07 Function - Isolation SD 08 Kalon - Born Against SD 09 Silent Servant - The Blood of Our King SD 10 Function - Anticipation SD 11 Silent Servant - Violencia (Function and Kalon Mixes) SD 12 N/A - Various Artists

̸BIOGRAPHY Co-Founder of More Rice Records, a record label focussed on giving exposure to Asian artists all over the world. Entering its fifth year More Rice has become one of the key names in South East Asian Underground Dance Music. As a DJ and Producer Sarayu is considered as an integral player in Bangkok’s growing underground house and techno scene. His UK driven sound has taken all over the world playing venues and festivals such as Zukunft, Silbergold, Village Underground, Fabric and Feel Festival. He can be seen playing regularly at some of Bangkok’s key parties and venues such as Never Normal, De Commune, Karma, Transport and Wonderfruit Festival. Under quarantine in 2020 Sarayu released his first track on a VA compilation “Harvest Vol. 1”, under his own imprint. In 2021 he released his debut EP “Pridi 303” again, on More Rice, remixed by MR. Ho. As well as, opening More Rice Record Store, a hotspot for music lovers and vinyl diggers all over the world and launching Bangkok Community Radio. Early 2023 Sarayu released his latestl EP “Intelligent Jump Rope Music” scheduled for release on Boiled Wonderland Records, keep an eye out for more remixes and releases over the course of this year.

Live PA, Producer, DJ 1/2 of Otra Dek Amphiboly Records Equalizer Detroit Sard is a Live PA artist, DJ and promoter living in Chicago. His searing live hardware sets effortlessly blend Detroit techno, acid, and Persian rhythms to create dance music that is familiar but unmistakably new. 5 years spent in Detroit shaped Sard's sound and interest in event direction, co-founding the hypnotic techno-focused Amphiboly Records and throwing the late night A/V party series "Equalizer". Sard continues to promote in Chicago, with new series "Bent". Quickly becoming a mainstay in the North American techno world, Sard has his sights set on continuing to release with his favorite labels, and focusing on live set performance as his main public outlet.

̸BIOGRAPHY Amsterdam based dj Between the binaries of darker moods and bliss energies - Sarkawt Hamad's sound is unmistakable. Grown up in the Netherlands, the Erbil born- Amsterdam based artist finds inspiration in all sorts of elements: from fascination for rock music, to dreamy pop and her roots. Firmly entrenched in the Dutch underground scene, she translates this experience into a melodic flow behind the decks. Diverse in sources, her sets ebb effortlessly between genre - from breaks, to leftliefd techno and house, all connected through a contagious energy. Sarkawt creates a space in which euphoria, more pensive states and deep soft noise can coexist.

̸BIOGRAPHY Electronic music producer, co-founder of Skull Disco and founder of Woe To The Septic Heart!

̸BIOGRAPHY Shannen SP is a London based artist, curator and DJ. Shannen SP is a London-based artist, DJ and curator. She has worked with UK labels Hyperdub Records and NTS Records, and is the co-curator of Ø at Corsica Studios, the experimental event series that meshes music, art, technology and performance. Her musical focus lies in the experimental sounds coming out of global diasporas and the African continent, reflected in her recent collaboration with NTS Records on Amapiano Now.

̸BIOGRAPHY "Grinding electronics/noise and speaker ripping techno."

Over the course of two decades, Shinedoe has carved a path into the world of house and techno that is entirely her own.Shinedoe

̸BIOGRAPHY Latency Recordings / Mura Oka co-founder Booking requests : contact@latencyrecordings.com ̸SELECTED DISCOGRAPHY Mura Oka - Auftakt LP (LTNC004) : http://www.discogs.com/Mura-Oka-Auftakt-LP/release/5785189

̸BIOGRAPHY Sigha is the alias of London Based techno producer, James Shaw. To date he has released primarily on Hotflush Recordings, Blueprint Recordings his own imprint Our Circula Sound and been commissioned to provide remixes for a wide range of labels includ.. Sigha is the alias of London Based techno producer, James Shaw. To date he has released primarily on Hotflush Recordings, Blueprint Recordings his own imprint Our Circula Sound and been commissioned to provide remixes for a wide range of labels including CLR, Mikrowave, Metalheadz, Echocord, Steadfast and Sudden Drop amongst others. ̸SELECTED DISCOGRAPHY 2009: Expansions/Bruised (Hotflush Recordings) Remembrance /On The Strip (Hotflush Recordings) Seperation (with Spherix) (Immerse Recordings) Rawww ep (Hotflush Recordings) 2010: Shake EP (hotflush Recordings) Early Morning Lights (Marcel Dettmann remix)/ Over The Edge (Our Circula Sound) 2011: I Am Apathy, I Am Submission/The Black House/Between Here & Yesterday (Blueprint) HF029 EP (Hotflush Recordings) The Politics Of Dying EP (Our Circula Sound) Remixes: Tommy Four Seven - Verge (Sigha Remix) (CLR) Tripmastaz - Botinko Dub (Sigha Reduction) (Sudden Drop) Commix - Emily's Smile (Sighas Shes Still Smiling mix) (Metalheadz) Resoe - Minus and Plus - (Sigha Remix) (Echocord) Echologist - Slow Burn (Sigha Remix) (Steadfast)

̸BIOGRAPHY Simo Cell is a French rising talent from originary from Nantes. Now Paris-based, this producer differentiates himself by his singular style that melt Uk codes to a wider electronic music background. His two first Eps on Dnuos Yvitil and Fragil Musique illustrate clearly an affiliation to the Bristol scene but put on the table other inputs acquired after several years playing and travelling worldwide. As a DJ, he officiates on very original and adaptative repertoire. Listening to a Simo Cell's set is always unpredictable and full of discovery. ̸SELECTED DISCOGRAPHY Simo Cell - Cellar Door / Piste Jaune

Skee Mask is a versatile producer from Munich, who doesn’t want to be identified. He got influenced by a lot of different types of music over the last years, which made his productions pretty various. Skee Mask’s direction is mostly rolling rhythms, combined with electronic soundscapes, always forcing to create a deep vibe. His influences mainly are from “old” techno labels like Chain Reaction, Warp Records or Counterbalance. He’s still developing his procedure in making tracks, but always staying himself. In his DJ sets he tries to create a deep trip, constituted of organic grooves and diverse clang accompaniments. Skee Mask would describe his DJ-Set variations as techno, ambient and mostly experimental, forward thinking.

Currently based in Berlin, Soda Plains is originally from Hong Kong via West Midland, UK, but few other details have been revealed.

̸BIOGRAPHY DJ and producer from Glasgow, operating via Berlin. There are DJs who can extend a single vibe over the course of a night – and then there’s “another way of doing things”, hints Solid Blake. You can guess which camp the Glasgow-born DJ falls in. Bringing the frozen pulse of electro together with dissident techno and bass from all eras, Emma Blake’s side-winding DJ sets and slick productions have made her a fixture of the European underground over the last half-decade, but after years away from home – first in her beloved Copenhagen and now in the techno bustle of Berlin – she’s emerging from her lockdown cocoon with a recalibrated approach. Drawing more and more from the sweatbox euphoria of her early rave days, the next phase of Solid Blake looks set to be shot in Technicolor. Solid Blake’s first original material, inspired by the pneumatics of classic electro and late-late-night acid techno, appeared on choice underground labels Seilscheibenpfeiler and Outer Zone, and she was quickly recognised for her production chops, joining the 2018 cohort of Red Bull Music Academy in Berlin and picking up a nomination for Best Breakthrough Producer from DJ Mag. More recently her output has included remixes for Pär Grindvik and Marc Acardipane, contributions to the Club Quarantäne and Herrensauna compilations, and a live-focused collaboration with CPH techno mainstay Ctrls under the banner Historical Repeater. Despite making her name in the techno-heavy zones of Mitteleuropa, over the years she’s felt the Glasgow influence growing stronger, as she’s pulled towards more eclectic selections and high-contrast blends. More risk equals more excitement – something she’s also discovered through her talent for playing back-to-back DJs like Skee Mask, Stenny and old friend Mama Snake. With new releases forthcoming, plus work on a brand new live show, Solid Blake is speeding towards a distinct new era in her life as an artist. The future can only get weirder.

For Solomun, music isn’t just a tool to make people dance. Music is as diverse as life itself: many different shades, moments, and memories to be made.Solomun

cowboy 3XL kwia resident headbangers ball lucky lotto spin cycle dance tutorial vague music ̸SELECTED DISCOGRAPHY Caveman LSD (city2 st. giga) uon - zlo (Motion Ward) uon - untitled (West Mineral Ltd.) Ghostride The Drift (xpq?) Critical Amnesia (xpq?) APPX​:​05 thru - thru (Appendix.Files) xphresh - xephon (3XL) APPX:10 Cypher - Glasgow (Appendix.Files) Crimeboys - Very Dark Past (3XL) Caveman LSD - Total Annihilation Beach (Isla)

̸BIOGRAPHY Stella Zekri represents an encouraging generation of DJs in Berlin that set out to keep things interesting. She has forged a singular path as an exhilarating DJ unafraid to slow down and sensualize the dancefloor, while providing a myriad of euphoria. Stella Zekri represents an encouraging generation of DJs in Berlin that set out to keep things interesting. She has forged a singular path as an exhilarating DJ unafraid to slow down and sensualize the dancefloor, while providing a myriad of euphoria. Deemed the queen of long sets, Stella's sets have become somewhat of a phenomenon in the sometimes dense, and spellbound city of Berlin. They are truly an exalting, and gleeful experience. Every song she plays out is a statement, and she is unafraid to jump between pitched down trance, old school hip hop, disco, house and new beat. Each record is something she has found, loved and insists you come along for the ride. Stella currently holds a residency at HÖR Berlin, and one of the city’s biggest and most beloved Queer parties: Cocktail d'Amore. She is also co-founder and curator of the new party Body Language. ̸SELECTED DISCOGRAPHY 2022 Détends-toi (mini album) on Cosmic Romance

̸ BIOGRAPHY Latency Recordings co-founder Significative DJ references: • Contact (Tokyo) • Berlin Atonal (Berlin) • Panorama Bar (Berlin) • Freerotation Festival (Wales) • Robert Johnson (Offenbach) • Concrete (Paris) • Organik Festival (Taiwan) • Weather Festival (Paris) • About Blank (Berlin) • Under Bron (Stockholm) • Circus (Osaka) • TBA (New-York) • Rex (Paris) • Club Der Visionaere (Berlin) • Culture Box (Copenhagen) • Lantern (Beijing) • Dance Tunnel (London) • Fusion Festival (Larz) • Griessmuehle (Berlin) ...

̸BIOGRAPHY One of the most creative and eclectic French producers of the new generation, effortlessly navigating between house, minimal and electro. Recently given residency of the infamous CONCRETE club in Paris, ̸SELECTED DISCOGRAPHY Sweely - All the Reasons (https://soundcloud.com/lobster-theremin/hawaii006-sweely-all-the-reasons) Sweely – Calm Down Homie EP (https://soundcloud.com/la_chinerie/cdh001-calm-down-homie-sweely) Sweely - It comes from him (https://soundcloud.com/recordeep-mag/premiere-sweely-it-comes-from-him-swltd04) Sweely - The time has come (https://soundcloud.com/bokharirecords/sets/bk015-sweely-the-time-has-come) Sweely - Drafted sounds (https://soundcloud.com/dtape/sets/dtp001-sweely-drafted-sounds)

̸BIOGRAPHY King of Blends, bon-vivant, living embodiment of the Paris underground, Teki Latex never fails to impress with his high energy sets. The Rinse mainstay also had a large stint on BBC Radio 1 as a resident, among many other accomplishments in his 25 + year career, His numerous mixtapes, Boiler Room and Mixmag Lab appearances are testimonies to his playful yet precise Lego-like approach to DJing Having graced clubs and festivals across the UK & Europe such as - Nitsa, Fabric, Primavera, Field Maneuvers, Horst, The Warehouse Project, OHM, CTM, Unsound, Dekmantel Selectors & more, he has established himself as a one-of-a-kind sonic architect with a holistic point of view who can provide dynamic, vibrant performances wherever he goes. A man with head turning style on and off the decks, Teki caters to many different tastes while cherishing the specificities of each genre he touches, constantly balancing lesser-known underground gems with nostalgic anthems. Expect anything from Techno, Booty & Hardcore to Grime and Italo with a few bursts of Dance and accelerated pop slipped in, in order to push the euphoria levels to the maximum. Teki Latex takes the crowd on a journey, with some unexpected twists when the time is right. ̸SELECTED DISCOGRAPHY Teki Latex «Answer / Dinosaurs With Guns / I Was Sober» (EP, 2010 – Sound Pellegrino) Teki Latex «Dinosaurs With Guns remixes» (EP, 2010 – Sound Pellegrino) Para One & Teki Latex «5th Dimension» (EP, 2011 – Marble) Teki Latex «Zodiac» (EP, 2011 – www.bachexteki.com) Sound Pellegrino Thermal Team «Bassface / Pretty Pretty Good» (EP, 2011 – Sound Pellegrino) Sound Pellegrino Thermal Team «Bassface remixes» (EP, 2011 – Sound Pellegrino) Sound Pellegrino Thermal Team «Strange Touch / Ice Palace» (EP, 2012 – Sound Pellegrino) Sound Pellegrino Thermal Team «Activate / I Be» (EP, 2012 – Sound Pellegrino) Modeselektor & Sound Pellegrino Thermal Team «Negativity» (single, 2013 – 50 Weapons)

Marea Stamper, professionally known as the Blessed Madonna, is one of the most celebrated DJs of her time, thanks to her eclectic, joyous sets, which can encompass anything from classic electro and new wave to the latest techno and house white labels. Her production work, including the widely praised 2016 single "He Is the Voice I Hear," walks the line between disco and techno, with the emotional weight of the former and the driving momentum of the latter. One of dance music's foremost activists, she is renowned for her commitment to humanitarian work and her outspoken views on LGBTQ rights and gender inclusivity. ~ AllMusic

How does one begin to write about Tiga? Where to even start on a long road marked with notable checkpoints? What can be told that can’t be tallied in raw statis...tics (which he’s a total stickler for), or an unfurled parchment scroll of places gone and plaudits won? The duality of a life split between aspirational popstar and touring deejay falls short: by this point in time he’s lived dozens of lives, let alone a mere two. Frankly the only claim that doesn’t wash is that of being in a legacy mode – because that, to him, denotes the cardinal sin of coasting. And that just won’t do. The core engine pushing Tiga forward is ambition. It’s there, everywhere: at the dials in any given club in any given city in any given country on any given weekend; burning the midnight oil in the Research & Development wing of his career control centre, crisp shirt sleeves rolled, assessing and strategising over his next move; with his feet up on the gleaming glass desk in the penthouse office of Turbo Towers, gold plaques of decade-dominating dancefloor delights flanking him – it’s there. Self-aware, well-moderated, yet totally unrepentant ambition. Plus a bit of wit, too. To be insulated from any real backlash over a quarter-century in the game and across many different hats worn, a touch of humility and humour certainly helps it all go down easy. His goal is to dunk on people with success, but do so in a friendly way, soaring overhead with the sly wink of chutzpah (but never the nudge-nudge of solipsistic irony for irony’s sakes). To maintain pole position while swerving between all these lanes with impunity, he taps into a well-spring of regenerating desire. From the getgo Tiga has sought to not merely play a part in the culture he abandoned all life commitments for age 17, but frequently scale its heights too: Attending Berlin’s Love Parade circa ’92-95, then hearing DJ Hell drop “Sunglasses At Night” to the masses not too many years later. Giving a speech at his Montreal alma mater, then converting some of the impressionable graduates in the audience to come work at Turbo. Starting an independent label on a whim, then reaching 200 releases in a stormy industry with a higher turnover rate than Real Madrid managers. Getting hooked first on the fearless compulsion of Bowie, Reznor and Almond, then the frigid cool of Mills, Hawtin and D. James, then threading the needle consummately between these two worlds. These highwatermarks form the backbone of his pride, and in turn, fuel the self-perpetuating motion machine inside. There’s always extra room in the cockpit, mind. An army of collaborators, remixers and remixees have provided vital thrust over the years. From Alter Ego and Azari & III through Duke Dumont and Depeche Mode; from Matthew Dear and Moby, through Zombie Nation and Zdar, Phillipe; Paranoid London, Pusha T, Pet Shop Boys and Peaches.…on and on it goes. Read between the lines and you’ll get a measure of the man. Teamwork affords stimulus, shuts down ego, and juices something he can’t get to alone. At heart, it brings out the best in Tiga. So it’ll prove in 2018, where the fingers of his well-combed Rolodex currently rest on entries marked Kolsch, The Martinez Brothers, and Hudson Mohawke. The fruits of this friendly jousting with find their way out of track ID requests and into the shops before long (perhaps even by the moment you read this – hope you’re enjoying the future and remembered to short your cryptocurrency in time). It would be a lot easier to rest on his laurels by this point, really. To trade on former glories, reflect fondly on a career spent dovetailing in and out of the spotlight with likeminded friends, turning in a jaded, half-assed representation of himself at festivals and recording sessions when the taxman comes knocking. But Tiga is still too confident, self-respecting, and – how did you guess? – ambi-tious for that. The challenge he seeks is to keep experiencing the frisson of creative alchemy, to lock into a groove where he is truly in the zone, to dig deep and reproduce a fresh take on that first-love feeling of music: something that connects with young ravers and inspires the same spark he felt all those years ago. That’s the spur, the lifeblood, the DNA. And that’s why Tiga remains an ever-present light in our little corner of the universe. See more

』Body riddles for weird moods『 The mysterious tildetilde's unique and alien ferocity has been distilled into audio format, a powerful and hypnotic force transmitted from the fairy warpzone. With an unparalleled ear, her style mixes rich techno breaks with enchanting synths and syncopated sequences. Otherworldly and unabashedly full of curiosity, ~~ must be experienced to fully understand.

'Heart Can Still Somersault' Out Now on Ghostly International/Spectral Sound Label Head of Valby Rotary with Louf tomvr.bandcamp.com/

First blowing a gale as a forerunner of the new wave of Melbourne dance producers, Tornado Wallace’s distinct and perceptive electronics now find him in a constant rotation of both hemispheres, spending most of the year based in Berlin. From formative house beginnings, the ESP Institute initiation Thinking Allowed proved Tornado Wallace as a force to be reckoned with - the driving groove and Will Powers stargazing quickly matched by an EP of eco-electro burners on Beats In Space. This two timing continued for another round with ESP issuing the elegant Circadia, while Beats In Space got their churning acid two-tracker Kangaroo Ground/Ferntree Gully. In tandem, krautback duo Coober Pedy University Band was formed with Otologic’s Tom Moore, who he’d previously stirred up trouble with as fractions of C Grade and Animals Dancing - two long standing parties of undeniable impact on their hometown. Their trance inducing debut on Soft Rocks' imprint Kinfolk recruited vocals from a lesser known Chet Faker, followed by the bonkers 2014 anthem Kookabura. After some time in between releases due to an increasingly busy DJ schedule, 2016 sees the release of a Tornado Wallace 12” on Second Circle, sister label to cult Amsterdam archivists Music From Memory, as well as a long overdue and eagerly awaited album Lonely Planet, on Gerd Janson's Running Back. ̸SELECTED DISCOGRAPHY Tornado Wallace - Second Circle - SC005 - 2016 Kangaroo Ground/Ferntree Gully - Beats In Space - BIS018 - 2015 Circadia - ESP Institute - ESP019 - 2014 Desperate Pleasures - Beats In Space - BIS008 - 2013 Thinking Allowed - ESP Institute - ESP015 - 2013

Made up of literal brothers Seelie (Liam) & Mr Mowgli (Luke), alongside - figurative brother - Brent Burns, the trio bring a lot to Bangkok’s party table. Musically they incorporate a lot of grand tackle, ranging from Balearic & afro-cosmic, all the way across the rainbow of goodness to Chicago house & Detroit techno. They definitely pay close attention to what’s hot internationally & are all committed hunters of dance floor fire. Quite apart from that, they’re all excellent lads, & at their discos, the DJ ego is firmly set aside in favour of party fun.

̸BIOGRAPHY Truth iz Kode. Traxx is a lover of music — one with a passion so intense that it overcomes genre divides to weave an altogether original, exciting, and multi-textured musical fabric which envelops both the avid clubber and the home listener, as well as everyone in between. Not content to be labeled as merely a DJ, a producer, or even a DJ/Producer, Traxx is a self-described “artist of sound.” A sound that is distinctive and highly emotional which defies classification and invites analysis and discussion. From eclectic and avant-garde tunes to old school jack tracks and far beyond, Traxx hears it all without discrimination, pretension or elitism. Traxx has released music on numerous underground labels in the US and Europe including Gigolo, Relief, Muzique, M/O/S, and Crème. His music has come to the world under a bucket load of alias' including Dirty Criminals, XX Art, Mysterio, ViLLan X, Saturn V(with Tadd Mullinix), X2, and more. He's also collaborated with the heads of underground to shape his unique definition of Jakbeat that's was created amongst JTC and D'Marc Cantu in the early years between 2005- 2007. In addition to releasing music for other imprints Traxx also started his own label Nation in April of 2007 which has allowed him to develop and recontextualize the various aspects of his sound. In 2009 Traxx stepped out into the light with his first full length 'Faith' album under his own name for his Chicago based imprint Nation which received positive response and feedback from around the globe. Like many in Chicago, Traxx was drawn into house music through the legendary WBMX radio shows and two trips to see Ron Hardy at the legendary Music Box. Describing his first experience with house, Traxx recalls "nothing could compare, things were being discovered.. this period stays with me because of the intense energy that was applied - it's a feeling, an emotion, a mental state of transcendental connection -a spiritual force with the higher being through the physical vessel of the body." His first release appeared on DJ Hell's Gigolo label in the early 00's under the collective alias The Dirty Criminals which was a Chicago based collective that featured mainly the work of working with collaborators like Charles Manier, Mystic Bill Torres, Daryl 'Deecoy' Cura, Matt Nee(Kompute), Josh Werner, Stephen Hitchell plus early on work from Jamal Moss aka Hieroglyphic Being. In addition to a number of 12"s Dirty Criminals released, two albums were very well received in Europe - 2004's "Organized Confuzion" and 2006's Collision Between Us And The Damned" which featured a cover of an early unreleased version of "Acid Tracks" by Phuture that was played around Chicago. Traxx also contributed vocals to the track "Let No Man Jack" on Hell's "NY Muscle" album on Gigolo but it's perhaps on his many mysterious 12"s that Traxx has set the ground work for in the last seven years where there's been a constant stream of them burning up dance floors with the new sound of Jakbeat that's shaping the scene by releasing an 'Adjustment Production' for Gavin Russom of DFA's LCD Soundsystem from 1 of his current alias projects as Mutant Beat Dance for a sombre tingling cosmic, deep disco brilliance concept, and also releasing with New York label Rong Records with another excellent 2 track release of 'Another World/New News Is Old News' to releasing a stunning solo project on MOS Deep Under The Poetic Painter M pseudonym, with a frenetic yet hypnotizing house track that echoes memories of downpitched Newbeat material and the hooky coldness of new age, following thru with incredible support and feedback in 2012 then again with another solid production from analog machinists Traxx and Wanzer for another Mutant Beat Dance release for the Rush Hour label with 'Let Me Go' featuring Naughty Wood on vocals that have said that they produced arguably 'the best 80s Chicago house record NOT made in the 80s. -inspired by the early days of house music- In an age of digital perfection Traxx is analog, when he DJs he plays vinyl and when he's in the studio he uses hardware. His sound recalls the past but pushes for the future with an overtly emotional and experimental approach. ̸SELECTED DISCOGRAPHY -Discography TRAXX under the names of Traxx, XxArt, X2, Saturn V, Mutant Beat Dance, MoMo & The Dirty Criminals: The Dirty Criminals – Are You Saved? Move! – Gigolo – 12“ – 2001 The Dirty Criminals – Organised Confusion – Gigolo – 2x12“/CD – 2004 The Dirty Criminals - Collision Between Us And The Damned – Gigolo 2x12“– 2006 Jak The Box – Kompute Musik 14 – 12“ – 2006 X2/Saturn/DMC-Primitive Cypher – Relief Records – 12“ – 2006 Traxx-Stranger In The Strangest Of Lands – Crème Organization – 12“ – 2006 Traxx-MTT Inversion – Crème Organization – 12“ – 2007 X2-Photon / Solara – M/O/S – 12“ – 2007 Saturn V-H-Sync 'The House Of Muzique' – Muzique Records – 12“ – 2006 X2-Barely A Track – Crème Jak – 12“ – 2007 Saturn V-Your Mind – Crème Jak – 2007 Mutant Beat Dance – In A Daze - Discos Capablanca 2009 JM Strap – The Owl In Daylight - Frigio 2009 Traxx –To The Beat Bizarre/An Insane Abstract Experiment – Lumberjacks In Hell – 2011 Traxx,JTC,D'Marc Cantu – Definition Of Jak Definition Of Hope – Lux Records 2011 The Poetic Painter M – Marie's Transendance – MOS Deep 2011 Mutant Beat Dance – Another World/New News Is Old News – Rong Music 2011 Traxx – Gold (One Blonde Strange Idea) – RVNG International 2012 Mutant Beat Dance – Let Me Go Feat.Naughty Wood/ Rottonfunk – Rush Hour 2012 VILLan X / dcantu – Disparate Implementations – Sequencias – 2012 Mutant Beat Dance- Urban Dust/Sketch III- L.I.E.S 2012 Mutant Beat Dance- Mutated Moods- Light Sounds Dark 2013 Transformation – LIES Black – 2014 Traxx/NpNk – Revenge Of The Poulet Cat – Macadam Mambo 2014 Traxx/Amir Alexander – Howard/Loyola Acid Frenzy EP – Anunnaki Cartel 2014 Musumeci – Tag Fur Tag(Traxx Tape Cut) – Mannequin 2014 Mutant Beat Dance – PolyfonikDizko – Rush Hour – 2015 Traxx/Villan X – Concept 1210 – June – 2015 Mutant Beat Dance Debut Album – S/T – Rush Hour – 2018 Traxx–Bizzarre Beat II – LIES –2020 An Anomaly– Decadent Skies – Offen – 2021 Traxx– Fight 4 Luv – Basement Floor– 2023 The Creative Technology Consortium– Panoramic Coloursound – Dark Entries –2023 Remixes: Orlando Voorn – Flash – Gigolo – 12“ – 2002 (with Filippo „Naughty“ Moscatello) DJ Hell – Repassion – Gigolo – 12“ – 1999 – (with Deecoy) Ron Hardy – Acid Edit – Illinois Illuminated – Antenna International Mutant Beat Dance - The Adjustment of Night Sky for Gavin Russom- DFA 2011 Blondes – Gold(One Blonde Strange Idea) – RVNG International 2012 YSS - Descend - Traxx remix – Under Bron 2013 Appears as vocalist on: Let No Man Jack (on DJ Hell's NY Muscle album) – Gigolo – 3x12“/CD – 2003 Let No Man Jack – Gigolo – 12“ – 2005 Let No Man Jack (Abe Duque Remix) – Größenwahn 1992-2005 / Monotoni Durch Automation (NY Muscle Interpretationen – Gigolo – 2xCD – 2005 Compilation Appearances on: A Tribute To Robert Moog – Crème Organization – CD – 2006 International DeeJay Gigolos CD 9 – Gigolo – 2xCD – 2006 International DeeJay Gigolos CD 7 – Gigolo – 2xCD – 2003 International DeeJay Gigolos CD 4 – Gigolo – 2xCD – 2000 International DeeJay Gigolos CD 5 – Gigolo – 2xCD – 2000 The Japanese Gigolo Inferno – 2xCD – Music Mine Inc. – 2003 The Box Collection #1 – 5xCD – Gigolo – 2005 Funboy 3 – 12“ – Gigolo – 2006 We Are Gigolo 12“ Showcase No. 8 – Gigolo – 2006 American Gigolo II – CD – Gigolo – 2006 City To City 3 Dj Deep's Journey Through Chicago, Detroit and New York's Secret House Gems - BBE - 2010 Light Sounds Dark- Ideas Of Reference And The Luna Sea - 1 sided 12" M.o.M.o- High Voltage Re-Enactment (M.O.M.O Cut + Re Designed It) - 2015 -Nation Release Catalog Discography: Nation 001 - Traxx/X2- Mysterio/Juz Jak Nation 002 - Villan X ft. Naughty Wood/2AM/FM - Heartbeat Crazy/Don't Front Nation 003 - XXart/X2 - This Moment/House Not House Nation 004 - Beta Evers - Transient - Paralyzed/Foreign Control/Prisoner Of Mind Nation 005 - The Modern Electronic Element EP(Serie 1) - Saturn V - Locomotion D'Marc Cantu - In A Time/Beau Wanzer - Fuk u Klaxons Nation 006 - Prototype Substance EP - Villan X Feat.Naughty Wood+ Jonny Quest - Sikk Truth/JTC Feat.Rodger Devine -The Monolith Nation 007- Traxx - Faith - Double Vinyl/CD Album Nation 008- Future Elektronix EP - D'Marc Cantu - It's My Body/ The Maniacs - Luv Eternal Nation 009- Rhythm Relics EP - Saturn V - The Fresh Heir/ X2 - Modem Nation 010- J.T.C. - Creep Acid Double Vinyl Album Nation 011- The Modern Electronic Element Serie 2 Compilation Nation 012- Nancy Fortune- Remain Human Album Nation 013- Charles Manier- Charles Manier Album Nation 014- Red Light- 7" Nation 015- Beau Wanzer 'Power Outage' 10" Nation 16.1- The Doomsday Initiative Part 1(2AMFM) Nation 16.2- The Doomsday Initiative Part 2(Two Dogs In A House) Nation 17- The Modern Electronic Element Serie 3 Compilation Nation 18- The Xecond Xoming Of Black Meteoric Star Nation 19- Modern Analysis “12" Nation 20- Mutant Beat Dance- No Comfort For Control Nation 21- SSPS- The Life & Times Of GiGi Black Nation 22- William Kincaid- Altered Ground “12” Kode 1- Charles Manier- “12" Kode 2- D'Marc Cantu / Black Meteoric Star- Split Concept Kode 3- D'Marc Cantu- Homefront I Kode 4- Sacred Article / SSPS- Output Signal Kode 5- Transformation / Beau Wanzer- Kozmik/Orbit ‎ Kode 6- Internal/External- “12” Kode 7- EchoDroides- Glowing In The Dark DirtyBlends (Exclusive Compilation Label) DB1 - The Jak- Wicked Hysteria / Tribute DB2 - The Jak- Sequential Sleaze / Hardy's Haunted Box DB3 - The Jak- Black Accordion / Dirty Riddim 87 DB4 - The Jak- Gravity D-Lyte / Zodiak- The Last Voice DB5 - Lex Lathan- Mayhem Manipulation / William Kincaid- Cant Be DB6- The Jak- A Lost Religion / Rudy Rugar- Pazuzu/ Back To Enterprise DB7- The Jak- An Offbeat Formation Of Control / The Falcon- The Syringe

Youssef The fresh faced Moroccan has been developing his style fast, always ready to throw down. Traveling through time and space, moods and cultures. He may begin with you in the far East and wrap up with the sounds of Berlin. Charismatic. His ear for intricate beats that move the room has helped vastly as he's been finding himself as a DJ, after offering huge support of the music scene in Vietnam with endeavors such as Sacred hill festival, HANYA NIGHT, and Electric Bazaar, as well as being instrumental in the growth of the collaborative outfit Sacred Sounds.

̸BIOGRAPHY Valentina Magaletti is a drummer, percussionist and composer whose goal is to strategically enrich a folkloristic and eclectic palette through endless listening and experimentation with new materials and sounds. She has performed and co-written with many artists including Nicolas Jaar, Jandek, Helm, Raime,Moin, HOly Tongue,Czn Malcom Catto, Charles Hayward, Graham Lewis (Wire, Dome), Tightpaul Sandra (Coil, Spiritualized, Julian Cope), Thurston Moore, Bat for Lashes, Gruff Rhys (Super Furry Animals), and many more. In her current project, Vanishing Twin she has a more conventional jazz approach that finds its escape in the drone/field recordings of the percussive narrative in other experimental/avant-garde productions. Valentina was born in Bari, Italy, and lives in London. She has performed widely with festivals including: UnSound (Toronto,Krakow),Wysyng Art Centre(Cambridge) Atonal(Berlin),Festival International Musiques Actuelle (Victoriaville),Festival de la Cité (Lusanne)Museum of Modern Art(Moscow),The Great Escape (BBC Stage),(Brighton),Incubate festival Tilburg),Nuits Sonores(Lion),Hyperreality(Vienna) Tauron Nowa Muzyk Festival(Katowice) Bozar(Bruxelles),Hyperreality(Vienna)ANLG(NYC),EcoFestival(Madrid), Loop Festival(Los Angeles),Phono Festival (Odense),Tremor(Azores), Roskilde (Roskilde),Jazz is Dead(Turin),Le Guess who?(Utrecht),RewireTheHague),Glastonbury(Glastonbury),Supersonic(Birmingham),Sonar(Reykjavik),Time Zones(Bari),Tempo Reale(Florence). Other performance highlights include several improvised or repertoire presentations at Cafe Oto (London),commissioned work for Zabludowicz collection(London),The Barbican(London),Southbank Center (London),National Theatre and Dance (Lisbon),Sonoscopia (Porto),VAC(Palazzo Delle Zattere, Venezia) Valentina has performed or composed music released on labels including Editions Mego, Trilogy Tapes, Offen,Takuroku,Marionette,Hands in the Dark,Blank Editions,Confront,Latency,Horn of Plenty,Meakusma,Emotional Response,Other People,Soundway,Fire Records and mony more. ̸SELECTED DISCOGRAPHY https://valentinamagaletti.com/Releases

A versatile DJ with hidden depths and surprising power. Transcending our body and minds through dance rituals is what comes naturally to me. Amsterdam-based devotee Van Anh is a DJ pur sang with over a decade of experience to her name, making her the respected artist we get to enjoy today. Her love for digging, selecting, and mixing oozes through every vessel of her body. The name 'Van Anh', which translates to 'clouds', fits her way of mixing like a glove, allowing her to resonate with the sound waves of her liking. Very much like clouds, her sound takes on multiple shapes and forms, varying from deep ethereal ambient to hard, uncompromising techno. Never monolithic, what makes listening to Van Anh so enjoyable is the intricate way of combining all these sounds, bridging music from the past and the present. Played / upcoming events: Berghain (DE), De School, Vault Sessions, Awakenings, Parallel Festival (SE), Breakfast Club Amsterdam, Garage Noord, Dour Festival (BE)

After having plunged into the depths of Saigon underground scene, Vynnibal moved behind the decks to bring her unique goofy, banging yet delicate sound to the aerial life. Despite her tender soul, Vynnibal is not afraid to explore unchartered territories, drive the crowd to unexpected places, mix feelings as she blends liquid emotions into multi-versed musical sets. With Vynnibal, expect the odd and the sparkly, the quirky and the severe, the kisses and the kicks. She is also behind “The Crisis” parties and regularly brings new acts and people together, contributing with passion to turning Saigon into a regional techno powerhouse.

̸BIOGRAPHY Berlin Dj and Producer Raiders Berlin

̸BIOGRAPHY Seven years after his viral single “Ima Read,” performer, songwriter and producer Zebra Katz returns to present his debut album, LESS IS MOOR. Seven years after his viral single “Ima Read,” performer, songwriter and producer Zebra Katz returns to present his debut album, LESS IS MOOR. Written and produced between Berlin and London, LESS IS MOOR features guest appearances by Shygirl and S. Ruston, with a myriad of star co-producers such as Sega Bodega, Tony Quattro, and fellow Red Bull Music Academy graduate, Torus. Amidst all this talent, there’s rarely a down moment on the album. Together, these tracks capture sides of Zebra Katz the world has yet to see and reveal his artistic versatility. His multiple inspirations are channelled into a series of high-energy bangers, all of which required years of collaboration to complete, a DIY attitude, and a commitment to a high concept without excess production. Recent singles “IN IN IN” and “LOUSY” are examples of Zebra Katz’ desire to repossess his narrative, exploring issues like the Black experience and sexuality, all the while mixing in devastating ruminations on the life of a star: “they all love when you dead / and you six underground.” LESS IS MOOR will have listeners on their heels, especially in moments that show Zebra Katz’s talent for improvisation and drawing on the moment. The freestyle on “ZAD DRUMZ” came about after an improvised session at Red Bull in Berlin with co-producer Torus. “INTRO” was made at a party loft in Berlin. The gabber-oriented sound reflected the chaotic sounds of the party below. “All I wanna do is keep the dance floor jumping,” sings Zebra Katz on “ISH,” the next single in line for release. “NECKLACE,” a guitar-strummed slow jam, is a rare moment of respite on an otherwise high-energy album. The very next track, “SLEEPN” jumps back in with a bubblegum beat and subversive lyrics: “blackface, war paint / throw a hex on ‘em.” “LICK IT N SPLIT” is the album’s sexy and high-spirited ending featuring Shygirl. Born Ojay Morgan, Zebra Katz, is a first-generation Jamaican-American born in West Palm Beach, Florida. Morgan’s artistic days began early: his senior thesis at the Eugene Lang College of Liberal Arts at The New School found him premiering “Moor Contradictions,” a precursor to LESS IS MOOR that combined performance art with music at La Mama Theatre in 2007. Skip ahead to 2012, when the music world explodes over Zebra Katz’s sensational hit, “Ima Read.” Picked up by Diplo’s Mad Decent imprint Jeffree's, the track garnered further popularity when it ran for 11 minutes on a Rick Owens runway at Paris Fashion Week. The next five years found Zebra Katz touring nonstop in Europe and the United States, delivering memorable and genre-breaking live performances at venues like the Broad Museum in Los Angeles, the New Museum in New York, the Metropolitan Museum, MoMA PS1, Brooklyn Museum, and Art Basel in Switzerland. It was during this same period that Morgan released the mixtapes Champagne and DRKLNG; two EPS, Winter Titty and Nu Renegade, a collaboration with Leila Arab. Zebra Katz wanted to dive into production for LESS IS MOOR immediately after releasing Nu Renegade, but an exciting new opportunity took him away from the project: from 2017-2018, Zebra Katz joined the Gorillaz on their Humanz tour and was featured on the tracks, “Sex Murder Party,” “The Apprentice,” and “Out of Body,” which also featured Kilo Kish and Imani Vonsha. For years, Zebra Katz has been working as an independent and self-managed artist, thriving despite the lack of backing from a major label or a debut studio album. Now, with greater support behind him, LESS IS MOOR announces a deeper look into the sonic universe of Zebra Katz. The album stays true to the off-the-cuff way that Zebra Katz initially started to make music seven years ago but it finds the musician newly empowered and unafraid of being noise-driven, biting, caustic. Nor is he afraid to draw inspiration from diverse sources like Little Richard, Nina Simone, James Baldwin, and Grace Jones. Sexually charged and abrasive, LESS IS MOOR is a bold, sonic experiment that meshes industrial hip-hop with drum ‘n’ bass and unidentifiable sonic territory. Used as early as the Middle Ages, the word “moor” refers to the black Muslims of Northern Africa. Today it simply means black and is synonymous with “negro.” When Zebra Katz says “I’m that sick sadistic fucking twisted bitch” on “ZAD DRUMZ,” he’s wearing his darkness for all to see. If you listen hard enough, you can almost hear James Baldwin saying, “To be a Negro in this country and to be relatively conscious is to be in a rage almost all the time.” LESS IS MOOR lets you into this rage so you can dance with it.

̸BIOGRAPHY Ziúr is an experimental producer/musician and a fixture in Berlin's rich musical topography. Ziúr is an experimental producer/musician and a fixture in Berlin's rich musical topography. It seems as though she produces her releases in the way someone scoring a television series does, gathering and arranging their selections for each episode … isolating and apprehending definitive scenes and memorializing their ethos in song. Soundtracks, much like her release “Antifate”, guide the listener through radically different emotional states, yet somehow still offer an idea of what underpins a show's (or in this case an album's) particular hues. Ziúr produces music within such a scope, expansive, rich and diverse in texture. The sounds are simultaneously machinistic and deeply anthropomorphic, toying with mechanical isolation and the chaotic spectrum of human emotion. Unlike a soundtrack or score, there is no film to which one can turn to narrativize the music … there is only evocative sounds reaching from each song towards the cybernetic sublime. ̸SELECTED DISCOGRAPHY Blur - EP 2021 (Now Now) Antifate - Album 2021 (Pan) Now Now - EP 2021 (Now Now) Are We? - EP 2020 (Self Released) ATØ - Album 2019 (Planet Mu) Isn't No Place And All Places The Same Place - Mixtape 2019 (Self Released) U Feel Anything? - Album 2017 (Planet Mu) Deeform - EP 2016 (Objects Limited) Taiga - EP 2016 (Infinite Machine)