Mike Di Scala and Dave Whelan are CamelPhat, a British electronic duo traversing various styles of deep house and techno. Formed in 2008, the pair put out a number of digital EPs and singles via Vice and Nervous Records before signing to Dutch EDM label Spinnin' Records in 2014. Enjoying chart success in Belgium with tracks such as "Constellations," "Paradigm," "Make 'Em Dance," and "The Act," they came to widespread prominence in 2017 with the Grammy-nominated "Cola," a collaborative track produced with fellow electronic musician Elderbrook. More high-profile collaborations followed, including tracks with Jake Bugg, Jem Cooke, and Yannis from Foals, while the duo also became regulars of the festival circuit, with dates at Glastonbury, Coachella, Creamfields, and Parklife. ~ AllMusic

Adam Beyer is a Swedish techno producer and DJ. He is the founder of Drumcode Records, and is one of several Swedish techno artists to emerge in the mid-1990s, along with Cari Lekebusch and Jesper Dahlbäck. Adam Beyer’s music is synonymous with all that is exciting about techno. Having emerged as the figurehead of the hugely prolific Swedish techno scene, Beyer’s focused and considered approach to his craft has worked to confirm his position as a globally recognized DJ and producer headlining cutting edge clubs and festivals week-in-week-out. Adam is also one of the most acclaimed production talents on the scene and has consistently delivered cutting edge music across his 3 labels – Drumcode, Truesoul and Madeye. Over the years he has also built up a highly prized roster of talent on the labels and his meticulous ear for quality productions is highly renowned.

Spain-based producer Eric Estornel initially reserved the name Maceo Plex for his festival-friendly house productions before gradually taking the project into a darker, more introspective direction. After establishing himself in the techno world for his work as Maetrik beginning in the early 2000s, and exploring more abstract electro and IDM as Mariel Ito around the middle of the decade, he began releasing some of his most accessible tracks under the Maceo Plex handle starting in 2009. Over the course of the following decade, the project evolved from deep, sexy house with prominent Chicago and Detroit influences (such as on debut full-length Life Index) to a significantly more dramatic sound (particularly the ambitious Solar). In addition to releasing singles and full-lengths on well-regarded labels such as Crosstown Rebels, Kompakt, and Minus, Maceo Plex has mixed volumes of the DJ-Kicks and Fabric series. ~ AllMusic

Grammy award winning DJ and producer, Afrojack, is one of most notable and iconic names in electronic dance music (EDM) today. At only 26 years old he has made a large impact on the music industry and is a key player in the worldwide explosion and popularity of EDM. In 2013, Forbes magazine crowned him as #7 on ‘The World’s Highest Paid DJs List’ and this year The Hollywood Reporter called him ‘’a global icon’’ set ‘’to conquer the world.’’ A talented producer and artist Afrojack is versatile and creative with his sound whether creating club hits or producing and remixing for the likes of Beyoncé, Pitbull or Madonna. Afrojack is adept at shifting between genres and playing with his sound and it’s easy to see why his skills are some of the most sought after in the world.,Starting off in his hometown of Spijkenisse, Nick van de Wall aka Afrojack, quickly made a name for himself with a slew of hard­-hitting underground releases, before exploding on the music scene in 2011 with the release of ‘Take Over Control’ -­ an instant worldwide club and chart hit the single reached platinum status in the U.S. Afrojack then went onto develop his own imprint in the production world with his label ‘Wall Recordings’ – a platform by which other passionate EDM artists could grow. He also wanted his label to retain the ‘club music’ brand, something he strives for with every Afrojack release. 2011 also saw Afrojack sign a landmark deal to become one of the first ever DJ’s to sign an annual residency in Las Vegas, at the legendary Wynn Hotel. The residency saw Afrojack perform over a dozen times a year at Wynn clubs including Encore Beach Club, Surrender, Tryst and XS.,From there the success continued; as well as making club hits and collaborating with the likes of David Guetta (co-writing and producing the worldwide smash ‘Titanium’), he also began to team up with and write for A­-list pop artists around the world, including Madonna and Chris Brown. In 2011, he co-wrote and produced ‘Give Me Everything’ for Pitbull and Ne-Yo, which to this day has sold more than 8 million copies worldwide and reached #1 in the US Billboard Hot 100 Charts. Not to mention his production work for Beyonce’s ‘Run the World (Girls),’ his Grammy nominated remix for Leona Lewis’ ‘Collide’ and his 2011 underground track ‘Rock The House,’ which topped the Beatport dance music charts after just three days. The same year he headlined both EDC (Electric Daisy Carnival) NY & Las Vegas to over 300,000 people, as well as UMF (Ultra Music Festival) in Miami, Tomorrowland (in Belgium) and Coachella (LA) in addition a colossal 40 city ‘Jacked’ tour of the United States, all packed into 2012.,Last year got off to a monumental start when Afrojack signed an exclusive worldwide deal with Island Def Jam, Island UK and Universal Music Group. The deal saw Afrojack’s talent be recognized and supported by the renowned music label. The first project from the partnership was ‘The Spark’, a single that fused EDM and pop and showed a new sound for Afrojack as an artist. The year continued to be another huge one for Afrojack. For his fourth consecutive year he returned to headline Creamfields and at the Ultra Music Festival and Tomorrowworld, he debuted his own ‘Jacked’ stage showcasing his Wall artists. He also found time to shoot a documentary web-series, ‘March of the Afrojack’, which gave fans an insight into the real person behind the Afrojack moniker. The series was released on the Rolling Stone website and saw Nick share many intimate moments and thoughts from his journey on the road along with his personal mantra “If I can do it, you can do it too.”,In late 2013 Afrojack made history as he became the first DJ to ring the closing bell at NASDAQ Stock Market Exchange in New York, as electronic dance company, SFX, went public. This also came in the same week as Afrojack cemented his hands into the Hollywood Walk of Fame, the second DJ to ever do this and in doing so reinforced his position as a global music icon.,2014 is set to be another milestone year for Afrojack as he releases his second single ‘Ten Feet Tall’, starts a new DJ residency at Las Vegas hotspot Hakkasan and releases his debut album with Island Records. This spring he returns to Miami as headliner on the Ultra Music Festival and to give his loyal fans a first taste and preview of his highly anticipated album set for release this May.,Given Afrojack’s immense popularity and influence on the music industry it is no surprise that many corporate brands have flocked to him for brand partnerships. Afrojack recently announced a partnership with globally celebrated fashion label ‘G-Star Raw’ for his own line of Afrojack inspired designs that will be sold worldwide. He was also sought out by leading gaming company, Razer, to be a brand consultant on the development of future products. Further, this January saw Nick’s latest single, ‘Ten Feet Tall’, premiere as a part of Bud Light’s new commercial during the Superbowl.,Afrojack has built a global brand that is recognized for influencing attitudes and championing new levels of change for the music world. It is clear from his exponential growth that there is no stopping him and at only 26 years old this is just the beginning…

Alok Achkar Peres Petrillo is a Brazilian musician, DJ, record producer and the most popular character in Garena Free Fire. He is known for his single "Hear Me Now". In 2020, Alok was ranked the 5th best DJ in the world by DJ Mag, being the highest position occupied by a Brazilian.

As a represent of Dutch dance industry, Brennan Heart is one of the leading brands in international hardstyle music. Brennan Heart (real name: Fabian Bohn) has an impressive track record as a DJ and producer with over 100 releases. He's known for his unrestrained efforts and perseverance, constantly improving his skills and studio setup. He experimented with several styles of music like techno, hardtrance and techtrance, before focussing on hardstyle and establishing his own universal sound. Hardstyle is not only about the quality of beats; the songs, melodies and vocals are important elements of the evolution of the genre. Brennan Heart is a pioneer with this sound; with a track like 'Just as Easy', he started a new episode for hardstyle music and opened the door to a new audience. He's also a pioneer for exploring new territories and cities, bringing him all over the world to serve his worldwide fanbase.

Charlotte de Witte’s a Belgian born DJ whose surge on the scene has resulted in her being one of the most sought-after names in electronic music today. Highlight performances across the continents, Mixmag & DJ Mag covers, high-ranking positions in the charts & lists, and owner of one of the strongest social media profiles in music today, confirm her status as nouveaux techno royalty. Acclaimed accolades such as Best Techno at the DJ Awards in 2019 and a high profile residency at BBC Radio 1 are honoring validations of de Witte’s hard work. However it’s her everlasting pursuit to push her boundaries and those of electronic music, that drives her.

Claptone is a German DJ and producer duo which specializes in house and tech house genres. They are recognizable by their plague doctor-style golden mask, which serves to intrigue the public as well as keeping their identity hidden. Claptone first surfaced in 2011 with a series of digital singles on Shir Khan's Exploited label. These tracks were generally built around recognizable samples, such as a cover of "Light My Fire" or the haunting melody from Wu-Tang Clan's "C.R.E.A.M." Claptone soon became highly prolific as a remixer, with clients including house producers George Morel and Riva Starr as well as pop groups such as the Pet Shop Boys.

Paul Fisher, otherwise known as Fisher, is an Australian music producer born in Australia in November 1986. Fisher's musical genres include house and tech house. Before his music career he was a professional surfer. Fisher started out as one half of the DJ duo Cut Snake with surfer Leigh "Sedz" Sedley. The duo formed in 2012 and released the EP's Life's a Beach in 2015, Magic in 2016, and Action Burger in 2016. Paul Fisher released the single "Losing It" in 2018 which reached #26 in Belgium, #35 in Australia, and #60 in Ireland and in the UK. The song also reached #1 on the US Dance Club Songs chart. His single "You Little Beauty" was released in 2019 and reached #41 in Australia. Fisher was nominated for a Grammy Award for Best Dance Recording for "Losing It" at the 2019 Grammy Awards and the song finished at #2 in the Triple J Hottest 100 of 2018.

British deep/tech-house DJ and producer Daley Padley has achieved a remarkable amount of success under the name Hot Since 82. His tracks are energetic and a touch dramatic, yet smooth and not over-produced, and perfectly tailored for clubs and dance festivals. After collecting some of his initial singles and remixes as Hot Since 82 on the 2013 full-length Little Black Book, Padley founded Knee Deep in Sound in 2014 and continued releasing singles and mix CDs on the label, as well as others such as Truesoul and Moon Harbour. ~ AllMusic

From the solitude of volcanic Mount Etna to stages around the world, melodic techno duo Mathame writes songs that inspire a generation of producers, and transports fans to heights that are out of this universe. Brothers Matteo and Amedeo Giovanelli conjure magic with emotive and cinematic soundscapes, crafting sci-fi worlds and ethereal energies that linger in the air like candles in a great cathedral. After several hits on Afterlife Recordings, Mathame sees having a very song craze in the electronic music industry, In march 2020, Mathame released their very first single ‘Never Give Up’ via B1 Recordings/Sony which was awarded ‘The Essential New Tune’ accolade by BBC Radio 1’s Pete Tong, 
 In June 2020, Mathame launch ‘Never Give Up’ remixes and invite worldwide class artist to remake their incredible single such as Diplo, Lost Frequencies, ZHU, Adriatique and Vril. Following this, Mathame return the favor with a remix of ZHU’s September single, “Risky Business.” 
 In October 2020, the two brothers dropped out their “Far, Here, Nowhere” Essential Mix for BBCR1, then the mix got nominated as the Essential Mix of the year.

Daniela Di Lillo, better known by her stage name Nora En Pure, is a South African-Swiss DJ and deep house producer. Nora En Pure is the deep house & indie dance music sensation that is rippling through the sonic sphere with her beautiful blend of electronic beats. A core member of the Helvetic Nerds group, Nora leads listeners out of the darker realms of deep house with intricate instrumentals and enlightening melodies. Every track she gets her hands on turns to gold and every performance she gives leaves the audience in awe. Gracing the decks of some of the most revered dance music spots over the years, Nora has played sets at the likes of Ultra Music Festival, Coachella, Tomorrowland, Ushuaïa Ibiza, Mysteryland USA and held residencies at the world's largest club Privilege Ibiza and Marquee Dayclub Las Vegas. Touring relentlessly all over the globe to bring her scintillating sound to as many countries as humanly possible, her loyal and ever-growing fan base is scattered all across the planet.

After successfully infecting planet earth with the ‘Contagion’ album and world tour, Sub Zero Project takes on a new mission for 2020. Their brand new show ‘Rave Into Space’, takes you on a musical journey through the universe. Expect a psychedelic experience fueled by their signature, hard & experimental sound. A live act that will strike the visitors ears, eyes and body. Let’s light up the cosmos. Jump on board now and to RAVE INTO SPACE!

Vini Vici is the new project of Aviram Saharai & Matan Kadosh, both well-known and experienced electronic music producers for over a decade. The concept of Vini Vici was formed by the boys with an intention to express their love for the old school sound, paired with their progressive ideas. Iboga Records and FM Bookings, widely considered to be the biggest psytrance label and booking agency, were the first to see the potential of the project and invited them to be part of their well respected family, alongside names such as: Ace Ventura, Liquid Soul, Ticon, Captain Hook, Atmos, and the like.

Malthe Mehlskov better known as Adrenalize is Denmark’s crowned king of hardstyle. His ambition, drive and maturity remain unmatched in the hardstyle scene. This he verified as he on his 16th birthday, stepped onto the hardstyle scene as a Scantraxx Records representative, behind the decks at Headhunterz – Hard with Style at Ziggo Dome with a crowd of 13.000 people. Since, he has showcased his skills on the world’s biggest stages and festivals with remarkable performances all across the world such as EDC Las Vegas, Mexico, Tomorrowland, Hardbass, touring all over Europe Australia, USA and Asia. Being notorious for his exceptional technique as a producer and his heart-melting, uplifting and catchy melodies, adrenalize has grown to become a widely recognized name within the Hardstyle scene.

A couple of years after winning the Beatport Breakthrough Award in DJ Mag’s Top 100 DJs poll, ANNA enters the list at No.95. Known to her parents as Ana Miranda, she went from playing to a 1,500-strong crowd at the age of 14 in her home country of Brazil to fronting DJ Mag North America in 2019. New music from ANNA has been huge in festival sets for many world-leading techno DJs all summer. Then there was the richly deserved Essential Mix for the BBC that started 2019 off right, as the Brazilian distilled 20 years of DJing experience into an inspiring two-hour techno masterclass. DJ Mag rightly recognised her talents, putting her on the cover of their North American edition in February, a nod to the breakaway impact she’s had on that region.

In 2007, two friends decided to join forces, one DJ and one producer, both sharing great passion for house music. Marlon Flohr and Ralph van Hilst had not foreseen what was to come when they started their collaboration. Marlon was mainly DJ-ing and playing house music, when the idea came to push Ralph’s productions in a direction where Marlon could play the tracks in his sets.After first getting noticed by Fedde Le Grand, releases and remixes followed which received massive support by all the top global DJ’s. heir big break came in 2011, when “Mush Mush” got picked up by Tiesto and released on his imprint Musical Freedom. It dominated the Beatport top 10 for over 2 months and grew to be one of the biggest club/festival tracks of 2011. Since then Bassjackers have remixed for A-list artists like Rihanna, Enrique Iglesias and Moby and played in clubs from Ibiza alongside Tiesto, to Las Vegas alongside Afrojack, and continue to tour around the globe with a recent emphasis on North America.

A new entry in this year’s Top 100 DJs poll, Israeli psytrance DJ Blastoyz has become an increasingly celebrated name in the scene over the past few years thanks to his cinematic take on the sound. His tracks’ uplifting melodies, bubbling basslines, stirring vocals and spoken samples have earned him the support of legendary acts like Armin van Buuren and Above & Beyond. ~ DJMag

Every story has a name Colyn evokes transmissions of emotions through layered textures and the soaring sounds of nostalgia. As the reality you know distorts and disintegrates, Colyn takes you on a journey somewhere inbetween space, time, and your desires. Dissolve into a sonic bliss. Take a journey through space and time.

From a young age, Coone has been mesmerized by music in all its different shapes and forms.,The creation of his successful label Dirty Workz was a huge step in this young man’s carreer, allowing him to take his music beyond even his own expectations and also giving new talents within the Hard Dance scene a respectable platform to launch new and exciting sounds into the scene.,By the age of 24, Coone was able to lay down an almost impossible feat; completely selling out one of Belgium’s largest venues with over 10.000 Hard Dance fans for an exclusive event – Coone & the Gang. The event has certainly become one of Coone’s most memorable moments, a clear pillar in his life which marked the beginning of big things to come and completely opened the Hard Dance scene in Belgium, boosted by national tv and media coverage.,As collaborations with some of Hardstyle’s biggest names rolled in, Coone was able to impress the world with his unique sound within Hardstyle, imprinting a distinct signature sound into his productions. His experience has lead him towards a new “Challenge”; to create an album in 30 days including collaborations with some of the Hard Dance scene’s superstars. The album was met with great support in the scene, catapulting Coone to new heights.,Coone’s success within Europe has opened up many doors for him as his eyes are fixed on the horizon, towards the international Hardstyle scene in countries such as Australia and the United States, with a World Tour already in the making.,Without a doubt, Coone lives and breathes Hardstyle. His passion shared by thousands of like-minded souls all over the world, each speaking a universal language. Music. A binding force uniting us all.

Vorsprung durch Technik (or ‘Advantage through technology’ in English) pretty much sums up the typical German stereotype. Super efficient, groundbreaking and full of innovation. If Mercedes are this to the motoring world then Cosmic Gate are paralleled within the world of electronic music.,After a chance meeting at a record label head office in Germany, Claus Terhoeven (Nic Chagall) and Stefan Bossems (Bossi) have created and inspired some of the most influential music ever to hit our dance floors over the past decade...

Da Tweekaz, also known as Kenth Kvien and Marcus Nordli, had been making music together for a couple of years before they got into hardstyle. They tried making different styles of harder dance music such as: hardtrance, hardhouse and hardtechno , but it wasn’t until fall 2007 that these 2 guys started their career as hardstyle producers.,Da Tweekaz got their passion fueled when their songs started to end up on different forums, MP3 sites etc. Normally this would be a bad thing for a producer, but for two upcoming producers this is what they needed; people talking about them. As a result of this they started to spend more time on tracks and one day they got contacted by DJ’s United Records. From now on they were not bedroom producers anymore, but professional producers doing what they do best, making music.,After massive releases such as Angeli Domini, Da Bomba Whatevah, Get Mad and with the help of some unofficial remixes, they had found a sound of their own. Their passion for the 8bit sound is also recognized in several of their tracks.,In 2009 they started to be well recognized DJs as well. Their first official gig was for the newly started hard dance party organizer “Hardstyle DNA”. While enjoying their residency and spending more and more time in the studio; their fan base was rapidly expanding. As a result of this, organizers from other countries started to notice the duo Da Tweekaz, and this led to gigs in UK and the Netherlands. Their DJ sets are a treat too. Da Tweekaz are not only combining their DJ skills but also their personalities, so be sure to enjoy a full DJ set complemented with humor while dancing to their beats.,In 2010 Da Tweekaz rapidly expanded across the borders. Their big dream of international fame became true when Dirty Workz approached them to join their family of producers. Their first releases under the Dirty Workz label; DNA, Be Aware, Whatevah 2010 and Hook My Mic Up where a big hit on the charts, and so was their official remix of Brennan Hearts Revival X; which they won in a remix contest made by Brennan Heart himself. Now they are in-demand producers with the agenda booked for Bassleader, Q-Base, Qontinent and gigs in Sweden, Denmark, Norway, UK and the Netherlands.,One thing is certain, by the end of 2011 Da Tweekaz will have accomplished more than they could ever dream of, and this is not the last you will hear from these two funny upcoming Norwegians.

With 2009’s multi-platinum One Love, two-time-Grammy-winning artist/producer/DJ David Guetta cemented his status as a genre-busting hitmaker whose in-your-face fusion of electro and hip-hop beautifully warps the pop landscape. Now, with his fifth studio album Nothing But The Beat, Guetta builds on that breakthrough momentum and takes his decades-spanning career to a frenetic new level marked by bigger hooks and more brain-bending beats. A star- packed powerhouse showcasing today’s hottest hip-hop and R&B artists, Nothing But The Beat backs up its high-gloss pop with ingenious electronic stylings that deftly flaunt Guetta’s DJ pedigree. In a nod to the driving force behind Guetta’s crossover success, the double album (due out August 29) also offers an all-instrumental disc designed to turn new listeners on to the hypnotic sound of house music.

The brothers from Greek origin but born and raised in Belgium, spent the last years travelling across Europe and playing in some of the best venues around.,Their debut release on the legendary Bonzai Records, “La Cocaina/Eivissa 2007” was a techno banger that did really well on the White Isle, being played by many djs all around. They were asked as main act on Prestige Ibiza’s “Glamour Night” and as residents of the new club, playing on events like the Manumission Carry-On.,This year, Dimitri Vegas & Like Mike are the new pick of Joia Records, the Swedish top-label established in Stockholm about 5 years ago. In this short period of time they have been able to attract some of today’s biggest producers and have releases of artists like Eric Prydz...

French dance music producer, Quentin Dombres or professionally known as Dombresky has been producing music for nearly a decade and a half now. It took years for Dombresky to find his way out of local markets in France and onto the global level but that breakthrough occurred when he produced an official remix for A-Trak’s “We All Fall Down”. From there, Dombresky’s career started to explode; connecting the dots with fellow Frenchman Tchami. The two created “Freakin” which debuted on Tchami’s EP. With that success, the two would collaborate again, when Dombresky released singles “Wait” and “Utopia” on Tchami’s label ‘Confession’.

Enrico Sangiuliano is a name you will have noted if you have been anywhere in the electronic music scene for the last few years. Starting out as a sound engineer in Italy, he started to produce electronic music in the ’90s. Italy was his playground, with the illegal rave scene exploding, this was where he made his first break. International recognition came in 2015 with his remix of DJ Boris’s “Can You Hear Me” on Alleanza, claiming the title as Beatport's highest selling techno track. ~ Soundcloud

Eric Prydz stands alone in his ability to mix commercial success with underground notoriety. As well as triumphing in the charts, the Swede has also always been held in high regard by an adoring underground scene. His careful and smart approach of releasing certain tracks under different pseudonyms, on his own labels, has enabled him to achieve a kind of success that has never been seen before or since. Bringing in fans from across the board, Eric Prydz truly reigns as king of dance music.,The talented Stockholm DJ runs three separate record labels, each responsible for the more underground music that leaves his bustling studio. His Mouseville imprint has seen Prydz produce under the alias Cirez D, releasing harder and more upfront techno tracks to great acclaim. Knockout, the biggest selling EP from the label epitomises the Mouseville ethos with its succinct nod to the Swedish underground.

Willem Rebergen, better known as Headhunterz, kicked off his DJ career in 2003. That year, a friend gave him a ticket to Qlimax, and it was love at first sight. Discovering hardstyle music and its dedicated scene changed his life. From that moment on, he committed himself to becoming the best producer in the hardstyle genre. He locked himself up in his tiny bedroom studio, in the attic of his parents’ house in Veenendaal, and quickly learned the ropes of producing. Unaware of the revolution he would start, the foundations of the Headhunterz sound were made. Headhunterz’ new take on Hardstyle music made the genre grow into an international phenomenon. It was no longer just the sound of European raves, but became something worldly. Headhunterz made new audiences fall in love with the unstoppable energy of Hardstyle music. 7 years after visiting his very first hardstyle party he was on top of his career, with each new track captivating both his fanbase and artists outside the scene.

English DJ, producer, label owner, and club promoter John Digweed played a key role in developing and popularizing the progressive house sound during the 1990s before settling into a niche of prolific live output in the 2000s and 2010s. Both solo and with his longtime cohort Sasha, Digweed has released countless mix CDs, several of which have helped establish the format. Constantly touring throughout the world, he has performed at numerous high-profile clubs and festivals, with a monthly residency at New York club Twilo during the late '90s/early 2000s achieving the most recognition. His marathon DJ sets have been known to exceed ten hours in length. He has appeared in DJ Magazine's annual Top 100 DJs poll over a dozen times, topping the list in 2001. As a producer, he has recorded a decent amount of dancefloor anthems as one half of Bedrock, his duo with Nick Muir, in addition to remixes of songs by artists such as New Order, Underworld, and the Orb. ~ AllMusic

Born in Haiti and raised in the city of Montreal, Canadian artist Kaytranada has experienced an explosive rise in the past couple of years with his irresistible... production and live sets, but the hard work and success did not happen over night. Before touring the globe and amassing millions of hits online with his series of beloved tracks and mixes, the young man came up as a true disciple, absorbing hip hop and RnB culture since his childhood and finding ways to make the music his own. Since the age of fourteen, when he first began to DJ and the following year when his brother introduced him to music production software, his output has been relentless. As he explains, “after he showed me the basics, from that day on I couldn’t stop making beats,” pumping out a beat a day for the next couple of years and soon after self-releasing a series of EPs and beat tapes that quickly began to expand his reach. Official releases on HW&W and Jakarta Records soon spread his name like wildfire and some instant-classic remixes by the likes of Missy Elliot, Janet Jackson, TLC, Danny Brown and others have cemented his reputation and his sound; an undeniable swing of the drums comparable to Dilla’s, a signature soulful touch in the melodies, and a healthy dose of funky bass lines. In the past year, he was approached by Brodinski to drop the single “Free Things In Life” on the hotly-tipped French label Bromance, has headlined tours in Europe, Australia and North America, and released his newest single and video “At All” which has already conquered dance floors worldwide and introduced his face to the world with an unforgettable video. Now, as he continues to bridge the gap between the dance world and hip hop/RnB, he is prepping a solo album for 2015 and a series of high profile collaborations that will confirm his position as one of the most important producers in today’s musical landscape. See more

Born Pedro Maia, Mochakk is a 22-year-old sensation whose thrilling persona behind the decks matches his prolific production. Growing up in the midst of skating and hip-hop culture, he found his musical start as a beatmaker before eventually pivoting to electronic music. After discovering house music in particular, he became a dedicated student of the genre and used that to his advantage as he progressively made waves in his home country of Brazil, both as a meticulous producer and mesmerizing performer. In recent months, his presence has gone global as he’s embarked upon an expansive North American tour with multiple sold out dates in tow, dominated a laundry list of festivals internationally, done B2B sets with the likes of Vintage Culture, and is now headed toward a slot at the church, Circoloco this summer. With standout releases like “False Need” via Black Book alongside an exponentially growing fanbase with over 1 million followers, not to mention a smash forthcoming remix for The Martinez Brothers.

Singer-songwriter and electronic music producer. To many that might sound like two very different aspects of modern sound culture - which in turn makes Monolink a fascinating character, because he's both rolled into one. His style seamlessly connects the narrative structure of a song with the compelling forward thrust of electronic rhythms. Guitar chords merge into synthetic pad sounds, hypnotic bass vibrations meet emotional vocal parts, passionate physicality meets sublime stimulation for the mind.

For more than two decades, the world has known Paul Van Dyk as one of Germany’s most successful musicians and as one of the ultimate superstars of electronic music. As an artist, DJ and producer, Paul has surpassed various milestones over the course of his career, including having sold more than 3.5 million albums and being twice voted the world’s No.1 DJ. He has remixed the likes of Madonna, Justin Timberlake, U2 and Depeche Mode. Earning a Grammy nomination and accepting the “Order of Merit” from the state of Berlin are just two of Paul’s numerous accomplishments and accolades for his talents.,His sensational DJ sets attract expansive crowds on every continent. Not only does van Dyk fill the world’s best-known venues, but every year he transforms New York’s Central Park into a unique open-air festival.

Formed during 2002 by three musicians from Western Australia with similar visions and musical backgrounds, Pendulum’s mission has always been to pull together their production resources, ideas and influences from various styles of music, to create a new sound that they felt was missing from dance music. The individual members behind Pendulum had been active in Perth’s live music scene for several years: producer / vocalist / keyboardist Rob Swire and producer / bassist Gareth McGrillen played together in the acclaimed Perth band Xygen, while Paul ‘El Hornet’ Harding was a veteran of the Perth DJ scene.

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production.

Sofi Tukker (stylized in all caps) are an American - German musical duo based in Florida consisting of Sophie Hawley-Weld and Tucker Halpern. They are best known for their songs "Drinkee", "Best Friend", and "Purple Hat". "Best Friend" was featured in a commercial during Apple's unveiling of the iPhone X, while "Drinkee" was nominated for a Grammy at the 2017 Grammy Awards. In December 2018, their album Treehouse was nominated for a Grammy for Best Dance/Electronic Album.

Tale Of Us are Berlin-based musical partnership Karm and Matteo who are currently re-writing the rulebook for deeply moving, emotional electronic music.

Timothy Jude Smith, the Australian DJ, producer and musician better known as Timmy Trumpet has finally cracked the top ten in 2020’s Top 100 DJs poll. He's been on an upward trajectory for a few years now, steadily moving up each year from No.75 in 2016 to this year’s top ten rankings. In that time, he’s become infamous for his full-on, no-holds-barred performances, high-energy delivery and of course for his live trumpet skills – he’s actually an accomplished musician who has been playing his instrument since he was four and was Australian Young Musician of the Year at the age of 13.

Lukas Ruiz, known as Vintage Culture, is a Brazilian DJ and producer. The Brazilian artist has more than 1.5B streams online, 8M across his social media platforms, and currently ranks at #30 in DJ Mag’s Top 100. Vintage Culture has graced the cover of Rolling Stone, was nominated as one of the most influential “30 Under 30” by Forbes, and premiere his very-first Essential Mix for Pete Tong on BBC Radio 1. In 2020, he collaborated with Tiësto, David Guetta, Meduza, Robin Schulz, and Jorja Smith, going Platinum on multiple releases, as well as topping the Billboard Hot Dance and Spotify Dance Charts. He simultaneously had 3 songs on Beatport's TOP 10, including the #1 Main Chart Overall with his debut single at Defected Records, “It Is What It Is.” Lukas has used his platform as an artist to raise over USD 100k via his Covid-19 relief project in Brazil. Also, he is the creative force and owner of the fast-growing international Festival and Fashion Brand Só Track Boa.

After meeting up in 2007, Willem van Hanegem and Ward van der Harst came together to form W&W and haven’t looked back since. The Dutch DJ and production duo have transcended the boundaries of genres and traversed the world with their globally acclaimed music and iconic live performances, becoming one of the most sought-after duos the world of electronic music has to offer.

070 Shake aka Danielle Balbuena has gained a horde of praises with her debut album Modus Vivendi, dripping sentimental and true hip hop. The album’s seasoned production combines both the simplicity of bleakness and retro-futuristic synthesizers. The singer-rapper is also known for touring with the band The 1975 and has also collaborated with Pusha T, Nas and DJ Khaled.

From politically incorrect prog-rock to funky r&b, from trendy hiptrop to banging German techno, ja: if it gets a booty going, the Dewaele brothers have it in their record collection. In times where moms give their sons and daughters DJ-courses for their birthdays and bootlegging has become an Olympic sport, it is nice to see a record that sets a new standard in the genre of mix-albums: ‘2 Many DJ’s’ from Belgian groove-gurus Soulwax. Fans of quality left-of-centre rock music will know Soulwax from their highly acclaimed album ‘Much Against Everyone’s Advice’, which made it into the British Top 40 and got rave responses in Japan and Australia. But there’s much more to the two brothers than meets the eye. Apart from being chairman of the Belgian Carpenters Association (Stephen) and having a black belt in tae kwon do (David), they are also masters in blending the finest products of music history together into a catchy, hilarious and -above all- intriguing groove exploration. From politically incorrect prog-rock to funky r&b, from trendy hiptrop to banging German techno, ja: if it gets a booty going, the Dewaele brothers have it in their record collection. Blending beautiful tunes is far from new for the Soulwax brothers. Back in the dark days of 1999, David and Stephen started a DJ-show on Belgian national radio, called ‘Hang The DJ’, where they did exactly that. Years before bootlegging reached the trendy pages of The Face, they were already making their own mixes for inclusion on the show. Inspired by the philosophy of one Grandmaster Flash, they cut together the best bits of funky tracks into an even funkier mix. It was then that classic mixes of Blackstreet with Grandmaster Flash, Beck with Prodigy and Beastie Boys vs. Herbie Hancock with INXS vs. AC/DC saw the light of day. Praise the Lord. After having wooed Belgian and Dutch crowds for a few years with these eclectic sets, they went on to impress the most cynical part of the world, the London scene, a loud yet harmless species. The British capital, where approximately 67% of the population (including 17% of women over 65) owns two decks and a mixer, is used to a thing or two, but Stephen and David immediately raised quite a few eyebrows with sparkling sets for London’s independent radio station Xfm, national institution BBC Radio 1 and appearances at the renowned Trash nights in London and Arthur Baker’s Sunday Sessions in The Elbow Room. Impact on the trendometer: a fat 9.5. “When we played our first set for Xfm”, says David, “several club owners phoned up during the transmission to ask us to come and play their venues.” And when an (unnamed) DJ played Soulwax’s classic bootleg mix of Skee-Lo’s ‘I Wish’, Survivor’s ‘Eye Of The Tiger’ and The Breeders’ ‘Cannonball’ at a London club night and pretended he was mixing it himself, it became official: Soulwax was hot property. Even Jarvis Cocker showed his appreciation for their skills and none other than über-producer Felix Da Housecat invited the brothers to collaborate on his new project: a girlband called Glamarama. You gotta believe it… No surprise then that ‘2 Many DJ’s’ has been in the pipeline for yonks, but because getting tracks cleared is a legal war zone, it has taken quite a bit longer. “Mick Jones from The Clash was very impressed with our bootleg version of their ‘The Magnificent Seven’ mixed with Basement Jaxx’s ‘Romeo’”, explains Stephen, “but still we didn’t manage to secure the rights to include it on the album”. Rumours that two lawyers have been decapitated since are unconfirmed. Too bad, but there’s more than enough magic material to keep you intrigued, smiling and shaking. The record includes already renowned mixes like Destiny’s Child’s ‘Independent Women’ with 10CC’s ‘Dreadlock Holiday’ and Stooges’ ‘No Fun’ with Salt ‘N’ Pepa’s ‘Push It’, but it also features new beautiful blends like Röyksopp’s ‘Eple’ with Dolly Parton’s ‘Nine To Five’ and Basement Jaxx’s ‘Where’s Your Head At’ with Emerson Lake & Palmer’s ‘Theme From Peter Gun’. Tongue-in-cheek is the first thing that springs to mind when reading these names, but if you peel off the first, obvious layer, you have to admit that these ‘cheesy’ mixes actually do work. Mixing 45 songs together in one hour of music is one thing. But making that hour a consistent exploration of the history of pop music is quite another. ‘2 Many DJ’s’ makes you laugh, yes indeed, but it also covers left, right, top and bottom of groovy pop. Some of the tracks on this album are obvious classics, some are simply unknown and some will very soon become hot sought-after gems. From Japanese geisha Hanayo covering ‘Joe le Taxi’, 21st century proof electro from Adult., Finnish disco from Ural 13 Diktators or sleazy Peaches to classics from The Velvet Underground, The Breeders, The Residents, Sly And The Family Stone and Nena. They’re all there for a reason. ‘2 Many DJ’s’ proves that ‘genre’ has never been such a naff word.

999999999 -officially started in July 2016 and already affected the most important clubs and festivals all around Europe. They aroused much interest even outside the continent becoming one of the most requested live acts of the techno scene. First three releases on their label "Nine Times Nine" and their appearance on Planet Rhythm special "303" vinyl release were immediately sold out after few hours. Live is what they are whether in or out of the studio, they are spontaneous. Improvisation with hardware is the key element of their performance and is impossible to replicate.

Above & Beyond, or Jono, Tony and Paavo as they are better known to their legions of fans around the world, have been at the forefront of electronic dance music for two decades. Founders of the iconic Anjunabeats and Anjunadeep record labels and hosts of a weekly radio show, that reaches millions of dance lovers every Friday (Group Therapy), the trio have earned two GRAMMY™️nominations for anthems 'Northern Soul' feat. Richard Bedford and We're All We Need feat. Zoë Johnston. In 2018, the band’s fourth electronic album, Common Ground, debuted at number three on the Official Billboard Album Chart. Described by UK music bible Q Magazine as “the world’s biggest cult band”, Above & Beyond's enviable list of sold out shows includes headline performances at historic venues like Madison Square Garden NYC, The Hollywood Bowl, The Sydney Opera House, Royal Albert Hall London, Red Rocks Amphitheater and record-breaking turnouts for their own festival events on LA's Huntington Beach and at The Gorge Amphitheater.

Ace Ventura is one of the leading and busiest DJs & artists on the progressive and psytrance scene. His music has been rocking the dancefloors, and he has been touring constantly all over the globe playing in every possible venue and headlining all major festivals. He is well known for his highly popular mixes, and his extra-long DJ sets, and involved in four other highly successful projects: Alpha portal (with Astrix), Easy riders (with Rocky Tilbor), Liquid Ace (with Liquid soul) and Zentura (with Zen mechanics). Together with Liquid Soul he also founded Psy-Nation, a global Psytrance travelling party line, and Psy-Nation Radio, a monthly Psytrance music & culture podcast & radio show.

Modest from his core, yet exceptionally passionate when it comes to performances and creating music, Adaro is unquestionably one of the most ambitious artists within the Hardstyle genre. As a DJ, Adaro has the look and feel of a true entertainer–his undying energy and widespread knowledge of music are just some of his greatest assets on stage. Adaro’s sound can be simply described as a sophisticated and diverse approach to Hardstyle, as this pioneer thrives on blending in a range of different sounds and influences. With his taste ranging from melancholic melodies right up to underground, hard-hitting tracks, Adaro loves to create energetic Hardstyle under a broad spectrum.

Amelie Lens has risen rapidly through the European techno ranks over the past couple of years. She’s now consistently high up the bill (if not topping it) at events like Awakenings, DGTL and Ibiza staples DC-10 and Hï, and this year debuts in the Top 100 DJs poll. The Belgian’s Lenske label has simultaneously gone from strength to strength, building its name around the five-person crew of AIROD, Farrago, Milo Spkyers, Ahl Iver and Lens herself. Granite-tough techno is the name of the game; epic vibes suited to the cavernous hangars Lens fills on a regular basis. And with its newest addition — Lens’ ‘Higher’ EP — the label has now dropped 13 releases in just two years. ~ DJMag

Andrew John Clarke is a British DJ and record producer and is co-founder of RAM Records, a pioneering label in the drum and bass genre. Andy C was a DJ in his own right but gained a strong reputation and more bookings off the back of the successful "Valley of the Shadows" track, an early drum and bass track that walked the line perfectly between hardcore and drum and bass just as the genres were starting to split. The track, created and released by Origin Unknown (made up of Andy C and Ant Miles)—often referred to as "31 Seconds" or "Long Dark Tunnel" because of the samples it incorporates—made use of a heavy bassline, bell samples and a rolling drum track to produce a popular, easy to recognise track that was easy to mix and became a favourite in dance floors at raves across the UK and beyond. The track was released as an EP in 1993[7] and has been remixed and re-released several times, and is widely recognised as one of the most influential drums and bass tunes of the early 90s.

Danny Masseling, better known by his stage name Angerfist, is a Dutch hardcore producer and DJ. Aside from his main alias, he also produces for other genres and subgenres under various aliases and is part of the following groups: The Supreme Team, Masters Elite, and Roland & Sherman.

Artbat, the Ukranian duo of Artur & Batish, are currently among the most successful Ukrainian electronic acts and enjoy global recognition. Over the last couple of years, the two experienced deejays and producers from Kyiv have completed a rewarding transition from the debut release to this summer performing at the Destino and Pacha, Ibiza. The key to Artbat’s success lies within their powerful and inventive sound of the highest quality. Their tracks have an impressive capacity to fuel both intimate dance floors and huge arenas with energy and drive. It’s for these very reasons why many renowned artists are attracted by Artbat’s music. Such dance music authorities like Solomun, Maceo Plex, Richie Hawtin, Dj Hell and many others are now regularly spinning Artbat’s tracks during their sets. From starting at mid-2015 more than 12 releases came out already in different genres.

Astrix’s musical agenda is the ultimate clash, where underground vs. mainstream transforms to uplifting Trance composed with sophisticated melodies, a sprinkle of progressive House, and some occasional vocals. This audio clash is where Astrix’s music have emerged from & been embraced by hundreds of thousands across so many nations and continents. As an incredibly popular DJ and producer, Avi Shmailov, aka Astrix, always thinks ahead how to tailor his sets and productions for his devoted fans, but not forgetting to please the casual dancers. Astrix needs to connect with everyone in the crowd, those who are unfamiliar with his works and at the same time with his followers throughout the years.,Rewind back to 2002, Astrix is signed to leading label HOMmega and is introduced to the world with his debut album “Eye To Eye”. Things started to roll for Avi Shamilov from that point on, the world wide scene fell captivated with his unique, smart melodic style. Touring massively after the “Eye To Eye” album release didn’t leave much studio time for Avi, it took two years to write & perfect his 2nd album, “Artcore” which came out in 2004. “Artcore” raised the bar with groundbreaking achievements if in CD sales, tracks used in movies, video games and TV commercials.,Once Astrix’s musical sound got familiarized as his trademark, he turned to invest the years after to developing his DJ persona. Compiling & producing for leading brands such as: “Nu-clear Visions of Israel” (Tip/2003), “Psychedelic Academy” (Hit Mania/2005) and “Astrix & Friends” (DJ mag/2007). In 2009 Astrix’s label, HOMmega productions, was the first to release an Astrix digital artist album, on a compact stick flash drive format, “One Step Ahead” (HOMmega/2009),Evolving into one the world known DJ MAG TOP 100 DJs placed Astrix on the roads for an almost nonstop world wide tour. He rocked festivals across the globe including Dance Valley, Tomorrowland, SW4, Creamfileds, Love Parade, UAF, Planeta Atlantida, Triba and headlined nights in the best clubs and venues such as Alexandra Palace, Brixton Academy, Pacha, Ministry of sounds, The City, Volume, Nox and so many more which he visited repeatedly .,Over the last couple of years, studio time was a rare commodity for Avi Shamilov, but never the less he always managed to find the extra hours to work on releasing his 3rd studio album for HOMmega. ‘Red Means Distortion’ is the result of some very late night sessions, everything to reach the perfection he needed to return back to those who were waiting patiently for his 3rd album.,Starting from August 2010, Astrix is releasing ongoing free download mix sessions under the title “Trance for Nation”. As a well known “global trance rocker”, stay tuned and expect nothing less then top notch trance productions!

Atmozfears, also known as Tim van de Stadt, is a Dutch hardstyle artist pushing boundaries with his emotive and energetic sound. From what originally started as a trio in 2008, Atmozfears has grown to become a huge name in dance music with Tim at the helm, spreading his innovative interpretation of music. Tim is known for spending almost every waking hour of his day creating music or performing on stage. His level of dedication to music isn’t something you can learn or forget it’s a true passion to spread enjoyment and a sense of unity. Atmozfears is ready to rock the future and will continue working non-stop to take this scene to the next level!

Avalon has grown massively from his UK underground roots into one of the leading and most in-demand artists in the Psy-Trance scene today. He is one of the top headliners at most major psychedelic trance events around the globe and has worked with Tristan, Vini Vici, Astrix, Burn In Noise, Ace Ventura to name a few. Avalon's collaboration projects (Killerwatts with DJ Tristan a with Sonic Species under his progressive alias ‘Future Frequency’) have also garnered mass appeal. His non-stop world wide touring has seen him playing at the biggest events, including Glastonbury, Ozora, Boom, Tomorrowland, Burning Man, Tribe, Dreamstate, Exit festival, Sunburn, Ultra, Rainbow Serpent, Enchanted Valley Carnival, A state of trance, Symbiosis, Atmosphere, Ministry of Sound, Time and Space, Universo Parallelo, Xxxperience, BAT, Antaris, Freedom, Origin, and the list goes on. He has had releases on major labels also such as spinning records.

Rick Buijtenhek, better known as Bass Modulators, kicked off his DJ career in 2007 and is still going strong ever since. Born to entertain and perform with Hardstyle crawling through his veins, music goes way beyond just a hobby. It lives in every aspect of his life. With a big heart for bass and melody he started this hardstyle adventure back in 2007 as a duo together with Roland evers. They managed to create their own euphorical, energetic ‘feel good’ sound, that received instant international allure and status. After 15 years of playing their music all around the globe, they decided to go their own way and Rick continued with Bass Modulators to bring it to new levels. With a serious portfolio of 100+ tracks, some of the biggest anthems like Defqon and Decibel, and a lot of stage experience worldwide, this guy knows how to play the game. Building upon his successes, plans and ambitions, Bass Modulators continue to set his mark in the worldwide Hardstyle industry.

Israel-based artist Berg—a.k.a. Shlomi Berg—has entertained hundreds of thousands of followers around the world. His performances encompass a half-dozen of the world’s most acclaimed—and massive—dance parties, including A State Of Trance (ASOT), Dreamstate (EDC), Tribe and XXXperience. At the age of 29, Berg has already become one of the globe’s leading acts—over the course of eight years, when the sonic mixologist first launched his name brand. His ability to bring a crowd to its feet with hands waving in unison, as well as his mad beats, have fans from nearly every nation in the world pleading for him to make an appearance.

The Slovenian selector Brina Knauss has achieved widespread notoriety and respect for her DJ skills, with influential figures such as Damian Lazarus and Luciano among her growing fanbase. Classically trained as a youngster, Brina has an exceptionally refined ear for key, chords and melodies, meaning her sets are full of emotional depth and transcendent atmospherics. On the road constantly since 2016, she has notched up a staggering number of gigs across Europe and the rest of the world, playing alongside some of the scene’s best-known DJs and booked to perform at high- profile events such as Rumors, Vagabundos and Get Lost. Still in the early stages of her DJ career, Brina Knauss is an accomplished music selector, whose scintillating sets have catapulted her into the limelight.

“What I’m into at the moment”, says Calvin Harris, “is the idea of stadium dance. Playing football stadiums with massive riffs, big hands-in-the-air rave anthems. The whole ‘minimal’ thing has passed, for me.”,A bold ambition, but such boldness is justifiable, coming from a man who ascended from the bedroom to the big time in the blink of an eye. At least, that’s how it appeared from the outside, back there in 2007.,He may have barely turned 23 when he first hit the charts, but Calvin Harris had been making music, legend has it, since the age of 15 on an old Amiga computer in the Scottish town of Dumfries, when he wasn’t stacking shelves at the local Marks & Spencer.,“It seems like I came from nowhere” Harris admits, “but it didn’t feel like that for me. I had a successful record after having lots of unsuccessful records…”

Captain Hook is one of the top DJs, musicians and producers on the Psychedelic Trance (Psytrance) & Progressive Trance scene. Traveling a diverse musical path, Reshef Harari always achieved success guided by the frequencies. From the early days of DJing with vinyls, through the successful collaborative project Quantize, the visit to Techno-land as Sheff with releases at top labels, and finally as Captain Hook, with which he took over the world by storm. Following his heart and sonic manipulations he keeps innovating and never stagnating. With two top selling albums at Iboga Records, countless single and compilation releases and collaborating with the best electronic music producers, Captain Hook has been playing in every conceivable festival, party and venue all around the globe.

Carl Cox is a British house and techno record producer and DJ. Carl played at the 1st night of Danny Rampling's Shoom night after his return from Ibiza in the summer of 1987, largely seen as the original Balearic / Acid House night in London / the UK. One of the most charming DJs in the business. A musical ambassador and a veteran of acid house, a champion of techno, a dance music pioneer, label owner, King of Ibiza – you name it, Carl's been there and done it, never losing sight of his passions – p..Carl Cox

That feeling of discovering a new song and falling in love with it. That feeling of digging around aimlessly and coming across a record you've been looking for for ages. That feeling that the pieces of a set fit together and the story you are trying to tell connects on the dance floor. It's for feelings like these that Carlita wakes up every morning eager to get her hands on the decks. Born in Istanbul and classically trained, our protagonist became interested in club culture while studying in Boston and wanted to get into the booth to create musical journeys of her own, where genres merge into interrelated sounds and Carlita's diverse background shines through in all its multi-faceted splendour.

Producer, remixer, DJ and Rinse FM host, Birmingham UK’s Chris Lorenzo is widely acknowledged for pioneering his hometown’s emergent and increasingly popular Jackin’ house come Bassline hybrid sound, which he terms simply “House & Bass”. Having built up specialist support with releases on a plethora of tastemaker labels, including Claude Von Stroke’s Dirtybird label and Shadow Child & Kry Wolf’s lauded Food Music label, Lorenzo has also been called upon to remix My Nu Leng for Black Butter and Disclosure for PMR.

Imagine, if you will, a yacht. It’s forged of gold and strong African teak, bobbing gently at anchor somewhere between the French Riviera and Detroit. A statue of the late Roger Troutman is affixed to the stern like a guardian angel. The ladies of Klymaxx wander the decks serving strawberries and cream on silver platters. Sylvester himself is the skipper, and Hall & Oates are down below, keeping the engines in shipshape. This is the S.S. Chromeo, and the two men who create the smoothest of music under the same moniker are at rest aboard, preparing for another global voyage of lovers’ funk ambassadorship.,Here we have Dave 1, the suave professor, the voice and intellect, enjoying a rosé as he ponders French literature. And with him we have the one and only P-Thugg, the brawn and the body, sipping on the ghetto cocktail known as Thug Passion and proudly going through his mental rolodex of jeep beats and funky flourishes.,The men of Chromeo have just released Business Casual, which is their third full-length album and a testament to the growth and further sophistication the band has undergone over the many years they’ve been collaborating. After their sophomore release, Fancy Footwork, pushed them into the stratosphere of party-rocking, club-banging, and heart-thrilling electrofunk, we might consider Business Casual their postgraduate work. Where does a group go after mastering their craft? Do they rest on their laurels? Do they retreat into self-parody? Neighbor, please. Chromeo, in 2010, have pushed forward into yet newer levels of song craft and body moving music that is respectfully indebted to its noble inspirations while still being fully contemporary. Are there lush string arrangements on “Don’t Walk Away”? Do we have Moroder-esque analog synth layers draped all over “Don’t Turn The Lights On”? Is there a fully authentic French ballad (don’t forget, Dave and P are of the Québécois persuasion and will never abandon those roots) in “J’ai Claqué la porte”? Well yes, actually, to all of the above.,But what’s this we have here? The flip side of Chromeo, the emotional gangster tracks, are still here on Business Casual, represented by titles such as “Hot Mess,” “I’m Not Contagious,” and “You Make It Rough.” And, newly added to the roster, we have the straight-up pop, vanilla in the best sense (creamy and smooth), of “The Right Type,” a get-up-and-go tune in the greatest 80s tradition, and the album closer, “Grow Up,” which almost sounds like golden era Billy Joel backed up by Cameo. How real is that?,Lyrically, Dave continues to mine the rich vein of affairs of the heart. Is there really any other topic that Chromeo needs to cover? Arrogant ladies, dancefloor seduction, boudoir skills, love gone wrong, and knights in shining armor… Chromeo does all this and more with their trademark Franco-insouciance-that-borders-on-coolness and their always sexy worldliness (pause).,In these uncertain times of financial upheaval and musical mediocrity, Chromeo’s Business Casual is a testament to the fact that inspirational funk shall always prevail. Vive le Chromeo!

To have achieved what Danny Avila has at the age of 25 is phenomenal enough. With a feisty production sound and a unique DJ style, he is a breath of fresh air in a world where many artists are happy to stick to the same formula. In Danny’s eyes, DJing is a form of art, hence the variety of genres from techno to big-room and from tech-house to trap, always finding a way to take people on a journey. In 2017, he made the highest re-entry to the DJ Mag Top100 DJs 2017 poll at number 52, while in 2020 reaching number 38, still being the highest ranked Spanish DJ ever. His music has been released on major labels including SONY, Interscope, Musical Freedom, Spinnin’ Records and Ultra Music, and there are many more yet to come, including collabs with Don Diablo, Sam Feldt and Lucas & Steve to name just a few.

There are few artists carving out a legacy for themselves like Dax J is right now. The London-born, Berlin-based DJ and producer has gone from pirate radio to magazine covers; from the backroom parties to headlining raves at every major techno institution the world over, and all whilst staying true to the underground and his individual style of raw and uncompromising techno. His mix of pure passion and attention to high-end sound production has placed him at the forefront of a global scene and established him as a singular presence within modern dance music. In recent years Dax has received countless accolades for his devotion to the craft. Being placed into Resident Advisor, DJ Mag, and Groove Magazine’s top 100 DJ’s of the year, as well as receiving nominations from Mixmag, DJ Mag and the DJ Awards for Best Techno DJ, Best Breakthrough DJ, and Best British DJ.

With a big love for melody and bass, D-Block & S-te-Fan found eachother at the end of 2004. Exploring their musical strengths seperately, both guys knew that this meeting was the beginning of something they dreamed from the beginning they started getting their musical love to a higher level.,Diederik always had a big love for melody. Music was not only his passion, but also his strength. With his father producing electronic music in his own studio in Amsterdam, Diederik heard the word music before he even knew what it was. This fact resulted in a big musical interest in the years that past. Stefan started to create his musical point of few in the early nineties, when happy hardcore was introduced. Evolving his love for music in the years after, Stefan always remembered the hard pounding tracks, with huge melodic influences from that period.,After they started to work as a team, things went fast. All of their releases got huge feedback, and were played by all the major jocks, resulting in several bookings From the biggest organisations hardstyle knows. For a year Diederik and Stefan hosted the “Next Chapter”, a hardstyle label with some of the most popular releases, like: Keep it coming, Lockdown, Natte asbak and Guilty.,Nowadays they are the happy owners of the “Scantraxx Evolutionz”, a sublabel from the “Scantraxx” label which already brought you Hitreleases like: Ride with uz, Sound of thunder, Shiverz and Music made addict.,First been hosting Thrillogy, B2S’s Solo event in Den Bosch and the year after asked to be the host of 2011’s X-Qlusive, the elite-event from Q-dance, D-Block & S-te-Fan proved themselves to be on top of the harddance scene!

Glasgow-based DJ/producer Hector Barbour (aka Denis Sulta) creates vivacious, melodic house with underground sensibilities. Born in Glasgow in 1993, he grew up with a keen interest in dance music, landing his first job at the infamous record shop Rubadub. It was during his tenure there that he took up both music production and DJ'ing under the guidance of his co-workers, who were all very passionate about the scene. His early tracks were darker in tone, but as he started playing more and more gigs, his music became more uplifting. To reflect the change in style, he reversed the name Atlus to Sulta and adopted Denis as a prefix (originally spelled "Dennis," a printing error led him to drop an "n" in favor of Denis). From there he went on to release EPs, eventually setting up his own label and brand, Sulta Selects. Barbour took the brand on a global tour, which became so popular that it spawned a full festival, FLY Open Air: Sulta Selects, held at Hopetoun House just outside of Edinburgh. ~ AllMusic

Robert Etheridge aka Dimension is one of the UK’s most unique electronic music artists. Defined by a clear aesthetic that bleeds through into his music and imagery, Dimension has announced himself as one of the new wave of dance music headliners. Dimension’s combination of seemingly effortless musicality and production prowess first caught the attention of tastemakers and DJs such as Chase & Status, Annie Mac (5x Hottest Records), Skrillex (who remixed the much-lauded ‘UK’), and deadmau5. Over the past few years, he’s built a discography balanced between airwave conquering vocals and underground club anthems; and what was once one of UK dance music’s best kept secret now has a rapidly growing global profile. After a remarkable rise since his debut single, Dimension announced himself on the global stage with ‘Desire’, his collaboration with Sub Focus. The record’s list of achievements is near endless; it spent 9 weeks on Radio 1’s playlist (5 on the A-list), has amassed over 50 million global streams to date and has been certified a silver single in the UK by BPI (200,000 sales). Following ‘Desire’ came Dimension’s next string of solo releases, ‘Devotion’ featuring Cameron Hayes, ‘If You Want To’ and ‘Love To Give’ which all rapidly picked up midweek Annie Mac support alongside BBC Radio 1 plays from Phil Taggart’s Hype Chart, Mistajam and Rene LaVice; and together, hitting over 20 million global streams to date.

DJ Isaac (real name Joram Metekohy) is a Dutch DJ and electronic music producer. He began his career in the early 1990s and is known for his work in the hardstyle genre. He has released multiple albums, EPs, and singles, and has performed at various venues and festivals throughout the world. He has also released music on notable labels such as Scantraxx, Be Yourself Music, and Fusion Records. He is known for his energetic performances, incorporating live instruments and visuals into his sets. He has also remixed tracks for various artists and has been featured on numerous compilations and DJ mix albums. He is considered as one of the most influential DJs and producers in the hardstyle scene.

Founder and A&R of Life and Death, Manfredi Romano grew up tour-managing punk bands and organizing leftfield music events. Eclectic DJ and fine chef. Founder and A&R of Life and Death, Manfredi Romano grew up tour-managing punk bands and organising left-field music events in Italy around the turn of the Millennium. Having completed his studies in computer science at the University of Pisa, Manfredi went on to form DAZE, Italy’s first booking agency solely devoted to electronic music. Drawing on two decades of experience behind the scenes, Romano shifted focus in 2010, establishing himself as a DJ in his own right. As a performer, Tennis valiantly showcases an astute ability to create intimacy in even the vastest of gatherings. As a respected producer, Romano consistently channels his past relationships with post-rock luminaries such as Godspeed You! Black Emperor, Tortoise and Fugazi into intricately-synthesised electronic constellations. Fine chef and restaurant owner, Tennis splits his time between Miami and Barcelona, where he enjoys riding motorbikes, collecting vintage action-figures and building upon his vinyl record collection - which now numbers over eleven-thousand strong. https://www.facebook.com/tennisdj https://twitter.com/dj_tennis https://soundcloud.com/djtennisdjtennis https://tennisdj.bandcamp.com/

Domi est membre du Vénus Club, collectif de DJs et professionnelles de la sphère électronique. Diggueuse méthodique et grande passionnée de musique et de club culture, Domi officie sur la scène électro minimale depuis maintenant deux ans. Elle choisit ses disques aussi soigneusement qu’elle les classe, réunissant ainsi une jolie collection d’electro, breaks, techno et tech house minimale pour instiller une tension enivrante chez son public grâce à des mélodies mélancoliques puissantes et des beats hypnotiques. C’est cette intelligence émotionnelle et auditive qui lui a valu d’être remarquée par RA+RE pour un podcast, de jouer dans des lieux emblématiques tels que le Café Barge, la Péniche Cinéma ou le Nodd Club pour des collectifs reconnus tels que BinarySound, Tarmac 3000, HORS-SOL ou encore Everybody Trance. Quand elle n’est pas sur scène, Domi continue d’oeuvrer pour la scène et milite pour une nuit plus safe et inclusive grâce à l’association Consentis qu’elle a co-fondée ou en oeuvrant au sein du Vénus Club dont elle fait partie depuis sa création.

Productive and successful for more than a decade, Italian native artist, producer, DJ and multi-talent EDX first hit people’s radars in 1994 with various mix tapes that within weeks had circulated around the globe. With his new found fame EDX quickly climbed up the ladder of recognition with labels and producers asking him to sprinkle his remix magic touch onto their releases.,EDX’s remix CV is impressive to say the least with remixes on the likes of Deadmau5, Mary J Blige, Bob Sinclar, Axwell, Armand Van Helden, Steve Angello, Roger Sanchez, Laidback Luke, Armin Van Buuren, Kool & The Gang, Kaskade, Funkagenda, Lauryn Hill, to name but a few.,2009 saw his remixes consistantly feature in the various charts such as the DMC Buzz, Cool Cuts and Beatport charts which culminated in him featuring the TOP 3 for Beatport’s Best Progressive House Artist of 2009 alongside Deadmau5 and Eric Prydz.,EDX’s crazy DJ schedule has taken him around the World and back again playing to crowds in excess of 60,000 where you would hear his remixes/productions also being played by the likes of of David Guetta, Armand Van Helden, Erick Morillo, Armin van Buuren, Swedish House Mafia, Roger, Sanchez, Axwell, Deep Dish, Michael Gray, Alex Gaudino, Tiesto Etc..,In 2010, EDX released hit after hit, continuously topping the Beatport charts. From original productions to remixes to massive collaborations, this past year might have been one of his most successful years yet.,With a highly anticipated album on the horizon as well as numerous remixes coming up, EDX will be taking 2011 by storm with his productions. His newly launched brand, No Xcuses, has taken over the world’s FM airwaves with the No Xcuses radio show. Also launching his No Xcuses residencies worldwide, beginning with an appearance at Playhouse Hollywood, EDX will be holding No Xcuses events at some of the best clubs in the world including the amazing Space Ibiza where he will also hold a residency all summer long.,Is it any wonder dance music bible Mixmag hailed him as a “GENIUS”

Eli Brown has rapidly established himself as an artist of real distinction in the house world, with his records making an immediate impact upon a flurry of the industry’s biggest names. Having grown up in Bristol, Eli Brown was exposed to a rich array of different musical influences from Jungle to Rave music, form Drum n’ Bass to House. Bristol’s musical heritage has helped define Eli Brown’s sound in an overcrowded House Music scene where he stands out from the rest. His talents have garnered key support from every corner of the dance music spectrum, with the likes of Carl Cox, Green Velvet, Fisher, Claude VonStroke, Black Madonna, Denis Sulta, Calvin Harris & Annie Mac, all endorsing the Bristolian’s productions. Singled out for his gritty style, Eli Brown’s productions are renowned for their singularly sinister approach, creating twisted dancefloor hits packed with vibrant club-ready energy. Self-taught in both his skills behind the turntable and his powerful production prowess...

As one of the most iconic artists of her generation in electronic music to date, Ellen Allien embodies the core ethos of techno: a visionary who looks to the future for inspiration, carving out her own niche and presiding over an empire that has imbued the world of techno and dance music with her unique DNA. A dynamic selector who prides herself on her extensive knowledge of music and dance floors worldwide, she has travelled the globe as a DJ playing at every major club on the circuit and commanding the big stage at festivals from Europe to South America. Ellen’s eternally creative mind has led to the production of nine solo albums and an extensive back catalogue of singles, EPs and remix work. ~ Artist Official Website

Ferry Corsten is a Dutch DJ, record producer and remixer from Rotterdam. He is well known for producing many pioneering trance tracks during the 1990s-2000s under his numerous aliases, including System F, Moonman, Pulp Victim and Gouryella.

An accomplished artist and rising star of the Parisian electronic scene, FKJ, also known as French Kiwi Juice, is one of the flag bearers of the New French House musical genre. A native of Tours, but now based in Paris, FKJ is a leading talent and one.. An accomplished artist and rising star of the Parisian electronic scene, FKJ, also known as French Kiwi Juice, is one of the flag bearers of the New French House musical genre. A native of Tours, but now based in Paris, FKJ is a leading talent and one of the most emblematic artists of the Roche Musique team that he joined in 2012 via his long-time friend Jean Janin, a.k.a. Cézaire, artist and founder of the successful Parisian record label. Trained as a sound engineer for the cinema, while at the same time being a self-taught musician, French Kiwi Juice started with a first EP, ‘The Twins’, released by Roche Musique at the end of 2012. Then followed the single ‘Lying Together’, acclaimed by the blogosphere, and a second EP ‘Time For A Change’ (Roche Musique, July 2013), which was unanimously praised by music critics (Ofive, Trax Mag, The Sound You Need, Earmilk, Indie Shuffle…). Thanks to millions of plays and views on different media, songs such as ‘So Much To Me’ or ‘Instant Need’ have already become classics of the French house genre. With incredibly groovy loops, classy hip-hop rhythms, gloriously funky basslines and richly colorful synth sounds, FKJ’s music stands up to comparison with the masters of the genre. Now established as one of the major artists of the French musical scene, French Kiwi Juice’s stage reputation has soared thanks to his inspiring and original DJ Sets, but above all thanks to the driving rhythms and and dazzling improvisation that characterise his Live Sets. Apart from the quality of his musical selection when DJing, FKJ, known as Vincent Fenton to his friends, is also an eternal source of pure creativity. This young man, just 24 years old, is a multi-instrumentalist who is permanently in search of the perfect chord. The artist, who has signed with the leading Parisian booking agency ‘Uni-T’ enjoys an international audience. He returned from an Asian Tour in May 2014, and has often performed alongside successful artists whose auras go far beyond European borders. His eagerly awaited latest EP ‘Take Off’ (Roche Musique) came out on July 21st 2014 and will no doubt make the artist one of the revelations of the year.

Francis Mercier, Deep Root Records’ Founder & Label Boss, is a force behind NY’s House Music scene as one of its most popular Producers/DJs. Growing up in Haiti and now based in New York, Francis has utilized his vastly cultured and seasoned understanding of House Music to produce and perform different facets of deep, melodic, and tech house melded with afro, soul, and disco influences. His unparalleled flair, originality, and presence have gained him access to some of the most coveted stages in NY such as Marquee, Lavo, Webster Hall, Somewhere Nowhere, Sony Hall, Pacha, and Output, and in major European cities such as Munich, Zurich, Lisbon, Belgrade, Stockholm, and Paris where he frequently performs. Francis has generated millions of streams under his catalog with past and upcoming releases on Deep Root, Spinnin’, Armada, Subliminal, Get Physical / Swoon, and on BLOND:ISH’s Abracadabra to name a few. His songs have reached the Top 10 on Beatport and Traxsource Top 100 Charts and can be found on some of Spotify’s most popular House & Electronic editorial playlists such as Housewerk, Happy Beats, Haitian Heat, Chill Tracks, Carl Cox and Black Coffee track IDs, and more. His releases are also aired on some of the biggest dance music stations across the globe such as BBC Radio 1, KISS FM, Sirius XM, Radio 105, NRJ France, and Radio FG where Francis holds a residency. Electronic music icons of the likes of Black Coffee, Pete Tong, Carl Cox, Mark Knight, Gorgon City, Oliver Heldens, Diplo, Claptone, Gregor Salto and many others have supported Francis’ work, along with world-renowned companies such as Disney, Porsche, IBM, Snapchat, Netflix, and other brands who have licensed his music. To also appeal to the Afro, Deep, and Melodic House markets, Francis has trademarked the sound of his underground alias, Emvafaya. This new and exciting sidearm artist project provides a seamless weapon to Francis’s musical arsenal that has been quickly encapsulating a new audience around the globe that is among the rapidly growing Afro House community.

Ed Keeley, better known by his stage name Friction, is a drum and bass producer and DJ from Brighton, England. He runs his own record labels, Shogun Audio & Elevate Records, and has formerly presented a regular overnight show on BBC Radio 1.

To say Gareth Emery has had a good year would be a vast understatement. Over the past twelve months, the popularity and buzz surrounding the young Brit reached explosive proportions, culminating in him being voted no.9 in 2009’s definitive DJ Mag Top 100 poll: one of only a handful of DJs to crack the world’s top ten before the age of 30.,Was this down to producing pure club anthems like Exposure and Metropolis alongside stunning remixes for Armin Van Buuren and Above & Beyond, all of which led to him spending more time at the top of Beatport’s trance chart than any other artist in ‘09? Maybe it was the launch of his new Garuda label and club night, responsible for selling out Manchester�s iconic Sankeys club four times in a row whilst releasing his critically acclaimed compilation ‘The Sound Of Garuda’. Or perhaps it was the sheer amount of people he played to, banking half a million air miles travelling to over one hundred gigs at some of the world’s finest clubs and festivals. Whatever the reason, one thing is for certain: he’s on fire like never before.,Of course, what seems like ‘overnight’ success is usually the result of years of hard work, and Gareth Emery is no exception. He started learning the piano at 4, and whilst he’d completed his classical music training before he’d finished school, his real interest lay elsewhere, initially in guitar-based sounds. This was the UK in the mid-90s with Britpop and indie the order of the day, although as one might expect, Emery was no slouch, following the footsteps of Green Day and Oasis by headlining Southampton’s legendary Joiners venue at the age of just 15 with his band at the time. But it was a chance trip to Ibiza in 1998 that opened his eyes to the appeal of dance music, and after spending the next three years learning to make music with computers and midi, rather than guitars and pianos, he wrote his first electronic classic: the seminal ‘Mistral’, famously made whilst on holiday in France on a £500 laptop. Plenty more were to come.,These days, his records (which are composed, produced, and engineered entirely by him), span the worlds of trance, progressive, electro, techno, and a few other places. Languid, spacey grooves, juddering basslines and original melodies that take your breath away mean that it’s a given that Armin, Tiesto, Oakenfold, and Judge Jules have all been fully paid-up members of the Emery fan club for years. But more importantly, he’s firmly established as one of those rare producers who values quality over quantity, preferring to make five amazing records in a year then twenty average ones, and even happily refusing to release a track if it doesn’t feel “just right”, to the occasional frustration of his fans. It’s this uncompromising attitude, that drive for something unattainably perfect, that has made him one of the most sought-after producers and remixers on the planet.,But if there’s one place where he’s even more at home than in his studio, it’s behind the decks, where he’s morphed into the consummate superstar DJ, unequivocally demolishing dancefloors the world over. From global superclubs like Zouk in Singapore and Guvernment in Toronto, to epic festivals like Global Gathering, Trance Energy and Dance Valley, to the mega-brands like Ministry of Sound and Godskitchen, the utterly unique, instantly recognisable Emery sound continues to pack out more clubs, in more places across the world, than ever before.,The rise of Gareth Emery to dance music’s Premier league has been untraditional in almost every sense, and looking at his career, one gets the feeling he almost likes being the underdog. In 2009, when he was advised against launching his Garuda club night in the midst of one of the harshest recessions in living memory, he went ahead regardless, going on to totally sell-out every Garuda party that year. He also chose the road less travelled in 2006, when he turned down numerous offers from established radio stations to instead experiment with a virtually unknown format known as podcasting. It was a gamble that paid off, as four years and 100 episodes later, The Gareth Emery Podcast is now one of the most popular and influential dance music downloads in the world, with Emery’s famously diverse track selection and charismatic broadcasting style resulting in TGEP being nominated for ‘Best Podcast’ at the Miami Winter Music Conference IDMA Awards three years running.,Having also eschewed the lure of corporate major labels since the beginning, (almost all of his singles have been released on his own imprints), he’s living proof that you can amass a truly global following with little more than the power of the internet and some outstanding music. With millions of viewers on YouTube and legions of fans on Facebook, Twitter and Myspace, he’s a modern artist in every sense of the word; one with his finger truly on the pulse of the globalised, digitised planet we now inhabit. He sums it up in a recent interview: “At the start, there was no helping hand: I had no record deal, no money, and no idea about how to make my way in the music business. Basically I was just a kid from Southampton, who was making half-decent music on some very cheap equipment, and told people to check it out. The rest just sort of happened”. Inspirational stuff for talented kids everywhere.,With a list of achievements already far surpassing most DJs ten years his senior, Gareth Emery could easily sit back and be content with his lot, but you get the feeling that won’t be happening. After seeing his Garuda brand become the hottest label and club night launch in recent years (the quantity of Garuda t-shirts you now see at Emery gigs is testament to that), his plans for the next year are firmly rooted in the studio, where he’s determined to finally finish his long-anticipated artist album. “2009 was really all about Garuda. I started the year without a real home for my music, and now I’ve got one – as well as our Manchester residency which really was the surprise success of the year. But whilst Garuda has some amazing releases and nights lined up for 2010, for me, the next year’s all about finishing my album. I’ve been promising it since 2006, and whilst making a LP is undoubtably challenging when you spend half of your life abroad touring, I’m determined to put everything aside to finally nail it this year”.,At just 29, Gareth Emery’s well on the way to conquering the electronic music world, and if he finally cracks that artist album, he might just do it. Whatever happens though, 2010’s set to be a big one, as the worldwide Garuda massive eagerly await to see what’s coming next from this uniquely talented artist. We can’t wait – see you on the dancefloor.

Gordo is an American/Latinx artist based in Berlin. ̸ SELECTED DISCOGRAPHY Gordo - Free Expression EP (Work Them Records 035) Gordo - Gordo Town EP (Red Curls Records 005) Gordo - Blue Velvet EP (Red Curls Records 006)

A child of the garage generation Hannah Wants has validated herself as a world renowned DJ with some serious credentials. In 2014 alone Hannah picked up the Best Breakthrough DJ title at the DJ Mag awards and became Mixmag’s Best Breakthrough DJ and..Hannah Wants

Clearing space, getting rid of clutter, and optimizing the flow of energies: These are the principles of Feng Shui, but it’s also a very precise description of the sound of Hatikwa. The producer from North Germany gained popularity for his minimalist approach towards Progressive Trance, an approach that might take different directions but that always proves to have compelling hypnotic powers. Hatikwa is one of those artists who reached a career breakthrough via Social Media. It is 2009 when he plays his debut live act at Hamburg’s Lonely Forest Project, and this experience is such a rich source of inspiration that he creates a track and names it after that party. Once uploaded on YouTube, "Lonely Forest" spreads rapidly and within no time the name Hatikwa is on the lips and on the Facebook profiles of Progressive Trance fans all over the world. Working with the netlabel Multiplex Records at the time multiplies the viral distribution of his music.

Hiatus Kaiyote is a future soul quartet from Melbourne Australia. The members are Nai Palm, Paul Bender, Simon Mavin and Perrin Moss.

Honey Dijon had carved a distinct niche for herself in the world of underground electronic music, coming to be associated with exquisitely curated cross-genre sets and total dance-floor chaos wherever she plays - from Berghain to Space or Smart Bar. As a producer, her reputation for bringing this knowledge to her forward thinking creations is growing all the time. ~ Soundcloud

Idris Elba is far from your average actor turned musician, having begun his career as a DJ long before finding fame on the big screen. Idris Elba is far from your average actor turned musician, having begun his career as a DJ long before finding fame on the big screen. Whether spinning surprise sets in small east-London bars or thrilling thousands in the world’s top clubs, Idris' credibility as a DJ & selector is without question. Now Idris is back in a big way; alongside several roadblock appearances at Snowbombing, Ibiza Rocks & Glastonbury, Idris has established yearly residencies at top Ibiza party destinations including Pacha & Pikes. Between these headline appearances Idris has also found time to produce remixes and genre-spanning album projects including a remix of Skepta’s crossover hit Shutdown, his own Nelson Mandela inspired ‘mi Mandela’ album and his ‘Murdah Loves John’ character album inspired by his role as TV Detective John Luther. Idris’ talent is beyond measure, all we know is that each year is bigger and better than the last!

Jai Paul is a British songwriter, record producer and recording artist from Rayners Lane in Greater London, United Kingdom. He is signed to XL Recordings. His songs "BTSTU" and "Jasmine" have been influential on underground as well as mainstream pop music in the 2010s. After the release of these two singles, Paul did not release any new music for seven years, though a collection of his music was leaked in 2013. During this hiatus, Paul formed a music collective with his brother, A.K. Paul. Paul returned from his hiatus in 2019.

Jamie Jones is a Welsh DJ, producer and two time DJ Awards winner. A modern-day example of a powerhouse in the music industry; as well as his own productions on a multitude of dance labels, he co-founded the globally successful label Hot Creations and launched the conceptual party Paradise, hosting events the world over including an eight-year residency at DC-10 in Ibiza. A highly respected DJ/producer that pioneered a new genre of house music, Jamie has a dedicated fanbase, hard-working ethos, and a solid team behind him that's been there since the beginning; with such a striking presence in the house and techno scene for the last decade, his entry into the Top 100 DJs poll is long overdue. Next year the Paradise Ibiza residency will launch in Amnesia for the first time, with a new theme — ‘An Age Of Love’. The terrace is a dancefloor that holds many nostalgic memories for Jamie, and we’re sure there will be many more moments to come following his legacy at DC-10. ~ DJMag

Berlin-based singer, songwriter, and bandleader Jan Blomqvist merges intricate, club-friendly tech-house with tuneful, melancholic pop. His songs are filled with minimal yet propulsive beats, detailed production, and yearning vocals recalling Thom Yorke. He often performs and records with pianist Felix Lehmann and drummer Christian Dammann, in addition to writing with lyricist Ryan Mathiesen. Blomqvist began singing and playing guitar as a youth, and got into techno at the age of 21, after which he decided to pursue music as a career. He spent his nights working as a bartender at a club and making tracks, developing his blend of minimal techno and pop songwriting. During the next three years, Blomqvist played over 300 gigs throughout the world, and released a handful of additional singles, leading up to Remote Control, his debut full-length, which was issued by Armada in 2016. ~ AllMusic

Timucin Lam, known professionally as Jax Jones, is an English DJ, songwriter, record producer and remixer. He rose to fame in 2014 by featuring on Duke Dumont's number-one single "I Got U". He followed this up with his own singles "You Don't Know Me" featuring Raye and "Instruction" featuring Demi Lovato and Stefflon Don in 2016 and 2017, respectively. Jax's debut studio album, Snacks (Supersize), was released on 6 September 2019. It was preceded by the single "One Touch" featuring Jess Glynne.

Jeff Mills, along with Robert Hood, Carl Craig, and Joey Beltram, is one of the biggest American names in techno. Championed for his music's relentless pursuit of hardness and his intense, almost industrial DJ sets (often utilizing three or four turntables or CD decks and a drum machine), Mills is one of the most significant figures in a long line of Detroit-bred talent to earn an international reputation. A founding member of noted Motor City institution Underground Resistance, Mills helped build the artist roster and label ideology (as well as much of its back catalog) with partners "Mad" Mike Banks and Robert "Noise" Hood during the late '80s and early '90s. ~ AllMusic

Juliet Mendoza has Opened for Doc Martin, Marques Wyatt, Will Reelsoul Rodriguez, Peggy Gou, Riva Starr, Demuir, Colette, Dj Heather, David Harness. She is also featured on Julio Bashmore Track - She Ain't. Juliet Mendoza Los Angeles, California, USA Shaboom Records / Open House LA / Jill's House / Secret Angels / Groom Lake Agents Juliet Mendoza, LA native, dancer, dj and a true heart of the underground House music and dance culture.⁣ ⁣ Juliet’s love for the music takes us back to the mid 90’s, house scene where she became a regular in LA house clubs, such as the Arena and Carnival. By her early 20’s she became a well-known House Dancer and event promoter for LA’s largest house music festivals Juliet has a true deeply rooted connection to LA house music culture. She is the Founder and resident DJ of Jill’s House aka Jackin Jills (@jillshouse_la ), has shared decks with Doc Martin, Marques Wyatt, Riva Starr, Colette, Dj Heather, Peggy Gou (to name a few). Her unique style of delivering melodic, soulful and deep sounds, has taken Juliet above and beyond the boundaries of Los Angeles and the U.S to headline several international cities: Amsterdam, Paris, MX City, MX Tulum, Las Vegas, San Francisco, Portland, San Diego. Her journey has also given her the opportunity to become an Unsung Hero Winner for Defected Records becoming a resident and joining the Unsung Heroes Crew for 2022. ⁣ There is no doubt that Juliet is a truly driven ambassador to the house music culture

US producer and musician Niles Hollowell, otherwise known as Dhar or KSHMR, makes electro-house, hard dance and psytrance coalface music with big releases on Spinnin’, Controversia and his own Dharma imprint. Dharma also put out his sparkling rework of MGMT’s 2007 hit ‘Kids’ with MKLA and was also home to releases from David Flix, Reid Stefan & Karra, along with KSHMR’s collab with Timmy Trumpet and 22Bullets, the dystopian stomp of ‘Everybody In The Party’ featuring Ghost. KSHMR and Mr Trumpet also collaborated on the epic hard dance of ‘The Prayer’ with Zafir too. Aside from his releases, KSHMR also launched his Dharma Studios website this year which hosts samples and tutorials from KSHMR and the rest of the Dharma team. And in what’s clearly been a productive year, he’s also been working on his debut album and unveiled his brand new project Dreamz with the huge mid-tempo banger ‘Casual’ featuring NEVVE.

One of the industry’s most exciting breakout talents, La Fleur is blazing a trail impossible to ignore. From her highly lauded collaboration with Sasha ‘Förbindelse’ that scored an Essential New Tune, to her stunning debut on Kompakt’s Speicher series ‘Tears’ and the relaunch of her Power Plant label with the exquisite ‘Aphelion’ EP, her elegant take on house and techno continues to captivate. The former Mixmag breakthrough artist is in high demand for her DJ skills, buoyed by a critically acclaimed Essential Mix last summer. Recent and upcoming gig highlights include Sonus Festival, Tomorrowland, Melt! Festival, Junction 2, Ultra Music Festival Miami, Resistance Ibiza, Lollapalooza Stockholm, Fusion, Creamfields, Loveland, Warehouse Project and the tastemaker favourite Department Festival on home soil in Stockholm. ~ Artist Official Bio

Based in Düsseldorf, Germany, Loco Dice is a house DJ/producer with minimal leanings who is affiliated with labels including Four:Twenty Recordings, Ovum Recordings, Cocoon Recordings, M_nus, and Cadenza, as well as the label he founded with production partner Martin Buttrich, Desolat. Born Yassine Ben Achour in Tunisia, he began his career in the early '90s as a rap MC/DJ named Dice'C. As such, he experienced some modest success in his German homeland, for instance releasing the 12" EP Coming from D-Town (1996) on Flavour Records and opening for big-name rap/R&B performers such as Snoop Dogg and Usher. In time he switched from rap to house music and changed his name to Loco Dice in the process. He in turn secured a residency at the Düsseldorf club Tribehouse, where he met superstar producer/DJ Timo Maas, who signed him to his Four:Twenty Recordings label. ~ AllMusic

Christopher Comstock, known professionally as Marshmello, is an American electronic music producer and DJ. He first gained international recognition by releasing remixes of songs by American DJ duo Jack Ü and Russian-German DJ Zedd. His songs "Silence", "Wolves", "Friends", "Happier", and "Alone" have been certified multi-platinum in several countries and appeared in the Top 30 of the Billboard Hot 100. His debut studio album, Joytime, was released in January 2016, which included the lead single and Marshmello's debut single "Keep It Mello". Marshmello's second song in 2016, a platinum-certified single titled "Alone", was released in May via the Canadian record label Monstercat. Having peaked on the US Billboard Hot 100 at number 60, it became his first single to be certified platinum in the US and Canada with over a million copies of certified units.[a] That year, he released three subsequent singles.

Martin Garrix – the name that belongs to one of the youngest and most successful DJ’s/producers championing the pop and electronic scene. Garrix has taken his expertise across the globe, by headlining festivals, breaking through territories, and collaborating with major stars including Dua Lipa, Khalid and Bono, and The Edge. Climbing yet another rung of his ladder to stardom, he is a founder of his very own label (STMPD RCRDS), owner of a studio complex in Amsterdam, and a mentor to upcoming artists. Now in his mid-twenties, multiple years into a career that began by debuting the single ‘Animals’ back in 2013. The invigorating, dance-floor stomper soared to the top of the charts worldwide, ultimately altering the status of what would be considered popular music. Continuing his voyage to conquer the mainstream catchment area over the years, Garrix has become responsible for providing us with infectious and anthemic dance and pop records alongside a string of memorable collaborations; ‘In The Name Of Love’ with Bebe Rexha, ‘Scared To Be Lonely’ with Dua Lipa, ‘Ocean’ with Khalid, ‘Summer Days’ with Macklemore and Patrick Stump, and ‘We Are The People’ with Bono and The Edge. There’s no doubt that this ability to reinvent his brand and fearlessly experiment with his sound is an undeniable testament to his talent and longevity, ultimately driving his legendary narrative even further.

The collaborative team of three Italian producers, Meduza had a massive hit with their 2019 single "Piece of Your Heart." Combining smooth vocal hooks with a melodic house backbone, the trio's signature song was streamed hundreds of millions of times as they became more recognized on the EDM festival circuit. Before they were called Meduza, Luke Degree (aka Luca de Gregorio), Matt Madwill (aka Mattia Vitale), and Simon de Jano (aka Simone Giani) began working together as a production team around 2014. The friends were all active as DJs, electronic musicians, and producers and joined forces first to make rap instrumentals and collaborate on various tracks. After a few years of casual work, they settled on a house-influenced sound and began working on new music in that style as Meduza in 2018. Their first song, "Piece of Your Heart" found them teaming with British producers Goodboys for a hypnotic, sultry tune that quickly made its way to clubs around the world. ~ AllMusic

Michael Bibi has fast become an established member of the Underground Music scene. The London based new kid has honed is craft between countless hours in the DJ Booth & Locking himself away in his South London studio curating the world wide recognised sound & brand that is 'SolidGrooves'. Bibi is more than just your average Producer/DJ. Playing Music, Making music & a love for the party scene are the three sole things that motivate the SolidGrooves 'Head Honcho', he will not let anyone or anything come between him and making sure that his unique stamp is on every piece of music released & party put on under the brands name.

Mike Perry, aka Mikael Persson, is a Swedish DJ and dance producer known for the hit single "The Ocean." Working as a serviceman for Volvo in the Swedish town of Skövde, Persson pursued music as a hobby in his spare time. Exploring his creativity and a multitude of ideas, he started writing with singer/songwriter Shy Martin and Nirob Islam of the electro-pop trio Sodra Station. The result was the aforementioned song, an upbeat dance track composed of warm, summery synth work, pulsating electro beats, and entrancing vocals. Stating that he made sure to not over-complicate the song sonically, Persson aimed to depict the feel and tone of 21st-century dance music with simplicity yet surefire positive vibes. Not expecting it to be a hit, the DJ was astonished when the track eventually went viral, surpassing nine million streams in just six weeks. It shot to the top of the charts in Sweden, while also climbing the Top 40 throughout the rest of Europe. ~ AllMusic

Ukranian hardcore DJ and producer Miss K8, real name Kateryna Kremko, has spent the last six years steadily climbing the Top 100 DJs poll. After big changes in 2019 — Kremko became a mother for the first time, performing until she was 28 weeks pregnant, and returning to the decks just three months later — the producer returned with brand new music for 2020. Collaborating with Angerfist on an EP earlier this year, as well as releasing a solo effort, the ‘queen of hardcore’ also confirmed a new album would land sometime in 2020 — the first since her 2016 LP ‘Magnet’. Outside of the studio, Kremko still managed to perform gigs this year, returning to the home of hardcore, Defqon.1 festival, for their first virtual event. She joined DJ Mag’s Top 100 DJs Virtual Festival in September, and streamed a skull-crushing birthday live set for fans while in lockdown. If that’s not enough Miss K8 for you, there’s also archive sets online from the DJ at the incredible Dominator Festival in the Netherlands. ~ DJMag

MK (Marc Kinchen) is an American DJ, record producer, and remixer. He is best known for his hit single "Push the Feeling On" which was released in 1992 and re-released in 1995, which became a club and mainstream hit around the world. He has also released several other successful singles throughout his career, such as "Burning" and "17". He has also remixed songs for a wide range of artists, including Madonna, Coldplay, and Kylie Minogue. MK is considered to be one of the most influential figures in the House music scene, and is known for his ability to seamlessly blend elements of Deep House, Garage and other genres of dance music in his productions. He continues to produce and perform at clubs and festivals around the world.

MORTEN has kept his incredibly innovative and trademarked sound ringing through platforms across the globe. Following his immense hits the last couple of years, MORTEN has created new magical tracks in collaboration with David Guetta. Their hit ‘Never be Alone feat. Aloe Blacc has achieved 19M streams on Spotify and MORTEN has gathered an audience of 3.1M monthly listeners on Spotify alone. MORTEN has released hit after hit, with the Guetta-collab being on top 5 of the most played records in the world by DJ’s for 7 weeks. His ability to transform his music between melodic, captivating vocals and his well known, well recognized snare and bass heavy drops sets him apart from most artists. Also, MORTEN has had amazing success with his merchandise collection “BBA”, the most successful merchandise line in Denmark, which has sold out within days after each collection has dropped. MORTEN has graced the stages of some of the most prolific festivals in the U.S. including performances at Ultra Music Festival, EDC L.

ENGLISH (Deutsch siehe unten),Hamburg based artist Henrik Twardzik, better known as Neelix started to produce music in the early 1998. After DJing for some years he finally decided to create his own sound.,His first track he recorded was “Neelix – The Fourth”, released on a NOVA TEKK compilation called Maverixx in 2002 which was followed by numerous releases on different labels from all around the globe.,Untill now Henrik has released 3 albums and many singles. The third album “Same thing but different” is already released on Millennium Records. Besides Henrik also belongs to the founders of the hamburg based label Glamour Studios.,He has already played at many big open air and indoor events in germany and in countrys like sweden – ungary – denmark – greece swiss – austria – uk – belgium – netherlands – israel and mexico.,Source: http://www.myspace.com/neelixmusic,DEUTSCH,1998, im Alter von 23 Jahren, legte sich Henrik Twardzik seinen heutigen Künstlernamen zu, begann damit Platten aufzulegen und produzierte im Frühjahr 2000 die ersten eigenen Psytrance-Stücke. 2003 veröffentlichte er sein erstes Album. Nach weiteren Veröffentlichungen auf diversen Plattenlabeln erschien Mitte 2007 sein drittes Album “Same Thing But Different” bei Millennium Records.,Neelix trat in Deutschland beim Fullmoon-Festival, der Fusion, Indian Spirit, Tshitraka Project, Wonderland, Air Beat One, Shiva Moon, Ov-Silence-Festival, Naked-Festival und Evolution-Festival auf. Internationale Auftritte absolvierte er in Österreich am Sonnenklang-Festival, der Schweiz, Belgien, Holland, Griechenland, Schweden, Dänemark, Ungarn, UK, Israel, Brasilien und Mexiko.,Beim Mushroom-Remix Contest im März 2007 gewann Neelix den digitalen Native-Instruments-Synthie Massive für seine Arbeit mit Anne Clark.,Der Neelix-Sound ist von einem treibenden Bass, sphärischen Flächen und regelmäßigem Einsatz von Vocals sowie der häufigen Verwendung ruhiger, melodischer Passagen als Spannungselement gekennzeichnet. Seine Sets tendieren oftmals in Richtung Elektro, sind aber in der Regel eindeutig als Progressive-Trance zu erkennen. Neelix arbeitet bei seinen Live Auftritten mit einem Notebook, Midi Controller und Keyboards mit zuvor bereits abgemischten Samples, bzw. eigenen Produktionen, die er live arrangiert und verändert.,Quelle: http://de.wikipedia.org/wiki/Neelix

Rarely have we seen someone rise through the ranks as quickly as 21 year old Boris Daenen, a.k.a Netsky. Having a Belgian passport doesn’t often turn D+B heads, so you can be sure it’s his tunes which do the talking. Having secured releases on some of the biggest labels in the scene, gained DJ support from the likes of Friction, Hype, Fabio and London Elektricity, the young Belgian from Edegem near Antwerp earned a nomination as “Best Upcoming Producer” at the Drum + Bass Arena Awards in 2008 and fulfilled this ambition two years on with is “Best Newcomer Producer” award in 2010.,Leading a wave of new skool D+B talent from Europe with his blend of uplifting, melancholic melodies and heavy dancefloor bass + beats, Netsky’s popularity as both a DJ and producer is second to none.,He first came to Hospital’s attention with ‘Smile’ and was quickly snapped up, signing exclusively to Hospital in late 2009. Netsky’s first release on Hospital was the iconic ‘Memory Lane’ (featured on Sick Music 2 in 2010) and this was swiftly followed up by his chart topping debut album – ‘Netsky’ – in May of the same year. Following virtually unanimous praise and hype from all corners of the globe, it plunged Netsky firmly into the limelight, where he has remained ever since, delivering a potent mix of dancefloor anthems, vocal led classics and clean cut new jungle sound which has become his trademark.,Since then, Netsky’s profile as a remixer has been affirmed by his huge remixes of ubiquitous anthems such as Pendulum – ‘Witchcraft’, Plan B, Leftfield – ‘Release The Pressure’, Audio Bullies – ‘Only Man’ and Swedish House Mafia – ‘One’.,Alongside this, is Netsky’s hectic DJ schedule which regularly takes him across Europe, the UK and around the world. His skills behind the decks are enviable and he seems to have a Midas touch; able to transform even the most subdued of arties into an ecstatic, bouncing rave within a matter of minutes and it is no coincidence that he was nominated for the Radio One ‘Essential Mix Of The Year’ last year. With more big plans lined up and work towards a new album underway, 2011 will is looking to be another golden year for Belgium’s premium D+B export.

Nina Kraviz is one of techno’s most iconic DJs. Famous for both her dynamic and varied DJ sets, captivating performances and her acclaimed label трип (Trip), she’s been a techno powerhouse since she launched on the scene in 2009. In 2020, she played a series of live stream events and virtual festivals including an empty Dance Arena at EXIT and even on top of Mount Olympus in Greece. She also collaborated with streaming giants Spotify when she was chosen to be part of their trackID series, providing a regularly updated playlist to the platform that includes tracks from her own label as well as a diverse collection of releases from across multiple genres. That genre-hopping is also evident in her sets, where trance, techno, ambient and hardstyle can all be heard in one swoop, with her inimitable presence in the booth adding to the allure of Kraviz’s sets. As the DJ who played the most sets of any other in 2018, we’re sure she’ll be the first to hit the road again once it’s safe to do so. ~ DJMag

̸ BIOGRAPHY Nur seinen ersten Auftritt zur Eröffnung des Kamenzer Clubs "Feuerwache", im April 1993, wollte er unter dem Synonym [noName] bestreiten. Doch er sollte seinen Namen nicht mehr ändern. Wozu auch, ein Name sagt noch nicht viel über das Produkt oder gar.. Nur seinen ersten Auftritt zur Eröffnung des Kamenzer Clubs "Feuerwache", im April 1993, wollte er unter dem Synonym [noName] bestreiten. Doch er sollte seinen Namen nicht mehr ändern. Wozu auch, ein Name sagt noch nicht viel über das Produkt oder gar dessen Qualität aus, und wer weiss schon, wie lange es hält? Niemand konnte die bevorstehenden Entwicklungen auch nur erahnen. Dass er als [noName] auch heute auf Flyern stehen darf, hätte er sich 1993 nicht erträumt. Bereits mit 13 Jahren wurde er vom Musikfieber befallen, als er zunehmend seine gesamte Freizeit in das Sammeln und Archivieren von Musik investierte. Es entstand so bis 1990 eine umfangreiche Tapesammlung und diese schrie förmlich nach mehr....so kamen diese Tapes u.a. auf so einigen Schuldiscos zum Einsatz- und das hatte Folgen für den jungen DJ-Laien. Ab 1989 ergab sich plötzlich eine neue Möglichkeit, er konnte seine Lieblingsmusik auf Schallplatte erwerben....erste Gehversuche als Schallplattenunterhalter im Safeclub KM... ab ca. 1990 war es zunehmend andere Musik, die in sein Interesse rückte. Die elektronisch angehauchten Trax wurden fortan für ihn immer faszinierender, gezielt suchte er nun nach Quellen für Tonträger der "etwas anderen Art". Wer sucht, der findet- Elektronische Musik sollte sein Leben fortan stark prägen... Anfang 1993 gründete der noch Namenlose gemeinsam mit 4 Gleichgesinnten den Club Feuerwache auf der Kamenzer Oststrasse ( ca. 35 km von Dresden ) ...die legendäre erste Party dort stieg dann am 11. April 1993 mit ca. 25 Gästen. ...ab jetzt organisierte die Crew regelmässig Veranstaltungen und zu X-Mas 93.. fanden bereits 100 Feierwillige den Weg in den kleinen Club- und als Resident - DJs waren am Start : Bakerman, Hellraiser, Eltron, Key Ell und [ noName ]

Oliver Heldens holds on to a place in the top 10 for another year. It’s hard to believe the Dutchman is just 25 years old, given how much he’s already achieved. At just 19, he scored a UK No. 1 with ‘Gecko (Overdrive)’ — the vocal version of his already popular track, featuring singer Becky Hill — and landed in the Top 100 poll for the first time later that year in 34th place. Since then, he’s released numerous hit tracks, launched his highly popular Heldeep label, taken over festival stages all over the world, and doubled-up his success via his more bass/tech-house-focused alias HI-LO.

Oliver Koletzki first started producing music in the eighties with a Commodore 64. At aged 13, he started taking guitar and piano lessons. His inspirations were Breakdance and Hip Hop music of the early nineties.,Since passing his A-levels, he has been studying music at the Berlin Humboldt University. Occasionally he also does sound design for films for the University of Arts in Berlin.,In 2005, Oliver scored a huge hit with his track ‘Der Muckenschwarm’ which was signed to Sven Vath’s Cocoon label, remixed by Dominik Eulberg and appeared on Pete Tong’s ‘Essential Selection’ compilation. The track was subsequently voted Best Track in Germany’s Groove Magazine’s Readers Poll 2005.,Oliver also remixed Oliver Huntemann’s ‘Radio’ for the Dance Electric label and released remixes on Secret Planet, Great Stuff and Gomma Records as Parker Frisby.

̸ BIOGRAPHY Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it, “so this is the track that was on every 5 minutes at Warehouse Project. ”That track and the duo’s own ‘Le Tigre’ were played out constantly by the likes of Four Tet and Ben UFO, the former also hiring the duo to remix his track ‘Teenage Birdsong’. Then there are their edits. Thom Yorke was so impressed by the duo’s versions of ‘Not The News’that he let them release the tracks on their own Polykicks label. Add to that their cheeky version of Rosalia –‘A Palé’,which caught the ear and the eye of the respected flamenco artist, as well as being a highlight of their live performances pre-lockdown. Then the world abruptly stopped, all their forthcoming gigs were cancelled and suddenly Overmono were able to fully commit their energy to their legendary Bromley studio. It’s was during this time that the duo feel they’ve been able to realise exactly what Overmono’s music should be. “Our work together had so far been about exploring and defining what Overmono is... and we feel like we’ve got this now”.

Carving a reputation as the contemporary face of British house and techno, Patrick Topping continues to garner widespread acclaim on account of his prolific production prowess and dynamic DJ sets. Soundtracking countless sunrise memories as resident of Jamie Jones’ famed Paradise parties at Ibiza’s DC-10, Patrick’s now 50-release strong back-catalogue is bursting with iconic dance-floor records on labels such as Hot Creations, Truesoul and Relief Records, with further remixes for Calvin Harris and Booka Shade charting Patrick’s meteoric rise. Armed with an arsenal of career defining productions in the form of the Beatport chart-topping ‘Be Sharp Say Nowt’, Green Velvet collaboration ‘Voicemail’, and 2014’s Ibiza track of the season ‘Forget’, Patrick’s far reaching appeal has seen him play numerous festivals including Coachella, Awakenings, Ultra, and Tomorrowland. ~ Soundcloud

Even though reality shows have been trying to prove otherwise, a successful career as a musician, even as a pop star, cannot be forced with a pre-packaged crash course. As of 2010, Paul Kalkbrenner has tallied up more than 15 years of experience as a producer and live act, all the while learning what it means to go purposefully from one step to the next. When the Berlin Wall fell, he was 12. The soundtrack of his youth, and of the majority of his generation, was still in its infancy, awaiting its breakthrough: techno music.,The fall of the wall meant reunification, but above all, a sense of no holds barred. The eastern part of the city became the anarchic, creative playground for a euphoric youth, now freed from bureaucracy. The early 90s were formative years for a young Paul Kalkbrenner as well. Eventually, in one of many long and sleepless nights on the dancefloors of E-Werk, Planet and Whale, the dream was born to make music himself, and anything less important would be put aside. A job as TV editor got him through the mid-90s and financed his first music gear. By this point Paul had already decided that he did not want to be a typical DJ playing other people’s records, but rather to play only his own music, live in a club setting. His first tracks were released in 1999 on Berlin-based BPitch Control (the newly founded label from Ellen Allien) as the Friedrichshain EP, titled after his home district in the city’s east. A series of further singles and two full-lengths (Superimpose and Time) followed, plus continuous live performances that threatened to shatter the grid of his calendar.,Together with Paul Kalkbrenner, BPitch Control gained a strong momentum. Interviews in respected German magazines like Spex and De:Bug paved the way for regular international bookings. The Lufthansa fetishist had now become a frequent flyer. Paul’s third album Self (2004) would mark the beginning of a new era. His melodic sound, with its affinity for grand emotional gestures, obeyed the logic of the dancefloor, but Self introduced a narrative aesthetic, serving as a soundtrack to a film that didn’t exist (at least, not yet…). It was Paul’s most musical and mature album to date, although still taking cues from the dancefloor and rave culture, offering a first glimpse of what was yet to come. "Gebrünn Gebrünn”, released one year later, became a crossover hit found in every DJ’s record bag and finally cemented Paul’s status as a Techno MVP.,In early 2006, German director Hannes Stöhr, an avid fan of Self, decided to get in contact with Kalkbrenner. His idea was to produce a film about a musician in Techno City during the new millennium, and Paul would compose the soundtrack. The two met, traded ideas and experiences, and soon after began working on the screenplay’s first draft. In the course of their exchange, Hannes had the realization that Paul should not just contribute the music, but that he would be the perfect choice as the film’s star. Without hesitation, Paul accepted the offer. They decided to title the film Berlin Calling. For the soundtrack’s production, Paul and his friend (and BPitch colleague) Sascha Funke spent half a year in Cézanne’s hometown of Aix-En-Provence in southern France.,Unencumbered by the cold, gray Berlin winter, Paul devoted himself entirely to the musical aspect of the project. One song already had a title: “Sky and Sand” with vocals by Paul’s brother Fritz. Upon Paul’s return to Berlin in 2007, the filming began, and the finished work was brought to German theaters in October 2008. Berlin Calling and Paul’s debut acting performance received positive reviews, and the film, thanks to its authentic depiction of the Berlin club scene and drug culture, became, slowly but surely, a cult classic.,The soundtrack and especially the single “Sky and Sand” broke all sales records. That track in particular went gold in Belgium where it remained in the charts’ Top Ten for weeks. The 2009 DVD release of the film brought Paul to a new, much larger audience around the world. By the end of the year, Paul separated with BPitch Control after a decade-long relationship to take the next steps of his career alone. In early 2010 Paul completed a twelve-city live concert tour throughout Europe (with over 50,000 tickets sold within just a few weeks), followed by many headlining appearances at summer festivals. More tours and new challenges await him.

PAWSA is a name that has consistently emerged from the burgeoning house and techno scene in recent times. The London-based producer kickstarted his remarkable rise with a bonafide EP on the renowned Lost Records in 2014. The appropriately named 'Pilot’.. Picking up steam, PAWSA received the firm backing of industry stalwarts Green Velvet and Nicole Moudaber who both locked down EP's from the innovative producer on Relief Records and Mood Records respectively. Further to that, he can also call upon the likes of Adam Beyer and Pan-Pot as staunch supporters. These early successes further cementing the feeling that PAWSA is a producer destined to make a lasting impact. In 2015, PAWSA co-founded Solid Grooves Records alongside Michael Bibi and with the underlying motif of "let the music do the talking”, the label provided a firm base for PAWSA's latest EP ‘Stage Two’. The sister company to the much vaunted Solid Grooves club night with regular happenings in London, Ibiza and Berlin, the label has been an important string to the bow of PAWSA. PAWSA's signature sound - inventive tech house with an old school vibe - is decisively made for the dance-floor. As a DJ he lays down carefully curated and atmospheric sets. The producer identifies with also being a DJ in the most natural, traditional sense: he makes music which he can play out and share with a crowd. PAWSA regularly performs at esteemed clubs around Europe and held a much talked about residency in Sankeys Ibiza throughout 2015. Alongside all of this, PAWSA also turns his own magical and much loved ‘PAWSA's Mixtape Series’ and some top weekly tips for producers and DJs alike via his ‘Groover Essentials’ series. PAWSA is one DJ who is letting quality records do all the talking and at the outset of 2015, few are coming close to his consistency and indisputable calibre of his productions. With plenty more planned for 2016 and beyond, PAWSA and his team have a lot in store to extend their impact on the musical landscape.

Peggy Gou is a South Korean-born DJ and producer based in Berlin. During the 2010s, she became internationally renowned for energetic DJ sets, which dreamily flow through various styles of techno, house, and electro. Her own tracks, such as the acclaimed 2018 single "It Makes You Forget (Itgehane)," are vibrant, joyous productions that echo vintage deep house and post-disco without sounding like a throwback. ~

Porter Robinson, the 19-year old producer from North Carolina who has graced stages internationally alongside the biggest names in EDM, has just released “Spitfire”, his debut EP.,Porter has rapidly ascended the ranks of the international electronic music scene, captivating audiences with his ability to skillfully blend genres into his own unique sound that’s complex yet catchy, and classic yet cutting edge. In September 2011, Porter demonstrated his masterful eclecticism with the release of an 11-track extended EP that spans across moods of Electro House, Dubstep, Moombahton and even Trance, and includes remixes from Knife Party, Downlink, SkisM, Kill The Noise and Mikkas.,The EP was released through a partnership with Skrillex’s OWSLA project, an arrangement that grew organically out of a mutual respect for each other’s music. Continually impressed with his relentless work ethic and mastery of a crowd, Skrillex recruited Porter Robinson to his label, positioning “Spitfire” as its inaugural release.,All of this comes on the heels of a strong history, having recently remixed Lady Gaga, and performed with such artists as Tiesto, Deadmau5, Afrojack, Moby, A Trak, and Dada Life.

Music maturity came swiftly for Toby S. better known as Querox and especially his trademark offbeat tracks and creative bass grooves are skillfully pieced together with crystal clear sound combinations, dirty forceful baselines and emotional melody parts. Querox has not only helped shape the current state of progressive trance, but has left an everlasting imprint.Toby’s career as international DJ started in 2008 and clamed up the ladder very fast to become one of the most talented progressive trance producers and performed in the biggest festivals stages around the world. A year later Toby has launched his international record label Prog On Syndicate Records which nowadays is the one of the finest progressive trance record labels all over the world with numerous releases and artists that changed the history of the progressive trance music.

Quintino is one of the true DJ’s with a lifelong passion for dance music and on the verge of becoming one of the leading forces in the global music scene today. His high profile work with the likes of Tiësto and Afrojack has made him a household name and his excellent DJ sets across the globe have made his position a highly respected name in the scene.Discovered by Laidback Luke at the age of 18, Quintino started to take his stature as a DJ and producer beyond the normal club scene, playing landmark gigs and high profile festivals. Highlights include performing at Mansion and LIV in Miami, Pacha in New York, XS in Las Vegas and multiple tours in Europe and Asia. A life-changing break came in 2009 when he released a remix of Cidinho & Doca’s ‘Rap Das Armas’, which became a worldwide summer anthem and notched over 10 million YouTube views. In between producing and releasing songs, Quintino keeps performing worldwide with an estimate of 250 gigs a year reaffirming many future successes for him.

Randy Wieland, better known as Ran-D, has over 10 years of experience in harddance music. He is considered to be one of the new promising artists in the hardstyle scene. The past years he has played on major harddance events such as Defqon-1, Q-Base, In Qontrol, XQlusive, The Qontinent, Reverze and Qountdown. Currently he is a member of the well known Scantraxx Label. His releases on A2-Records, a subdivision of Scantraxx, are being supported by a lot of major jocks in the hardstyle scene. In the studio as well as behind the decks, he is a real perfectionist. Over the years he has developed his own distinct sound which is diverse but always has the unique Ran-D touch to it. A mix of raw sounds, uplifting melodies and his own unique vocals make his sound stand out.

The sleek groove of Ranji is a universal language, expressing a crystal clear message: The Israeli is a mighty source of innovation for the Progressive Trance scene and mighty source of listening pleasure for his audience. That again is why he is a perfect addition to the Blue Tunes artist roster. Born in 1983, the man from Tel Aviv first stirred global excitement in the world of Psytrance as part of the projectDapAnji, delivering the first album in 2009. Always eager for new sounds and encouraged by intense international touring, he eventually discovered the open-minded realm of Progressive Trance. Ranji is one half of Class A, a project that hit dance floors like a meteor in 2012. His solo project, part of the Blue Tunes family, is no less of an impact. The fresh production style of Ranji is characterized by crazy breakdowns and dynamic take-offs. Spiced up with lots of vocals it provides a critical mass of party boost and catchiness!

Beside his studio work and production time, Sam’s DJ appearances are among the most requested by promoters worldwide: his sets are characterized by powerful grooves and have been described as “Sexy Groovy Dark Techno”, which speaks volumes, literally, on what to expect from his performances. He has taken the stage at legendary clubs such as Berghain (Berlin), Output and Cielo (New York), Rex (Paris), Fabric (London), Crobar (Buenos Aires), Exchange (Los Angeles), Fuse (Bruxelles), Stereo (Montreal), Pacha (Barcelona), Fabrik (Madrid), Amnesia (Ibiza), Privilege (Ibiza) and Cocoricò (Riccione) just to name a few, and at Festivals like Awakenings (Netherlands), Nature One (Germany), Mayday (Germany), Tomorrowland (Belgium), Sziget (Hungary), Sonus (Pag Island), Time Warp (Germany), Ultra (Miami). KAPPA Future Festival (Italy) and Love Family Park (Germany). ~ Soundcloud

Of course, the band’s route to success was not quite as simple as frontman H.P. Baxxter describes. Scooter have indeed worked hard on their career and – we should not forget – they have now been in the business for over ten years. The former techno trio, who fought their way through the discotheques with “Hyper Hyper”, has developed into a serious band that now fills arenas with 80,000 people, has sold over ten million records and whose list of gold and platinum discs just seems to be endless.,Did anyone expect this back in 1994 when the band was formed in its original line-up? H.P. Baxxter, Rick J. Jordan, Ferris Bueller and, not least, manager and label boss Jens Thele started small: The trio’s debut “Hyper Hyper” went straight into the charts – and was immediately passed off as a one-hit wonder. However, the critics and journalists spoke far too soon. The follow-up hits like “Move Your Ass”, “Friends”, “Endless Summer”and “Back In The UK” were all just as successful. Anyone who believed that Scooter just wanted ride on the wave of their first hit were very wrong. Fun was and is the driving force behind the trio, by far more than the pressure to succeed and live up to expectations.,This explains the phenomenon of Scooter seeming to re-invent themselves for almost every single. Constantly combining styles that others would strictly separate, H.P., Rick and Ferris employ their unbelievable creativity with a healthy portion of humour and irony. The result is electronic ballads, eighties-style electro tracks, melancholic songs like “No Fate” or “She’s The Sun” and the legendary techno rock monster “Fire” (1997), which still sends H.P.’s “Flying V” guitar up in flames each night on stage. New member Axel Coon also felt this when he replaced Ferris Bueller in 1997, as did his successor Jay Frog, who is still a permanent member of the trio today.,All band members have their own special roles: H.P. still writes all of the lyrics while Rick and Jay are busy with the playbacks in the studio. To keep Scooter’s hand in club scene, Jay has taken over the role of DJ and also mixes a set for the Kontor Radio Show every other week. Jens Thele, the man behind the scenes, is responsible for anything to do with organisation and Logistics. He is also the one to ensure the band gets back on track after any disputes.,If it wasn’t for this work distribution, Scooter would very probably not be where they are today. Twenty-eight singles and thirteen albums clearly show that Scooter are a lot more than just a project. All critics and doubters will have had to admit that by now too.,Scooter’s new single “Shake That!” sees the band take a brave step by placing H.P.’s shouts over pumping disco house music. This courage has also already been rewarded: “Shake That!” entered the charts at number eight – incidentally making it their seventh Top Ten entry in succession!,Scooter are now about to bring out their fourteenth album. And “Mind The Gap” has many new features to offer: The album will be sold in three different price categories for the first time. In addition to the basic version, which just consists of the simple disc (EUR 9.99), there is also a regular version (EUR 14.99) with a booklet, bonus tracks, video, a making of, photos and interview, as well as a deluxe edition (EUR18.99). The latter contains all the features of the regular version plus a bonus CD with eleven live tracks from the “We Like It Loud Tour 2004”.

Owner of Taapion Records

Slander is an electronic DJ/Producer duo from Los Angeles, California. The duo consists of two members Derek Andersen and Scott Land. They both started as ravers which inspired them to become DJ’s . They came up with the name “Slander” by combining both their names: “S(cott) L(and)” and “Ander(sen)”. They specialize in creating three different sub-genres of EDM: trap, house, and dubstep. However, they call the genre of music they play “Heaven Trap” which covers the Feels and the Turn-up of Electronic Dance Music

Sound Rush is a Dutch hardstyle music duo consisting of brothers Dennie and Danny van der Zande. They began their careers in the early 2010s and have since released multiple hit tracks and performed at major hardstyle events around the world. They are known for their energetic performances and unique sound that combines elements of hardstyle, hardcore, and dance music. Sound Rush is signed to the Scantraxx label and have released music on various other hardstyle labels such as Q-dance, Fusion Records and Dirty Workz.

Steve Aoki is a man of many talents. His label Dim Mak has been championing a smear of genres, covering punk, indie, hardcore and EDM since its inception in 1996. Artists like Bloc Party, The Gossip, Dimitri Vegas & Like Mike, Zedd and The Kills have all benefited from Aoki’s golden A&R ear, while his hyperactive entrepreneurial spirit turned the Dim Mak brand into a merch and live event powerhouse. As a DJ and performer, he’s become infamous for his cake-chucking antics, launching various baked treats into gleeful fans’ faces at gigs around the world.

The Blaze are the French Paris-based music and video duo Guillaume and Jonathan Alric. The duo are cousins who are mostly known for their cinematographic videos.

The act with the first arena-sized sound in the electronica movement, The Chemical Brothers united such varying influences as Public Enemy, Cabaret Voltaire, and My Bloody Valentine to create a dance-rock-rap fusion which rivalled the best old-school DJs on their own terms — keeping a crowd of people on the floor by working through any number of groove-oriented styles featuring unmissable samples, from familiar guitar riffs to vocal tags to various sound effects. And when the duo (Tom Rowlands and Ed Simons) decided to supplement their DJ careers by turning their bedrooms into recording studios, they pioneered a style of music (later termed big beat) remarkable for its lack of energy loss from the dancefloor to the radio. Chemical Brothers albums were less collections of songs and more hourlong journeys, chock full of deep bomb-studded beats, percussive breakdowns, and effects borrowed from a host of sources. All in all, the duo proved one of the few exceptions to the rule that intelligent dance music could never be bombastic or truly satisfying to the seasoned rock fan; it’s hardly surprising that they were one of the few dance acts to enjoy simultaneous success in the British/American mainstream and in critical quarters.,While growing up, both Rowlands and Simons grooved to an eccentric musical diet, ranging from the Smiths and Jesus and Mary Chain to Kraftwerk and Public Enemy. They met while taking the same history course at Manchester University, though neither were native Mancunians - Rowlands enrolled because of the legendary Haçienda nightclub nearby, while Simons acknowledged the city as birthplace to the Smiths and New Order. The pair began sampling Madchester’s vibrant nightclub scene together during 1989 and 1990, just at the peak of Britain’s fascination with a DJing style named Balearic. Pioneered at the island hot spot of Ibiza during the mid’80s, Balearic relied on a blend of early house music, Italian disco, rare-groove jazz and funk, Northern soul, hip-hop, and alternative dance. Original Balearic DJs like Trevor Fung, Paul Oakenfold, and Mike Pickering brought the sound back to indie clubs in London and Manchester, and the style proved very attractive to musical eclectics like Rowlands and Simons.,Though Rowlands was already performing in the alternative dance group Ariel, the pair began DJing together at the Manchester club Naked Under Leather in 1991. Hardly believing that their weekend project would progress, they took the semiserious handle Dust Brothers (a tribute to the American production team responsible for one of their favorite albums, the Beastie Boys’ Paul’s Boutique). Despite their doubts, Rowlands and Simons’ club night did grow more popular, thanks to the duo’s Balearic mix of rare house tracks flavored with hip-hop breakdowns, independent-dance fusions, and ancient secondhand discards. After deciding to try and re-create their unique sound in their tiny bedroom studio, the Dust Brothers emerged with “Song to the Siren,” an intriguing example of the new alternative dance scene including sample victims Meat Beat Manifesto and This Mortal Coil.,After the single was pressed up on a limited release of 500 copies, it began getting attention from Britain’s top DJs, initially including an old friend named Justin Robertson but later including Andrew Weatherall and Darren Emerson. Weatherall licensed the single to Junior Boy’s Own Records, and after the pair had finished university, they moved back to London to work on another EP (14th Century Sky) and a residency at another club. After their third release, “My Mercury Mouth,” the duo began to get more high-profile clients for remixing: besides Justin Roberston’s Lionrock collective, Primal Scream, the Prodigy, and the Charlatans all received treatments.,When lawyers for the original Dust Brothers came calling in 1995, though, Rowlands and Simons were forced to change to change their name to the Chemical Brothers (the proposed Dust Brothers U.K. was turned down). Word on the street and nightclub scene was so good that it hardly mattered; their new residency at the Heavenly Sunday Social quickly became one of the hottest clubnights in England — documented on the mix disc Live at the Social, Vol. 1 — and their debut album, Exit Planet Dust, was heavily praised by critics. Another fan of the record, Oasis frontman Noel Gallagher, agreed to lend his vocals to a future single named “Setting Sun,” the Chemicals’ tribute to one of their own favorites, the Beatles’ “Tomorrow Never Knows.” The single went to number one in late 1996, and the Chemical Brothers opened up for the giant Oasis concert at Knebworth besides headlining their own shows all over the world.,The Chemical Brothers’ second album, Dig Your Own Hole, took charge of the top spot on the album charts upon its release in April 1997, and on the wings of America’s growing electronica push, the album sailed to number 14 stateside and went gold. The duo released a mix album in 1998, Brothers Gonna Work It Out, and followed with their third studio LP, Surrender, in 1999. Rather lackluster expectations sparked a return to the underground with the white-label-only single “It Began in Afrika,” and the duo’s fourth album, Come with Us. It too failed to earn the high notices of the first two albums, although after another three-year gap Rowlands and Simons returned with another, 2005’s Push the Button, with guest vocalists Q-Tip, Tim Burgess, Kele Okereke, and the Magic Numbers. The music-celebrity parade continued on 2007’s We Are the Night, this time including the Klaxons, Willy Mason, Fatlip, and Midlake. ~ John Bush, All Music Guide

The Comet is Coming to destroy illusions. It will manifest new realities, perceptions, levels of awareness and abilities to coexist. It is a musical expression forged in the deep mystery. It is the overcoming of fear, the embracing of chaos, the peripheral sight that we might summon the fire.Through the transcendent experience of music we reconnect with the energy of the Lifeforce in hope of manifesting higher realities in new constructs. Because the end is only really the beginning.

Time to down rulers and dump the rules about how to create, consume and categorize dance music. The beautifully blurred clarity of the Underworld playworld; germinated, perfected, dissected, stretched and re-pollinated over their ten-year reign as The..Underworld

Joram Metekohy – Wildstylez is working very hard on his carrier. Together with Headhunterz he is responsible for ‘Project One’. Besides ‘Project One’ he is releasing many hits in the hardstyle scene. Wildstylez is already a well known Dj in the hardstyle scene and his gig list is growing and growing. All the major Q-Dance and ID&T events are on his list and he is travelling all around Europe to do his thing where he is good at!

At 24 years of age, Melbourne-born tastemaker Will Sparks has well and truly earnt his placing as one of the most esteemed and exciting electronic acts to break out of Australia this decade. In his short career, Will Sparks has won the title of ‘Best Breakthrough Artist’ [inthemix – 2013], Australia’s #1 DJ, [inthemix – 2014], one of ‘Billboard Magazine’s 10 most exciting young talents’, #73 DJ in the World [DJ Mag Top 100 – 2016], embarked on countless world tours, playing roughly 300 shows every year across all corners of the globe, with residencies at some of the worlds most famous venues – Paradise Club – Mykonos, XS – Las Vegas and Pacha – Sydney to name a few, and hitting some of the biggest stages in the world including Tomorrowland, Electric Daisy Carnival, Ultra Music Festival and TomorrowWorld. ~ Industry Entertainment

Kathy Yaeji Lee (born August 6, 1993 in New York City, U.S.), also known as Yaeji, is a Korean-American singer/producer of electronic deep house music, with whispered vocals in Korean and English. Yaeji was born in Flushing, Queens as a single child in a Korean family. Growing up, she moved from New York to Atlanta when she was 5, and then to South Korea in the third grade. Yaeji grew up in Seoul, South Korea, and eventually moved back to the United States to study conceptual art, East Asian studies and graphic design at Carnegie Mellon University in Pittsburgh. Yaeji embraced DJing as a hobby while attending Carnegie Mellon, after learning how to use Traktor and beginning to DJ at house parties. She DJed for two years before learning Ableton, making her own music and debuting on Carnegie Mellon's college radio station. Yaeji graduated from Carnegie Mellon in 2015.

Yellow Claw is a Dutch DJ and record production duo from Amsterdam consisting of Jim based in Bali and Nils based in Amsterdam. Their music incorporates elements from trap, hip hop, dubstep, hardstyle and moombahton. The Dutch duo have been steadily rising year on year as they continue to find success. They often don’t allow themselves to be confined in one box, floating between genres with ease and cementing their place across the electronic music industry. Yellow Claw seamlessly incorporate elements of hardstyle, hip-hop, trap, dubstep with moombahton — a fusion of house and reggaeton. Since 2014, they’ve run their own label, Barong Family, which has seen 600 releases over six years. Their latest album, 'Never Dies', continues their tried-and-tested formula. Bringing the likes of Tinashe, Fatman Scoop and Migos' Offset, the guest features helped elevate the project and further confirm their propensity to envision collaborations that many can't conceive. ~ DJMag

Yves Tumor is the solo moniker of Sean Bowie, the enigmatic multi-instrumentalist and producer based in Turin, Italy.Yves Tumor

With early co-signs from Skream and Rusko, a feature on Diplo’s ‘Blow Your Head’ compilation, and the launch of a bubbling new SMOG event series in LA, John Dadzie, professionally known as 12th Planet, quickly became known as one of the first ambassadors of dubstep in the US. As the sound began to spread, he helped navigate its uncharted territories with tracks like the breakout “68” single, released on his newly launched SMOG label, and collaborations alongside Skrillex and Kill the Noise (“Burst”, followed by the Grammy winning “Right on Time”). In the following years, 12th Planet became a household name within the global dance music circuit with official releases on Interscope, Mad Decent, Monstercat, and OWSLA, as well as support on Skrillex’s Mothership Tours, and stops at major festivals like Coachella, Lollapalooza, EDC, HARD, and Ultra.

Since their first big break in 2012 the Adana Twins have established a sterling reputation, refining their sound constantly, pushing the boundaries of their musical ambition and evolving organically with the passage of time.Adana Twins

The continued rise of Alan Fitzpatrick is the biggest story in UK techno right now. Having enjoyed a rapid ascent since his emergence as the new kid on the techno block in the latter half of 2009, Fitzpatrick now enjoys a status as a highly respected and in-demand producer.

Alessandro Renato Rodolfo Lindblad, commonly known by his stage name Alesso, is a Swedish DJ and record producer. The EDM giant’s production prowess is near-universally known. Over the years he’s worked with legends like Calvin Harris, Usher, David Guetta and Sebastian Ingrosso, and headlined major events like Coachella, Electric Daisy Carnival, Creamfields, and Tomorrowland. He’s even been memorialised in the popular video game Payday 2, when players rob a vault during an Alesso concert.

Alexandra Margo Sholler, who performs as Alison Wonderland, is an Australian electronic dance music producer, DJ, and singer. After years of intense touring and international on-road antics (something she covers in detail on the recently-premiered Underplayed documentary that dissects the gender and ethnic imbalance of the dance music industry), Alison has embraced the time out and headspace to enjoy a little gaming, sleep and mother nature’s finest. DJ-wise she’s still been as present as one can be during the great rave shutdown with modem-mashing sets for Digital Mirage and Lollapalooza and a series of DJ tutorials for her fans.

Without a doubt, Berlin-based DJ & Producer Alle Farben is one of the most established and successful German Artists in Pop and Dance Music.Playing over 150 live shows yearly, Alle Farben has graced some of Dance Music’s greatest stages such as Tomorrowland, Lollapalooza, Sziget Festival, Electric Love, and Parookaville to name a few. Alle Farben has also generated and sold over two million downloads and CD’s, counting Germany only, in the past year. He was nominated for 1Live Krone for „Best Single“ in 2017 as well as for MTV EMA for “Best German Act“, and won the ECHO music award as best „Dance National“ act. Being signed to Sony Music, published by Budde Music, and joined Stefan Dabruck Management as well as CAA at the beginning of 2018. Alle Farben currently has over 500 million streams on Spotify with 5 million monthly listeners and over 250 million views on YouTube.

If you had to melt down the appeal of Anastasia Kristensen to just two words, it could well be ‘energy flash’. There are a few reasons it’s a snug fit: for a start, the immediate associations are smoke and strobes, lasers and lights, big-league rave bliss and barely-marshalled sonic chaos; that is to say, maximum fun from a dancefloor perspective, something Kristensen keenly channels as a DJ. The character she exudes as a person, and not just a playlist-for-hire, mirrors it too: a whirlwind in the booth, it’s rare not to see her wide grin glinting through a motion blur of fader tricks, sashaying and vigorous air drumming. There’s also the perfection of imperfection in a flash of energy, a sense of freedom in the face of stultifying codes and norms. Kristensen embodies this, giving the best show of herself in any given point of time without being performative or buttoned-up. It makes for a refreshingly authentic and human to her burgeoning career in music, a gift that makes curious onlookers instant fans.

He’s the modern day Mozart, today’s leading talent in the ever-growing trance scene. He’s the pride of Moldova, known for his unique and very own sound. He is Andrei Rata, better known as Andrew Rayel.,Born on July 21st, 1992, his young age never stopped him from taking the lead in the next generation of EDM producers. Developing strong musical skills, he studied orchestral music and kicked off his producing career at only 13 years of age. It didn’t take long for the passionate music lover to translate his ideas into sounds. He created a truly unique, significant sound, one of piano power, harmonic balance and euphoric tales. And so, years later, his originals and remixes are praised by many and loved by more. But, rest assured, the Andrew Rayel story has only just started...

London-based DJ, producer and label owner. Moscow Records // Moss Co. // Arkityp // FUSEArchie Hamilton

New York City based Grammy Award nominated DJ/Producer/Remixer Produced multiple top 40 hits on the UK pop charts including “U Don't Know Me” (UK pop charts #1), Dizzee Rascal & Armand Van Helden “Bonkers” (UK pop charts #1), Duck Sauce “Barbra Streisand” (UK pop charts #3), “Koochy” (UK pop charts #4), “My My My” (UK pop charts #12), Armand Van Helden & A-Trak Present Duck Sauce “aNYway”, “I Want Your Soul”, “NYC Beat”, “Flowerz”, “Hear My Name”, “Why Can't You Free Some Time?”, “Ultrafunkula”, “Witch Doctor”, and “Funk Phenomena”

This is a man driven by an unbridled and relentless passion for music. Armin van Buuren is a born perfectionist, striving to stay on top of the scene he’s helped build. As the flag-bearer of the trance movement, he’s one of the most influential figures in EDM worldwide. Even though he lives an extraordinary life as one of the world’s most popular DJs, he has always remained a down-to-earth guy. Armin van Buuren is constantly on the move, whether creating music in his studio or en route to his next high-end club or festival show around the globe. Armin: “It’s not just love for music, it’s my passion. It goes beyond liking, and beyond a hobby. It’s about a way of living. Music is essential to my life.” For more than twenty years, the Grammy-nominated Dutchman has been living to the rhythm of his own international success. His five-time number one position in the critically acclaimed DJ Mag Top 100 DJs poll has been the result of his loyalty to fans, his creativity in the studio, the perseverance with which he hosts his weekly radio show ‘A State of Trance’, and the energy he brings to the crowds in front of him. Despite the heavy pressure that comes with being one of the world’s most popular DJs, Armin has always kept his focus on the music. And that’s exactly what keeps him going.

Only a few international artists presenting their own style succeed in having such a lasting effect on the international dance scene for more than ten years. Andre Tanneberger presents his individual spirit in all of his tracks and still stayed true to ATB. Well known for his single “9PM (Till I Come)”, he is one of the most famous international electronic music artists. His energetic, emotional and unique DJ sets serve as the universal language he uses for more than 15 years now to tour all around the globe to get into direct contact with his fans at all times.Andre has been lead to become one of the most important producers and musicians for electronic music of the last decade. Having worked on previous albums with international stars like Heather Nova, Moby, William Orbit, Roberta Carter Harrison, Haley, and Aruna. As well, being a DJ he travels all around the globe, so that he is in direct contact with his worldwide fans.

Avalon Emerson is from the desert. While she currently lives in Berlin, the music she produces comes from the dreamlike expanse and abstract textures of the Sonoran landscapes of Arizona. Her journey has taken her from that sunbaked state to the contemporary dance music mecca via a long stint in San Francisco, where she cut her teeth as a DJ in the city's storied warehouse party scene. In her DJ sets and productions now, she offers a timeless narrative that reflects a passion for the sound design of new wave, the futurism of techno, the soul of American house and the exuberance of rave. Though she's built up steam in 2015 from multiple sets at Panorama Bar, and globetrotting all around Europe and North America, she's just getting started, and continues to outdo herself with original productions released on labels like Shtum, Spring Theory, Icee Hot, and her own DJ tool edit pool, the Cybernedits series.

Berlin born DJ, producer and label owner Ben Klock is without a doubt one of the most significant characters in techno’s recent history. A resident at Berghain since its opening in 2004, he has been able to leave his mark on the club’s unique sound, in turn the special space influenced Klock’s approach as a DJ and producer as well. Playing techno sets full of hypnotic, deep and heavy grooves, releasing records on Ostgut Ton and last but not least the aesthetics of his own label Klockworks (founded in 2006), have earned him an excellent international reputation over the last few years. Supported by stringent and enthralling tracks, remixes for such diverse artists as Kerri Chandler, Martyn or Depeche Mode, the revered debut album “One” on Ostgut Ton and his Berghain mix, Ben Klock’s name is synonymous with the vitalization of an essential definition of techno.

With a diverse musical taste that explores the introspective, melancholic and euphoric nature of music, Melbourne based artist, Bex creates sets filled with driving baselines and minimal grooves. A lover of underground Minimal house, Tech House, Deep House and Minimal and Dub Techno, with natural soundscapes, locked grooves. Bex currently holds a residency with Doesn’t Matter and Hindsight Music in Melbourne, and has also played for iconic Melbourne crews such as Rework at Revolver and Thick as Thieves, supporting some world class locals and international artists such at Magit Cacoon, Third Son, David Mayer, Sakro and Junki Inoue.

Bicep is an electronic music production and DJ duo from Belfast, Northern Ireland, consisting of Andrew Ferguson and Matthew McBriar. Bicep was formed in 2009 as a production and DJing pair in London, UK. The duo, childhood friends, created a blog called "Feel My Bicep", which was used to post lost and forgotten disco, Chicago house, Detroit techno and Italo disco edits. They released tracks on labels Throne of Blood, Traveller Records and Mystery Meat before joining Will Saul's Aus Music and setting up their own label Feel My Bicep in September 2012. That year the pair were awarded DJ Mag's 'Best of British Breakthrough DJ' award. In 2014, the pair moved into a new studio in Shoreditch. A year later, the duo performed live for the first time at the AVA festival in Belfast, which was recorded by Boiler Room. After signing to Ninja Tune in 2017, Bicep released their long-awaited debut album Bicep, which went in at number 20 in the UK Album Charts on its release and received critical acclaim.

Billy Gillies is a DJ and electronic music producer from Scotland. He began his career in the early 2000s, and has since released multiple albums, EPs, and singles, and has performed at various venues and festivals throughout the world. He is known for his trance and progressive trance productions and collaborations with other renowned DJs and producers. He has released his music on notable labels such as Armada Music, Black Hole Recordings, and Future Sound of Egypt, and has also been included in various compilations and DJ mix albums.

Considering his meteoric rise to fame, it would be easy to stereotype Black Coffee as just another black diamond, a BEE beat magnet out to mine the insatiable upwardly mobile urban house-party market. But as he proved on his South African Music Award-winning album Home Brewed, this DJ and producer defies convention. Sidestepping Afro-house clichés and stage-managed highs in favour of restrained sophistication, Black Coffee’s penchant is for true Afropolitan house: home-brewed but trendsetting, fashion-conscious and future-focused. Expect almost sculptural balance and beauty.

Delivering unparalleled tech and bass house delicacies from the studio, Indonesian born artist Bleu Clair is bringing to dance floors what one can only describe as flaunting house music for the future. Essentially, this young producer has curated a signature sound under his name that evokes a dynamic energy amongst the tech and bass house devotees and music industry pioneers alike.

Born Dirty stormed onto the scene just a few years ago and quickly turned the heads of top DJ’s everywhere. The music industry’s most notable labels and tastemakers jumped on the project, with instantaneous support from Mad Decent, OWSLA, Fool’s Gold, Dirtybird, and Insomniac Records. Fast forward to 2020 and he’s coming off his strongest year to date, and is still riding high off his Diplo collab “Sambo Sujo,” that recently dropped on Higher Ground. He’s performed at some of the world’s most premiere festivals – Lollapalooza, Electric Daisy Carnival, HARD Summer, Les Plages Electroniques, Shambala, Splash House, and Holy Ship! to name a few. His discography – including collabs with Cassius, Anna Lunoe, Kid Sister, and more — pulls from across the spectrum of music he’s experienced growing up in France and beginning his music career in the UK.

Chase & Status are an English electronic music duo composed of Saul Milton (Chase) and Will Kennard (Status). In addition, Andy Gangadeen is the drummer when the band performs live. MC Rage formerly performed as MC with the group, but left in July 2021 to focus on solo ventures. The duo are from London, and formed in 2003 after meeting at university in Manchester. The duo have since released six studio albums and collaborated with major artists such as Plan B, CeeLo Green, Rihanna, Example, and Tinie Tempah. They run the independent record label MTA Records. William Kennard founded ELAM (East London Arts and Music) in 2014.

After almost three decades of performing in over 150 countries around the world, restlessly producing music, running several labels including the legendary CLR imprint and hosting countless weekly radio shows - AMFM radio show currently broadcasts on 44 stations in 28 countries worldwide and reaches around 5 million listeners every week, things have come full circle for Chris Liebing. The Frankfurt/Germany based ambassador for uncompromising, unpolished techno keeps on traveling the globe on a never-ending tour, while at the same time releasing very personal, emotionally articulate electronic music on his all-time favourite label Mute Records. ~ Soundcloud

GRAMMY Award winning CID (“Best Remixed Recording”) has garnered attention from industry veterans like Kaskade and Tiesto, with booked gigs spanning the globe – from Las Vegas to Barcelona. The Queens (New York) based DJ/producer is ready to stake his claim on the world of dance music. As a young Carlos Cid his passion for music was evident early on at age 11, venturing on a city bus to traverse the boroughs of New York, just to spend his days scouring through new music at his favorite record shop. It wasn’t long before some of New York’s finest DJs became increasingly curious about this enthusiastic young kid, who was seamlessly browsing the same records that they’d been spinning at clubs the night before.

Cristoph hails from Newcastle upon Tyne, coming from a family deeply entrenched in the art of DJing. With both his father and older brother working in the industry, Cristoph was always destined to take the spotlight. Immersing himself in the club environment from an early age, it wasn’t long until he found himself cutting his teeth on vinyl and diligently studying the tools of the trade. The mysterious producer has proven himself a bona fide force to be reckoned with landmark releases on imprints like Last Night on Earth and Bedrock. Now, with the official backing of Eric Prydz, he’s primed for even greater success. It’s no surprise his music has caught on so fervently: simply put, Cristoph’s sound is infectious. In 2016, Cristoph achieved his biggest breakthrough yet, joining Hot Since 82’s white-hot Knee Deep in Sound imprint and becoming the inaugural artist to launch the label’s coveted ‘8-track’ album series. ~ Resident Advisor

Dj/ Producer from Miami, FlDanny Daze

Joel Thomas Zimmerman, known professionally as Deadmau5, is a Canadian electronic music producer, DJ, and musician. He has been at the forefront of the EDM scene for over 15 years. With his distinctive masked look and grandiose shows, he’s done more than almost anyone else within dance music to blur the boundaries between DJing and live performance.

Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade. Born in Vele di Scampia, one of the toughest districts in Naples, the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.

New Yorker Dennis Ferrer has been moving and shaking in the dance music world since the mid-'90s, first making techno-flavored records with Damon Wild under the name Morph. But it wasn't until 2003 that Ferrer truly broke through. "Sandcastles," a track he made alongside Jerome Sydenham, became a worldwide dancefloor smash, giving him his first glimmers of recognition in the electronic music world at large. Further acclaimed tracks such as "Son of Raw" and "Church Lady," remixes for the likes of Blaze, Fish Go Deep, Martin Solveig, and Dido, and a number of mix albums only added to his growing profile. A good chunk of his original material over the years was compiled in 2006 on the album The World as I See It. ~ AllMusic

Deorro (real name Erick Orrosquieta) is a DJ and producer from Los Angeles, California. He began his career in the early 2010s and has since released several hit singles and EPs, and has collaborated with a number of other artists in the electronic music scene. He is known for his work in the electro house, progressive house and big room genres, and is one of the most sought-after DJs and producers in the industry. He has released his music on notable labels such as Ultra Records, Spinnin' Records and Mad Decent, and has also performed at major music festivals around the world. He is also known for his philanthropy, and has helped to build and support schools and educational programs in underprivileged communities in Latin America.

Of the Belleville Three, the cadre of early Detroit producers who tested the limits of spirit within electronic dance music and changed the integrity of the form forever, Derrick May's reputation as an originator remained intact despite more than a dec..Derrick May

The Disciples are a trio of music students, hailing from the South of England. Drawing on a variety of influences, including the likes of Pendulum, Nero and Hybrid, they write and produce a unique blend of acoustic and electronic music, combining genres including Drum & Bass and Rock. Their ability to play all their music live using live vocals, synths, guitars and drums puts them in an almost unique class of electronic acts.,The Disciples’ first song ‘Tiempo’ was released in July 2011 and was very well received. This year has seen the release of the equally-successful ‘Genesis’ in March and ‘The Outlaw’ in May, which was played on BBC Introducing in August. On 2nd September, The Disciples released their debut EP, which enjoyed a very positive reception. The band are currently working on their next release and planning a tour for 2013.

DJ Nobu is a DJ from Chiba city in Japan. He organises now legendary party called Future Terror and his own label Bitta in his home town.DJ Nobu ̸BIOGRAPHY Japan’s DJ Nobu is one of a kind; a DJ with no fixed style but instead a very real ability to draw on a wide world of music and cook up his own unique sound spaces. Nobu is something of a cult figure for those who know with decades of experience, all of which are distilled at his acclaimed party ‘Future Terror’, his label ‘Bitta’ and his few choice production outings. All of this has slowly but surely turned Nobu from being one of Japan’s, to one of the world’s most in demand selectors who is famously flexible and ever evolving. ̸SELECTED DISCOGRAPHY - NO WAY BACK / mixed by DJ NOBU label: ?? / Lastrum catalog: LACD-0094 (TGCS-3831) format: CD released: Dec 20th 2006 - CREEP INTO SHADOWS THE MIDNIGHT D EDITS / DJ NOBU label: Underground Gallery catalog: UGCD-801 format: CD released: April 3rd 2008 - DIARY / DAZZ Y DJ NOBU label: ?? / Lastrum Music Entertainment Inc. catalog: LACD-0143 format: CD released: August 6th 2008 - Endbeginning (Dazz Y DJ Nobu Omi Dub 12"Remix), (Nobu's Dub) / Crue-L Grand Orchestra label: Crue-L catalog: KYTHMAK132 format: 12" released: Apr 2010 - 011 e.p. / DJ NOBU label: GRASSWAXX RECORDINGS catalog: GWEP-07 format: 12" released: July 2010 - ZERO SET II -Reconstruct- / V.A. "Skin QER REMIX (reconstructed by DJ NOBU)" label: MUSICMINE catalog: MMCD20001 format: CD released: October 20th 2010 - ON / mixed by DJ NOBU label: MUSICMINE catalog: MMCD20002 format: CD released: December 22nd 2010 - Draw, Untitled / IORI, DJ NOBU label: Bitta catalog: Bitta001 format: 12" released: November 13rd 2012 - Crustal Movement Volume 01 - Dream Into Dream label: Tearbridge Records catalog: NFCD-27349 format: CD released: March 27th 2013 - Canadian Bellfield, Untitled / Steven Porter, DJ NOBU label: Bitta catalog: Bitta002 format: 12" released: December 12th 2013 - For Your Eyes Only Sampler One / V.A. "Sway" / DJ NOBU label: Semantica Records catalog: SEMANTICA 60​.​1 format: 12" released: December 20th 2013

William Sami Étienne Grigahcine, better known by his stage name DJ Snake, is a French record producer and DJ from Paris, France. DJ Snake’s innate ability to deliver huge collaborations — with his contacts list including Justin Bieber, Selena Gomez, Cardi B, Gucci Mane, Young Thug, Diplo, Aluna George, Offset, and 21 Savage. DJ Snake has dropped two pieces of new music in 2020. Trap cut ‘Trust Nobody’ landed in June, and has amassed over 1.5m plays on YouTube at the time of writing, and a blistering Audrey Nuna remix, called ‘Damn Right Pt. 2’, which followed in October. Real name William Sami Étienne Grigahcine, his beloved Paris St. Germain nearly went all the way in the Champions League in 2020, eventually shut out by Bayern Munich in the final in August. Fans must be hoping he’s been busy in the studio through lockdown, ready to turn the world’s biggest stages back into a zoo again, once it’s safe to do so.

Melbourne based DJ/producer Dom Dolla has taken the world by storm with a series of forward thinking hypnotic house music heaters, including his international breakthrough ‘Take It’, which he quickly followed up with ‘San Frandisco’. With both records accredited gold and platinum, the latter went on to earn him a multitude of accolades including #1 most played triple j, whilst charting at #33 on triple j’s Hottest 100 list, before earning himself an AIR award for Best Independent Dance Release, as well as an ARIA award for Best Dance Release following two previous nominations.

24 year old Don is the latest Dutch artist to explode on the worldwide scene. As a DJ Don rocks every crowd with a blend of Electro, Techno, Breakbeat, Rock, and a lot of homemade Bootlegs, which makes his sound fresh, exciting and innovating. After his 2002 Residency for UK superclub ‘Passion’, Don has played or will be playing for every renowned event or club on this planet, such as: Ministry of Sound, Gatecrasher, Dancevalley, Godskitchen, Impulz, Mysteryland, Creamfields, Haoman 17, Turnmills, Innercity, Extrema Outdoor, ElectroNation and the list goes on and on!

The Russian-born Tel Aviv native Marina Rubinstein (the honorific is strictly cosmetic) moved to Berlin in 2012, shortly after beginning to spin, and swiftly became one of the sharpest party d.j.s anywhere. A Dr. Rubinstein set is easy to recognize—it’s both stark and raucous, festooned with vintage-Roland TB-303 acid synth lines and an unforced bonhomie that’s rare in techno. She remains a committed dancer: “If I’m not playing, you won’t ever find me in a d.j. booth,” she recently said.

Immersed in the heydays of the '90s Midwest rave scene, DVS1 (Zak Khutoretsky) has gained a highly respected reputation for his versatile skills, infectious energy and physical power behind the decks...DVS1

Bristol, England DJ and producer Eats Everything started out spinning jungle and drum'n'bass. Over the years, the man born Daniel Pearce incorporated more bass-loaded house into his repertoire, crafting a party-starting sound the likes of Carl Cox. His non-stop party started in 2011 with his debut track, "Entrance Song" (Pets Records), a heartier and richer version of Disclosure's deep house. The Eats Everything EP followed on Dirtybird, and Pearce, preferring performing over studio time, continued with a series of consistent releases over the following years. A slew of honors helped move along his exposure, notably a few essential mixes for Pete Tong's BBC Radio 1 show, as well as the DJ Mag award for Best British DJ in 2012. In addition to filling dancefloors, he also left his mark on works by Adam F, Jamie Jones, X-Press 2, Four Tet, Skream, Sinead Harnett, and Disclosure. ~ AllMusic

Eelke’s life has always been intrigued by modern technology. Being fascinated by everything related to science fiction and technological developments, his interests are anything but your usual cup of tea. He is currently getting a degree in biological psychology at the Erasmus University in Rotterdam. At home, his TV is tuned into Discovery Channel frequently. A real “Trekkie” perhaps as well, as he is a big fan of Star Trek. It is no surprise that Eelke enjoys watching the sky, not just on a warm summer day, but preferably at night, when he can aim his telescope at the stars and planets. It is not as severe as it sounds though, as he loves spending his free time playing video games and watching South Park. His biggest passion however is, without a doubt, music.,The world of music today is closely related to technology, something Eelke discovered at a young age. Therefore it is not strange at all that he got involved in it. “I could have easily ended up with an ICT related job”, he adds. Over the years Eelke has built and repaired a fair share of computers and also designed a variety of websites, including his own. At age 14, he got his first job working as a website designer for a music store. It gave him the opportunity to explore the studio equipment they sold in much detail, bringing home every piece of hardware he could get his hands on during the weekends.,In 2003 Eelke released his first single “4.5 Billion Years”, interestingly named after our planet’s currently estimated age, on Segment Records. This very limited 12 inch drew the attention of John Digweed and Seb Fontaine and is still held in high regard up to this day. It opened the door to labels such as Lost Language and Plastik Park. It was not until early 2006 however, that Eelke would indefinitely make an impact on the dance scene. Many months spent in the studio resulted in a series of releases, the most noticeable probably being “8 Bit Era / Import Bride” on Baroque Records which was very well received and got included on Nick Warren’s “Global Underground 030: Paris” compilation. “8 Bit Era” also received solid airtime on Dutch National radio. Ever since, many labels have taken notice of the sympathetic Dutchman, resulting in remixes for the likes of Jeff Bennett, Madoka and Snake Sedrick. In early 2007 his remix for Kosmas Epsilon’s “Paranoid” was picked up by Hernan Cattaneo for his Renaissance compilation "Sequential 2’.,It is difficult to describe Eelke’s sound in a few words though. “I am easily bored with music, I don’t like recycling sounds and ideas all the time”, he explains. His almost trancy cooperations with fellow Dutchman C-Jay indeed are very different from the dark and twisted grooves he has produced with Nick Hogendoorn and again different from the ambient and chilled-out songs he has written himself. “As with my DJ sets, I need variety in order to remain interested in what I’m doing. Producing different styles is almost like a way to express the different moods I’m in”. The recent signing of “Walkabout” on Ork Recordings with Nick is a perfect example, receiving critical acclaim from artists as diverse as Fish Go Deep, Nic Fanciulli and Anthony Pappa. Outside the Box Music, Eelke’s label launched in 2006 and part of the Groovecollection Music Management, reflects his taste in music like nothing else, with releases varying from techno-edged minimal to funky progressive house.,Spring 2007 saw Eelke taking the next leap towards fulfilling his dreams. Months of labour finally paid off when his debut artist album ‘Naturally Artificial’ was snapped up by Global Underground. It did not take the guys at GU long to see its potential. “Needless to say I am extremely happy about it!”, he adds. “Global Underground is one of the labels that have been around since the beginning, you don’t get a chance like this every day”.,So what else is there for Eelke you ask? We almost forgot to mention he is an excellent DJ as well, having played gigs in many European countries as well as Lebanon and Jordan. His monthly 2-hour radio show “Outside the Box”, broadcasted on Frisky Radio and Proton Radio, gives him the opportunity to showcase his sound worldwide. “What I love about Outside the Box is that I can do whatever I want”, he says. “It is almost like trying to educate people with different sounds, I can play deeper than at an average club night”.,Meanwhile Eelke has continued his work in the studio, a variety of news tracks and remixes are due throughout 2007. Success doesn’t come overnight, something we all know and this has also been the case with Eelke. Rest assured, though, that this is probably not the last we will hear from Mr. Kleijn.,Last Edited: June 2007,Biography additions made by: Peter van Hal (Deep Records / Deep Focus)

Washington D.C.-based producer and DJ specializing in melodic deep & progressive house and hypnotic tech house & techno. Enamour has become a definitive name of the dance floor, creating masterful soundscapes with no boundary of range: his productions infuse dreamy melodies of deep house, the potent power of progressive house and the smoldering, alluring momentum of dark techno. Enamour is Michael Gold, who was raised near Washington DC -- home to institutions of electronic music like Flash and U Street Music Hall as well as legendary acts like Sharam and Dubfire -- a city invariably considered a hidden heart of the genre in the United States. Long before he could enter a club, Gold found an early interest in music with the piano. A few years later, his fascination continued with guitar, then jazz, indie and later dance -- his passion for music unchanging, despite his evolving taste. His musical intrigue did not go unnoticed, especially as he began DJing open format around DC. Self-taught and curious, an interest in learning how to edit songs together for friends took him down a rabbit hole experimenting with Reason and Ableton and soon, Enamour was born. Enamour’s music has never been pigeonholed in any one genre -- with each new exploration as technical as the next -- a reflection of his eclectic musical upbringing and his foundation in music theory combined with the prowess of a seasoned producer. As a result his production touch is as intricate as it is effective and emotive, proven by his consistent ability to produce tracks that are equally enjoyed as listening experiences at home as they are pouring loudly through a club’s sound system. With each and every one of his releases, he’s continually made fans out of esteemed curators like Pete Tong and Danny Howard as well as leaders like Sasha, Guy J, and Mark Knight. He’s also made his mark as a coveted remixer, reworking the likes of Lane 8, Above & Beyond, Hayden James and Cassian, to name a few. Some of the most renowned institutions of dance music were quick to back those stamps of approval, with Mixmag inducting him into their hand-selected Magnified team of artists on the rise and DJ Mag crowning him “one to watch.” Undeniably, Enamour has become a global presence while also doing his hometown proud as an outstanding mainstay on the legendary Yoshitoshi label, which also calls Washington DC home. Beyond, he’s also released on several of the genre’s most exciting labels including Last Night on Earth, Anjunadeep, Future Classic, Kindisch, Lane 8’s This Never Happened, Rufus Du Sol’s Rose Avenue, Desert Hearts Black, mau5trap and more. Enamour has toured across India, Argentina and North America, playing at Burning Man as well as esteemed venues like The Brooklyn Mirage, Miami’s Treehouse, The Bow in Buenos Aires, Los Angeles’ Sound Nightclub and Washington DC’s own Flash and Echostage. Today, Enamour’s world is limitless. His ability to effortlessly weave and maneuver across the vibrant spectrum of electronic music both in his original productions and dynamic sets has captivated enthusiastic dance floor movers -- enamoured them, if you will -- from all around the world. No boundaries ahead and with plenty of new releases incoming, Enamour only has further and farther to go from here.

Excision shows are like no other- a virtual apocalypse of twisting and morphing sounds turn massive crowds into a frenzy, as virtual walls of bass are relentles...sly impaled time and time again upon their fragile bodies and ears. Your ears will ring and your eyes will roll into the back of your head as you are suspended in what can only be called a true sensory overload. Bass will rain down from above for hours as Excision’s skills as a DJ and producer shine like an unholy light from the underworld. The true champion of bass music, Excision hails from Kelowna, British Columbia. Excision has time and time again tested the limits of electronic music with vastly different sets that encompass a full range of genres. The things you see and hear during the precious time you are engaged by Excision’s sounds will eclipse your mind for a lifetime, as you are constantly enlightened by the true fervor and energy that only an Excision set can provide. See more

Although he celebrated a No.1 hit single in 2009 with ‘Put Your Hands Up For Detroit’, Dutch DJ/producer Fedde Le Grand is far from a one-hit wonder. Over the years there have been countless highlights in his discography, from UK No.2 single ‘Let Me Think About It’ featuring Ida Corr, to his take on ‘‘The Creeps’ by Camille Jones in 2007, and releasing two albums — ‘Output’ in 2009 and ‘Something Real’ in 2016. In 2015 he launched his very own Darklight Recordings, which has grown a multitude of up-and-coming talent including the likes of Carta, Raiden, and Vol2Cat. As a touring DJ he’s travelled the world over and played some of the most prolific festivals in the world including Coachella, Tomorrowland, EXIT Festival, Global Gathering, Ultra and many more. This year, as well as releasing a brand new remix of ‘Let Me Think About It’ by Sansixto, he’s remained focused and also “helping a friend with the most amazing sounding studio tool ever made,” he reveals.

FJAAK, the Berlin-based duo of hardware heads, have been constantly making a name for themselves over the last half a decade. Having grown up together in Spandau on the outskirts of Berlin, Felix Wagner and Aaron Röbig began quite early to create all different kinds of music before ending up taking on the city’s heritage – techno – to make it their own.

Joshua Steele, known professionally as Flux Pavilion, is an English Dubstep producer and DJ.1 He is the co-founder of Circus Records, along with Doctor P and DJ Swan-E.2 He is best known for his 2011 single “Bass Cannon”, which peaked at number 56 on the UK Singles Chart,3 and was placed on the Radio 1 A-List. Along with Doctor P, Flux Pavilion presented the 2011 compilation album Circus One, to which he contributed four tracks. In August 2011 his track “I Can’t Stop” was sampled by producer Shama “Sak Pase” Joseph for hip-hop album, Watch the Throne by Jay-Z and Kanye West.4 In December 2011, Flux Pavilion was nominated for the BBC’s Sound of 2012 poll, as one of only two independent artists on the longlist.5 On 5 March 2012, his track “I Can’t Stop” was used in the viral Kony 2012 campaign, and was previously featured in SSX.

Freedom Fighters is the cutting-edge psychedelic project by Shahaf Efrat, a producer with over a decade of experience. Signed to heavyweight label HOMmega next to acts like Astrix and Juno Reactor, He released his debut album ‘Rebel’ in 2015, which not only hit #1 on Beatport, but ruled its ‘Top selling albums’ for over a month. Aside from HOMmega, he has released tracks on notable labels like Zenon, Iboga, Nano, VII and Armada, which led him to 5 Beatport #1’s till date. Touring for the last decate, Freedom Fighters took his unique sound to the next level, Playing in huge events on one hand and underground events on the other hand, in almost every place on the globe. From Australia to USA, Canada, South & Central America, South Africa and all over Europe.

FRITZ KALKBRENNER,Biography,Fritz grew up in the Berlin district of Lichtenberg, which is full of projects, sadness and desolation. It’s the nineties – nothing to do but lots to fuck up. And for most of the people from that time and that corner of the world there is nothing more important than first of all: hanging around , killing time and second: music, music ,music.,Month by month Fritz spents all of his little pocket money on spray cans and dusty old Hip-Hop vinyls eg. Eric B. & Rakim, KRS-ONE and Wu-Tang Clan.,And for having a soft spot for those old Hip-Hop artists, his brother Paul and buddy Sascha Funke kept making fun of him.. over and over again! Because Paul and Sascha were already infected by the Techno Virus, and Fritz – the late bloomer in the crew – shall follow the lead some day.,From his brother Paul and Sascha’s point of view, ’97 was the time when they’ve decided to smuggle Fritz into the legendary Berlin club Suicide Circus. The result was that Fritz couldn’t let go from the Tech-House music.. not that he wanted to anyway! The time has come for Fritz to party it up in clubs like WMF, Discount, Tresor and Matrix. He’s having a good time while sucking in all of the new impressions. It wasn’t too long after that where Fritz started his own productions with left-over equipment from his brother Paul. But every life style and action has it’s price, and Fritz’s was failing his high school diploma and dropping out.,Having to choose at that point what his future in music might be, he decides to turn his second passion into a profession.,As a cultural and music journalist, he worked since 2002 for various TV stations such as ARD, MTV and the Deutsche Welle.,But the artist life keept haunting him and one year later he teams up with Sascha Funke to perform a track as a vocalist on Sascha’s debut album “Bravo”.,The first single from Sascha’s abum is the result and “Forms and Shapes” becomes one of the essential tracks that summer.,Fritz keeps building his reputation as a singer by collaborating with Zky, Alexander Kowalski and Monika Kruse. Besides that he was working on his own production skills, he was always looking for his very own sound. Then in autumn 2008 “Sky and Sand” is released, a musical family reunion with his brother Paul which raised the feeling from the first day on that this could be a big one. And it was. “Sky and Sand” didn’t just become an underground anthem, but also reached peak in many european chart positions.,It’s 2009 and the next chapter is ready to start. While Fritz is touring the clubs with his intense Liveact, Chopstick & johnjon could convince him (still unknown how they did it?!) to sign on to their label Suol, where he released two EP’s and numerous Collaborations so far. His full lenght Album „Here Today, Gone Tomorrow“ will be released on Suol in Oktober 2010.

Epitomising trance music’s energy in both approach and output, Italy’s Giuseppe Ottaviani has long been recognised as one of the genre’s most prodigious and prolific merchants. From his earliest studio work (as the engine behind NU NRG), through to his latter-day output under his own name, he’s become synonymous with preeminent trance. Over the last decade the three updates he has given his pioneering club-becomes-studio Giuseppe Ottaviani Live concept has rewritten the book on what a DJ ‘does’. Through them he has brought a unique dynamic to many of the world’s best-known electronic music festivals and arena shows – Tomorrowland, Dreamstate, EDC, ASOT and Transmission amongst them. Feeding these performances is a career-long procession of club hits, of which ‘Linking People’, ‘Through Your Eyes’, ‘Ready’, ‘Angel’ and ‘No More Alone’ are but a few. Giuseppe’s remains both contemporary and scene-omnipotent with of-late solo productions like ‘8K’, ‘Tranceland’, ‘Moscow River’, ‘Time Shift’ and others...

Blending U.K. garage, deep house, and pop, London duo Gorgon City scored hits in the clubs as well as the charts throughout the 2010s. Sporting a big sound from the get-go, with heavy bass, catchy vocals, and sleek production, they made their debut on then-independent label Black Butter in 2012. Several hit singles, including the U.K. Top Five smash "Ready for Your Love," led up to the release of their highly successful debut full-length, 2014's Sirens. The duo kept busy over the next few years with constant DJ gigs and collaborations with stars such as Wyclef Jean and Chris Brown, and their heavily anticipated sophomore album, Escape, arrived in 2018. ~ AllMusic

Back in the depths of 2011, two like-minded musical connoisseurs united, with the sole mission to represent the shadowy underground of raw hardstyle… Armed and ready, this cutting-edge duo has conquered and revolutionised the game in more ways than one, and guess what? There’s absolutely no stopping them on their quest for domination!

Guy Judah, known by his stage name Guy J, is an Israeli progressive house, techno and electro music producer and DJ who has released three albums and over 15 EPs since 2008. His recordings are noted for their diverse and wide range of musical styles, while his DJ work is known for creating immersive "journey-like" live shows.

Music maturity came swiftly for the now seasoned-veteran Robbert van de Corput, better known as Hardwell. At the age of 25, the young Dutch titan capped off a 10 year journey when he was crowned World’s No.1 DJ in the 2013 DJ Mag Top 100 DJs Poll cementing his position as the electronic scenes newest superstar DJ and becoming the youngest ever winner of the coveted Top 100 DJs award. Having already created a legacy that would put most of his counterparts to shame this award-winning DJ, producer, musician, label manager, lover of all things music has not only helped shape the current state of EDM, but has left an everlasting imprint on it.,Like his great mentor Tiësto, Hardwell proudly hails from Breda, a city tucked deep within the Netherlands. Having first established his name at the tender age of 14, Hardwell has since elevated his clubland standing to impressive, dizzying heights. His serving of big room bangers over the past year has seen a bundle of anthems sweep charts and dancefloors worldwide.

As one of Europe’s most wanted underground weapons, Héctor Oaks style stands out for playing the unexpected and the highly engaging. As DJ, producer and label head his take on techno resonates by combining the contemporary with hand-picked tracks from the history of rave culture. Héctor Oaks has been behind the turntables for almost half of his life. Gaining his first credits in Madrid's underground, it was when he relocated to Berlin, that his DJing really took off. Not long after his move to the German capital, the trained sound engineer released his first vinyl releases on KEY VINYL. This kick-start into the fertile soils of Berlin’s underground lay the foundation of a career, that has taken off internationally in the past years. It’s the dancefloors that taught this DJ his outstanding empathy and intuition for the sounds, that make a crowd vibrate. Constant practice and the dedication to music shaped his style. Known for his stamina and mixing skills, it is his selection that truly stands out. What seems eclectic on the first sight, is a well-curated mix of vinyl gems. Héctor Oaks seeks for the sweet spot between tracks that are connected not by genre but vibe and style. As vinyl-only DJ, his selection thrives on Oaks’ passion for digging in record shops all around the world. Not to mention the years in Berlin ́s infamous Record Loft, that served the local scene with an outstandingly broad selection of 2nd hand vinyl. When in the mood for a proper rave, you will find Oaks playing under his alias Cadency. The moniker is home to the more explorative side of genres: breaks, ghetto, oomphy grooves and a pinch of funk. As Oaks’s calls it: techno body music gone pop. Cadency’s appearances are rare, so catch them while they’re hot.

Hamburg native Helena Hauff is an in-demand DJ as well as an acclaimed producer of gritty, hard-edged electro-techno. Her music draws from influences such as acid house, EBM, and industrial, and she records her tracks strictly using analog equipment, usually in one take. Her full-length debut, 2015's Discreet Desires, contains some of her most melodic material, while 2018's Qualm is more stripped-down but no less energetic. Hauff has released a handful of EPs, including 2019's Living with Ants and 2021's Futuros with the Exaltics. ~ AllMusic

I don’t care about how much money you make. I don’t care about what you own. I don’t care if you are fat or skinny. I don’t care about the color of your skin, about if you are black, white or yellow. I don’t care if you are gay, straight or something in between. I care about what you have to offer. That’s what is important to me. What we all have to offer is what is important. Our positive vibes, our warmth, our respect for each other, our love. Right here and right now. Not a click away. That’s why I do what I do. I want you to come together. I want us to RISE. That’s my mission. It is not about my face. It is about us.

27-year-old Ida Engberg started DJing hip hop and soul aged 14 after a boyfriend showed her how to mix, but she says “I had absolutely no plans on becoming a DJ, I just saw it as a new way to listen to and interact with music and I loved it!” But fate had other plans – while at a friend’s bar aged 18 his regular DJ called in sick. Ida talked her way onto the decks on the proviso that if it wasn’t working after half an hour she’d get off again – by the time she’d finished playing she’d secured her first weekly residence. “I was probably a terrible DJ” she says modestly, “but he loved the music so he booked me every Friday. At this time I was playing lounge music, ambient and soulful house.”,Ida honed her mixing skills and bagged her second residency through more fortuitous timing – working as a host at a big nightclub, Spy Bar, she stepped in for the errant resident DJ who’d had a skinful and promptly disappeared, leaving the dancefloor in silence. The owner immediately changed her job description to DJ, and put her in the main room, kicking off her DJ career proper. “I guess it was there it really started” says Ida. “I was playing house, tribal and electro and I really loved every second of it! I kept my residency there for two and a half years until I decided I wanted to spread my wings a bit.”,A move to Marbella brought 8 months of club gigs, followed by a season in Ibiza which inspired Ida musically like no other place. “I had fallen deeply in love with the minimal techno sound so it was perfect at the time. In Ibiza I met so many people who shared the same dream- To be working with music.” “I was playing in bars and smaller clubs and in afterhour parties. Everywhere I went it was people with the same passion for music as I had.” At the end of the season, Ida returned to Stockholm landing a top residency at Cocktail Club, the best underground club in Stockholm. “My first gig was a warm up for Eric Prydz and after that I did warm ups for everyone from Damian Lazarus, Mandy, Anja Schneider and Jennifer Cardini to Roger Sanchez and Steve Angello. “Stockholm is a great platform for electronic music. There are so many great producers and DJs living here and people really support each other.”,Although DJing is her first love, it was only a matter of time before Ida tried her hand at production. Her first effort was the massive Disco Volante – signed by John Dahlbäck to his Pickadoll label and released in 2007 with a Sebastien Leger remix it became a huge hit all over the world, featuring on compilations from Ministry of Sound, Defected in the House and Pacha Ibiza. It charted across the whole of Europe, doing especially well in Holland, Belgium and Germany. Two more tracks have followed on Get Physical and Pickadoll plus a remix for Dada Life, and Ida signed with the Plantage13 agency for international gigs. She can be found playing her brand of minimal, techno and tech house in clubs all over the world every weekend, and her love of what she does is obvious to all. Playing unplanned sets allows her to respond to the crowd, and she’s rocked parties and clubs like Miami’s Sunday School for Degenerates, Yes at Watergate in Berlin, Tomorrowland in Belgium, Melkweg in Amsterdam, Catwalk in Rotterdam and Op Art in Portugal to name a few. Lately she also took part in the Drumcode parties with Swedish companion Adam Beyer. “It’s still a musical journey, my style develops all the time and I’m always open to new impressions” says Ida. “That’s what makes it the best job in the world!”

For DJ and producer Ilario Alicante, all recent successes come down to one thing: he started clubber, still considers himself a clubber, and he will always maintain that vital link with the dancefloor. Ilario’s rise has been nothing short of meteori..Ilario Alicante

Infected Mushroom – Erez Eisen and Amit Duvdevani (aka Duvdev) – has been the leading group within the global psy-trance scene for nearly a decade. Incorporating pumping, bad-ass grooves and infectious melodies and live instruments and vocals into their songs, they’ve performed live – a feat that many of their DJ peers aspire to accomplish – for well over a million people around the globe.,The band’s energetic live show has triumphed at some of the world’s biggest and most important music festivals (OMIX Festival in Mexico, Miami’s Ultra Festival, Tribe in Sao Paulo, among countless others), and they continue to regularly sell-out top clubs such as the Brixton Academy in London, Toronto’s Koolhaus at the Government, and Avalon in New York and Los Angeles. Their success as an electronic music band on the global concert circuit has translated into record sales in excess of 150,000 albums over the course of six acclaimed independent albums. Not bad for two guys from Haifa who started producing music mostly to escape boredom.,“We met in 1996 through a DJ friend,” recalls Erez. “Duvdev was in Goa at the time, and I was working on another project with a German guy. We met and tried to do one track together, and we’ve continued on since then.”,A year later, Erez and Duvdev started buying equipment and began to take Infected Mushroom – a name they stole from a disbanded local punk band – seriously. Finding little influence in Israel’s music scene, they drew inspiration from bands like Metallica and The Prodigy. Early productions led to club dates and gigs at local parties. Before long, the twosome had developed quite a loyal following. While the headlines were filled with news about violence and bloodshed, Infected Mushroom’s music touched the hearts of the burgeoning Israeli trance scene, and clubbers began looking to the band’s music for a respite from the tumultuous political situation.,“People were dying and the government saw that dealing with that as more important than abolishing trance parties,” says Erez. “And now the government is supporting trance parties. They want people to party, instead of staying home. There are places in the United States that you cannot go to because it is too dangerous because there are crazy people living there. It’s the same thing in Israel.”,Brandishing a multi-influenced trance sound that hadn’t been heard before, Erez and Duvdev were turned down by nearly every record label in Israel when they attempted to get a deal. “Nobody wanted to sign us,” recalls Erez. “We went to the biggest and smallest labels in Israel, and nobody was interested. At the time, we really believed in our music and continued looking for people to sign us. Fortunately, there was this A&R guy from BNE named Avi Youssef [and BNE’s owner, Avi Brand] who gave us a chance.”,In 1998, BNE released Infected Mushroom’s debut album, The Gathering. Inspired by the surreal ambient styles of Simon Posford, X-Dream and Transwave, it took a few months for the forward-thinking album to catch on. But once it did, the buzz within the global psy-trance scene became deafening.,The group’s second album, Classical Mushroom, was released in 2000. “This album was totally different that the first album,” says Duvdev, who, like Erez, is a classically trained musician. “Not only did we expand our style, but the album was big in Europe and Japan. It sounded totally different that the other trance music that was happening at the time.”,“The trance scene at the time was really monotonic as opposed to melodic with chords,” adds Erez. “We put a lot of classical elements into that album; it sounded different, and that’s why it stood out. At the beginning, nobody believed in that one as well.”,Infected Mushroom’s third album, B.P. Empire, followed in 2001. The combination of their live show and diverse electronic palette eventually won them the support of critics and a new legion of hardcore fans in North and South America. In 2003, Infected Mushroom issued their sprawling double-disc album, Converting Vegetarians. Perhaps one of their most ambitious recordings to date, Converting Vegetarians was a sonic departure away from trance. Leading the listener through trance, freestyle and ambient sounds, the album paved the way for 2004’s I’m The Supervisor.,“After we made the chilled-out non-danceable side to Converting Vegetarians, we wanted to make something for the trance fans that was danceable and full-on,” says Duvdev of I’m The Supervisor. “This album is trance, except for the last track. There’s more singing, and it’s the most difficult thing we’ve done. Using the voice as an instrument is tough to do. We’re like every band in that we’re trying to search for something new with every album.”,Always one step of their audience, Infected Mushroom are constantly pushing themselves. With fame and success in their homeland and in the global electronic music community, Infected Mushroom threw caution to the wind and relocated to Los Angeles in January 2005. The purpose was to take themselves out of their comfort zone in order to take their music to the next level.,“The weather is a lot like Israel’s,” says Erez, “and we still don’t know the city very well. But we’re here and we’re looking to push ourselves and do the sort of things that we couldn’t do in Israel.”,As they work in their adopted surroundings and continue to tour the world, Erez and Duvdev have added famed Israeli guitarist Erez Netz and Brazilian percussionist Rogerio Jardim to select live shows. They’re also busy finishing material for their seventh album, Vicious DeLicious, which contains a myriad of new musical explorations, from Flamenco guitar, to hip hop, to thrash-metal undertones. They have even been commissioned to remix recordings of rock legends, The Doors. But today they are especially proud to be recognized by their fans – Infected Mushroom was named #12 in DJ Magazine’s Top 100 DJ list, a 14 place jump from their debut on the list last year.,While they see themselves more as an electronic band rather than a psy-trance outfit these days, their track record of producing everything from trance to downtempo makes them feel that they can realize all of their musical aspirations.,“Being in the studio is like playing a PlayStation game, where you have to pass a level each time,” says Duvdev. “That’s our goal every time we do a session. The energy that you get at the parties makes you want to go right back into the studio and create new tracks. You need to be in the studio and do the shows; they’re both connected to each other. Our mission now is the same as when we started out, and that’s to get Infected Mushroom’s music out to more people.”

James Hype has proven himself to be arguably one of the UKs most important artists with his bootlegs and remixes consistently forming the cornerstone of UK and international dancefloors, alongside his singles regularly clocking tens of millions of streams. He has also been able to set the bar of what is humanly possible as a DJ in dance music, serving as a product ambassador for Pioneer DJ. Growing up in Liverpool in the North of England, James Hype took to DJing at the age of 15, and by 16 had taken to DJing house parties and birthdays for his friends. James reflects that he was “fascinated by grime instrumentals” at the time, listening to BBC 1Xtra and watching music videos showing the DJs using the decks, and committed to learning to emulate what he was watching. After cutting his teeth in the local club circuit and spending every spare hour sharpening his now signature skills, James Hype found the need for upbeat, club-ready remixes of usually slower records compelling. This led him to create his own edits of tracks which were prolific in the charts but needed an extra dose of energy to suit the dancefloors he was playing to. This then expanded his name from resident DJ to in-demand touring DJ. Using online platforms such as DJCity and Soundcloud, James continued to gain notoriety and with the exponential success of his remix of Drake’s ‘Hotline Bling’, James had exploded onto the national scene with keen eyes anticipating original material to come.

Born in the UK and now settled in South America, James Monro's immersion within the music industry goes back some 30 years. Having been classically trained at school, James' musical influences diverged into a long and keen love affair with all things electronic. From his initiation into the otherworldly sounds of Yello, Jean Michelle Jarre, Tangerine Dream, Visage, Human League, Brian Eno, Georgio Moroder and the more left field electronic experimental bands of the early 80's, and combined with a deep love of the psychedelic bands of the 70's, disco and early hip hop, it was inevitable that he fall into a passionate relationship with electronic dance music. He entered into club land, journeyed through the early daze of Acid House, the uk's "summers of love" in '88 and '89 , onto the beaches of Goa in the early '90's and out into the global circuit of parties and festivals that have since become his playground. All the while collecting the music as he went, finding and forging his own sound, and starting up t

JAMES ORGAN is a name rising through the ranks and rapidly cementing himself as one of the finest house and techno producers and DJs around. 2019 became a breakthrough year for the Liverpool-based DJ playing to huge crowds at Parklife, Reading & Leeds, Wilderness, We Are FSTVl, Creamfields, The Warehouse Project and many more alongside heavy support from BBC Introducing and releases on the likes of Saved Records and VIVa Music. James also held down a residency at Liverpool’s famous club night Circus warming up for and grabbing the attention of Hot Since 82, Loco Dice, Sven Vath, Larry Heard and many more.

Jerome Isma-ae combines the behind-the-curtain knowledge of a music producer, with the familiarity and deep knowledge of a dance floor you would expect from a DJ. Broad in his influences, and a visionary in his approach, you’ll always catch a hint of progressiveness in his sound. Jerome has been surrounded by music since his early years, with musical education in elementary school, learning the piano and later the guitar. At 12, Jerome was already playing the bass guitar in a heavy metal band, but it wasn’t until 14 that he started making his own beats with a drum machine.

After learning the ropes at Amsterdam’s legendary club 11, Job began his adventure at the renowned Innervisions label in Berlin. With all Job has achieved so far and a current heavy touring schedule, including appearances spanning from Burning Man to Panorama Bar, one can only wonder where he will go next.

Guy James Robin, known professionally as Jonas Blue, is an English DJ, songwriter, singer, record producer and remixer based in London who produces music which blends dance with pop music.

Joris Voorn sits at the epicenter of the Dutch electronic music scene, the most renowned and instantly recognisable artist from Holland, representing underground house and techno on a wider global stage. For a country with a population of just seventeen million Holland’s contribution to world electronic music is unsurpassed. While house and techno trace their roots to the marginal and mainly black American underground, its taken a relatively small country in the European lowlands to flip electronic music on its head and turn it into the global powerhouse it is today. In 2016 few could deny that Amsterdam is the global capital of electronic music and few artists embody the melting pot of musical influences that define the city’s underground techno scene more than Joris Voorn. ~ Resident Advisor

Capriati began DJing as a preteen, eventually attending raves and developing a passion for techno that would guide his career. He began producing tracks of his own, and in 2007 he had 12"s out on local labels such as Analytic Trail and Globox. Collaborative EPs with Rino Cerrone, Markantonio, and Uto Karem followed, and by 2009 he began releasing material on Adam Beyer's Drumcode label, as well as Chris Liebing's CLR. Italian native Joseph Capriati is praised for his marathon DJ sets, as well as his sharply produced techno and house tracks. Since launching his career in 2007, he has performed at countless festivals and clubs throughout the world, and released dozens of records for labels like Drumcode and CLR. While his singles tend to be functional tech-house and minimal techno tracks, his albums demonstrate his versatility, from the downtempo and drum'n'bass cuts on 2010's Save My Soul to selections on 2020's Metamorfosi that draw from garage house and Goa trance. ~ AllMusic

Josh Wink has always run ahead of the pack, as a DJ, label owner, producer, remixer, and artist. With the release of Profound Sounds Vol. 2, Wink continues to forge ahead, challenging established conventions of what a mix CD should be, not only by remaining true to his mercurial aesthetic as a DJ, but also taking advantage of technology to fine-tune his selections into the best possible recorded representation of Josh Wink.,“Profound Sounds Vol. 1 is one of my favorite compilations – it just happens that I made it," says Wink of the new album’s 1999 predecessor. “It represents me, and the way I combine house and techno, in both my DJ sets and as a producer, pretty well. I’m not one for holding people to one specific genre; I love being on the median in between.”,The sound of Josh Wink today remains one of a man unafraid to walk the border between stylistic boundaries. Profound Sounds Vol. 2 starts off dark and atmospheric with “Form Is Emptiness” by Swayzak, then quickly builds momentum with the minimal and melodic Joshua Main mix of Rithma’s “Tracks for a Weirder Day.” The 73-minute mix incorporates hints of old school Chicago house (“Make A Move” by Minimal Man), electro (“E Series 2” by Frankie Bones), and even Latin and tribal house (“Auburn” by David Alvarado). Perhaps the finest example of Wink’s refusal to limit his play list to any one genre comes at the three-quarter mark, when he integrates Aaron Carl’s paean to house music, “The Word,” over techno-flavored tracks courtesy of Rino Cerrone and Mr. G.,Unlike most of the mix CDs clogging the shelves, Profound Sounds Vol. 2 doesn’t attempt to cash in on the latest trends or mega-hits. “We could have gone that route, and signed a couple of really big tracks, and put a sticker on the front that says, ‘Includes the hit so-and-so…,’ and everybody would go, ‘Oh, I know that one,’” Wink admits. "But my integrity as an artist doesn’t allow me to do that. I used tracks on this compilation that span a big period of time: Some older ones, some newer ones, and some unreleased.” And he made sure to include a few more of his own cuts this time around, including the hypnotic modulations of “Oakish,” the Blakkat remix of “Superfreak (Freak),” and his own South Philly Acid Pass redux of Dave Clarke’s driving “Compass.”,But making Profound Sounds Vol. 2 didn’t just begin and end with picking the tracks and sequencing them in a suitable order. After that step, he tailored every cut to meet his specific requirements for this mix. “Every track is re-edited as a Josh Wink re-edit. I don’t end up compromising the integrity of the original art, I just altered it to fit my contour.” Only after customizing each song was he ready to record the final version of the set. “In a sense, I did the mix twice,” he observes.,Towards that same end as an added value, Wink included a bonus disc to Profound Sounds Vol. 2, which features both audio and video content. The aural component includes the CD debut of four Wink productions previously available on vinyl only: The original “Superfreak (Freak),” “Evil Acid,” “How’s Your Evening So Far” (featuring Lil Louis), and “What You Mean To Me” by Range of Motion. The visual portion of the disc reveals an in-depth interview with Wink featuring studio and live footage, detailing the intricate process of making the record. “It’s important to me to let people know what I did on this to make this disc different, rather than just mixing it,” he reiterates.,Of course, diehard Wink fans expect nothing less from this artist, who has been breaking new ground for the past two decades. In the late 1980s and early ’90s, when most of the U.S. was just waking up to rave culture, Wink – who had been working as a mobile DJ in his hometown of Philadelphia since he was 13 years old – was already making his own tracks (“Tribal Confusion” by E-Culture, with his former partner King Britt) and hauling his records around the country to spin at burgeoning clubs and parties.,In 1995, Wink became one of the first DJ-producers to translate his hard work into mainstream success, when he unleashed a string of classics, including “Don’t Laugh,” “I’m Ready,” and “Higher State of Consciousness,” that topped charts worldwide, and made him a bona fide pop star in Europe. On his 1998 album, HereHear, Wink pushed boundaries even further, inviting fellow artists as diverse as Trent Reznor (Nine Inch Nails), Caroline Crawley (Shelleyann Orphan/This Mortal Coil), and Philly poet-performer Ursula Rucker (Jazzanova, The Roots), to contribute to a far-reaching disc that ran the gamut of electronic music styles, from ambient and trip-hop to drum & bass, as well as the trademark mix of house and techno on which Wink has built his international reputation.,Since the release of the first Profound Sounds compilation in 1999, Wink has been concentrating on various projects, including continuing to oversee operations of his Ovum Recordings record label. Over the past year Josh has released another two dance floor anthems, “How’s your evening so far” and most recently “Superfreak”, both of which continue his tradition of making distinct music that catches people’s ears and inspires others to compose their own music. Although he used to bristle at requests to remix other artists ("because you sell the rights away, and don’t own them any more, even though the remix is basically all your own music), lately he’s grown to enjoy that gig more, turning out such notable overhauls as his recent reworking of “Blue Jeans” for Ladytron, Paul Oakenfold’s “Starry Eyed Surprise,” and Depeche Mode’s “Free Love.” Wink hopes to compile his favorite remix gems on a CD collection soon. He’s also working on some songs with fellow Philly denizen G. Love (as in, G. Love & Special Sauce), and hopefully further collaborations and production gigs with other like- and open-minded musicians.,“I get bored if I do the same thing” Wink concludes. “Some people get pigeonholed as being into just one thing. I hate that. When there are rules, it doesn’t become art, and it’s not fun. I’ve learned that you can’t please everybody, so I’d rather be concerned with making good art, and the people that like this art will stick with you.” Profound Sounds Vol. 2 is classic Josh Wink. It dares to be different. It is good art. And, most importantly, it is great fun.

J. Worra is a rising force in the underground scene, best known for her creativity as a producer and skills behind the decks. She lends these unique skills to every area of her life spanning music, fashion and art.

“Kaskade�s signature sound is as unmistakable as it is beautiful; a combination of dewy female vocals, tough electronic underpinnings, and memorable melodies.” — Billboard,The New York Times may have called him the “new face of electronic dance music” in a recent profile, but Ryan Raddon, known as Kaskade, has been in the trenches of the EDM scene as an original recording artist and in-demand DJ for more than a decade. He has released seven studio albums, including his latest, Fire & Ice, scored nine Top 10 hits on Billboard’s Hot Dance Airplay Chart, created chart-topping remixes for everyone from Lady Gaga to Beyoncé, appeared at all the major summer festivals, and has performed between 150 and 200 headlining shows a year for the last 10 years, building a name for himself as an innovator of the EDM scene as we know it today, which has opened doors for the likes of Deadmau5, Tiesto, Skrillex and more. In doing so, he has helped to lay the groundwork for a titanic musical and cultural shift: a post-rock EDM revolution that has captured the imagination of a new generation of music lovers across North America,Kaskade has been named America’s No. 1 DJ by DJ Times and Pioneer DJ. In 2012, he will appear at this year’s Coachella, for which he has a special performance planned, and will hit the road in May for his biggest headlining tour ever — 50-plus North American shows in just over three months. His own live show is a jaw-dropping spectacle that finds him performing in front of an 80-foot wide, three-stories tall LED screen that blares images synched with the music while strobe Lights scan the crowd. Kaskade’s belief in the transformative power of dance music to uplift thousands of people at once has had a significant effect on the U.S. scene. His ground-breaking double residency in Las Vegas at the Encore Beach Club (which had not even been built when he signed on) and Marquee has elevated the city’s status as a premiere club-going destination on par with London, Berlin, and Ibiza, is another testament to his influence.,Growing up in the Chicago suburbs, Raddon was heavily influenced by New Wave bands like The Cure, Echo and The Bunnymen, and The Smiths that ignited his love for melody and lyrics and was strongly impacted by the house music scene that developed in Chicago. Following stints spinning throughout college and in A&R at OM Records, he began working on his own music, which includes multiple singles, EPs, and remixes, as well as the albums: his most recent 2011 release Fire & Ice – which debuted at No. 1 on the Billboard Dance Chart, No. 3 on the Independent Albums chart, and No. 17 on the Top 200 Albums chart, while the iTunes version debuted at No. 4 on the overall album chart. The Fire disc contains ten original songs geared firmly toward the dancefloor, while on the Ice disc, Kaskade delivers the perfect down-tempo post-club experience by remixing all ten songs. Both discs showcase the musical versatility tat has characterized his work ever since he began writing his own songs. This album was preceded by It’s You, It’s Me (2003), In the Moment (2004), The Calm (2006), Here & Now (2006), Love Mysterious (2006), Strobelite Seduction (2008), Dynasty (2010) and Dance.Love (2010).

No one unites a club like Kerri Chandler. No one’s kick kicks harder. No one’s keys carry more emotion. No crowd reacts with more energy than when the New Jersey great is behind the decks. His life-long obsession with sound makes him famously meticulous about the setups of the clubs he plays, and that always results in electrifying sets of soulful, authentic, positive house music. ~ Soundcloud

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Jahan Yousaf, Yasmine Yousaf, and Kris Trindl (aka Rain Man) formed the EDM trio Krewella in Chicago, Illinois. They got together in 2007 but didn’t release their first material until 2011, when they uploaded a handful of songs — including the jagged, celebratory “Life of the Party” — to their Soundcloud page. In 2012, they self-released their first two EPs: Play Hard (June), featuring the reggae-flavored “Killin It,” and Play Harder (December). The former reached number ten on Billboard’s Top Dance/Electronic Albums chart. The same year, the trio became a staple of the festival circuit, including New York’s Electric Zoo and Texas’ Meltdown. 2013 saw the release of the groups first full-length, the bombastic Get Wet. The album spawned several singles and videos, including the sensational underground anthem “Live for the Night.”

Lady Faith has positioned herself as the number one female Hardstyle DJ on the planet, securing the top spot for Hardstyle on both DJaneMag and DJaneTop in 2019. Her specific brand of Hardstyle has been recognized by her legions of fans and her popularity continues to soar. Behind smash hits such as Moxie, Basic Bitch, Bestie, Paint It Black, Supernova and many others, Lady Faith has built the American Hard Dance scene and is currently recognized as one of America’s best female DJ/Producers for Electronic music. She has releases with some of the top Hardstyle labels such as Scantraxx, Hard With Style and Fusion Records and has performed on some of the biggest stages in the business, all across the world.

Daniel Goldstein is Lane 8. The California born producer/DJ is building a strong army of fans for his melodic, emotional house sound. What sets Daniel apart from the crowded dance music scene is his ability to craft music that succeeds both in the club and on the iPod – a skill that has landed him an unusually wide range of DJ support. When you consider that everyone from The Magician to ODESZA, from Above & Beyond to Annie Mac have heavily supported his music, you can see why he was named one of the “top 25 trail-blazing producers” by inthemix.com. His first string of releases with Anjunadeep, including “Diamonds,” “Be Mine”, “The One / Nothing You Can Say” and “Every Night," repeatedly topped the Hype Machine charts and garnered BBC Radio 1 support from Pete Tong, B. Traits, Annie Mac and Zane Lowe. Daniel is the only guest artist to ever release music on cult label French Express, while official remixes for Above & Beyond, Eric Prydz, ODESZA, Maribou State, and Icarus have shown his knack for appealing to both mainstream and indie audiences, in addition to his deep house base. ‘Rise,’ Daniel’s debut artist album, was released via Anjunadeep last year to cult and critical acclaim. An emotional 10-track journey across beautiful melodic instrumentals, leftfield pop moments and quirky electronica, the confident ‘Rise’ represented a bold, bright coming of age for Lane 8. The New York Times, SPIN, Billboard, and VICE’s Noisey all premiered tracks from the album. With regard to the release of ‘Rise’, DJ Mag stated Lane 8 has “created a lane all to himself, free of comparison and full of resilient independence.” After yet another Hype Machine #1 track with his stirring remix of Maribou State’s “Wallflower”, Daniel released his ‘Midnight EP’ in January of 2016 on Coyu’s esteemed tastemaker record label, Suara. The 3-track EP reached the top spot on Beatport’s Deep House release chart, further intensifying the momentum behind the Lane 8 name. Most recently, Daniel has introduced a new label and events concept called ‘This Never Happened’, removing the distractions of phones and photos and encouraging fans to experience the music and moment in its purest form.

Since forming in 2012, Leftwing & Kody have gone on to become two of the UK’s finest exports. Both Mixmag and DJ Mag named them as ones to watch a mere year after they paired up, with DJ Mag even nominating them for ‘Best Breakthrough DJ’ in their Best of British Awards. Since then the duo has gone on to present a monthly Rinse FM show, earn residencies at Fabric (London) and Sankeys (Ibiza), as well as releases on Hot Creations, VIVa, Truesoul, Mobilee and Knee Deep In Sound, as well as their own renowned imprint Lost Records. It’s fair to say Leftwing & Kody, real names Jon Kong and Chris Adie, have made it look easy, but it’s their determination and diligence that’s helped them prosper so rapidly in such a short time. Before long support from the upper echelons of house and techno quickly burgeoned, with Carl Cox, Jamie Jones, James Zabiela, Maya Jane Coles, Loco Dice, Steve Lawler, Adam Beyer, Nic Fanciulli and Huxley continually advocating their productions throughout the years.

Berlin based DJ, producer and label owner Len Faki is one of the most outstanding and in-demand artists in techno's present age. He is an internationally requested DJ, whose productions and remixes are played by techno’s most prominent names. Being a resident at Berlin’s prime techno club Berghain since its opening in 2004 keeps him open-minded as both, DJ and producer. His sound is constantly evolving without ever losing its vibrant, unique energy and the passion and heart he puts into his sets. His gigs are an audio-visual adventure where he is not only playing for the crowd but rather performing for and with them. ~ Figure Music

Enter the cult of speed with LIL TEXAS. Here for the underdogs and outcasts of electronic music, LIL TEXAS has inspired a groundbreaking movement for American hardcore. With his roots embedded in jazz and classical music, LIL TEXAS shifted from being a member of a band to creating his own artistic identity dedicated to the rave. In his own lane where 200 BPM is his resting tempo, the LIL TEXAS project serves as a culmination of his true passions, from fashion to culture and beyond. With the goal of establishing a voice for Ameican hardcore, the Western kink daddy himself has already infiltrated the scene with a vengeance: he made his hard dance debut at Basscon: Wasteland in 2018, followed by a slew of shows supporting artists such as Gammer, Junkie Kid, and more. As the American captain of 200 BPM, LIL TEXAS is motivated to make music that’ll make you dance until you hit the ground.

As a billion-timed streamed artist in his own right, Lost Frequencies has gone from rising producer to global superstar in a matter of years, with the introduction of his own Found Frequencies label placing itself as another irresistible pillar not only in his already fruitful career, but as an imprint that has spread the ideology and the union of his music even further. Found Frequencies has already been an incubus for some of the year’s most-loved tracks and festival stand-out moments. Take the sunshine-drenched vibes of the label head’s collaboration with Dutch duo Zonderling – ‘Crazy’ – that spurred on sing-a-long moments galore, then followed by the radio-ready, stripped-back ‘Melody’ featuring platinum UK artist James Blunt. Not only releasing just his own music, Lost Frequencies has now signed over 30 different artists, with many more to come. From India to New York, Found Frequencies is a home for artists spread around the world, with an interest in creating a family atmosphere for everyone.

Grammy winner and 6x nominee, with a career spanning over 20 years. Louie Vega is a mega force in the House Music industry with no signs of slowing down.Louie Vega

Luca Lozano is co-founder, A&R and Artistic Director of the Berlin label Klasse Recordings; one of the music producers that is currently breathing life into the club scene. Born in the United Kingdom, this energetic artist has always been fascinated by punk rock photography and the graffiti movement of the 70s. Lozano’s music moves between house and techno, in a constant game of contrasts ranging from rave to acid, creating a unique dreamlike atmosphere

17 year old pop/house producer from France.,Check the BandPage tab of the Facebook page for upcoming shows !,Management (for production, remix, press and other inquiries) :,marco@manajamma.com,Bookings:,William Morris Endeavor – Worldwide Excl N&S America,Steve Hogan –,SJH@wmeentertainment.com,AM Only – North &South America,Alan Gary – alan@amonly.com / Paul Morris – paul@amonly.com,Personnal (please contact management instead for professional inquiries) :,itsMadeon(at)gmail.com

There is an air of mystery shrouding the true meaning behind the acronym of M.A.N.D.Y., an alias which embodies the mutual talents of childhood friends Philipp Jung and Patrick Bodmer. The pair readily indulge this curiosity by toying with various clever possibilities, including Me AND You, but the truth is likely a giggle under each of their talented breaths. P and P have carved a unique niche in electronic music by consistently selecting productions that induce their audience into a somatic frenzy. On the platform of their aptly titled Get Physical label, M.A.N.D.Y. has achieved massive success in colluding to create music that simply makes bodies move. Their foot stamping, hair flying passion is the ultimate expression of a dance music phenomenon for many years.,When M.A.N.D.Y. and Booka Shade joined as musical soul mates with DJ T., first in Frankfurt, then in Berlin, Get Physical produced a caliber of electricity that rippled throughout the EDM community and into the relative mainstream. Philipp’s charm and savvy, Patrick’s allusive artistry, DJ T.‘s killer entrepreneurial sense and Booka Shade’s collaborative genius combined to form a masterpiece of intelligent design that reflects romantic sensibility and technical virtuosity. Together, they push the boundaries of dance music to compile an enviable arsenal of electro kissing house while caressing disco and flirting with techno. Body Language was the ubiquitous hit of 2005 and M.A.N.D.Y.’s Fabric Series three years later cemented their reputation as two of the most captivating selectors on the planet. One of their most recent prestige was a complication for Renaissance in 2009 which was met with tremendous accolades and described by Resident Advisor as “maturity, smarts, and cohesion…that is rare these days.”,Philipp and Patrick know exactly which buttons to press to make that bass jiggle up your spine and seduce your body free. Alongside many lives compadres Booka Shade, M.A.N.D.Y. has taken some time from their hectic global tour schedule to devise new,elaborations, culminating in the release of Body Language Vol. 10 in April 2011. In addition to a single release that will be the first Booka Shade vs. M.A.N.D.Y. cooperation to be heard in years, the boys have closed on a revolutionary touring show that utilizes infrared technology and a new mapping technique to project inverted video effects onto their Physical form as they perform. It is no doubt that their plans for this never before seen live visual component will conjure the kind of visceral excitement that only this duo can. In the feat of the imagination, M.A.N.D.Y. powers on through a perpetual rebirth into pulsating beats and Pretty Lights.

Mexican-born Sandra Borrego Mariana Robles, aka Mariana BO, has a unique set-up in her live performances, combining her skills on the violin with electronic music. Having learnt to play the instrument classically in her youth, she often brings this musicianship into her DJ sets — on stage she’s played alongside the likes of David Guetta, NERVO, and Tiësto to name a few. The last few years have seen her take the stage worldwide playing at Tomorrowland, Ultra Europe, and various festivals in her native Mexico including EDC Festival, Electric Planet, Holi Festival, and Mayan Madness in Tulum. Her productions encompass various styles including big room, psytrance and dubstep to hardstyle and bass house. Notable releases this year include her singles ‘Feeling Good’, ‘Queen Of The Desert’ and ‘Mariachi’ — and there’s more to come. She’s also focusing more deeply on music that’s not just EDM — she’s been experimenting with new sounds and projects such as creating soundtracks for brands or short films.

Introduction: Over the last 10 years Markus Schulz has fused the individual musical identities of progressive house & trance into his own creative, inimitable hybrid sound. Through the unique alignment of his headline DJ sets, Coldharbour label output and highly prominent Global DJ Broadcast show, he orchestrated a sea change revolution in the US trance scene – one that has gone on to have its sound influence sweep to the farthest reaches of the globe. This success has been singularly reflected in weekly headliner sets in front of many tens of thousands, a GDJB radio show listenership up in the tens of millions & one Beatport chart-topping release after another. Following several highly ranked positions in 2008 Shultz punched his way into the Top 10 of DJ Magazine’s Top 100 chart, landing at no.8. In repeating the exact same achievement in 2009, he now stands, quite unequivocally, as America’s no.1 club DJ.,Early History: Born in Eschwege, central Germany, Markus emigrated to the United States. Age 13, Markus’ dance music awakening came during the grip of the country’s then-exploding breakdance scene. His early production and DJ career roughly tracked that of the 2nd Stateside coming of House and he caught his first production break in 1993 when he remixed Sagat’s ‘Why Is It? (F** Dat)’ for Pete Tong�s FFrr label. Markus’ freshman production release followed in 1994 with the 6-track-strong ‘Plastik Trax EP Vol 1’. Throughout the mid to late Nineties he continued to pull in early acclaim with a range of releases on numerous US luminary labels. In 1998 he recorded ‘You Won’t See Me Cry’ for Plastik Records (his first label), a release which was picked up by Eve Records for the UK. This became Markus’ first international calling card… the world had started to tune in.,Markus Schulz – The DJ: Through his natural audience affinity, flawless (and seemingly effortless) mixing and innate tune selection, he has wowed crowds in pretty much every major district, principality and metropolis. Schulz’s DJ career has, to the greater degree, run parallel to that of his productions. In the early Noughties, having fixed focus on the hinterland between trance & progressive, he began to reach audiences further and further afield. In 2004 he was signed to the David Lewis Productions agency (also home of the World’s No.1 DJ Armin Van Buuren) and his career took another big step forward. Now a regular fixture at the world’s biggest & most famous clubs, arenas and festivals, he lays down his unique trance-progressive vision on a weekly basis. In Europe, he’s smashed Trance Energy, Nature One & Dance Valley, worked tent-pegs loose at Creamfields & Global Gathering and brought gridlock to the Love Parade. Stateside the colossal Electric Daisy & Ultra Festivals have both felt the Schulz pressure and yet further afield still he’s induced floor upheaval in China and Australia (most recently at the Future Music Festival). After several significant showings in the Top 100 DJs chart, he now ranks as one of the top 10 DJs in the world and in 2008 was voted Best American DJ at the International Dance Music Awards.,Coldharbour Recordings: Schulz’s sound notably came quickest to the ears of continental European DJs. Following the formation of the Armada group in 2005, Armin sought Markus out and asked him to start compiling tracks for a new vinyl series. The Coldharbour Sessions EPs launched in 2004 (with the first 3 releases coming out on the already established Electronic Elements label). In quick succession they began to leave crater-like impacts on dancefloors and within 12 months Coldharbour the label was born. Named after Markus’ then-production base in London’s Coldharbour Lane, its output immediately brought a new fission sound to Armada. It also became a lightning rod for a new generation of prog-inclined producers – setting in motion the careers of (amongst others) Santiago Nino, Probspot, Mark Otten & Niklas Harding. With 2005 under the spell of Coldharbour’s more sophisticated, minimal, but still melodic take on the prog-trance sound, Markus struck again with the first Coldharbour Sessions mix compilation. Such has been the success of the imprint that in 2007 it was joined by a sub-label, Coldharbour Red. This, in turn, was a launch pad for Marcus Schössow, tyDi, Glenn Morrison & Evol Waves and was the point of re-entry for early Schulz side-project, Dakota (see Dakota section below). Six years after its birth, in 2010, Coldharbour stands at the top tier of the world’s trance & progressive labels and has reached the threshold of its 100th release.,M.S. Productions 2005 – 2010: Perfectly intersecting the quality/quantity axis, Markus’ own productions have been the most fundamental of components in marshalling clubbers and music lovers to his sound. Over the course of the last half-decade tracks like ‘First Time’ & ‘Without You Near’ (2005), ‘Fly To Colours’, ‘Never Be The Same’ & ‘I Am’ (2007) ‘Perfect’ & ‘Cause You Know’ (2008) & most recently ‘The New World’ & ‘Do You Dream’ have each played their vital part. Markus is also a keen production collaborator. In 2005 he famously teamed up with likeminded producers Gabriel & Dresden and Departure for ‘Without You Near’ and in mid-2008 did the same with Andy Moor on ‘Daydream’. The impact of all the singles has been cauterized by his studio albums ‘Without You Near’ (2005) & ‘Progression’ (2007). Schulz is currently recording his third long-player, which is scheduled for release between Qs 2&3, 2010.,The Global DJ Broadcast show: Now in its fifth year Schulz’s GDJB has continued to be a beacon for an always-growing throng of trance & progressive dance fans. Broadcast through leading station DI.fm and Sirius/XM satellite, the Global DJ Broadcast site and 50+ other FM & internet stations around the planet, it has become every bit required listening for the EDM-savvy. Based on a regular format, the first show of each month is a two hour long mix from one of Schulz’s rolling World Tour gigs – ones that have of late included Medellin, Columbia, St Petersberg, Russia & Amnesia in Ibiza. Subsequent shows in the month feature Markus mixing his broad-span pick of the current electronic dance music best for an hour (which includes the forum-voted Global Selection track of the week) followed by guest mixes from both established and up-and-coming DJs.,Markus Schulz – The City Albums: Markus is also responsible for one of the longest running and most respected compilation album series in trance/electronic dance history. Kicking off in 2005 in Miami, its city-hopping concept has gone on to spotlight Ibiza in ’06, Amsterdam in ’08 and Toronto in ’09. Providing a microcosmic view of his now instantly recognisable sound, they have become cornerstones for fans CD & mp3 collections, with each new travelogue edition bringing in a fresh wave of supporters. Notably, the Amsterdam ’08 release was nominated for an IDMA award for Best Full Length DJ Mix (in the same year that Markus took home the trophy for Best American DJ).,Remixes: Markus powered into remix action in the early 90s with a 30+ volley of high-profile reworks. Over the course of the decade he re-tooled the production works of Euro dominators like The Real McCoy & Technotronic, house masters & divas Armand Van Helden & Liz Torres, legendary Nineties icons RuPaul, Bette Midler & Sandra Bernhard and fully-fledged A-listers like Madonna. As the Millennium arrived though he began to work on deeper, more intrinsically electronic dance fare… In 2000 he remixed trance innovator Pablo Gargano’s ‘Absolution’, PQM’s Renaissance classic ‘The Flying Song’ and Fatboy Slim�s ‘Sunset (Bird of Prey). Satisfied that he’d found the right dance strata to focus on Markus has gone on to rewire tracks by Oceanlab, Motorcycle, Dance 2 Trance, Cosmic Gate, Nalin & Kane, Kyau & Albert, John O’Callaghan, & Space Manoeuvres amongst many, many others.,Markus Schulz aka: Dakota: Markus has only made rare use of pseudonyms through his career – seeing them as being only valuable if they represent an outlet for something other than his ‘regular’ output. At the turn of the last decade Schulz released 3 tracks (‘Swirl’, ‘Frozen’ & ‘Lost in Brixton’) under the moniker Dakota. Over time these became focal points for the year-on-year exponential intake of new fans. In 2009 Schulz paid dividend to that by resurrecting the guise, updating its sound and directed his attentions on a whole album of new Dakota material. ‘Thoughts Become Things’ was the end product and with it came a route diversion that went into a new valley-deep sound – one that expanded to embrace the fringes of techno, house and other sub-genres. It once again fortified the Schulz’s fanbase and expanded the range of DJ support for his music. The album has thus far justified 7 single releases that have included particular fan-favourites ‘Chinook’, ‘Johnny the Fox’, ‘Koolhaus’ & ‘Mr Cappuccino’.,Prepared by Tim Stark.

Marlo is an exceptionally talented and influential figure in the music industry. With a remarkable career spanning over a decade, he has captivated audiences around the world with his innovative sound and infectious energy. Hailing from a diverse musical background, Marlo has continually pushed boundaries and explored various genres, resulting in a distinctive style that resonates with fans of electronic music globally. From his early beginnings, Marlo's innate passion for music was evident. With an unwavering dedication to his craft, he honed his skills as a producer and DJ, developing a unique sonic identity that set him apart. His dynamic performances, characterized by seamless transitions and expertly curated track selection, have graced some of the most renowned stages and festivals worldwide.

Following the phenomenal worldwide success of his most recent smash hit ‘Intoxicated’ earlier this year—a collaboration with GTA which topped both the Beatport Overall and Hype Machine Popular charts within days of release—Martin Solveig now returns with his next piece of musical magic, ‘+1 (feat. Sam White).’

Transforming from a mild-mannered man by day into an unrestrained beast in the studio, Masked Wolf (aka, Harry Michael) has unassumingly established himself as a powerful, passionate, and primal hip-hop force. After graduating from school, the Sydney, Australia native tirelessly worked in sales to fund recording. He even took out a loan to build a home studio as he cut hundreds of songs and logged thousands of hours in the lab. In 2018, he dropped his independent debut “Speed Racer.” It gathered millions of streams and turned heads across Australia. Following “Night Rider” and “Water Walkin,” he unveiled “Astronaut in the Ocean.” Awash in airy guitar, jagged 808s, neon keys, and deft wordplay, he submerged himself in honest lyricism, facing depression head-on.

Headed by Blair Suarez, Adam Myles and Omar Guedar, Mason Collective are the dynamic trio rising through the underground music scene with their signature high energy grooves and explosive DJ sets. A breakthrough 2018 saw them play at some of the UK’s best venues and festivals including Creamfields, Parklife, WHP, Canal Mills and Studio 338. The Collective also made their European debut in Ibiza, Sonar and Hideout festival. MVSON events, each with a unique theme and dress code have rapidly grown to become one of the most renowned underground parties in Manchester. With a loyal following, the brand is now expanding across the UK and hosting various takeovers and festival stages. Fashion is a focal concept among The Mason Collective and their creative vision and distinct style have led to national campaigns and collaborations with Adidas, Footasylum and Gramm.

Matrix & Futurebound are a British drum and bass duo consisting of Jamie Quinn (Matrix) and Brendan Collins (Futurebound). They have had four top 40 hits on the UK Singles Chart; "All I Know" peaked at number 29 in 2012, "Magnetic Eyes" peaked at number 24 in 2013, "Control" peaked at number seven in 2014 and "Don't Look Back" featuring Tanya Lacey which peaked at number 38 in 2014.

Mind Against is a Berlin-based electronic music duo consisting of Alessandro and Federico Fognini.,The project is born in 2011 and in 2012 they recorded and released their first record “Cagliostro” on breakthrough label Life and Death.,In 2012 the duo have also composed remixes for WhoMadeWho, Róisín Murphy and PillowTalk, some of which in collaboration with label-mates Tale Of Us, on labels such as Kompakt, Cocoon and aforementioned Life and Death .,While heavily influenced from IDM and with clear roots in techno and house, in most of cases their sound can not be easily related to an established genre.,Mind Against’s debut EP “Atlant” has been released on 29 July 2013 via Life and Death as 12" vinyl and digital download.

Miami native, MISS DRE, was born to turn up the heat. She spent her childhood bouncing from city to city, all while being influenced by an incredible variety of art. Her music journey started at a young age being a vocalist which then evolved into her deeper passion, music production and DJing. She's released a number of house heaters on labels including Anabatic, Nite, Admit One, and Cream Dance Records. Her sound is focused on combining timeless melodies with ass-to-the-floor beats ready to make any room sweat.

The year 2010 was one that will be remembered as a year of change, development and advancement in both life and in culture. Perhaps this is part of the reason for the phenomenal rise of Andre Tegeler, better known to the dance community as Moguai. A far-reaching and highly respected DJ on his homegrown German circuit, it could also be argued that you only get out what you put in – with this case, Moguai has fully reaped the rewards of a hard working ethos and highly honed production sound, firmly establishing himself as a One to Watch for 2011 and a rapidly growing worldwide fan-base.,In between the worldwide release of his debut album WE AR LYVE (the first non-Deadmau5 album released on the rodent Mau5trap imprint), and turning out high profile remixes for the likes of famous boffin Moby and ambient minor-tone masters of chill Royksopp, Moguai has been constantly touring, honoring a packed schedule which has seen him twice head over to the US and Asian continents as well as wowing Europe wide audiences and parties with his unavoidable energy, selection and persona.,The demand for Moguai and his newly formed LYVE setup has been represented fully over the past 3 months, planning, devising and creating quality tracks like they’re letters of the alphabet. 2010 saw him release Dynamik on Mau5trap with global house sensation Michael Woods, remix classic dance stalwarts Moonbeam, hold the biggest competition that DJ Download ever participated in and more recently, releasing his most accomplished and popular track to date – ‘8001 / Stay Planetary’, which made the playlist of Pete Tong’s Essential Selection show and covered by a flurry of tastemaker press and magazines including a front cover on Raveline magazine. For further proof check out the Beatport stats: several positioning’s in the overall chart with singles 8001, Oyster and Nyce – and reaching No.1 in the progressive house chart – the boy wonder is fully deserving of his ascending status as Germany’s Premier breakthrough house DJ.,With recent release on the UK’s Skint label, Steve Angello�s SIZE records and more penciled releases on Mau5trap and the revitalization of the Punx label, 2011 will surely solidify his reputation as molten-hot property.

Monika Kruse is a German techno DJ/producer and record label owner, with a career in electronic music spanning more than 25 years.

American artist, Mrotek was born to bring a whole new level of madness to dark and extreme music. Throughout his earlier years, deathcore and progressive metal held his creative focus. In 2009, he redirected his sights to Hardstyle music, drawn by it’s powerful sound and high production value. Twenty years of experience in the creation of music came to fruition when he began producing his own tracks in late 2013. HIS MISSION: to combine his knowledge of music theory with his passion for Raw Hardstyle into a new progressive sound. After a busy year in 2016, his hard work came to a head when Mrotek signed with DWX Anarchy; a raw sub-label of the legendary Dirty Workz Records. With an onslaught of unreleased music on the way, and a massive arsenal of chart topping tracks already released, it’s clear that Mrotek is on a warpath to the top in the years to come.

Already one of the best-known eastern European techno/house DJs, Nastia’s star is firmly in the ascendancy globally. Her style is to an extent adaptable but she has a sound that is unmistakably her own. The last three years have been a whirlwind of gigs for Nastia. Her twilight techno, melancholic minimal, stripped-down ghetto funk and sustained house have been wowing crowds all around the world. She’s recently signed to the prestigious agency Bullitt DJ so her travellings are going to be even further afield every week. ~ Soundcloud

From songwriters to artists and super-fans to superstars, electronic dance music’s first sisters – Mim and Liv Nervo of NERVO – have staged a miraculous climb o...nto the international stage, straight from the pit in front of it. These multi talented DJ dynamos are the all-time top-ranking female DJs in the world, voted by their legions of fans to No. 16 on DJ Magazine’s influential “Top 100 DJs” poll while continuing to rank as the top female DJ's in the world today. In-demand and beloved across the globe, their nonstop schedule takes them from the shimmering beaches of Ibiza...

Nic Fanciulli has become one of the most influential artists to come out of the international dance scene in several years. With so many projects constantly in the works, Fanciulli stands out as a truly multitalented worldwide artist, with this perhaps being the key to his longevity in an increasingly fast-paced industry. As a producer, Nic has created a plethora of solo tracks that have received huge critical acclaim including a Grammy Nomination, in addition to unleashing a heady collection of memorable remixes, including his recent rework of Jamie xx’s ‘SeeSaw’. Nic is responsible for a high output of a sleek, intelligent yet driving strain of house and techno, and is famed for his compilation CDs, having completed mixes for Renaissance, Global Underground, Balance and Defected In the House as well as an incredible three Essential Mixes.

With a career spanning more than 20 years, Paco Osuna is one of the most renowned artists in the industry. His creativity, courage and relentless search for new forms of expression are some of his principal and consistent virtues when it comes to making music. On the dance floor, he is lively, intelligent and sophisticated, with a deep awareness for sound aesthetics. Every session is important to Paco and he sets out to invent and renew every time he steps onto the stage. Throughout his career Paco has performed at clubs, parties and festivals of great prestige. The list of events in which he has played is endless, and is one where quality is more important than quantity. From Fabric London to WOMB Tokyo, passing through Space NYC, Space Miami, Verboten New York, Watergate Berlin and Electric Brixton London. Meanwhile, Sónar, Awakenings, Dockyard, ADE, Neopop, BPM, Electric Zoo, Movement Detroit, Time Warp and Tomorrowland are some of the many festivals he has played. ~ Soundcloud Artist Profile

It can be the similarities between two people that draw them together, but it's the differences between them that create something special. It would be nothing if those two polar opposites failed to meet in the middle. Such is the story of Pan-Pot.Pan-Pot

A pan-pot is a simple, workday knob, given to side-to-side flip-flopping and not much else. Pan-Pot, on the other hand, are a brilliant multi-dimensional Berlin duo currently twisting house and techno fans into rapturous fits. In just a few short years, Pan-Pot - comprised of Tassilo Ippenberger and Thomas Benedix - have developed a dominate presence amongst the top tier of electronic dance music, with an ascension paralleling the rise of their native label, mobilee records. ~ Mixcloud

Special Request is the new rugged alias for house and techno stalwart Paul Woolford. Inspired by the unruly conventions of UK pirate radio stations, this project captures the raw energy and diversity of the illegal airwaves and uses this as a springboard of inspiration for a series of heavyweight productions that span from the murky house through dark side techno to chaotic eye-of-the-storm hardcore/jungle tear-outs. The end results are incendiary.

̸BIOGRAPHY To book Perc for a dj or live set please email chris@elitemm.co.uk From his earliest demos to his current position as a key figure in the global techno scene Perc (aka Ali Wells) has taken the established forms of the music he loves and twisted them.. Perc is one of electronic dance music’s reference points: an internationally touring DJ, label owner and one of the most respected producers in techno today. Known as one of the most forward-thinking individuals in techno Perc (aka London based Ali Wells) fuses current sounds with his extensive knowledge of electronic music’s past to create something new & unique. A regular artist on such scene-leading labels as CLR, Kompakt, Drumcode, Stroboscopic Artefacts and Ovum as well as his own world-reknown Perc Trax imprint, Perc is as uncompromising as he is unique. As a DJ, Perc has taken to the decks across the world in seminal clubs such like Berghain, Fabric, Cocoliche in Buenos Aires, Space Ibiza, Tresor, Unit in Tokyo and many more. His sound is a fusion of the cream of current techno mixed with choice selections from electronic music’s forefathers. Production-wise the last few years can be described in two words 'Wicker & Steel' - the title of Perc's debut album, released on Perc Trax in June of 2011 and which has lifted him to a new level of respect and recognition. In the last year Perc has diversified with remixes for Factory Floor on DFA, Black Asteroid on Electric Deluxe, Mike Parker on Edit Select and Oscar Mulero on Warm-Up, plus two EPs; the searing statement of intent that is ‘A New Brutality’ on Perc Trax and Guardian single of the week ‘Pure & Simple’ on Sleaze. This coupled with his busiest ever year of gigs including debut appearances in Argentina, Australia, Singapore and Finland has meant his sound is better known and more influential than ever before. To book Perc for a dj or live set please please email chris@elitemm.co.uk www.facebook.com/perctrax www.twitter.com/perctrax https://instagram.com/perctrax/ www.discogs.com/artist/Perc ̸SELECTED DISCOGRAPHY Singles I Make Nuclear (12") Easy Access 2002 Morning, Evening & Afternoon / Closer (12") Premier Sounds 2003 Ice Cream For Kenton (12") Perc Trax 2004 Premier Remixes Vol 1 (12") Premier Sounds 2004 Biscuits For Breakfast (12") Dorigen Music 2005 Biscuits For Breakfast (12", W/Lbl) Dorigen Music 2005 Splashy (12") Perc Trax 2005 Strange Ways EP (12") Barbarella Music 2006 The Razor EP (12", EP) Perc Trax 2006 Naughty Gold EP (12", EP) Perc Trax 2007 Skid Grease EP (12", EP) Perc Trax 2007 Speicher 52 (12") Kompakt Extra 2007 Sticklebrick (12") Drumcode 2007 Remixes Feel This (12") Feel This (Perc Mix) Silver Planet Recordings 2001 Turned (12") Turned (Perc Remix) Easy Access 2001 A Dark Purpose (12") A Dark Purpose (Perc Mix) Midset Recordings 2002 My Groove (12") My Groove (Perc Mix) Premier Sounds 2002 Renaissance (12") Renaissance (Perc Remix) Limbo Records 2002 Renaissance (12") Renaissance (Perc Remix) Resurrection (2) 2002 All Access Volume 1 - Soundtrack To Club Culture (CD) Destination (Two Tonig... Hi-Bias Records Inc. 2003 Cox EP (12") It's U (Perc Remix) 19Box Recordings 2003 Cox EP (12", W/Lbl, Promo) It's U (Perc Remix) 19Box Recordings 2003 Destination (Two Tonight) (12") Destination (Perc Remix) Premier Sounds 2003 Solid Sounds Anno 2003 Volume 02 (2xCD) Aeon (Perc Remix) 541 2003 Underground Beats (Series 6 Volume 9) (2xCD) Destination (Two Tonig... CD Pool 2003 Feels So Good (12") Feels So Good (Perc's ... Perc Trax 2004 Hostile Ground (12") Hostile Ground (Perc R... Source Of Gravity 2004 Beta Blokka EP (12", EP) Beta Blokka (Ali Perc ... Punch Funk Records 2006 Fruitmachine (12") Fruitmachine (Perc Remix) Kickin Records 2006 Pink Body (12") Pink Body (Perc Remix) Perc Trax 2006 Remixed (12") Buttersaure (Perc Remix) Kickin Records 2006 Star (Re-Work) (12") Star (Perc Remix) Barbarella Music 2006 Gamma (CDr, Maxi, Promo) Gamma (Perc Remix), Ga... Kickin Records 2007 Live In Zurich // Rohstofflager (CD, Promo, Car) Buttersäure (Perc Remix) C.L.R. 2007 We Are Alive EP (12", EP) We Are Alive (Perc Remix) Tectuo 2007 You (CDr, Promo) You (Perc Dub) Used & Abused 2007 You (12") You (Perc Remix) Used & Abused 2007 Witch Kraft EP (12", EP) Witch Kraft (Perc Remix) Tendenzen Freier Entfaltung 2008

There are few individuals in the world of dance music who can claim the kind of influence Pete Tong has had over the last twenty years.Pete Tong

Generally billed just by her first name, Rebekah Teasdale is a DJ and producer from Birmingham, England who has been active since the mid-'90s. Like most figures of the Birmingham techno scene, her tracks are often hard, dark, and minimalist, with heavy pounding beats and gradual suspenseful development. An avid clubgoer since her youth, she began spinning records in 1996, at the age of 16. She spent several years as a model in order to provide financial support for her DJ career. She released an edit of the Mighty Dub Katz's house anthem "It's Just Another Groove" in 2004, but her first original productions, starting with 2007's "Toad in a Hole," were minimal tech-house. By the early 2010s, her sound had gotten darker and heavier, and she eventually caught the attention of Chris Liebing, who released Rebekah's Cycles EP on his CLR label in 2013. ~ AllMusic

Recondite is the alias of German musician Lorenz Brunner. Since launching his Recondite project in 2011, Brunner has released four albums and numerous EPs to imprints such as Dystopian, Innervisions, Hotflush, and Ghostly International. All the while, Brunner has been diligently touring his live show around the world: a concise showcase in which he performs all original music. Recondite is currently at work on his fifth album, which will be released in 2018 on his own record label Plangent Records.

Red Axes is a project created by Tel- Aviv Based producers & DJs Dori Sadovnik & Niv Arzi.Red Axes

As far back as the early '90s, Ricardo Villalobos began building an impressive discography of 12" releases on respected dance labels like Playhouse and Perlon, and around the turn of the decade he was one of the most revered producers and DJs in dance music. In his youth, the Chilean-born Villalobos moved with his family to Germany in order to avoid the military dictatorship of Pinochet, and he eventually fell in with the country's fertile house community. A minimalist at heart, he trotted the globe to study percussion in order to apply his knowledge to his productions, which almost always sound remarkably expansive despite their simplicity. In addition to his own solo material, he has recorded with fellow expatriate Dandy Jack as Ric y Martin and with Luciano as Sense Club; additionally, he has taken part in Markus Nikolai's Hombre Ojo project. ~ AllMusic

Richie Hawtin played an essential role in developing the sound of minimal techno, as well as spreading its popularity throughout the global club scene. Most famous for his experimental acid techno productions as Plastikman, including the classic albums Musik (1994) and Consumed (1998), he is equally well-regarded for his groundbreaking live sets and mix CDs (especially 1999's Decks, EFX & 909) which utilize cutting-edge DJ technology, fusing loops of techno records with additional synthesizers and drum machines. Initially based in Windsor, Ontario and connected with the techno scene in nearby Detroit, he co-founded the highly influential Plus 8 (and its harder sublabel Probe Records) along with John Acquaviva, later establishing Minus and relocating to Berlin during the early 2000s, just as minimal techno began receiving mainstream exposure. Hawtin has continued pushing the limits of technology, developing highly conceptual events which are often intertwined with the art world. ~ AllMusic

Having spent his formative years experiencing the electronic music scene from many different angles; first as a raver, music fan, promoter and finally DJ and producer, Richy Ahmed is....Richy Ahmed

Rising Dust is the musical expression of two bright minds that coexist in perfect harmony with the purpose of touching & elevating one's spirit. John Aharon & Ami Dahan, are longtime friends and have both been individually active in the world of electronic based dance floor music production. Their collaboration sparked a big light and led to the formation of the Rising Dust elevating & positive expression. In the past few years the duo has been gaining popularity on both local & international level, accomplishing one remarkable milestone after the other.

One of German dance music’s most commercially successful artists, Robin Schulz’s productions have notched up hundreds of gold and platinum sales awards. He became an overnight sensation when he scored an international smash hit with his very first commercial release, a lush remix of "Waves" by Dutch rapper Mr. Probz. It hit number one in six European countries and number three in six more, and his follow-up, a club-ready remix of French indie pop duo Lilly Wood & the Prick's "Prayer in C," was even more successful, going to number one in ten European countries. Born on April 28, 1987, in Osnabrück, he began DJing at the tender age of 17, influenced by the likes of Richie Hawtin, Sven Väth, Armand Van Helden, and Tiësto. By 20, he had his own club night, which he ran for two years before the yen to make his own music led him into production. Schulz experimented for several years before uploading his tracks to YouTube, where his melodic, bouncy pop-house sound earned him millions of views. ~ AllMusic

A blend of soaring melodies & emotive basslines, Said The Sky is an experience through music. Playing piano and various instruments since the age of eight, Colorado native Trevor Christensen is coming forward with a fresh perspective on music. Bringing a melodic background and technical training into his work, he is able to capture everything beautiful in what people know as EDM. His music is what he hopes it to be, an experience: a captivating blend of moving basslines and soaring melodies. This is nothing you want to miss.

An emblematic artist of the Palestinian underground scene, SAMA’ is one of the first DJs and electronic music producers to emerge from the region. Her sound, an original punchy kind of techno, is dry and musical all at once and has quickly made its way across Europe and beyond.

A born entertainer with a burning desire to play music to people around the world, Sam Divine’s enigmatic sets are an effortless schooling in pure, unadulterated house. From her early days as the sole member of the Defected street team in Ibiza to fronting their radio show and now headlining some of the world’s biggest clubs and festivals, The First Lady of Defected, has become an intrinsic part of the UK house music scene. The seeds of Sam’s DJ career can be traced back to a pair of belt drive turntables and a battered Numark mixer set up in her Mum’s shed; a pirate radio show broadcast from her bedroom using ‘borrowed’ equipment from the local college and MSN Messenger, and time spent expanding her musical knowledge working at Spin Central in her hometown of Weston-super-Mare and Chemical Records in Bristol. ~ Soundcloud

‘Uplifting’ is without a doubt the word that best describes Dutch DJ, producer, platinum selling artist and sustainability pioneer, Sam Feldt. Having built a career upon his distinctly feel-good sound, Sam already has a double album and a multitude of top-selling releases under his belt. Besides his musical activities he has developed a platform – Fangage – for artists to connect with their fans better. His next project is to spearhead a movement that will help influencers adopt a more sustainable lifestyle, giving back to the planet to reduce and compensate their own environmental impact and encouraging others to do the same. Both in music and life, Sam has his sights set firmly on the future.

Some people call Sander a technical & musical genius. And who can deny it? He has cranked out more dance floor destroyers, sold-out gigs, number one records, and awards than most artists do in a lifetime.,With the help of classics like Grasshopper, Punk’d and Riff, recent hits like Love is Darkness and ofcourse massive collabs and remixes of The Killers (Spaceman), Sia (The Girl You Lost To Cocaine), Robbie Williams (Close My Eyes) and Depeche Mode (Peace) Sander shrugged off the confines of genre typecasting long ago and created something he preferres to call ‘SvD-style’.,Besides his busy production schedule, Sander has worked tirelessly to bring his radioshow ‘Identity’ and his clubbing concept, Dusk till Doorn to fruition. And if this mountain of accomplishments were not enough, he somehow makes time to produce his quarterly ‘how-to’ show called ‘Studio Sessions’ on his YouTube channel (SanderVanDoornTV).,With a tour diary that sees the superstar play to more than a million fans each year, there’s no doubt that Sander Van Doorn is one of dance music’s favorite sons. Within just a few years, Sander has blasted his way to the top. And this is only the beginning.

North Wales native Sasha became one of the world's most renowned and popular DJs, known for populist fusions of house, techno, and trance. Starting out in the late '80s as a club DJ, the former Alexander Coe got his first big break when he was hired by the dance club Shelly's to spin and rework popular sounds of the day. It was there that the young DJ found fame with the dance and house crowd, but it wasn't until he started laying down his grooves at the Haçienda and Renaissance that he become known nationally and, eventually, globally. ~ AllMusic

Satori is inspired to capture electronic world music, where he combines endless blends of seductive trance and mind-altering earthy tones. It is not defined by any-one genre. Satori is here to satisfy any meditative music-lover by provoking a spiritual journey through his infinite sound-garden. Listen as you take on new dimensions of his musical world, where movement, dreaming and creativity are endless. Let the sound live in your heart, harvesting every last memory of dance and rhythm. Satori’s sound is more than just a switch on a soundboard; he is the man behind the instrument, creating melodies from the piano, kora, kalimba, and guitar in combination with a deeper form of electronic music.

SHERELLE is leading a new generation of high-speed ravers who are addicted to jungle, drum ‘n’ bass, footwork and juke. Through her DJ sets, radio shows and record label she gives a platform to both scene elders and new talent and is committed to pushing 160bpm+ dance music into the future. The London-born DJ has been busy since that Boiler Room sent her signature brand of low-end energy viral: She’s held down a year-long Radio 1 residency that’s seen her showcase cutting-edge dance music to a mainstream audience as well as host OGs like DJ Spinn, 4Hero, Kode9 and Luke Vibert as well as next gen disruptors like Mantra, L C Y, Yazzus and Fracture; She’s started the Hooversound label alongside partner in club music Naina with releases from Hyroglifics, Sinistarr and Deft; And she’s co-founded the incendiary 6 Figure Gang squad with Fauzia, Jossy Mitsu, Dobby and the aforementioned L C Y and Yazzus. Let the takeover begin.

Cameron Edwards and Joe Lenzie aka Sigma, have been making their presence felt on the drum and bass scene since 2007. From early releases on labels such as Charge and Viper Recordings, to the seminal All Blue on Zinc’s Bingo imprint (one of DNBA’s most downloaded tracks ever), the boys stepped up to the big time with serious dancefloor killers Paint It Black and the anthem El Presidente VIP.,With respect now gained with the scene as producers and highly sought after DJs, Sigma continue working to maximise their profile within the realms of D&B and beyond it. Highlights include their featured minimix for Annie Mac on Radio One, squeezing in 35 tracks in five minutes as well as remix work for artists such as Top Cat on Special Dedication, Ms Dynamite, and grime stalwart Skepta on Rescue Me (400,000 plays and counting). In amongst all the music and DJ gigs the guys found time to start their own label, Life Recordings, with debut release El Presidente VIP/ Something Special going on to be Nu-Urban’s highest selling release of 2009. They were also awarded Best Breakthrough DJs at the Drum & Bass Arena awards. A great way to cap off a successful year, and more recognition of Cam and Joe’s hard work and dedication to their craft.,With a new decade now here Sigma are intent on leaving their indelible mark etched permanently on the scene. Kicking off 2010 with Shut The Lights Off with Adam F and hip hop legend Redman, this is followed by their debut release for Breakbeat Kaos… The Stand Tall EP. Consisting of four tracks, it’s Sigma quality and Diversity all the way through. From the dancefloor stylings of Original Sin’s remix of Front To Back and brain thumping anthem The Jungle to the more melodic vibes on Baltimore and the vocodered vox on Stronger, The Stand Tall EP covers all bases. Confirmation of this is shown by the fact three of the EPs four tracks feature on the Ministry of Sound compilation CD entitled Mixed…. By DJ Friction, along with Paint It Black VIP. To add to all of this is the exciting collaboration with BBK head honcho and D&B legend DJ Fresh on Cylon. An unadulterated stomper of the highest order, Cylon, supported by the likes of Andy C and Goldie, is the lead track from Fresh’s latest long player Kryptonite.,What else to look forward to from Sigma? Well, there’s more episodes of their Life Podcasts. Utilising this wide reaching medium as a platform to further showcase their and other artists talents, previous guests include Goldie, Original Sin, DJ Fresh, IC3 and The Nextmen. Also keep an eye out for Sigma’s video diary on You Tube.

One check of Slushii’s ever-growing record of credentials and there’s no doubt that the 20-year-old, forward-thinker is the future of electronic dance music. To describe Slushii’s ascent as meteoric would be an understatement —in just two years since he emerged on the scene, he’s brought his vibrant, textured sonics to five continents and countless countries, with three headlining tours already under his belt. Slushii has electrified festival crowds everywhere from EDC Las Vegas to Germany’s Parookaville, Tomorrowland to Lollapalooza, all while holding down residencies at some of the world’s most renowned clubs, including Intrigue and Encore Beach Club. His rap sheet doesn’t end at his relentless touring itinerary either.

Hailing from Manchester, production duo Mark Richards & James Eliot, collectively known as Solardo, are continuing the city’s rich heritage in house music.Solardo

For Solomun, music isn’t just a tool to make people dance. Music is as diverse as life itself: many different shades, moments, and memories to be made.Solomun

After the global success of his debut studio album 'Unleash The Beat', and a succession of hit tracks over the last few years, Sonic Species is established as one of the world's leading Psytrance artists. Having performed repeatedly at most of the leading international events, the signature Sonic Species sound is now blasting loud in all four corners of the globe. Following his recent signing with the legendary Nano Records, his second album is scheduled for release later in 2017. Sonic Species and Avalon have also joined forces to launch their new Psytrance project ‘Future Frequency’. They have just released their debut album 'Freakuencies' on Nano Records which features solo tracks and collaborations with many of the scene’s leading artists.

After studying classical music in her youth, Sonja Moonear set aside the piano in favour of the turntables and bought a Roland R8. Surrounded by the Swiss mountains, Sonja immersed herself in the Geneva underground before finally infiltrating the ranks of the Weetamix residents in 2002. From that point on, participating in ever more ambitious projects, she was tapped by an international agency and started the road trip. Moonear slowly began collaborating with artists and friends like Luciano or Cosmic Chile Zürich, along with Dandy Jack as Junction SM. She has acquired an impressive international reputation, playing in clubs and festivals worldwide. In the last couple of years she has been releasing her own tracks and remixes on renowned international labels such as Karat and Perlon. She runs the label Ruta5 and organises various events in Switzerland as well as the growing Kiss Me festival.

Australian DJ and producer Sonny Fodera cut his teeth on straightforward house sounds before evolving to include elements of pop and other strains of electronic music. He merged four-on-the-floor bangers with EDM-flavored snare rolls and drops on his 2019 release Rise. Frequently FlyingBased out of Melbourne, Fodera began making music as a hip-hop producer in his teens, but his muse turned to house when he heard Derrick Carter's booming dance tracks. In his early twenties, Fodera was working as a DJ and making tracks of his own, debuting with the It's Time EP in 2013 on house maven Cajmere's Cajual Records label. A proper full-length, Moving Forward, was released later that year, and the more collaborative After Parties & Aeroplanes arrived the next year featuring appearances from Ari Lourdes, Low Steppa, Doorly, and many others. ~ AllMusic

Together with Laurent Garnier, Aphex Twin and Richie Hawtin, Rotterdam’s Speedy J helped define Techno since 1991 with albums like Ginger, G Spot, Public Energy No. 1 and Loudboxer – spearheading labels like Plus 8, Novamute and Warp. His latest proje..Speedy J

Stephan Bodzin has been a hugely influential figure within the global techno scene for years. The reason the German has endured where many had fallen by the wayside is because of his devotion to authenticity. “Without it, everything would appear to be nothing more than a hollow shell,” says the son of an experimental musician who is now a revered talent in his own right. After starting out by composing music for several prestigious European theatres, Stephan Bodzin soon fell in love with nocturnal club sounds and began producing his own brand of techno. He impressed right from the off and has gone on to work with Oliver Huntemann under myriad aliases including Rekorder or with Marc Romboy including on albums like “Luna” and more recently “Kerberos & Styx” in 2014. As a solo producer Stephan Bodzin have defined the modern techno scene and has amassed an enviable discography that takes in established labels. ~ Official Website

With several tracks to his name all made in the space of the last twelve months 2004 has been a massive year for Nick aka Sub Focus: the year has seen him breakthrough in unprecedented fashion armed with the likes of the technically astounding “Acid Test”, the simple yet devastatingly effective “Strobe”, the lively “Get on Up” and the altoghether awesome “X-Ray”. In a matter of months, he has gone from being one of many wannabe producers to become a permanent fixture of the award winning Ram Records family. Artists like Sub Focus are what “Best Breakthrough Producer” awards are made for.,Even though Nick has been obsessed with dance music, both its creation and its culture for a large chunk of his formative years, his first experience with making music came from playing bass in a rock band at school. However his involvement with the band didn’t last very long as on hearing dance music Nick was totally blown away by it’s diversity and the variety of sounds on offer. Consequently he decided that the tone of rock music didn’t satisfy as he felt it to be far too limited, in contrast Nick found the unlimited tonal possibilities of dance music to be extremely exciting. Particular music that got him hooked included; General Levy’s “Incredible” and most things from Prodigy’s early years.,Nick actually started making beats at the tender age of thirteen on an old Acorn computer, although to begin with he was just messing around he quickly found his passion and this light hearted hobby gradually became an obsession. It’s important to note that until recently Nick has been entirely self taught, his only aid coming from a whole host of software instruction manuals which he enjoyed reading from cover to cover.,Things didn’t really start to happen for him until last year when he made a conscious decision to take his production process extremely seriously. Nick enrolled in a renowned sound engineering course in London’s East End, where he found himself polishing up his self taught skills, whilst also going deeper into the realms of truly understanding the concept of sound.,Eventually Nick managed to make a few things that he felt proud of so he began to give out some CDs for his friends to listen to, only looking for a bit of feedback. However, a certain friend decided to take one of these “Don’t Play Them to Anyone Else” CDs and give one to award winning DJ and Ram Record’s label owner Andy C. On hearing the tracks Andy not only saw talent but he saw a release, within hours Nick had the phone call and within weeks Nick had his first release on Ram’s much respected sister imprint Frequency: a 12" featuring “Down the Drain” with “Hotline” on the flip.,With this new found confidence in mind; in recent months Nick went in the studio and rolled out three brilliant bits of production in quick succession. To Nick’s delight all of them got the stamp of approval; “Acid Test” and “Get On Up” will act as his follow up release on Frequency whilst his brilliant “Strobe” is to be included on Chapter Six of the Ram Raiders series on Ram Records. All the above tracks have been really well received by the scene’s top flight DJs but to Nick’s surprise press and radio have been in support too; they’ve all received regular airplay on both Grooverider’s BBC Radio 1 Drum & Bass show and Zane Lowe’s BBC Radio 1 prime time specialist show.,All that remains to be said is remember the name and watch this space.

A love for SUBwoofers and elecTRONICS has brought us Subtronics. Growing up in Philadelphia, PA, Jesse Kardon, AKA Subtronics, had a passion for his drum set and Radiohead. While in high school, he discovered electronic music and became enamored with the scene. Fusing his unique blend of cutting-edge sound design with hard-hitting bass, Subtronics seeks to push the envelope with sound engineering. On the live front, he has built a rabid following with his high-energy sets and advanced mixing skills. When his sell-out Cyclops Invasion Tour was cut short due to the global pandemic in 2020, Subtronics seized the opportunity to continue reaching new audiences. He became an official partner on Twitch, produced 3-dimensional XR/VR live-stream sets, dropped a Splice Sample Pack, pioneered socially distanced drive-in and pod events with Monster Energy as a sponsor, and launched his very own label, Cyclops Recordings, in December of 2020. Subtronics’ label is home to his last four EPs, as well as multiple releases featuring the next generation of bass music producers. In January of 2022, Subtronics dropped his debut album ‘FRACTALS’ which came in at #4 on Billboard’s Dance/Electronic Album Chart, and had dedicated billboards in Times Square and Los Angeles. The album coincided with his massive 50+ date sell-out national headline FRACTAL TOUR, which featured state-of-the-art production and ground-breaking visuals. The tour traveled with a custom-built stage, featuring a floating DJ table within a reflective black hole, dubbed ‘The Wormhole.’ Notable venues on the run included Gila River Arena, WaMu Theater, Coca Cola Roxy, Avant Gardner, Echostage, and more.

Sullivan King is the under-the-radar rebel with a mighty cause: The Los Angeles-based multi-instrumentalist/producer and solidified guitar god is setting out to shatter the mold and to disrupt the electronic world-one lick at a time. Lifting the brash and rugged energy of bass music off the dance floors and the power of metal and hard rock from the stadiums, Sullivan King creates a musical mosh pit built entirely on rapid-paced, neck-snapping dubstep, intensely shredding guitars and a bold live show that pushes the boundaries of modern music performance.

After a chance meeting at an after hours club in Montreal in 2002, Ossama Al Sarraf and Ned Shepard quickly discovered they had a natural musical chemistry. They began collaborating on original songs and remixes, signing their first song to John Digweed’s Bedrock label. From collaborations with revered EDM artists such as Dillon Francis and Tiësto, to remixes for major pop acts like Coldplay, Ed Sheeran, Lady Gaga, and Madonna, the duo established themselves as one of dance music’s leading partnerships.

Dynamic Dutch duo Sunnery James & Ryan Marciano have built a reputation as prestige artists both behind the decks and in the studio. Having released tracks on some of the industry’s most prolific labels, as well as their own reputed Armada-based SONO Music imprint, the pairing have cemented their position atop the industry’s highest ranks. Having built a reputation for their unmatched energy on stage and their tribal house influenced signature sound, the duo are one of the most in-demand outfits in the electronic music industry, and regularly perform at the world’s most iconic clubs and festivals. Moving into 2020, Sunnery James & Ryan Marciano look set to continue on their upward trajectory as their support continues to grow exponentially worldwide. ~ Soundcloud

Surgeon has been at the forefront of UK techno since 1994.Surgeon

Through his recordings, epic-length DJ sets, dozens of commercial mix albums, and label operations, Sven Väth is one German trance and techno's most popular proponents. Originally the lead singer of a dance-pop group named OFF, Väth hit the big time in 1986 when OFF's "Electrica Salsa (Baba Baba)" became a number three pop hit in their native country. The band later disintegrated, leaving Väth free to pursue his interest in the hard trance underground of Frankfurt. An Accident in ParadiseVäth became a DJ of note for his marathon sets, which sometimes approached 24 hours, and his 1992 co-founding of Harthouse Records. His own releases on the label included those by Barbarella, Astral Pilot, and Metal Masters with the help of his partner, Ralf Hildenbeutel. Blessed with an agreement connecting Harthouse and its subsidiaries to the American major label Warner Bros., Väth released Accident in Paradise, again with contributions from Hildenbeutel, as his first solo album.

The Martinez Brothers, two young men from the Bronx, raised on their father’s love of the Paradise Garage and road-tested worldwide before they even left high school, are emerging as leaders in the global house music scene. The guys have held a residen..The Martinez Brothers

DJ Tiësto, also known as Tijs Michiel Verwest, is a Dutch DJ and record producer from Breda, Netherlands. He is considered one of the pioneers of the trance music genre and is known for his live shows and remixes of popular songs. Tiësto began his career in the early 1990s and released his first solo album, "In My Memory," in 2001. He has since released several more albums and has performed at major music festivals around the world. He was voted the "world's No.1 DJ" by DJ Magazine in 2002, 2003 and 2004, and in 2013, he was voted "The Greatest DJ of All Time" by Mixmag.

Music has always been the biggest passion in DJ Tiësto's life and he felt the need to share that passion with other people. Together with Arny Bink he founded tge record company Black Hole Recordings which provides the world with all sorts of quality dance music. On Black Hole Tiësto has his own Magik and In Search Of Sunrise Series, which are very succesful all over the globe. He also mixed the first two Space Age volumes, and most recently Nyana. Tiësto is now officially the first DJ in the world ever to sell out a stadium event with a solo performance for over 25.000 people. Like Nyana, the Tiësto In Concert DVD has reached the gold status, same for the hitsingle Traffic which is the first instrumental track to reach the numner 1 chart position in 23 years. In 2003 Tiësto has won 3 TMF awards (Holland & Belgium), 2 Dutch DJ awards, one MTV holland award, and was again number 1 in DJ Magzine's top 100, first time a DJ got this spot twice in a row!

Grammy Award nominated DJ/Producer Todd Terry has been engulfed in dance music since he first started listening to European dance music records while growing up in Brooklyn. Already devoted to turntables, he heard something different in those tracks, a..Todd Terry

Now based in Amsterdam, he moved to the Dutch capital in early 2018 — and has barely had time to pause for breath since. A producer who boasts an impressively prolific streak, Toman started his musical journey at an early age. More recently, his unique take on house and techno has led him to much-renowned outlets such as We R House, Cyclic, META, No Art, PIV, Blind Vision and Inermu, yet Toman’s story is no overnight success. On the contrary, his is one that that’s as attributable to a ceaseless work ethic as it is a music-loving upbringing and an unyielding appreciation of sound. Fascinated by all things percussion, Toman began learning the drums in his early teens, a move that would eventually steer him toward what he considers the “unrestrictive complexities of electronic music”. A producer with an endlessly eclectic palette, Toman cites the likes of Underworld, Minilogue, and Terry Lee Brown Jr as influences, all of whom attest in some way to his own eclectic palette. From minimal to tech-house...

Mexican duo Tom & Collins burst into the Top 100 DJs chart for the first time last year, and they’ve once again proven why they’re one of the region’s biggest acts. Hailing from Mexico City, Tom & Collins (real names Juan Pable Escudero and Jorge Corral) have made their mark with a pop-friendly mix of deep house and deep tech, garnering them millions of Spotify plays and remix work for TOKiMONSTA, Thirty Seconds To Mars, Gorgon City, Duke Dumont, and even Madonna. Tom & Collins could regularly be spotted at the likes of Ultra Music Festival, EDC, Beyond Wonderland, Tomorrowland Unite and Amsterdam Dance Event. ~ DJMag

With a career as long as psy-trance has history, Tristan has been a constant in the ever-changing outdoor festival scene for many years. Playing at most of the most important festivals across the globe, Tristan and his music has a massive following of dedicated fans who love his full-on journeys of deep funky psychedelia. Tristan’s innate sense of the dancefloor and full power psychedelic moments place him in a league of only the very highest calibre of producer. Having collaborated with pretty much every other ‘big’ name in trance at some point and releasing 4 classic solo albums and countless singles releases over the last 25 years. He is a proud member of the Nano Records Family

UnderCover, Adam belo & Almog Shmueli. Both was born and raised at the underground psychedelic scene in israel. After long years of producing music and playing each on his own, they met and decided to join forces and make something different, unique, and managed to do so with 145 BPM's of kicking ass futuristic retro music that caught many ears around the world that made UnderCover the fasted growing project at the time as the project is almost 4 years old. Their first track - "Chapati", with 43 Million youtube Plays, was the pioneer of the "ethnic era" at the world psytrance scene and after 4 years is still playing at most of the psytrance parties around the world with more mega tracks by UnderCover. Nowadays, they are touring the world armed with highly aggressive psychedelic dance floor music and working hard to bring you all the perfect dance floor experience that makes you scream out of happiness in each and every party.

Valentino Khan is a music producer & DJ from Los Angeles, CA.,He has produced music for hip hop legend T.I. and has upcoming EDM releases on Mad Decent and Dim Mak Records.,He burst onto the electronic dance music scene in 2011 through creating & producing all music for a project titled “Market Price.” His remix of the entire Watch The Throne album generated buzz & support from MTV, Mad Decent and other fixtures within the blogosphere.,His music has received support from Diplo, Steve Aoki, Dillon Francis, Bart B More, Will Bailey, Ac Slater, Alvin Risk, Torro Torro and many more.,With his productions in electronic dance music and hip hop, 2012 is shaping up to be a big year for Valentino.,For booking/remix/production inquiries contact:,info@valentinokhan.com

WhiteNoize consists of DJ and Production duo Chris Harnett and David Carvalho. T he long time friends and veteran DJ's of San Francisco have created a popular following in west coast clubs with their unique sets fusing multiple genres of house music. 2010 saw WhiteNoize burst into the scene with 2 critically acclaimed EP's released on DJ Dan's Instereo Recordings and a remix on Fatboy Slim's Skint Records. In just four years time, they have released numerous tracks on over 15 record labels and have seen success on iTunes, Beatport, Traxsource and more with several of their tracks ending up in the Top 100.One of 2012's biggest releases 'Insecure' on Instereo Recordings saw tremendous success hitting the #1 spot on Beatport House and #4 on the Overall Chart. "Insecure" was named by Beatport as one of the Top Ten House Songs of 2012. They followed this up by remixing 5 songs from the legendary Salsoul Orchestra for Ultra Records. 4 of the songs charted on Beatport with 'Ain't No Mountain High Enough' leading the pack at #3 on the House chart. They just recently released 'Check Baby' on Instereo which reached #2 on Beatport House and has been supported by Carl Cox, Chuckie and Max Vangeli on their radio shows.Well known for their versatile and energetic sets, WhiteNoize has performed all over the States. They play regularly at places like Ruby Skye in San Francisco and have played at numerous festivals including: Ultra Music Festival, Outsidelands, Beyond Wonderland, I Love This City, and 4 times at Coachella including 2011 in the famedSahara Tent.So far their music has been supported by A-Trak, Chuckie, DJ Dan, Mark Knight, Max Vangeli, Tommie Sunshine, TJR, Tocadisco, Treasure Fingers, Umek, Eddie Halliwell, and Donald Glaude among many others. With numerous releases on the horizon and an exciting lineup of shows coming up there seems to be no stopping this duo...look for them to be in a city near you soon!

While others are restrained by genre association Will Atkinson runs free, refusing to conform or be pigeonholed. Is the tech, trance, techno, electronica, progressive, experimental.....? He is all of them – and so much more. And it’s this ambidextrous talent that has been the driving force behind Will’s vast appeal and a subsequent ever-growing army of passionate fans the world over. The video for his recent single “Pat Butcher” generated 1.6 million views in 48 hours – so to say this exciting young uber talent is on fire right now, would be something of an understatement. Will Atkinson is an entity that congers up futuristic soundscapes for the jilted generation. Responsible for over 100 BBC Radio 1 airplay and 6 Beatport number 1s the kid that began mixing records at the age of 7 has certainly come of age.

An instantly recognizable DJ with his unique style and a one-of-a-kind beard, Will Clarke has solidified his place in dance music with recent hits “Hallelujah”, “U Take Me Higher”, and his collaboration with MK, “My Church” all released on his new label All We Have Is Now. In addition to his work on his own label, Will Clarke has recently put out records on highly esteemed labels Kneaded Pains, We Are The Brave, TrueSoul, and Relief as well as a string of remixes including Duke Dumont’s “Love Song” and a remix of Adam Beyer’s “Your Mind” on Drumcode.

Otto Yliperttula (born October 8, 1986), known professionally by his stage name, Yotto, is a Finnish DJ, songwriter, and record producer. Currently residing in Helsinki, Finland, the 30-year-old is signed to English deep house label, Anjunadeep. Yotto came to fruition with a string of remixes and originals that caught the ear of Anjunadeep label boss, James Grant. Deemed “a man of many sounds” by Billboard and “an experimental house talent” by Dancing Astronaut, he produces a number of styles within the house music genre and sometimes other forms of electronic music. As well as his own solo releases, Yliperttula has worked alongside other DJs & producers such as Coldplay, Rüfüs, Above & Beyond, Lane 8, and Super8 & Tab. A five track EP titled ‘Stars’ was released in 2013 on The Shapeshifters Nocturnal Groove imprint by Otto and Karolus Viitala under the moniker Something Good. He has also collaborated with his younger brother who performed vocals on tracks under the alias CAPS. ~ The Vogue

Yousef proudly steps into 2017. With previous releases on Desolat, Bptich Control, Cocoon, Defected and Cecille, and new Yousef music signed and ready to be released this year on Crosstown Rebels, Knee Deep in Sound, Hot Creations, This & That as well as his own Circus Recordings. 2016 saw Yousef tackle remixes for The Glitz, Diego, Frank Storm and provide a powerful 'yousef circus rework' version of the legendary Chaka Khan. Yousef's legendary Circus event in his native Liverpool rolls into its 15th year, championing the finest in house & techno since day one, Circus embarks on its first worldwide tour with a staggering 15 events across the globe in 15 of the finest locations such as London, New York, LA, Sydney, Milan, Berlin, Paris and Barcelona With a total 15 completed dates in Ibiza during 2016 playing for the likes of Carl Cox at Space, Do Not Sleep at Space, ANTS at Ushuaia, Circo Loco at DC10 to hosting his own 10,000 capacity Circus arena at Parklife Festival in Manchester.

Anton Zaslavski, known professionally as Zedd, is a Russian-born German DJ, record producer and songwriter. Grammy-winning electronic producer Zedd is known for dynamic, electro-house tracks and a glitchy, pulsing production style. He first broke through in 2010 with a remix of Skrillex's "Scary Monsters and Nice Sprites" before parlaying that buzz into mainstream success with his 2012 album debut, Clarity. Buoyed by the single "Stay the Night" with Hayley Williams, Clarity reached the U.S. Top Ten and earned him a Grammy for Best Dance Recording. His sophomore album, True Colors, spawned the hit "I Want You to Know" with Selena Gomez and landed at number four (plus number one on the dance charts). Along with his own work, he has remained an in-demand producer, collaborating on tracks with a bevy of pop luminaries including Lady Gaga, Justin Bieber, and Ariana Grande.

ZHU is the mysterious Chinese-American artist behind the 2014 hit single “Faded”. His real name is Steven Zhu and he was born in 1989 in Los Angeles, California. Although he released his first single anonymously in 2014, it wasn’t until 2015 that ZHU revealed himself as the mastermind behind the project. Over the years, he has become one of the most prolific electronic music producers in the world. ZHU’s career began with his self-titled debut album in 2014. The album featured several hit singles such as “Faded”, “Stay Closer” and “Working for It”. Since then, he has released four more albums: Ringos Desert (2016), Generationwhy (2016), Stardustexhalemarrakechdreams (2017) and RINGOS BACK (2019). He has also collaborated with many notable artists such as Tame Impala, KAYTRANADA, Skrillex, and Nero. In 2015, ZHU was nominated for a Grammy Award in the Best Dance/Electronic Album category for his debut album. He won the award for Best Dance Recording at the 2016 Grammy Awards for his collaboration with Skrillex and they Boyz Noize on “Working For It”. In 2018, he was also nominated for a Grammy Award in the Best Dance/Electronic Album category for his most recent album RINGOS BACK. Moreover, he has performed at various festivals around the world such as Coachella, Electric Daisy Carnival and Ultra Music Festival.