Ask anyone in drum'n'bass what first inspired them to make music and Grooverider's name is sure to crop up. Not only has he notched up an incredible twelve years behind the decks, DJing everywhere from dingy illegal warehouse parties to huge outdoor fe..Grooverider

Andrew John Clarke is a British DJ and record producer and is co-founder of RAM Records, a pioneering label in the drum and bass genre. Andy C was a DJ in his own right but gained a strong reputation and more bookings off the back of the successful "Valley of the Shadows" track, an early drum and bass track that walked the line perfectly between hardcore and drum and bass just as the genres were starting to split. The track, created and released by Origin Unknown (made up of Andy C and Ant Miles)—often referred to as "31 Seconds" or "Long Dark Tunnel" because of the samples it incorporates—made use of a heavy bassline, bell samples and a rolling drum track to produce a popular, easy to recognise track that was easy to mix and became a favourite in dance floors at raves across the UK and beyond. The track was released as an EP in 1993[7] and has been remixed and re-released several times, and is widely recognised as one of the most influential drums and bass tunes of the early 90s.

Russian Drum & Bass producer based in Saint-Petersburg. Exclusive artist of Dispatch Recordings with releases on Metalheadz and Sofa Sound Bristol

Mikel Bouzo Jardon in 2001 began his career hit in the world of electronic music, mixing from the bars, pubs and clubs of his region's such as the most important nationally like Non, Play, Guass, Skamner, Sound... Event promoter and creator of brands such as House Sensations o Zona Poky. Announcer and director of his radio show House Sensations Radio Show in Loca Fm San Sebastián 92.5fm. As a music producer currently has several references in the market on vinyl and today shares his latest working with house, tech and progressive in digital format.

Mike Di Scala and Dave Whelan are CamelPhat, a British electronic duo traversing various styles of deep house and techno. Formed in 2008, the pair put out a number of digital EPs and singles via Vice and Nervous Records before signing to Dutch EDM label Spinnin' Records in 2014. Enjoying chart success in Belgium with tracks such as "Constellations," "Paradigm," "Make 'Em Dance," and "The Act," they came to widespread prominence in 2017 with the Grammy-nominated "Cola," a collaborative track produced with fellow electronic musician Elderbrook. More high-profile collaborations followed, including tracks with Jake Bugg, Jem Cooke, and Yannis from Foals, while the duo also became regulars of the festival circuit, with dates at Glastonbury, Coachella, Creamfields, and Parklife. ~ AllMusic

Channel Tres is a producer, DJ, musician and artist from Compton, CA whose style and aesthetic is quickly making him one of the most buzz-worthy talents to hit the scene. Channel Tres fell in love with the art of music and production at the early age of nine when he stumbled across a CD entitled "The Love Below". From that moment, he knew he wanted to make and be a part of how music inspires people. He started playing drums and directing the church choir as a teenager. Then his desire to explore further music connections led him to attend University in Oklahoma where he studied music technology, composition and theory. His education only broadened his knowledge and love for the craft and set him on a path to create music that is clearly outside of the box.

Chase & Status are an English electronic music duo composed of Saul Milton (Chase) and Will Kennard (Status). In addition, Andy Gangadeen is the drummer when the band performs live. MC Rage formerly performed as MC with the group, but left in July 2021 to focus on solo ventures. The duo are from London, and formed in 2003 after meeting at university in Manchester. The duo have since released six studio albums and collaborated with major artists such as Plan B, CeeLo Green, Rihanna, Example, and Tinie Tempah. They run the independent record label MTA Records. William Kennard founded ELAM (East London Arts and Music) in 2014.

An artist with a minimal online presence, Commodo is one of an increasingly rare few who make waves through the strength of their music alone. He builds bass-focussed beats with soul and substance that never perpetuate a formula, distancing himself from contemporaries with ingenious sampling and sound design influenced by his long-time affinity with the vibrancy of hip hop.

Deadbeat is Scott Monteith, an adopted Montrealer who has been releasing his own special blend of dub laden, minimal electronics since 2000.Deadbeat

Hatcha’s roots go deep back into late ‘90s UK garage, Croydon and pirate radio. Originally the buyer at the now defunct Big Apple record shop, Hatcha was one of the very first DJs to pick up on the new dark strains of 2step that were being made by local producers like El-B, Artwork and Horsepower at the turn of the millennium. As the producers came into the shop to sell white labels of these niche new sounds, a community arose. The shop began its own label, Big Apple Records and its first release was the dubstep classic “Red” by the shop’s resident producer Artwork. The next releases came from his two protégés, Benga and Skream. As the garage sounds from south London began to take on their own unique, dark swung direction, it became clear that the nascent scene needed a home. In 2001 Forward>>, dubstep’s founding club, started with Hatcha a resident. It was here he began to up the ante. While other DJs came with a collection of white labels (tracks immanently due for a public releas

Paul Fisher, otherwise known as Fisher, is an Australian music producer born in Australia in November 1986. Fisher's musical genres include house and tech house. Before his music career he was a professional surfer. Fisher started out as one half of the DJ duo Cut Snake with surfer Leigh "Sedz" Sedley. The duo formed in 2012 and released the EP's Life's a Beach in 2015, Magic in 2016, and Action Burger in 2016. Paul Fisher released the single "Losing It" in 2018 which reached #26 in Belgium, #35 in Australia, and #60 in Ireland and in the UK. The song also reached #1 on the US Dance Club Songs chart. His single "You Little Beauty" was released in 2019 and reached #41 in Australia. Fisher was nominated for a Grammy Award for Best Dance Recording for "Losing It" at the 2019 Grammy Awards and the song finished at #2 in the Triple J Hottest 100 of 2018.

I've been in this game for as long as I can remember, seeking out bits of punk rock, pop and reggae when I was still a kid in Walsall. When slap bass days arrived in the mid eighties I started to get into Loose Ends, Change and Maze travelling for funk..Goldie

Blending U.K. garage, deep house, and pop, London duo Gorgon City scored hits in the clubs as well as the charts throughout the 2010s. Sporting a big sound from the get-go, with heavy bass, catchy vocals, and sleek production, they made their debut on then-independent label Black Butter in 2012. Several hit singles, including the U.K. Top Five smash "Ready for Your Love," led up to the release of their highly successful debut full-length, 2014's Sirens. The duo kept busy over the next few years with constant DJ gigs and collaborations with stars such as Wyclef Jean and Chris Brown, and their heavily anticipated sophomore album, Escape, arrived in 2018. ~ AllMusic

A child of the garage generation Hannah Wants has validated herself as a world renowned DJ with some serious credentials. In 2014 alone Hannah picked up the Best Breakthrough DJ title at the DJ Mag awards and became Mixmag’s Best Breakthrough DJ and..Hannah Wants

British deep/tech-house DJ and producer Daley Padley has achieved a remarkable amount of success under the name Hot Since 82. His tracks are energetic and a touch dramatic, yet smooth and not over-produced, and perfectly tailored for clubs and dance festivals. After collecting some of his initial singles and remixes as Hot Since 82 on the 2013 full-length Little Black Book, Padley founded Knee Deep in Sound in 2014 and continued releasing singles and mix CDs on the label, as well as others such as Truesoul and Moon Harbour. ~ AllMusic

Ross Birchard is the one of the most exciting record producers to come out of Scotland in the last ten years, seducing heads and ravers alike with his neon-lit R&B and warehouse smashing low-end production. Now, as the unlikely poster boy for a new ge..Hudson Mohawke

̸BIOGRAPHY Jaguar is a broadcaster and DJ representing the next wave of emerging talent on her BBC Radio 1 show, Introducing Dance. Jaguar Bingham is every bit as memorable as her name. Hailing from Alderney in the Channel Islands, but based in East London, the 27-year-old broadcaster, DJ and journalist, known mononymously as Jaguar, is among the new guard of multi-hyphenate talents steering UK dance music towards brighter waters. She’s a next-gen tastemaker instigating change through projects such as UTOPIA and The Jaguar Foundation. Jaguar’s work to date, spanning from her radio internship at BBC Radio 1 and 1Xtra in 2014 to more recent endeavours such as her landmark BBC Introducing on Radio 1 Dance show, has been anchored by a desire to spotlight new artists and minority voices within electronic music. It’s what drew her to BBC Introducing – a platform devoted to unsigned and emerging musicians – in the first place. In 2016, Jaguar joined the crew as Team Assistant at the station’s Sheffield HQ. At the time, she was studying English Literature at Leeds University. (A move, says Jaguar, spurred on by the city’s reputation for vibrant nightlife.) Each week, she would rifle through tunes submitted to the BBC Uploader by new artists. “I was listening to all the dance tracks and sending them to Danny and Monki, and Annie's shows and Pete's shows,” says Jaguar, who later worked for BBC Introducing’s Central Team in London, “so I was ready, even then, for my own show.” That moment came in 2020, when Jaguar launched the BBC Introducing Dance show on Radio 1. A defining moment in Jaguar’s career to date, the show has been met with critical acclaim. In 2021, Mixmag named her Broadcaster of the Year – a poignant accolade, given it was there that Jaguar’s voice and face became synonymous with its weekly office party, the LAB LDN. “I fell in love with dance music at the LAB LDN,” says Jaguar on her time at Mixmag, where she also worked as Weekend Editor for a time. “It was really special.” Elsewhere, she was awarded Best Radio Show for BBC Introducing Dance through a public vote at last year’s DJ Mag Best of British Awards. The magazine had previously dubbed her “UK radio’s next gen champion”. More recently, Jaguar was tapped to co-present this year’s IMS alongside summit co-founder Pete Tong MBE. Keen to diversify her work, Jaguar has also produced and voiced documentaries for radio on topics such as LGBTQIA+ safe space clubbing and written articles spotlighting unsung Black women pioneers in house music. She was also Beatportal’s Guest Editor in August 2021, and previously helmed a show on South London community station Reprezent Radio, which she dedicated to new music and guests such as HAAi, Anja Schneider and Dance System. In September 2020, Jaguar turned her attention to parties. She launched an event, UTOPIA, with the brand later branching out into a UTOPIA Talks conference and podcast. The latter welcomed SHERELLE, Mary-Anne Hobbs, Sama’ and many more in its first season. “I describe UTOPIA as my vision of the world,” says Jaguar, reflecting on the brand at large and the very first UTOPIA club night: a sold-out celebration at London’s Night Tales. “It’s a world I'm trying to get to through all of the work I do: radio, DJing and so on. It's a community.” Speaking of communities, Jaguar was inspired by some of the queer parties and venues she’d encountered previously as a member of the LGBTQIA+ community. Dalston Superstore, say, or Leeds’ Wharf Chambers. Elsewhere, she’s thrilled to be sharing her latest project, The Jaguar Foundation, with the world. A partnership with Ministry of Sound and Sony Music UK Social Justice Fund, Jaguar described the foundation as a “home for my long-term commitment to [equalising] music through more forward-thinking initiatives and partnerships” in an op-ed she penned for the Independent. The Jaguar Foundation released its first report on the state of gender equality in UK dance music at last month’s IMS. Furthermore, the foundation’s first initiative, Future1000, saw Jaguar collaborating with in-school music education platform Virtuoso (fka FutureDJs) on a free, UK-wide DJ, production and leadership programme which introduced 1000 female, trans and non-binary students aged 12-18 to the music industry. A major move for the industry and Jaguar alike. Tackling issues such as gender imbalance, representation and accessibility within the industry at a foundational level, the initiative provided curious minds with artist-led sessions with the likes of Jyoty, Jayda G and Bklava and course modules curated by the London College of Music Education. “I wanted the students to feel represented, supported, and comfortable,” explains Jaguar. “It can be scary learning to DJ. I wanted them to feel they were in an environment where they feel safe to explore their interests.” Future1000 was brought to life during the pandemic. It was then that Jaguar, amid the chaos of the time, recognised what her purpose was – and had been for some time, subconsciously – within the industry: amplifying marginalised and undiscovered artists and DJs. “It made me look inward,” says Jaguar on lockdown. “I realised I’m never going to be the loudest person. My way of expressing myself comes through my work and making it clear that I’m going to spotlight not just great music, but great music from women, and Black, brown, trans and non-binary people.” Born to a Ghanaian mother and English father, Jaguar cites the “lineage of Ghanaian women” on her mother’s side, along with her girlfriend, as continued inspirations. Though it was her father who taught her to always go the extra mile and dream big. (She reckons she’s also inherited his work ethic.) She looks up to fellow tastemakers such as Annie Mac and The Blessed Madonna, as well as Clara Amfo and Honey Dijon. This admiration is entirely reciprocated. Jaguar is a regular at the Annie Mac-curated Lost and Found Festival in Malta, for instance, where she treats sun-kissed ravers to her signature cocktail of genre-hopping, feel-good bubblers. She has previously supported Annie at venues across the UK, including Warehouse Project and the Pickle Factory. In 2018, Jaguar was mentored by The Blessed Madonna for the Smirnoff Equalising Music campaign. It was a spectacular ‘pinch-me’ moment that solidified her incredible career trajectory up until then. Let’s rewind though, for a second. Growing up on Alderney, it was the video games that initially piqued Jaguar’s interest in immersive electronic music and world-building through sound design. “I’d play Final Fantasy and Kingdom Hearts,” she recalls. “I loved fantasy games, they’ve got such incredible soundtracks. I’ve actually started gaming again, since lockdown. Seven-year-old me would be excited to see it.” Her older brother exposed her to much of the music that eventually shaped her personal taste. (Her brother’s collection, that is, along with teenage summers spent raving in WWII bunkers on the island). Back when they were kids, he would transfer tunes from his Limewire-acquired collection to her iPod. “I'd listen to Kanye West and the Chemical Brothers,” she says with a grin so infectious you can’t help but smile too. “I remember hearing Timbaland's Shock Value for the first time, as well as Gorillaz's Demon Days.” A love for pop music soon blossomed, with Beyoncé, Black-Eyed Peas and emo/pop-punk outfit Evanescence, along with Aussie sisterly duo the Veronicas, among her favourites back then. Her affinity for electronic music and genres such as house, techno and disco, along with jungle, drum’n’bass and stacks more floor-filling styles, merged with an interest in student radio while in Leeds. “I loved the way talking about music, discovering music and presenting it to an audience made me feel,” she says of the days spent presenting and producing her own student radio show, Dangerous Jag. In 2016, Jaguar won two coveted Studio Radio Awards. “It was like winning an Oscar at the time!” she laughs. Since her first stint on the airwaves, it’s been clear Jaguar possesses a natural talent for bonding with listeners via a shared love for great music. Not only that, but a determination to uplift those around her. See, Jaguar isn’t content with making a name for herself alone. Instead, she strives to rise through the ranks side by side with her peers. Take her recent run of headline UK shows with UTOPIA, which saw her inviting Future1000 alumni Badly Drawn Banana aboard the HMS UTOPIA for an intimate party on the Thames. Looking ahead, Jaguar is a resident at iconic hotspot Pikes Ibiza this season, with shows also confirmed at storied venues such as DC10 and Amnesia. Elsewhere, she’ll set out on a must-see European tour of her own, hitting up events such as Glastonbury, Circoloco and Radio 1’s Big Weekend this spring and summer. Jaguar will also fly UTOPIA out to Ibiza for a pair of unmissable White Isle shows, and make her US debut this October at CRSSD Festival. She’s also ideating on future film and documentary projects. She’d like to write some books down the line, and live out her childhood dreams by dabbling in TV presenting. She also plans to grow UTOPIA into a festival one day and aspires to host the BBC’s coverage of Glastonbury. We can expect future club sets to include specially-produced edits of tracks made by Jaguar’s friends, too. A neat touch, one that’s very much in keeping with the spirit of togetherness that permeates through all that Jaguar does. Togetherness, authenticity and the delightful purveyance of effervescent dance music: these are the calling cards of Jaguar.

Jamie Jones is a Welsh DJ, producer and two time DJ Awards winner. A modern-day example of a powerhouse in the music industry; as well as his own productions on a multitude of dance labels, he co-founded the globally successful label Hot Creations and launched the conceptual party Paradise, hosting events the world over including an eight-year residency at DC-10 in Ibiza. A highly respected DJ/producer that pioneered a new genre of house music, Jamie has a dedicated fanbase, hard-working ethos, and a solid team behind him that's been there since the beginning; with such a striking presence in the house and techno scene for the last decade, his entry into the Top 100 DJs poll is long overdue. Next year the Paradise Ibiza residency will launch in Amnesia for the first time, with a new theme — ‘An Age Of Love’. The terrace is a dancefloor that holds many nostalgic memories for Jamie, and we’re sure there will be many more moments to come following his legacy at DC-10. ~ DJMag

Music Producer / DJ DJ Bookings UK/EU: finwa@metaphoragency.co.uk Management: helen@enki-agency.co.uk

Since forming in 2012, Leftwing & Kody have gone on to become two of the UK’s finest exports. Both Mixmag and DJ Mag named them as ones to watch a mere year after they paired up, with DJ Mag even nominating them for ‘Best Breakthrough DJ’ in their Best of British Awards. Since then the duo has gone on to present a monthly Rinse FM show, earn residencies at Fabric (London) and Sankeys (Ibiza), as well as releases on Hot Creations, VIVa, Truesoul, Mobilee and Knee Deep In Sound, as well as their own renowned imprint Lost Records. It’s fair to say Leftwing & Kody, real names Jon Kong and Chris Adie, have made it look easy, but it’s their determination and diligence that’s helped them prosper so rapidly in such a short time. Before long support from the upper echelons of house and techno quickly burgeoned, with Carl Cox, Jamie Jones, James Zabiela, Maya Jane Coles, Loco Dice, Steve Lawler, Adam Beyer, Nic Fanciulli and Huxley continually advocating their productions throughout the years.

Jordan Alexander (aka Mall Grab) is an Australian house producer whose specialization in lo-fi tracks doesn't stop him from encompassing a variety of genre influences. Emerging in 2015, Alexander took his moniker from the sarcastic term used when someone holds a skateboard incorrectly -- with the grip tape rubbing against their clothes -- which is typical of people who use one as an accessory; the name hints at the fun-loving nature behind his productions and his often-cheeky demeanor. Sun RaBorn in Newcastle, Australia, Alexander was originally inspired by his parents' rock & roll record collection, but when he hit his teens he developed a love of electronic and dance music, specifically electro and the rise of the Ed Banger crew. As his taste matured, Alexander found an affinity with dusty, understated house cuts, leading to his debut EP, 2015's Feel U, which saw release on Canadian label Collect-Call; despite being the label's first unknown signing, the EP quickly sold out. ~ AllMusic

Representing real drum and bass at it’s finest, Mantra’s deep and emotive sound in the mix comes from an intense passion for the music. With a selection that’s both inspirational as well as educational, her sets bring the beats into balance and cross the spectrum of dark and uplifting styles. Much more than just a DJ, Mantra has already made an impact across the drum and bass scene and looks set to keep rolling strong. Conscious of the history of the music she loves yet always looking to push things forward, she’s no newcomer and her involvement with drum and bass runs much deeper than just a hobby. Having worked for record distributers SRD as well as promoting her own regular club night, Rupture, she’s learnt from the ground up and built a solid foundation on which she continues to grow.

DJ, producer, label owner and businessman: Mark Knight has proven a rare and wonderful breed of musical heavyweight. The second highest-selling Beatport artist of all time (with no less than eight No.1’s) his career has spanned more than a decade, with releases on a diverse range of labels such as Suara, 1605, Stereo and of course his own Toolroom. Despite his success, the Grammy-nominated artist has never rested on the laurels of being one of the industry’s most respected and accomplished international players, and continues to push boundaries and set new standards with each year that passes. ~ Soundcloud

MC Moose, originator and pioneer of the Jungle & Drum & Bass scene in the UK

Producer, remixer, DJ and Area10 label boss, Detroit native MK (marc kinchen) came toprominence early on in his career when songs like “Always” and “Burning” and records like “4You” and “Just A Dream” penned under his alter ego 4th Measure Men became some of themost influential house songs of the ‘90s and still remain so today. Along with his iconic take on“Push The Feeling On,” he was able to put an unknown group Nightcrawlers on the map simplywith his unique and timeless remixes.A look ahead to the early 2000s had MK sharpening his R&B skills with powerhouses like WillSmith and Diane Warren, and by 2007 or so, he realized he needed a change. ~ Official Website

Carving a reputation as the contemporary face of British house and techno, Patrick Topping continues to garner widespread acclaim on account of his prolific production prowess and dynamic DJ sets. Soundtracking countless sunrise memories as resident of Jamie Jones’ famed Paradise parties at Ibiza’s DC-10, Patrick’s now 50-release strong back-catalogue is bursting with iconic dance-floor records on labels such as Hot Creations, Truesoul and Relief Records, with further remixes for Calvin Harris and Booka Shade charting Patrick’s meteoric rise. Armed with an arsenal of career defining productions in the form of the Beatport chart-topping ‘Be Sharp Say Nowt’, Green Velvet collaboration ‘Voicemail’, and 2014’s Ibiza track of the season ‘Forget’, Patrick’s far reaching appeal has seen him play numerous festivals including Coachella, Awakenings, Ultra, and Tomorrowland. ~ Soundcloud

Rebūke is a standout star. A breakout act forged in the white-hot atmosphere of the Irish underground music scene. An artist constantly searching for something new and exciting who’s captured that elusive thing – a sound and a style... all his own. ERA is Rebūke’s brand new world. A place for people to lose themselves in a realm of sound and vision. The first release, the double header “Glow / Void” – is an introduction to ERA’s universe, where Rebūke has created a captivating sense of futurism. Carefully crafted pieces of music accompanied by a visual narrative, allowing people to experience Rebūke’s ERA vision and storytelling in full and create something truly remarkable across music releases, live shows, and a thriving online community. All of this has been built on a rock-solid discography on some of the most sought-after labels of the last decade. His Afterlife collaboration with Anyma ‘Syren’ is a magnificent piece of forward thinking melodic techno and has already become one of the most requested tracks of 2023. ‘Along Came Polly’ was a game changing track that sounded like nothing else at the time. It rocketed to the top of the Beatport charts, staying there for two months. It was Essential New Tune for Pete Tong on BBC Radio 1 and established instantly Rebuke’s reputation for creative sound design. On the remix front his magic touch has been applied to a who’s who of underground music including Underworld, Tiga and Kölsch, Chris Lake, Kevin Saunderson, Green Velvet, Max Cooper among others. He continues to sell out venues across the globe and expand his fanbase with a series of carefully curated ERA live shows in Barcelona, Beirut, New York, Los Angeles and beyond.

A born entertainer with a burning desire to play music to people around the world, Sam Divine’s enigmatic sets are an effortless schooling in pure, unadulterated house. From her early days as the sole member of the Defected street team in Ibiza to fronting their radio show and now headlining some of the world’s biggest clubs and festivals, The First Lady of Defected, has become an intrinsic part of the UK house music scene. The seeds of Sam’s DJ career can be traced back to a pair of belt drive turntables and a battered Numark mixer set up in her Mum’s shed; a pirate radio show broadcast from her bedroom using ‘borrowed’ equipment from the local college and MSN Messenger, and time spent expanding her musical knowledge working at Spin Central in her hometown of Weston-super-Mare and Chemical Records in Bristol. ~ Soundcloud

SHERELLE is leading a new generation of high-speed ravers who are addicted to jungle, drum ‘n’ bass, footwork and juke. Through her DJ sets, radio shows and record label she gives a platform to both scene elders and new talent and is committed to pushing 160bpm+ dance music into the future. The London-born DJ has been busy since that Boiler Room sent her signature brand of low-end energy viral: She’s held down a year-long Radio 1 residency that’s seen her showcase cutting-edge dance music to a mainstream audience as well as host OGs like DJ Spinn, 4Hero, Kode9 and Luke Vibert as well as next gen disruptors like Mantra, L C Y, Yazzus and Fracture; She’s started the Hooversound label alongside partner in club music Naina with releases from Hyroglifics, Sinistarr and Deft; And she’s co-founded the incendiary 6 Figure Gang squad with Fauzia, Jossy Mitsu, Dobby and the aforementioned L C Y and Yazzus. Let the takeover begin.

DJ | Presenter KISS FM Producer | Head operator @ 24hr Garage Girls

Shy FX crashed the British pop charts in mid-1994 with "Original Nuttah", one of the most infectious Ragga-Jungle anthems of all time and quickly became one of Jungle's most respected producers. Born in London, Andre Williams debuted on S.O.U.R. Record..Shy FX

Based out of Sheffield, with Cheff at the controls, Sinai Sound System presents UK influenced roots reggae music in the traditional sound system style.

London-based producer/DJ Skream (Ollie Jones) played a vital role in the development and popularity of dubstep during the 2000s. Following early collaborations with fellow genre pioneers Benga and Loefah, he released one of dubstep's most easily recognizable tracks, "Midnight Request Line," in 2005. His tracks and remixes helped shift the genre from being a darker, more minimalist form of club music to something more melodic and accessible, paving the way for its mainstream popularity by the beginning of the 2010s. Skream's biggest commercial success was his involvement as part of dubstep supergroup Magnetic Man (with Benga and Artwork), whose self-titled debut album reached number one on the U.K. dance chart. However, while primarily associated with dubstep, Skream has never limited himself to one genre, and much of his work since the mid-2010s has explored house and techno. ~ AllMusic

Hailing from Manchester, production duo Mark Richards & James Eliot, collectively known as Solardo, are continuing the city’s rich heritage in house music.Solardo

Official facebook page for the duo that is Technimatic. Release info, new music, upcoming dates and photos. It's all here.

Jason Chue, better known as Wookie, is a UK garage musician. He scored a UK top 10 hits in 2000 with his song, "Battle". Chue's career began in 1991 as a producer for UK R&B/reggae artist Wayne Marshall, producing most of Marshall's debut album 90 Degrees and Rising in 1994. Shortly after, Chue became writer/producer for Soul II Soul at their studio, working with Jazzie B for several years. He would also go on to produce for Dynamite MC and Doom Man.[2] Chue has remixed tracks by Destiny's Child, Public Enemy and Nas, among others. In the late 1990s, the 'Wookie sound' became apparent in his bootleg mixes of songs by Whitney Houston, Brandy and Debelah Morgan.

DJ , PRODUCER + VISUAL ARTIST FROM LONDON