DJ, producer and owner of the Timedance record label, based in Bristol (UK)Batu

Raised in Düsseldorf but now based in Berlin, Binh has been exploring his deep love for digging for more than a decade. It’s a trait that defines his much-loved sound. Like the food he grew up cooking in his family’s restaurants, there are a few simple things behind Binh’s success: timeless ingredients, intuition, an innate sense of taste and the all-important creative flair.

̸BIOGRAPHY When a true selector takes flight, it sounds as though they re-mould each track to fit their specific vision. That’s exactly the effect Danielle has as a DJ, drawing across stylistic divides to create an instinctive groove which is all her own. On top of a foundational core of house, techno and electro she folds in myriad sonic wildcards to create dynamic, innovative variations on the club music experience. It’s logical her tastes would be omnivorous – Danielle spent 10 years working at fabled London record shop Phonica, one of the definitive destinations for dance music in the city, as well as a lengthy tenure at iconic Bristol store Idle Hands. Being across new releases week in, week out is one thing, but knowing how to stitch them together is another. From the breakthrough years perfecting the craft of a great warm-up to her long-standing residency on NTS Radio since 2017, Danielle shaped her approach to DJing from a free-thinking, fluid angle which still rings true now she’s more commonly found at the top of the bill. Danielle’s DJing has touched upon vital events, venues and locations around the world, from touring the US and playing flagship festivals like Glastonbury, Dimensions, Kala and Love International, to clubs like DC10, Fabric, The White Hotel, Corsica Studios and Tresor, holding down a residency season for Colour Factory in London and Left Bank in Tbilisi, and frequently picked for parties as revered as Timedance, Herrensauna and Livity Sound. In tandem, her skills have been recognised by key publications including Mixmag, DJ Mag (she was nominated as a best breakthrough DJ in 2020) and Resident Advisor. Beyond her own DJ work (she’s also a frequent contributor to many a mix series), Danielle also takes the time to impart her experience and knowledge to the next generation via her classes at Mix Nights – a non-profit organisation she helped set up seven years ago to encourage women and non-binary people to explore the art of DJing. Elsewhere, she works in an A&R and consultancy capacity for Team Love – a role which speaks to her consistent instinct for new developments within club music. Similarly, her label Soft Raw was founded in 2022 as a platform to champion the fresh talent she comes across in her position as a revered DJ. All these elements feed into the overall mission Danielle is on, pursuing her love of dynamic, physical soundsystem music with errant coding in its DNA. Keyed into new revolutions in the ever-evolving culture of the dancefloor, Danielle melds her impeccable taste together with fierce commitment and flair, delivering the impulse to move and presenting wholly new ideas to any crowd, any party, any time, anywhere.

High Priestess of the Motherbeat. Vinyl slinging since 1994. Dissolve boundaries and models. Unlock your body. Find each other.

Francesco Del Garda’s passion for what he does is clear for all to see: he plays with a smile on his face and gets as much enjoyment from his work as the dancers in front of him. The ever-evolving Italian will mix up smooth grooves from house, electro, and minimal and joins the dots between the old and the new.

̸BIOGRAPHY Midland is a DJ, Producer and Record label owner from London. Through his productions, DJ sets and record labels, Midland's output comes across as unassuming and surprising in equal measure, at once subtle, refined and totally raucous. As a Producer Midland’s style has nimbly evolved from one record to the next. From his debut release with Pearson Sound (aka Ramadanman) “Your Words Matter” via “Trace” to his most recent EP “The Alchemy of Circumstance” he has explored a vast range of styles whilst managing to keep a core sound that is truly his own. In 2013 he started his label “Graded" to focus on releasing his own music, “Archive 01”, “Drumtrak” and “Blush” all followed. This was followed by the arrival of another label, ReGraded, in which he explored the art of sampling with “Double Feature” and culminating with the release of “Final Credits” a sleeper hit that went on to be voted Mixmags song of the year in 2016. His label InterGraded was launched in 2018 focussed on releasing music by new or emerging artists. He has remixed, amongst others, Dua Lipa, The Chemical Brothers, St Vincent and Darkstar. He helped with production on Jessie Wares “Save A Kiss” alongside James Ford. It is arguable however that he has made his biggest impact with the other side of his craft: DJing. Delivering his kaleidoscopic taste with a mixing technique that nods as much to his British lineage as it does to a smoother European style, he has distinguished himself with an ability to switch styles in a way that always feels totally natural. From the carpeted dance floors at Free Rotation, via regular slots at Berlin’s “Berghain” and “Panorama Bar”, Offenbachs’ “Robert Johnson”, Glastonbury’s “NYC Downlow”, San Francisco’s “Honey Soundsystem”, London’s “Fabric”, “Horse Meat Disco” and "Chapter 10" or any of his “All Night Long” sets at “Phonox” he is able to play in a way that shows a deep understanding of the space and what is needed to bring it alive. In the words of Resident Advisor “there’s a perfect record for every moment, and he usually has it”. His recorded mixes have become word of mouth favourites and in 2016 he won “Essential Mix of the Year” for his entry into the series. In 2017 he recorded “Fabriclive94”, described by Pitchfork as “one of the year's best” and earned compilation of the year from Mixmag who featured him as their first cover of 2018. Fact Magazine said of the mix "Quietly, and without much fanfare, Midland has grown into one of the world’s best DJs. Fabriclive 94 is a testament to what makes him so great”. The only takeaway from these accolades is that Midland is a man still very much exploring and honing his craft and one of the key reasons that his ascent has never felt forced or manufactured. ̸SELECTED DISCOGRAPHY http://www.discogs.com/artist/1202712-Midland

Moufang's grandmothers were both classical concert pianists. He can still remember favourite childhood moments, sitting under the piano as they played, surrounded and lost in sound.Move D

Ball of energy.Peach

Special Request is the new rugged alias for house and techno stalwart Paul Woolford. Inspired by the unruly conventions of UK pirate radio stations, this project captures the raw energy and diversity of the illegal airwaves and uses this as a springboard of inspiration for a series of heavyweight productions that span from murky house through darkside techno to chaotic eye-of-the-storm hardcore/jungle tear-outs. The end results are incendiary.

As a phototropic flower, powering its way to the light through dense foliage, AAGUU is keen to find a stretch of your soul to soundtrack with his music. As a phototropic flower, powering its way to the light through dense foliage, AAGUU is keen to find a stretch of your soul to soundtrack with his music. Mirroring the dynamics in the tropical rain forests of Goa where he resides, his inquisitive mind operates intuitively to illuminate fleeting moments of existence. His purpose is manifold: connecting the dots for dancers, elevating the spirit of the reveller, respecting the journey of the individual. AAGUU’s wide-eyed innocence and natural curiosity to build stories informs his blessed touch, shaping ephemeral memories with music. For an inkling into the vibe that AAGUU creates, you can trace its footprints on the sandy beaches of Anjuna all the way back to the Goa parties: genre fluid electronic body music punching up into the air, a heady mix of freedom & psychedelia; DJs casting levitation spells. He treasures this ‘sacred arena of the imagination’. It’s an aural & visual playground where the journey is as crucial as the destination.

Adam Beyer is a Swedish techno producer and DJ. He is the founder of Drumcode Records, and is one of several Swedish techno artists to emerge in the mid-1990s, along with Cari Lekebusch and Jesper Dahlbäck. Adam Beyer’s music is synonymous with all that is exciting about techno. Having emerged as the figurehead of the hugely prolific Swedish techno scene, Beyer’s focused and considered approach to his craft has worked to confirm his position as a globally recognized DJ and producer headlining cutting edge clubs and festivals week-in-week-out. Adam is also one of the most acclaimed production talents on the scene and has consistently delivered cutting edge music across his 3 labels – Drumcode, Truesoul and Madeye. Over the years he has also built up a highly prized roster of talent on the labels and his meticulous ear for quality productions is highly renowned.

̸BIOGRAPHY Adam Shelton / One Records / SAS

Having made a practice to steer crowds into deep ecstasy with her hypnotic sets at famed Goa Ultrabeat parties in Rome where she operates as a resident DJ, Adiel kicked off her own label, Danza TribaleAdiel

̸BIOGRAPHY There’s only a handful of DJ’s I’ve ever heard who are naturally gifted and Alex Downey is one of them,” says techno don Ben Sims at whose Split/Balance nights Downey has shared the stage with luminaries such as Robert Hood, Oscar Mulero, & The Advent There’s only a handful of DJ’s I’ve ever heard who are naturally gifted and Alex Downey is one of them,” says techno don Ben Sims at whose Split/Balance nights Downey has regularly played. Based in Brighton, Alex fell in love with techno from seeing the likes of Derrick May and Dave Clarke at the Zap Club in the early nineties, and his regular pilgrimages to London’s Lost parties were an inspiration, where Jeff Mills became a massive influence on his musical perspective. Alex Downey has been an ardent supporter of quality underground music and a prominent purveyor of all things electronic as a DJ, vinyl pusher, and radio presenter for well over two decades. Alex was a key figure behind the counter at Brighton's legendary Covert Records and has amassed an immense record collection spanning the house, techno and electro spectrum, while his unrestricted sets behind the decks have earned him much respect and a great reputation amongst the global electronic community. Alex has been a resident at the celebrated Freerotation Festival from it’s inception, and is currently a resident DJ at Brighton’s ‘First Floor’ party, playing alongside the likes of Function and XDB. He’s DJed at such diverse events as Wiggle, Split, Fabric, Labyrinth Festival in Japan, The Big-Beat Boutique, The Essential Festival and continues to play the best parties. But just as important to his career arc are the hundreds of smaller parties and long-forgotten club nights that rocked hard and kept the lifeblood of the scene pumping. Alex's style behind the turntables defies categorization. For him techno isn't a dogma so much as a spirit of electronic freedom to adapt and embrace new styles. He is highly rated by DJs and is regarded as a keeper of the flame. He’s the high priest at his new business venture; ‘The Temple of Vinyl’, a monumental warehouse stocked floor to ceiling with the black gold, whilst his broad taste and consummate selection skills can be heard on his ‘Voyage De Lux’ radio shows, on Brighton’s 1BTN FM every other Wednesday night. More recently, Alex has become a Third Ear resident DJ, as the seminal label seeks to bring together a select group of idiosyncratic DJs that showcase the label’s ethos, and is now represented by the ‘Guaranteed Connection Artists’ agency

̸BIOGRAPHY All of the Hardway Bros and one half of A Love From Outer Space. ‘I know where she’s coming from, Space is where we both belong’ A.R. Kane From mountain scaler to highly respected purveyor of the finest music money can’t buy, professional beat-raconteur and upstanding member of the disco dance music community, Mr Sean Johnston creates ethereal sonic landscapes both in his productions and behind the decks of any dancefloor. DJ'ing since his formative years in the frozen Northern reaches of Yorkshire Johnston has been many things; Acid-House Veteran, Techno Survivor, Alpinist, Hardway Bros and Freelance Disco Consultant but it is his recent production work and now legendary club night that he has best become known for the world over. From the early 90’s institution that was Sabresonic (also releasing on the label) to Disco Bloodbath, Sean has played at many of London's landmark clubs. He also plays regularly at Berlin's premier underground venue Salon Zur Wilden Renate, festivals in French castles and the Dalmatian coast, as well as across the whole breadth of this fine aural landscape we live in. Moving to London back in 1988, Johnston got to know Jeff Barrett of the highly respected Heavenly Recordings and Mr Andrew Weatherall. “We’ve been in and out of each other’s orbits ever since.” It was in a recent orbit on a drive down to Brighton one night that Johnston & Weatherall discovered they shared a love of the slowed-down rhythms of new beat, disco, kosmische, and weird, slow psychedelic music. From this journey, grew the beginnings of A Love From Outer Space (ALFOS) club night. “There was no masterplan to slow things down, it was just that Andrew and I had been listening to the same type of music and we thought, okay 80 people in a basement, we’ll give it a go and see how it works out.” says Johnston with customary modesty. What ensued has gone on to become one of the most revered clubs of recent times. In an age where residencies don’t exist Johnston and Weatherall flipped this concept on its head. A refuge from the frenetic ‘velocity’ of modern developments, ALFOS is an oasis of slow in an increasingly sped up world - the club's manifesto never knowingly exceeds 122bpm. “The ALFOS sound is the distillation of 25 years of record buying by two music fans. The kind of music that we play is very similar in attitude to the Balearic stuff that Andrew was playing 20 years ago but it’s informed by all the progressive house and techno of the ‘90s, disco, psychedelic music, kraut-rock; kind of a distillation of 25 years of listening to music.” says Sean. You could also throw ambient, balearic, proto-house, dub-sonority, un-disco and other experimental curiosities into the mix but these are mere labels; what’s important is the ethos engendered within it all. This is body music for discerning musical ears, first and foremost. What started life in fabled dingy Stoke Newington basement The Drop has mutated into a worldwide phenomenon and gone on to influence a whole new wave of producers. Such is the night's popularity, the meteoric ascendancy has seen the pair take ALFOS to clubs and festivals throughout Europe. Sean and Andrew now hold down a cult residency at Corsica Studios in London, a Glasgow base at the Berkeley Suite, as well as the yearly, near mythical scenes from the Croatian Balearic festival jewel in the crown; Electric Elephant. Their epic 5 hour set in 2013 was one of the most talked about - and rightly so - sets of the summer. But A Love From Outer Space isn’t an exercise in rose-tinted retrospection or self-applauding egotism. This is a clear stretching of selection which journeys further, towards the peripheries, giving new life to old, leftfield eccentricities and airing the young and recent in proximity, with finely judged style. When asked where they unearth all these obscurities Johnston replies “They’re all out there. It’s just that we’re digging in different places to other people. There are a few obscure things we play, but the majority of any of our sets is made up of music we’ve sourced from outlets open to anyone. It’s not stuff we’ve been sent, downloaded or promoted.” And herein lies the beauty of Johnston’s approach to music. “I’d like to be Adrian Sherwood’s teaboy for a few weeks. He opened the door to Dub for me and made me want to know how records are made.” As one half of revered production outfit, The Hardway Brothers (he now often produces under this moniker solo) and prominent voice in earlier classic-acid project, The Flash Faction, Johnston has also successfully transferred this innate understanding of a dancefloor into studio alchemy. Sean's productions in their own right have, as Hardway Bros has graced Beard Science, Aniligital, History Clock, Astrolab, Luna Flicks, I'm A Cliche, Is It Balearic? and hot New York label, Throne of Blood. He is an in-demand remixer, having reworked artists such as Alien Alien, Max Essa, The Asphodells, Haules Baules, Adonis, TOY, Tal Kein & Anthony Mansfield, Craig Bratley and Ajello. With a plethora of remixes and productions in the pipeline for the likes of Ewan Pearson's Misericord label and S'Express each one shows an increased and profound comprehension of the ever expanding musical landscape..

̸BIOGRAPHY Amaliah is a London based DJ and producer with an eclectic taste in sound. She also runs her own label, 'Borne Fruits'. Borne Fruits boss and Rinse FM staple Amaliah commands the rave as one of London’s most exciting artists, hybridizing modern house and techno sounds with global club cuts rooted in a love of soundsystem culture. Emerging from a lineage of inspired ravers immersed in the wide-eyed rush of dubstep’s golden era at Plastic People and London’s vibrant soundsystem culture, Amaliah has transcended these proud influences to stake her own inimitable claim within her native city’s ever-crowded clubbing landscape. Her DJ sets are signified by a purposeful energy informed by years of raving, where she unleashes anything from prog-laden house cuts alongside tribal techno pumpers before diving headfirst into percussive bass warpers and beyond. Crucially, these eclectic club styles sing harmoniously under her exhilarating party stewardship, exposing years of record digging and a general obsession with electronic music. This is exhibited with an impressive archive of mixes for the likes of Boiler Room, Crack Magazine, Hör and a much-loved Rinse FM residency, while also in standout sets at venerable institutions Panorama Bar, De School and Fabric and at festivals like Glastonbury, Love International, Gala and Waterworks. 2019 saw Amaliah establish Borne Fruits, a party collective-turned-label where she made her production debut with Borne Fruits 001 before a further various artists compilation release Club Entry Vol. 1 and an 2 track edits single with venerable Derry hero Or:la titled Y2SLAY followed to great acclaim. More solo productions of hers have dropped since on Earful Of Wax and her own imprint, characterized by driving and playful percussion and an unadulterated raver’s energy built for maximum club impact. This exciting year ahead sees Amaliah joining the Hessle Audio trio at Glastonbury for their The Wow stage takeover, making her debut at Draaimolen Festival and hosting a boat party at Love International as well as a b2b with Aletha at the festival's The Garden Stage. Her label and own productions continue apace too, with a forthcoming bumper-packed Borne Fruits compilation and a highly anticipated full solo debut EP prepped for the end of this year; all of this proving her boundless talent reaching unfathomable heights over the coming months.

Amelie Lens has risen rapidly through the European techno ranks over the past couple of years. She’s now consistently high up the bill (if not topping it) at events like Awakenings, DGTL and Ibiza staples DC-10 and Hï, and this year debuts in the Top 100 DJs poll. The Belgian’s Lenske label has simultaneously gone from strength to strength, building its name around the five-person crew of AIROD, Farrago, Milo Spkyers, Ahl Iver and Lens herself. Granite-tough techno is the name of the game; epic vibes suited to the cavernous hangars Lens fills on a regular basis. And with its newest addition — Lens’ ‘Higher’ EP — the label has now dropped 13 releases in just two years. ~ DJMag

If you had to melt down the appeal of Anastasia Kristensen to just two words, it could well be ‘energy flash’. There are a few reasons it’s a snug fit: for a start, the immediate associations are smoke and strobes, lasers and lights, big-league rave bliss and barely-marshalled sonic chaos; that is to say, maximum fun from a dancefloor perspective, something Kristensen keenly channels as a DJ. The character she exudes as a person, and not just a playlist-for-hire, mirrors it too: a whirlwind in the booth, it’s rare not to see her wide grin glinting through a motion blur of fader tricks, sashaying and vigorous air drumming. There’s also the perfection of imperfection in a flash of energy, a sense of freedom in the face of stultifying codes and norms. Kristensen embodies this, giving the best show of herself in any given point of time without being performative or buttoned-up. It makes for a refreshingly authentic and human to her burgeoning career in music, a gift that makes curious onlookers instant fans.

̸BIOGRAPHY Schooled from a young age in the dark arts that define london's underground Schooled from a young age in the dark arts that define london's underground (having made a name for himself alongside the likes of Rob Mello, Luke Solomon and other contemporaries of the early London House Scene with many vinyl only releases including collaborations with rob mello, doc martin,cpen,gemini&more) the ubiquitous Andre king has not only cut his teeth at grassroots level but proven himself a notorious character on many a uncharted dance floor. His outgoing demeanour and cheeky nature need only be outweighed by his insatiable appetite for a certain brand of unblemished techno now so familiar with the city's after hours regulars. His new residency at Subterrania after-hours have seen his sets there place his reputation as a firm name on the underground scene. His other new project Chronicles with Mauro Ferno and Mestivan continues ...Watch out for Chronicles Label coming soon...

Avalon Emerson is from the desert. While she currently lives in Berlin, the music she produces comes from the dreamlike expanse and abstract textures of the Sonoran landscapes of Arizona. Her journey has taken her from that sunbaked state to the contemporary dance music mecca via a long stint in San Francisco, where she cut her teeth as a DJ in the city's storied warehouse party scene. In her DJ sets and productions now, she offers a timeless narrative that reflects a passion for the sound design of new wave, the futurism of techno, the soul of American house and the exuberance of rave. Though she's built up steam in 2015 from multiple sets at Panorama Bar, and globetrotting all around Europe and North America, she's just getting started, and continues to outdo herself with original productions released on labels like Shtum, Spring Theory, Icee Hot, and her own DJ tool edit pool, the Cybernedits series.

̸BIOGRAPHY Awkward Moments are London-based electronica duo comprising of Mimi Xu – producer, DJ, and electronic composer, and MAGUIRE – multi instrumentalist and lead vocalist. Awkward Moments is the birth child of dj, producer and composer Mimi Xu. Xu has always been interested in the relationship between music and performance art, exploring the field of ‘Expanded Cinema’ – a term coined in the mid-1960s by American experimental filmmaker Stan Vanderbeek that describes work both inside and outside of the gallery including live performance, projector pieces, video and a range of media environments. Awkward Moments was born out of this concept, and was first launched in London in May 2017. For series V – premiered at Houghton Festival 2018 – Xu brought in classically trained multi-instrumentalist and singer MAGUIRE to co-write and perform the 40 minute piece of music entitled ‘An Entropic Cycle’. Xu and MAGUIRE layer interweaving electronic beats over organic instruments and atmospheric vocals to mirror the relationship between the tangible and the ethereal; between fragmentation and order. This concept is further explored visually using multi-media projection of abstract moving imagery. Awkward Moments is divided into six chapters each one leading us through the different cycles of life, death and rebirth. In the words of Virginia Woolf - ‘I see myself as a fish in a stream; deflected; held in place; but cannot describe the stream.’ This is their attempt to recreate that stream of existence through sound experiments and pychadelic visual journeys. Xu and MAGUIRE are currently in the studio finishing their follow up album 'A Strange Odyssey' which they will release and tour later this year.

̸BIOGRAPHY 1/3 All Caps DJ

Growing up Mexican in Los Angeles, Bianca Oblivion was surrounded by the sounds of backyard parties and car stereos blasting everything from gangster rap and freestyle to cumbias and hard house. She trained as a dancer throughout her childhood and teen years, drawn to African, Afro-Caribbean and Brazilian dance forms. As a young adult she frequented the LA club scene during the height of electro and blog house, where she first got her start DJing. Her sets reflect all these influences, as her sound draws from styles across the house, club, and global bass spectrum. Her Club Aerobics Radio show on NTS and her guest mixes for Diplo & Friends, Beats1, and Rinse France have showcased Bianca’s talents behind the decks. Her debut single “Bumbum Pra Cá” continues this fusion of genres, drawing from baile funk and classic grime. Whether in DJing, radio or production, Bianca continues to innovate her sound and selection.

̸BIOGRAPHY One minute he’s rocking the roof off at Fabric with his tough and funky big-room underground house; the next he’s charming the pants off a more intimate crowd with everything from dubby disco, funk and hip-hop to trip hop and Latin batucadas. Armed wit.. One minute he’s rocking the roof off at Fabric with his tough and funky big-room underground house; the next he’s charming the pants off a more intimate crowd with everything from dubby disco, funk and hip-hop to trip hop and Latin batucadas. Armed with a sensitivity and sense of occasion that few DJs possess Bill Brewster knows how to work a crowd in the best possible sense. Originally a chef, a football pundit (co-editor of fanzine When Saturday Comes) and record collector, Bill began DJing in in the late 80s, but he cut his teeth playing ‘Low Life’ warehouse parties in Harlem and the East Village – he moved to NYC to run DMC’s US operation – and anyone hearing Bill today can see how these New York ‘roots’ shine through. For eclecticism, surprises, amazing unique music and sheer long-haul dedication to the dancefloor, Bill’s your man. His other life is as a writer. Together with long-term pal Frank Broughton, Bill is author of the definitive history of DJing, Last Night A DJ Saved My Life, and has contributed his acid Grimsby wit and encyclopaedic knowledge of music to just about every dance rag there is, not to mention The Guardian, Independent and Mail On Sunday. The Brewster-Broughton double act unveiled their latest hit in 2002 with the uniquely sardonic DJ manual How To DJ (Properly). They have recently completed an updated version of Last Night A DJ Saved My Life that will be published in June, along with a double CD from Universal. He’s an industry insider, having brought Twisted records to the UK and launched his own highly successful deep house label Forensic. In his spare time he is often found in the studio, either with Fat Camp partner, Theo Noble, re-editing old disco, funk and rock records; or producing original music. They run a small edit label Disco Sucks. As his hero Kid Creole would say, 'Annie I'm not your daddy.' WHAT THE PRESS SAY ABOUT BILL “Brilliant.” Mixmag “What Bill Brewster doesn’t know about disc jockeying is probably not worth knowing.” Jockey Slut “What’s the best reason for playing a record? Because you love it. What’s the best reason for starting a party? Because no one else is doing it like you can. It’s pretty simple really, but so many DJs and promoters forget what got them excited in the first place. Bill Brewster hasn’t. The encouragement of DJs like Rocky (X-Press 2) and Jon ‘Beloved’ Marsh and promoters like Nikki Smith at Fabric (who rave about him) has spurred him on and club crowds are responding, too.” Time Out “One of Fabric’s heroes is behind the decks for one of his multi-genre embracing sessions. It’s going to be a late one.” Metro “The glamorous and bewitching Bill Brewster steps up to the ones and twos for more high-quality action. “ Tim Out New York “You know people who memorise every release and DJ shoe size right back to 1875? That’s the Faith posse, that is. Led by Terry Farley and Bill Brewster, they’re a bit long in the tooth now – they’d have to be to have this musical knowledge – but this is simply unmissable: beautiful, varied and at times even tear-jerking.” Ministry on Faith Vol 1 CD “The greatest book ever written about dance music.” Daily Mirror on Last Night A DJ Saved My Life ̸SELECTED DISCOGRAPHY Group Therapy - Arty-Fact (Kamera Records, 1982) Superstars Of Rock - Orange Sunshine (World Discotheque Movement Mix) (5X0-294, 1994) Various - Praxis (Hooj Choons, 2002) Mixed Jackson 5 - Body Language (Fat Camp Edit) (Motown, 2005) Fat Camp - Don't Blame Us 4 The Boogie (Disco Sucks, 2005) Imagine Magic (BB Edit) (Anorak, 2009) Hotel Motel - Paying The Price/Novak (Under The Shade, 2010) Hotel Motel - Eye No (Home Taping, 2010)

̸BIOGRAPHY Riccardo Paffetti / Black Loops Berlin , Germany Riccardo Paffetti aka Black Loops has built himself a solid reputation as one of House music’s most creative and progressive producers. Recognizing his momentum and high-quality releases, Traxsource named Black Loops #1 Deep House Artist of 2017. Black Loops influences stem from genres such as funk, soul, and disco, while his style is similar to the sound of the 90’s UK House movement and early 00's NY House. In regards to his discography, Black Loops has released 7 EP’s on the respected German House Record label Toy Tonics, and also released noteworthy EP’s on Neovinyl Recordings, Pets Recordings, Freerange, Classic Music Company and Good Ratio. Currently working on a first Album project, Black loops is touring worldwide, touching countries like Australia, Canada, and overall Europe

Blawan

̸BIOGRAPHY Electronic Dj from Barcelona inspired in the 90's bOIX is a Dj based in the music of the 90's and 2000's, with all the culture of the R&B/Disco showed by his parents, nowadays being closer with minimal/electro/acid house.

Stay trancey Bookings EUR/ROW: dfirst@wmeagency.com Americas: joe@surefireagency.com Press: alice@thisisamethyst.com

̸BIOGRAPHY BURNT FRIEDMAN is one of Germany’s most long established and highly rated electronic musicians with a career spanning almost 40 years. BURNT FRIEDMAN was born in Coburg, Germany in 1965 and has lived in Berlin since 2009. After initially being a student of art in Kassel in northern Germany, Burnt started to focus on music exclusively from the late 1980s onwards. He went on to attend the Academy of Media Arts in Cologne as a postgraduate student and began to publish his musical works along with his studio productions in 1979. He also began performing live around the same time, both of which soon attracted the attention of the Cologne electronic music scene. From there he progressed to various notable music collaborations throughout the 1990s on projects with the likes of Jaki Liebezeit, Hayden Chisholm, Root70, Mark Ernestus, Steve Jansen and David Sylvian and under also under the band names of both Atom™ and Flanger. In 2000 Friedman launched his own record label, Nonplace, with 35 releases to date. Working under the solo artist name of BURNT FRIEDMAN, he sought to address the prejudices people had then about the authenticity of programmed music. His studio and on-stage partnership with Jaki Liebezeit, the former drummer of CAN (recently voted in the Top 5 drummers for alternative music of all time in SPIN magazine in the US), now dates back 13 years; the two musicians have developed pioneering electronic-acoustic music over that period. On the strength of their craft and universal musical vocabulary they have consciously distanced themselves from the tarditional formulas of Western European and Anglo-American music. Their recordings and work should be seen as intermediate phases in an on-going process. BURNT FRIEDMAN’s work has been critically acclaimed by the international music press as far afield as The Wire, Mixmag and Uncut in the UK, Exclaim magazine in Canada. The All Music Guide and Big Shot magazine in the US. Data Transmission in the UK described his recent album release with Jaki Liebezeit as “destined for cult success“, with The Arts Desk making it their Album Of The Week. He will be releasing a new album in the fall and carrying out a tour of Africa in association with The Goethe Institue too. ̸ SELECTED DISCOGRAPHY • Drome, The Final Corporate Colonization Of The Unconscious, LP/CD, 1994 (Ninja Tune) • Nonplace Urban Field , 4 Albums CD/LP, 1993- 1997 (Incoming!) • Burnt Friedman & The Nu Dub Players, Just Landed, CD/LP (Scpae Records / 1999) • Flanger (with AtomTM) 3 Albums CD/LP/12", 1996 - 2000 (Ninja Tune) • Flanger (with AtomTM), Spirituals, CD/LP, 2005 (Nonplace 18) • Nine Horses, (with David Sylvian/Steve Jansen) Snow Borne Sorrow, CD, 2006 (Samadhisound) • Burnt Friedman & Jaki Liebezeit, Secret Rhythms 1-5, 4 Albums CD/LP 2000-2013 (Nonplace 09/19/25/30) • Burnt Friedman vs. Konono Nr.1 12" (CNG), 2010 CD Tradimods vs. Rockers (Crammed Discs) • Burnt Friedman, Zen'Aku 12" EP 2011 (Nonplace 31) • Burnt Friedman meets Zinja Hlungwani 12" 2011 (Honest Jon´s records) • Burnt Friedman "Bokoboko" CD/D-LP 2012 (Nonplace33) • Cyclopean (with Irmin Schmidt/Jaki Liebezeit, Can), EP, 2013 (Mute) Remixes 2012: MaisUmDiscos Lucas Santtana Ca Pra Nos, Friedman Remix 2011: Honest Jons Records Burnt Friedman Meets Zinja Hlungwani 2011: Crammed Disc (D-CD)/ cng (Vinyl) Konono No.1 Rubazech Friedman Remix 2010: Nonplace Prof.Psygrooves Flow, Friedman Remix 2010: Nonplace Friedman & Liebezeit Remixes 2007: Samadhi Sound Nine Horses Remixes 2006: 4AD His Name Is Alive Remixes 2006: G-Stone Tosca, John Lee Huber Remix 2005: Samadhi Sound David Sylvian, Blemish/Late Night Shopping Remixes 2003: Nonplace Lychelassi, Shades Of Mosley Remix 2003: Silent Recordings Prop, Erste Landung Remix 2003: Open record (South Africa) Benguela, Southern Right Dub Remix 2001: Scape Pole Raum1 Remix 2001: District Six, Wiliam Rusere, Shona Folk melodies Remix 2000: G-Stone Tosca, Suzuki Remix 2000: Round Trip Mars, Phase 5, Mothman Skunk Remix Tours & Live Shows • Liebezeit & Friedman Live: 18th April, Bucharest, Romania, Recolektiv Festival / Friedman & Liebezeit 1st May, Katowice, Poland, Jazzart Festival / Friedman & Liebezeit 4th May, Cologne, Achtbrücken Festival / Friedman & Liebezeit 5th Sep, Copenhagen, Jazzhouse 6th Sep, Malmö, Inkonst 21st Sep, Wien, Porgy & Bess 28th Sep, Brüssel, Bozar Music Festival • Burnt Friedman Solo: 30th June, Wax Treatment, Berlin 14th July, Free Rotation Festival, Bristol, UK 4th October, Lagos, Nigeria 7th October, Nairobi, Kenya, with Otieno Wakake 10th October, Kampala, Uganda, with Hakimu Kiwanuka 13th October, Johannesburg, South Africa, with Tlale Makhene

Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Defined by a meticulous approach to the composition, production, art direction and presentation of his work, every release encapsulates Joseph’s idiosyncratic vision. It is a colourful world that gives life to the shadows and throws a mist over the boundaries that have become so commonplace in electronic music. His record The Present Tense provided the launching point for Houndstooth (the label arm of London’s fabric nightclub). The following two releases, Black Octagons and Depicta/Acephale, cemented his status as one of the brightest new talents to emerge in the current wave of producers disturbing the musical landscape. Next up came Suzi Ecto, his debut album, which...

̸BIOGRAPHY C.A.R. makes their own brand of off-kilter, electronic off-pop. C.A.R. (Choosing Acronyms Randomly) is a musical project conceived by Chloé Raunet, a multi-faceted creative, living in London. Their music travels between glacial electronica, post- punk and warming, introspective pop, all emanating from a self-confessed crush on too many genres. 'Layered, fascinating and irresistible' - DJ Mag C.A.R. has three studio albums under their belt on iconic, queer Parisian label Kill The DJ and UK’s Ransom Note. They’ve shared the stage with many artists, including opening for Cat Power at the Paris Olympia and touring with Gesaffelstein and Teleman. Berghain, Le Bataclan, Nuits Sonores and Red Bull Music Festival are all on the roll call of legendary European venues and festivals they’ve played. Since 2013 C.A.R. has hosted a monthly show on NTS, currently called ‘On The Sliproad.’ After a pandemic-induced break from performing, C.A.R.’s recently returned with a vengeance. A new live with local legend, Joni Green, wooed crowds at both Watching Trees and Houghton festival, where Resident Advisor proclaimed they ‘stole the whole show.’ They've been storming the capital ever since and are busy in studio, mixing album #4 ... ̸SELECTED DISCOGRAPHY LPs My Friend - KTDJ - 2014 PINNED - Ransom Note Records - 2018 Crossing Prior Street - Ransom Note Records - 2020 EPs Laika - KTDJ - 2013 HIJK - KTDJ - 2013 Idle Eyes - KTDJ / LDDLM - 2014 CARAXES - KTDJ - 2016

Carl Finlow writes as Silicon Scally, Random Factor, Voice Stealer, Il.Ek.Tro, Scarletron. First record was on Warp in 1993. Over 100 releases including 11 albums on such labels as SCSI-AV, Trope, Klang, Soma, Playhouse, Sony, Satamile. Co founder 2020 Vision. Extensive electro and house gigs in Japan, USA, Russia and most of Europe including playing at Sonar in Barcelona in 2000. Now lives in Paris.

Carlota is an electronic music producer, live performer and DJ based in Berlin, Germany. Born and raised amidst the enchanting natural environment of Ibiza, Spain, where she absorbed the diverse Balearic music scene and culture from a young age, she started searching for her own musical language some years back while pursuing a sound engineering degree that allowed her to discover a technical approach to sound behaviours. This path led her toward expressing the subtleties of emotion, memory, and time through various aural explorations. As her exploration progressed through compositional, music production and live performance direction, she devoted her work flow to generative processes on the modular synthesizer. With this anachronistic yet futuristic instrument at her disposal, she feels her role to be a selfless conductor of the analog orchestra, losing any illusion of control — yet intuitively expressing and guiding a musical conversation.

̸BIOGRAPHY DJ

Hailing from the coastal town of Chiba, Japan, Changsie has spent the last decade establishing herself as one of the most in-demand and trusted DJs in Tokyo. Her monthly party, Joyride, transforms a small reggae joint in Shinjuku into a genre-defying celebration of underground music. The open-minded, party-focused philosophy that’s central to Joyride was developed alongside her soul mate, Lil Mofo, and is reflected in her own sets, which have been heard on bills alongside DJs as diverse as Nina Kraviz, Theo Parrish, DJ Sotofett, Ciel and Errorsmith. After playing with Will Bankhead a few times, a cassette for The Trilogy Tapes is in the works - watch this space! Changsie’s ears have long been tuned to the boundary free possibilities of contemporary club culture, an appreciation that has already helped her create a stir across Europe, including a memorable closing set in Ohm as part of Berlin Atonal, imprinting a high-energy memory on ravers even when following a selector as distinctive as Batu. Following a youth immersed in hip-hop and R&B, a studied and timeless appreciation of dubstep and UK bass guides each Changsie set, possessing the ability to shift from meditative states to the rhythmic complexity of bleep techno and the ecstasy of acid-flecked house and techno. Having played in Europe, Australia and across Asia in the last year, a series of mixes for Crack and Discwoman have introduced Changsie’s style to an international audience, and have garnered support from her own heroes and peers. Guided by bass and inspired by the energy of her audience, Changsie continues to make her imaginative and truly cross-cultural mark on the landscape of dance music.

̸BIOGRAPHY Bristol based DJ, runs the Idle Hands shop. Chris Farrell has been an integral part of the Bristol scene for many years. He set up Idle Hands as a label in 2009, before opening the shop of the same name in 2011. Chris is a confident DJ moving between House, Garage and Breakbeat - finding a bridge to left field dance tracks of the 80’s and 90's, always guided by the influence of dub and the warm hearted embrace of rave.

̸BIOGRAPHY Chris Korda is an electronic musician and artist, software developer, antinatalist, and founder of the Church of Euthanasia. As an electronic musician, Korda has released eight albums and six EPs. Korda toured Europe extensively for her albums "Six Billion Humans Can't Be Wrong" (1999) and "The Man of the Future" (2003) both released by the German label International Deejay Gigolo Records. Korda pioneered the use of complex polymeter in techno music, and developed her own custom software for both composing and performing live, including at the 2001 Sonar music festival in Barcelona. ̸SELECTED DISCOGRAPHY More Than Four, Chapelle XIV, CHXIV05, 12" x 2 + digital Passion For Numbers, Mental Groove, MG135, 2022, 12" + digital Apologize to the Future, Perlon 126, 2020,12" + digital Polymeter, Mental Groove, MG131, 2020, 12" + digital Magic Cookie, Partout, Partout 3.02, 2019, 12" EP Akoko Ajeji, Perlon Records, Perlon 123, 2019, CD & 12" x 2 Plasmagon, Kevorkian Records, Kevorkian 4, 2009, online Al Fasawz, Kevorkian Records, Kevorkian 3, 2003, online The Man Of The Future, International Deejay Gigolo Records, Gigolo 115, 2003, CD & 12" x 2 I Like To Watch, Null Records, 0.666, 2002, 12" EP When It Rains, International Deejay Gigolo Records, Gigolo 86, 2002, 12" EP Six Billion Humans Can't Be Wrong, Kevorkian Records, Kevorkian 2, 1999, CD Six Billion Humans Can't Be Wrong, International Deejay Gigolo Records, Gigolo 25, 1999, CD & 12" x 2 Sex Is Good, International Deejay Gigolo Records, Gigolo 13, 1998, 12" EP Save The Planet, Kill Yourself, International Deejay Gigolo Records, Gigolo 5, 1997, 12" EP Save The Planet, Kill Yourself, Kevorkian Records, Kevorkian 1, 1997, 12" EP Demons In My Head, Kevorkian Records, Kevorkian 0, 1993, CD

Being asked to describe his own music, Christian Löffler states that he tries to combine melancholy with euphoria. „All my music is connected by a gloomy spirit, which is minted by a warm sincerity. I try to merge all kinds of different acoustic colors to obtain this feeling in my music.” Löffler started to play music by the age of 14. Living in a secluded region, lacking a musical surrounding, he had to teach himself the essentials of making electronic music. Before long he developed his own deep and moving sound, colored with a melancholic undertone- Music for the soul & for the body. He recalls a variety of music styles he listened to as a child and teenager that were highly influential to his own development as a musician. Due to the fact that Löffler is also working as a visual artist, he’s following the same approach when making music that he’s following when painting or taking photos. It is more about telling a story than making everything accessible right from the start. In the course of the production of EP’s like „Heights”, „Raise” and „Aspen”, Löffler developed some strategies to use acoustic material in his music. Amongst others he samples different stringed instruments, percussion and atmospheres. He continues working with the recordings on the computer, combining, layering and alternating them. For his debut album „A Forest“ he enriched his sound collages by co-working with singers like Gry and Mohna. An Album in the spirit of the enchanting woods of his home region. The extraordinary capacities of this young producer have kept eyes and ears closely following the fresh talent as Löffler’s deep moving melancholic sound, is absolutely irresistible. In 2014 the highly acclaimed „Young Alaska“ EP is setting the stage for his second studio album to be released in Winter 2014/15.

̸BIOGRAPHY Client_03 is the Testbed. has been executed and shown an increase of Y/.:90994 following interaction with Resident Advisor.

Colleen ‘Cosmo’ Murphy is a highly respected and experienced musical selector, DJ, radio host and curator, founder of the album listening event and content hub Classic Album Sundays and an authority on music, sound and the vinyl renaissance. She was mentored by David Mancuso at his seminal Loft parties in New York City. Together they co-produced the compilation series David Mancuso Presents The Loft and worked together on David’s record label The Loft Audiophile Library of Music. Colleen has been a radio host, DJ and programme director since the age of fourteen and today hosts Cosmodelica and Classic Album Sundays Worldwide on Worldwide FM and ‘This Women’s Work’ series for Public Radio International. She is the writer and host of BBC 6 Music’s album series ‘Sounds of a City’ and BBC Radio 4’s doc series ‘Turntable Tales’. Unfold Japan, a radio series she hosted for Worldwide FM and Asahi, has recently been nominated for an ARIA Award (Audio and Radio Industry Awards).

̸BIOGRAPHY Bookings: fran at sungaterecords.com "A solitary Conforce release can never be described as predictable, with each unknown entity having the potential to take you on an emotional rollercoaster or a primal abandon" — Inverted Audio "A solitary Conforce release can never be described as predictable, with each unknown entity having the potential to take you on an emotional rollercoaster or a primal abandon" — Inverted Audio ̸SELECTED DISCOGRAPHY Machine Conspiracy - Meanwhile 2010 Conforce - Escapism - Delsin 2011 Conforce - Kinetic Image - Delsin 2013 Conforce - Presentism - Delsin 2015 Conforce - Autonomous - Delsin -2017 CFC Pres.Silent Harbour - Noctiluca - Echocord 2018

̸BIOGRAPHY London based DJ, producer, promoter, radio host and venue owner. Dance Tunnel, Chapter 10, Dalston Superstore, NTS Live. Dan Beaumont is an integral part of the capital’s nightlife scene, having kicked off his DJ career as one of the residents of the legendary Disco Bloodbath parties. He has opened seminal venues Dalston Superstore, Dance Tunnel and Voodoo Ray's and has a regular show on NTS Live. He currently runs London's best party Chapter 10. For bookings contact ben@orchid-am.com ̸SELECTED DISCOGRAPHY Reality Checkpoint (Disco Bloodbath Recordings) 2013 Trippy Pumper (Classic) 2014 Tunnelomics EP (No Fit State) (2015) Spirit Talkin’ (Work Them) 2015 Spirit Dubbin' (Work Them) 2015 Radio Slave - Work (Dan Beaumont Remix) 2015 Black Gold Buffalo - Penkenna (Dan Beaumont Remixes) 2015 Andy Butler ft Richard Kennedy - You Can Shine (Dan Beaumont & Luke Solomon Remix) (2015)

Booking requests: bookings@daniel-bell.comDaniel Bell

̸BIOGRAPHY Dar Disku is an independent record label and dj collective founded in 2019 and based between London and Bahrain - championing the sounds of the Middle East, Asia and beyond. ​ ​ 'Dar-Disku' comes from the 1970s Egyptian pop culture magazine of the same name and directly translates into 'home of the disco'. Dar Disku is a label celebrating music from across Arabia. Founded by Mazen AlMaskati and Vish Matre in 2019; the label encompasses all things High NRG, New Beat, Strange and Pure. Growing up less than a mile apart in Bahrain with a shared fascination with discovering new music, the duo quickly bonded over digging for unheard rarities and burning mixtapes to show friends and strangers, and till today, this remains changed. Whether at a house party, over a traditional Bahraini meal or at a local underground gig, chats about left field music would always spiral from one artist to the next and back, but more and more, talks about music turned into talks about culture and soon enough; home. Mazen and Vish left Bahrain with pockets full of Radiohead, Aphex Twin, Daft Punk and Benga. But looking back across the water, the music their parents played on dusty turntables, the art and culture that surrounded them their entire lives became more than nostalgic, it became hypnotically fascinating. From learning about the microtonal arrangements in Farsi music to learning south Indian polyrhythms and the almost forgotten 1970s punk rock and psychedelia movements in Egypt, Lebanon and Iran, they couldn’t help but think, what comes next? Both have spent the last few years discovering incredible sub-genres such as Khaliji hiNRG, Rai, ArabiDisco, Habibi House, Sawt and Bollywood and within quick succession, Dar Disku has shared the stage with artists such as Four Tet, Habibi Funk, Nabihah Iqbal, Young Marco, Palms Trax and Esa and have played iconic venues and festivals across the world (recent stops include Mumbai, Istanbul, Paris, Bahrain, Lost Village Festival, Lovebox Festival, Glastonbury Festival & more). Dar Disku have also been featured on Nabihah Iqbal's BBC Radio residency, for which they curated a guest mix inspired by night time drives in Bahrain, featured as Mixmag's 'Breakthrough DJ of 2021' and have recently been named as residents on the iconic Worldwide FM. ​ The label's first release 'DD 001' featured a heavyweight edit from label collaborator 'Moving Still' and has received critical acclaim from the likes of Resident Advisor, Clash, Mille World and i-D. Fast forward into summer 2019, Dar Disku Records have released DD002, a Moving Still edit of 'Sidi Mansour' by Algerian pop star, 'Cheba Yamina' (Resident Advisor Track of the Year). Their latest 'DD003 and DD004' releases have been played on dance-floors from London to Lisbon, Mumbai to Moscow and Amsterdam to Amman by the likes of DJ Seinfeld, Esa, Job, Palms Trax, Hunee and more. Mixmag recently named 'DD005' as one of their 'best EP's of 2022'. With five releases already under the belt, they continue to dig deeper into the forgotten crates of the middle-east. Dar Disku's live sets have been described as “a journey across Arabia and beyond delving into a voyage into the unknown”, switching from 'skippy dance rhythms to boisterous traditional folk instrumentals' . With bookings such as Boiler Room and Palms Trax' XOYO residency - one thing for certain, however, is their tendency to create eclectic and spontaneous selections which transport audiences into lands far away. ̸SELECTED DISCOGRAPHY DAR DISKU 001 DAR DISKU 002 DAR DISKU 003 DAR DISKU 004 DAR DISKU 005

There are few artists carving out a legacy for themselves like Dax J is right now. The London-born, Berlin-based DJ and producer has gone from pirate radio to magazine covers; from the backroom parties to headlining raves at every major techno institution the world over, and all whilst staying true to the underground and his individual style of raw and uncompromising techno. His mix of pure passion and attention to high-end sound production has placed him at the forefront of a global scene and established him as a singular presence within modern dance music. In recent years Dax has received countless accolades for his devotion to the craft. Being placed into Resident Advisor, DJ Mag, and Groove Magazine’s top 100 DJ’s of the year, as well as receiving nominations from Mixmag, DJ Mag and the DJ Awards for Best Techno DJ, Best Breakthrough DJ, and Best British DJ.

Deadbeat is Scott Monteith, an adopted Montrealer who has been releasing his own special blend of dub laden, minimal electronics since 2000.Deadbeat

̸BIOGRAPHY DeepChord are producers Rod Modell and Mike Schommer. They make dub techno in the vein of Basic Channel. ̸SELECTED DISCOGRAPHY Discogs: DeepChord

̸BIOGRAPHY Detroit | Mixmode | Sushitech Of the original crop of Detroit DJs, Delano Smith is one of the few still dedicated to the craft. Reflecting on house and techno without his influence would reveal a very different musical landscape today. Coming up when the world was just discovering the impact a DJ could have, Delano traversed his way to the top in a tough scene full of talent. Although dance music post The Belleville Three and Underground Resistance is well documented, the context that set the tone for them to emerge is less so. At a time described as the Wild West by some, when party culture was taking its first tentative steps, Delano honed his skills under the the guidance of the late, great Ken Collier. With initial sets fusing soul, disco and early electronic sounds, Delano planted seeds in the minds of Detroit’s subsequent generations. Those dancing to his sets in the late 70s and early 80s would later become ambassadors of a scene with worldwide appeal. Now, Delano stands shoulder to shoulder with the figureheads he once educated, writing a brand new chapter for house and techno. Delano’s story is long and intriguing, first taking to the decks in friends’ basements, these weekend sessions turned into the dance hall parties that paved the way for Delano’s residencies at clubs across Detroit. Championing permutations of the post-Disco era, a sound described by the D’s luminaries as “progressive” before house and techno were officially coined, Delano began to receive bookings beyond his home state, eventually touring what would become a familiar axis between the US and Europe. Following a period out of the game, Delano returned with a new focus, forming the DJ collective BeatDownSounds with long-time peers Norm Talley and Mike "Agent X" Clark. The trio offered a unique, slowed down and raw take on house, a sound picked up by London/Tokyo label, Third Ear Records, and presented on the double-length compilation ‘Detroit BeatDown Vol.1’, the success of which enabled Delano and his partners to represent the Motor City on an international level. Comparatively late to production, Delano started releasing his own music in earnest from 2002 onwards, finding homes on esteemed underground labels and of course on his own Mixmode imprint. In 2009 Delano formed a pivotal relationship with the Berlin based Sushitech Records, following a chance meeting with label head Yossi Amoyal, the setting Panorama Bar, a club that would later help define Delano’s musical direction. After a string of successful Sushitech EPs, Delano dropped ‘Odyssey’ onto the scene’s collective consciousness, an album spawning enduring dancefloor favourites. Two years later his sophomore long player arrived, loaded with dark and dubby material ‘Twilight’ was a curve ball to follow the hysteria that greeted his debut. 2017 saw Delano add yet another Sushitech LP to his discography, entitled ‘Detroit Lost Tapes’ it offered archived material, dug out and recontextualised with a worldwide tour following in support.

Producer, keyboardist and singer.

̸BIOGRAPHY Moscow based producer and dj. Moscow based producer and dj. Resident of Bravers.

Over the last year DJ ADHD has carved a unique sound scattered with 909s and 808s that blur the lines of techno and UK bass music. Following his debut release ‘Vortex’ and more recently ‘Rips’; a club weapon created alongside Nikki Nair (both released on Pretty Weird), his release schedule for 2022 is filling up with solo releases and projects with Chloé Robinson, Nikki Nair and Villager, making sure that his club focused sound is heard on dancefloors around the world.

̸BIOGRAPHY DJ KOOLT Experiencing from the beginning, step by step, the evolution of the electronic scene in Montevideo and influenced since very young by the most avant-garde sounds, nowadays there’s no doubt whatsoever about his being the most relevant model in the Uruguayan scene, after the great influence he has already stamped in several generations of local artists. Certain dj’s manage to go beyond the barrier of just playing music and create an atmosphere with a different energy, a result of mixing good music selection, according to each moment, and an exquisite technique to mix it. These are two features that have marked Eduardo Cardozo aka DJ KOOLT and MR. KOOLT since his very beginnings. Dj Koolt is one of the greatest exponents of the Uruguayan underground scene and a faithful collector of vinyl records. He also earned an European recognition by playing in many great parties such as FUSE (Brussels), Closer (Kiev), Club Eden (Bucharest), Closer (Kiev), Cartulis Music (London), Concrete (Paris), RED58 (Barcelona), OHM and Hoppetosse (Berlin), Goa (Rome) and much more. Playing for 20 friends at an after-hours or for 1000 people at some club, one can easily recognize Edu by a natural characteristic of his: the connection and the trance he is able to create in his audience. In 2013, he and two friends opened Phonotheque, the only club 100% devoted to Underground electronics in Uruguay and one of the best in the region. Few months after opening, Phonotheque became an important reference point at a national and international level and promoting their own style and distancing itself from conventional electronic music.

Stefan Kozalla aka DJ Koze lives and works in Hamburg and Cadaqués. His Profession: DJ, Musician (International PONY, Adolf Noise) and Remixer for many, including Gorillaz, Moderat, Matthew Dear, Låpsley, Caribou, Who Made Who, Lawrence and many others.DJ Koze

Manfredas. The name packs a hefty punch. After years spent amassing knowledge as a radio DJ, he took his talents to the club, where he’s been convincing the unconvinced ever since. This man has a serious gift for throwing his every physical move hammering home the strength of his musical convictions. From the unique way he palms the jog wheel, to the ardent torque of his dancing, music feels a little more impactful in his midst. As one of the key residents and programmers at Opium Club in Vilnius, where he runs his club night "Smala", Manfredas has been instrumental in creating a culture that has led some mega-respected DJs to call it their favourite club in the world. Space feels like a feedback loop of love, dramatic intensity, and open-minded passion that draws everyone deeper into the music. Fact: the best DJs are always residents. Fact: Opium just might be the best club in existence. Logic dictates our man is a champ.

Japanese DJ, founder of Cabaret Recordings.DJ Masda

DJ Nobu is a DJ from Chiba city in Japan. He organises now legendary party called Future Terror and his own label Bitta in his home town.DJ Nobu ̸BIOGRAPHY Japan’s DJ Nobu is one of a kind; a DJ with no fixed style but instead a very real ability to draw on a wide world of music and cook up his own unique sound spaces. Nobu is something of a cult figure for those who know with decades of experience, all of which are distilled at his acclaimed party ‘Future Terror’, his label ‘Bitta’ and his few choice production outings. All of this has slowly but surely turned Nobu from being one of Japan’s, to one of the world’s most in demand selectors who is famously flexible and ever evolving. ̸SELECTED DISCOGRAPHY - NO WAY BACK / mixed by DJ NOBU label: ?? / Lastrum catalog: LACD-0094 (TGCS-3831) format: CD released: Dec 20th 2006 - CREEP INTO SHADOWS THE MIDNIGHT D EDITS / DJ NOBU label: Underground Gallery catalog: UGCD-801 format: CD released: April 3rd 2008 - DIARY / DAZZ Y DJ NOBU label: ?? / Lastrum Music Entertainment Inc. catalog: LACD-0143 format: CD released: August 6th 2008 - Endbeginning (Dazz Y DJ Nobu Omi Dub 12"Remix), (Nobu's Dub) / Crue-L Grand Orchestra label: Crue-L catalog: KYTHMAK132 format: 12" released: Apr 2010 - 011 e.p. / DJ NOBU label: GRASSWAXX RECORDINGS catalog: GWEP-07 format: 12" released: July 2010 - ZERO SET II -Reconstruct- / V.A. "Skin QER REMIX (reconstructed by DJ NOBU)" label: MUSICMINE catalog: MMCD20001 format: CD released: October 20th 2010 - ON / mixed by DJ NOBU label: MUSICMINE catalog: MMCD20002 format: CD released: December 22nd 2010 - Draw, Untitled / IORI, DJ NOBU label: Bitta catalog: Bitta001 format: 12" released: November 13rd 2012 - Crustal Movement Volume 01 - Dream Into Dream label: Tearbridge Records catalog: NFCD-27349 format: CD released: March 27th 2013 - Canadian Bellfield, Untitled / Steven Porter, DJ NOBU label: Bitta catalog: Bitta002 format: 12" released: December 12th 2013 - For Your Eyes Only Sampler One / V.A. "Sway" / DJ NOBU label: Semantica Records catalog: SEMANTICA 60​.​1 format: 12" released: December 20th 2013

Few DJs and producers are as widely and universally acclaimed in techno circles as Italian Donato Dozzy. He has a rare ability to work his way into peoples’ minds in both contemporary and classical settings, conjuring real mood and atmosphere. Never one to pay heed to the zeitgeist, he prefers to deal in hypnotic soundscapes that really take you on a trip. Enigmatic as he is, and laidback as he seems, as an artist he is constantly unveiling new work. Displaying a large variation in terms of sound and method across many new releases each year — some of which come on his co-owned label Spazio Disponibile — he also puts out installations for public spaces and museums, uses obscure musical instruments, collaborates with likeminded producers, classical singers or visual artists. Donato seems to continuously challenge himself on a creative level: whatever method he uses, though, he is always likely to permeate your cerebral cortex and rewire it in fascinating and compelling new ways.

dotdat is a Producer/DJ based out of Goa, India. His approach to music has always stemmed from his need to channel his restless energy into something productive. It is his way of making order of the world around him. With his own groovy style of techno infused with a heavy dose of Sci-Fi sound design, he has established himself as a pillar in the Indian techno scene. Having played at major festivals and clubs, he’s earned his stripes as one of India’s top artists. Even though he puts himself forth as a producer first and a DJ second, his mixing skills are not to be taken lightly. His mind- melting sets continue to be talked about and have had a long lasting effect on the dance floor. His reach has been far and wide with his releases making regular appearances in the sets of mainstays such as DVS1, Ben Sims, Truncate, DJ Stingray & many more. He’s also performed at festivals and venues such as ADE: Amsterdam, Womb: Tokyo, Sonar: Barcelona, Watergate: Berlin, Vh1 Supersonic: India. Dotdat’s dedication and persistence has led to international collaborations with Truncate and Benjamin Damage. His EP with Truncate ‘HYD’ still making waves on the dance floor. He has had a steady stream of releases which landed him on labels such as Ben Sims’s Symbolism, Truncate & BLACKAXON just to name a few. Founded in 2020, dotdat joined Observant, as their A&R representative where he currently scouts for old and new talent that inspires him. And moving into the year 2023, he has been steadily experimenting and honing his skills in modular synthesis as well.

̸BIOGRAPHY Despite his humble persona, as a DJ and producer, DOTT is an integral player in Bangkok’s ever-expanding underground house and techno scene. Can be sure his sounds will be typified by a deep house and minimal ingrained, tripping groove focused mentality. Although his sound is constantly evolving, DOTT interests is stapled to music for dancing. The approach in both his production and DJ sets is rooted in love for deep house and minimal, combining indelible bassline grooves with an intoxicating analogue sound palette. Despite his humble persona, as a DJ and producer, DOTT is an integral player in Bangkok’s expanding underground house and techno scene, he has played in some of the cities key venues such as BEAM, Glow, Safe Room and De Commune. His reputation has spread across the dance music scene network from clubs to festivals bringing his unique style to Singapore’s Headquarters, Epizode Festival, TAG Chengdu, Wonderfruit, Montreux Jazz Festival, Karma Kastle and a few of illegal and secret parties DOTT is also one of the three founders of "More Rice", an Asia-based, vinyl only label together with Sarayu and Mikhail, in which the direction is more towards obscurity. Their main vision is to support Asia's upcoming talents by creating great connections between them and other international artists around the world. He has played alongside the likes of Roman Flügel, Maayan Nidam, Dandy Jack, Thomas Melchior, Archie Hamilton, Alexi Delano and Eric Volta to name but a few. More recently he has toured Europe, bringing his sound to Paris, Lausanne and Fribourg. As a producer he has released on Body Parts, Oblack, Little Helpers, Whoyostro, Baile Musik as well as his own imprint More Rice and many more.

̸ BIOGRAPHY Record connoisseur, label boss, and sleight-of-hand specialist – Dr. B promises a rabbit-hole record bag, labrador-like energy, and a light-hearted, left-field approach to the dance. Dr.B’s roots are in UKG, growing a globally-recognised label slinging out toasty cuts from new producers and re-issues from the golden era, but this is just a slither of the London-born DJ’s eclectic collection. You only need to flick through his recent bumper to bumpers to see how far and wide he can go. Whether it’s meaty chunks of electro, techno, and minimal with Evan Baggs, cross-genre party starters alongside Bradley Zero, straight shellers with Interplanetary Criminal, or just throwing it down alone, he’ll bring a bag of belters whatever the weather, wherever the crowd. After establishing himself as one of the UK’s most in-demand selectors, the London-born DJ has taken operations worldwide. From the floating intimacy of Berlin’s Hoppetosse to the sheer scale of Glastonbury, Fabric’s brutal brickwork to the iconic caverns of Kiev’s Art Club Closer and Mkvtvarse in Georgia – local, national, and global venues are the workshops for Dr. B’s versatile trotters. If he’s not getting his stirling’s worth out of a treasured travel pillow, playing venues and festivals across the UK and beyond, you’ll find him shooting three-pointers, digging into next week, or kickin’ it in front of the box with a moderately-priced pho.

Eclair Fifi is a Scottish DJ and visual artist who has become of the UK’s most colourful, genre-agnostic DJs – someone who intimately loves and knows how to create that vital moment, when a party bursts into life.Eclair Fifi

Half Thai/Persian DJ. Born & raised in Bangkok, Thailand

̸BIOGRAPHY ELIZA: Is something troubling you?

̸BIOGRAPHY Elkka’s deep intuition is the unifying thread throughout Cardiff-born DJ and producer’s illustrious career. Vibrant releases for Local Action, Ninja Tune and her own label and party, femme culture, have marked her as an unstoppable force within the London underground. This recognition metabolised when she was awarded BBC’s prestigious Essential Mix of the Year in 2021, spotlighting her radiant blend of classic house, breakbeat and experimental electronica to the world over. As the next curator of DJ-Kicks, Elkka is voyaging through rave euphoria. “This is a really special moment for me because DJ-Kicks has been a formative part of my musical education,” she says. An intoxicating journey through Chicago house and disco, leftfield techno, UK bass and electro-punk, Elkka conjures up an atmosphere that is as primed for the club as it is the listener’s interior world. Elkka’s spellbinding DJ-Kicks mix starts with a simple whispered phrase: “Attention, lovers.” As ethereal synths gently undulate out of view, the life-affirming stomp of Shade’s 1978 disco classic Music Is the Only Way (I Can Communicate) comes into sharp focus. “I use track titles to communicate feelings. Often, I can’t verbally express how I feel, but through music, I can,” Elkka smiles. Specially-commissioned originals from artists Elkka admires inject a revitalising power into the mix. Pioneering experimental producer Herbert’s Keep Time (Nobody) is a percussive sound collage helmed by a supernatural, pitch-shifted pop vocal. “The vocals in it sound like Britney or Timbaland, who I obsessed over growing up. To have Herbert involved is like all my worlds in the naughties colliding at once.” London producer Breaka’s Like Water to a Fish deploys d’n’b breaks over a syncopated synthline, whereas Villager’s Monocyclical invokes the bursting energy of its title, acid 303 bass swirling bouncing around a driving 4/4 beat. Elkka’s own exclusive DJ-Kicks contributions further this magpie-like approach, and uncannily ring out like sister tracks. Hands’ lead synth melody and rolling hi-hat is gloriously uplifting, summoning the euphoric physicality of its title. Body is darker, heads-down cut, its chuggy percussion eliciting movement that can only be found in the dance. “You need both sides to everything. I wanted to write music that moves you and instantly evokes feeling. I’ve never connected with music that feels sonically ‘cold’ to me. That's not to say that warmth is always joyful, either – warmth can be anything that pulls you in, making you feel a connection.” 
This sense of intimacy permeates Elkka’s DJ-Kicks mix. “You have to just trust your own feelings. That’s exactly how I do everything – making sure that my music has my DNA in it and I feel connected to it,” she asserts. This intuitive practice also embodies a message of self-acceptance and community building for the LGBTQ+ community and women, both groups that she has championed since the start of her career: the rapturous trance of Carli’s Lights & Strobes thrust us into peak-time, while Australian producer’s Surusinghe’s Bad Girls is a fast and unexpected ride through UK bass. “Women’s voices and queer voices are very important to me. They always find their way into everything I do really naturally,” she says. Above all, this is a brightly-hued universe for you to get lost in; a portrait of joy and connection, set to the heady sounds of Elkka’s making. “I wanted to make something that was euphoric and celebratory,” she beams, “of everything I love.”

嶋田会希 – Elle Shimada is a violinist, producer, curator, DJ and multi-instrumentalist from Tokyo based in Melbourne. Fluidly fusing Tokyo’s futuristic underground sound with influences from London and Detroit House, Shimada’s production and live sets are a kinetic succession of dance beats and abstract compositions. Shimada has independently collaborated with a myriad of artists in Melbourne and overseas, performing and recording with Clever Austin, Paul Bender (Hiatus Kaiyote), Jace XL, Allysha Joy and Dufresne – music that can be found on releases by Worldwide FM and Stamp The Wax. With an undercurrent of feminism, cultural curiosity and a political mindset, Shimada’s musicianship been shown on stages supporting Lonnie Liston Smith, Giles Peterson and The Australian Art Orchestra.

̸BIOGRAPHY With individuality and experimentation at her core, Ellie Stokes is very much her own DJ. Having immersed herself in Bristol’s music scene since arriving in the late 00s, she could reasonably be considered a product of the city’s unique creative culture. Let’s sidestep tired ideas about trip hop and D&B for a second and focus on the West Country capital as a hotbed of broadminded experimentation, with a community ethos and supportive framework that encourages talent to shine through. Stokes was already working within the music industry when she started to channel her passion into DJing – she was working at vital independent venue The Love Inn, one of the hubs of Bristol’s underground music culture, where she’s now the booking agent and venue manager. When the female / non-binary Mix Nights DJ course began (helmed by leading lights such as Danielle and Daisy Moon), Stokes found the right nurturing environment to discover her instinct for selecting and spinning, initiating a career which has grown exponentially ever since. In 2018 she became a resident at Bristol’s leading club space Motion, and played life-affirming slots at premier league events and spaces such as Glastonbury, Love International, Warehouse Project, Love Saves The Day, Corsica Studios and Simple Things. As well as her dancefloor presence, where she’s likely to be plying leftfield house and techno tinged with industrial and 90s motifs, Stokes has a regular radio outlet via Bristol’s leading station, Noods. It’s on these shows her tastes truly open up, touching on ambient techno and electronica, all manner of wave-related sonics, EBM and much more besides. It’s a non-conformist style that favours individual expression over generic consistency, championing the omnivorous spirit of the times and presenting selections that feel honest, heartfelt and constantly surprising. Stokes’ musical endeavours reach beyond her DJing too – she also helps steer the city’s much-loved queer dance party Bitch, Please! and came on board as a partner in Futureboogie, which will soon branch out into a new label project in the near future. Her keen ear for the unusual and distinctive shine through in these ventures as much as when she’s on the decks, rounding out her positive contributions to all corners of the music scene in Bristol and beyond. She may be representative of the city as it stands right now, but Ellie Stokes is just as much her own vital energy in a tangled network of scenes, communities, parties and platforms that stretches out internationally.

Enrico Sangiuliano is a name you will have noted if you have been anywhere in the electronic music scene for the last few years. Starting out as a sound engineer in Italy, he started to produce electronic music in the ’90s. Italy was his playground, with the illegal rave scene exploding, this was where he made his first break. International recognition came in 2015 with his remix of DJ Boris’s “Can You Hear Me” on Alleanza, claiming the title as Beatport's highest selling techno track. ~ Soundcloud

London based artist, producer, remixer, DJ and founder of Phantasy. Previous resident at seminal Monday night weekly London club 'Trash', and later for dance music institution 'Bugged Out’.Erol Alkan

Mystery and ambiguity have long been established strategies through which artists can ensure focus remain on their music; for e/tape, who’s originally from Slovenia but spent his last decade between the Balearic Islands and the rest of the planet, it is just his level of commitment to sound. e/tape is a project built on the kind of uniqueness that only arises from a lifetime fulled by a desire to expand his inner self, the outcome is his way of inviting other's to join on these expanded states of consciousness. To speak broadly, his work could be described as ambient music, though the associations with the heavenly and blissful that this term creates are lost somewhere on the line. Expect your preconceptions about the importance of pulse, tempo and other western musical basics to evaporate in as subtle and rewarding a fashion as possible; his music will likely sound alien to even the most open-minded listener, therein lies his appeal.

̸BIOGRAPHY Etcher Etcher is an Acid orientated music maker, operating from Stockholm, Sweden. The sound has been described as a brew of Acid with an electro flavor, sprayed with eerie synthesizer work. First releases on Abstract Acid, (sub label of Abstract Forms, UK) highly acclaimed ‘Polytom Dusk’ and ‘Scalar Waves’ — followed by submissions for Brokntoys, Pastamusik and Mechatronica. Most recently, an EP for the acid lovers label no.1; ‘I ♥ ACID’ (UK), panning through different corners of the Acid genre, from 4/4 TB-303 assault to corrosive ambient bubblebath. ̸SELECTED DISCOGRAPHY ‘Phonetics’ • I ♥ Acid (UK) ‘Polytom Dusk’ • Abstract Acid (UK) ‘Scalar Waves’ • Abstract Acid (UK) ‘Departure’ • Brokntoys v/a (UK) ‘Super-translations’ • Mechatronica v/a (DE) ‘Corrosive Days’ • Pastamusik (DE)

̸BIOGRAPHY Felix has been part of the UK's underground dance scene for the last 3 decades, learning his trade DJing at free parties and illegal raves and co-founding his first record label Ugly Music in the 90's. Since then he's produced records for well renowned record labels worldwide including DFA, Rush Hour, Eskimo, Golf Channel, Claremont 56, Futureboogie and his own label Cynic. He has secured slots at well known clubs and festivals across the globe and the last few years has seen him receive a lot more attention due to his high profile residencies for Block 9 Glastonbury, Croatia's Love International festival and Houghton Festival in the UK. ̸SELECTED DISCOGRAPHY “Come A Little Closer” - Foolish and Sly (Cynic) “Who Said Boogie” - Ray Mang and Foolish Felix (Eskimo) “Travelling Man” - Foolish and Sly (Eskimo) “Dusk Till Dawn” – L.H.A.S. Inc. (Cynic) “Communicate” – The Mythical Beasts (International Feel) “Escape From Scapegoat” – Das Etwas (Mule Musiq)

Four Tet is the electronic outlet for the solo work of Kieran Hebden.Four Tet

̸BIOGRAPHY After orbiting Uranus for many years, the intergalactic booty hunter, Freakenstein, has come to our planet to BANG it . After orbiting Uranus for many years, the intergalactic booty hunter, Freakenstein, has come to our planet to BANG it . Using futuristic frequencies and sci-fi sonics to shake your bones and bounce your backsides his mission is simple … To make you move and unite the human species through the magic of music. As he travels the globe , sliding through the shadows and slipping through the strobes expect him to be dropping his weapons of ass destruction in a city or town near you . So protect your necks , bolster your butts and hold on tight … Freakenstein is on the loose tonight. ̸SELECTED DISCOGRAPHY https://www.discogs.com/Dawl-Tristan-Da-Cunha-and-Freakenstein-Untitled/release/13360028

̸BIOGRAPHY Worthwhile albums tend to be as much about the process of making them as they are about the end products themselves. One can almost hear formal, technical, even philosophical questions being asked and answered on them in order to arrive at something personally and politically new for the artist. "A Box Full of Magic," at once sprawling, cosmic, and psychedelic in the best of ways, follows in this album-making tradition. It is a record steeped in off kilter percussive time, live recording, occasionally summer cloud-paced tempos, and lush, emotional, melodic instrumentation. "A Sunrise On the Front," the final track of the record (and a composition crushing in its beauty), encapsulates much of this: recorded live on a Rhodes, the melody gives voice to the paradoxical sense of hope even during the pathology of war. Such conceptual ambition fits perfectly well within the capacious vision of Mathew Jonson's Freedom Engine, a project whose very name seems to explore and allow for the conceptual paradox and complexity of approaching freedom through the engine of technology. In a fundamental sense this tension between freedom and machine informs much of the album proper. Desiring to break out of his old ways of production and the boxes that went with it, the album abounds with fresh fascinations in things like the sound of mathematical equations, quirky time signatures, and experimental phrasing through intuitive timings to unlock a sense of magic, play, and spontaneity. There is, likewise, an interest in the liberating potential of deconstructing old sounds to make new ones, as Jonson applies techniques like innovative noise gating on classic drum samples to create space age percussion. At other moments, on "The Very Strange," for instance, air itself is sampled in field recordings to create unnatural percussive patterns. As is often the case with Jonson's work, an encyclopaedia of machines and synths are employed in the making of 'A Box Full of Magic," but what is perhaps new here, and in keeping with the dialectic he traces between freedom/engine, is that there is a non-mechanistic, spontaneous impulse at work in the recordings. While it is not a live album, it has an at times spiritual and organic inclination despite or perhaps because of the way his panoply of gear--Prophet 5, CS60, VCS3, et al--attempts to capture dream-like tonalities that can reach poetic heights on a track like the aforesaid "Sunrise" or morph into an almost diabolical, Lynchian dimension on "An Evil Charm (Where Is the Forest)." But while it is tempting to get lost in the trees of synth-arcana with Jonson's work, we should not lose sight of the forest here: With its openness to new ideas which in turn generate an album teeming with them, "Box Full of Magic" helps to expand the sonic vocabulary of contemporary dance music. Mathew Jonson lives and works in Berlin. He has been experimenting with electronic music since 1986. ̸SELECTED DISCOGRAPHY A Box Full Of Magic - Dekmantel - 2019

̸BIOGRAPHY Nuggin’ it up.

Gerd Janson runs the Running Back label, and DJs around the world under the name Gerd Janson. Gerd Janson is running the German label Running Back together with Thorsten Scheu (aka Glance). As many kids who have grown up in the early 90s in the South West of Germany, Gerd Janson was a regular guest at Mannheim’s legendary Milk Club. Although this venue was most popular for putting jungle on the map in Germany, Gerd always used to wait eagerly for the early morning hours when the pace slowed down and US styled house was the ruling sound. In the following years, his deep love for house and disco music was fed in Frankfurt’s Wild Pitch Club by Heiko MSO and Ata. In 1998, Gerd Janson finally had his first DJ residency at Darmstadt’s Café Kesselhaus.

☿️ Intergalactic Mermaid ☿️ GiGi FM aka Giulia Fournier-Mercadante is a French/Italian force well and truly to be reckoned with. Born and raised in Paris, Gigi moved to New York in her teens after being awarded a dance scholarship at the NYC Ballet and Alvin Ailey where she studied and practiced dance at the highest level before moving onward to her current residence of London where she continues to make waves with her unique approach to Music, Sound, Dance and Art. It wasn’t long until she became a firm fixture of South-London’s close-nit music scene, taking part in organising parties in DIY spaces and DJing regularly across the city (with regular appearances at London’s revered ‘Make Me’ parties). Listing Donato Dozzy, Bjork, Function, Neel, Aleksi Perrälä, Pierre Henry, E. Satie and Suzanne Ciani to name a few among her musical influences, Gigi is as creative in the studio as she is on the decks. GiGi associates textures and colours to sounds within the music, giving her a unique approach to collecting, selecting, playing and making music and affording a natural ability to create atmospheres and ambience unlike many others. After playing two stand-out sets on Boiler Room in recent times, she is now about to embark on a Boiler Room club-tour covering some key UK and European cities, placing her among a select number of her musical piers. Add to this a fast-growing list of gigs and many more exciting projects in the making, the future looks very bright for GiGi FM indeed!

Calypso “[My parents] simply didn’t understand why I’d love to study music. They believed to study music or to become a musician or composer was a silly idea...I had to find my own way and it wasn’t so easy.” The words of the Venetian composer, musician, producer, and polymath Gigi Masin ring true in the ears of those young and old, past present and future, who want to be creative but feel restrained by family and society. Always an innovator, Gigi’s first experiments in the late 1970s were sound collages made while working for theatres in Venice, working with tape loops, field recordings, and turntablism. Experimenting with tape allowed him to discover a new language to express himself, more than in his original ambitions to be a guitarist and violinist, looked down upon by his parents. It was difficult to find a local audience for these works, culminating in the release of his debut album Wind in 1987. A nation and society at the forefront of so many strands of Western music and high culture, Italy was staid and traditional. Gigi believed there to be “a poor sense of culture and a sort of intellectual haughtiness in the Italian media about Italian musicians in general” – especially if they had anything to do with the avantgarde. The music on Wind is stripped back, bare, almost alien in their stillness, with the steady pulse of his beloved Korg Poly-800 echoing the lagoon waters around him. Underappreciated on its release, Wind soon gained a cult following among late night radio listeners, hearing these gentle echoes of the Venetian landscape, reflecting a personal outlook on Venice from a native son; a rare artifact in a world where the platonic Venice can be heard and seen from artists the world over, but images and sounds of the actual Venice are harder to come by. Gigi is a rare exception. Released for free, Gigi never expected much to come of it. His 1989 joint album for Sub Rosa with This Heat’s Charles Hayward, Les Nouvelles Musiques Du Chambre, took on a life of its own when his track Clouds was sampled by Björk, To Rococo Rot, Nujabes, Black Eyed Peas, and Post Malone – but Gigi remained in obscurity. His output slowed from the early 90s as he raised a family and worked dutifully for Il Posto. Tragedy struck in 2007 when a flood destroyed the vast majority of his archives: instruments, tapes, records, and memorabilia. Salvaging what he could, he took to the computer for the first time, starting the next phase of innovating. In 2014, Dutch label Music From Memory released Talk To The Sea, a retrospective of the past 30 years of Gigi’s output, favorites handpicked by label heads Jamie Tiller and Tako Reyenga. It marked the start of the wider recognition Gigi so richly deserved, receiving praise from media and figures like Devendra Banhart, who claimed to listen to the album daily, praising in an interview in The Quietus how his music “is representative of the entire spectrum of emotions, which is what I think I, as a fan of music, am often looking for”. Through the label, Gigi met British producer and Melody As Truth label head Jonny Nash and cult Dutch DJ and producer Marco Sterk (Young Marco), forming the trio Gaussian Curve and releasing their debut Clouds on the label in 2015. Gigi says it was “an instant friendship”, a dream collaboration where they only had to sit in a studio and “let the music fill the space”. Back in Italy – where he remains, just outside Venice, having left his post office job to devote himself to music full-time – he struck up a relationship with Luciano Ermondi and Paolo Mazzacani of Tempelhof after a show in Mantua; their two joint albums for Italian label Hell Yeah – Hoshi and Tsuki – came in bursts of inspiration, virtually but simply. Gigi also appeared on PAN as part of Lifted, a group spearheaded by Future Times founder Andrew Field-Pickering (Max D / Beautiful Swimmers), also featuring Matthew Papich (Co La), Jeremy Hyman (Avey Tare’s Slasher Flicks), Motion Graphix, Jordan Czamanski (Juju & Jordash), and Dawit Eklund (1432 R). A series of singles came on Throne of Blood, Dekmantel, and Light In The Attic, along with dates at festivals, galleries, and opening for Oneohtrix Point Never and Devendra Banhart. With more international tour dates, upcoming collaborations, an upcoming album of new material - Calypso - on R&S/Apollo, and a continuous refusal to be pigeonholed as ambient, new age, Balearic, modern classical, or whatever you wish to call him, Gigi Masin continues to be one of the most quietly innovative and singular artists in the scene. Not wanting to rest on his laurels and remain tethered to past triumphs, he remains facing forward, doing things “in the same way I did in the past, when nobody cared”.

̸BIOGRAPHY Norfolk's no1 left handed DJ duo. For some dance music fans, Hamish & Toby may be their new favourite DJs thanks to a recent US tour and excellent sets at festivals like Glastonbury, Dimensions, Houghton and Freerotation. 2022 was, after all, a breakthrough year for the UK duo. But in their own, close-knit world of Discogs fanatics and vinyl purists, Hamish Cole and Toby Wareham are admired and established names. They met while studying in Leeds, bonding over a shared love of wiggly bombs at countless clubs and hazy afterparties. They ran events (Butter Side Up, Dog Eat Dog), DJ'd tirelessly and continued to dig for obscure gems. Within a few years, they were both working full-time music jobs in London, running Dimensions Festival (Hamish) and The Pickle Factory (Toby). All in all, they've dedicated the past 15 years of their lives to dance music. For all their behind-the-scenes work, Hamish & Toby's true love is DJing together. They're known for their long, expressive sets that go, in their own words, "all over the map." Their timeless selections, and adventurous genre-bending style, has made them ones to watch on the deep digging DJ circuit. Bookings: jodie@mdcberlin.com

̸BIOGRAPHY Irish born artist based in Glasgow and London. Hammer is known for his love of deep rolling arps, old analogue synths and big euphoric melodies. Recently playing festival and clubs like Love International, Panorama Bar, Glastonbury, Fabric and headlining AVA Festival in his hometown in Belfast. Alongside releasing tracks on labels such as Unknown To The Unknown, Correspondent, Optimo Music, Sulta Selects and Shall Not Fade, Hammer has been doing live streams at the Saatchi Gallery with Feel My Bicep, B2B live stream for Warehouse Project and Resident Advisor with Sally C and a Boiler Room show in Vienna. Making productive use of the lockdown period, Hammer launched 2 new labels, Italo Hiits and Remmah. Italo Hiits was born out of his fund raising home workouts, giving himself and his audience a music orientated wellness space that was as high energy as the tracks he made for it, ‘I Wanna Be Like You' is a pure slice of Hi NRG nostalgia. With 3 colour vinyl releases to date, the label is dedicated to his indulgent modern take on Italo Disco. The other label he started in 2020, Remmah, is heading towards its 10th release. The personal project has now become a platform to launch new talent into the industry. Giving space to debut artists from all backgrounds around the world such as Sublime Sound, Stevie Cox, Anna Gram and his latest release, the hugely successful ‘Muleña’, a collaboration with emerging artist Killimanjaro. Next year, Remmah will share its first compilation album, featuring both established and emerging artists, including Optimo’s JG Wilkes, Anna Gram, Ysanne and Remmy. Hammer's collaboration comes from love of people and creativity. Finishing this year strong with the ‘Scope EP’, a powerful piece of synergy with DART on their favourite label, Shall Not Fade. Hammer’s final release of 2022 is on Terr’s label, Clash Lion. He goes back to his arpeggiated sound for this EP, working with 2 vocalists, Michelle Manetti and Alice Killme. ‘Transit EP’ includes a massive remix from Terr herself. Hammer has proven himself a worldwide DJ, setting off on his second North American and Indian tours this year. Hammer will continue creating sell out vinyls on his The Hammer Hits white label, like ‘Love Somebody’ and ‘Strong Enough’. With Hammer, you know there’s always more to come with a huge new disco edit planned on his white label, a track that was tried and tested at Houghton Festival this summer. ̸SELECTED DISCOGRAPHY http://www.discogs.com/artist/Hammer

̸BIOGRAPHY DJ.Producer.Label Boss Hannah Holland has played a pivotal role in London’s alternative and queer London club scene since the mid-noughties, arriving on dancefloors sharing electro tinged techno but equally inspired by the influential sounds of DnB and jungle heard at legendary parties such as Metalheadz, which she had frequented in her early teens. The cultural melting pot of London, community, musical exploration and the transcendent potential of dancefloor have always been her biggest inspiration. Having already been “borrowing” (and perhaps never since returning) Kraftwerk, Grace Jones and Talking Heads records from her parents, the influence of this metropolitan musical soup ensured that Holland emerged on the decks with a unique musical character and diverse taste, hallmarks of her sound that she has not lost since, whether undertaking residencies at iconic parties such as Trailer Trash, rocking Glastonbury’s hedonistic and spectacular NYC Downlow, or undertaking far-reaching marathon sets at Berlin’s Panorama Bar. Founded in 2009 as both a record label and party, Batty Bass began Holland’s outlet to explore the disparate strains of electro, acid, techno and house that drive her charismatic DJ sets forward, delivering party-friendly wax cuts from like-minded producers such as Josh Caffe, The Carry Nation, Mama, Lauren Flax and Justin Robertson’s Deadstock 33s. The imprint also provided Holland with a self-determined platform for her own music, memorably including ‘Paris’ Acid Ball’, an acid-tinged anthem that continues to summon voguing sweat in queer spaces worldwide. Holland scored another anthemic moment in 2017, in collaboration with longtime friend and creative partner Josh Caffe on ‘Fade To Me’, released on Crosstown Rebels, following the ‘Lush EP’ ft. IMMA/MESS, via seminal UK house imprint, Classic Music. Meanwhile, her powerful remixes of DJ Hell, Goldfrapp, The Knife, Planningtorock remain as forward-thinking and exciting as the acts themselves. In 2019, Batty Bass will release a wealth of new material from Holland herself, developed alongside her role writing, producing and playing with the dark-pop band, Black Gold Buffalo, who released their self-titled, long-awaited debut album in 2018. Capturing much of the same rave euphoria and timeless sound in her early work, Holland’s upcoming releases reflect the changes in the landscape of UK dance. Recent appearances have included Fabric for the extravagant Lovechild/Vogue Ball, alongside the notorious London underground parties Savage, Chapter 10 and Adonis. On the fringes of the capital, Holland is a regular at the annual Field Manuevers boutique festival, and across the Atlantic, has guested at the infamous US rave The Carry Nation, alongside her recurring appointments at Panorama Bar in Berlin. ̸SELECTED DISCOGRAPHY 2018 Black Magik Dawn - Josh Caffe (Prod. Hannah Holland) Black Gold Buffalo - self titled album (co-writer) 2017 Come Correct EP - Hannah Holland (Get UP Recordings) Systemagic (Hannah Holland remix) - Goldfrapp (Mute Records) As If (Hannah Holland remix) - The Carry Nation (Batty Bass) Hannah Holland ft. Josh Caffe “Fade To Me” EP - (CrossTown Rebels). Remix by Tuff City Kids Waterson “Shelter (Hannah Holland Remix)” (Back To The World) 2016 Fran Lobo “Surround (Hannah Holland Remix)” White label. The Carry Nation “Breakwater (Hannah Holland Remix)” (Get UP Recordings) "Lush EP" ft. IMMA/MESS (Classic Music Company) "ILL City Exit" Spatial Awareness (Twirl) 2015 "10th Planet EP" Saytek & Hannah Holland "Penkenna" - Black Gold Buffalo (producer) "Backroom Baby" Hannah Holland & Josh Caffe (Nervous Records) "Batty Bass In Retrograde" - Various Artists (Batty Bass) 2014 "Nyctophilia" - Hannah Holland (Clouded Vision) "Play With The Maid ft. Josh Caffe" - Hannah Holland (Get Up Recordings) "Feel My Freak (Deboa & Hannah Holland Remix" - Michael Bibi (Native City) "Amillion" - Black Gold Buffalo (producer) "Body of Verity" - Black Gold Buffalo (producer) 2013 "Live It" EP - Hannah Holland (Get Up Recordings) "Feels Like A Drug" (Hannah Holland Remix) - Audibilis (Join Our CLub) - forthcoming "Raging Lung" (Hannah Holland Remix) - The Knife (Rapid Records) - forthcoming "Guess Who" (Dan Beaumont & Hannah Holland Remix) - The Ride Committee (Batty Bass) "Love Overdose" (Deboa & Hannah Holland Remix) - Alex Deamonds (Native City) "I'm Goin' Under" (Hannah Holland Remix) - Christy Love ft. Ana Matronic (Get Up Recordings) "House Like This" (Hannah Holland Remix) - The Carry Nation (Batty Bass) 2012 "Ralph & Vikki" (Hannah Holland & Deboa Remix) - Smokin JO (Native City) "Fight EP" - Hannah Holland & Deboa (Native City) "Chimera" (Hannah Holland Remix) - O.Children "Stranger" (Hannah Holland Remix) - The Deadstock 33's (Batty Bass) "Diskolight" (Hannah Holland Remix) - PIlocka Krach (Greatest Hits International) "I Prefer Women To Men Anyway" (Hannah Holland remix) - DJ Hell (International dj gigolo) "Drop The Bass" (Hannah Holland remix) - Bubba (Batty Bass) 2011 "Gurl" - Hannah Holland (Batty Bass) "Re-Bokk Robot" (Hannah Holland remix) - POSH! The Prince (Batty Bass) "Rise Of The Artists" (continuous dj mix) - Hannah Holland (Batty Bass) 2010 "Paris Acid Ball" - Hannah Holland (Batty Bass) "Transexual Bass" - Hannah Holland (Batty Bass) 2009 “Packet of Peace” (Hannah Holland remix) - Lionrock (Deconstrucion) “What You Feel” - Hannah Holland (Playtime) “Namedropper” (Hannah Holland Remix) - Jahcoozi (Batty Bass Records) "Dutty Charge" (Hannah Holland remix) Dr. Woogie ft. MC Chickaboo and Mama (Batty Bass) "Bad Side" (Hannah Holland remix) - Worthy and Yankee Zulu. (Playtime) Records "Dont Let Go" (Hannah Holland remix) - Yo Majesty. (Domino Records) "Shake It Up" ft. Mama - Hannah Holland. (Batty Bass) "Hotsteppa" (Hannah Holland remix) - Spektrum. (Stop Start Records) 2008 "Banshee" - Hannah Holland. (Playtime Records) "Saiko" (Hannah Holland remix) - Sudha. (Bish Bash Records) "Crying Blood" (HAnnah Holland remix) - V V Brown. (Island Records)

̸BIOGRAPHY From the coast of Pembrokshire, you can now find him at one of London's finest basements 17 Little Portland Street, or behind the counter Yo-Yo Records London. Born and raised on the West coast of Wales in his family jazz cafe / art gallery (Peppers). With no local clubs Harri's first taste of Djing was at free parties in the deep valleys and mountains of Pembrokeshire. After playing the first event for 'Stamp the Wax' in 2013, Harri was welcomed as consigliere and chief resident DJ; representing the collective across the festival and club circuit of Europe. Now settled into London you can catch him at London’s finest basement; 17 Little Portland Street or at his longstanding Saturday night residency with London's iconic music venue The Jazz Cafe. His musical ear forever growing as his time behind the counter at 'Yo-Yo Records London' continues within the beautifully curated store. Harri's twisted 'Sunday Uppers' party at The Lion and Lamb invites special guests for extended sessions, delving deeper into the Sunday sounds. Picked up by Dimensions festival in 2017 as member of the ‘DJ Directory’, Harri's broad selections don't go unnoticed. Now making movements up and down the UK / Europe playing anything; whether it be cruising warmups or hectic closes, Harri has certainly built up a reputation for his no-nonsense party starting and odd ball selection. Past: Former dj name 'Original hp'. Former residencies: Ghost Notes (London) Balamii Radio (London) Slix Disco (Bristol) Piff (Bristol) Ist Das (Bristol)

Hamburg native Helena Hauff is an in-demand DJ as well as an acclaimed producer of gritty, hard-edged electro-techno. Her music draws from influences such as acid house, EBM, and industrial, and she records her tracks strictly using analog equipment, usually in one take. Her full-length debut, 2015's Discreet Desires, contains some of her most melodic material, while 2018's Qualm is more stripped-down but no less energetic. Hauff has released a handful of EPs, including 2019's Living with Ants and 2021's Futuros with the Exaltics. ~ AllMusic

̸BIOGRAPHY Higher Intelligence Agency was formed by Bobby Bird in May 1992, at the same time he and fellow Oscillate club collaborators started running their legendary experimental electronic music nights in Birmingham UK. Improvising live tracks between records,.. 92 HIA was formed by Bobby Bird in May 1992, at the same time he and fellow Oscillate club collaborators started running their legendary experimental electronic music nights in Birmingham. Improvising live tracks between records, the early HIA evolved out of sight in a live setting. Soon afterward the beyond record label started up in Birmingham, and the first track to be released, Ketamine Entity, appeared on the genre naming album Ambient Dub Volume 1 93 Released a single Speedlearn, some more tracks on compilations, and in December, a well received debut album Colourform. The Higher Intelligence Agency now began taking their sonic experimentation out live across the country. 94 Seeing in the new year performing at the Brixton academy megadog, they went on to play at the love parade in Berlin, the tripping on sunshine festival in Copenhagen,and the oscillate - triple X in a 2,000 capacity gas holder in Amsterdam, both playing and DJing at this event, which was co-organized by oscillate, alongside Orbital, Autechre, Pentatonik and Sun Electric. Released Reform EP on Beyond records and contibuted "Selinite" to the seminal Artificial Intelligence compilation album on Warp Records. also commissioned to write a 30 minute track for an installation in the mysterious, musée’ lilim, in Carcassonne, south of France. 95 Remixes for Biosphere (novelty waves), & Pressure of Speech (mothmath). In June played at Glastonbury festival, and in September released their second album, Freefloater. In October,a live collaboration between Higher Intelligence Agency & Biosphere took place on the top of a mountain in Tromso, Norway. The music, sponsored by the Norwegian arts board, was based around samples taken from the sounds of the mountain cable cars. 96 Recorded an album in collaboration with Deep Space Network. Remixes for obconic, freeform & Space Time Continuum .Live Album ’Polar Sequences’ - biosphere / higher intelligence agency released in August. 97 ‘Deep Space Network meets Higher Intelligence Agency’ album released on Source in February - Higher Intelligence Agency/Pete Namlook album S.H.A.D.O. released in June. A second collaboration between Biosphere & Higher Intelligence Agency took place at the ‘Birmingham Frequences’ live event in October. 98 Headphone, a new label, was set up by Bobby Bird, mainly to release his own material & collaborations .The first release on the label, System Error - Nothing, was released in December. 99 S.H.A.D.O. 2 second collaboration album with Pete Namlook. 2000 Birmingham Frequencies Higher Intelligence Agency/Biosphere released on Headphone. ̸SELECTED DISCOGRAPHY HIGHER INTELLIGENCE AGENCY Colourform Beyond 1993 HIGHER INTELLIGENCE AGENCY Freefloater Beyond 1995 HIGHER INTELLIGENCE AGENCY & BIOSPHERE Polar Sequences Beyond Records 1997 HIGHER INTELLIGENCE AGENCY & PETE NAMLOOK S.H.A.D.O. Fax Records 1997 DEEP SPACE NETWORK MEETS HIGHER INTELLIGENCE AGENCY Deep Space Network Meets Higher Intelligence Agency Source Records 1997 HIGHER INTELLIGENCE AGENCY & PETE NAMLOOK S.H.A.D.O. 2 Fax Records 1999 HIGHER INTELLIGENCE AGENCY & BIOSPHERE Birmngham Frequencies Headphone 1999

̸BIOGRAPHY One of the most respected electronic composers of the '90s, Howie B is a sonic polymath whose production work with U2, Bjork, Tricky, Brian Eno, Sinead O'Connor, Sly and Robbie and Everything But The Girl has made him an ace hired gun often called upon.. Howie B / Biography 2010 One of the most respected electronic composers of the '90s, Howie B is a sonic polymath whose production work with U2, Bjork, Tricky, Brian Eno, Sinead O'Connor, Sly and Robbie and Everything But The Girl has made him an ace hired gun often called upon to give pop stars credit in the dance world. Born in Glasgow during the 60s, Howard Bernstein grew up in an unenviable position; a Jewish child within the west of Scotland's sectarian divide. Rejecting all forms of bigotry and division he found solace in music. Invigorated by John Peel's scattershot broadcasts, he began collecting 70's vinyl from the likes of John McLaughlin, Santana and Gong. After moving to London he gained production skills with a 3 year stint at Lilley Yard in Fulham, manning the controls for Swing Out Sister and the Siouxsie and the Banshees. By the mid 80s Howie was part of Soul II Soul's 'weekend posse' and reinforced the connection with Nellee Hooper and Jazzy B with contributions to the first Soul II Soul album. During the 90s he worked with Massive Attack and a pre-jungle Goldie, began releasing 'Howie B Inc' 12s on James Lavelle's Mo' Wax label and helped to programme Tricky's Island-deal securing demo’s. 1993 saw the launch of his own imprint, Pussyfoot, and two years later he collaborated on and co-produced U2s 'Pop' album. He was invited to produce the live sound for its accompanying world tour, a project that went far beyond previous attempts in merging rock spectacle and electronic ingenuity. Howie continued a small-but-steady stream of material. Moving hip-hop instrumentals a step beyond the experimental joined him with beat junkies like DJ Shadow, U.N.K.L.E., Portishead, and Coldcut at the forefront of a U.K. breakbeat renaissance. Although his genre-spanning work with Skylab on 1994's '#1' brought his talents for organized chaos before a wider audience, it was ultimately his role in the production chair for such artists as Tricky, Björk and, eventually, U2 that landed him a multi-album recording deal with Polydor, yielding LPs including 1996's 'Music for Babies', 1997's 'Turn the Dark Off', 1999's 'Snatch' and followed by 'Folk' in 2001. He provided music for Wim Wenders' movie 'End of Violence' and the short film by Run Wrake that accompanied Music For Babies has won numerous awards. Recent production work has included Happy Mondays' first album in 14 years, which is also set to feature a guest appearance from Ry Cooder. His most recent releases include ‘Last Bingo In Paris’ for French label Stereo Pictures and 'Mayonnaise' (a collaboration with Crispin Hunt and Will O’Donovan) for U.S. label Lunatic Works/BMG. Recently Howie has been involved in the world of fashion, working with Italian Fashion House Fornari in the creation of his design collection HVANA. Music For Astronauts and Cosmonauts is his first collaboration with Icelandic musician and artist Húbert Nói, produced over the last eight years in the legendary Greenhouse Studio in Reykjavik. Both recently performed the show with cellist Borgar Magnason at the Donaufestival in Austria. Over the last few years he has been working in China with young musicians (and older ones), there he has been focusing on sharing his production skills with the emerging music scene. He recorded an album with Ciu Cian the "rock god" of China in 2008/9 and wrote and produced for Sa Ding Ding who featured in the film score he created for the Chinese Film Production of "Gasp". Last year Howie formed a band with members of the Italian group Marlene Kuntz and their producer Gianni Maroccolo . The name of the band is "Beautiful" and their album will be released later on this year. At present he is relaunching his label Pussyfoot and setting up another label with Craig Richards that will focus primarily on dance music and art. He is working closely with Keith Reilly of Fabric, curating live music and art installations and has also just been commissioned by the Milan planetarium with another four musicians to compose a musical back drop to a space show to be performed live in 2011. As well as still DJing regularly in clubs around the world, Howie recently debuted his new Live show at Fabric, a fully improvised, hardware only, dark dancefloor set that will be followed by a full Live tour in 2011. His new album, 'Good Morning Scalene' is a collection of twelve new pieces of music from Howie, produced and recorded in Italy, China and London and will be released in March 2011.

Ross Birchard is the one of the most exciting record producers to come out of Scotland in the last ten years, seducing heads and ravers alike with his neon-lit R&B and warehouse smashing low-end production. Now, as the unlikely poster boy for a new ge..Hudson Mohawke

Every DJ would like to think themselves a real musical connoisseur, but Hunee really is - it’s not him that says so, but pretty much anyone else whenever the man born Hun Choi pops up in conversation. His DJ sets have of course taken him all over the world from Aus to Asia, America to Europe, but they take listeners much further. As likely to draw for a classic house record as he is a disco curveball, a boogie delight or mixing an African bomb into a techno record, each selection he makes is a thing of true passion – you can see it not only in his eyes, but so too in the eyes of those dancing along whether he is making one of his appearances on Boiler Room or holding down a residency on NTS radio.

Manchester

Isolée is Rajko Mueller, born in Frankfurt, Germany. He lived with his family in Algeria from the ages of 7 to 12 and went to a French primary school (and on the weekends to a beach called Beau Mot Plage) before returning to Frankfurt with his fami..Isolee

̸BIOGRAPHY Along with the likes of occasional partner-in-crime Andrew Weatherall, Ivan has the ability to play music like a raw conduit between his famously obscure records and the dancefloor's strobe-soaked bodies, injecting something of himself seamlessly into.. France's most wanted radio host and selector, Ivan Smagghe stands at the crossroads between glamorous parisian hype and musical integrity. His genre defying/defining production work originally in Black Strobe and now in It’s A Fine Line (who have recently finished Battant's second LP, As I Ride with No Horse) has connected him to and garnered the praise of (amongst others) James Murphy, Trevor Jackson, Ata, Optimo and the aforementioned Weatherall. All fellow crusaders in the fight to prove that electronic music can be so much more than a one dimensional soundtrack for a night on the lash. The success of his musical blog 'a few things from Ivan Smagghe' has generated a compilation series of edits for Paris uber-fashion store Colette. The first volume sold out in a couple of weeks. His project with Tim Paris, It's A Fine Line, has already put out numerous remixes (from Superpitcher to the XX) and releases that can't be pigeonholed (electro rockabilly on Kompakt to italo rickety disco on Marketing Music). Their new studio is now fully set for original music, remixes and production. Expect a lot more from them in 2012. Aside from his A&R role for now 10 years old label Kill The DJ (who have released the first EP of RMVN, Ivan’s project with Roman Flugel), Ivan has also started solo work (a noted remix for Parisian label Meant) as well as more planned collaborations with musical friends (Ewan Pearson and Tiga being first on the list). You can catch Ivan subverting the masses on any given weekend, all around the world. Go to http://afewthingsfromivansmagghe.blogspot.com/ for more info, thoughts, and edits.

̸BIOGRAPHY Giovanni Jano, better known as Jaël, is a 24 year old Moluccan musician, producer, deejay and singer from The Hague, The Netherlands. His passion for music all began when he grew up with soul/funk classics & Vinyl. His parents are funk & soul lovers, so Jaël started to embrace these vibes and wanted to make his own music. Jaël came into contact with the guitar, drums, keys and started to realize that playing music is his destiny. Playing instruments become second nature to him, but a few years later he was exploring some music programmes, and felt like making music on his old Windows PC. Jaël mixed his soul & funk feels with his electronic vibes and combined it with a touch of smoothness & Beats. His most favourite artists are: Sango, Anderson Paak, J-Dilla, Kaidi Tatham, DEGO, Steve Spacek, Domu, Butcher Brown, DJ Harrison, Mndsgn, Dwele, Slum Village, Erykah Badu, Flying Lotus, D'Angelo, DJ Rob Manga, Mayer Hawthorne, Kendrick Lamar, BJ The Chicago Kid and many more. As a Deejay he's still fully inspired by his uncle DJ Rob Manga. Jaël was growing into the dutch Deejay scene and came in contact with great names like Jarreau Vandal, Full Crate, The Flexican & also was booked at the biggest festivals in The Netherlands such as Latin Village & Eastville Festival. Currently, Jaël is searching and creating his own sound and is busy on his debut EP that is scheduled to drop in 2017. It contains influences of artists such as Bryson Tiller, D'Angelo & Anderson .Paak. In the past few years Jaël got really inspired by these soulfull artists. The EP contains acoustic songs & futuristic sounds. Jaël is known as a remixer/beatmaker/deejay, but he is also a singer. So be on the lookout for Jaël's vocals & instrumental sounds. Stay on his grind.

̸BIOGRAPHY Jake Mehew is a composer, performer, producer, DJ and radio presenter, based in Leeds UK. Jake's work combines principles of free improvisation, with the technological considerations of the avant-garde. Jake uses a combination of acoustic instruments, modular synthesisers and samplers to create rich, meditative soundscapes that envelope the audience within an immersive quadraphonic sound field. Having spent years studying the causation of flow, Jake endeavours to create the conditions for spontaneous and radical composition in his live work, seemingly conjuring whole universes of sound from a self-induced act of trance. This process imbues Jake's live music with a certain sense of danger, as if everything could go wrong at any given moment. In establishing himself as a solo artist in 2020, Jake has completely re-established his performative practice. With support from Sage Gateshead, Jake has built a modular synthesiser, capable of generative improvisation, quadraphonic sound dispersion, and real-time sampling; all of these elements are arranged around his practice of keyboard free improvisation, using a Fender Rhodes to contextualise the choices of the computer. On the 9th September 2022, Jake released his debut LP Sage with ATA Records. In August 2020, Jake was awarded an opportunity to take part in the Sage Gateshead Summer Artist Residency programme. During an intense week of hermit-life in his studio, Jake worked for 80 hours to write, arrange, engineer and produce this monumental 55 minute record which had no pre-conception prior to the residency. This record is full of solos, and features collaborations between notable Leeds based improvisers DJ NikNak, Joel Stedman and Joe Love of Ancient Infinity Orchestra, Chris Duffin of Virginia Wing / Beautiful Lunches, and Jay Taylor. Jake has supported artists such as Suzanne Ciani, The Comet is Coming, Sunda Arc, Soccer 96, Arooj Aftab, Matthew Halsall, Mdou Moctar, Roy Ayers and Mabe Fratti. He has performed at Gilles Peterson's We Out Here Festival, exhibited work for the Leeds International Piano Festival 2021 and has submitted digital work which was broadcast as part of an international programme for Nils Frahm's Piano Day 2021. Jake has recently installed a performance for grand piano, modular synthesiser and quadraphonic speaker array at the International Festival of Ideas 2022 (Howard Assembly Rooms, Leeds, UK). As someone who finds inspiration in technology and innovation, Jake has found opportunities to collaborate with musical brands such as Rhodes®, and Audio Technica. Jake was commissioned to showcase the new Rhodes® MK8 piano at Superbooth Berlin 2022, and demonstrate his unique approach to interfacing a Rhodes® through his modular system. Jake’s collaboration with Audio Technica involved manipulating field recordings captured with AT microphones, and creating an improvised performance with Henry Weekes at the Analogue Foundation Studios in Berlin. The collaboration with Audio Technica was in celebration of their 60th birthday. Jake has been awarded a residency with Britten Pears Arts, to workshop a new audio/visual performance, and is receiving mentorship from the Help Musicians Co-Pilot scheme to further develop the integration of technology within his performative pieces. ̸SELECTED DISCOGRAPHY Sage / Jake Mehew (ATA027) Ambient Modular Library Vol. 1 / Jake Mehew (MSRCA001) Ambient Modular Library Vol. 2 (Feat. Lindenbaum Modular) / Jake Mehew (MSRCA002) Constellations / Jake Mehew (MSRDI002) More Than Soul / Space Dolphin (MSRDI001)

Jamie Tiller has an often unrivalled knack for rescuing a seemingly endless supply of discarded musical gems from the murky depths of the record underworlds..Jamie Tiller

̸BIOGRAPHY file under: ambient. acid. deep. house. progressive. psychedelic. techno. trance. "It's not what records you have, but what you do with them, that's important" ̸SELECTED DISCOGRAPHY https://www.discogs.com/artist/584256-Jane-Fitz?type=Credits&subtype=Production&filter_anv=0

̸BIOGRAPHY Hailing from North London, 26-year old Jasper Tygner is a producer, composer and multi-instrumentalist. Jasper creates kaleidoscopic arrangements of rave-inspired, melody-driven tracks bursting with melancholic detail. Hailing from North London, Jasper Tygner is a producer, DJ, composer and multi instrumentalist. Shaped by early raving experiences growing up in London’s electronic underground scene, Jasper cites legendary institution Plastic People, along with a deep reverence for Jungle, dubstep and garage as key formative influences. During the lockdown of 2020 Jasper started a series of instagram “Bedroom Rave” live videos. Jasper’s on-the-fly performance series gave viewers a first hand look into him performing on an array of drum machines and analog synthesisers and very quickly garnered the attention of dance music heavyweights including Bicep, Kink, Disclosure and DJ Seinfeld. With his early releases on Shall Not Fade and Needwant along with a two-part release on Silver Bear Recordings, Jasper is taking solid leaps with his solo project and progressing as a producer and DJ alike. Jasper’s productions have been supported by Jaguar, Pete Tong and Jamz Supernova along with extensive airtime on BBC Introducing and Reprezent, aswell as being named one of Amazons 'Ones To Watch' 2022.

̸BIOGRAPHY Jay Carder fuses UK techno with bass, breaks and 4/4. Laden with percussion, her selections are a concoction of heavy leftfield sonics and lighter psychedelic sounds.

̸BIOGRAPHY Jayson Wynters is a DJ that is able to combine many genres in one set and make it work. Wynters was first known as a garage MC in Birmingham, before rising to prominence in the city’s underground radio and club scene, where he showcased an impressive.. It was in 2015 that Wynters began to really stand out from the rest, with a particular techno legend taking notice. None other than Mr G had found himself a protégé and announced he was signing Wynters to his own label Phoenix G. Mr G’s first release of 2016 was Wynters EP 'Unfamiliar Territories', a 4 track record that is hazy, technoid and threads into deep territories. This is also only the second time Phoenix G has released a record that isn’t from the label founder himself. Understandably, it has taken something rather special for this exception to occur. Wynters music exemplifies his perspective, and therefore his collection of life experiences—the ups, the downs, good times and not-so-good times. Using music as an outlet for expression, whether in the form of DJing or having fun on some drum machines and synths, is one of the most defining features to Wynters. He continues to fuel his passion by keeping an eye on the future rather than the past and striving to remain different.

Jeff Mills, along with Robert Hood, Carl Craig, and Joey Beltram, is one of the biggest American names in techno. Championed for his music's relentless pursuit of hardness and his intense, almost industrial DJ sets (often utilizing three or four turntables or CD decks and a drum machine), Mills is one of the most significant figures in a long line of Detroit-bred talent to earn an international reputation. A founding member of noted Motor City institution Underground Resistance, Mills helped build the artist roster and label ideology (as well as much of its back catalog) with partners "Mad" Mike Banks and Robert "Noise" Hood during the late '80s and early '90s. ~ AllMusic

With his roots in Assam, northeast India, and his hustle now based in Sydney, the psychedelic soul-savant known as jitwam. has cemented his reputation as a world-class DJ, live performer and label head at The Jazz Diaries. Following his Detroit Swindle collaboration 'Coffee In The Morning' and his 'Back To My Place' outing on Darker Than Wax, his new EP 'Sun After Rain', with French producer Folamour is a keys-driven dance floor groover, complete with triumphant brass stabs and a rock solid rhythm section. Delivering a promise of the brighter tomorrow that the world is currently yearning for. Utilising knowledge acquired through years spent digging through dusty crates, and talents honed as a multi-instrumentalist, producer, and vocalist, jitwam moves freely between the dancefloor and your headphones, fusing musical identities and stitching together ideas into some of the warmest music you’ll hear all year.

John Talabot occupies a fairly unique position in the current electronic landscape. A space he has carved himself by staying true to an artistic vision that is broad in its scope and specific in its convictions. His open-minded approach to making, collecting and playing music allows him to be just as comfortable on the main stage of a great summer festival as in a small local club, earning the following of both the occasional fan and the demanding connoisseur along the way.

̸BIOGRAPHY Based in Amsterdam, owner of Melody As Truth recordings.

̸BIOGRAPHY If u know .. u know

̸BIOGRAPHY disc jockey * images profile: @sina.raw @suolmusic footer: josh renaut

̸BIOGRAPHY Josh Caffé is an assured part of the underground house and techno scene. He is someone who has nurtured a close following of fans thanks to his varied, lauded DJ sets and live PA's.

̸BIOGRAPHY Born in Tokyo in 1989, Junki Inoue is one of the youngest of the new crop of ‘digger’ DJs, who are gradually making their names through sharing their personal interpretations of the history of electronic dance music. Born in Tokyo in 1989, Junki Inoue is one of the youngest of the new crop of ‘digger’ DJs, who are gradually making their names through sharing their personal interpretations of the history of electronic dance music. A dedicated collector of vinyl for many years, Junki is comfortable playing sets at any time of the night and in any location: warm up, peak, closing, after-hours; warehouse or open air. Inoue’s sound stands out for its natural combination of Japanese and European traditions: precise, spare and elegant but warm and welcoming; deep and hypnotic for the mind, but always with energy and drive for the body. Inoue caught the music bug young and was a keen collector and DJ of various styles of rock as a teenager. However, his induction to underground electronic music came at scene-legends (and now Berlin ex-pats) Yuki Masda and Yone-Ko’s Cabaret nights at Unit, Tokyo. There he was introduced to some of the genuine masters of stylish, understated and elegant techno and house DJing: Fumiya Tanaka, Daniel Bell, Jan Krueger and Zip. All remain key influences to this day. Inspired by this approach, at the age of 20 Inoue established his own party, Heike at Tokyo clubbing institution Womb. A desire to fully experience different cultures brought Junki to London in 2012. There, Inoue met the Toi Toi Musik crew, with whom a mutual understanding and respect was rapidly developed. He has been resident DJ at the party for the past two years. London has proven itself to be Inoue's spiritual and cultural home, with the city providing more freedom to express himself as an individual than can easily be found at home in Japan. Rave came alive to Junki in London, where he witnessed a new wave of artists and DJing forming firsthand: DJs like Nicolas Lutz, Andrew James Gustav and Gwenan showed that the elegant grooves that had caught Inoue’s attention back in Tokyo could be created from a broader musical palette, with fewer formal rules. Junki is now well on his way to establishing his name alongside his inspirations, with regular gigs alongside these DJs. The past year has seen him play sets in major cities and at major clubs across the world: CONCRETE in Paris, Phonoteque in Montevideo (where he was selected to open the 2017 season), regular spots in Zurich, gigs throughout Italy (Milan, Venice, Rome). Much more is sure to lie ahead for this positive and unassuming talent.

̸BIOGRAPHY The term legend is often banded about far too easily, but in this case it is entirely accurate! Justin Robertson is a producer and dj, who brings with him a rich history as one of the creators of the Electronic Music scene, as well as a restless need t.. JUSTIN ROBERTSON BIOGRAPHY NOVEMBER 2013 It's hard to find a succinct way to describe a man with over 23 years experience as an innovator and restless proponent of fascinating forward thinking music, lets use Legend, its sometimes over used, sometimes misplaced, but in this case its entirely accurate. His rich history is matched only by his tireless need to keep pushing forward, as a result he remains one of the most relevant and exciting Dj/Producers around, as a whole new generation of electronic enthusiasts will sweatily testify. Justin's latest incarnation as The Deadstock 33s has been garnishing lavish praise from established figures such as Andrew Weatherall and Erol Alkan, as well as a diverse cross section of fresh talent from Daniel Avery [ with whom he has a long standing production partnership] to Eats Everything. With one album released to widespread critical acclaim, and a new collection nearing completion, several eps,for the likes of Gomma, Optimo Music, Tiger Sushi, Southern Fried, Batty Bass and Join Our Club and with a raft of top notch remixes for the likes of Paul Weller, Erol Alkan and Boys Noize, Asphodells, Justice, Steve Mason, and 2 Bears, Justin shows no sign of slowing down creatively. Justin began his journey as a student in Manchester, attracted by the flourishing musical heritage of the town, he soon fell in love with the emerging alien machine funk that would become the Acid House scene. Working at the legendary Eastern Bloc records it wasn't long before began to make his mark as a dj Creating and curating two of the uk's seminal Balearic House clubs in Spice [with Greg Fenton] and Most Excellent, where the young Chemical Brothers found inspiration. Through out the nineties Justin was consistently found at the cutting edge of club land whether it be in his own genre crunching Rebellious Jukebox [ the blueprint for eclectic clubs like the Heavenly Social] , the sweaty Techno and electronica mecca that was Sleuth, or providing the underground alternative at Cream, Justin became the bye word for uncompromising Jacking , but with a party guaranteed . The early 1990's also saw Justin begin a fruitful remixing career starting with local band Mad Jacks, Moving swiftly on to re work, Erasure, Bjork, Happy Mondays, New Order, Talk Talk, Stereo mc s, Gary Clail, Fini Tribe, Felix the Housecat and Chicken lips to name but a few in a terrifyingly huge catalogue . Inevitably His own productions soon took centre stage, scoring several top 40's and an appearance on Top of The Pops with his Genre defying Lionrock. Touring with the likes of The Chemical Brothers, the Cocteau Twins and Death In Vegas, Lionrock became one of the bands that defined the growing confidence of dance music and its potential to flourish and mutate into so many fascinating hybrids, Producing some of dance musics most famous tracks along the way , songs like Packet of Peace, Rude Boy Rock and Carnival appearing in almost any list of stone cold classics worth their salt. As the new Millennium dawned Robertson moved on ,releasing several singles for Bugged Out, with whom he has had a long and fruitful relationship. In 2001 Robertson conjured up and another genre defining release with his Revtone project, the eponymous album becoming something of a cult hit, bringing primitive house and No Wave Disco into the digital age. The seminal track Love Movement was reworked to devastating effect by Ulrich Schnauss, who has often cited Justin's work as an influence, anchoring itself to almost every top 10 end of year chart in 2003. Justin also found time to produce the achingly beautiful ''Yes It Is'' with Tim Burgess, record reggae in Jamaica with Ernest Ranglin and Nadine Sutherland, front the art rock combo Thee Earls, write songs for two Fatboy Slim albums and run his own Neverwork label releasing several singles that found favour with everyone from Ellen Alien to Paul Woolford, before embarking on the latest sonic adventure that was to be The Deadstock 33s. The Deadstock 33s has certainly seen Justin's stock rise in the last few years, from killer headline sets at Bestival, Unknown, Festival No 6, and Electric Elephant to acclaimed sessions from the Warehouse Project in Manchester to Crobar in Argentina, Justin continues to enthral , painting from a rich psychedelic pallet, taking in everything from Wigged out Disco to stripped down visceral Acid House. Justin Robertson still as sharp as his rakishly appointed hat . ̸SELECTED DISCOGRAPHY Discogs: Justin Robertson

Born and raised in Amsterdam, Kamma's path to her craft could not have come more naturally. A child to parents who both have DJed professionally for over 25 years, Kamma was brought up on jazz, funk, disco and early house. Her instictive nature and open-mindedness make her a purveyour of a wide range of sounds, going deep beyond her traditional roots. With an effortless contrast of energy and emotions, she journeys dancers into complex rhythms, dreamy waves and new era electronics. Together with Masalo, Kamma is behind the rising Amsterdam party series “Brighter Days”, a festive get together, celebrating dance music culture to the fullest. Here she has graced the decks with masters such as Hunee, Colleen ‘Cosmo’ Murphy, Ge-ology and Kuniyuki Takahashi. With class-act performances at festivals like DGTL and Dimensions, and beautiful trips on the horizon, Kamma is ready to present the colourful depths of her record crate!

̸BIOGRAPHY closer resident

̸BIOGRAPHY Kino, one of Phonotheque´s residents from Montevideo, Uruguay. Kino, currently one of the dj residents of the Phonoteque club in Montevideo-Uruguay, is always and above all an inexorable seeker of music and a passionate record collector. Far away from the tendencies and from common areas, he´s interested in searching the depths bringing to light what was hidden for a new meaning. Inspired by the spontaneous and impermanence of each moment and each place, his sets invite you to travel different roads and states without losing direction or sense. Ally of the details and the unexpected, he manages to generate without doubts an own identity.

The producer and musician behind most releases on "Needs (not wants)" and several full length albums covering territory from Jazzfunk, Ambient, Jazz and lots more now returns to dancefloor oriented material. Lars' live set includes guitars, keys, voi.. As a young child Lars Bartkuhn started out writing his first piece of music with a synthesizer and sequencer, which his parents bought him upon realising their son’s obsession with music. Playing guitar as a teenager Lars fell deeply in love with the music of Pat Metheny, Keith Jarrett and John Coltrane but also with countless other styles beyond Jazz such as Soul, Funk, Rock, Alternative, Brazilian Sounds, Classical, Contemporary, Minimal and Dance music. In the mid 90s Lars became fascinated with the deep and soulful side of House music and formed Lamaya Productions and now legendary record label NEEDS (not wants) together with his older brother Marek Bartkuhn and DJ Yannick. NEEDS rapidly became a synonym for soulful high quality music and while labeled a ‘House’ music imprint it was Lars’ input that lead the trio to explore into alternative, and at the time unorthodox, musical influences that allowed for original textures and arrangements to be included into their productions. Countless remix commissions followed and their sound travelled worldwide with works for Francois K, Jazztronik, Ennio Morricone, Atjazz to name a few. Many of Lars Bartkuhn’s productions have been played, charted and loved to death by DJs around the globe. Some tracks even heralded as true dance floor classics creating a solid, international fan base. To date Lars has produced five solo albums all of which demonstrate a never ending creative flow of ideas and artistic diversity, complexity and passion. After some years away from the Dance scene, residing in Brasil, Lars has decided to continue the journey with a couple of fresh releases for Neroli and Utopia Records. With this return to dance floor oriented music Lars will also be touring a new live act that shows Lars brewing those special vibes and rhythms in real time using sequencers, synth’s, guitars and his voice.

Amsterdam based DJ and Producer Lena Willikens. Resident at Salon Des Amateurs, Düsseldorf. Artist on Dekmantel Rec. Radio broadcaster of "Lightning Conductor" on NTS Radio. Lena Willikens doesn’t play the hits. When she’s behind the decks, even her biggest fans often have no idea exactly what she’s playing, and that’s part of the magic. Like all DJs, Willikens of course has a passion for records and is always on the hunt for elusive bits of music, but as an artist, her work doesn’t hinge on any one track or even a handful of tracks. She’s after something bigger, something that’s truly transportive for those on the dancefloor, and the tracks she plays – whether they’re bizarre slices of synth exploration, some ominously churning proto-industrial stomp, or something else that simply defies classification – are all parts of a larger, more psychically satisfying whole. These days, however, Willikens' radio adventures happen on NTS, where she pilots the monthly Lightning Conductor program. Now based in Amsterdam, her curatory prowess prompted an invite from Dekmantel to put together the fifth installment of their acclaimed Selectors compilation series, and she also contributed a track to the label’s run of all-star 10th anniversary EPs. As a remixer, she's been tapped in recent years to rework the likes of Lena Platonos, rRoxymore, S U R V I V E, Simian Mobile Disco, and Ana Helder, amongst others. And amidst all this activity, she's also been busy with Phantom Kino Ballett, a collaboration with artist Sarah Szczesny that lands somewhere between immersive audio-visual experience and performance art, allowing Willikens to indulge her transportive impulses in a completely new way. Nevertheless, it’s in the DJ booth where Willikens continues to make the biggest impact. As of late, she’s forged a particularly potent partnership with fellow sonic explorer and Salon des Amateurs alum Vladimir Ivkovic, the two engaging in a sort of mind meld that brings together their shared love of electronic music’s darkest and most bizarre corners. Shawn Reynaldo

“Vynehall has developed into a master craftsman” – Pitchfork “Leon Vynehall is an artist of distinct talent” – MixmagLeon Vynehall

With a sound born in New York and refined in Berlin, Margaret Dygas is an artist whose sound possesses a true international resonance. Her productions and dj-sets incorporate the deep and dub-influenced sound she loves, whilst retaining the driving funk of her musical past.

̸BIOGRAPHY Marinella Constestabile aka Mariiin has been immersed in the UK club scene for some time now. Introducing her mesmeric tunes under the alias of Mariiin, the Italian selector foreshadows the future of high-quality techno via nods to the past. Marinella Constestabile has been immersed in the UK club scene for some time now. Introducing her mesmeric tunes under the alias of Mariiin, the Italian selector foreshadows the future of high-quality techno via nods to the past. Influenced by many of electronic music’s longtime favourites, her sound spans various genres and styles. Now based in London and a regular at Pleasure Club nights, she’s spent the last few years grafting on the scene here in the capital and making her appearance in many prestigious festivals across the UK. She is also a prolific producer, able to create a unique style in her productions and proving to be an eclectic artist not only behind the desks. Taken from https://www.fabriclondon.com/posts/audio-introducing-rising-italian-selector-mariiin

̸BIOGRAPHY Mark Seven / DJ Parkway / Parkwest / World Building "Inviting Mark to play in Berlin for the first time, probably 8 years ago or so… I still remember so vividly how it was a turning point in my life as a DJ and dancer. I got a glimpse into what was possible when passion and knowledge would be such strong forces, that a room becomes one because of both shared energy and musical excitement. I remember so many records he played that night (lots of them became entry points for me for lots of further discoveries and stayed with me as reference points, both musically and contextually, in the sense that I always remembered the way he played them)" - Hunee The disco and house landscape would be very different today if it weren’t for DJ, producer and record dealer Mark Seven. Weren’t aware? That’s OK. Mark is very good at downplaying his salience. Originally from the UK, Mark Seven now bases himself out of Stockholm where he runs the labels Parkway and Parkwest and the online record store Juswax. He travels regularly collecting vinyl and bringing his music to the world’s most discerning dancefloors. Mark Seven’s particular fascination is with the very early house records when flamboyant disco was first emulated with drum machines and other newly available technologies - the dawn of Chicago house and arguably dance music as we now know it. His sets take in proto house, italo, street soul and early garage, and move into soulful, electronic disco and banging house with a finesse that only comes with decades of dedication. Hunee recalls his first time seeing Mark fluidly traversing these styles, as “a turning point in my life as a DJ and dancer”. Mark started the label Parkway in 2010 to highlight the more soulful side of the disco and proto house spectrum, and later followed with Parkwest, which deals in punchier club tracks. His Parkway Mastermixes, a series of online mixes which collate many of Parkway’s releases and other pivotal gems, have been praised by the likes of Gerd Janson, Todd Terje and Prins Thomas amongst others. In recent years many of Mark’s own productions have been turning up in some very reputable hands. In her RA podcast, Eris Drew went old school Mark, weaving the track Sensory Delight, released under the moniker Bizarre Tracks, into her mix. Jamie Tiller selected a cut by Trey Risqué (another Mark Seven pseudonym) feat Nikki - A Night with the Boys for his Dekmantel podcast. Tim Sweeney and CC:DISCO dazzled our eardrums with Parkway Rhythm (whaddayaknow, Mark again) - Working Girl on numerable mixtapes and radio shows. Those are likely not the only tracks Mark has produced which you’ve inadvertently danced to of late. That one The Boss edit? Mark’s. The late legend Boyd Jarvis’ last release? Mark’s. Records by Librah, Apartment 4/4, Azura, MK VII, Spira? All Mark. Hunee was not exaggerating when he called this man an “unsung hero”. Whilst Mark has a slew of heavy hitters dating back decades, his most important tracks are always his most recent. Ari Goldman of the Beautiful Swimmers was so taken by Mark’s track ‘The Fatal Flaw in Disco’, that in 2016 he decided to kickstart his new label World Building by releasing it. The track was championed by Pender Street Steppers, Jen Ferrer, Bradley Zero, Hessle Audio. For many, it became the anthem of the summer. Mark Seven steers clear of the social media rigmarole, quietly going about his business charting musical territory that may otherwise have been forgotten. His record store, Juswax, can’t be found on social media and eschews express checkouts in favor of direct contact with buyers. He’s even been known to send personal typewritten letters along with certain deliveries. There aren’t many out there whose fire burns this bright after 30 years in the game, even fewer who have put the music before themselves throughout as Mark Seven has. Every time he gets behind the decks, it’s something genuinely special. Next time it happens in your town, don’t sleep. ̸ SELECTED DISCOGRAPHY Productions / Travelogue E.P. / 12 Inches Of Delight https://www.youtube.com/watch?v=pc5Pl5vvcUA Pillow Talk / Endless Flight https://www.youtube.com/watch?v=IZZc8pII-W0 My Caesar / People Must Jam http://www.discogs.com/Mark-Seven-My-Caesar/release/5478132 Remixes / Al Usher / Lullaby For Robert / Internasjonal http://www.discogs.com/Al-Usher-Lullaby-For-Robert-Remixes/release/2772061 Max Essa / Uptown Vibration / Is It Balearic? https://www.youtube.com/watch?v=OHldlR3z5gE Mind Fair Presents Sundown Drive / Give It Up / Rogue Cat Sounds http://www.discogs.com/Mind-Fair-Presents-Sundown-Drive-Give-It-Up/release/4913669 DJ Duke presents Freedom / Closer / Local Talk http://www.discogs.com/Dj-Duke-Present-Freedom-Closer/release/4622701 Parkway & Parkwest / Parkway Rhythm / Working Girl / Parkway https://www.youtube.com/watch?v=z-VSl3iSRAI Parkway Rhythm / Midnite Special / Parkway http://www.discogs.com/Parkway-Rhythm-Midnite-Special-The-Dub-Mixes/release/3917305 T-Kut / Let Me Take U / Parkway http://www.youtube.com/watch?v=Ayx5gmFoydA The Fyre Krew / Hard Times (Break Free) / Parkway http://www.discogs.com/Fyre-Krew-Hard-Times-Break-Free/release/4371076 Parkway Rhythm / The Answer / Parkway https://www.youtube.com/watch?v=HL8ZV2YxbaE Librah / 2BWU / Parkwest https://www.youtube.com/watch?v=-aYowMR65aU Apartment 4/4 / The Isms / Parkwest http://www.discogs.com/Apartment-44-The-Isms/release/4233351 Mixes / Salute To The Men Of Vauxhall / LN-CC http://www.discogs.com/Mark-Seven-Salute/release/1910349 Compilations / Originals Volume Two / Claremont 56 http://www.discogs.com/Various-Originals-Volume-Two/release/1675896

Amsterdam born and raised artist Masalo has been making waves, in the Amsterdam scene and beyond, for the past few years. With roots in Japan, his diversified upbringing is strongly translated into his musical output. Masalo’s DJing is proof of this hybridism, unearthing organic music from the past and combining them with new era dance music in a seamless way. This year his tour de force Dekmantel Boiler Room together with Kamma, along a full touring schedule of club and festival appearances has put him in the international spot. Masalo’s production art embodies the same spirit, where hybridism is being a key philosophy in his work. His choice cuts have found their home on the Rush Hour label, the imprint he’s closely connected with. With the recent ‘New Dance’ EP and a remix for New York’s Tom Noble, winning the hearts of many dance aficionados around the globe, a prospect is emerging as brightly as his party’s name. Together with Kamma, he runs the dance party series Brighter Days, a colourful get-together celebrating dance music culture to the fullest. Brighter Days pushes the spirit of friendship and togetherness on the dancefloor, welcoming local talent along tastemakers such as Colleen ‘Cosmo’ Murphy, Hunee, Kuniyuki, DJ Spinna and many more. Recently Masalo contributed in the creation of Doka Studio together with a dedicated team of local creatives. Located in the Volkshotel building in the east-side of Amsterdam, Doka Studio is a sound bar and dance club focussing on immersive sound experiences. An intimate space with high-end audio equipement where subcultures unite and young talents and established protagonists resonate their soundwaves into the night. Masalo lives and breathes music with a raw and unadulterated approach to good vibes over from Amsterdam to the world.

̸BIOGRAPHY Since the age of 14 Mat has been mixing , scratching and making mixes - beats , spanning many genres and styles but always having one thing in common - heavy beats and bass lines which appeals to a wide variety of crowds.

̸ BIOGRAPHY Laura’s musical journey as a DJ has only just begun in earnest. This talented young artist born in Lithuania and now residing in one of London’s most creative musical hubs has gone on to immerse herself in a lifestyle that only serves to amplify her hunger to absorb and learn her craft. Laura possesses a natural ear for sound and sublime technical skills. Her style is one that can’t be pigeonholed, or genre listed. Mature beyond her young years in her style and manipulation of sounds through her music selection this young DJ has already began to turn heads and ears in the DJ fraternity of not only local heroes but also her internationally established peers. Like Laura herself, her younger years were very humble, but the signs were very clear from the start with her passion for expression being at the forefront of all she did, whether that be through gymnastics from the age of 7, to taking up playing brass instruments, singing in the local choir and even participating in her hometown folklore group. Sound and Motion have been most prevalent in this artist’s early development and in her last few years in Lithuania included her being part of a choreographic theatre project was the music varied from classical and Jazz to contemporary, experimental and modern. Upon completion of her education in Lithuania Laura decided that she would come to London to gain further qualifications in her chosen field, but the enchantment of the London music scene and nightlife mesmerised her. “I was fascinated by the DJs abilities to unify the dance floor and make people forget about everything else outside venue the venue doors and keep the attention of the crowd’. From those moments Laura consciously decided that she wanted to learn how to work that magic captivating and connecting with her audience. And it seems that the moment she made that decision she was open to seeing opportunities to learn as well as engage in meeting the right people who work within the electronic music scene especially in London. ̸SELECTED DISCOGRAPHY Remi Mazet & Maybe Laura - Sango https://northsouthrecords.bandcamp.com/track/sango Maybe Listen​? (Maybe Laura & Listen Ricardo aka Sputnick)​, Thoma Bulwer - NFA (The Festival Edit) https://parasolculture.bandcamp.com/track/nfa-the-festival-edit Sputnick, Maybe Laura & Zerya - Bardo (Album) https://sputnick.bandcamp.com/album/bardo

̸BIOGRAPHY Known for her versatile selection and eclectic taste in vinyl, Melina Serser is a rising Dj based in Montevideo, Uruguay. Influenced by Afro-american roots, she has spent much of the last five years refining her style into one that blends Downtempo, Electro, Trip hop, Breakbeat, Funk, Jazz and Ethnic rhythms, creating a rich and varied sonic tapestry as she uncovers unknown jewels to exhibit an exploration of rhythms and melodies from around the world. She has traveled to Barcelona, Milano, Berlin, New York, Melbourne and Buenos Aires, sharing the stage with some of the local heroes such as Dj Koolt, Bruno Gervais, Z@p, and great european Djs like Vera, Omar, Binh, Mayan and more. In addition, she has recorded podcasts for renowned international magazines and labels like XLR8R, My Own Jupiter, YAY, among others.

Mella Dee, a producer defined by a willingness to experiment with a wide range of sounds, concepts and landscapes, has never limited himself in his approach to making music.Mella Dee

̸BIOGRAPHY London based producer, composer & DJ Founder and half of Awkward Moments and Carnet de Voyage ̸SELECTED DISCOGRAPHY Carnet de Voyage 'Melo Disko' LP in June 2019 (label: Gare Du Nord) Awkward Moments 'An Entropic Cycle' out March 13 2020 (label: Entropic Cycles)

Mind Against is a Berlin-based electronic music duo consisting of Alessandro and Federico Fognini.,The project is born in 2011 and in 2012 they recorded and released their first record “Cagliostro” on breakthrough label Life and Death.,In 2012 the duo have also composed remixes for WhoMadeWho, Róisín Murphy and PillowTalk, some of which in collaboration with label-mates Tale Of Us, on labels such as Kompakt, Cocoon and aforementioned Life and Death .,While heavily influenced from IDM and with clear roots in techno and house, in most of cases their sound can not be easily related to an established genre.,Mind Against’s debut EP “Atlant” has been released on 29 July 2013 via Life and Death as 12" vinyl and digital download.

̸BIOGRAPHY MiNNA fires up any dance floor with her upbeat, effervescent energy. Influenced by 70s music and sounds from the discotheque, the London based selector keeps people moving with mixes of Disco, Old school house and an eclectic selection of vocal and dance tunes. Drawing inspiration from Larry Levan’s Paradise Garage and music from the Chicago/Detroit house scene, she combines her love for music & dancing by finding new tracks and sifting through old records. She has filled the dance floor at clubs such as The Cause, supporting Masters At Work, and more recently at Koko in Camden. MiNNA also made her debut at Houghton Festival last year where she will return this summer. She loves nothing more than creating a vibe on the dance floor and bringing people together through her choice of tunes.

̸BIOGRAPHY Amsterdam raised, London based hardcore and jungle DJ. Mixtress features as DJ Mag’s Ones to Watch for 2022, and rightly so. Playing high octane sets across the UK and Europe, she’s captured the ears of an intergenerational audience weaving nostalgic tracks with a contemporary bassweight and breakbeat sound. Fresh off the back of a Boiler room, she’s made waves as a mainstay on Keep Hush, Hor berlin, and debuted sold out shows at some of the most notable clubs in the country. Balancing leftfield jungle with digs from her dogsonacid forum days, she’s kept a heady and diverse selection as the most important part of her performances. Behind her djing however, Mixtress is a strong advocate for equitable change and political action within music, with her prior work at Sisu crew and work with promoters to keep the music scene fair, accessible and equal. She’s an avid whosampled contributor, jazz record collector and an all around amen break enthusiast.

Robert Henke, born in 1969 in Munich. I was always fascinated by technology, wanted to become an enigneer. Some day I discovered Oxygene by Jean Michel Jarre and I could not stop listen to it again and again. I did stupid jobs after school and finally..Monolake

̸BIOGRAPHY Moxie has forged a career that has taken her all over the world to some of the most renowned clubs including Fabric, De School, Concrete and the energy dome of Berghain’s Panorama Bar.... As a radio DJ who started out covering for Sinden’s Kiss FM show in 2010, Moxie has gone on to hold down The Residency and INDJ’s We Trust slots on BBC Radio 1 and continues to have one of the longest standing residencies on NTS. Her weekly show is a staple for the latest in underground house, techno and beyond, peppered with her engaging and charismatic radio chat - hosting guests from some of dance music’s leading artistic forces including Jeff Mills, Midland, Four Tet, Honey Dijon and more. This lead to her being featured in Time Out’s article of London’s 10 best radio shows, and a main focus in Mixmag’s piece about the Rise of The Selector. She’s also provided online mixes for some of the best series around – with Essential Mix, Resident Advisor, Truants, FACT, Solid Steel, and Triple J to name but a few. Alongside her illustrious radio and DJ career, Moxie has established herself as a promoter and label founder with On Loop. Started in 2016, the party has rapidly gained momentum, welcoming artists such as Matthew Herbert, Josey Rebelle, Leon Vynehall, K-Hand and Joy Orbison, in venues across Europe and the UK. The accompanying label has just released it’s fifth compilation, having previously released music from Shanti Celeste, Lone, Nabihah Iqbal, Lady Blacktronika, and Violet. On Loop was championed as one of Mixmag’s Top 20 labels of 2017, and nominated for ‘Best Compilation’ at the DJ Mag awards. With a touring schedule ever growing at a rapid pace, Moxie continues to take her unique culmination of expertise to clubs and spaces around the globe – seamlessly fusing anything from classic Chicago house to obscure leftfield breaks, or glittering disco with energetic percussive rollers, entertaining and educating club goers wherever the journey takes her.

̸BIOGRAPHY Nick has been quietly involved in the scene for the past 25 years, DJing, releasing the occasional record and selling rare Disco & Soul records to the stars. Nick has been getting more recognition of late thanks to his Boilerroom set for The Final Night in Paradise party at Village Underground which was part of a tribute night to Larry Levan & The Paradise Garage. Nick also got a lot of attention paying respect to another legend Arthur Russell with his mix for RA consisting solely of Arthur’s music, including many unreleased tunes. Nick has spent much of his DJ career in Japan but in more recent years he has been sharing his music closer to home. He’s played at some of the best festivals in Europe over the last few summers with sets at Kala, Love International, Meadows In The Mountains, Dekmantel Selectors, Houghton & Southern Soul. In London he’s playing a monthly residency at Jazz Cafe & gets plenty of guest spots around town. He’s also played in Berlin, France, Belgium, Norway & Portugal this year. He’s also been running a regular party in London called Tangent with John Gomez which is one of London’s hidden gems in which the two selectors dig deep into their record collections to play everything from Afro Disco and sun-kissed tropical rarities to Soul & electronic gems. The emphasis is on a great sound. The party has been going more than 4 years now with and with a move to The Pickle Factory in Summer 2018 it is going from strength to strength. Nick currently runs a label called Record Mission with Dan Tyler from The Idjut Boys to release their Edits. The pair also scored a underground hits with a reworks of Boyd Jarvis – The Music Got Me for Ransom Note label & Robot Jam for the Emotional Rescue label. Other releases include a compilation for Dave Lee’s Z label entitled Under the Influence. Prior to that he curated 2 volumes of Disco Juice for Counterpoint records and has also released original material on Nuphonic, Ene & 20/20 Vision labels. Nick has also released 2 official mix CD’s in Japan on Lastrum & Avex (Japan’s biggest record label). In 2018 Nick has released remixes which have been well received by the DJ community. In February there was his remix of Andromeda Orchestra for Faze Action Records which has turned into a bit of a modern disco classic. In the summer he was charged with remixing a track from the new lp of Nigerian legend Ebo Taylor. Which he turned into an Afro House burner. Nick got his first taste of London nightlife going to Hip Hop Jams in the eighties & then onto the Rare Groove scene & was around for the summer of love in 1988 when House exploded in the South. In the early 90’s Nick started to play at lots of underground parties in the thriving warehouse party scene in London and also during the summer at many outside “Free Parties” and music festivals as well as guesting at DJ Harvey’s legendary MOIST club and being one of the resident DJs at QUIRKY at the Vox. In ‘93 Nick’s love affair with Japan started when he got together with a crew of Japanese friends and formed Lifeforce. These legendary parties were ground breaking in Japan. There was already a great club scene bringing famous US DJ’s over but Lifeforce was something different. With a close knit crowd drawn by word of mouth, elements of the UK’s “free party” movement and a Soundtrack spanning from Garage to Disco to Detroit Techno & Chicago Acid they took Japanese nightlife from “Clubbing” to “Partying” with Nick as the resident DJ visiting 3 or 4 times a year for 20 years. He’s been so many times he’s lost count. Nick has played all over Japan in the last 15 years & has been resident DJ at Taico club open air festival for 13 years where he plays the closing set of the festival in the idyllic setting of the Nagano Mountains. Alongside such artists as Madlib, Rhythm & Sound, Daedelus, Chateau Flight, Rob Da Bank, Moodman, Rub-N-Tug, Ulrich Schnauss, Pepe Bradock, Chez Damier, James Holden, Osunlade, DJ Koze, James Holden, Ricardo Villalobos. This has become one of the highlights of Nick’s year. It is one of Japan’s best underground music festivals and is held in a place named Kodamanomori which apparently translates as echo forest – it is in a valley surrounded by trees which acts as a natural amphitheatre & sounds incredible. Nick gets to play what is known as the ‘After Hours’ or closing set from 8am to 2pm after the second stage has closed – he is the only man they trust with this job. Nick was offered a prestigious weekly residency in one of London’s best clubs but after much thought he decided to turn it down as he enjoys travelling and playing to new crowds and meeting music lovers around the world… so book him now while you still can. ̸SELECTED DISCOGRAPHY Releases: Record Mission Z Records Lastrum & Avex Counterpoint Nuphonic Emotional Rescue

“Nicolas lutz has been influenced by his father's record collection”....Errr., NOT.. As much as I wouldn't like to discard one's childhood influences to forming one's artistic make up (that is not Nico's case anyway, hehe) I would still prefer to focus on other aspects which are equally, if not more important when talking about this specific artist. What that artist name (and real name) entails is a very deep trip into an extremely creative mind, a very interesting one. The main and very special aspect of what makes Nicolas Lutz him artistically is the ethos in how he stands by his music, his vision. Nicolas' medium of choice is vinyl and the cultural tradition it brings with it. In such a digital age the tendency from the general public to think that Djs that only use vinyl are ‘dinosaurs’or ‘behind’ or ‘limited’ is apparent and the beauty about Nicolas is that he proves them wrong leaving them wondering what has hit them on a dance floor. Here is where the most special thing that makes up...

One of Belgium’s most acclaimed DJ, Nosedrip from Ostend. As a Dj, Nosedrip sets moods like no-one else and leaves dancefloors gasping for breath everywhere he goes. An amazing selector who has been regularly playing all over Europe with a remarked appearance at Dekmantel festival last year. In the space of just a few years, Nosedrip made a name for himself with the persistence and focus of a kid that wants to prove all his bullies wrong. From running a regular ambient show on his Mixcloud-page, which has a staggering 30.000+ followers, he went on to launch Stroom.tv. The platform caused quite some waves in the online radio community because of its unique mixture of oddball playlists and distinctive aesthetics. In 2016, his radio show moved to NTS and Stroom.tv turned into a record label focusing on heritage, with Ziggy spitting out killer archival releases from the likes of Alain Neffe, Jan Van den broeke, Vazz and Latvian avant-gardists NSRD.

̸BIOGRAPHY Not An Animal is a label born from the party debris left uncleaned from London’s infamous Bad Passion parties, as ran by Chris Stoker and Andy Bainbridge who's side projects include Machete Savane, Ess O Ess & Latrec . As Chris and Andy’s energy was being devoted more and more to their musical endeavours (Chris - Ess O Ess with Jamie Blanco / Andy - Machete Savane with Saul Richards & more recently Latrec with Ali Colling) it became both a logical and inevitable step that they would eventually see the birth of their own record label, to showcase not only their own music but also that of the friends that they’ve made in over a decade of throwing and attending parties in various guises. It’s this collective nature which means that Not An Animal cannot be pinned down to one single sound, genre or style. The music is instead linked by a commonality of taste and approach from all of the artists involved. While you can draw some slight comparisons with the contributors (which include the aforementioned Ess O Ess and Machete Savane, as well as Man Power, Lauer, Roman Flugel, Chida, Suzanne Kraft, The Backwoods, Kuniyuki, Frank Butters, Justin Van Der Volgen, Discodromo, Tiago & Angophora ) it would be impossible to say that anything truly unites them further than an open aesthetic which is receptive to sounds as various as Techno, Disco, Rock, Balearica and good old fashioned House, and which doesn’t try to draw any distinction between any of them.

̸BIOGRAPHY Obergman Electronics Hailing from Stockholm, music maker since the late 90’s — with the first official release on the legendary ‘Skam Records’ imprint of Manchester in 2001, strongly associated with Gescom\Autechre. Eventually, the current moniker Obergman emerged on genre-essential labels like ‘Stilleben Records’ and ‘Abstract Forms’ — marking the direction towards a more purified sound, seizing the attention of a new label on the rise; ‘Brokntoys’ launching the ‘Quantum Eraser’ EP and the latter ‘Nocturnal Detour’ with selections of more neurotic excursions in somewhat bleaker colors. The first official full length album ‘Universal Hologram’ was released on ‘BÖRFT Records’, offering a wider palette of dreamy electro and 4/4 tracks fueled by the TB-303. The highly acclaimed UK label ‘Furthur Electronix’ dives deeper into the acidic bubblebath on the 2×12" album ‘Angular Momentum’ — whilst another 2-part album project called ‘Curvature of Time’ (Pt.1) cultivates the vein of more distilled electro, for ‘Between Places/SolarOne’ (DE). The following album release on ultra quality ‘Pariter Records’ renders a TR-808 driven techno hybrid, based on a broth of classic electro. Furthermore, a continuous string of releases for some of the most cherished labels within the associated genres has been launched and continues to do so, on a steady pace. ̸SELECTED DISCOGRAPHY Obergman — 12" EPs and albums _________________________________________________ ‘Invariant Hyperbola’ • 12" EP • Infiltrate\Constant Sound, UK ‘Mirror Counterpart’ • 2×12" • Pariter Records, DE ‘Centre of Mass’ • Limted 12" • Pariter Records, DE ‘Nocturnal Detour’ • 12" • Brokntoys, UK ‘Akrobahn’ • 12" • Stilleben Records, SE/NL ‘Curvature of Time’ Pt. 1 • 12" • Between Places, DE [Solar One] ‘Spectral Radiosity • 12" • Shakesphere, UK [Furthur Electronix] ‘Angular Momentum’ • 2×12" / album • Furthur Electronix, UK ‘Pyroclastic Flow’ • 12" • Stilleben Records, SE/NL ‘Code Two’ • Ekman/Obergman • split 12" ‘Continuum Slice’ • 12" album • Fundamental, ES [FR.EE] ‘Holographic Universe’ • 12" album, Börft Rec. SE ‘Quantum Eraser’ • 12" • Brokntoys, UK ‘Quilted Multiverse’ • 12" • Abstract Forms, UK ‘Cyclic Multiverse’ • 12" • Abstract Forms, UK ‘Gran Sasso’ [‘Stilleben 041’] • 12" • Stilleben Records, SE/NL

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̸BIOGRAPHY Somewhere between extraterrestrial techno and intergalactic disco lies Oli Silva. A waveform of multi-dimensional energy filled with analog heart and electric soul. Somewhere between extraterrestrial techno and intergalactic disco lies Oli Silva. A waveform of multi-dimensional energy filled with analog heart and electric soul. His first outing finds him land his spaceship directly on Craig Richards' The Nothing Special, with the genre bending Unlikely Punctuality EP. ̸SELECTED DISCOGRAPHY Unlikely Punctuality EP - The Nothing Special - 2017

̸BIOGRAPHY To introduce Omar would be to open a box of postcards and talk about a collection of places and people essential to the creation of his sound as a DJ. From his native Panama to his roots in Uruguay and Berlin, Omar's musical ethos has been shaped thr.. To introduce Omar would be to open a box of postcards and talk about a collection of places and people essential to the creation of his sound as a DJ. From his native Panama to his roots in Uruguay and Berlin, Omar's musical ethos has been shaped through diverse landscapes and human connection, an identity that has been complemented by the artists who've made their mark on him-hometown heroes Bruno Gervais, Koolt and uruguayan export Nicolas Lutz. Eschewing categories and the kind of words overabundant in today's scene, DJ prefers to let his sets vinyl-only journeys that span from techno to electro and the deeper manifestations of house and are aimed at the listener's pleasure-speak for themselves.

Optimo is DJ duo J.D. Twitch and J.G. Wilkes Wild Planet Sounds since 1997

̸BIOGRAPHY Founder of Céad/ DJ and producer

̸BIOGRAPHY Based in Amsterdam but very much with one foot in the cosmos, Orpheu The Wizard has been surprising and delighting people with his unconventional sets for years and years... The Dutchman has done so with little fanfare before now, because his skills have simply spread through the mouths of those astounded by what they have heard when they see him play. It’s hard describe what goes down in one of his sets, the distinguished selector is not afraid of taking left turns, serving up curveballs and doing the unexpected. Taking real pride and joy in unearthing and sharing his usually musical treats, Orpheu The Wizard is musically curious and invites his audiences to be so too. As versatile as he is eclectic, you are as likely to be floating in outer space one moment as you are rooted to a beat the next. The man born Orpheu de Jong is a Red Light Radio co-founder celebrated for the breadth and depth of his taste and the passion with which he plays. Closely linked with the acclaimed Dekmantel crew for who he is in house designer, Orpheu is a big but back stage player on his native scene, and is now rightfully making a mark on the wider world.

Palms Trax is a producer and Dj based in Berlin, Germany. His first record was released in October of 2013 on London-based imprint Lobster Theremin. For aspiring DJs and producers, or indeed anyone who appreciates a good story, the genesis of Palms Trax couldn’t have read any dreamier. You know the one; curious yet naive son of the English Riviera lands a job at one of London’s leading record stores and discovers the masters of Chicago house and Detroit techno. Later, stumbling around Berlin, his primitive attempts to emulate the sound of his newfound heroes accidentally land him a bona fide dance floor hit. A gradual but steady stream of EPs courtesy of Dutch dance music powerhouse Dekmantel have allowed his productions to blossom in richer, smoother directions. On 2015’s ‘In Gold’ EP, and throughout the following year’s ‘High Point on Low Ground’, halcyon hallmarks of house - euphoric piano lines, bubbling acid and luminescent keys - are shot through with Donaldson’s tough, distinctive percussion. It’s that same connection with Dekmantel that has encouraged Donaldson to quickly, impressively evolve as a DJ of some distinctive taste and talent. A memorable performance at Dekmantel’s flagship Amsterdam festival in 2015 captured open hearts, lost minds and aching feet. Since then, the sound of Palms Trax has been a fixture on their enormous main stage, drifting seamlessly between vintage house, esoteric disco and the various shades of a bubbling UK underground he has helped define. Occasional back-to-back performances with the likes of Hunee, Young Marco, Antal and Midland, all DJs regularly credited for their breadth of musical knowledge and sheer versatility, speak volumes for Donaldson’s DJing nous, which has lead him on an international trail; from South America to Australia, and from Panorama Bar to Concrete, Contact, De School, and Lux. Donaldson has also-amassed a patient, open-minded following with his cult monthly radio show, the decidedly less-than-culinary ‘Cooking with Palms Trax’, broadcast on Berlin Community Radio since 2015. On each show, Donaldson takes a deep, vinyl-led drive into his adopted history, fostering a level of trust and shared curiosity that has allowed him to helm all-night sets under the ‘Cooking with Palms Trax’ moniker. Into 2018, he’ll be holding down residencies in Boston, Glasgow and Bordeaux, as well as inviting like-minded DJs into his metaphorical kitchen, throughout a series of self-curated evenings into early mornings of music.

̸BIOGRAPHY Pop

̸BIOGRAPHY Certified Rave Mom

̸BIOGRAPHY DJ & producer from Santiago de Chile, currently residing in Europe. ̸SELECTED DISCOGRAPHY https://linktr.ee/paulatape

Special Request is the new rugged alias for house and techno stalwart Paul Woolford. Inspired by the unruly conventions of UK pirate radio stations, this project captures the raw energy and diversity of the illegal airwaves and uses this as a springboard of inspiration for a series of heavyweight productions that span from the murky house through dark side techno to chaotic eye-of-the-storm hardcore/jungle tear-outs. The end results are incendiary.

As one third of the team behind the Hessle Audio label, David Kennedy a.k.a. Pearson Sound has become more than synonymous with the cutting edge of UK dancefloor music. In releasing his self-titled debut artist album in 2015, he skilfully capitalised on his astoundingly solid run of single and EP releases since 2009, producing a hypnotically enveloping LP that really found its feet in its willingness to experiment. Since then, he has been focused on the club, with his recent single XLB being voted the #2 best track of 2016 by Resident Advisor, as well as Freeze & Thaw Cycle being a staple of some of the biggest house and techno DJs' record bags. He has lectured at the Red Bull Music Academy in Madrid, released a critically heralded FABRICLIVE compilation and has remixed artists like Radiohead, The xx and M.I.A. as well as running the vinyl only club night, Acetate, in Leeds.

Jack Jutson and Liam Butler are house duo Pender Street Steppers, one of the primary acts associated with Vancouver's celebrated Mood Hut collective. The duo's productions are the aural equivalent of leisurely summer strolls, and they generally contain warm chords, brisk beats, and lo-fi production values. The Steppers' first release was 2013's Life in the Zone, a 90-minute mixtape of original productions. Two of the tape's standout tracks, "Openin' Up" and "M Flight," were pressed to vinyl by Washington, D.C. label Peoples Potential Unlimited in 2014, and three more were collected on the Bubble World EP during the same year. Both of these releases, as well as Jutson's solo singles as Jack J, became favorites with underground house DJs and clubgoers, and the duo stepped up their international touring schedule. Third PSS single "The Glass City" was released in 2015, and a typically relaxed self-titled EP appeared in 2017.

̸BIOGRAPHY Bristol based visionary behind both Livity Sound and Punch Drunk records who has spent over two decades at the cutting edge of UK underground dance music. Peverelist’s sharp, ear-catching style as a DJ and producer has placed him at the vanguard of forward-thinking club music. His unique take on the soundsystem tradition draws on techno, jungle, dub, grime and garage in pursuit of a sound that’s uplifting and innovative. From his early releases and first label Punch Drunk through to the establishment of Livity Sound in 2011, Pev’s helped represent Bristol’s ever-evolving independent electronic music scene internationally. More than a decade in, Livity Sound now stands as one of the key global benchmarks for a hybridised dance music which draws on inventive approaches to rhythm and melody. Through successive albums and EPs Pev’s developed a singular production style which balances delicacy and spaciousness with maximum presence, while his DJing teases the edge between horizon-expanding new music and a keen instinct for what makes people move. If there is such a thing as a ‘Livity’ sound, it stems from this artistic approach. Unbound by genre, exploring percussive patterns and holding true to the fundamental principles of great soundsystem music, Pev’s trajectory continues to bring us untold surprises from the cutting edge.

Some artists fully deserve their hype and Powder is definitely one of them. Momoko "Moko" Goto, better known in the DJ world as Powder, has successfully taken her neon charged creations out of the Tokyo underground and into the discerning worldwide house & techno public. After her debut on Lovefingers’ ESP Institute, Powder’s cosmic rhythms found a home on Samo DJ’s Born Free & Discodromo’s CockTail d’Amore Music, pushing her tribal-inspired, hypnotic sound further into a surreal house, techno and psychedelic disco territory. She recently ushered in a brand new mix series for Beats in Space, a further testament to her DJ skills and sensibilities. Beyond her work as a music creator, Powder’s DJing backs up her production style with many influences. As a selector, she has notably eclectic tastes, which run the gamut from house to no wave to Japanese synthpop, utilizing extended loops and subtle blends to create a genre-defying, transcendent experience.

Under the Priori Moniker, Québecois musician Francis Latreille has established himself as a crucial voice in underground techno. His 2019 full-length debut On A Nimbus, released on his own NAFF imprint, was a haunting foray into the possibility/impossibility of technological utopia, where elements of dub techno, drum & bass, IDM, and tech-house curiously converged, resulting in an album at once familiar, modern, and undeniably singular. Francis followed that with a string of essential releases–from the slow-burning techy meditations of SCN and Little Flower to the anthemic, trance-inflected Infinity–ending with 2021’s Your Own Power. Priori is also an accomplished mixing engineer; a quick search will reveal an exhaustive list of credits on projects by Roza Terenzi, D. Tiffany, Escape Artist, Bambii, Gene Tellem, Maara, and ex-terrestrial, to name a few. Between the label he runs with Adam Feingold (aka ex-terrestrial) and the studio he runs with Patrick Holland, Francis is quietly shaping the course of underground electronic dance music in Canada and abroad.

̸BIOGRAPHY Achim Brandenburg aka Prosumer comes from Saarbruecken, used to live in Berlin and now is based in Edinburgh. He loves house music, produces a record from time to time and likes to share the music he loves. „The craze about the music...“ ...the man called Prosumer is besotted with it. Since Achim Brandenburg heartily grabbed the microphone under this moniker in 2005 for Frankfurt’s then undisputed Label Playhouse, he showed that lasciviousness, a fever for Chicago’s Jack flavour and consciousness of tradition aren’t necessarily bound to a time and a place. Vision, passion and knowledge make Prosumer a guardian of house music history and one of the formative artists, influential DJs and important producers of our days. While deriving his name from Alvin Toffler’s techno sci-fi-bible The Third Wave (producing and consuming at the same time), Prosumer lives up to his name. With more than a decade of Hard-Wax-Record-Store-enculturation on the clock (first in Saarbrucken, then Berlin), he spent countless nights in clubs, days looking for music and years refining his art and becoming in line with the “big three”. This is not a reference to Detroit’s car companies, but the city’s musical heritage that – together with the Big Apple and the Windy city – laid the foundation for techno and house builds with the Big Apple and the Windy City. Prosumer oscillates between these poles. That holds true for his productions, which are affected by references and historical vertexes, but never feel to be out of time or place. An album with Murat Tepeli and collaborations with Tama Sumo expand his discography for labels like the aforementioned Playhouse, Running Back or Swayzak’s 240 Volts. On the other hand – and that might be far more important – this is exemplary for his DJ work since the mid-nineties. Prosumer connects the tracks and songs of this music’s golden age with the worthwhile pieces and developments of today. Accordingly to that special feeling which is so hard to couch, he gets engaged in it from tip to toe – and so does his audience. Proved by his mission as one of the residents in Berlin’s influential club institution, on his official mix CD for that place that describes his spectrum of sound perfectly and by this certain magic that travels with and in him everywhere. „Through his body and through his veins...“ ̸SELECTED DISCOGRAPHY Prosumer - Newborn - 240 Volt Prosumer - The Craze - Playhouse Murat Tepeli feat. Prosumer - On A Ride - Playhouse Sebo K. feat. Prosumer - Moved - Mobilee Sebo K. feat. Prosumer - Moved (Prosumers Stop Dub) - Mobilee DJ T. - Lucky Bastard - Remix by Prosumer – Get Physical GPM Prosumer & Murat Tepeli - What Makes You Go For It - OstGut Ton Dash Dude - Tell 'em In The City (Prosumers Be Brave Rmx) - Morris Audio Citysport Edition Prosumer - Brownstone EP - Running Back 08 Prosumer & Murat Tepeli feat. Elif Bicer - Turn Around - OstGut Ton Prosumer & Murat Tepeli - Serenity (LP,CD) - OstGut Ton Tama Sumo & Prosumer - Play Up/Brothers, Sisters - OstGut Ton Prosumer & Murat Tepeli - Serenity Remix - OstGut Ton Prosumer & Murat Tepeli - U&I/The Jam - OstGut Ton Prosumer & Tama Sumo - Alien Mutts - Diamands & Pearls Music Motorcitysoul feat. Ernesto - Deliver Me (Prosumer Reprise) - Simple Records Mount Kimbie - William (Tama Sumo & Prosumer Remix) - Hotflush Records Prosumer & Tama Sumo - Rarified - OstGut Ton Prosumer - Daybreak (part of "Fünf" compilation) - OstGut Ton Prosumer/Various - Panoramabar 03 - OstGut Ton

̸BIOGRAPHY DJ/ Producer Founder - 20/20 Vision Recordings director - inner city recordings Ralph Lawson is best known for his highly acclaimed 20/20 Vision record label and productions. Alongside 20/20 Vision he was a co-founding resident DJ at the legendary back to basics club in Leeds, where he played the very first record in November 1991. Lawson has helped the club win 5 major industry awards so far (DMC, Muzik, DJ Magazine) for Best Club and been personally nominated for Best Breakthrough, Best DJ and Lifetime contribution by DJ Magazine. Lawson learnt his trade as a true resident DJ, playing every week at back to basics. He became musical director at the club bringing many of the most important electronic music artists in the world to Leeds for the first time. These included Daft Punk, Basement Jaxx, Danny Tenaglia, Francois Kervorkian, Derrick Carter, Derrick May, DJ Harvey, Chez Damier & Ron Trent, Stacey Pullen and many others. Playing long sets alongside the greats helped Lawson learn and develop his own DJ skills. Ralph’s reputation spread from his Basics residency with guest appearances at the legendary Hacienda, Sub Club, Flying, Full Circle, Venus and Shindig as well as early excursions around Europe. Ralph become one of the first UK DJs with a residency in Barcelona at The Moog club and began playing in Ibiza at Ku, Space and Amnesia from the mid nineties. Touring started to extend across the world into Australia, Argentina and Japan. The USA became a firm favourite with shows at Red Dog and Smart Bar in Chicago, The End Up in San Francisco and The Sound Factory Bar, Limelight, Tunnel, Cielo and Studio B in New York. In NYC Lawson was invited to open for Danny Tenaglia at his ‘Be Yourself’ parties and even ended up producing music for the ‘De La Guarda’ show on Broadway. Alongside long-term production partner Carl Finlow, the pair produced a series of respected releases including the classic ‘Raptures of The Deep’. 20/20 productions forged ahead with notable remixes for David Bowie, Arthur Baker, Josh Wink, Felix Da Housecat. They also started a long running series of remixes for Blaze, most notably ‘Lovelee Dae’, ‘Funky People’ and ‘Wishing You Were Here’. Lawson also produced alongside Chez Damier as Chuggles on Prescription Underground and further projects included work for Soma, Pagan and Get Physical. Lawson founded 20/20 Vision Recordings in 1994, which has gone on to become a highly influential and pioneering record label. The record label roster grew to include a wealth of international artists including; Maya Jane Coles, Crazy P, Motor City Drum Ensemble, Audiojack and Paul Woolford. In 2003 Lawson started the live electronic band 2020Soundsystem. The band successfully toured the world for the following decade, releasing the albums ‘No Order’ and ‘Falling’ and ‘Live at Sonar’ in the process. 2020Soundsystem became firm festival favourites with appearances at Sonar, Glastonbury, Exit, Lovebox, The Garden Festival, Creamfields, Kendall Calling, Beatherder, Rockness, T in the Park, Camp Bisco and many more. Throughout these times Lawson always continued to be first and foremost a DJ, adding long running residencies at We Love Space Ibiza, The Loft in Barcelona alongside the ever faithful back to basics. Lawson released several mix albums including Fabric 33 for the famous London club, having been a regular guest since the club’s inception. The album was warmly received and Lawson found himself back on major festival stages at Sonar, Love International, Electric Elephant, Hideout, Festival No.6, Eastern Electrics, Gottwood and many others. After playing at Burning Man festival in 2012 he was invited to headline Robot Heart in New York City. The same year Lawson played for the first time at Circo Loco at DC10 in Ibiza and continued the relationship the following year on the terrace. In 2014 the 20th anniversary of 20/20 Vision was celebrated with the album ‘Content’ featuring a DJ Mix including exclusive tracks from Herbert and Maya Jane Coles and series of international tour dates. The next project created was ‘Lost in Time’ featuring a return to collaborating with original production partners Chez Damier, Carl Finlow and Tuccillo. Spanning over three years the project featured 10 singles including ‘Hold Over Me’ licensed to Art Department’s No19 record label and ‘Lost in The Storm’ which enjoyed heavy support from DJ Harvey, Seth Troxler and Ben UFO. In 2018 Lawson continued his output with a compilation series celebrating 25 years of his residency at back to basics. The ‘rare classics’ compilation featured a selection of hard to find tracks from the club’s history and included artwork from Jamie Reid, the graphic artist who defined the punk era with his album covers for the Sex Pistols. A truly timeless project created by a DJ who has lasted the test of time. Also in 2018 Lawson co-founded inner city electronic festival in Leeds continuing his work as a musical director and curator. The festival has been greeted with universal acclaim and hosted international heavyweight artists including Floating Points, Peggy Gou, Nina Kraviz, Octave One, KiNK, DJ Stingray among many others in it’s opening editions. Looking forward 2020 will be a big year for the label and Lawson with a new album and series of events called exit planet earth. ̸ SELECTED DISCOGRAPHY Bassic EP (12", EP) Serious Grooves 1993 Classic EP (12", EP) Serious Grooves 1993 Sheltered EP (12", EP) 20:20 Vision 1995 Shielded EP (12", EP) 20:20 Vision 1995 Live In Moscow (CD, Comp, Mixed) So Dens 2000 Visionaries Volume One (CD) 20:20 Vision 2000 Back To Basics - Mixed By Ralph Lawson & Dave Beer (CD) DJ Magazine 2002 All Systems Go EP (12", EP) 20:20 Vision 2003 Fabric 33 (CD, Comp, Mixed) Fabric (London) 2007 Fabric 33 (CD, Promo) Fabric (London) 2007 Ralph Lawson's 2020Vision (CD, Promo) 20:20 Vision 2007 Ralph Lawson's 2020Vision (CD, Comp, Mixed) 20:20 Vision 2007 Remixes: The Back In Time EP (12", EP) Ciao t:me 1993 Based (12") Based (Wulf's Wax) Back To Basics 1995 Deja Vu (2x12", Promo) Deja Vu (Back 2 Basics... Cowboy Records 1995 Deja Vu (12") Deja Vu (Back 2 Basic ... Cowboy Records 1995 Come On (12") Come On (20/20 Remix),... Milk n 2 Sugars Recordings 2000 Remixes Part 1 - Believe (12") Believe (20:20 Revisio... Serial Records 2002 All In The Head (12") All In The Head (Ralph... Stompa Phunk Music 2004 Full Body Workout Vol. 1 (2x12", Promo, W/Lbl) The Galactic Ride Get Physical Music 2004 Liptrick EP (12", EP) Liptrick (2020 Soundsy... 20:20 Vision 2004 San Francisco Sessions Vol. Five (2xCD, Mixed, Comp) All In The Head OM Records 2004 Fabric 20 (CD, Comp, Mixed) Won't Bother Me Fabric (London) 2005 The 2005 Annual (2xCD) All In The Head (Ralph... Ministry Of Sound (Australia) 2005 Elektr-O-tech Experiments (CD) The Galactic Ride Freeze (Magazine) 2006 It's Here It's Now (Remixes) (12") It's Here It's Now Low Pressings 2006 DJ Mixes: Cut The Crap (3xCD, Comp, Mixed) Back To Basics 1996 Cut The Crap (3xCass) Back To Basics 1996 Live In Moscow (CD, Comp, Mixed) So Dens 2000 Visionaries Volume One (CD) 20:20 Vision 2000 Kwality Album (2xCD, Mixed, Comp) FAMILIES 2002 Ralph Lawson - Stars On 33 (CD) Fat City 2003 Fabric 33 (CD, Promo) Fabric (London) 2007 Ralph Lawson's 2020Vision (CD, Comp, Mixed) 20:20 Vision 2007 Appears On: Percussion Obsession (12") Soma Quality Recordings 1993 Thank You / Feel The Rhythm / Dancin Music (12") Thank You Prescription 1993 How's The Music (2x12") How's The Music Back To Basics 1995 Journeys By DJ Volume 7 (CD, Mixed, Comp) Thank You 1995 Lifeforce EP (12", EP) Lifeforce 20:20 Vision 1995 DJ-Kicks (CD) Raptures Of The Deep Studio !K7 1996 Emelia (12") Soma Quality Recordings 1996 Emelia (12", W/Lbl) Soma Quality Recordings 1996 20:20 Vision (2x12") Pagan 1997 Pagan Presents 20:20 Vision (12") Pagan America 1997 Presents The Future Remembrance EP (12", EP) Soma Quality Recordings 1997 The Hustle (12") Pagan 1997 The Hustle EP (12") Pagan America 1997 Pagan Offering (CD, Mixed, Comp) Wormhole Pagan 1998 Sonar 98 (4xCD) Akira So Dens 1998 Northern Strollin' EP (12", EP) Pagan 1999 Slightly Different Volume 02 (CD) Body Music Revisited 1999 Chuggles Revisited (12") Kid Dynamite Inc. 2000 Thank You (12") Thank You Back To Basics 2000 Chuggles Remixes Revisited (12") Kid Dynamite Inc. 2001 Kwality Batofar (2xLP) FAMILIES 2002 Ralph Lawson Presents 2020 Revision (Disc Two) (12") Era (6400 Crew Remix) 20:20 Vision 2002 Soma 10 Anthology (2xCD, Ltd) Future Remembrance Soma Quality Recordings 2002 Detour Limited Life In Bars Detour Recordings 2003 Ralph Lawson - Stars On 33 (12") Fat City 2003 Slip 'N' Slide Ibiza 2 (CD) Wishing You Were Here Slip 'n' Slide 2003 Experience (12") 20:20 Vision 2004 Full Body Workout Vol. 01 (2x12") The Galactic Ride Get Physical Music 2004 Future Now (12") Future Now 20:20 Vision 2005 The Liaison (12") 20:20 Vintage Visions 2005 Can't Stop The Crew (12") 20:20 Vision 2006 Diamonds For Her (12") Diamonds For Her Lafessé Records 2006 Grey Clouds (12") 20:20 Vision 2006 Tape (12") 20:20 Vision 2006 Tape (Vinyl, TP, 12) 20:20 Vision 2006 Tape (Prins Thomas Remixes) (12") 20:20 Vision 2006 Digitize (The Emperor Machine Remixes) (12") Digitize 20:20 Vision 2007 High (The Llorca Remixes) (12") 20:20 Vision 2007 Psycho (12", Ltd) 20:20 Vision 2008 Secretsundaze Volume 2 (2xCD, Comp, Mixed) Montana Freight Train Secretsundaze 2008 Tracks Appear On: Serious Grooves In The Mix (CD, Comp, Mixed) A Dedication To Joss Serious Grooves 1994 Space Volume 1 (CD, Mixed, Comp) A Dedication To Joss Slip 'n' Slide 1998 Secretsundaze Volume 2 (2xCD, Comp, Mixed) Montana Freight Train Secretsundaze 2008

Traversing & weaving together sonic spaces, 'rasa' is a Bangalore-based DJ and an avid curator of tunes. Rasa's love to share music paved the way for her journey as a DJ. She desires to amplify the bass music scene further in the country and has been doing so on dance floors across various venues and festivals, including virtual Barrelfest (UK) curated by Addison Groove. Rasa is known to have hosted the first radio show residency with Mumbai-based label Filth Inc. Her affinity for exploring eccentric sounds assists her pursuit to curate selections that leaves you captivated & grooving by all means.

Red Axes is a project created by Tel- Aviv Based producers & DJs Dori Sadovnik & Niv Arzi.Red Axes

̸BIOGRAPHY Reggie Watts is a musician & comedian. "Reggie Watts is an internationally renowned vocal artist/ beatboxer/ musician/ comedian who wows audiences with his live performances which are 100% improvised. Using his formidable voice, looping pedals, and his vast imagination, Reggie blends and blurs the lines between music and comedy". - reggiewatts.com

̸BIOGRAPHY Based in UK & South of France. Remi makes music of all sorts and plays all sorts, always the right music at the right time and place. He has been playing live for the past 10 years and is now DJing as well. ̸SELECTED DISCOGRAPHY Flash - Parasol Culture Safran - Social Joy Relax Your Hair - Hot Waves Volume 2 - Remi Mazet & Matlar Are You There - La Vie En Rose Le Kiff - La Vie En Rose Zohra - Hot Waves Volume 3 - Remi Mazet & Guilhem Monin

As far back as the early '90s, Ricardo Villalobos began building an impressive discography of 12" releases on respected dance labels like Playhouse and Perlon, and around the turn of the decade he was one of the most revered producers and DJs in dance music. In his youth, the Chilean-born Villalobos moved with his family to Germany in order to avoid the military dictatorship of Pinochet, and he eventually fell in with the country's fertile house community. A minimalist at heart, he trotted the globe to study percussion in order to apply his knowledge to his productions, which almost always sound remarkably expansive despite their simplicity. In addition to his own solo material, he has recorded with fellow expatriate Dandy Jack as Ric y Martin and with Luciano as Sense Club; additionally, he has taken part in Markus Nikolai's Hombre Ojo project. ~ AllMusic

DJ/Producer, Co - Founder of ModeMusic and one half of TechNomads RISHI SIPPY, ONE HALF OF THE INGENIOUS "TECHNOMADS" DUO AND A CREATIVE POWERHOUSE FUELING THE CUTTING-EDGE ELECTRONIC MUSIC AGENCY "MODEMUSIC," HAS FERVENTLY DEDICATED A SUBSTANTIAL SEGMENT OF HIS LIFE TO UNEARTHING AND PROPELLING THE HIDDEN TREASURES OF THE UNDERGROUND MUSIC DOMAIN. SCULPTING HIS SONIC IDENTITY INTO A RHYTHMIC KALEIDOSCOPE THAT CONTINUALLY EVOLVES, RISHI'S INGENUITY REMAINS ENDLESSLY VERSATILE AND UNMATCHED. HIS PERFORMANCES ARTFULLY WEAVE SONIC STORIES THAT ENVELOP LISTENERS, SEAMLESSLY MERGING DYNAMISM, INDIVIDUALITY, AND RHYTHMIC ALLURE. WITH A VIBRANT PRESENCE DEEPLY INGRAINED IN BANGALORE'S THRIVING ELECTRONIC MUSIC CIRCUIT, AND A PORTFOLIO THAT BOASTS ENTHRALLING SHOWCASES AT ESTEEMED VENUES SPANNING EUROPE AND SOUTH EAST ASIA, INCLUDING RESIDENCIES, HIS CULTIVATED INCLINATIONS AND CAREFULLY COMPOSED SETS SERVE AS A TESTAMENT TO HIS PERFORMANCES. RISHI'S INTENSE AND ARDENT BOND WITH MUSIC SCULPTS HIS OWN JOURNEY THROUGH UNPARALLELED SONIC REALMS, LEAVING AN EVERLASTING AND RESONANT IMPRESSION.

I play many instruments and have done for many years. I started composing around 12 years old, and continue to do so now more than ever.

̸BIOGRAPHY London based DJ and Producer; Rob Mello has recorded, produced, and remixed a diverse catalogue of releases since 1992. London based DJ and Producer; Rob Mello has recorded, produced, and remixed a diverse catalogue of releases since 1992. One of his guises was the pioneering disco and house duo Disco Elements/ Sensory Productions, Previously signed to Azuli Records. Rob was also co-founder of the saucy house label Luxury Service and produced the first Black Science Orchestra single with Ashley Beedle, "Where were you", released on the legendary London house label, Boys Own. Since then Rob has been appearing regularly on Classic Records and after 10 years of releases for this label has produced the very last release on this ground breaking label (Cat nos 000). Rob has also made the move into film score work. In 1999 Rob, with Matthew Herbert, was responsible for writing all the incidental music on the UK club culture movie, Human Traffic for which they were up for nomination for a BAFTA. Rob has been DJing since 1986 and has pioneered his own style that is much in demand with various regular appearances and residences all over the world, far too many to mention! ̸SELECTED DISCOGRAPHY Discogs: Rob Mello

One of the biggest names in the German electronic music scene. Active since the early 1990's, Flugel is a chameleon visiting many styles from ambient/idm to house, techno, electro and leftfield. Works solo or with long time partner Jorn Elling Wuttke...Roman Flügel

Roza Terenzi DJ/Producer Melb, Aus.Roza Terenzi

̸BIOGRAPHY The Manchester-via-Ibiza producer, DJ, label boss, NTS radio host, record store owner, computer game freak and vinyl digger melds balearica, street soul, 16-bit and everything in between for labels like Rhythm Section, Futureboogie and his own Ruf Kutz. ̸SELECTED DISCOGRAPHY RUF KUTZ ALL HITZ Head Cleaner EP - Sud Electronic Porn Wax 6 Magnetic Atmosphere EP - Lectric World that'll do for now.

Like her naturally occuring namesake, Sandunes plays with broad landscapes of sound. Her sonic identity has evolved alongside her journey from pianos to production, and her performances reveal an appetite for integrating the worlds of studio and stage.Sandunes

San Proper (preferably known as Dr San Proper) is an undeniable staple in the Amsterdam music scene with a legacy built on his unique and unpredictable approach to music and larger than life personality. His tireless dedication to the city and key ties with local institutions such as Trouw, Rush Hour, Dekmantel and Red Light Radio have made him somewhat of an unofficial mascot to the city. San's warm and extravagant character is felt through his wholehearted productions and electrifying DJ sets. The Amsterdam native has a rich history in music stretching back to his days as an axeman in a number of bands in which collectively gained considerable popularity. San has maintained his DIY approach within his musical dna still possessing a high octane, rock n roll attitude whether it be producing or playing records. His first solo productions found a home with the prestigious Rush Hour Records (back in the mid-2000 ’s) and it was there he released an array of EP’s, becoming a key and valued member within the Rush Hour family. The following years would see San release on a number of highly influential labels, perhaps most importantly Dekmantel records where you can regularly find his name included within their many projects. Aside from gaining success with his productions, San Proper became widely recognised as a diverse selector and an artist with an undeniable talent as a showman. His DJ sets show his ability to play soul, funk and hip-hop as comfortably alongside rock, dub, disco, and house. His ear and passion for soul and funk is channeled through his monthly 'Dr San Proper Soul Show' on Red Light Radio, which he hosts in his very own unique fashion. With so many strings to his bow, it's easy to understand why San Proper is such a highly in demand selector that has touched audiences on every major continent performing on the grandest of stages but still always finding time for his underground roots.

̸BIOGRAPHY Electronic music producer, co-founder of Skull Disco and founder of Woe To The Septic Heart!

̸BIOGRAPHY closer resident

̸BIOGRAPHY DJ / Producer from London. NTS - Soup To Nuts show Balamii Radio ̸SELECTED DISCOGRAPHY IP Addy 7" - Eglo Records From The Floor To The Booth 12" - Eglo Records

silverlining is an electronic music duo based in Shanghai, China. They are part of live performance, part DJ set. East meets West, ancient meets modern.

Skee Mask is a versatile producer from Munich, who doesn’t want to be identified. He got influenced by a lot of different types of music over the last years, which made his productions pretty various. Skee Mask’s direction is mostly rolling rhythms, combined with electronic soundscapes, always forcing to create a deep vibe. His influences mainly are from “old” techno labels like Chain Reaction, Warp Records or Counterbalance. He’s still developing his procedure in making tracks, but always staying himself. In his DJ sets he tries to create a deep trip, constituted of organic grooves and diverse clang accompaniments. Skee Mask would describe his DJ-Set variations as techno, ambient and mostly experimental, forward thinking.

̸BIOGRAPHY Skeptical As a DJ and producer whose natural passion for music in all its forms eventually spilled over into a full blown production habit, Skeptical has been responsible for some of the most damaging yet delicate tracks within current drum & bass. Since the outstanding Blue Eyes EP on Ingredients Records in 2011 Skeptical has since had a slew of impeccable releases on highly esteemed imprints such as Dispatch, Metalheadz, Soul:r and Exit Records. Exit Records became the home for ‘Marka’, a collaboration with Dub Phizix and Strategy which went on to being a DJ’s pick for many dance floors worldwide while racking millions of views on YouTube. Skeptical’s releases schedule with Exit has been thick and strong with releases such as Imperial EP, Outset EP and Without A Trace EP with Alix Perez in 2017. Not shy of collaborating Skeptical is 1/5 of collective group ‘Module Eight’ made up of producers dBridge, Kid Drama, Loxy and Resound. Module Eight is a project of like minded producers with an aim to have fun writing experimental music, it has resulted in an album being released called ‘Legacy’. His collaboration track ‘Move Way’ with dBridge was released on the legendary R&S Records and was the first drum and bass track to come out on the record label since the year 2000. His work with various labels across the globe has seen him remix tracks from a wide range of producers such as Jubei, Jamaican reggae artist Sizzla and more recently Zed Bias. In 2017 he was voted ‘Best Alternative Artist’ at the Drum & Bass Awards UK. Skeptical who is known for his technical Djing abilities has meant he’s travelled the world to places such as Europe, America, South America, Canada, New Zealand, Australia and Asia, his DJ sets have been heard in some of the most popular clubs and festivals worldwide.

̸BIOGRAPHY DJ in Glasgow

DJ Beija Flor (Lisbon)

After studying classical music in her youth, Sonja Moonear set aside the piano in favour of the turntables and bought a Roland R8. Surrounded by the Swiss mountains, Sonja immersed herself in the Geneva underground before finally infiltrating the ranks of the Weetamix residents in 2002. From that point on, participating in ever more ambitious projects, she was tapped by an international agency and started the road trip. Moonear slowly began collaborating with artists and friends like Luciano or Cosmic Chile Zürich, along with Dandy Jack as Junction SM. She has acquired an impressive international reputation, playing in clubs and festivals worldwide. In the last couple of years she has been releasing her own tracks and remixes on renowned international labels such as Karat and Perlon. She runs the label Ruta5 and organises various events in Switzerland as well as the growing Kiss Me festival.

Calum Morton, AKA Spencer, is one of those DJ’s hiding in plain sight, a consistent source of stylish party-starting sets that get crowds and his peers buzzing. A thoughtful, committed and loquacious behind-the-scenes force in UK electronic music, he embarked on his journey of planning parties, releasing records and the beautiful intersection of possibilities in-between as a teenager, working in Glasgow’s world-renowned record shop and distributor Rubadub. It’s one of the many institutions that have counted on Spencer’s passion and expertise at various points over the years, including time spent working at Warp Records and as the spark driving event and lecture highlights from the Red Bull Music Academy. But he’s predominantly (and rightfully) known for being the A&R scout, events wizard, resident DJ, and sturdy pillar of support shaping all manner of activities by the Scotland-based record label and creative collective Numbers, which he co-founded in 2003 and now primarily manages alongside his brother Neil. If you’ve enjoyed Numbers records over the years – from artists like SOPHIE, Hudson Mohawke, DJ Deeon, Rustie, Jessie Ware, Jamie XX, Mosca and more – or lost your head at one of their inimitable parties, it’s likely that Spencer was at work on the records or the decks. He’s helped the label forge its global reputation in exporting the best of UK electronic music worldwide, with a sharp ear, commitment to original expression, and a deep love for the musical innovators that came before, to which he – and all of us – owe the utmost respect. Touring as a DJ for Numbers and Warp, putting together genre-busting educational and festival programs in New York, Paris, Montréal, Berlin and Tokyo, playing events at Panorama Bar, Sonár, Dommune, and Boiler Room, plus seasonal Numbers blowouts, he delivers killer mixes of music both on and off the dancefloor. Aiming for and chasing the high of the perfect track at the right time in the right place, Spencer has the musical knowledge and surefire selection that means he hits the mark right-on.

̸BIOGRAPHY Live electronic musician specialising in live freeform analogue modular synth improvisations, of a deep techno flavour. Co-founder of Mindtours record label & Freerotation Electronic Audio-Visual Festival. Bookings ; bookings(at)freerotation(dot)com ̸SELECTED DISCOGRAPHY Skunkbrothers - Adapted Vinyl 03 - 2000 Core - Mindtours 01 - 2000 Remote - Mindtours 02 - 2001 Nocturnia - Mindtours 03 - 2001 Dusk - Mindtours 04 - 2002 Samarkand - Mindtours 05 - 2002 Ty (pure sinewave mix) - Mindtours 06 - 2003 Peacecry - Mindtours 07 - 2004 Rogue Patterns - Mindtours 08 - 2004 Rogue Patterns vol 2 - Mindtours 09 - 2005 Gingko - Mindtours 10 - 2006 Beyondness EP - Mindtours 11 - 2006 Extremics - Dissappear Here - 2006 One Tribe (live analogue mix) Mindtours 12 - 2008 Modular Techno Vol 1 - Mindtours 13 - 2012 Modular Techno Vol 2 - Mindtours 14 - 2012 Dringfa - Mindtours 15 - 2013 Modular Techno Vol 3 - 2014 Cyfnos - Until My Heart Stops - 2014 The Hafod Jams (with The High-on-Wye Quintet) - Freerotation - 2014 Edges / Seren - Pev & Steevio - Schmorgasbord Animistas - Mindtours - 2015 Kith (V/A) - Freerotation - 2016 Modular Techno Vol 4 - 2016 Feral Pulses - Rivers of Groove - 2016 Wye Mist - Eye Shadow - 2017 Forgotten Futures - Wake Up! Records - 2017 Pollinators - Clock Poets - 2018 Syzygy - Wisdom Teeth - 2018 Zephyr - Sol Asylum

̸BIOGRAPHY Suzybee is co-founder and the Mindtours label and the Freerotation Festival. She is an artist and animator, and VJs as an audio-visual duo with electronic modular synth musician, Steevio. With a background in life drawing and painting and a passion for music and dance, she has developed a unique style amongst VJs. Suzybee hand-draws her own animations which she then mixes with effects in Resolume VJ software, synched via Midi and improvised live with Steevio’s music. Much of Suzybee’s imagery is based on natural forms, and her deep concern for the planet and its ecology has fuelled many of her animations, whilst always delivering a positive message. Suzybee’s love of dance music and her belief in its power to heal and to unite is at the heart of her soulful style. Suzybee and Steevio’s live AV performance is an amalgamation of positive and soulful music and imagery, performed in a unique way by two artists who are dedicated to dance music and its message of empathy for the human race. ̸SELECTED DISCOGRAPHY Suzybee is a Visual Artist working within the music world with cover art on the Mindtours, Freerotation and Sol Asylum Record Labels.

̸BIOGRAPHY Performs as DJ since 1993. Residency: Berghain / Panoramabar, Freerotation, Dance Tunnel Label: OstGut Ton. Style: Deep, dry & funky news and classics from House to Techno including Disco, Broken Beat, Afrobeat .... I started out in a bar called Drama in Kreuzberg, which has been an important hang out for the scene and one of the first bars ever to feature its own djs at the weekend. The Drama has been one of the few locations featuring house music, instead of techno dominating all the other clubs and bars at that time. I used to play a lot of soulful vocal house and quickly became a resident at Globus/Tresor, as well as at the gay Saturdays at Café Moskau. „My motivation is and has been a mixture of fun and communication. Verbally as well as non-verbally. I love to create and play with different moods and atmospheres. I’m still fascinated by the fact that music can release a huge amount of energy and how music creates fun, jollying anyone along without any reason or principle. Music and bass in particular can make people happy!“ Since 1997, when I have been a resident at Globus/Tresor, I gradually opened up stylistically and didn’t feel the need anymore to go along the lines of the techno and house division. Since 2001 I regularly played at the gay/lesbian „Dance with the Aliens“ parties at the old OstGut and consequently at the end of 2004 I became a resident at the new Panorama Bar / Berghain. In the meantime I developed a varied style ranging from new and classic House to Techno including a lot of Disco, Afrobeats..... It is fundamental to my work as a DJ that I manage to let the music, the crowd and myself run freely. I have to turn off my head and go with the flow. This always is the challenge and if it works it is big fun. The crowd and i have to get kind of cosy with each other. And if I manage to build my set up and down, to go to lots of different places, it is perfect! ̸SELECTED DISCOGRAPHY - Prosumer & Tama Sumo: Play up / Brothers, Sisters (OstGut Ton 14 / March 2008) - Tama Sumo: Panoramabar # 2 Mix CD (OstGut Ton CD 10 / October /2009) - Tama Sumo & Prosumer: Alien Mutts (Diamonds & Pearls / October 2009) - Prosumer & Tama Sumo: Rarified EP (OstGut Ton 36 / May 2010) - Mount Kimbie: William (Prosumer & Tama Sumo Remix) (Hotflush Recordings / May 2010) - Mary Boyoi: Zooz (Tama Sumo Remix) (Süd Electronic) - The Knife: Ready To Lose (Tarantism Remix) (Rabid Records)

TaoFu is the freshest member of Atipik crew coming from Hanoi, Vietnam. With a big love for music and dreaming of being the one brings joys to the crowds, she starts to dive into the underground music scene making a strong impression on the audience from the start. Inspired by 80s to 2000s’ groove, her style is a mixture of sensual tunes from House, Electro, Disco as well as dark and minimal - that will surely sweep you off your feet. An unpredictable sound experience for all music lovers.

Runs Neighbourhood record label & techno party... Presenter on Rinse FM... Played alongside Ben Sims, Randomer, Helena Hauff, Ben UFO, Pangaea, Karenn, Henning Baer...Tasha

̸BIOGRAPHY DJ Duo, Record Shop, Party, Label, Podcast Berlin, 2015. Local authorities receive reports of a mysterious white van parked up around the city. House music can be heard from within while a queue of people wait in line. It’s called The Ghost, and six years on, what was once this covert mobile record shop has become its own little universe. booking - berit@bartist.net

Andrea Graham, better known by her stage name The Librarian, is a celebrated Canadian DJ, producer, and curator. She is the co-founder and music director of Bass Coast Music Festival – known internationally for its innovative music programming and installation art – and is widely considered one of bass music's leading creative minds and tastemakers. Equally an artist and entrepreneur, Andrea’s reputation as an inclusive community-builder in the electronic world has brought her a legion of fans and industry followers across the globe. As a DJ, Andrea's sets move through bass music, dubstep, grime, footwork, jungle, drum and bass and more, tying the diverse genres together with fluid mixing and powerful low end frequencies that push the boundaries of the world's biggest PAs. Andrea performs throughout Canada, the USA, Australia, Central America, India and Southeast Asia. Past performance highlights include Coachella, Symbiosis, Bumbershoot, Lightning in a Bottle, Bass Center, Freestyle Sessions, Rainbow Serpent, and Shambhala. Andrea studied classical piano, jazz piano, guitar and voice until early adulthood, before translating that classical skillset into her passion for electronic music in the early 2000’s. The Librarian moniker was given to her by friend and Bass Coast co-founder Liz Thomson, referring to her signature glasses and expansive library of music. Andrea currently resides in Squamish, BC, Canada. When not touring or programming Bass Coast Festival, she is embarking on a highly anticipated body of original studio work.

̸BIOGRAPHY Host of You'll Soon Know on NTS Radio ► www.nts.live/shows/youll-soon-know Resident at 20/20 LDN ̸SELECTED DISCOGRAPHY U Smart w/ Ivylab ► www.soundcloud.com/ivylab/ivy-lab-time-parker-u-smart

̸BIOGRAPHY Co-founder and resident DJ at Closer Club (Kiev / Ukraine) Co-founder and resident DJ at Closer Club (Kiev / Ukraine)

̸BIOGRAPHY DJ, Producer, Label Owner, Day dreamer, Creature of the night. Beamed from outer space like a cosmic pied piper , Tristan da Cunha was put on earth to make us move . A serious collector & selector with an expansive vinyl archive that has both depth and breadth across the many genres . Match this with his infectious energy behind the decks and you have a sonic force that never fails to move the dance floor and pop the party no matter where he plays. With a deep passion for the finest underground dance music his aim is always to free your mind , move your body and elevate your soul . Straddling yesterday’s forgotten gems and tomorrow’s classics with one foot in the past and one foot in the future , always at the cutting edge no matter what genre, like a kaleidoscopic chameleon playing music from the heart not from the charts. Honing his craft many years ago at his ongoing 17 year residency at the infamous institution Backtobasics , playing alongside the biggest and best artists in the world . Also an honorary resident at Glastonbury festival with Block9’s freaky fun house NYC Downlow which Tristan sights as a 'strobelit utopia' and one of his favourite places on the planet to play. Regularly turning it out at rave meccas across the planet by himself or with his dynamite Dungeon Meat project alongside Brawther, it’s easy to see why his contribution to the dance floor has seen him span nearly 2 decades and continues to win fans everywhere he goes. Add to all this a steady flow of studio productions and remixes topping the sales charts and some new exciting projects in the pipeline that will further cement Tristan's renown and respect amongst those who know.

̸BIOGRAPHY Joff & Ex-Friendly (Truth and Lies) are event curators, DJ's and champions of international music and culture. Regulars at Houghton Festival, Africa Oyé and Rough Trade, they are mates with BBE and Ransom Note.. Truth and Lies are event curators, DJ's and champions of international music and culture. We bring together music, art, film, live music, design, talks and food to create events that connect all the senses and introduce audiences to extraordinary sounds, tastes, people and places. We were formed in 2013 by music producer and DJ Ex-Friendly (Justin Turford) and designer & DJ Joff Casciani. Exploring international music past and present, we’ve been busy with residencies at Rough Trade, curating events and supporting leading international acts such as Aux 88, the Sun Ra Arkestra, BCUC and the Hot 8 Brass Brand as well as headlining the Trenchtown Stage at Africa Oye Festival for the last 5 years. In 2017, Craig Richards and Gottwood asked us us to curate the Old Gramophone stage on Saturday at the inaugural Houghton Festival in August 2017. We curated, DJed and ran a 14 hour takeover of music, film and talks called ‘Revolution and Change: Venezuela and the Tropics’. The event concluded with a 6 hour DJ set of international rhythms inspired by the region. We did it again in 2018 with a standout all day session under the title ‘Africa Is Everywhere’. With special guests SNO, Dr Horn and Afrodisiac we as DJ Mag wrote ‘had people dancing on tables by early afternoon’. “I can’t count how many amazing comments I have had back about your event, everyone found it a relieving break from the more heads down sounds and really went away with some amazing memories. It was a pleasure to work with a group of people that just got on with it” Tom Elkington - Director, Gottwood and Houghton Festival Recent projects, collaborations and events: Our clients and collaborators include forward thinking labels, major organisations and top producers including Rough Trade, Arts Council England, Nottingham Contemporary, Tate, Midnight Riot, Hot 8 Brass Band, BBE, Detonate, GIlles Peterson, Wigflex and Houghton Festivals.

̸BIOGRAPHY London bred taste maker T.Williams, has accomplished a full sweep of merited recognition that has accelerated over the last five years. London bred taste maker T.Williams, has accomplished a full sweep of merited recognition that has accelerated over the last five years. 2017 has been no exception, with a series of notable achievements that have not gone unnoticed, highlights of which include, Williams on the front cover of the Move Magazine. The in depth interview covered topics from his emergence on to the scene in 2010, his growth as an artist inking a deal with PMR records, a spot on the prestigious Radio 1 “Residency” which facilitated a number of bookings and performances the world over. The article also touched on his on going support from Red Bull Academy to his return to his independent creative roots with his Today Tomorrow records, the innovative spread covered every base. Another mile stone of 2017, was the launch and release of the collaborative efforts of Williams and Julio Bashmore, their first EP, one of many scheduled for further releases in the forthcoming year via their joint Independent Conch records. Avid students of house music, the label aims to push out more underground cross genre music with heavy rotation from Moxie & Shyone. The tastemaker also released an EP on the legendary NYC house label "Strictly Rhythm" stand out track "Moody Dubs" premiered by Annie Mac and Kerri Chandlers Madhouse Records, the stand out track "Together" reaching No.10 in the traxsource chart. As this year comes to a close, this year has proved to be a stellar one for the West Londoner as he starts work on Vol.3 of his "Sodality” Series. Williams continues to produce class remixes, all the while further expanding his global touring schedule for 2018.

̸BIOGRAPHY Cartulis Music, Hackney (London)

His love for Afro-beat, House, Brazilian and Jazz along with an unconventional approach of morphing ethnic sounds with electronic music has seen his popularity rise as the flag bearer of African and African-influenced electronic music in India. Prashanth Pallemoni, known to the world as Unnayanaa, is a DJ, Producer and in his own words, an experimentalist. His love for Afro-beat, House, Brazilian and Jazz along with an unconventional approach of morphing ethnic sounds with electronic music has seen his popularity rise as the flag bearer of African and African-influenced electronic music in India. Growing up in a household listening to his mother’s classical trained voice along with records and spool tapes brough home by his father, Unnayanaa found sanctum and inspiration through music. His ability to translate abstract ideas into a relatable format for a cross section of listeners and his unconventional approach to morphing sounds into one another has helped him create a signature style of DJing and producing music. He is currently working on music that he recorded during his travels through Ethiopia and Congo. The last couple of years has seen him play memorable sets at festivals in the subcontinent right from Magnetic Fields to Echoes of Earth, as well as the iconic Boiler Room - Bangalore appearance in 2022. Unnayanaa has released music on labels like Borders of Light (Italy), Itstillmusic (Chicago), Papa Records (London), Rainy City Music (Manchester), and Atypical Dopeness (New York) and his music has been remixed by the likes of Toto Chiavetta, Osunlade, and Ivory. His 2018 release “Taht Min Aini” was much sought after and along with a slew of previous releases, has paved its way to the playlists of DJs such as Solomun, Ame, Dixon, Trikk, and more. “A true turntablist, he brings alive a rare set of vinyl treasures, traversing through genres.” - The Wild City

̸BIOGRAPHY Vera Heindel is a gifted selector with flawless technique. Playing records in the way she does takes skill, yet the casual observer might not realize just how much. It's an ego-free method that puts music above showmanship. (Matt Unicomb/ RA) Veras timeless music selection, a subtle mixing style and her authentic, elegant appearance behind the decks impressed clubbers and promoters all around the globe. Constantly evolving and picking up impulses, she follows her intuition rather then trends and she keeps surprising with unexpected sets. Veras media are her vinyls, that she’s choosing from an extended record collection. For her it’s all about the story a DJ is telling and the ambience being created, not about genres or playing one big tune after the other. Each gig she prepares passionately, imagining and selecting the right music for each place she's visiting. Her roots reach back to the golden age of techno and house- the early 90’s. Two decades of experience behind the decks turned her into a routined DJ, that is booked in numerous places all over the world. Since 2004 she has been a resident DJ at the Robert Johnson Club in Offenbach. As a producer Vera released music on respected labels like Perlon, Oslo, Hello? Repeat - solo works as well as collaborations with Ricardo Villalobos, Federico Molinari and with Maayan Nidam, under the moniker Mara Trax. Since 2011 Vera lives and works in Berlin, where she’s hosting regular nights at her favorite Berlin music spot, Club der Visionäre. In 2015 she founded the label Mellliflow together with her long time friend and DJ colleague Alexandra from Romania. ̸SELECTED DISCOGRAPHY Releases: * Vera & Ricardo Villalobos - Veric EP (12") Assemble Music 004, 2013 * Vera - Attachments of the past (12") Hello? Repeat 021, 2013 * Mara Trax - Sensibilia (12") Perlon 090, 2011 * Vera - All That Glitters (12") Cargo Edition 011, 2009 * Mara Trax - Heartbreaker (12") Cyclical Tracks 009, 2008 * Vera - The people's house EP (12") Cargo Edition 007, 2008 * Vera & Federico Molinari - It ain't music EP (12") Love Letters from Oslo 001, 2008 * Mara Trax - It Got Me Funk EP (12") Oslo 005, 2007 * Vera/ Mara Trax - The Esensual EP (12") Cyclical Tracks 007, 2007 Appearances on Compilations: * Mara Trax - Sticky Fingers/ Superlongevityfive (5 x 12") Perlon 084, 2011 * Vera - Crisis Of Faith/ Five years of cargo edition (2 x 12") Cargo Edition LP001, 2011 * Vera - Lovers and Demons/ Don't believe the hype (4 x 12") Oslo 016, 2010 * Vera & Kia - Chop The Bang-Sang/ La Peña #6 (12") La Peña 006, 2010 * Vera - hooked up with da drums (2 x 12") moonharbour inhouse 3 compilation, 2009 * Mara Trax - 26/ Various - 2 (CD) Net 28, 2009 Remixes: * Dan Farsarelli - Dimplex (Vera remix) (12") othertones 002, 2014 * Rainer & Patrice Meiner - Budapest (Veras Budacust Remix) (12") Redpanda 002, 2014 * Vinyl Speed Adjust - not so sure (Vera Remix) (12"), Trin Limited 00, 2014 * G. Verrina* & G.Ventura - Weak Ballet (Veras Ronde De Jambe Mix) (12") Only 300 Family 002, 2012 * Clan Destino - moodsupport (Vera Remix) (12") sonido records 002, 2009 * Harri & The Revenge - space doubt (Vera Remix) (12") timbre records 001, 2009 * Anonym - untitled 21 (Vera's down the rabbit hole remix) (digital). Redevice 009, 2009 Tracks appear on: * RA.097 mixed by Sascha Dive (digital) Resident Advisor, Mara Trax - Let goose, 2008 * Boogybytes Vol. 4 (mixed by Ellen Allien) BPitch Control (CD), Vera - in the nook, 2008 * Secretsundaze presents Tobi Neumann, secretsundaze (CD), Vera & Federico Molinari - it ain't music, 2008 * DC10 Circoloco Anniversary Compilation 2008 (mixed by ARPIAR) moonharbour (CD), Mara Trax - strange moods, 2008 * DC10 Circoloco Anniversary Compilation 2008 (mixed by Thomas Melchior) moonharbour (CD) Vera & Federico Molinari - it ain't music, 2008 * Groove CD 115/N°24 (Compilation) Groove Magazine (CD), Mara Trax - Sambad (Between 2 Flames Mix), 2008 * Hollywood To Hialeah (mixed by Ralph Falcon) Nervous Records (2 x CD), Mara Trax - hohoes, 2008

„The challenging sets he delivers are not always easy, but almost always ingenious“ Strange Sounds From Beyond Vladimir Ivkovic is a DJ. He’s more than that of course, but as his essence, Ivkovic is someone with a particularly unique talent for selecting records and weaving them into a larger – and often unusually compelling – narrative. Born and raised in Belgrade, he first dabbled in DJing as a teenager in the mid ’80s, but it was only after leaving Yugoslavia (to study in Germany) and later coming back for a summertime visit that he truly immersed himself in the craft, taking up position behind the decks during a series of impromptu parties at a lakeside restaurant owned by his parents. From there, he spent much of the next two decades honing his skills while throwing events like Selected and Substance that played host to a cross-section of boundary-pushing DJs, long before it was fashionable to do so. Eventually, Ivkovic found his musical and spiritual home at Salon des Amateurs, an unassuming spot in Düsseldorf that’s gradually proven to be wildly influential, giving rise in recent years to otherworldly talents like Lena Willikens, Tolouse Low Trax, Jan Schulte and many others, including Ivkovic himself. With its small size, Salon des Amateurs provided something of an open platform, a place where true music lovers could experience DJs exploring sounds and genres that strayed far from traditional electronic dance music tropes. That same adventurous spirit has found its way into Ivkovic’s curation of Offen Music, a label he launched in 2015. Although the imprint’s output is all but impossible to neatly categorize – experimental Serbian rarities sit alongside ambient excursions and moody synth-pop in the label’s catalogue – the label’s open-minded approach and embrace of off-kilter sounds perfectly encapsulates Ivkovic’s artistic temperament. In recent years, that temperament has increasingly found devoted followers all around the globe. Simply put, Ivkovic has become a staple of the European club circuit; despite his many years in the humble confines of Salon des Amateurs, he’s proven to be just as comfortable at celebrated nightspots like De School (Amsterdam), Berghain (Berlin), Nitsa (Barcelona), Kaiku (Helsinki), Sub Club (Glasgow), Phonox (London), Fold (London), Corsica Studios (London), The White Hotel (Manchester), Mutabor (Moscow), Pacha (Ibiza), Blitz (Munich), Zukunft (Zurich), Concrete (Paris), Lux Fragil (Lisbon), Robert Johnson (Frankfurt), Circoloco (Ibiza) and others too numerous to list. He’s no stranger to touring either, having taken extended DJ trips to Canada (September 2017), Asia (July 2018), Australia (January 2018), Brazil and Colombia (March 2018), USA (2019, April 2022), Brazil (September 2022). Even the festival circuit has come calling, inviting Ivkovic and his inventive rhythms to large-scale events like Primavera Sound, Unsound, World Minimal Music, Houghton, Strange Sounds from Beyond, Dekmantel, Flow, TodaysArt, Robot, Waking Life, Terraforma, Dancity, Positive Education, Elevate, Love International, Dimensions, Kala, Sziget, The Crave … and that’s just a partial list. Still, despite all of these international adventures, Ivkovic has kept his focus on music, especially the dark and often psychedelic sounds that lurk in its unexplored corners. Each month, he distilled some of that love into Lunatic Love Songs, a much-loved and sonically borderless program on Red Bull Radio. He still does it with his frequent contributions for Noods Radio, Kiosk Radio or Oddity Radio to name a few. Whether he’s broadcasting on the radio or piloting the dancefloor, Ivkovic is someone who applies a curatorial mindset and a deep love of music to all of his creative exploits. Yes, he’s a DJ, but he’s so much more than that; he’s a storyteller, a connoisseur and, most importantly, an artist. Vladimir Ivkovic - lOVe Tape - The Sameheads C60 Series ‎– SC60 #6 https://www.discogs.com/Vladimir-Ivkovic-lOVe-tape/release/8840249 Vladimir Ivkovic & Ivan Smagghe – IDMEMO: A Future Of Nostalgia https://www.discogs.com/master/1923870-Vladimir-Ivkovic-Ivan-Smagghe-IDMEMO-A-Future-Of-Nostalgia Vladimir Ivkovic – Gospels For Moopie https://www.discogs.com/release/17260789-Vladimir-Ivkovic-Gospels-For-Moopie Vladimir Ivkovic – Sweet Earth Flying https://www.discogs.com/release/18485422-Vladimir-Ivkovic-Sweet-Earth-Flying Various – Vidal Benjamin Presents: Uprooted #1 Vladimir Ivković https://www.discogs.com/release/24885869-Various-Vidal-Benjamin-Presents-Uprooted-1-Vladimir-Ivković

̸BIOGRAPHY Claus Voigtmann There is no such way to describe what Claus produces when behind the decks. With sublime dedication to Djing and music production Voigtmann has acquired the respect of his peers. Claus Voigtmann started his career out as the co-founder of London’s most underground and conceptual party, Toi.Toi.Musik. With sublime dedication to Djing and music production Voigtmann has patiently acquired the respect of his peers in what is considered to be remarkable achievements in such short time. As consequence, his career started taking him around the world - touring Japan, North- and South America etc. Voigtmann is an artist with an ever-increasing catalog of knowledge, taste, and skill, providing what appears to be a long road ahead of him. Claus is highly appreciative of the art of mixing and in love with his vinyl. An architect, designer, dj and electronic music producer he is fearless and de ant to trends and hype. There is no such way to describe what Claus produces when behind the decks, only that its intelligence and musical ability is always prominent. Coming from a punk band background, he rocks his sets with that certain punk attitude and never ceases to move the floor. Groove and funk are ever present. A constantly evolving ear adds to his progression as a producer, a very careful and patient one. Fiercely talent driven and with no compromise on quality, Claus’ released on respected labels such as Hello?Repeat, Assemble Music (remixed by Ion Ludwig), Toi.Toi.Musik, YumeLabel (remixed by Craig Richards) to name a few. 2017 Voigtmann has been announced as one of the EC1 new faces for fabric‘s room 1 residency. 2018 will see his debut album on his very own label Subsequent which is no longer a secret weapon already played the likes of ZIP/Ricardo Villalobos/Sonja Moonear etc. After having completed his mission with Toi.Toi.Musik, he went off seeking new exciting and challenging musical journeys with his new love Subsequent.

̸BIOGRAPHY Dj based in London Wayne can be seen playing various nights and festivals, including Gottwood, Love International, Electric Elephant and Houghton. He's a regular at Renate in Berlin and can be seen regularly on the line up at many london nights including the Lion and Lamb where he is a resident for Not an animal records.

̸BIOGRAPHY Deep House to Electro and Techno via EBM from Wigan’s finest, For decades Wes Baggaley, the self confessed vinyl addict has been familiar to promoters, record store staff and clubbers in Manchester and London, but in recent years he has become a familiar face to a much wider audience. From 2016 to 2020 he played some of the best regarded underground parties across Europe including the legendary Panoramabar, Frankfurt’s esteemed Robert Johnson, NYC Downlow, Horse Meat Disco, Chapter 10, Adonis, Berlin’s About Blank, Griessmuehle and Wild Renate, Kaiku in Helsinki, Czech Republic, St Petersburg, Folklore in Lausanne, Switzerland , Corvin Club in Budapest, Guest House in Bucharest, Romania, Pal in Hamburg alongside Deetron and Sugar Factory in Amsterdam where he also guested on Red Light Radio. Written features across several leading dance music titles have appeared and Wes has done live streamed sets for Mixmag's The Lab and an extremely well received one for Boiler Room. Since the Covid 19 pandemic struck Wes has done a number of live streams including one for Jerome Hill’s brilliant Don’t label and onefor Krake festival, both streamed live from Fold, London. He has also appeared on Berlin’s now legendary Hör. Wes held a residency on Rinse FM from 2017 to 2021 and can currently be found playing everything from dark ambient, noise and industrial to techno, electro and breaks on the first Saturday bi-monthly on Narr Radio. Bookings: wes.baggaley@yahoo.com

Zequenx is a budding producer, DJ and all around lover of music. her love for music started when she was young, playing the violin for many years, but her passion for the craft was reinvigorated 10 years ago, on the dance floor. for the past 3 years, she has been learning the intricacies of music production. whether it's acid, electro, various forms of techno or experimental music, she dives in head first to deliver a truly immersive experience for her fellow listeners. reaching into the very heart of a raver, her philosophy is to create a journey that allows one to step outside of their mind for a moment, to revel in dark, beautiful electronic landscapes. she has recently released music with Regenerate, Digital Diaspora Records, 22.2 and FOL Records. Born in Kashmir, raised in Chiangmai, Thailand and living in New Delhi, zequenx relies on her many cultural influences to accentuate her tastes and guide her through the expression of self as an artist, sculpting a space for those who love the rave

Thomas Franzmann aka Zip aka Dimbiman, co-founder of the label Perlon, is familiar with the dancefloors around the world and famous for his tremendous minimal shifts within the 4/4 scheme. Thomas Franzmann aka Zip aka Dimbiman, co-founder of the label Perlon, is familiar with the dancefloors around the world and famous for his tremendous minimal shifts within the 4/4 scheme. He has an illustrious musical history which began in 1986 as singer in the band Second Voice. In 1992 he moved to Frankfurt and joined the EBM band Bigod 20. After several releases the band split. In 1996 he got together with Markus Nikolai and Chris Rehberger to form the audio-visual project Pile. In 1997 he and Nikolai founded the Perlon label, on which he has released under the pseudonyms Dimbiman, Pantytec (with Sammy Dee) and Narcotic Syntax (with James Dean Brown). In 1999 the SuPERLONgevity compilation was released, featuring 'Bushes', a track that has since garnered chart-topping remixes from the likes of Derrick Carter and Fatboy Slim. Franzmann also recorded with Peter "Baby" Ford and has appeared on Ford's label PAL SL. He is a regular guest DJ in clubs around the world and holds residencies at Robert Johnson (Offenbach) and the Panorama Bar (Berlin). He participates in the Narod Niki project, occasional collective laptop live jams initiated by Ricardo Villalobos and Richie Hawtin. He has released tracks and remixes on Perlon, Playhouse, Force Inc, Novamute and others.

̸BIOGRAPHY Z@P - House & Techno DJ/Producer from Montevideo, Uruguay. Now based in Berlin In Fernando Zapico, one can find a rare combination: a producer with a talent for creating timeless pieces of electronic dance music, who at the same time is able to shine bright as a selector and club DJ. What is it about Z@p that has made him such an idiosyncratic spirit in a sea of fresh DJs and producers emerging on a daily basis? One could look at his background; after all, being native to Uruguay, a grail of modern dance music with a rich legacy to learn from, definitely helps. Yet a strong infatuation with club culture and electronic music since the early 2000´s in the Montevideo scene has fostered him to develop and progress on a consistent basis. This same fascination led him to meet and become affiliated with the crew behind Phonotheque, a club and collective of which he is now a lifelong resident. Yet Nando is not just a representation of a culture but a representation of himself, of his edge. Perhaps this edge is the way to look at his music. Operating within a framework of conventional dance music, Z@p, as a DJ, is universally aligned to deliver his signature sound in various settings for various crowds. The beats are all-consuming, tension builds and releases organically, and there is not much left but to dance the night away under his skillful lead. But once you get sucked into the atmosphere, dissonance, carefully placed disruptions, otherworldly basslines, resonating acid, bended vocals, and seemingly contradicting narratives appear and start taking you on a whole other trip. Listening to an experienced and well-versed DJ express himself and utilize his skills, you’re bound to go on a layered and complex journey that is both captivating, empowering, and thought-provoking. Since 2015, the Uruguayan started touring Europe more and more frequently until 2018 when he finally bit the bullet and moved to Berlin permanently. Nowadays, he is a resident of both Phonotheque and Cartulis Music, two institutions pushing electronic music forward in the Americas and Europe, respectively. He continues to tour and be a frequent guest at some of the best clubs in the world, yet somehow he manages to be a tour de force when it comes to production, consistently putting out tracks that electronic music fans all around the world treasure and appreciate. These releases under some of the most influential labels of our time, such as My Own Jupiter, Time Passages, and Cabaret Recordings just to name a few, have set new standards for contemporary dance music to aspire to. ̸SELECTED DISCOGRAPHY Signal Kommt / Basic Moves 13 / 2020 Z@p / Brutalismo EP / My Own Jupiter 2019 Z@P / Mayday / Cabaret Recordings / 2019 Z@P / Phonotools Vol.1 / Phonotheque Recordings / 2018 Z@P / Tracid EP / Cartulis Music / CRTL006 / 2018 Z@P / Sonic Utopia EP / Melliflow / 2016