Above & Beyond, or Jono, Tony and Paavo as they are better known to their legions of fans around the world, have been at the forefront of electronic dance music for two decades. Founders of the iconic Anjunabeats and Anjunadeep record labels and hosts of a weekly radio show, that reaches millions of dance lovers every Friday (Group Therapy), the trio have earned two GRAMMY™️nominations for anthems 'Northern Soul' feat. Richard Bedford and We're All We Need feat. Zoë Johnston. In 2018, the band’s fourth electronic album, Common Ground, debuted at number three on the Official Billboard Album Chart. Described by UK music bible Q Magazine as “the world’s biggest cult band”, Above & Beyond's enviable list of sold out shows includes headline performances at historic venues like Madison Square Garden NYC, The Hollywood Bowl, The Sydney Opera House, Royal Albert Hall London, Red Rocks Amphitheater and record-breaking turnouts for their own festival events on LA's Huntington Beach and at The Gorge Amphitheater.

Adam Beyer is a Swedish techno producer and DJ. He is the founder of Drumcode Records, and is one of several Swedish techno artists to emerge in the mid-1990s, along with Cari Lekebusch and Jesper Dahlbäck. Adam Beyer’s music is synonymous with all that is exciting about techno. Having emerged as the figurehead of the hugely prolific Swedish techno scene, Beyer’s focused and considered approach to his craft has worked to confirm his position as a globally recognized DJ and producer headlining cutting edge clubs and festivals week-in-week-out. Adam is also one of the most acclaimed production talents on the scene and has consistently delivered cutting edge music across his 3 labels – Drumcode, Truesoul and Madeye. Over the years he has also built up a highly prized roster of talent on the labels and his meticulous ear for quality productions is highly renowned.

Modest from his core, yet exceptionally passionate when it comes to performances and creating music, Adaro is unquestionably one of the most ambitious artists within the Hardstyle genre. As a DJ, Adaro has the look and feel of a true entertainer–his undying energy and widespread knowledge of music are just some of his greatest assets on stage. Adaro’s sound can be simply described as a sophisticated and diverse approach to Hardstyle, as this pioneer thrives on blending in a range of different sounds and influences. With his taste ranging from melancholic melodies right up to underground, hard-hitting tracks, Adaro loves to create energetic Hardstyle under a broad spectrum.

Grammy award winning DJ and producer, Afrojack, is one of most notable and iconic names in electronic dance music (EDM) today. At only 26 years old he has made a large impact on the music industry and is a key player in the worldwide explosion and popularity of EDM. In 2013, Forbes magazine crowned him as #7 on ‘The World’s Highest Paid DJs List’ and this year The Hollywood Reporter called him ‘’a global icon’’ set ‘’to conquer the world.’’ A talented producer and artist Afrojack is versatile and creative with his sound whether creating club hits or producing and remixing for the likes of Beyoncé, Pitbull or Madonna. Afrojack is adept at shifting between genres and playing with his sound and it’s easy to see why his skills are some of the most sought after in the world.,Starting off in his hometown of Spijkenisse, Nick van de Wall aka Afrojack, quickly made a name for himself with a slew of hard­-hitting underground releases, before exploding on the music scene in 2011 with the release of ‘Take Over Control’ -­ an instant worldwide club and chart hit the single reached platinum status in the U.S. Afrojack then went onto develop his own imprint in the production world with his label ‘Wall Recordings’ – a platform by which other passionate EDM artists could grow. He also wanted his label to retain the ‘club music’ brand, something he strives for with every Afrojack release. 2011 also saw Afrojack sign a landmark deal to become one of the first ever DJ’s to sign an annual residency in Las Vegas, at the legendary Wynn Hotel. The residency saw Afrojack perform over a dozen times a year at Wynn clubs including Encore Beach Club, Surrender, Tryst and XS.,From there the success continued; as well as making club hits and collaborating with the likes of David Guetta (co-writing and producing the worldwide smash ‘Titanium’), he also began to team up with and write for A­-list pop artists around the world, including Madonna and Chris Brown. In 2011, he co-wrote and produced ‘Give Me Everything’ for Pitbull and Ne-Yo, which to this day has sold more than 8 million copies worldwide and reached #1 in the US Billboard Hot 100 Charts. Not to mention his production work for Beyonce’s ‘Run the World (Girls),’ his Grammy nominated remix for Leona Lewis’ ‘Collide’ and his 2011 underground track ‘Rock The House,’ which topped the Beatport dance music charts after just three days. The same year he headlined both EDC (Electric Daisy Carnival) NY & Las Vegas to over 300,000 people, as well as UMF (Ultra Music Festival) in Miami, Tomorrowland (in Belgium) and Coachella (LA) in addition a colossal 40 city ‘Jacked’ tour of the United States, all packed into 2012.,Last year got off to a monumental start when Afrojack signed an exclusive worldwide deal with Island Def Jam, Island UK and Universal Music Group. The deal saw Afrojack’s talent be recognized and supported by the renowned music label. The first project from the partnership was ‘The Spark’, a single that fused EDM and pop and showed a new sound for Afrojack as an artist. The year continued to be another huge one for Afrojack. For his fourth consecutive year he returned to headline Creamfields and at the Ultra Music Festival and Tomorrowworld, he debuted his own ‘Jacked’ stage showcasing his Wall artists. He also found time to shoot a documentary web-series, ‘March of the Afrojack’, which gave fans an insight into the real person behind the Afrojack moniker. The series was released on the Rolling Stone website and saw Nick share many intimate moments and thoughts from his journey on the road along with his personal mantra “If I can do it, you can do it too.”,In late 2013 Afrojack made history as he became the first DJ to ring the closing bell at NASDAQ Stock Market Exchange in New York, as electronic dance company, SFX, went public. This also came in the same week as Afrojack cemented his hands into the Hollywood Walk of Fame, the second DJ to ever do this and in doing so reinforced his position as a global music icon.,2014 is set to be another milestone year for Afrojack as he releases his second single ‘Ten Feet Tall’, starts a new DJ residency at Las Vegas hotspot Hakkasan and releases his debut album with Island Records. This spring he returns to Miami as headliner on the Ultra Music Festival and to give his loyal fans a first taste and preview of his highly anticipated album set for release this May.,Given Afrojack’s immense popularity and influence on the music industry it is no surprise that many corporate brands have flocked to him for brand partnerships. Afrojack recently announced a partnership with globally celebrated fashion label ‘G-Star Raw’ for his own line of Afrojack inspired designs that will be sold worldwide. He was also sought out by leading gaming company, Razer, to be a brand consultant on the development of future products. Further, this January saw Nick’s latest single, ‘Ten Feet Tall’, premiere as a part of Bud Light’s new commercial during the Superbowl.,Afrojack has built a global brand that is recognized for influencing attitudes and championing new levels of change for the music world. It is clear from his exponential growth that there is no stopping him and at only 26 years old this is just the beginning…

The continued rise of Alan Fitzpatrick is the biggest story in UK techno right now. Having enjoyed a rapid ascent since his emergence as the new kid on the techno block in the latter half of 2009, Fitzpatrick now enjoys a status as a highly respected and in-demand producer.

Alessandro Renato Rodolfo Lindblad, commonly known by his stage name Alesso, is a Swedish DJ and record producer. The EDM giant’s production prowess is near-universally known. Over the years he’s worked with legends like Calvin Harris, Usher, David Guetta and Sebastian Ingrosso, and headlined major events like Coachella, Electric Daisy Carnival, Creamfields, and Tomorrowland. He’s even been memorialised in the popular video game Payday 2, when players rob a vault during an Alesso concert.

Analog Soul are a NYC based DJ duo.

Andrew John Clarke is a British DJ and record producer and is co-founder of RAM Records, a pioneering label in the drum and bass genre. Andy C was a DJ in his own right but gained a strong reputation and more bookings off the back of the successful "Valley of the Shadows" track, an early drum and bass track that walked the line perfectly between hardcore and drum and bass just as the genres were starting to split. The track, created and released by Origin Unknown (made up of Andy C and Ant Miles)—often referred to as "31 Seconds" or "Long Dark Tunnel" because of the samples it incorporates—made use of a heavy bassline, bell samples and a rolling drum track to produce a popular, easy to recognise track that was easy to mix and became a favourite in dance floors at raves across the UK and beyond. The track was released as an EP in 1993[7] and has been remixed and re-released several times, and is widely recognised as one of the most influential drums and bass tunes of the early 90s.

A couple of years after winning the Beatport Breakthrough Award in DJ Mag’s Top 100 DJs poll, ANNA enters the list at No.95. Known to her parents as Ana Miranda, she went from playing to a 1,500-strong crowd at the age of 14 in her home country of Brazil to fronting DJ Mag North America in 2019. New music from ANNA has been huge in festival sets for many world-leading techno DJs all summer. Then there was the richly deserved Essential Mix for the BBC that started 2019 off right, as the Brazilian distilled 20 years of DJing experience into an inspiring two-hour techno masterclass. DJ Mag rightly recognised her talents, putting her on the cover of their North American edition in February, a nod to the breakaway impact she’s had on that region.

With their own productions, the Bachelors continue to defy those that try to categorize them into a genre. From the deep liquid drum n bass inspired by their hometown of London and the likes of High Contrast and LTJ Bukem to the minimal inspired Autonomic sounds of dBridge and sun-drenched 4/4 grooves, the Bachelors have retained their quality and a large and loyal following throughout, garnering plays from Annie Mac, Basement Jaxx, LTJ Bukem, Giles Peterson, T.E.E.D., High Contrast, Loxy, Doc Scott, DJ Hype, Reid Speed, Alix Perez, Grooverider and DJ Marky. to name a few. Their unique blend of soulful sounds, deep beats and technical precision has been hailed as "a refreshing musical approach to drum n bass", picking up rave reviews in Mixmag, XLR8A, Knowledge Magazine and more. Their debut album "Science Fiction" released in 2008 to critical and commercial acclaim, became one of the top selling drum n bass albums of all time, with "Song For Lovers" and "The Ice Dance" becoming liquid drum n bass anthems and the Apex remix of "Strings Track" eventually winning "Best Drum n Bass Track" at the 2009 Beatport Awards. More recent remixes of Justin Martin, Groove Armada, The XX, Home Video, Death Cab For Cutie, Groove Armada and Seasick Steve have won praise across the music blogoshpere, placing them atop the Hype Machine chart for weeks in a row. On stage, the tales of the “full Bachelors Of Science set” are the stuff of legend, taking them across the globe to perform at Love Parade, Ministry of Sound, Hospitality, BBC Radio, I Love This City festival (Live Nation), WMC, Burning Man and more, performing alongside acts as diverse as Pendulum, LTJ Bukem, High Contrast, Kode9, Photek, Netsky, Mala, SPY, Justin Martin and even Elvis Costello, the guys take a crowd on a journey with everything from BoS originals and bootlegs to custom edits of cutting edge tracks and past future classics … making d&b guys admit they’ve got a soft spot for 4/4, and house lovin girls admit they miss drum n bass.

In 2007, two friends decided to join forces, one DJ and one producer, both sharing great passion for house music. Marlon Flohr and Ralph van Hilst had not foreseen what was to come when they started their collaboration. Marlon was mainly DJ-ing and playing house music, when the idea came to push Ralph’s productions in a direction where Marlon could play the tracks in his sets.After first getting noticed by Fedde Le Grand, releases and remixes followed which received massive support by all the top global DJ’s. heir big break came in 2011, when “Mush Mush” got picked up by Tiesto and released on his imprint Musical Freedom. It dominated the Beatport top 10 for over 2 months and grew to be one of the biggest club/festival tracks of 2011. Since then Bassjackers have remixed for A-list artists like Rihanna, Enrique Iglesias and Moby and played in clubs from Ibiza alongside Tiesto, to Las Vegas alongside Afrojack, and continue to tour around the globe with a recent emphasis on North America.

DJ, producer and owner of the Timedance record label, based in Bristol (UK)Batu

Growing up Mexican in Los Angeles, Bianca Oblivion was surrounded by the sounds of backyard parties and car stereos blasting everything from gangster rap and freestyle to cumbias and hard house. She trained as a dancer throughout her childhood and teen years, drawn to African, Afro-Caribbean and Brazilian dance forms. As a young adult she frequented the LA club scene during the height of electro and blog house, where she first got her start DJing. Her sets reflect all these influences, as her sound draws from styles across the house, club, and global bass spectrum. Her Club Aerobics Radio show on NTS and her guest mixes for Diplo & Friends, Beats1, and Rinse France have showcased Bianca’s talents behind the decks. Her debut single “Bumbum Pra Cá” continues this fusion of genres, drawing from baile funk and classic grime. Whether in DJing, radio or production, Bianca continues to innovate her sound and selection.

Bicep is an electronic music production and DJ duo from Belfast, Northern Ireland, consisting of Andrew Ferguson and Matthew McBriar. Bicep was formed in 2009 as a production and DJing pair in London, UK. The duo, childhood friends, created a blog called "Feel My Bicep", which was used to post lost and forgotten disco, Chicago house, Detroit techno and Italo disco edits. They released tracks on labels Throne of Blood, Traveller Records and Mystery Meat before joining Will Saul's Aus Music and setting up their own label Feel My Bicep in September 2012. That year the pair were awarded DJ Mag's 'Best of British Breakthrough DJ' award. In 2014, the pair moved into a new studio in Shoreditch. A year later, the duo performed live for the first time at the AVA festival in Belfast, which was recorded by Boiler Room. After signing to Ninja Tune in 2017, Bicep released their long-awaited debut album Bicep, which went in at number 20 in the UK Album Charts on its release and received critical acclaim.

̸BIOGRAPHY Riccardo Paffetti / Black Loops Berlin , Germany Riccardo Paffetti aka Black Loops has built himself a solid reputation as one of House music’s most creative and progressive producers. Recognizing his momentum and high-quality releases, Traxsource named Black Loops #1 Deep House Artist of 2017. Black Loops influences stem from genres such as funk, soul, and disco, while his style is similar to the sound of the 90’s UK House movement and early 00's NY House. In regards to his discography, Black Loops has released 7 EP’s on the respected German House Record label Toy Tonics, and also released noteworthy EP’s on Neovinyl Recordings, Pets Recordings, Freerange, Classic Music Company and Good Ratio. Currently working on a first Album project, Black loops is touring worldwide, touching countries like Australia, Canada, and overall Europe

Born in 1981, Boris Brejcha started his musical education in his childhood. His first two releases in 2006, “Monster” and “Yellow Kitchen” were released on the Berlin label Autist Records. A few EPs later, Boris moved from Autist Records to Harthouse. With tracks like “Die Maschinen Sind Gestrandet” and “Lost Memory”, he combined his unique sound with a maximum of varieties. Consequently, he became the “exceptional Talent 2007” in the electronic music magazine Raveline. Boris also created his second alias called “ANNA” in 2007 and had some groundbreaking releases on Autist Records. After four years of touring, three albums and lots of singles, Boris became a constant favorite in today's club scene. With his ambition and desire for new and experimental musical directions, he shows his audiences over and over again how exciting minimal techno can be - so much more than just a conglomerate of repetitive and puristic elements. ~ borisbrejcha.de

As a represent of Dutch dance industry, Brennan Heart is one of the leading brands in international hardstyle music. Brennan Heart (real name: Fabian Bohn) has an impressive track record as a DJ and producer with over 100 releases. He's known for his unrestrained efforts and perseverance, constantly improving his skills and studio setup. He experimented with several styles of music like techno, hardtrance and techtrance, before focussing on hardstyle and establishing his own universal sound. Hardstyle is not only about the quality of beats; the songs, melodies and vocals are important elements of the evolution of the genre. Brennan Heart is a pioneer with this sound; with a track like 'Just as Easy', he started a new episode for hardstyle music and opened the door to a new audience. He's also a pioneer for exploring new territories and cities, bringing him all over the world to serve his worldwide fanbase.

Mike Di Scala and Dave Whelan are CamelPhat, a British electronic duo traversing various styles of deep house and techno. Formed in 2008, the pair put out a number of digital EPs and singles via Vice and Nervous Records before signing to Dutch EDM label Spinnin' Records in 2014. Enjoying chart success in Belgium with tracks such as "Constellations," "Paradigm," "Make 'Em Dance," and "The Act," they came to widespread prominence in 2017 with the Grammy-nominated "Cola," a collaborative track produced with fellow electronic musician Elderbrook. More high-profile collaborations followed, including tracks with Jake Bugg, Jem Cooke, and Yannis from Foals, while the duo also became regulars of the festival circuit, with dates at Glastonbury, Coachella, Creamfields, and Parklife. ~ AllMusic

Carl Cox is a British house and techno record producer and DJ. Carl played at the 1st night of Danny Rampling's Shoom night after his return from Ibiza in the summer of 1987, largely seen as the original Balearic / Acid House night in London / the UK. One of the most charming DJs in the business. A musical ambassador and a veteran of acid house, a champion of techno, a dance music pioneer, label owner, King of Ibiza – you name it, Carl's been there and done it, never losing sight of his passions – p..Carl Cox

Charlotte de Witte’s a Belgian born DJ whose surge on the scene has resulted in her being one of the most sought-after names in electronic music today. Highlight performances across the continents, Mixmag & DJ Mag covers, high-ranking positions in the charts & lists, and owner of one of the strongest social media profiles in music today, confirm her status as nouveaux techno royalty. Acclaimed accolades such as Best Techno at the DJ Awards in 2019 and a high profile residency at BBC Radio 1 are honoring validations of de Witte’s hard work. However it’s her everlasting pursuit to push her boundaries and those of electronic music, that drives her.

Chase & Status are an English electronic music duo composed of Saul Milton (Chase) and Will Kennard (Status). In addition, Andy Gangadeen is the drummer when the band performs live. MC Rage formerly performed as MC with the group, but left in July 2021 to focus on solo ventures. The duo are from London, and formed in 2003 after meeting at university in Manchester. The duo have since released six studio albums and collaborated with major artists such as Plan B, CeeLo Green, Rihanna, Example, and Tinie Tempah. They run the independent record label MTA Records. William Kennard founded ELAM (East London Arts and Music) in 2014.

Producer, remixer, DJ and Rinse FM host, Birmingham UK’s Chris Lorenzo is widely acknowledged for pioneering his hometown’s emergent and increasingly popular Jackin’ house come Bassline hybrid sound, which he terms simply “House & Bass”. Having built up specialist support with releases on a plethora of tastemaker labels, including Claude Von Stroke’s Dirtybird label and Shadow Child & Kry Wolf’s lauded Food Music label, Lorenzo has also been called upon to remix My Nu Leng for Black Butter and Disclosure for PMR.

Being asked to describe his own music, Christian Löffler states that he tries to combine melancholy with euphoria. „All my music is connected by a gloomy spirit, which is minted by a warm sincerity. I try to merge all kinds of different acoustic colors to obtain this feeling in my music.” Löffler started to play music by the age of 14. Living in a secluded region, lacking a musical surrounding, he had to teach himself the essentials of making electronic music. Before long he developed his own deep and moving sound, colored with a melancholic undertone- Music for the soul & for the body. He recalls a variety of music styles he listened to as a child and teenager that were highly influential to his own development as a musician. Due to the fact that Löffler is also working as a visual artist, he’s following the same approach when making music that he’s following when painting or taking photos. It is more about telling a story than making everything accessible right from the start. In the course of the production of EP’s like „Heights”, „Raise” and „Aspen”, Löffler developed some strategies to use acoustic material in his music. Amongst others he samples different stringed instruments, percussion and atmospheres. He continues working with the recordings on the computer, combining, layering and alternating them. For his debut album „A Forest“ he enriched his sound collages by co-working with singers like Gry and Mohna. An Album in the spirit of the enchanting woods of his home region. The extraordinary capacities of this young producer have kept eyes and ears closely following the fresh talent as Löffler’s deep moving melancholic sound, is absolutely irresistible. In 2014 the highly acclaimed „Young Alaska“ EP is setting the stage for his second studio album to be released in Winter 2014/15.

Claptone is a German DJ and producer duo which specializes in house and tech house genres. They are recognizable by their plague doctor-style golden mask, which serves to intrigue the public as well as keeping their identity hidden. Claptone first surfaced in 2011 with a series of digital singles on Shir Khan's Exploited label. These tracks were generally built around recognizable samples, such as a cover of "Light My Fire" or the haunting melody from Wu-Tang Clan's "C.R.E.A.M." Claptone soon became highly prolific as a remixer, with clients including house producers George Morel and Riva Starr as well as pop groups such as the Pet Shop Boys.

Claude VonStroke created a small underground record label called Dirtybird in 2005 and grew it into a full-fledged events, clothing and music brand over the last 15 years. During this time, he has also managed to release 4 artist albums and some of the most iconic house music tracks of the last two decades. Most people know Claude VonStroke for his smiling DJ persona touring every major city, festival, and basement after-party around the world. But Claude has also influenced the very fabric of the dance community, A&Ring an impeccable roster of acts like Justin Martin, Fisher, Shiba San, Catz n Dogz, Riva Starr, Tim Green, Breach, Eats Everything, Walker & Royce, Shadow Child, and countless others. (And even naming a few of these artists.) Today, his Dirtybird label continues to surprise and innovate in the underground dance scene, releasing an enigmatic combination of house, funk, dirty bass, and electronica.

̸BIOGRAPHY Client_03 is the Testbed. has been executed and shown an increase of Y/.:90994 following interaction with Resident Advisor.

Vorsprung durch Technik (or ‘Advantage through technology’ in English) pretty much sums up the typical German stereotype. Super efficient, groundbreaking and full of innovation. If Mercedes are this to the motoring world then Cosmic Gate are paralleled within the world of electronic music.,After a chance meeting at a record label head office in Germany, Claus Terhoeven (Nic Chagall) and Stefan Bossems (Bossi) have created and inspired some of the most influential music ever to hit our dance floors over the past decade...

Cristoph hails from Newcastle upon Tyne, coming from a family deeply entrenched in the art of DJing. With both his father and older brother working in the industry, Cristoph was always destined to take the spotlight. Immersing himself in the club environment from an early age, it wasn’t long until he found himself cutting his teeth on vinyl and diligently studying the tools of the trade. The mysterious producer has proven himself a bona fide force to be reckoned with landmark releases on imprints like Last Night on Earth and Bedrock. Now, with the official backing of Eric Prydz, he’s primed for even greater success. It’s no surprise his music has caught on so fervently: simply put, Cristoph’s sound is infectious. In 2016, Cristoph achieved his biggest breakthrough yet, joining Hot Since 82’s white-hot Knee Deep in Sound imprint and becoming the inaugural artist to launch the label’s coveted ‘8-track’ album series. ~ Resident Advisor

Booking requests: bookings@daniel-bell.comDaniel Bell

Joel Thomas Zimmerman, known professionally as Deadmau5, is a Canadian electronic music producer, DJ, and musician. He has been at the forefront of the EDM scene for over 15 years. With his distinctive masked look and grandiose shows, he’s done more than almost anyone else within dance music to blur the boundaries between DJing and live performance.

̸BIOGRAPHY Detroit | Mixmode | Sushitech Of the original crop of Detroit DJs, Delano Smith is one of the few still dedicated to the craft. Reflecting on house and techno without his influence would reveal a very different musical landscape today. Coming up when the world was just discovering the impact a DJ could have, Delano traversed his way to the top in a tough scene full of talent. Although dance music post The Belleville Three and Underground Resistance is well documented, the context that set the tone for them to emerge is less so. At a time described as the Wild West by some, when party culture was taking its first tentative steps, Delano honed his skills under the the guidance of the late, great Ken Collier. With initial sets fusing soul, disco and early electronic sounds, Delano planted seeds in the minds of Detroit’s subsequent generations. Those dancing to his sets in the late 70s and early 80s would later become ambassadors of a scene with worldwide appeal. Now, Delano stands shoulder to shoulder with the figureheads he once educated, writing a brand new chapter for house and techno. Delano’s story is long and intriguing, first taking to the decks in friends’ basements, these weekend sessions turned into the dance hall parties that paved the way for Delano’s residencies at clubs across Detroit. Championing permutations of the post-Disco era, a sound described by the D’s luminaries as “progressive” before house and techno were officially coined, Delano began to receive bookings beyond his home state, eventually touring what would become a familiar axis between the US and Europe. Following a period out of the game, Delano returned with a new focus, forming the DJ collective BeatDownSounds with long-time peers Norm Talley and Mike "Agent X" Clark. The trio offered a unique, slowed down and raw take on house, a sound picked up by London/Tokyo label, Third Ear Records, and presented on the double-length compilation ‘Detroit BeatDown Vol.1’, the success of which enabled Delano and his partners to represent the Motor City on an international level. Comparatively late to production, Delano started releasing his own music in earnest from 2002 onwards, finding homes on esteemed underground labels and of course on his own Mixmode imprint. In 2009 Delano formed a pivotal relationship with the Berlin based Sushitech Records, following a chance meeting with label head Yossi Amoyal, the setting Panorama Bar, a club that would later help define Delano’s musical direction. After a string of successful Sushitech EPs, Delano dropped ‘Odyssey’ onto the scene’s collective consciousness, an album spawning enduring dancefloor favourites. Two years later his sophomore long player arrived, loaded with dark and dubby material ‘Twilight’ was a curve ball to follow the hysteria that greeted his debut. 2017 saw Delano add yet another Sushitech LP to his discography, entitled ‘Detroit Lost Tapes’ it offered archived material, dug out and recontextualised with a worldwide tour following in support.

̸BIOGRAPHY Moscow based producer and dj. Moscow based producer and dj. Resident of Bravers.

Robert Etheridge aka Dimension is one of the UK’s most unique electronic music artists. Defined by a clear aesthetic that bleeds through into his music and imagery, Dimension has announced himself as one of the new wave of dance music headliners. Dimension’s combination of seemingly effortless musicality and production prowess first caught the attention of tastemakers and DJs such as Chase & Status, Annie Mac (5x Hottest Records), Skrillex (who remixed the much-lauded ‘UK’), and deadmau5. Over the past few years, he’s built a discography balanced between airwave conquering vocals and underground club anthems; and what was once one of UK dance music’s best kept secret now has a rapidly growing global profile. After a remarkable rise since his debut single, Dimension announced himself on the global stage with ‘Desire’, his collaboration with Sub Focus. The record’s list of achievements is near endless; it spent 9 weeks on Radio 1’s playlist (5 on the A-list), has amassed over 50 million global streams to date and has been certified a silver single in the UK by BPI (200,000 sales). Following ‘Desire’ came Dimension’s next string of solo releases, ‘Devotion’ featuring Cameron Hayes, ‘If You Want To’ and ‘Love To Give’ which all rapidly picked up midweek Annie Mac support alongside BBC Radio 1 plays from Phil Taggart’s Hype Chart, Mistajam and Rene LaVice; and together, hitting over 20 million global streams to date.

The brothers from Greek origin but born and raised in Belgium, spent the last years travelling across Europe and playing in some of the best venues around.,Their debut release on the legendary Bonzai Records, “La Cocaina/Eivissa 2007” was a techno banger that did really well on the White Isle, being played by many djs all around. They were asked as main act on Prestige Ibiza’s “Glamour Night” and as residents of the new club, playing on events like the Manumission Carry-On.,This year, Dimitri Vegas & Like Mike are the new pick of Joia Records, the Swedish top-label established in Stockholm about 5 years ago. In this short period of time they have been able to attract some of today’s biggest producers and have releases of artists like Eric Prydz...

The Disciples are a trio of music students, hailing from the South of England. Drawing on a variety of influences, including the likes of Pendulum, Nero and Hybrid, they write and produce a unique blend of acoustic and electronic music, combining genres including Drum & Bass and Rock. Their ability to play all their music live using live vocals, synths, guitars and drums puts them in an almost unique class of electronic acts.,The Disciples’ first song ‘Tiempo’ was released in July 2011 and was very well received. This year has seen the release of the equally-successful ‘Genesis’ in March and ‘The Outlaw’ in May, which was played on BBC Introducing in August. On 2nd September, The Disciples released their debut EP, which enjoyed a very positive reception. The band are currently working on their next release and planning a tour for 2013.

It’s tough to say more about DJ Dan than what is most likely known by just about any dance music fan that has ever taken interest in the genre. Just take a look at what some other legends have said: “Dan is a pivotal ingredient to live DJing and production, a real teacher to all."-DJ Sneak. "The thing I love about Dan is that he's always had a funky spirit and he always pushes the elements of music."-Carl Cox.

DJ Isaac (real name Joram Metekohy) is a Dutch DJ and electronic music producer. He began his career in the early 1990s and is known for his work in the hardstyle genre. He has released multiple albums, EPs, and singles, and has performed at various venues and festivals throughout the world. He has also released music on notable labels such as Scantraxx, Be Yourself Music, and Fusion Records. He is known for his energetic performances, incorporating live instruments and visuals into his sets. He has also remixed tracks for various artists and has been featured on numerous compilations and DJ mix albums. He is considered as one of the most influential DJs and producers in the hardstyle scene.

Bristol, England DJ and producer Eats Everything started out spinning jungle and drum'n'bass. Over the years, the man born Daniel Pearce incorporated more bass-loaded house into his repertoire, crafting a party-starting sound the likes of Carl Cox. His non-stop party started in 2011 with his debut track, "Entrance Song" (Pets Records), a heartier and richer version of Disclosure's deep house. The Eats Everything EP followed on Dirtybird, and Pearce, preferring performing over studio time, continued with a series of consistent releases over the following years. A slew of honors helped move along his exposure, notably a few essential mixes for Pete Tong's BBC Radio 1 show, as well as the DJ Mag award for Best British DJ in 2012. In addition to filling dancefloors, he also left his mark on works by Adam F, Jamie Jones, X-Press 2, Four Tet, Skream, Sinead Harnett, and Disclosure. ~ AllMusic

Eli Brown has rapidly established himself as an artist of real distinction in the house world, with his records making an immediate impact upon a flurry of the industry’s biggest names. Having grown up in Bristol, Eli Brown was exposed to a rich array of different musical influences from Jungle to Rave music, form Drum n’ Bass to House. Bristol’s musical heritage has helped define Eli Brown’s sound in an overcrowded House Music scene where he stands out from the rest. His talents have garnered key support from every corner of the dance music spectrum, with the likes of Carl Cox, Green Velvet, Fisher, Claude VonStroke, Black Madonna, Denis Sulta, Calvin Harris & Annie Mac, all endorsing the Bristolian’s productions. Singled out for his gritty style, Eli Brown’s productions are renowned for their singularly sinister approach, creating twisted dancefloor hits packed with vibrant club-ready energy. Self-taught in both his skills behind the turntable and his powerful production prowess...

̸BIOGRAPHY Elkka’s deep intuition is the unifying thread throughout Cardiff-born DJ and producer’s illustrious career. Vibrant releases for Local Action, Ninja Tune and her own label and party, femme culture, have marked her as an unstoppable force within the London underground. This recognition metabolised when she was awarded BBC’s prestigious Essential Mix of the Year in 2021, spotlighting her radiant blend of classic house, breakbeat and experimental electronica to the world over. As the next curator of DJ-Kicks, Elkka is voyaging through rave euphoria. “This is a really special moment for me because DJ-Kicks has been a formative part of my musical education,” she says. An intoxicating journey through Chicago house and disco, leftfield techno, UK bass and electro-punk, Elkka conjures up an atmosphere that is as primed for the club as it is the listener’s interior world. Elkka’s spellbinding DJ-Kicks mix starts with a simple whispered phrase: “Attention, lovers.” As ethereal synths gently undulate out of view, the life-affirming stomp of Shade’s 1978 disco classic Music Is the Only Way (I Can Communicate) comes into sharp focus. “I use track titles to communicate feelings. Often, I can’t verbally express how I feel, but through music, I can,” Elkka smiles. Specially-commissioned originals from artists Elkka admires inject a revitalising power into the mix. Pioneering experimental producer Herbert’s Keep Time (Nobody) is a percussive sound collage helmed by a supernatural, pitch-shifted pop vocal. “The vocals in it sound like Britney or Timbaland, who I obsessed over growing up. To have Herbert involved is like all my worlds in the naughties colliding at once.” London producer Breaka’s Like Water to a Fish deploys d’n’b breaks over a syncopated synthline, whereas Villager’s Monocyclical invokes the bursting energy of its title, acid 303 bass swirling bouncing around a driving 4/4 beat. Elkka’s own exclusive DJ-Kicks contributions further this magpie-like approach, and uncannily ring out like sister tracks. Hands’ lead synth melody and rolling hi-hat is gloriously uplifting, summoning the euphoric physicality of its title. Body is darker, heads-down cut, its chuggy percussion eliciting movement that can only be found in the dance. “You need both sides to everything. I wanted to write music that moves you and instantly evokes feeling. I’ve never connected with music that feels sonically ‘cold’ to me. That's not to say that warmth is always joyful, either – warmth can be anything that pulls you in, making you feel a connection.” 
This sense of intimacy permeates Elkka’s DJ-Kicks mix. “You have to just trust your own feelings. That’s exactly how I do everything – making sure that my music has my DNA in it and I feel connected to it,” she asserts. This intuitive practice also embodies a message of self-acceptance and community building for the LGBTQ+ community and women, both groups that she has championed since the start of her career: the rapturous trance of Carli’s Lights & Strobes thrust us into peak-time, while Australian producer’s Surusinghe’s Bad Girls is a fast and unexpected ride through UK bass. “Women’s voices and queer voices are very important to me. They always find their way into everything I do really naturally,” she says. Above all, this is a brightly-hued universe for you to get lost in; a portrait of joy and connection, set to the heady sounds of Elkka’s making. “I wanted to make something that was euphoric and celebratory,” she beams, “of everything I love.”

Enrico Sangiuliano is a name you will have noted if you have been anywhere in the electronic music scene for the last few years. Starting out as a sound engineer in Italy, he started to produce electronic music in the ’90s. Italy was his playground, with the illegal rave scene exploding, this was where he made his first break. International recognition came in 2015 with his remix of DJ Boris’s “Can You Hear Me” on Alleanza, claiming the title as Beatport's highest selling techno track. ~ Soundcloud

Eric Prydz stands alone in his ability to mix commercial success with underground notoriety. As well as triumphing in the charts, the Swede has also always been held in high regard by an adoring underground scene. His careful and smart approach of releasing certain tracks under different pseudonyms, on his own labels, has enabled him to achieve a kind of success that has never been seen before or since. Bringing in fans from across the board, Eric Prydz truly reigns as king of dance music.,The talented Stockholm DJ runs three separate record labels, each responsible for the more underground music that leaves his bustling studio. His Mouseville imprint has seen Prydz produce under the alias Cirez D, releasing harder and more upfront techno tracks to great acclaim. Knockout, the biggest selling EP from the label epitomises the Mouseville ethos with its succinct nod to the Swedish underground.

Paul Fisher, otherwise known as Fisher, is an Australian music producer born in Australia in November 1986. Fisher's musical genres include house and tech house. Before his music career he was a professional surfer. Fisher started out as one half of the DJ duo Cut Snake with surfer Leigh "Sedz" Sedley. The duo formed in 2012 and released the EP's Life's a Beach in 2015, Magic in 2016, and Action Burger in 2016. Paul Fisher released the single "Losing It" in 2018 which reached #26 in Belgium, #35 in Australia, and #60 in Ireland and in the UK. The song also reached #1 on the US Dance Club Songs chart. His single "You Little Beauty" was released in 2019 and reached #41 in Australia. Fisher was nominated for a Grammy Award for Best Dance Recording for "Losing It" at the 2019 Grammy Awards and the song finished at #2 in the Triple J Hottest 100 of 2018.

Ed Keeley, better known by his stage name Friction, is a drum and bass producer and DJ from Brighton, England. He runs his own record labels, Shogun Audio & Elevate Records, and has formerly presented a regular overnight show on BBC Radio 1.

To say Gareth Emery has had a good year would be a vast understatement. Over the past twelve months, the popularity and buzz surrounding the young Brit reached explosive proportions, culminating in him being voted no.9 in 2009’s definitive DJ Mag Top 100 poll: one of only a handful of DJs to crack the world’s top ten before the age of 30.,Was this down to producing pure club anthems like Exposure and Metropolis alongside stunning remixes for Armin Van Buuren and Above & Beyond, all of which led to him spending more time at the top of Beatport’s trance chart than any other artist in ‘09? Maybe it was the launch of his new Garuda label and club night, responsible for selling out Manchester�s iconic Sankeys club four times in a row whilst releasing his critically acclaimed compilation ‘The Sound Of Garuda’. Or perhaps it was the sheer amount of people he played to, banking half a million air miles travelling to over one hundred gigs at some of the world’s finest clubs and festivals. Whatever the reason, one thing is for certain: he’s on fire like never before.,Of course, what seems like ‘overnight’ success is usually the result of years of hard work, and Gareth Emery is no exception. He started learning the piano at 4, and whilst he’d completed his classical music training before he’d finished school, his real interest lay elsewhere, initially in guitar-based sounds. This was the UK in the mid-90s with Britpop and indie the order of the day, although as one might expect, Emery was no slouch, following the footsteps of Green Day and Oasis by headlining Southampton’s legendary Joiners venue at the age of just 15 with his band at the time. But it was a chance trip to Ibiza in 1998 that opened his eyes to the appeal of dance music, and after spending the next three years learning to make music with computers and midi, rather than guitars and pianos, he wrote his first electronic classic: the seminal ‘Mistral’, famously made whilst on holiday in France on a £500 laptop. Plenty more were to come.,These days, his records (which are composed, produced, and engineered entirely by him), span the worlds of trance, progressive, electro, techno, and a few other places. Languid, spacey grooves, juddering basslines and original melodies that take your breath away mean that it’s a given that Armin, Tiesto, Oakenfold, and Judge Jules have all been fully paid-up members of the Emery fan club for years. But more importantly, he’s firmly established as one of those rare producers who values quality over quantity, preferring to make five amazing records in a year then twenty average ones, and even happily refusing to release a track if it doesn’t feel “just right”, to the occasional frustration of his fans. It’s this uncompromising attitude, that drive for something unattainably perfect, that has made him one of the most sought-after producers and remixers on the planet.,But if there’s one place where he’s even more at home than in his studio, it’s behind the decks, where he’s morphed into the consummate superstar DJ, unequivocally demolishing dancefloors the world over. From global superclubs like Zouk in Singapore and Guvernment in Toronto, to epic festivals like Global Gathering, Trance Energy and Dance Valley, to the mega-brands like Ministry of Sound and Godskitchen, the utterly unique, instantly recognisable Emery sound continues to pack out more clubs, in more places across the world, than ever before.,The rise of Gareth Emery to dance music’s Premier league has been untraditional in almost every sense, and looking at his career, one gets the feeling he almost likes being the underdog. In 2009, when he was advised against launching his Garuda club night in the midst of one of the harshest recessions in living memory, he went ahead regardless, going on to totally sell-out every Garuda party that year. He also chose the road less travelled in 2006, when he turned down numerous offers from established radio stations to instead experiment with a virtually unknown format known as podcasting. It was a gamble that paid off, as four years and 100 episodes later, The Gareth Emery Podcast is now one of the most popular and influential dance music downloads in the world, with Emery’s famously diverse track selection and charismatic broadcasting style resulting in TGEP being nominated for ‘Best Podcast’ at the Miami Winter Music Conference IDMA Awards three years running.,Having also eschewed the lure of corporate major labels since the beginning, (almost all of his singles have been released on his own imprints), he’s living proof that you can amass a truly global following with little more than the power of the internet and some outstanding music. With millions of viewers on YouTube and legions of fans on Facebook, Twitter and Myspace, he’s a modern artist in every sense of the word; one with his finger truly on the pulse of the globalised, digitised planet we now inhabit. He sums it up in a recent interview: “At the start, there was no helping hand: I had no record deal, no money, and no idea about how to make my way in the music business. Basically I was just a kid from Southampton, who was making half-decent music on some very cheap equipment, and told people to check it out. The rest just sort of happened”. Inspirational stuff for talented kids everywhere.,With a list of achievements already far surpassing most DJs ten years his senior, Gareth Emery could easily sit back and be content with his lot, but you get the feeling that won’t be happening. After seeing his Garuda brand become the hottest label and club night launch in recent years (the quantity of Garuda t-shirts you now see at Emery gigs is testament to that), his plans for the next year are firmly rooted in the studio, where he’s determined to finally finish his long-anticipated artist album. “2009 was really all about Garuda. I started the year without a real home for my music, and now I’ve got one – as well as our Manchester residency which really was the surprise success of the year. But whilst Garuda has some amazing releases and nights lined up for 2010, for me, the next year’s all about finishing my album. I’ve been promising it since 2006, and whilst making a LP is undoubtably challenging when you spend half of your life abroad touring, I’m determined to put everything aside to finally nail it this year”.,At just 29, Gareth Emery’s well on the way to conquering the electronic music world, and if he finally cracks that artist album, he might just do it. Whatever happens though, 2010’s set to be a big one, as the worldwide Garuda massive eagerly await to see what’s coming next from this uniquely talented artist. We can’t wait – see you on the dancefloor.

Blending U.K. garage, deep house, and pop, London duo Gorgon City scored hits in the clubs as well as the charts throughout the 2010s. Sporting a big sound from the get-go, with heavy bass, catchy vocals, and sleek production, they made their debut on then-independent label Black Butter in 2012. Several hit singles, including the U.K. Top Five smash "Ready for Your Love," led up to the release of their highly successful debut full-length, 2014's Sirens. The duo kept busy over the next few years with constant DJ gigs and collaborations with stars such as Wyclef Jean and Chris Brown, and their heavily anticipated sophomore album, Escape, arrived in 2018. ~ AllMusic

A child of the garage generation Hannah Wants has validated herself as a world renowned DJ with some serious credentials. In 2014 alone Hannah picked up the Best Breakthrough DJ title at the DJ Mag awards and became Mixmag’s Best Breakthrough DJ and..Hannah Wants

Willem Rebergen, better known as Headhunterz, kicked off his DJ career in 2003. That year, a friend gave him a ticket to Qlimax, and it was love at first sight. Discovering hardstyle music and its dedicated scene changed his life. From that moment on, he committed himself to becoming the best producer in the hardstyle genre. He locked himself up in his tiny bedroom studio, in the attic of his parents’ house in Veenendaal, and quickly learned the ropes of producing. Unaware of the revolution he would start, the foundations of the Headhunterz sound were made. Headhunterz’ new take on Hardstyle music made the genre grow into an international phenomenon. It was no longer just the sound of European raves, but became something worldly. Headhunterz made new audiences fall in love with the unstoppable energy of Hardstyle music. 7 years after visiting his very first hardstyle party he was on top of his career, with each new track captivating both his fanbase and artists outside the scene.

British deep/tech-house DJ and producer Daley Padley has achieved a remarkable amount of success under the name Hot Since 82. His tracks are energetic and a touch dramatic, yet smooth and not over-produced, and perfectly tailored for clubs and dance festivals. After collecting some of his initial singles and remixes as Hot Since 82 on the 2013 full-length Little Black Book, Padley founded Knee Deep in Sound in 2014 and continued releasing singles and mix CDs on the label, as well as others such as Truesoul and Moon Harbour. ~ AllMusic

Manchester

Ivy Lab is a collaborative project between Sabre & StrayIvy Lab

̸BIOGRAPHY Giovanni Jano, better known as Jaël, is a 24 year old Moluccan musician, producer, deejay and singer from The Hague, The Netherlands. His passion for music all began when he grew up with soul/funk classics & Vinyl. His parents are funk & soul lovers, so Jaël started to embrace these vibes and wanted to make his own music. Jaël came into contact with the guitar, drums, keys and started to realize that playing music is his destiny. Playing instruments become second nature to him, but a few years later he was exploring some music programmes, and felt like making music on his old Windows PC. Jaël mixed his soul & funk feels with his electronic vibes and combined it with a touch of smoothness & Beats. His most favourite artists are: Sango, Anderson Paak, J-Dilla, Kaidi Tatham, DEGO, Steve Spacek, Domu, Butcher Brown, DJ Harrison, Mndsgn, Dwele, Slum Village, Erykah Badu, Flying Lotus, D'Angelo, DJ Rob Manga, Mayer Hawthorne, Kendrick Lamar, BJ The Chicago Kid and many more. As a Deejay he's still fully inspired by his uncle DJ Rob Manga. Jaël was growing into the dutch Deejay scene and came in contact with great names like Jarreau Vandal, Full Crate, The Flexican & also was booked at the biggest festivals in The Netherlands such as Latin Village & Eastville Festival. Currently, Jaël is searching and creating his own sound and is busy on his debut EP that is scheduled to drop in 2017. It contains influences of artists such as Bryson Tiller, D'Angelo & Anderson .Paak. In the past few years Jaël got really inspired by these soulfull artists. The EP contains acoustic songs & futuristic sounds. Jaël is known as a remixer/beatmaker/deejay, but he is also a singer. So be on the lookout for Jaël's vocals & instrumental sounds. Stay on his grind.

JAMES ORGAN is a name rising through the ranks and rapidly cementing himself as one of the finest house and techno producers and DJs around. 2019 became a breakthrough year for the Liverpool-based DJ playing to huge crowds at Parklife, Reading & Leeds, Wilderness, We Are FSTVl, Creamfields, The Warehouse Project and many more alongside heavy support from BBC Introducing and releases on the likes of Saved Records and VIVa Music. James also held down a residency at Liverpool’s famous club night Circus warming up for and grabbing the attention of Hot Since 82, Loco Dice, Sven Vath, Larry Heard and many more.

Jamie Jones is a Welsh DJ, producer and two time DJ Awards winner. A modern-day example of a powerhouse in the music industry; as well as his own productions on a multitude of dance labels, he co-founded the globally successful label Hot Creations and launched the conceptual party Paradise, hosting events the world over including an eight-year residency at DC-10 in Ibiza. A highly respected DJ/producer that pioneered a new genre of house music, Jamie has a dedicated fanbase, hard-working ethos, and a solid team behind him that's been there since the beginning; with such a striking presence in the house and techno scene for the last decade, his entry into the Top 100 DJs poll is long overdue. Next year the Paradise Ibiza residency will launch in Amnesia for the first time, with a new theme — ‘An Age Of Love’. The terrace is a dancefloor that holds many nostalgic memories for Jamie, and we’re sure there will be many more moments to come following his legacy at DC-10. ~ DJMag

̸BIOGRAPHY Hailing from North London, 26-year old Jasper Tygner is a producer, composer and multi-instrumentalist. Jasper creates kaleidoscopic arrangements of rave-inspired, melody-driven tracks bursting with melancholic detail. Hailing from North London, Jasper Tygner is a producer, DJ, composer and multi instrumentalist. Shaped by early raving experiences growing up in London’s electronic underground scene, Jasper cites legendary institution Plastic People, along with a deep reverence for Jungle, dubstep and garage as key formative influences. During the lockdown of 2020 Jasper started a series of instagram “Bedroom Rave” live videos. Jasper’s on-the-fly performance series gave viewers a first hand look into him performing on an array of drum machines and analog synthesisers and very quickly garnered the attention of dance music heavyweights including Bicep, Kink, Disclosure and DJ Seinfeld. With his early releases on Shall Not Fade and Needwant along with a two-part release on Silver Bear Recordings, Jasper is taking solid leaps with his solo project and progressing as a producer and DJ alike. Jasper’s productions have been supported by Jaguar, Pete Tong and Jamz Supernova along with extensive airtime on BBC Introducing and Reprezent, aswell as being named one of Amazons 'Ones To Watch' 2022.

Timucin Lam, known professionally as Jax Jones, is an English DJ, songwriter, record producer and remixer. He rose to fame in 2014 by featuring on Duke Dumont's number-one single "I Got U". He followed this up with his own singles "You Don't Know Me" featuring Raye and "Instruction" featuring Demi Lovato and Stefflon Don in 2016 and 2017, respectively. Jax's debut studio album, Snacks (Supersize), was released on 6 September 2019. It was preceded by the single "One Touch" featuring Jess Glynne.

̸BIOGRAPHY Jay Carder fuses UK techno with bass, breaks and 4/4. Laden with percussion, her selections are a concoction of heavy leftfield sonics and lighter psychedelic sounds.

Guy James Robin, known professionally as Jonas Blue, is an English DJ, songwriter, singer, record producer and remixer based in London who produces music which blends dance with pop music.

Josh Wink has always run ahead of the pack, as a DJ, label owner, producer, remixer, and artist. With the release of Profound Sounds Vol. 2, Wink continues to forge ahead, challenging established conventions of what a mix CD should be, not only by remaining true to his mercurial aesthetic as a DJ, but also taking advantage of technology to fine-tune his selections into the best possible recorded representation of Josh Wink.,“Profound Sounds Vol. 1 is one of my favorite compilations – it just happens that I made it," says Wink of the new album’s 1999 predecessor. “It represents me, and the way I combine house and techno, in both my DJ sets and as a producer, pretty well. I’m not one for holding people to one specific genre; I love being on the median in between.”,The sound of Josh Wink today remains one of a man unafraid to walk the border between stylistic boundaries. Profound Sounds Vol. 2 starts off dark and atmospheric with “Form Is Emptiness” by Swayzak, then quickly builds momentum with the minimal and melodic Joshua Main mix of Rithma’s “Tracks for a Weirder Day.” The 73-minute mix incorporates hints of old school Chicago house (“Make A Move” by Minimal Man), electro (“E Series 2” by Frankie Bones), and even Latin and tribal house (“Auburn” by David Alvarado). Perhaps the finest example of Wink’s refusal to limit his play list to any one genre comes at the three-quarter mark, when he integrates Aaron Carl’s paean to house music, “The Word,” over techno-flavored tracks courtesy of Rino Cerrone and Mr. G.,Unlike most of the mix CDs clogging the shelves, Profound Sounds Vol. 2 doesn’t attempt to cash in on the latest trends or mega-hits. “We could have gone that route, and signed a couple of really big tracks, and put a sticker on the front that says, ‘Includes the hit so-and-so…,’ and everybody would go, ‘Oh, I know that one,’” Wink admits. "But my integrity as an artist doesn’t allow me to do that. I used tracks on this compilation that span a big period of time: Some older ones, some newer ones, and some unreleased.” And he made sure to include a few more of his own cuts this time around, including the hypnotic modulations of “Oakish,” the Blakkat remix of “Superfreak (Freak),” and his own South Philly Acid Pass redux of Dave Clarke’s driving “Compass.”,But making Profound Sounds Vol. 2 didn’t just begin and end with picking the tracks and sequencing them in a suitable order. After that step, he tailored every cut to meet his specific requirements for this mix. “Every track is re-edited as a Josh Wink re-edit. I don’t end up compromising the integrity of the original art, I just altered it to fit my contour.” Only after customizing each song was he ready to record the final version of the set. “In a sense, I did the mix twice,” he observes.,Towards that same end as an added value, Wink included a bonus disc to Profound Sounds Vol. 2, which features both audio and video content. The aural component includes the CD debut of four Wink productions previously available on vinyl only: The original “Superfreak (Freak),” “Evil Acid,” “How’s Your Evening So Far” (featuring Lil Louis), and “What You Mean To Me” by Range of Motion. The visual portion of the disc reveals an in-depth interview with Wink featuring studio and live footage, detailing the intricate process of making the record. “It’s important to me to let people know what I did on this to make this disc different, rather than just mixing it,” he reiterates.,Of course, diehard Wink fans expect nothing less from this artist, who has been breaking new ground for the past two decades. In the late 1980s and early ’90s, when most of the U.S. was just waking up to rave culture, Wink – who had been working as a mobile DJ in his hometown of Philadelphia since he was 13 years old – was already making his own tracks (“Tribal Confusion” by E-Culture, with his former partner King Britt) and hauling his records around the country to spin at burgeoning clubs and parties.,In 1995, Wink became one of the first DJ-producers to translate his hard work into mainstream success, when he unleashed a string of classics, including “Don’t Laugh,” “I’m Ready,” and “Higher State of Consciousness,” that topped charts worldwide, and made him a bona fide pop star in Europe. On his 1998 album, HereHear, Wink pushed boundaries even further, inviting fellow artists as diverse as Trent Reznor (Nine Inch Nails), Caroline Crawley (Shelleyann Orphan/This Mortal Coil), and Philly poet-performer Ursula Rucker (Jazzanova, The Roots), to contribute to a far-reaching disc that ran the gamut of electronic music styles, from ambient and trip-hop to drum & bass, as well as the trademark mix of house and techno on which Wink has built his international reputation.,Since the release of the first Profound Sounds compilation in 1999, Wink has been concentrating on various projects, including continuing to oversee operations of his Ovum Recordings record label. Over the past year Josh has released another two dance floor anthems, “How’s your evening so far” and most recently “Superfreak”, both of which continue his tradition of making distinct music that catches people’s ears and inspires others to compose their own music. Although he used to bristle at requests to remix other artists ("because you sell the rights away, and don’t own them any more, even though the remix is basically all your own music), lately he’s grown to enjoy that gig more, turning out such notable overhauls as his recent reworking of “Blue Jeans” for Ladytron, Paul Oakenfold’s “Starry Eyed Surprise,” and Depeche Mode’s “Free Love.” Wink hopes to compile his favorite remix gems on a CD collection soon. He’s also working on some songs with fellow Philly denizen G. Love (as in, G. Love & Special Sauce), and hopefully further collaborations and production gigs with other like- and open-minded musicians.,“I get bored if I do the same thing” Wink concludes. “Some people get pigeonholed as being into just one thing. I hate that. When there are rules, it doesn’t become art, and it’s not fun. I’ve learned that you can’t please everybody, so I’d rather be concerned with making good art, and the people that like this art will stick with you.” Profound Sounds Vol. 2 is classic Josh Wink. It dares to be different. It is good art. And, most importantly, it is great fun.

Jubilee has been staying up all night since as long as anyone can remember. She grew up in South Florida on the sounds of Miami bass, freestyle and Dirty South rap blasting from local radio stations like Power 96 and 99 Jamz. As a teen, she traveled to raves up and down the coast, absorbing Florida's uniquely regional palette of breaks, electro and drum 'n' bass. By the time she moved to New York City and started frequenting drum 'n' bass parties like Direct Drive and Konkrete Jungle, D&B was already becoming a gateway drug to a love of other UK underground styles such as grime, garage, dubstep and UK funky. You can hear the influence of all this music on Jubilee's debut album, 2016's After Hours – soaked in 808s and 909s, fog machines and laser rays, and containing a huge hit in the form of "Wine Up," a bubblin' bashment cut featuring Bronx dancehall sensation HoodCelebrityy...

One of the industry’s most exciting breakout talents, La Fleur is blazing a trail impossible to ignore. From her highly lauded collaboration with Sasha ‘Förbindelse’ that scored an Essential New Tune, to her stunning debut on Kompakt’s Speicher series ‘Tears’ and the relaunch of her Power Plant label with the exquisite ‘Aphelion’ EP, her elegant take on house and techno continues to captivate. The former Mixmag breakthrough artist is in high demand for her DJ skills, buoyed by a critically acclaimed Essential Mix last summer. Recent and upcoming gig highlights include Sonus Festival, Tomorrowland, Melt! Festival, Junction 2, Ultra Music Festival Miami, Resistance Ibiza, Lollapalooza Stockholm, Fusion, Creamfields, Loveland, Warehouse Project and the tastemaker favourite Department Festival on home soil in Stockholm. ~ Artist Official Bio

Since forming in 2012, Leftwing & Kody have gone on to become two of the UK’s finest exports. Both Mixmag and DJ Mag named them as ones to watch a mere year after they paired up, with DJ Mag even nominating them for ‘Best Breakthrough DJ’ in their Best of British Awards. Since then the duo has gone on to present a monthly Rinse FM show, earn residencies at Fabric (London) and Sankeys (Ibiza), as well as releases on Hot Creations, VIVa, Truesoul, Mobilee and Knee Deep In Sound, as well as their own renowned imprint Lost Records. It’s fair to say Leftwing & Kody, real names Jon Kong and Chris Adie, have made it look easy, but it’s their determination and diligence that’s helped them prosper so rapidly in such a short time. Before long support from the upper echelons of house and techno quickly burgeoned, with Carl Cox, Jamie Jones, James Zabiela, Maya Jane Coles, Loco Dice, Steve Lawler, Adam Beyer, Nic Fanciulli and Huxley continually advocating their productions throughout the years.

Based in Düsseldorf, Germany, Loco Dice is a house DJ/producer with minimal leanings who is affiliated with labels including Four:Twenty Recordings, Ovum Recordings, Cocoon Recordings, M_nus, and Cadenza, as well as the label he founded with production partner Martin Buttrich, Desolat. Born Yassine Ben Achour in Tunisia, he began his career in the early '90s as a rap MC/DJ named Dice'C. As such, he experienced some modest success in his German homeland, for instance releasing the 12" EP Coming from D-Town (1996) on Flavour Records and opening for big-name rap/R&B performers such as Snoop Dogg and Usher. In time he switched from rap to house music and changed his name to Loco Dice in the process. He in turn secured a residency at the Düsseldorf club Tribehouse, where he met superstar producer/DJ Timo Maas, who signed him to his Four:Twenty Recordings label. ~ AllMusic

Hailing from the DC Metro Area, Luke Andy is one of the brightest young stars in electronic music. After only three years of producing and DJing, Luke has already played some of the best venues and festivals in the world, and has an array of collaborations with established producers. After gaining support from artists like Ardalan, Shiba San and Claude Vonstroke, Luke moved to California to pursue his music career. His unique blend of influences include underground hip hop, brazilian bass, and tech house, making him quite the powerhouse in the scene.

Martin Garrix – the name that belongs to one of the youngest and most successful DJ’s/producers championing the pop and electronic scene. Garrix has taken his expertise across the globe, by headlining festivals, breaking through territories, and collaborating with major stars including Dua Lipa, Khalid and Bono, and The Edge. Climbing yet another rung of his ladder to stardom, he is a founder of his very own label (STMPD RCRDS), owner of a studio complex in Amsterdam, and a mentor to upcoming artists. Now in his mid-twenties, multiple years into a career that began by debuting the single ‘Animals’ back in 2013. The invigorating, dance-floor stomper soared to the top of the charts worldwide, ultimately altering the status of what would be considered popular music. Continuing his voyage to conquer the mainstream catchment area over the years, Garrix has become responsible for providing us with infectious and anthemic dance and pop records alongside a string of memorable collaborations; ‘In The Name Of Love’ with Bebe Rexha, ‘Scared To Be Lonely’ with Dua Lipa, ‘Ocean’ with Khalid, ‘Summer Days’ with Macklemore and Patrick Stump, and ‘We Are The People’ with Bono and The Edge. There’s no doubt that this ability to reinvent his brand and fearlessly experiment with his sound is an undeniable testament to his talent and longevity, ultimately driving his legendary narrative even further.

Headed by Blair Suarez, Adam Myles and Omar Guedar, Mason Collective are the dynamic trio rising through the underground music scene with their signature high energy grooves and explosive DJ sets. A breakthrough 2018 saw them play at some of the UK’s best venues and festivals including Creamfields, Parklife, WHP, Canal Mills and Studio 338. The Collective also made their European debut in Ibiza, Sonar and Hideout festival. MVSON events, each with a unique theme and dress code have rapidly grown to become one of the most renowned underground parties in Manchester. With a loyal following, the brand is now expanding across the UK and hosting various takeovers and festival stages. Fashion is a focal concept among The Mason Collective and their creative vision and distinct style have led to national campaigns and collaborations with Adidas, Footasylum and Gramm.

Matrix & Futurebound are a British drum and bass duo consisting of Jamie Quinn (Matrix) and Brendan Collins (Futurebound). They have had four top 40 hits on the UK Singles Chart; "All I Know" peaked at number 29 in 2012, "Magnetic Eyes" peaked at number 24 in 2013, "Control" peaked at number seven in 2014 and "Don't Look Back" featuring Tanya Lacey which peaked at number 38 in 2014.

̸BIOGRAPHY Since the age of 14 Mat has been mixing , scratching and making mixes - beats , spanning many genres and styles but always having one thing in common - heavy beats and bass lines which appeals to a wide variety of crowds.

Maya Jane Coles is a highly productive producer, songwriter, and DJ from London. Throughout her career, she has crafted intricate, personality-driven tech-house tracks in addition to dubstep and garage (primarily as Nocturnal Sunshine). First appearing with a series of well-received club EPs in 2008, her releases since 2010's Humming Bird EP have increasingly focused on her vocals and songwriting skills. Comfort, her 2013 debut full-length, effortlessly blended downbeat house and pop, and her 2017 double album Take Flight contained one disc focusing on downtempo songs, and another on club tracks. 2019's Full Circle (as Nocturnal Sunshine) branched out further, incorporating trap and drum'n'bass. ~ AllMusic

Michael Bibi has fast become an established member of the Underground Music scene. The London based new kid has honed is craft between countless hours in the DJ Booth & Locking himself away in his South London studio curating the world wide recognised sound & brand that is 'SolidGrooves'. Bibi is more than just your average Producer/DJ. Playing Music, Making music & a love for the party scene are the three sole things that motivate the SolidGrooves 'Head Honcho', he will not let anyone or anything come between him and making sure that his unique stamp is on every piece of music released & party put on under the brands name.

Moufang's grandmothers were both classical concert pianists. He can still remember favourite childhood moments, sitting under the piano as they played, surrounded and lost in sound.Move D

Nina Kraviz is one of techno’s most iconic DJs. Famous for both her dynamic and varied DJ sets, captivating performances and her acclaimed label трип (Trip), she’s been a techno powerhouse since she launched on the scene in 2009. In 2020, she played a series of live stream events and virtual festivals including an empty Dance Arena at EXIT and even on top of Mount Olympus in Greece. She also collaborated with streaming giants Spotify when she was chosen to be part of their trackID series, providing a regularly updated playlist to the platform that includes tracks from her own label as well as a diverse collection of releases from across multiple genres. That genre-hopping is also evident in her sets, where trance, techno, ambient and hardstyle can all be heard in one swoop, with her inimitable presence in the booth adding to the allure of Kraviz’s sets. As the DJ who played the most sets of any other in 2018, we’re sure she’ll be the first to hit the road again once it’s safe to do so. ~ DJMag

Oliver Heldens holds on to a place in the top 10 for another year. It’s hard to believe the Dutchman is just 25 years old, given how much he’s already achieved. At just 19, he scored a UK No. 1 with ‘Gecko (Overdrive)’ — the vocal version of his already popular track, featuring singer Becky Hill — and landed in the Top 100 poll for the first time later that year in 34th place. Since then, he’s released numerous hit tracks, launched his highly popular Heldeep label, taken over festival stages all over the world, and doubled-up his success via his more bass/tech-house-focused alias HI-LO.

For more than two decades, the world has known Paul Van Dyk as one of Germany’s most successful musicians and as one of the ultimate superstars of electronic music. As an artist, DJ and producer, Paul has surpassed various milestones over the course of his career, including having sold more than 3.5 million albums and being twice voted the world’s No.1 DJ. He has remixed the likes of Madonna, Justin Timberlake, U2 and Depeche Mode. Earning a Grammy nomination and accepting the “Order of Merit” from the state of Berlin are just two of Paul’s numerous accomplishments and accolades for his talents.,His sensational DJ sets attract expansive crowds on every continent. Not only does van Dyk fill the world’s best-known venues, but every year he transforms New York’s Central Park into a unique open-air festival.

Peggy Gou is a South Korean-born DJ and producer based in Berlin. During the 2010s, she became internationally renowned for energetic DJ sets, which dreamily flow through various styles of techno, house, and electro. Her own tracks, such as the acclaimed 2018 single "It Makes You Forget (Itgehane)," are vibrant, joyous productions that echo vintage deep house and post-disco without sounding like a throwback. ~

Jack Jutson and Liam Butler are house duo Pender Street Steppers, one of the primary acts associated with Vancouver's celebrated Mood Hut collective. The duo's productions are the aural equivalent of leisurely summer strolls, and they generally contain warm chords, brisk beats, and lo-fi production values. The Steppers' first release was 2013's Life in the Zone, a 90-minute mixtape of original productions. Two of the tape's standout tracks, "Openin' Up" and "M Flight," were pressed to vinyl by Washington, D.C. label Peoples Potential Unlimited in 2014, and three more were collected on the Bubble World EP during the same year. Both of these releases, as well as Jutson's solo singles as Jack J, became favorites with underground house DJs and clubgoers, and the duo stepped up their international touring schedule. Third PSS single "The Glass City" was released in 2015, and a typically relaxed self-titled EP appeared in 2017.

Formed during 2002 by three musicians from Western Australia with similar visions and musical backgrounds, Pendulum’s mission has always been to pull together their production resources, ideas and influences from various styles of music, to create a new sound that they felt was missing from dance music. The individual members behind Pendulum had been active in Perth’s live music scene for several years: producer / vocalist / keyboardist Rob Swire and producer / bassist Gareth McGrillen played together in the acclaimed Perth band Xygen, while Paul ‘El Hornet’ Harding was a veteran of the Perth DJ scene.

There are few individuals in the world of dance music who can claim the kind of influence Pete Tong has had over the last twenty years.Pete Tong

Under the Priori Moniker, Québecois musician Francis Latreille has established himself as a crucial voice in underground techno. His 2019 full-length debut On A Nimbus, released on his own NAFF imprint, was a haunting foray into the possibility/impossibility of technological utopia, where elements of dub techno, drum & bass, IDM, and tech-house curiously converged, resulting in an album at once familiar, modern, and undeniably singular. Francis followed that with a string of essential releases–from the slow-burning techy meditations of SCN and Little Flower to the anthemic, trance-inflected Infinity–ending with 2021’s Your Own Power. Priori is also an accomplished mixing engineer; a quick search will reveal an exhaustive list of credits on projects by Roza Terenzi, D. Tiffany, Escape Artist, Bambii, Gene Tellem, Maara, and ex-terrestrial, to name a few. Between the label he runs with Adam Feingold (aka ex-terrestrial) and the studio he runs with Patrick Holland, Francis is quietly shaping the course of underground electronic dance music in Canada and abroad.

QRTR is an electronic music producer and DJ based in Brooklyn, NY.

Having spent his formative years experiencing the electronic music scene from many different angles; first as a raver, music fan, promoter and finally DJ and producer, Richy Ahmed is....Richy Ahmed

Of course, the band’s route to success was not quite as simple as frontman H.P. Baxxter describes. Scooter have indeed worked hard on their career and – we should not forget – they have now been in the business for over ten years. The former techno trio, who fought their way through the discotheques with “Hyper Hyper”, has developed into a serious band that now fills arenas with 80,000 people, has sold over ten million records and whose list of gold and platinum discs just seems to be endless.,Did anyone expect this back in 1994 when the band was formed in its original line-up? H.P. Baxxter, Rick J. Jordan, Ferris Bueller and, not least, manager and label boss Jens Thele started small: The trio’s debut “Hyper Hyper” went straight into the charts – and was immediately passed off as a one-hit wonder. However, the critics and journalists spoke far too soon. The follow-up hits like “Move Your Ass”, “Friends”, “Endless Summer”and “Back In The UK” were all just as successful. Anyone who believed that Scooter just wanted ride on the wave of their first hit were very wrong. Fun was and is the driving force behind the trio, by far more than the pressure to succeed and live up to expectations.,This explains the phenomenon of Scooter seeming to re-invent themselves for almost every single. Constantly combining styles that others would strictly separate, H.P., Rick and Ferris employ their unbelievable creativity with a healthy portion of humour and irony. The result is electronic ballads, eighties-style electro tracks, melancholic songs like “No Fate” or “She’s The Sun” and the legendary techno rock monster “Fire” (1997), which still sends H.P.’s “Flying V” guitar up in flames each night on stage. New member Axel Coon also felt this when he replaced Ferris Bueller in 1997, as did his successor Jay Frog, who is still a permanent member of the trio today.,All band members have their own special roles: H.P. still writes all of the lyrics while Rick and Jay are busy with the playbacks in the studio. To keep Scooter’s hand in club scene, Jay has taken over the role of DJ and also mixes a set for the Kontor Radio Show every other week. Jens Thele, the man behind the scenes, is responsible for anything to do with organisation and Logistics. He is also the one to ensure the band gets back on track after any disputes.,If it wasn’t for this work distribution, Scooter would very probably not be where they are today. Twenty-eight singles and thirteen albums clearly show that Scooter are a lot more than just a project. All critics and doubters will have had to admit that by now too.,Scooter’s new single “Shake That!” sees the band take a brave step by placing H.P.’s shouts over pumping disco house music. This courage has also already been rewarded: “Shake That!” entered the charts at number eight – incidentally making it their seventh Top Ten entry in succession!,Scooter are now about to bring out their fourteenth album. And “Mind The Gap” has many new features to offer: The album will be sold in three different price categories for the first time. In addition to the basic version, which just consists of the simple disc (EUR 9.99), there is also a regular version (EUR 14.99) with a booklet, bonus tracks, video, a making of, photos and interview, as well as a deluxe edition (EUR18.99). The latter contains all the features of the regular version plus a bonus CD with eleven live tracks from the “We Like It Loud Tour 2004”.

Cameron Edwards and Joe Lenzie aka Sigma, have been making their presence felt on the drum and bass scene since 2007. From early releases on labels such as Charge and Viper Recordings, to the seminal All Blue on Zinc’s Bingo imprint (one of DNBA’s most downloaded tracks ever), the boys stepped up to the big time with serious dancefloor killers Paint It Black and the anthem El Presidente VIP.,With respect now gained with the scene as producers and highly sought after DJs, Sigma continue working to maximise their profile within the realms of D&B and beyond it. Highlights include their featured minimix for Annie Mac on Radio One, squeezing in 35 tracks in five minutes as well as remix work for artists such as Top Cat on Special Dedication, Ms Dynamite, and grime stalwart Skepta on Rescue Me (400,000 plays and counting). In amongst all the music and DJ gigs the guys found time to start their own label, Life Recordings, with debut release El Presidente VIP/ Something Special going on to be Nu-Urban’s highest selling release of 2009. They were also awarded Best Breakthrough DJs at the Drum & Bass Arena awards. A great way to cap off a successful year, and more recognition of Cam and Joe’s hard work and dedication to their craft.,With a new decade now here Sigma are intent on leaving their indelible mark etched permanently on the scene. Kicking off 2010 with Shut The Lights Off with Adam F and hip hop legend Redman, this is followed by their debut release for Breakbeat Kaos… The Stand Tall EP. Consisting of four tracks, it’s Sigma quality and Diversity all the way through. From the dancefloor stylings of Original Sin’s remix of Front To Back and brain thumping anthem The Jungle to the more melodic vibes on Baltimore and the vocodered vox on Stronger, The Stand Tall EP covers all bases. Confirmation of this is shown by the fact three of the EPs four tracks feature on the Ministry of Sound compilation CD entitled Mixed…. By DJ Friction, along with Paint It Black VIP. To add to all of this is the exciting collaboration with BBK head honcho and D&B legend DJ Fresh on Cylon. An unadulterated stomper of the highest order, Cylon, supported by the likes of Andy C and Goldie, is the lead track from Fresh’s latest long player Kryptonite.,What else to look forward to from Sigma? Well, there’s more episodes of their Life Podcasts. Utilising this wide reaching medium as a platform to further showcase their and other artists talents, previous guests include Goldie, Original Sin, DJ Fresh, IC3 and The Nextmen. Also keep an eye out for Sigma’s video diary on You Tube.

̸BIOGRAPHY Skeptical As a DJ and producer whose natural passion for music in all its forms eventually spilled over into a full blown production habit, Skeptical has been responsible for some of the most damaging yet delicate tracks within current drum & bass. Since the outstanding Blue Eyes EP on Ingredients Records in 2011 Skeptical has since had a slew of impeccable releases on highly esteemed imprints such as Dispatch, Metalheadz, Soul:r and Exit Records. Exit Records became the home for ‘Marka’, a collaboration with Dub Phizix and Strategy which went on to being a DJ’s pick for many dance floors worldwide while racking millions of views on YouTube. Skeptical’s releases schedule with Exit has been thick and strong with releases such as Imperial EP, Outset EP and Without A Trace EP with Alix Perez in 2017. Not shy of collaborating Skeptical is 1/5 of collective group ‘Module Eight’ made up of producers dBridge, Kid Drama, Loxy and Resound. Module Eight is a project of like minded producers with an aim to have fun writing experimental music, it has resulted in an album being released called ‘Legacy’. His collaboration track ‘Move Way’ with dBridge was released on the legendary R&S Records and was the first drum and bass track to come out on the record label since the year 2000. His work with various labels across the globe has seen him remix tracks from a wide range of producers such as Jubei, Jamaican reggae artist Sizzla and more recently Zed Bias. In 2017 he was voted ‘Best Alternative Artist’ at the Drum & Bass Awards UK. Skeptical who is known for his technical Djing abilities has meant he’s travelled the world to places such as Europe, America, South America, Canada, New Zealand, Australia and Asia, his DJ sets have been heard in some of the most popular clubs and festivals worldwide.

London-based producer/DJ Skream (Ollie Jones) played a vital role in the development and popularity of dubstep during the 2000s. Following early collaborations with fellow genre pioneers Benga and Loefah, he released one of dubstep's most easily recognizable tracks, "Midnight Request Line," in 2005. His tracks and remixes helped shift the genre from being a darker, more minimalist form of club music to something more melodic and accessible, paving the way for its mainstream popularity by the beginning of the 2010s. Skream's biggest commercial success was his involvement as part of dubstep supergroup Magnetic Man (with Benga and Artwork), whose self-titled debut album reached number one on the U.K. dance chart. However, while primarily associated with dubstep, Skream has never limited himself to one genre, and much of his work since the mid-2010s has explored house and techno. ~ AllMusic

Hailing from Manchester, production duo Mark Richards & James Eliot, collectively known as Solardo, are continuing the city’s rich heritage in house music.Solardo

Special Request is the new rugged alias for house and techno stalwart Paul Woolford. Inspired by the unruly conventions of UK pirate radio stations, this project captures the raw energy and diversity of the illegal airwaves and uses this as a springboard of inspiration for a series of heavyweight productions that span from murky house through darkside techno to chaotic eye-of-the-storm hardcore/jungle tear-outs. The end results are incendiary.

With several tracks to his name all made in the space of the last twelve months 2004 has been a massive year for Nick aka Sub Focus: the year has seen him breakthrough in unprecedented fashion armed with the likes of the technically astounding “Acid Test”, the simple yet devastatingly effective “Strobe”, the lively “Get on Up” and the altoghether awesome “X-Ray”. In a matter of months, he has gone from being one of many wannabe producers to become a permanent fixture of the award winning Ram Records family. Artists like Sub Focus are what “Best Breakthrough Producer” awards are made for.,Even though Nick has been obsessed with dance music, both its creation and its culture for a large chunk of his formative years, his first experience with making music came from playing bass in a rock band at school. However his involvement with the band didn’t last very long as on hearing dance music Nick was totally blown away by it’s diversity and the variety of sounds on offer. Consequently he decided that the tone of rock music didn’t satisfy as he felt it to be far too limited, in contrast Nick found the unlimited tonal possibilities of dance music to be extremely exciting. Particular music that got him hooked included; General Levy’s “Incredible” and most things from Prodigy’s early years.,Nick actually started making beats at the tender age of thirteen on an old Acorn computer, although to begin with he was just messing around he quickly found his passion and this light hearted hobby gradually became an obsession. It’s important to note that until recently Nick has been entirely self taught, his only aid coming from a whole host of software instruction manuals which he enjoyed reading from cover to cover.,Things didn’t really start to happen for him until last year when he made a conscious decision to take his production process extremely seriously. Nick enrolled in a renowned sound engineering course in London’s East End, where he found himself polishing up his self taught skills, whilst also going deeper into the realms of truly understanding the concept of sound.,Eventually Nick managed to make a few things that he felt proud of so he began to give out some CDs for his friends to listen to, only looking for a bit of feedback. However, a certain friend decided to take one of these “Don’t Play Them to Anyone Else” CDs and give one to award winning DJ and Ram Record’s label owner Andy C. On hearing the tracks Andy not only saw talent but he saw a release, within hours Nick had the phone call and within weeks Nick had his first release on Ram’s much respected sister imprint Frequency: a 12" featuring “Down the Drain” with “Hotline” on the flip.,With this new found confidence in mind; in recent months Nick went in the studio and rolled out three brilliant bits of production in quick succession. To Nick’s delight all of them got the stamp of approval; “Acid Test” and “Get On Up” will act as his follow up release on Frequency whilst his brilliant “Strobe” is to be included on Chapter Six of the Ram Raiders series on Ram Records. All the above tracks have been really well received by the scene’s top flight DJs but to Nick’s surprise press and radio have been in support too; they’ve all received regular airplay on both Grooverider’s BBC Radio 1 Drum & Bass show and Zane Lowe’s BBC Radio 1 prime time specialist show.,All that remains to be said is remember the name and watch this space.

After successfully infecting planet earth with the ‘Contagion’ album and world tour, Sub Zero Project takes on a new mission for 2020. Their brand new show ‘Rave Into Space’, takes you on a musical journey through the universe. Expect a psychedelic experience fueled by their signature, hard & experimental sound. A live act that will strike the visitors ears, eyes and body. Let’s light up the cosmos. Jump on board now and to RAVE INTO SPACE!

Through his recordings, epic-length DJ sets, dozens of commercial mix albums, and label operations, Sven Väth is one German trance and techno's most popular proponents. Originally the lead singer of a dance-pop group named OFF, Väth hit the big time in 1986 when OFF's "Electrica Salsa (Baba Baba)" became a number three pop hit in their native country. The band later disintegrated, leaving Väth free to pursue his interest in the hard trance underground of Frankfurt. An Accident in ParadiseVäth became a DJ of note for his marathon sets, which sometimes approached 24 hours, and his 1992 co-founding of Harthouse Records. His own releases on the label included those by Barbarella, Astral Pilot, and Metal Masters with the help of his partner, Ralf Hildenbeutel. Blessed with an agreement connecting Harthouse and its subsidiaries to the American major label Warner Bros., Väth released Accident in Paradise, again with contributions from Hildenbeutel, as his first solo album.

Andrea Graham, better known by her stage name The Librarian, is a celebrated Canadian DJ, producer, and curator. She is the co-founder and music director of Bass Coast Music Festival – known internationally for its innovative music programming and installation art – and is widely considered one of bass music's leading creative minds and tastemakers. Equally an artist and entrepreneur, Andrea’s reputation as an inclusive community-builder in the electronic world has brought her a legion of fans and industry followers across the globe. As a DJ, Andrea's sets move through bass music, dubstep, grime, footwork, jungle, drum and bass and more, tying the diverse genres together with fluid mixing and powerful low end frequencies that push the boundaries of the world's biggest PAs. Andrea performs throughout Canada, the USA, Australia, Central America, India and Southeast Asia. Past performance highlights include Coachella, Symbiosis, Bumbershoot, Lightning in a Bottle, Bass Center, Freestyle Sessions, Rainbow Serpent, and Shambhala. Andrea studied classical piano, jazz piano, guitar and voice until early adulthood, before translating that classical skillset into her passion for electronic music in the early 2000’s. The Librarian moniker was given to her by friend and Bass Coast co-founder Liz Thomson, referring to her signature glasses and expansive library of music. Andrea currently resides in Squamish, BC, Canada. When not touring or programming Bass Coast Festival, she is embarking on a highly anticipated body of original studio work.

DJ Tiësto, also known as Tijs Michiel Verwest, is a Dutch DJ and record producer from Breda, Netherlands. He is considered one of the pioneers of the trance music genre and is known for his live shows and remixes of popular songs. Tiësto began his career in the early 1990s and released his first solo album, "In My Memory," in 2001. He has since released several more albums and has performed at major music festivals around the world. He was voted the "world's No.1 DJ" by DJ Magazine in 2002, 2003 and 2004, and in 2013, he was voted "The Greatest DJ of All Time" by Mixmag.

Timothy Jude Smith, the Australian DJ, producer and musician better known as Timmy Trumpet has finally cracked the top ten in 2020’s Top 100 DJs poll. He's been on an upward trajectory for a few years now, steadily moving up each year from No.75 in 2016 to this year’s top ten rankings. In that time, he’s become infamous for his full-on, no-holds-barred performances, high-energy delivery and of course for his live trumpet skills – he’s actually an accomplished musician who has been playing his instrument since he was four and was Australian Young Musician of the Year at the age of 13.

̸BIOGRAPHY Host of You'll Soon Know on NTS Radio ► www.nts.live/shows/youll-soon-know Resident at 20/20 LDN ̸SELECTED DISCOGRAPHY U Smart w/ Ivylab ► www.soundcloud.com/ivylab/ivy-lab-time-parker-u-smart

̸BIOGRAPHY London bred taste maker T.Williams, has accomplished a full sweep of merited recognition that has accelerated over the last five years. London bred taste maker T.Williams, has accomplished a full sweep of merited recognition that has accelerated over the last five years. 2017 has been no exception, with a series of notable achievements that have not gone unnoticed, highlights of which include, Williams on the front cover of the Move Magazine. The in depth interview covered topics from his emergence on to the scene in 2010, his growth as an artist inking a deal with PMR records, a spot on the prestigious Radio 1 “Residency” which facilitated a number of bookings and performances the world over. The article also touched on his on going support from Red Bull Academy to his return to his independent creative roots with his Today Tomorrow records, the innovative spread covered every base. Another mile stone of 2017, was the launch and release of the collaborative efforts of Williams and Julio Bashmore, their first EP, one of many scheduled for further releases in the forthcoming year via their joint Independent Conch records. Avid students of house music, the label aims to push out more underground cross genre music with heavy rotation from Moxie & Shyone. The tastemaker also released an EP on the legendary NYC house label "Strictly Rhythm" stand out track "Moody Dubs" premiered by Annie Mac and Kerri Chandlers Madhouse Records, the stand out track "Together" reaching No.10 in the traxsource chart. As this year comes to a close, this year has proved to be a stellar one for the West Londoner as he starts work on Vol.3 of his "Sodality” Series. Williams continues to produce class remixes, all the while further expanding his global touring schedule for 2018.

Vini Vici is the new project of Aviram Saharai & Matan Kadosh, both well-known and experienced electronic music producers for over a decade. The concept of Vini Vici was formed by the boys with an intention to express their love for the old school sound, paired with their progressive ideas. Iboga Records and FM Bookings, widely considered to be the biggest psytrance label and booking agency, were the first to see the potential of the project and invited them to be part of their well respected family, alongside names such as: Ace Ventura, Liquid Soul, Ticon, Captain Hook, Atmos, and the like.

After meeting up in 2007, Willem van Hanegem and Ward van der Harst came together to form W&W and haven’t looked back since. The Dutch DJ and production duo have transcended the boundaries of genres and traversed the world with their globally acclaimed music and iconic live performances, becoming one of the most sought-after duos the world of electronic music has to offer.

Yousef proudly steps into 2017. With previous releases on Desolat, Bptich Control, Cocoon, Defected and Cecille, and new Yousef music signed and ready to be released this year on Crosstown Rebels, Knee Deep in Sound, Hot Creations, This & That as well as his own Circus Recordings. 2016 saw Yousef tackle remixes for The Glitz, Diego, Frank Storm and provide a powerful 'yousef circus rework' version of the legendary Chaka Khan. Yousef's legendary Circus event in his native Liverpool rolls into its 15th year, championing the finest in house & techno since day one, Circus embarks on its first worldwide tour with a staggering 15 events across the globe in 15 of the finest locations such as London, New York, LA, Sydney, Milan, Berlin, Paris and Barcelona With a total 15 completed dates in Ibiza during 2016 playing for the likes of Carl Cox at Space, Do Not Sleep at Space, ANTS at Ushuaia, Circo Loco at DC10 to hosting his own 10,000 capacity Circus arena at Parklife Festival in Manchester.

Kaifeng-born Yu Su is a composer, DJ, and sound artist.Yu Su