Tobacco Dock Virtual Opening - Friday

Adam Beyer is a Swedish techno producer and DJ. He is the founder of Drumcode Records, and is one of several Swedish techno artists to emerge in the mid-1990s, along with Cari Lekebusch and Jesper Dahlbäck. Adam Beyer’s music is synonymous with all that is exciting about techno. Having emerged as the figurehead of the hugely prolific Swedish techno scene, Beyer’s focused and considered approach to his craft has worked to confirm his position as a globally recognized DJ and producer headlining cutting edge clubs and festivals week-in-week-out. Adam is also one of the most acclaimed production talents on the scene and has consistently delivered cutting edge music across his 3 labels – Drumcode, Truesoul and Madeye. Over the years he has also built up a highly prized roster of talent on the labels and his meticulous ear for quality productions is highly renowned.

ALISHA is an underground house music producer, DJ and name that is firmly keeping her proud home city of Peterborough's name on the map in the scene of house music.

Bristol, England DJ and producer Eats Everything started out spinning jungle and drum'n'bass. Over the years, the man born Daniel Pearce incorporated more bass-loaded house into his repertoire, crafting a party-starting sound the likes of Carl Cox. His non-stop party started in 2011 with his debut track, "Entrance Song" (Pets Records), a heartier and richer version of Disclosure's deep house. The Eats Everything EP followed on Dirtybird, and Pearce, preferring performing over studio time, continued with a series of consistent releases over the following years. A slew of honors helped move along his exposure, notably a few essential mixes for Pete Tong's BBC Radio 1 show, as well as the DJ Mag award for Best British DJ in 2012. In addition to filling dancefloors, he also left his mark on works by Adam F, Jamie Jones, X-Press 2, Four Tet, Skream, Sinead Harnett, and Disclosure. ~ AllMusic

British deep/tech-house DJ and producer Daley Padley has achieved a remarkable amount of success under the name Hot Since 82. His tracks are energetic and a touch dramatic, yet smooth and not over-produced, and perfectly tailored for clubs and dance festivals. After collecting some of his initial singles and remixes as Hot Since 82 on the 2013 full-length Little Black Book, Padley founded Knee Deep in Sound in 2014 and continued releasing singles and mix CDs on the label, as well as others such as Truesoul and Moon Harbour. ~ AllMusic

Jaden Thompson has breezily accomplished things that others strive for through their entire careers, and he's done it all before his 21st birthday. The U.K. native has rapidly ascended into the upper echelon of house names, rubbing shoulders with and making fans out of legends like and BBC Radio 1's , who kicked off the new year by naming Thompson a Future Fire talent to watch in 2020. A resident of London's iconic nightclub fabric, Thompson has made a name for himself as the "track ID?!"-inducing name behind addictive house edits of classics including 's "Flashing Lights" and off-the-wall choices like RuPaul's Drag Race theme song, "Bring It to the Runway." He's also a not-so-secret weapon of the revered label, Cuttin' Headz and, his recent release on Amsterdam’s PIV Records, "" is the latest evidence of a sharp production style favoring low-slung, rolling bass lines and mischievous and sultry vocal hooks.

Already one of the best-known eastern European techno/house DJs, Nastia’s star is firmly in the ascendancy globally. Her style is to an extent adaptable but she has a sound that is unmistakably her own. The last three years have been a whirlwind of gigs for Nastia. Her twilight techno, melancholic minimal, stripped-down ghetto funk and sustained house have been wowing crowds all around the world. She’s recently signed to the prestigious agency Bullitt DJ so her travellings are going to be even further afield every week. ~ Soundcloud

Carving a reputation as the contemporary face of British house and techno, Patrick Topping continues to garner widespread acclaim on account of his prolific production prowess and dynamic DJ sets. Soundtracking countless sunrise memories as resident of Jamie Jones’ famed Paradise parties at Ibiza’s DC-10, Patrick’s now 50-release strong back-catalogue is bursting with iconic dance-floor records on labels such as Hot Creations, Truesoul and Relief Records, with further remixes for Calvin Harris and Booka Shade charting Patrick’s meteoric rise. Armed with an arsenal of career defining productions in the form of the Beatport chart-topping ‘Be Sharp Say Nowt’, Green Velvet collaboration ‘Voicemail’, and 2014’s Ibiza track of the season ‘Forget’, Patrick’s far reaching appeal has seen him play numerous festivals including Coachella, Awakenings, Ultra, and Tomorrowland. ~ Soundcloud

Just when you think you know Riva Starr… He’ll probably confuse you with yet another side to his musical personality. Don’t call him fickle, though. Try bored. Try excitable. Try unpredictable… And then some!,As Philippe Stark once famously said “I do not try to please everybody, I make what I can, how I can, when I can. […] I try to deserve to exist by doing my job well. I have this sickness called creativity and I exploit this sickness to offer new meaning in things to my friends. That’s it, very simple”,Riva humbly subscribes….,Driven from his Italian motherland by a compelling desire to reinvent, innovate (?) and progress (!), Riva has made London his home since 2008: A breath of freedom and fresh beats that allowed to him to wear his inspirations proudly beyond the sleeve and deep, deep, deep into the groove.,A Neapolitan cultural exile with a degree in Chinese literature; a passionate family guy who still manages to juggle a DJ schedule of over 200 international gigs a year, a label and production duties. How can you pigeonhole a man who never sits still?,From the dolce vita to Dalston, the Big Smoke’s open eared community and exciting cauldron of influences finally allowed him to truly make the records he wanted to make. In the past he’d produced house, techno, breakbeat, electro, pop, folk and everything in between. Here was the city where he could bring them together.,As the very name of his own label Snatch suggests, Riva’s unpredictable “Magic Hat” selection keeps both him and us listeners on our toes. It’s kept him relevant, but more importantly, it’s kept him alive and kicking…,To Riva, though, he’s just doing his job, hoping to pick up new friends along the way.,It’s been like this from the very first releases. Having taken his previous guises as far as he could, his infamous debuts on Made To Play and DirtyBird were the result of anonymous MySpace demo entries. Refusing to rely on any kudos he’d developed before, Riva took a brave dive into a whole new world of beats and let the music speak for itself.,Since then he’s strutted with acts as varied as Noze and Balkan Beat Box, remixed Dennis Ferrer, Usher, Gossip and Estelle (to name a few) while future fix-ups include Fatboy Slim and Beardyman.,Never forgetting his roots, Riva records range with the wily eclecticism of all the ages; he strikes chords we can all relate to: from the DJs that have appreciated his work (from Tiesto to A Trak, Jesse Rose to Annie Mac and Giles Peterson to David Rodigan) to you, me and everyone in between.,Throughout this mayhem, he’s been hard at work on the DJ circuit – with over 190 gigs in 2010 alone – strutting his stuff in some of the coolest venues on the planet such as Panorama Bar, Space, Womb and Fabric as well as some of the biggest festivals in the world from Fuji Rock to Global Gathering to Exit and beyond.,But enough of the past: second album “Freak Like Me” (tbc) takes off where If Live Gives You Lemons left us. A vibrant manifesto of enthusiastic eclecticism, it promises to be fun, futurebound and full of surprises.,Backing up Data Transmission’s recent description of him being “one of house music’s brightest, chirpiest and talented DJs and producers”, it’s loaded with electrifying new ideas, fresh experiments and unexpected collaborations. Each one a reminder of Riva’s consistent curiosity and unpredictable style.,So you think you know Riva Starr? Just wait and see….

North Wales native Sasha became one of the world's most renowned and popular DJs, known for populist fusions of house, techno, and trance. Starting out in the late '80s as a club DJ, the former Alexander Coe got his first big break when he was hired by the dance club Shelly's to spin and rework popular sounds of the day. It was there that the young DJ found fame with the dance and house crowd, but it wasn't until he started laying down his grooves at the Haçienda and Renaissance that he become known nationally and, eventually, globally. ~ AllMusic

London-based producer/DJ Skream (Ollie Jones) played a vital role in the development and popularity of dubstep during the 2000s. Following early collaborations with fellow genre pioneers Benga and Loefah, he released one of dubstep's most easily recognizable tracks, "Midnight Request Line," in 2005. His tracks and remixes helped shift the genre from being a darker, more minimalist form of club music to something more melodic and accessible, paving the way for its mainstream popularity by the beginning of the 2010s. Skream's biggest commercial success was his involvement as part of dubstep supergroup Magnetic Man (with Benga and Artwork), whose self-titled debut album reached number one on the U.K. dance chart. However, while primarily associated with dubstep, Skream has never limited himself to one genre, and much of his work since the mid-2010s has explored house and techno. ~ AllMusic