High Priestess of the Motherbeat. Vinyl slinging since 1994. Dissolve boundaries and models. Unlock your body. Find each other.

̸BIOGRAPHY Producer, Dj and Live Performances. Call me. Gabo Barranco, also known as AAAA is a Mexican electronic music producer and performer, who works with an 'out of the box' approach. Barranco’s work is driven by analogue hardware, creating intense music pieces, varying from melancholic melodious ambient to undeniably heavy acid assaults. Throughout a relatively short career, he has performed and been part of events such as MUTEK MX, SXSW, BERGHAIN, FREEDOM (COL), Institut fuer Zukunft (GER), Comunite (MX) and Red Bull Music Academy Montreal. His music has been released by fresh and cutting-edge record labels, such as New York Haunted (NL), Omnidisc (MIAMI), Jack Dept. (NYC), Acid Avengers (FRA) and collaborating with die-hard heads like Tin Man. ̸SELECTED DISCOGRAPHY Shiva Watts (ANTIME) 2014 East is the Beast w/Tin Man 2015 True Peak Ep (New York Haunted) 2016 Anorak Ep (Jack Dept. NY) 2017 Jazz D Ep (Omnidisc) 2017 Interdimensional Grid / DOVS (Jack Dept. NY) 2018 Acid Avengers 010 Split 2018 Silent Cities / DOVS (Acid Test) 2019

̸BIOGRAPHY Adab became the knowledge of poetry, oratory, ancient Arab tribal history, rhetoric, grammar, philology, and non-Arab civilizations that qualified a person to be called well-bred, or adīb. Characterized often by their palette of sounds, they made a name for themselves in Cleveland spinning a variety of genres (house/techno/beats etc.) and venues alike. Having started djing dance music heavily as a result of finding Cleveland's queer run techno party In Training and being a non binary black youth raised across a few states in the Rustbelt (IL/MICH/OH), they seek to unabashedly open up new understandings for both themselves and others...

̸BIOGRAPHY ✨🧑🏿‍🦱✨ AGY3NA grew up in Nürnberg, a city in Bavaria, Germany. At a young age, he first got in touch with music through different ensembles, where he played both baritone and percussion. Ignited by his early endeavors into Berlin’s gay nightlife, he began DJing at local clubs and bars. He soon started to perform regularly back home in Nürnberg, while also curating and organizing concerts and parties as part of an independent promoter collective. By mixing music from different genres and decades, AGY3NA often creates a feeling of nostalgia on the dancefloor, while always keeping his focus on playful rhythms and uplifting transitions. When he stands behind the decks, AGY3NA connects to his own feelings of freedom on the dancefloor. His music selection gravitates towards spacey, explorative, and rhythm-focused House and Electro. Afrofuturism, an aesthetic that explores the intersection of African culture and futuristic icons, plays a leading role in his artistic work. It not only connects his intrinsic urge for experimentation with his artistic expression, but also links it with his identity as a black man growing up in Germany. His projects are a result of the frictions related to this intersectional identity, which creates a unique narrative that cannot be ignored when listening to his music. After finishing his first degree in psychology, AGY3NA moved to Berlin to pursue a masters in cognitive science, while finetuning his DJing skills. Two years later, he moved to Leipzig, where he currently parallels his music projects with his research interests.

Akua is a Ghanaian-American DJ with roots in North American techno but exemplifies a sonic force that reverberates worldwide. A powerful fixture in the NYC scene for the past six years, she's cemented herself as one of the most distinctive techno DJs coming out of the U.S. in recent years. She has been at the forefront of a new generation of techno artists who find inspiration in the raw, innovative and rebellious spirit of old school techno. Her practice is a passionate dedication to archiving & activating timeless strains of raw and mechanized expression - fusing the new school of North American machine funk while harkening back to the innovation of Detroit, Chicago, & New York City DJs throughout history. A recent move to Berlin, a city that has held a crucial role in the evolution of techno, has provided her with the opportunity to further develop her craft by embracing the transcontinental connection that originally ignited the techno movement. All this plays out in Akua's blazing sets heard around the world - from exerting her renowned vigor behind the decks at hometown haunts like Basement and Nowadays to unleashing landmark sets at Dekmantel, Draaimolen, & Berghain. Already seasoned on the European tour circuit, she continues to garner respect and delight from the most discerning of DJs & dancers alike through her fierce mixing finesse and constantly expanding repertoire of futureproof classics.

̸BIOGRAPHY Ale Hop crafts complex pop arrangements with an experimental noise edge, utilizing electronic effects and computer software in order to mutate and reshape her instrument and voice. Her live performances merge the physical qualities of music with raw emotional states and unorthodox instrument procedures. She builds layers of sounds by blending a complex repertoire of guitar techniques processed by synthesis devices, to create a music of deep physical intensity. She began her career in the 2000s in Lima’s experimental and underground scene. In 2012, following several years of taking part in different pop and electronic bands, she finally started her solo project after performing alone for the first time in Boiler Room, during her residence at the Red Bull Music Academy New York. Ale Hop has performed, screened and exhibited work internationally at institutions and festivals, such as CTM Festival (2022), Haus der Kulturen der Welt (2021), New York’s Museum of Arts and Design (2021), Australia Independent Film Festival (2021), Stockholm City Film Festival (2021), Stedelijk Museum Amsterdam (2020), Somerset House Studios (2019), Heroines of Sound (2019), MALBA Latin American Art Museum of Buenos Aires (2015). ̸SELECTED DISCOGRAPHY Apophenia (Buh Records, 2019) Bodiless (Buh Records, 2018) PANGEA (Buh Records, 2015)

̸BIOGRAPHY Amaliah is a London based DJ and producer with an eclectic taste in sound. She also runs her own label, 'Borne Fruits'. Borne Fruits boss and Rinse FM staple Amaliah commands the rave as one of London’s most exciting artists, hybridizing modern house and techno sounds with global club cuts rooted in a love of soundsystem culture. Emerging from a lineage of inspired ravers immersed in the wide-eyed rush of dubstep’s golden era at Plastic People and London’s vibrant soundsystem culture, Amaliah has transcended these proud influences to stake her own inimitable claim within her native city’s ever-crowded clubbing landscape. Her DJ sets are signified by a purposeful energy informed by years of raving, where she unleashes anything from prog-laden house cuts alongside tribal techno pumpers before diving headfirst into percussive bass warpers and beyond. Crucially, these eclectic club styles sing harmoniously under her exhilarating party stewardship, exposing years of record digging and a general obsession with electronic music. This is exhibited with an impressive archive of mixes for the likes of Boiler Room, Crack Magazine, Hör and a much-loved Rinse FM residency, while also in standout sets at venerable institutions Panorama Bar, De School and Fabric and at festivals like Glastonbury, Love International, Gala and Waterworks. 2019 saw Amaliah establish Borne Fruits, a party collective-turned-label where she made her production debut with Borne Fruits 001 before a further various artists compilation release Club Entry Vol. 1 and an 2 track edits single with venerable Derry hero Or:la titled Y2SLAY followed to great acclaim. More solo productions of hers have dropped since on Earful Of Wax and her own imprint, characterized by driving and playful percussion and an unadulterated raver’s energy built for maximum club impact. This exciting year ahead sees Amaliah joining the Hessle Audio trio at Glastonbury for their The Wow stage takeover, making her debut at Draaimolen Festival and hosting a boat party at Love International as well as a b2b with Aletha at the festival's The Garden Stage. Her label and own productions continue apace too, with a forthcoming bumper-packed Borne Fruits compilation and a highly anticipated full solo debut EP prepped for the end of this year; all of this proving her boundless talent reaching unfathomable heights over the coming months.

̸BIOGRAPHY Amselysen explores and experiments with the content and the form of any and all genres, before repackaging the whole into leftfield electronic. Under Amselysen, Hakeem Lapointe explores and experiments with the content and the form of any and all genres, before repackaging the whole into leftfield electronic, notably: experimental, ambient, conceptronica, techno, noise, and IDM. Never shying away from challenging their audience’s comfort, Amselysen is sure to deliver novel sounds and standard-defying experiences. Known for their chaotic iconoclastic interventions and their unique sense of subversion, they like to present hyperdynamic blends of electronic compositions, as demonstrated in their debut album, Hypnagogic Surge, released on Genot Centre [Prague, Czech Republic] Amselysen has shared the stage with trailblazing acts such as: Caterina Barbieri, Lorenzo Senni, Courtesy, Dreamcrusher, Jesse Osborne-Lanthier, Myriam Bleau, i.o., Racine, Keru Not Ever, amongst others. ̸SELECTED DISCOGRAPHY Organe Solaire [Genot Centre] https://genot.bandcamp.com/album/organe-solaire Hypnagogic Surge [Genot Centre] https://genot.bandcamp.com/album/hypnagogic-surge Priori - Ani Ma (Amselysen Remix) https://prioricamp.bandcamp.com/album/on-a-nimbus-remixes Amselysen [Ep] [Dream Disk Lab] https://dreamdisklab.bandcamp.com/album/amselysen

̸BIOGRAPHY Montreal based French electronic music producer, guitarist and DJ. Producer, DJ, and co-manager of Kizi Garden Records

DJ, Producer & Label owner Anetha is a trained Architect based in Paris, now fully dedicated to music and focused on developing her career as a DJ, producer and Label Manager. As a leading figure of the new generation of French DJs inspired by EBM, trance, electro and old school 90’s techno tracks, Anetha knows how to make people dance. She always tries to offer an intense, energetic and unpredictable journey to her public, with a strong and fresh tracks’ selection.

̸BIOGRAPHY CONSTRUCTIVIST HI NRG LOVE CORE / HARD HANDBAG / CAKEBEAT DEEJAY DATES 2023 NYD Adonis (London) Jolene (Copenhagen) B2B Eoin Dj 13th January Eris Drew presents Temple of dreams 20th January Planet Rose TBA (Netherlands) January 28th OHM - Venus Vessels (Berlin) b2b DHC 4th February Panorama Bar 10th February (Berlin) Planet Euphorique @ Corsica Studios 18th February (London) Planet Euphorique @ Paradigm 25th February (Groningen) Big Dyke Energy 3rd March @ venue MOT (London) B2B Byron Yeates @ RSO 4th March (Berlin) 8-to-the-floor x Blvsh x x:cuse u @ Alte Munze 7th March Rebel @ C12 11th March (Brussels) Sue Veneers @ Unit 58 17th March (London) Music Sphere @ World Headquarters (Newcastle) De School - 24th March (Amsterdam) Everybody Trance @ 2Macadam 25th March (Nantes) Eris Drew Presents Temple of dreams @Corsica Studios April 1st (London) Dissident (Berlin) 6th April (Off location) FWD @ 60 dock Road London 7th April Phantasy Dance @ Gewolbe (Cologne) W/ Ki/Ki + Dj Sweet6teen STELPLAATS (Leuven) B2B Dj Sweet6teen GODDEZZ @ MOT (London) 22nd April WIGS @ Tempio Del Futuro Perduto (Milan) 24th April SQUISH (San Francisco) 28th April HORS SOL @ AEVE b2b DJsweet6teen 6th May (Berlin) Adonis 7th May (London) Oven Club (Valencia) B2B DJ sweet6teen 13th May Dial Electronico @ El Pueblo Cultural (Ourense) 16th May Intercell (Amsterdam) b2b DJsweet6teen 18th May Tutto passa Hemelvaartsdag (Tilburg) B2B Djsweet6teen 18th May Panorama bar 19th May Freak (Manchester) 20th May Lente Kabinet (Amsterdam) 27th May Klub dramatik (Antwerp) 28th May Previous ----- Awkwardly Social @ OHM 4th June (Berlin) Maricas @ NITSA CLUB 16th June (Barcelona) NOWADAYS pride nonstop party 25th June (NEW YORK) Fast and Bi-furious @ VENUE MOT 16th July (London) Dalston Superstore b2b LUXE 22nd July (London) Body Movements Queer Festival - 30th July (London) Temple of Dreams W/ Eris Drew @ Corsica Studios - 5th August (London) GODDEZZ @ Corsica Studios b2b Henderson 27th August (London) Field Maneuvers 3rd September Garage Noord 5th Birthday (Amsterdam) 4th September XTRA @ Pacha 8th September Eris Drew + Octo Octas Forest stage @ Draaimolen Festival 10th September (Tilburg, Netherlands) Goddezz @ Fabric 16th September Waterworks Festival 17th September Festimi @ LO-FI Amsterdam b2b Byron Yeates 24th September Porzellan Bar @ Aeden (Berlin) 25th September Big Dyke Energy @ Venue MOT 1st October ********* 7th October (London) Hypersoft @ Renate (Berlin) 8th October Ritual poison Takeover @ Transmissions 15th October (London) Love Child W/ Josh Caffe @ Fabric 16th October (London) Temple of Dreams VOL. 2 B2B Eris Drew 21st October (London) Fold w Job Jobse 28th October (London) Ultimate Power assembly @ Ormside Projects 29th October (London) Corsica W Octo Octa 26th Nov (London) Mench Meier (Berlin) 4th November Redstone Press (Glasgow) 12th November Phonovison @ Club Subway 9th December (Cologne) Post club (Vilnius) 16th December Speilraum @ De school 17th December

Aux88 are Detroit's electro and bass-heavy techno pioneers Tom Tom ,K-1,Posatronix & Blak Tony To many, the name Aux 88 has long been synonymous with the term Techno Bass. Having been influenced by the early days of Detroit Techno, as well as the glory days of the Electro Funk and Miami Bass era, the duo had the vision to create something that could actually become a style of Electro, helping not just to revive it, but also to give it a direction which the sound could take and evolve from what it once was…and that’s exactly what happened, the rest is history! Having been involved in the making of Electro sounds for almost 25 years, Tommy “Tom Tom” Hamilton, Keith “K-1″ Tucker, William “POSATRONIX” Smith, and Anthony “BlakTony” Horton have just about done it all. To this day, they continue to push the boundaries by not just perfecting the mix, but also by innovating on what has previously been done. Techno Bass from the legendary Direct Beat Record Label created A sound that would soon take over the Detroit dance scene, eventually moving on to revolutionize Europe and beyond.

Azu Tiwaline is a producer inspired by the need to explore her origins, rooted in the Sahara. Her sound is a mix of the organic and the raw, vibrations from the spaces of the desert where entrancing music resonates and ecstatic rituals are commonplace.

̸BIOGRAPHY 🌙 MUTANTE DEL SWANA🌙 🧿 BLITZ MUNICH RESIDENT 🧿 Her name may derive from the Turkish word for ‘different’, but its energy translates into every aspect of BASHKKA’s self-expression. From slaying the dancefloor with sensually acerbic sets to her ardent advocation of the cultural, political and de-colonial advancement of electronic music, BASHKKA is breathing fresh air into the scene with everything she sets her mind to. Irreversibly shaped by a decade living in New York and the Black & Brown trans women who inspired her truest incarnation, BASHKKA brings the flavour and authenticity of The Big Apple’s Ballroom scene to every party she plays. From her hometown residency at Munich’s Blitz Club to Berghain’s Panorama Bar, where she’s quickly become a regular, her sets channel an intoxicating energy that’s self-professedly “CUNT!” And on the other side of the booth, BASHKKA’s unapologetic integrity is echoed in her unwavering activism and commitment to her community. Through her vocal politics and dedication to SWANA and queer representation in the scene, BASHKKA is reimagining the counter-cultural potential of electronic music’s origins for the contemporary club sphere. Her debut EP, forthcoming in 2023, will see BASHKKA’s brazen attitude blended with a highly underrated technical prowess.

Just the hits. Unafraid to dig deep and also play the hits, Detroit-based deejay BEIGE has caught the ears of Boiler Room, T4TLUVNRG, The Bunker, Sublimate, Jack Dept. & other in-the-know crews. A fast-rising talent in the North American queer underground, they have become a regular fixture on the forward-thinking Midwest/East Coast party circuit. From their homebase in Detroit, they host the monthly show Chaotic Neutral on The Lot Radio, organize educational workshops for DJs of marginalized genders as a member of Seraphine Collective, and provide local support to internationally touring acts. The BEIGE sound is anything but—they are known for smooth mixing and colorful, unpretentious sets that whip between genres and tempos: big melodies, big vocals, big Moods. Beyond the usual house-techno-disco touchpoints, expect to hear psychedelic gospel, leftfield club and ballroom, thizz-face electro and UK/global bass, sprinkled with cheeky pop references. Their dramatic approach has earned the support of dance music institutions including Hot Mass, Nowadays, Bossa Nova Civic Club, Elsewhere, and Charivari Festival. On a Funktion-One or in a field under the full moon, BEIGE strives to honor the dancefloor as a space for healing and transformation.

Blawan

̸BIOGRAPHY Bonzai Bonner, perhaps more colloquially heralded and cheered for as ‘Bonner’ when hammering out Hi-Nrg and Italo in the clubs of Glasgow, has become one of the city’s most influential DJ’s and caretakers. Their approach and work behind the scenes has helped to inspire a new generation of community driven artists, creatives and parties having sought every opportunity to rally for an open minded dance floor and to encourage self expression. Bonner is the pioneering force behind the infamous LGBTQ+ party Shoot Your Shot - a party which has helped champion leftfield dance and electronic music in Glasgow. The parties are joyous, captivating affairs which always leave revellers with a story or two to tell. Smoky rooms, dimly lit, become the backdrop to a whirlwind extravaganza as Bonner commands dancers through the night with long free flowing mixing. Euphoric highs are paired alongside delicate poignant selections reminiscent of the collective escapism and abandonment they seek to find for themselves upon the dance floor. None of this has come without hard work. Bonner has been a prominent presence amidst the Scottish club scene for many years, working doors, promoting parties and hustling fearlessly for a better, more connected scene and the inclusion of those who seek to find comfort in the same music and escapism that they love. Whilst Bonner strives to enlighten dancers, their music is often paired with moody, darker undertones. Drawing upon influences from Post Punk, EBM and Synth Pop - Bonner is a product of an industrial city, a city with an edge in which experiences can shape and solidify an individual. Bonner’s formative years were spent hanging out with friends, honing knowledge in records stores, dancing in murky offbeat bars and underage clubs. The soundtrack? A wild mixture of everything from Joy Division to Bauhaus, Klaus Nomi to Pete Burns, The Pet Shop Boys and beyond. Their tastes evolved as a result of the eclectic chaos which was Glasgow at a time in which groundbreaking bands were formed in the city, when the likes of Alan Miller commanded the culture and creative opportunity lurked on dark street corners and in backstreet basements. It is this ethos which rings true and commands Bonner’s inspiration and drive in the present, this ethos which has lead to the revered success of Shoot Your Shot. Bonner is the result of a whirlwind of musical experiences, rooted in a humble city, which have lead to the conscious, progressive sounds of a DJ with unique taste and integrity.

̸BIOGRAPHY Collaboration project between Pessimist & Loop Faction (Kristian Jabs & Reuben Kramer). Debut album 'We All Have An Impact' was released in October 2019, with a strong message relating to climate change and the destruction of the natural world.

Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Defined by a meticulous approach to the composition, production, art direction and presentation of his work, every release encapsulates Joseph’s idiosyncratic vision. It is a colourful world that gives life to the shadows and throws a mist over the boundaries that have become so commonplace in electronic music. His record The Present Tense provided the launching point for Houndstooth (the label arm of London’s fabric nightclub). The following two releases, Black Octagons and Depicta/Acephale, cemented his status as one of the brightest new talents to emerge in the current wave of producers disturbing the musical landscape. Next up came Suzi Ecto, his debut album, which...

From Utrecht, Carista is the DJ everyone wants to open for them. Self-taught, she bought her first pair of turntables at 19 and turned to YouTube tutorials. After winning a mixtape competition hosted by Rotterdam club BIRD in 2012, she landed a gig and subsequent residency at BIRD and other local clubs. Word started to travel about the charismatic selector, curator, and DJ. She went on to land herself a monthly radio show at Red Light Radio and NTS which got her noticed by a slew of festival programmers. She’s since made her debuts on Boiler Room and at festivals like Secretsundaze, Dekmantel, and ADE, where she opened for De School’s 62-hour party. Her sets are never predictable but always highly danceable. Through her NTS show United Identities, she hopes to continue to promote diversity and inclusivity in the club scene.

̸BIOGRAPHY Carmen Jaci is a French-Canadian experimental music producer currently based in the Netherlands. Using hybrid sounds that merge acoustic instruments with synthesizers and vocal recordings, Carmen constructs a sound world where electronic and classical music overlap. Over the years, she has crafted a personal and unique language which largely revolves around the ideas of discontinuity and formal deconstruction. Her writing rapidly alternates between contrasting spaces and sonic elements, drawing influence from popular and classical artists such as Foodman, Igor Stravinsky and Grimes. As described by Musicworks magazine: “Although the music moves through countless changes from one ultrashort fragment to the next in a state of near weightlessness, it doesn’t sound disjointed. On the contrary, there is a clear line that holds the composition together.” Likewise, her work retains a subtly humorous tone as well as a highly polished sound production that almost reminds us of pop music. ̸SELECTED DISCOGRAPHY Happy Child

̸BIOGRAPHY Solo project of Samuel Ricciuti, founder of Chez.Kito.Kat Records. En Resident of the TEMPIO NERO parties in Montreal and of N10.AS radio with his show VORTEX/IL CIBO, Samuel Ricciuti Alias ​​D.B.Y. (Dog Bless You), Queer artist, has been producing music and mixing since the late 1990s. D.B.Y is also manager and founder of the label Chez.Kito.Kat Records which he created and which has produced 92 albums and organized more than 200 shows for 20 years on independant and electronic scene between Europe and North America. First arrived in production with a sampler as a beatmaker and dj for HIP HOP bands, he discovered electronic music in the mid-90s. It is quite naturally that he turned to productions initially oriented downtempo / breakbeat to arrive at an electronic music influenced by the Electro bass scene from UK and Detroit and the European techno and minimal scene. Samuel Ricciuti published several albums under the name of Dog Bless You, then D.B.Y., on Japanese, French, Canadian or even Luxembourgish labels, the last of which "La Science du Language" in tribute to its breakbeat roots was highlighted by The Wire. He also worked on more experimental and V/A works, such as music for documentaries, dance performances, or with the artist Daniel Buren at the Museum of Modern Art in Luxembourg for the sound setting of one of the visual artist's works in 2009. After more than 25 years of activity on the European and then Canadian electronic music scene, Samuel Ricciuti is still as active as a DJ and producer and continues to have a particular affection for live performances, which has led him to play in respected festivals and shows of the electronic scene in Europe and Canada. Fr Résident des soirées TEMPIO NERO a Montréal et de la radio N10.AS avec son emission VORTEX/IL CIBO, Samuel Ricciuti Alias D.B.Y. (Dog Bless You), artiste Queer, produit de la musique et mixe depuis la fin des années 1990. D'abord arrivé à la production avec un sampler en tant que beatmaker et dj pour des formations HIP HOP, il a découvert les musiques électroniques au milieu des 90’s. C'est tout naturellement qu'il s'est tourné vers des productions d'abord orientées downtempo/breakbeat pour arriver à une musique électronique influencée par la scène bass UK, la scene electro de Detroit et la scène minimal techno européenne. Samuel Ricciuti a publié plusieurs albums sous le nom de Dog Bless You, puis D.B.Y., sur des labels japonais, français, canadiens ou encore luxembourgeois, dont le dernier "La Science du langage" en hommage à ses racines breakbeat a été mis en avant par la bible musicale The Wire. D.B.Y est aussi manager et fondateur du label Chez.Kito.Kat Records qu'il a créé et qui a produit à ce jour 91 albums et organisé plus de 200 shows depuis 20 ans entre l’Europe et l’Amérique du nord. Il a aussi pu travailler sur des travaux plus expérimentaux et V/A, comme des musiques de documentaires, de performances danse, ou avec l'artiste Daniel Buren au Musée D'art Moderne de Luxembourg pour la mise en son d'une des œuvres de l'artiste plasticien en 2009. Après plus de 25 ans d'activité sur la scène des musiques électroniques européennes puis canadiennes, Samuel Ricciuti est toujours aussi actif en tant que DJ et producteur et continu d'avoir un affect tout particulier pour les performances live, ce qui l'a amené à jouer dans des salles et soirées respectées de la scène électronique en Europe et au Canada. ̸SELECTED DISCOGRAPHY Fragment, Album, SoundzOfNowhere, 2007 This Could Be Anywhere, Wondernoize Records, 2007 Split with Meny Helkin, Chez.Kito.Kat Records, 2009 Ghost & Friends, Chez.Kito.Kat Records, 2012 Friends Becoming Ghosts, Chez.Kito.Kat Records, 2013 La Sciende Du Langage, Chez.Kito.Kat Records/Specific Recording, 2019

Deadbeat is Scott Monteith, an adopted Montrealer who has been releasing his own special blend of dub laden, minimal electronics since 2000.Deadbeat

̸BIOGRAPHY DJ Nah Care is a Copenhagen-based DJ, who's known for his diverse DJ-sets and his work as promoter for Club Versatile. DJ Nah Care is a Danish DJ behind the queer concepts Club Versatile and LGBT Asylum fundraiser, and a general Adonis figure. DJ Nah Care is known for his eclectic selection of contemporary dance music, for bringing a touch of glamour to even the grimiest raves, and for transferring high sexual energy to the floor.

̸BIOGRAPHY 100% affective club music <3

̸BIOGRAPHY Eclectic Colombian Berlin based musician, transmedia artist and producer. Her works always transits from minimal, ambient and brutalism, becoming an non-easy to pigeonhole character, always in-between concepts and against rigid concepts. Efe Ce Ele aka Feli Cabrera López is a Colombian artist currently based in Barcelona. Her interest in music started when she received her first Drum kit at the age of 5, when she started to have her first troubles with neighbors because of her instinct to hit and hit until breaking. After that, she walked a path of no return in music, learning different instruments and playing with different bands until adolescence. Her start in electronic music was when she moved to live in Buenos Aires after having 18 years old, then she started private clases of sound synthesis, sampling techniques and music production. Then, same as with the first drumm, she started making unbearable noises that she learned after to manage and turn into music creations between genres like IDM, Techno, Electro and Ambient. After that and until now, she runs a prolific music career, performing in Latinamerica and Europe, and releasing music with different independent labels such as: Specimen Records / Sound-Space (UK), Éter (Colombia), Dissident Movement (Italy), Ghara (Switzerland) and Pildoras Tapes (Colombia), among others. ̸SELECTED DISCOGRAPHY Inside - Dissident Movement Nacer - Éter Subsuelo Coltan - Sound-Space Sync - PHKT Label Sinoise - Fragmentar Label

̸BIOGRAPHY #modularsynthesizer #livemusic #pop #vocal #experimentalelectronic Enyang Ha native to Korea is a 9 year transplant to Berlin, the music producer and mastering engineer uses a wide breadth of experimental techniques to create the music in her first EP with a label “1997”. This EP sees her collaborating with System Records by Julien Bracht. Having mastered some of the most innovative releases of this decade for Amnesia Scanner and Arca this EP is without a doubt the beginning of something that pushes the boundary of music beyond the current scope. A well traveled person from having lived in Japan, Korea and the USA as a teenager Enyang emigrated to Berlin in her twenties to tap into a new scene and sound unique to the city. Since then she has been intimately involved in the experimental music scene having performed at CTM festival in January of 2021. Serendipity found Enyang in Berlin and it was this city that transformed her passion for music and took her on a new path, one which would expose her to some of the most cutting edge artists of the world. Having worked intimately with the releases of some of the most experimental artists of our time, Enyang’s own musical sensibility and need for experimentation aligns closely with the roster of her impressive clientele. Driven by a need to express the inherent beauty within the unusual, different or other she uses recordings of her own body’s movements and functions to create a unique sound palette. These recordings become the musical apparatus Enyang uses to compose her tracks. Through the digitisation of her body she is able to transform the sound of her pelvis into a baseline, quite literally making the core of her physical body the foundation of her musical form. In the same way the snapping of an ear become high hats, or an elbow becomes a textured sound hidden in the composition of the track. By metabolising the sounds of her body she is able to build these tracks organically, even through the use of modular synthesizers there remains an intimacy to the EP.

̸BIOGRAPHY Eƨƨe Ran is an electronic music producer based in Montreal, Canada. His hardware based practice gives rise to an obscure industrial techno where rhythms and textures share common grounds. Eƨƨe Ran is an electronic music producer based in Montreal, Canada. His hardware based practice gives rise to an obscure industrial techno where rhythms and textures share common grounds. Constantly searching for the curiosities of the sonic domain, he puts experimentation at the core of his practice. This exploration leads to a distinctive pallet of synthetic percussion sounds blent with analogous sequences and noisy layers, without ever losing sight of groove. At the beginning of 2020 Esse Ran released his first EP Folding The Dishes under his previous alias Absurde on Humidex Records, a label he co-founded in 2019 along with Softcoresoft and S. Chioini. The 4 track 12 inch cut had a promising launch with a distribution by Lobster Distribution, a music video made by himself premiering on Hate channel and positive reviews and mentions in Exclaim magazine, Le Devoir newspaper and CultMtl blog. Previously he also performed at Mutek Montreal, Mutek Mexico, Mutek Buenos Aires and Exposé Noir with his collective Musique Nouvelle, a live-oriented techno duo formed with S. Chioini. ̸SELECTED DISCOGRAPHY Constant Decay (2023) Derelict Memories (2022)

̸BIOGRAPHY The otherworldly foreground of his techno works are blissfully psychedelic as well as carefully structured for the most subtly disorientating shifts, and hovering amongst this is his wholesome grasp on the purpose and consequence of melody. The unsettling terrain of Evigt Mörker's world can be broken up into a few frenetic parts that give the overall impression of a serene habitat. There's the otherworldly foreground of his techno works that are blissfully psychedelic as well as carefully structured for the most subtly disorientating shifts, and hovering amongst this is his wholesome grasp on the purpose and consequence of melody. Together, this is Evigt Mörker's deadly and addictive mix. Hailing from Sweden, some initial forays into bands in his youth went hand-in-hand with an early exposure to techno. Yet it was the illegal rave scene in Stockholm that would prove to be most formative. The circuit of DJing and parties soon fed into the need to create a platform from which to work, and so the identity and label Evigt Mörker came into being in 2013. The first three releases cemented Evigt Mörker's ability to rouse melodic dynamics out of an ambient setting. Whether settling and fixating on a rhythmic pattern, or shuffling through different emotions, often these tracks would career into rapturous dancefloor pieces. It didn't take long until the formidable Semantica Records tapped him for a release, which produced the stunning EP, 'Helmet of Bones.' From this point, Evigt Mörker would come under the austere wing of Northern Electronics. Two terse yet incandescent EPs, along with a fourth release on his own label, have charged the air for his debut album, 'Krona'. Appearing on Northern Electronics, a brooding intensity defines the album, as well as a technical dexterity for carving dissonance into lush techno tools. For those that have witnessed Evigt Mörker live or as DJ, a different side to his recorded output comes into play. Often far more forceful than his releases, there's an energetic and rhythmic power reserved for these moments. It's perhaps this versatility that's kept him in such high demand as a remixer. Taken to the other end of the spectrum, Evigt Mörker's live shows are capable of elegant ambient pieces, if holding a dancefloor down isn't the modus operandi. ̸SELECTED DISCOGRAPHY https://www.discogs.com/artist/3452465-Evigt-M%C3%B6rker

̸BIOGRAPHY Manchester based producer making music thats a sonic reflection of his heritage, marrying the sounds of latin rhythms & uk low end focus

̸BIOGRAPHY France Jobin is a sound / installation / artist, composer and curator residing in Montreal, Canada. Her audio art can be qualified as “sound-sculpture”, revealing a minimalist approach to complex sound environments where analog and digital intersect. Her installations express a parallel path, incorporating both musical and visual elements inspired by the architecture of physical spaces. Her works can be “experienced” in a variety of unconventional spaces and new technology festivals across Canada, the United States, South America, South Africa, Europe and Japan. Jobin has created solo recordings for No-ware (CL-DE), popmuzik records (JP), bake/staalplaat (NL), ROOM40 (AU), nvo (AT), DER (US), ATAK (JP), murmur records (JP), Baskaru (FR) and the prestigious LINE label (US). Jobin’s sound art is also part of countless compilation albums, notably on the ATAK (JP), bremsstrahlung (US), Mutek (CA), murmur records (JP), and/oar (US), tsuku boshi (FR), everest records (CH), and Contour Editions (US) labels. She is also featured in the influential book and recording, Extract, Portraits of Soundartists (book + 2 cd), released on the nonvisualobjects label (AT). The collaborative album ligne, created with sound artist Tomas Phillips, was released on the ATAK label (JP) and her recent collaboration with acclaimed artist Richard Chartier, DUO, is released on the mAtter label in Japan. Her installations and screenings have been shown internationally at museums and festivals. Her work P Orbital released on LINE (Valence, LINE054) was presented in the context of ESCUCHAS, a first sound art exhibit for the Museum of Modern Art in Medellin, Colombia. P Orbital was also presented at CONTEXT-ing / Listening as CONTEXT at the Miami Art Fair in Florida, Call & Response, London Uk as well as at the Haunted formalism exhibit in LA curated by Volume. An invitation to the AIR Artist-In-Residence program in Krems, Austria enabled her to create und transit, a sound installation set in the MinoritenKirche cloister in Stein (AT) and und transit.03 has been presented in the exhibit “Dock” at the Ancien Palais de Justice’ sound installation and listening space Her two ongoing collaborations with visual artist Cédrick Eymenier (FR) have resulted in EVENT HORIZON, an audio/video piece, and The Answer, a movie, with the soundtrack by France Jobin and Stephan Mathieu. EVENT HORIZON was screened in Paris (2010), at the Venezuela Biennale in Merida state (2010) and was performed live at the Torrance Art Museum in Los Angeles (2010) and ISEA RUHR 2010 (DE). The Answer was screened at IAC, Villeurbanne, France in March – May 2016. In 2011, Jobin was one of five international artists selected to present her sound installation, Entre-Deux, in the new media exhibit Data/Fields, curated by Richard Chartier at Artisphere in the Washington, DC area, along with Ryoji Ikeda, Mark Fell, Caleb Coppock, and Andy Graydon. Her proposition received critical acclaim from the national press. Entre-Deux has recently been presented at N38E13 in Palermo, Sicily (2017). She premiered the audio visual performance of “intrication” at Mutek AR 2018 with the Argentinian visual duo prifma. Her audio visual collaboration: “Mirror Neurons” with sound artist Fabio Perletta (IT) and xx+xy visuals (IT) was screened as a world premiere at A x S / ak-sis / FESTIVAL 2014 | CURIOSITY as part of the Synergetica Screening in Los Angeles in September 2014. In October 2015, France was invited to take part in an artist residency at EMPAC (Troy,NY) which resulted in the creation of a new light sound work entitled 4.35 – R0 – 413, a collaboration with Alena Samoray, lighting designer. Her latests installations, ‘Inter/sperse’ and ‘Entre/temps’ both premiered in Italy. ‘Inter/sperse’ is a site specific installation created in the context of an international residency organized by Museolaboratorio, LUX and farmacia901. It opened May 27 2017 at Museolaboratorio, Città Sant’Angelo Italy. ‘Entre/temps’ is a site specific installation commissioned by Enzo De Leonibus, artistic director of the EaRrEtMeI festival which opened in Palena, Itally, June 4 2017. She has also participated in numerous music and new technology festivals such as Mutek (Montreal, 2001, 2004 – 2009, 2014, 2017, 2019, AR 2018), EM15 (Montreal 2014), EMPAC (US 2011, 2015), roBOT 8 (Italy 2015) Angelica Festival (Italy 2016), Portobeseno (Italy 2014), Interferenze – Liminaria (Italy 2014), Flussi Media Arts Festival (Italy 2014), FIMAV, SEND + RECEIVE (Winnipeg, 2003, 2005), Club Transmediale (Berlin, 2004), Shut up and Listen (Vienna, 2009), ISEA RUHR 2010 (Germany), the surface tension tour (Japan, 2012) and the Symétrie tour (Japan 2016). “immersound” is a concert event/philosophy concept initiated by Jobin, which proposes the creation of a dedicated listening environment by focusing on the physical comfort of the audience within a specifically designed space. The premise of “immersound” is to seek out/explore new perceptions in and experiences of the listening process by pushing the notion of “immersion” to its possible limits. She created and produced “immersound” from 2011 to 2015 at Oboro in Montreal. She was a finalist at the Sonic Arts Awards 2014 (IT) in the Sonic Research category. In January 2013, the Conseil québécois de la musique (CQM) awarded the prestigious Opus Prize for Concert of the year to France Jobin for her concert at AKOUSMA 8. Jobin’s work continues to evolve as technologies enable her to create new environments. France Jobin is published by Touch Music/Fairwood Music UK Ltd ̸SELECTED DISCOGRAPHY 2019 - Solitude on Silent Records (USA) 2018 - Intrication on No. 2018 - DUO with Richard Chartier on mAtter (JP) 2017 - Scènes on LINE (USA) 2016 - Radiance 11 with Stephan Mathieu - Music for The Answer on Schwebung (DE) 2016 - Singulum on Line (USA) 2014 - Sans repères on popmuzik records (JP)

☿️ Intergalactic Mermaid ☿️ GiGi FM aka Giulia Fournier-Mercadante is a French/Italian force well and truly to be reckoned with. Born and raised in Paris, Gigi moved to New York in her teens after being awarded a dance scholarship at the NYC Ballet and Alvin Ailey where she studied and practiced dance at the highest level before moving onward to her current residence of London where she continues to make waves with her unique approach to Music, Sound, Dance and Art. It wasn’t long until she became a firm fixture of South-London’s close-nit music scene, taking part in organising parties in DIY spaces and DJing regularly across the city (with regular appearances at London’s revered ‘Make Me’ parties). Listing Donato Dozzy, Bjork, Function, Neel, Aleksi Perrälä, Pierre Henry, E. Satie and Suzanne Ciani to name a few among her musical influences, Gigi is as creative in the studio as she is on the decks. GiGi associates textures and colours to sounds within the music, giving her a unique approach to collecting, selecting, playing and making music and affording a natural ability to create atmospheres and ambience unlike many others. After playing two stand-out sets on Boiler Room in recent times, she is now about to embark on a Boiler Room club-tour covering some key UK and European cities, placing her among a select number of her musical piers. Add to this a fast-growing list of gigs and many more exciting projects in the making, the future looks very bright for GiGi FM indeed!

̸BIOGRAPHY Aimée Portioli is a Berlin-based Dutch-Italian composer and sound designer who records and performs as Grand River. Portioli makes experimental electronic music with rich emotional colours. Her work, influenced by minimalism and ambient music, is atmospheric yet rhythmically complex, incorporating a wide range of contemporary compositional and production techniques. The name Grand River evokes nature, scale, and movement, all key forces in Portioli’s work. Her first release as Grand River was 2017’s Crescente EP, which was named by XLR8R as one of the best releases of the year. She followed this with her debut album Pineapple (Spazio Disponibile, 2018), which garnered praise from The Quietus among others, while its follow-up Blink A Few Times To Clear Your Eyes (Editions Mego, 2020) was positively received by Resident Advisor and The Verge, and was elected among best albums of 2020 by Inverted Audio. Her work has separately appeared on compilations by Ghostly International, Tresor, and Longform Editions. Her third album All Above will be released in 2023 once again on Editions Mego. 

Besides her studio albums, Portioli has created original sound art installations for Rome’s La Galleria Nazionale and Milan’s Il Pianeta, a project of Terraforma Festival. She also contributed her interpretation of a meditation piece for the Soundworks app together with MUTEK, collaborated with Ableton for the creation of Live 11 and Ableton Loop and created and performed her piece “Tuning the Wind” in 4D sound in several occasions. Portioli has performed as Grand River at major international venues and festivals, including CTM Festival, NODE Festival, Berghain, MUTEK, Mapping Festival, Kraftwerk, Barbican Hall, Funkhaus, Maintenant Festival, Le Guess Who?, The Labyrinth, WOS Festival, and many more. She was selected to take part in SHAPE Platform’s 2021 programme. She collaborates with visual artist Marco Ciceri on special A/V performances, as well as on the visuals for One Instrument, the record label she founded that invites artists to respond to a unique creative brief – to create a piece of music using just one instrument. Aimée Portioli holds a bachelor’s degree from the Faculty of Linguistics and Communication of Milan. Her thesis explored the psychology of the communicative function of music in media. Her work today is motivated by similar questions of sound and music as a form of communication that goes beyond language. ̸SELECTED DISCOGRAPHY All Above - Editions Mego, 2023 Blink A Few Times To Clear Your Eyes - Editions Mego, 2020 This Was Us - Ghostly International, 2019 (Grammy Nominated 2021) Light Index Opening - Longform Editions, 2019 Pineapple - Spazio Disponibile, 2018 Crescente - Spazio Disponibile, 2017

Hamburg native Helena Hauff is an in-demand DJ as well as an acclaimed producer of gritty, hard-edged electro-techno. Her music draws from influences such as acid house, EBM, and industrial, and she records her tracks strictly using analog equipment, usually in one take. Her full-length debut, 2015's Discreet Desires, contains some of her most melodic material, while 2018's Qualm is more stripped-down but no less energetic. Hauff has released a handful of EPs, including 2019's Living with Ants and 2021's Futuros with the Exaltics. ~ AllMusic

̸BIOGRAPHY Resident Antagonist the dream is over. I am detritus

̸BIOGRAPHY Commissioned Works or Bookings Worldwide contact me Direct An American Sound Artist & Experimental Composer having recorded for a variety of labels (including Sony Europe - Axis/6277- Ghostly - NINJA TUNE - RVNG Intl - Soul Jazz Records) - Mathematics Recordings -Voted URB Magazines Top 100 of 2004 in a Group act & Top 100 as a solo artist, Jamal Moss has long been a part of the Chicago house/techno scene as both a Promoter/Producer & DJ. Moss’s first creative endeavors were as part of a crew that created industrial soundscapes / Art Noise for the Liquid Love parties at the famed Powerplant in Chicago from 1989-90. When the Powerplant was closed, Moss and his cohorts started Liquid Sex, which became a magnet for many well-known house artists such as Steve Poindexter, who put Moss in touch with future collaborators the Chicago Bad Boys collective. From the Fall of 1993 - to the Summer of 1996 was Host/DJ for WNUR'S 89.3 StreetBeat Program Showcasing a segment named JACK-FM( Thank U Shaun Fahey ). He was also taken under the wing of house legend Adonis, who became a key mentor figure in Moss’s life and an inspiration for his moniker: "I decided to give myself meaning and purpose, to honor my father (who gave me life) and my mentor Adonis (who gave me knowledge); I named myself Hieroglyphic Being ( Performed Live at 2004 DEMF'S Underground Stage / A Featured Artists In Germany's DE:BUG Magazine issue 92 in 2005 / Voted URB Magazines Top 100 in 2005 & has Composed Works Featured On Time Out Magazines The Other side of Paris DVD Guide Along with Bauhaus/Front 242/Black Strobe & Featured in other MAGAZINE PRINT + DIGITAL COVERAGE: The Wire – The Guardian – Bomb Magazine – Chicago Reader – Chicago Tribune – Washington Post – Resident Advisor – Fact Magazine – Vice – Mixmag – The Georgia Straight – XLR8R – The Quietus – South Side Weekly – Crack Magazine – Electronic Beats – Groove Magazine – The Fader – Pop Matters – Financial Times – Village Voice – Time Out – Spin – Noisey – Pitchfork – Vogue . Composed works for a Tribute to Robert Moog Benefit Compilation & a Featured Artist in Xlr8tr's 100 Aniversary issue aug 2006 & has done Analog Composition Covers & Analog Editing For Alexander Robotnick - Miles Davis - Sun Ra in 2007 & 2008 ).” HAS OPENED FOR: The Sun RA Arkestra – Kamasi Washington – Shabazz Palaces – Chris & Cosey – Holly Herndon – William Basinski – Actress – Silver Apples – Senyawa – Morton Subotnick – Vatican Shadow – Dean Blunt – Mala - John Maus - Shabazz Palaces - Joachim Hans Rodelious - Wolf Eyes - Silver Apples - Morton Subotnick & many More. PERFORMED/COLLABORATIONS/LECTURES WITH: Mark Sanders – Orphy Robinson – Adonis – Evan Parker – Shabaka Hutchings – Marshall Allen – Jean-Francois Pauvros – Danny Thompson – Hamid Drake – Steve Poindexter – Jean-Marc Foussat – Wolf-Eyes – Reggie Watts – Janelle Monae – Shazad Ismaily – Greg Fox CLUBS + VENUES PERFORMED: Berghain – Corsica Studios – Cafe OTO – University Of Chicago – Oberlin – Tate Modern – Zoo – MOMA PS1 -HKW : Art Institute In Berlin – Palazzo Re Enzo – Barbican – EMPAC – Royal Albert Hall – Paradiso – Rex Club – Jazz Cafe – The Art School – Trafo : House of Contemporary Arts – Exploratorium of San Francisco – Smart Bar – Panther Room – Dude Club – Lux Fragil – House Of Electronic Arts Basel FESTIVALS PERFORMED: ADE – Big Ears – BEMF – Moogfest – Bestival – Dance City – Unsound – Le Guess Who – Phono Festival – Free Rotation – New Forms Festival – Roskilde Festival – Melbourne Music Week – Milhoes De Festa – Donau Festival – Dimensions Festival - Dekmental And the last of the line of producers directly influenced by Ron Hardy at the Music Box, which he is uniquely qualified to write a new chapter of Chicago's Rich Musical history. ̸SELECTED DISCOGRAPHY Untitled (12", W/Lbl) Mathematics Recordings 1996 The Dirty Criminals (12") International Deejay Gigolo Records 2001 If (12") Mathematics Recordings 2002 Du Commencement A L'Eternite (12") 6277 2004 Du Commencement A L'Eternite (12", Promo, W/Lbl) 6277 2004 Machines For Lovers EP (12", EP) Spectral Sound 2004 The Temple Of The Moon (7", Blu) Mathematics Recordings 2004 Conversations In A Analog Dialect (12") Klang Elektronik 2005 Liquid Sex EP (12", EP) Spectral Sound 2005 The Sound Of Music E.P. (12", EP) Mathematics Recordings 2005 Cosmic Dust E.P. (12", EP) Mathematics Recordings 2006 The Acid Test Pt. 1 (12", RE) Mathematics Recordings 2006 Guidance / Direction E.P. (12", EP) Apnea 2007 Living In A Zome EP (12", EP) Mathematics Recordings 2008 So Much Noise 2 Be Heard (2x12", Ltd) Mathematics Recordings 2008 So Much Noise 2 Be Heard (2xCD, Album, Dou) Mathematics Recordings 2008 The Bathroom Sessions (CDr, Ltd) Music From Mathematics 2008 The Bathroom Sessions Select (12", Promo, W/Lbl, Sta) Morphine Records 2008 The Bathroom Sessions Select (12") Morphine Records 2008 The Secret Life Of Water E.P. (12") Same Soul Different Body Imprint 2008 The 12th Planet (CDr) Quadrant Recordings 2009 Remixes: Bout Ready To Jak (Remixes) (12") Bout Ready To Jak (Hie... Spectral Sound 2004 London's Calling E.P. (12", EP) Washing Faces (A Hiero... Mathematics Recordings 2007 Appears On: Organized Confuzion (CD) Death Is Nothing To Fe... International Deejay Gigolo Records 2004 Organized Confuzion (CD, Album, Promo, Car) Death Is Nothing To Fe... International Deejay Gigolo Records 2004 1 (CD, Comp, Promo) -2 Net28 2008 1 (CD, Comp, Dig) -2 Net28 2008 Music From Mathematics (CD, Comp) Mathematics Recordings 2008 The Bremen Orchestra EP (12", EP) Bremen Orchestra (Re-... Mathematics Recordings 2008 Tracks Appear On: Organized Confuzion (2x12") Death Is Nothing To Fear International Deejay Gigolo Records 2004 Organized Confuzion (2x12", W/Lbl) Death Is Nothing To Fear International Deejay Gigolo Records 2004 Spectral Sound Vol. 1 (2xLP) Je Suis Musique Spectral Sound 2005 Spectral Sound Vol. 1 (CD, Comp + CD, Mixed) Je Suis Musique, Apple Spectral Sound 2005 The Mission Objective (CDr) Bird Songs For Amelie 6277 2005 A Tribute To Robert Moog (CD, Comp) Altar Crème Organization 2006 Diamanten Und Raketen (CD) D.O.S. Klang Elektronik 2006 1 (CD, Comp, Promo) -2 Net28 2008 1 (CD, Comp, Dig) -2 Net28 2008 Mix May 2008 (File, MP3, Mixed) Je Suis Musique Time To Express 2008 Music From Mathematics (CD, Comp) Residue, Temple Of The... Mathematics Recordings 2008 Spectral Sound Vol. 2 (File, Comp + File, Mixed) Machines For Lovers, L... Spectral Sound 2009 The CS Strategy (12") Eargasmic Recordings 2004 Ancient Echoes EP (12", EP) Klang Elektronik 2005 Relics & Artifacts (12", RP) Frantic Flowers 2005 Relics & Artifacts (12", Cle) Frantic Flowers 2005 Scene 1 (7", Whi) Jack-FM 2005 Scene 2 (7", Whi) Jack-FM 2005 Scene 3 (7") Jack-FM 2005 Scene 5 (12") Jack-FM 2006 Remixes: The House Of Muzique (12") Blackholes (Unreleased... Muzique Records 2005 The House Of Muzique (Volume 2) (12") System Free (Re-Beated... Muzique Records 2007 RA.105 (File, MP3, Mixed, Pod) Blackholes (Unreleased... Resident Advisor 2008 Tracks Appear On: The Other Side Paris (DualDisc) Return 2 Saturn Deaf Dumb & Blind, Breakbeat Science Recordings 2005 The Other Side Paris (DualDisc, Mixed, Comp) Return 2 Saturn TimeOut Records (2) 2005 Thoughts From Chicago Vol. One (12") God Energy Eargasmic Recordings 2005 Time Out Presents The Other Side: Paris (DualDisc, Mixed, Comp) Return 2 Saturn Resist Music 2006 Diamanten Und Raketen II (CD, Comp) Ancient Echoes (A Trib... Klang Elektronik 2008 Thoughts From Chicago Vol. Two (12") Leo Leo Rising (Rhythm... Eargasmic Recordings 2008 My Life As A Skinny Puppy (12") Mathematics Recordings 2003 Kill Bill (12") Interdimensional Transmissions 2005 Kill Bill (12", Ltd, Blu) Interdimensional Transmissions 2005 Hurt U / No Love E.P. (12", EP) Mathematics Recordings 2007 A Music Box Reflection (12", S/Sided, Ltd) Crème Organization 2008 Appears On: Made In China (12") Made In China (IBM Edit) Crème Organization 2007 Reflection Series #1 (12", W/Lbl) Medusa Edits 2008 The Northside Revival (12", W/Lbl) Medusa Edits 2008 Tracks Appear On: Destroy Your Powercenters - IT Future 2006 (CDr, Album, Smplr) Kill Bill, Black Sunda... Interdimensional Transmissions 2006 International Deejay Gigolos CD 11 (2xCD, Album, Comp) Kill Bill (BMG Edit) International Deejay Gigolo Records 2009 MO CD 001 Various Members Only Re-Edits (CDr, Comp, Ltd) 2005 MO1 Various Historical Archives Volume 1 (12") 2006 MO10 Various Historical Archives Volume 10 (12") 2008 MO11 Various Historical Archives Volume 11 (12") 2008 MO12 Various Historical Archives Volume 12 (12") 2009 MO2 Various Historical Archives Volume 2 (12") 2006 MO3 Various Historical Archives Volume 3 (12") 2006 MO4 Various Historical Archives Volume 4 (12") 2007 MO5 Various Historical Archives Volume 5 (12") 2007 MO6 Various Historical Archives Volume 6 (12") 2007 MO7 Various Historical Archives Volume 7 (12") 2007 MO8 Various Historical Archives Volume 8 (12") 2008 MO9 Various Historical Archives Volume 9 (12") 2008

̸BIOGRAPHY Trippy house and techno from Amsterdam ̸SELECTED DISCOGRAPHY https://www.discogs.com/Human-Space-Machine-Ornithogallum-EP-/release/11649

̸BIOGRAPHY Intercity-Express is Audio/Visual project by Tetsuji Ohno based in Tokyo. Intercity-Express is Audio/Visual project by Tetsuji Ohno based in Tokyo. He started working as a DJ from middle of 90's and started composition from end of 90's, makes AudioVisual work in parallel with Ad music. He went through a lot of musical experience,HOUSE,TECHNO,NOISE,Electronica.. and the sound to be born therefrom leads synesthesia. recent concert and exhibition. [MUTEK] - Montreal [MUTEK.JP] - Tokyo [MUTEK.MX] - Mexico City [Scopitone Festival] - France [Sunscape Festival] - Republic of Malta [FILE] - Brasil [LPM] - Italy,Amsterdam [HPL media street event] - Russia [Shinjuku Creators Fest] - Tokyo ...and more

̸BIOGRAPHY Producer/DJ Garage and Bass head 128-175BPM

British techno sorcerer and psychedelic shaman james holden is a man of many talents: zeitgeist-defining label boss, trend-setting producer, hugely in-demand monster remixer, and last but by no means least, he can count himself amongst that very modern..James Holden

̸BIOGRAPHY file under: ambient. acid. deep. house. progressive. psychedelic. techno. trance. "It's not what records you have, but what you do with them, that's important" ̸SELECTED DISCOGRAPHY https://www.discogs.com/artist/584256-Jane-Fitz?type=Credits&subtype=Production&filter_anv=0

After more than a decade spent building an enviable reputation for herself in the clubs of Paris, Jennifer Cardini has become an international concern. Jennifer Cardini long since outgrew Pulp – the Parisian club where she first made her name– and set off on a mission to take her vision of house music to audiences around Europe and beyond. Over the course of a career spanning of fifteen years, she has delivered DJ sets fusing techno, electro and disco at the world’s most prestigious clubs (Panorama Bar in Berlin, De School in Amsterdam, Lux in Lisbon, Good Room in New York) and hottest festivals (Melt, Nuit Sonores, Burning Man). Yet her dancefloor philosophy is reflected not only by her sets and the music released on her labels, including electro imprint Correspondant and the more indie oriented Dischi Autunno but also by her engagement in support of the LGBT-community. Based in Berlin following six years in Cologne, Jennifer Cardini continues travelling all around the world transmitting her love for music to us through the dancefloor!

After learning the ropes at Amsterdam’s legendary club 11, Job began his adventure at the renowned Innervisions label in Berlin. With all Job has achieved so far and a current heavy touring schedule, including appearances spanning from Burning Man to Panorama Bar, one can only wonder where he will go next.

̸BIOGRAPHY With her deep, hypnotic, percussion-driven techno, Dutch artist Julie carefully takes you on a trip through her ever-growing vinyl and digital record collection. Over the past 8 years, Julie has been shaping her own sound as a DJ, which can be described as deep, hypnotic, percussion-driven techno, mostly in the range of 130-137 BPM. Playing both on vinyl and CDJ, she has been showcasing her passion for underground electronic music. She spends a lot of time on her track selection, always on the hunt for unknown jams. She gets inspired by old and new music, without being caught up in the hype. Julie has made a name for herself as Draaimolen Festival resident, and played several successful (closing) sets at clubs like De School (Amsterdam), Tresor (Berlin) and BASSIANI (Tbilisi). She shared the bill with artists such as Donato Dozzy, Oscar Mulero, DVS1, Dasha Rush and Blawan (Live).

̸BIOGRAPHY Kazuya Nagaya uses bronze bells, gongs and singing bowls which are mostly used in Buddhist or Hindu rituals in Tibet, Bali and Japan. He creates unique ambient music by mixing these sacred instruments with modern instruments such as keyboards and electric guitars.Before starting his solo carrier, Nagaya composed music for broadcasted commercials and won the finalist prize for "Best Use of Sound" from the "Hollywood Radio & Television Sociaty". Earlier, in his twenties, he started out pursuing his talents in literature and became a writer. His works, especially his story titled "Indio no mabushii kami" about Japan's ethnic minority, won enthusiastic praise within Japan's publishing circles. During this period, he also became deeply interested in literary works that were becoming lost in the shuffle of contemporary Japanese society: novels like the "Tales of Genji", as well as Buddhist folktales and Zen philosophical works. These interests breathed life into his music, and the sensibilities and philosophical views which he developed during his literary years have come to be reflected in large measure in the music he creates today. An example of this can be detected in the sounds of bells heard so frequently in his music. The giant bells found in Japanese temples are rung each New Year's eve. The sound is believed to purify and wash away the cares of this mortal world, and crowds flock to listen in reverent silence. What they listen for, however, is not the sound at the moment the bell is struck, but rather the fading sound that follows. As the sound fades away, simultaneously, the depth of their own silence grows even greater. In this way, the sound of the bell makes people aware of the profound silence -- and richness -- lying within themselves. It is silence of a depth fundamentally identical to that which is engendered through meditation or Zen. The temple bell, meditation and Zen are all ways of penetrating into the depths of one's self. Nagaya began his carrier as a solo musician with the 1999 release of his first album, "Utsuho". He has released an additional 7 solo albums since then, as of 2010. In 2002, released a collaboration entitled "Resonator" with the American avant-garde composer Carl Stone. In 2004, Nagaya`s tracks were used extensively in "Gaia Symphony No. 4", a well-known documentary flim directed by Jin Tatsumura. In 2005, composed the sound track for the mexican film "WA". In 2007, appeared in the movie "Gaia Symphony No. 6". Also published a book, "For All the Radiant Darknesses", a collection of his essays which is about his life, remarkable persons he has met, and reflections on his travels in troubled societies in the third world (developing world). In 2008, joined with the compilation album "Tranchillizer" which was released by the chill out & trance label, Peak Records, in Switzerland. In 2010, joined with the soundtrack "Gaia Symphony No. 7" Nagaya is active as a performer of live music in Japan, the US and the other countries. He has Collaborated with an eclectic range of artists, from musicians, dancers or painters to monks of esoteric Tibetan Buddhism, channelers, and a Native American story teller in Alaska. ̸SELECTED DISCOGRAPHY 2. Works Silent Garden / solo album / sep. 2010 Gaia Symphony no.7 / soundtrack / jul. 2010 Harmonic in the Light / solo album / jun. 2009 Tranchillizer / V.A. / apr. 2008 For All the Radiant Darknesses / Book / nov. 2007 Gaia Symphony no.6 / movie performing / may 2007 Illuminations / Pluto / solo album / jan. 2006 For All the Radiant Darknesses / solo album / oct. 2004 Kumano / TV programm starring / sep. 2003 Secret Rhymes / solo album / jan. 2003 Resonator / album with Carl Stone / jun. 2002 Gaia Symphony no.4 / soundtrack / oct. 2001 Skyward the Spirit, Earthbound the Soul / solo album / jul. 2001 Kumano of a Thousand Gods / solo album / apr. 2000 Utsuho / solo album / jan. 1999 3. Live Performances Performance with a Hawaiian shaman / Japan / 2010 Performance with a Hawaiian shaman / Hawai / 2009 Solo tour in California / California tour / 2007 Solo tour in California / California tour / 2005 Performance with monks / Japan tour / 2005 Performance with a singer Susan Osborn / Japan tour / 2004 Performance with a native american story teller / Japan tour / 2004 Performance with monks /Mongolia tour / 2004 Performance with a dancer, Senrei Nishikawa /Poland tour / 2001 Collaboration with a artist, Shinji Komiya / Vienna, Austria / 1999 Performance with a member of KODO / Japan tour / 1999 etc. 4. Collaborators Carl Stone (musician) KODO (musicain) Toshinori Kondo (musician) Susan Osborn (musician) Sayoko Yamaguchi (dancer) Tibetan buddhism monks (monks) Native american story teller (medicine man) Hawaiian kafuna (shaman) Jin Tatsumura (movie director) etc.

DJ, activist, and party-doer ketia is one of the most active upcoming DJs on the Lisbon scene. ketia has a newfound sense of belonging behind decks and feels very grounded in the underground happenings of lisbon a keen ear for new and exciting music, alongside a curious, invested approach to community-building within the Lisbon club scene; insists on mixing as many genres as possible with a promise of bangers only started as coat-check girl at queer rave mina where she debuted and rose to resident and tech bitch. Founder and co-organizer of trans-focused collective Kit Ket - a subversive crossover between a rave and a house party in a non-consistent sonic narrative. A crystal clear mission of bringing honesty to the table as a gateway to bliss on raving.

̸BIOGRAPHY DJ, and label boss of Animalia & Cirrus, currently based in Melbourne, Australia. Kia’s speedy rise to notoriety is no surprise. Although young, Kia plays with the confidence and experience expected of a DJ with many more years under their belt. With a keen ear for bass heavy rhythms, idm and the deeper shades of techno and trance, Kia glides through genres and emotions in exciting and often unexpected ways. Her talent for weaving musical narratives has been recognised by local and international labels, having already constructed revered mixes for Nous’klaer, Truants, c- and Patterns of Perception. Whilst the popularity of these mixes clearly proves her ear for telling stories with music, it’s her bubbly presence behind the booth that really makes her stand out. Kia is an open-eared music digger, searching tirelessly for lost obscurities to pair alongside modern finds and hidden gems by local artists. She wields together her intimate knowledge of local music and attuned ear, bringing it all to a masterful fruition in her record label, ‘Animalia’, with an ambient sub label ‘Cirrus’ recently launched. Beginning in 2019, Animalia is now home to a highly reputable powerhouse of releases, mixes and events which pave the way forward for the future of electronic dance music in Australia. Bringing underground and DIY sounds to the forefront, Kia encourages experimentation and nuance in every release. Bookings at Amsterdam Dance Event, Dekmantel, Sustain Release and Monument festival are a part of a growing list of impressive gigs Kia is being booked for. As she relocates to Europe in early 2023, with a number of exciting shows on the horizon and solo productions in the works, Kia is without a doubt one to keep tabs on.

̸BIOGRAPHY Conductress of Chaos Kiernan Laveaux is a nonbinary trans energy conduit & ecstatic beat conductor from the Great Lakes Originating as one of the driving forces behind In Training, a long running queer event series founded in Cleveland Ohio in 2014, she materialized through the rhythms of life & her loved ones that reflect the rustbelt environment she was birthed from. Inspired by her friends, the experimentalism and joy found within midwestern electronic music, and the forces that gifted her the name Kiernan Laveaux, she's since embarked on a lifelong journey of communicating through the motherbeat She now exists only to channel love and understanding to dancers of open mind and spirit everywhere Effort Won't Betray You

̸BIOGRAPHY Spearheading a percussive yet atmospheric sound, Konduku’s minimalist approach to hi-energy dance music has reached a singular space. Varying between half-time steppers, futuristic house music and lucid techno experiments, Konduku has assembled a raft of forward thinking club records. Majoring for the likes of Nous’klaer - a label he’s most commonly associated with - to releases with Delsin’s Mantis Series, DJ Nobu’s Bitta label, and his celebrated Parlama EP for Spazio Disponibile - Konduku delivers an undeniable sonic pattern of uptempo, liquid and polyrhythmic groove. Having relocated to Berlin, curious time signatures and rhythmic pulse remain a priority of his DJ sets, and the artist’s ability to stand out comes through an alluring ability to blend & layer sounds that conjure up otherworldy hypnotisms and radical new hybrids in the process. Taking in UK bass culture to his sound, turn-of-the-century tech house and mid-2000s Italian techno, it’s an obsession for drums - and a wider scope for what falls between - that gives Konduku a rare, outsider’s edge. A major musical talent full of artistic influence, Konduku’s sound and style not only inspires but lives long in the memory.

̸BIOGRAPHY Montreal based beat-maker and composer active since 2003. Also releases music as Vertigo Inc. ̸SELECTED DISCOGRAPHY Tell Me About It 2003 Melted Dubs Strange Daze EP 2004 Odds And Ends Music Dirty Work Vol 1 2005 Odds and Ends Music Broken Telephone 2006 Uma Records Dirty Work Vol 2 2006 Odds And Ends Music Bouncing, Burning & Bitching 2007 Guesthouse Music The Throwdown 2007 Muzique Boutique Recordings Cabin Fever EP 2008 Imprint Music I Keep On Moving 2009 Galactique Recordings A Million Pieces 2010 Semisquare Call Answer - Now Attract EP 2012 Vertigo Inc - Ritual Objects 2014 Unfulfillment Vertigo Inc - Preen 2015 Unfulfillment Vertigo Inc - The Water Margin 2016 Mysticisms Intermediate LP 2018 Appears On: San Francisco Sessions OM 2004 MOS Sessions MOS 2007 House Of Om OM 2007 Nectar Vol 2 Agave 2008 Live In Tokyo OM 2008 Powder In Space BIS 2019

Lydo is an interdisciplinary artist based in New York City known for their party, X-TRA.SERVICES. Lydo is an interdisciplinary artist based in New York City. As a resident DJ of BASEMENT NY, their distinctive sets explode the parameters of techno, deftly cutting across genres while retaining a highly personal emotional resonance. Whenever Lydo plays, it’s best to leave your expectations at the door and simply prepare for an unexpected array of sonic thrills, ranging from visceral and grooving to mind-bendingly experimental. A key figure in their local scene, Lydo also runs X-TRA GEAR.SERVICES, crafting highly sought-after gear designed for practical ravers. X-TRA is also renowned for its legendary, sold-out underground parties before becoming a seasonal resident party at BASEMENT. A non-binary trans artist themselves, Lydo launched X-TRA.SERVICES to serve and create space for queer, trans, and nonbinary artists and communities of color. Lydo has played at Bassiani, Säule, Sustain-Release and Boiler Room, as well as many subterranean parties in Mexico City, Berlin, Copenhagen and New York. They have also made unforgettable mixes for publications including Crack Magazine and The Face.

Mama Snake first garnered attention as a DJ as part of Copenhagen's now-disbanded Apeiron Crew. She entered the techno scene with a fully formed sound: rattlesnake beats and emotional synths tied together by imperceptible mixing. Her watertight online mixes quickly earned her a following, and she's now busy balancing her life as a touring techno DJ with her job as a recently qualified surgeon.

Representing real drum and bass at it’s finest, Mantra’s deep and emotive sound in the mix comes from an intense passion for the music. With a selection that’s both inspirational as well as educational, her sets bring the beats into balance and cross the spectrum of dark and uplifting styles. Much more than just a DJ, Mantra has already made an impact across the drum and bass scene and looks set to keep rolling strong. Conscious of the history of the music she loves yet always looking to push things forward, she’s no newcomer and her involvement with drum and bass runs much deeper than just a hobby. Having worked for record distributers SRD as well as promoting her own regular club night, Rupture, she’s learnt from the ground up and built a solid foundation on which she continues to grow.

̸BIOGRAPHY Visual Artist

Crazed rhythms & sonic adventures. Mary Lake, an artist for whom expression and eclecticism is vital. With an international upbringing in Algeria, France and The Netherlands, she seeks a voice through her music, translating inner dynamics in both club and exploratory settings, towards a signature of frenetic yet inviting sets. As a club DJ, Mary serves unorthodox techno, electro and left-field electronics, while always and foremost persuading the crowd to dance. Starting her DJ career through London’s underground scene and NTS activities, she quickly became a familiar face in Amsterdam when returning in 2017, playing at events like Dekmantel and Lowlands festival. Mary has concurrently built up a strong international presence in cities such as Melbourne and Berlin, so be sure to catch her infectious energy anywhere near you soon.

̸BIOGRAPHY Mata Disk is a producer and DJ hailing from Rotterdam, the Netherlands. After saying goodbye to former aliases, Julian Determan aka Mata Disk found himself in a distinctive sound, which combines contemporary club music with ambient and atmospheric elements. A sound that celebrates the experimental and boundary-pushing aspects of music, which can be heard on his 2022 EP ‘Surrounder’ released on Nous’Klaer Audio.

Mika Oki is a visual artist, Dj and producer born in Paris. With a background in sculpture and electro-acoustic music, she explore the notion of intangible spaces and emotional landscapes through AV installations, music and mixes. Like a sculptor who knows that the slightest miscalculated move of a chisel could damage the totality of an artwork, Mika Oki’s selections elude great mastery and undeniable preparation. Doing wonders in her many radio shows, it’s difficult to realise her taste in rumbles and undeniable love for sounds from across the Channel (drum and bass, UK garage, 2-step, grime…) before seeing her on the dancefloor. Never hesitating to alternate a 90s dance anthem with an obscure juke track, she also manages to gather seemingly disparate and conflicting elements together, creating an incredible coherence. Percussive but generous, erudite yet uninhibited, she pieces together unique mixes that never cease to surprise. Eternal dreamer, she uses abstract sound textures and kinetic images to generate mind trips, body journeys through music performances and immersive installations. She also developed an interest in Djing in clubs and radio shows where she translate her atmospherical experimentations, blurring The boundaries between techno, dub and ambient/narrative sounds. This year, she played in European audiovisual festivals like TodaysArt, SONICA, CYNETART and in Uganda for the last Nyege Nyege festival. She also exhibited her work “Reverse Osmosis” at Berlin Atonal 2018. Her involvement in the electronic and experimental music scenes, and her desire to highlight the Belgian artistic community led her to become station manager at The Word Radio in Brussels.

Mor Elian is a Berlin based DJ and producer originating from Tel Aviv and Los Angeles. Label owner at "Fever Am", and booker at "Into The Woods" underground parties in Los Angeles.Mor Elian

̸BIOGRAPHY Nadia's roots in Rotterdam and current location in Berlin equally speak to her affinity for techno - propulsive, dynamic machinations which manifest in DJ sets as well as live hardware performances. From deep pools of ambience to the brain-feeding mechanisms of electro and techno, Nadia Struiwigh’s gift is in expressing herself with conviction through her machines. As an accomplished live artist and producer, her affinity for synthesis and sequencing results in a spellbinding strain of electronica drawn from a richly personal sonic space she has marked out for herself. Struiwigh’s recorded output has appeared on labels like Central Processing Unit, Nous’klaer Audio and Dekmantel - albums and EPs which reach from crunchy sequenced beats to vast swathes of pure, melodic tones. Her roots in Rotterdam and current location in Berlin equally speak to her affinity for techno - propulsive, dynamic machinations which manifest in DJ sets as well as live hardware performances. As a teenager enthralled with the Warp school of electronica and leftfield downtempo, Struiwigh was set on a path of discovery where the intricacy of production met with her impassioned, intuitive approach to composition. Her exacting approach to the technical aspects of the craft has earned her the knowledge to extract her own voice from any medium, but more importantly her music emerges from a very human need to communicate and connect. That connection is best manifested outside the studio. Struiwigh’s live sets range from patient, beatless immersions to kinetic peak-time rushes, sometimes straddling the divide in line with her omnivorous passion for ambient and techno alike. At times she’ll present her released works in a more patient, listening setting, while for the sensory overload of the dancefloor she tends towards a more improvised, open-ended approach to techno and electro. The exact make up of her live rig changes from gig to gig, keeping her inspired and ensuring no two performances are the same. High-profile shows in concert halls sit alongside strobe lit club sessions - she’s since become a resident DJ for Tresor to indulge her love of driving, psychedelically-charged techno, while warm-up sets give her the chance to indulge the deeper dimensions of the music she loves. The range of her tastes can be heard across leading platforms such as RA, Phantasy, Bleep and Red Light Radio, who have all invited her to their esteemed mix series’. Plugged into the moment and constantly exploring new dimensions of her sound, Struiwigh champions electronic music as a springboard for possibilities. With an exquisite clarity which comes from both technical skill and clear-eyed intention, her music thrives on heart and experimentation, powered by machines with as much character as the human at the controls.

̸BIOGRAPHY DJ from Rotterdam running Nous'klaer Audio.

Maya Bouldry-Morrison has been releasing music as Octo Octa since 2011.Octo Octa

̸BIOGRAPHY Peachlyfe (Endurance, Fast Forward) Peachlyfe (they/them) is a hydra-sonic electronic musician that shook & seduced the Copenhagen fast-paced techno scene, claiming their seat along with the Fast Forward Agency. Peachlyfe’s productions and live-sets rebelliously weave across genres, trippy melodies cut with heavy slaps while slithering whispers in your ear sowing the dismantlement of the ‘cistem’. Their previous EP “All Tits are Real, All Money is Fake, All Hail Satan” is an ode to that anarchic-playfulness, a marvellous feat in blending rave-rush joy and queer defiance. ̸SELECTED DISCOGRAPHY Swamplyfe (Lobster Theremin 2021) All Tits are Real, All Money is Fake, All Hail Satan EP (Copenhagen Comfort 2020)

Under the Priori Moniker, Québecois musician Francis Latreille has established himself as a crucial voice in underground techno. His 2019 full-length debut On A Nimbus, released on his own NAFF imprint, was a haunting foray into the possibility/impossibility of technological utopia, where elements of dub techno, drum & bass, IDM, and tech-house curiously converged, resulting in an album at once familiar, modern, and undeniably singular. Francis followed that with a string of essential releases–from the slow-burning techy meditations of SCN and Little Flower to the anthemic, trance-inflected Infinity–ending with 2021’s Your Own Power. Priori is also an accomplished mixing engineer; a quick search will reveal an exhaustive list of credits on projects by Roza Terenzi, D. Tiffany, Escape Artist, Bambii, Gene Tellem, Maara, and ex-terrestrial, to name a few. Between the label he runs with Adam Feingold (aka ex-terrestrial) and the studio he runs with Patrick Holland, Francis is quietly shaping the course of underground electronic dance music in Canada and abroad.

Quan’s expertise designing and operating modular synthesizers delivers a musical palette that jumps between uplifting experimental soundscapes, minimal techno, and deep house. A prominent figure in the development of Vietnam’s experimental electronic music scene, the spontaneous revisions to his live, ever-evolving improvised performances provide an endlessly varied alternative to traditional loop-structured song formats.

̸BIOGRAPHY French electronic music producer based in Berlin, Germany. Quelza (real name Léo Naït Aïssa), was born at the end of the 90s in the Parisian suburbs. Lulled in the arts since his childhood, his connection with music is made at an early age. But it's in 2013 that he made his first encounter with the Parisian electronic scene which inspired him to start producing his own tracks. Over the years, Quelza has made a name for himself in the scene, earning the respect of renowned artists, such as Oscar Mulero, DVS1, Marcel Dettmann, Ancient Methods, Efdemin or Tommy Four Seven to name a few, and committing to in-depth projects and releases. Quelza is assiduous when it comes to his music - his releases on labels like Mord Records, Palinoia, 47, Hayes Collective and others, push an unorthodox crystal clarity and cinematic sound design that has become his signature as an artist - which, combined with his unique DJ sets, has earned him a spot at some of the most prestigious clubs in Berlin (where he is currently based) and abroad, such as: Berghain, Tresor, Fabric London, Reaktor, KHIDI and several more. Quelza, counts as one of the most satisfyingly mature young guns to emerge out the new wave of techno artists that’s been unfurling in recent times, with an exquisitely panoramic view into his mental multiverse. Championing layered techno wares laced with a breaksy, IDM-informed touch that packs a punch, the Frenchman keeps on carving out a truly distinctive, shape-shifting signature, switching scopes and angles as he ups the rhythmic pressure with every next sequence.

̸BIOGRAPHY Karl O'Connor is most certainly Regis and it is also highly probable that he propagates other pseudonyms . This has only added to the greater mythology surrounding the influential Downwards label that he has run with fellow art terrorist Peter Sutton.. Karl O'Connor is most certainly Regis and it is also highly probable that he propagates other pseudonyms . This has only added to the greater mythology surrounding the influential Downwards label that he has run with fellow art terrorist Peter Sutton ( Female ) since 1993. Unconventional and single-minded to say the least ( what label can boast a back catalogue free of the industry standard cash cow remix ) by decentralising the focus on the dj/producer personality, he remains one of the more highly regarded creative forces within the British techno/electronic scene. Degenerate art indeed.

̸BIOGRAPHY Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. The Welsh-Greek artist cut his teeth as one half of Cassegrain and has been finding new paths for his mutant sound ever since, releasing on Fever AM, the imprint he set up with Mor Elian in 2017, as well as labels like Avian and Modeselektor’s SSPB. In the studio or behind the decks, he brilliantly fuses different strains of ultra-modern techno and broken beat: eyes-down minimal lights up with modular sass, choppy kicks flirt with rolling grooves, and sharp sound design slices through earthy subs. It’s the kind of amphibious sound that can slip into otherworldly spaces while never truly leaving the dance floor. Rhyw turned heads with the heavyweight two-tracker ‘Biggest Bully’ in 2019, earning himself sets at Berghain, Berlin Atonal, Boiler Room Tokyo and Freerotation amongst others. Online and on-air, he’s guested on Hessle Audio’s Rinse FM show and Mixmag’s ‘In Session’ mix series, and contributed podcasts to Crack and FACT. Even when they leave the gate at full pelt, these sets showcase Rhyw’s subtle sense of intricacy, balancing airy atmospheres against tougher tackle. But whatever the energy level, there’s always an alien presence in Rhyw’s sound—a shapeshifter whose twin motives are to bewitch and disorientate the listener.

̸BIOGRAPHY A Bermudian artist working in New York Pronouns: They/Them Russell Ellington Langston Butler is a Black artist from Bermuda, living and working in New York City. Russell has painstakingly cultivated a unique artistic expression that integrates and investigates themes around process, technological innovation, the archive, and decolonization. Their works have taken the form of vinyl records, digital audio releases, live A/V performances, and special archiving projects. Russell’s work has been featured in publications like the New Yorker, Resident Advisor, the East Bay Express, New York Dance Music zine Love Injection, and Bermuda’s national paper, The Royal Gazette. Their dynamic performances have helped them keep a busy tour scheduled, traveling as far and wide as Ukraine, France, Portugal, and the Netherlands to name a few. Through their work with modular synthesizers, Russell has been awarded grants and positions as a featured artist. In 2016, Russell began working with the Synthesizer Library in Portland, Oregon as an artist in residence. There they recorded, performed and held workshops for students. As an extension of this work, Russell’s expertise as an electronic musician was documented in the book Patch & Tweak by Kim Bjørn. This is an educational book about the development and implementation of modular synthesizers. In it Russell shares the intersections of their experiences as a Black, Queer, Trans immigrant in America and how that has informed their process as a musician. In 2019, Russell was awarded the Traveling Scholars Fellowship from the School of the Museum of Fine Arts to continue their work with modular synthesizers at the Synthesizer Library’s Prague, Czech Republic location. They would utilize this time to create over 30 compositions, some of which have been featured on NYC label Mr. Saturday Night and pioneering Berlin techno outfit, Tresor. Most recently, in 2021, Russell has worked as a featured artist, digitally archiving records from the collection of House Music pioneer, Frankie Knuckles, as part an installation created by Theaster Gates in a group show curated by renowned writer and curator, Antwan Sargent, titled “Social Works”. They have also featured on a digital and vinyl compilation celebrating the 30th anniversary of pioneering Techno organization, Tresor. Russell also works professionally as a recording, mix, and mastering engineer, an educator, and a consultant for special audio projects and films. Russell loves to spend their time reading, connecting with friends and family, researching the latest in music technology, and cuddling with their cat SKRRT. ̸SELECTED DISCOGRAPHY God Is Change - Opal Tapes - 2015 The First Step - Black Opal - 2016 The Home I’d Build for Myself and All of My Friends - Left Hand Path - 2018 Constructions Vol 2 - Self Release - 2020 Blah Blah - Mr Saturday Night - 2020 Emotional Bangers Only Vol 1 and 2 - Self Release - 2020

̸BIOGRAPHY Salamanda is a Seoul-based Leftfield Ambient music producer/DJ duo of Uman Therma (Sala) and Yetsuby (Manda). The duo have been reaching out to a wider range of listeners around the world with their debut full-length albums released on Good Morning Tapes, Small Méasures and Human Pitch labels, as well as their mixes introduced in multiple domestic & international radio stations including Seoul Community Radio, NTS Radio & LYL Radio. Salamanda believes every sound has beauty, and loves to collect and experiment with all kinds of sounds from the world around them. ̸SELECTED DISCOGRAPHY 2020.12 Allez (Good Morning Tapes) 2021.09 Sphere (Small Méasures) 2022.06 ashbalkum (Human Pitch)

̸BIOGRAPHY ̸SELECTED DISCOGRAPHY discography: Sandwell District SC 01 Regis & Ian J. Richardson - Untergang SC 02 Vandross - Hurt Me I'm Waiting SD 03 Female - Serverlan SD 04 Female - Avon / Cally Remixes SD 05 Silent Servant - The Silent Morning SD 06 CH-Signal Laboratories (8003 Lucerne) Hypnotica Scale SD 07 Function - Isolation SD 08 Kalon - Born Against SD 09 Silent Servant - The Blood of Our King SD 10 Function - Anticipation SD 11 Silent Servant - Violencia (Function and Kalon Mixes) SD 12 N/A - Various Artists

Sapphire Slows is what you might call an everything-ist: she produces, DJs, plays synth and keyboard, and her eerie, drone-like vocals float over her tracks, embellishing their shadowy textures. After the brutal awakening of the 2011 earthquakes in Japan, she became motivated to pursue a career in music. Now a notable name in Tokyo’s electronic music scene, she has toured North America, Europe, China and her home country, and released on labels such as Japan’s Big Love and Los Angeles’ Not Not Fun/100% Silk. While some of her songs are submerged in a blue-ish, slo-mo haze as her name suggests, others are more abrasive and in tune with the whirring pace of krautrock, as on 2014’s Allegoria album.

̸BIOGRAPHY Emerging from Montréal’s vibrant community of experimental artists, Simon Chioini creates a hybrid of new music aesthetics and genre-fusing electronic sounds. Emerging from Montréal’s vibrant community of experimental artists, Simon Chioini creates a hybrid of new music aesthetics and genre-fusing electronic sounds. Through long-form electroacoustic pieces and sharp technoïd productions, his exercises in abstract composition tied with club elements have honest roots. Drawing from a considerable academic background and a self-driven study of the past decades’ outlier electronic music, the diversity of his influences is manifest. Innovative labels such as Rephlex, Warp and Planet Mu, or the pioneering musique concrète of the GRM come to mind as primary examples of that scope. The S. Chioini alias was introduced in July 2019 with “+4 Degrees”, a single that also nudged at the issue of climate change and that got the attention of DJs for its angular rhythms and refined sound design. Coincidentally, the release marked the launch of Humidex, a label Chioini cofounded with friends Absurde and softcoresoft to promote the local techno scene. Previously, his music appeared under the name DJ Voilà on Noumenal Loom (USA, 2017) and the defunct 1080p (Canada, 2016). Closer to his present projects, Compositions 012–015 was published by Where To Now? (UK) in 2016. The album compiles Chioini’s work during his first years studying electroacoustic composition at the Conservatoire de musique de Montréal. Chioini performed for intimate venues such as Montréal’s Datcha, Société des arts technologiques (SAT), and Eastern Bloc or New York’s The Gateway, Bossa Nova Civic Club and Trans-Pecos. On the international level, he participated in festivals such as Mutek (Montréal 2018/2016, Buenos Aires 2018, Mexico 2017), Sight & Sound (Montréal 2019/2016), Akousma (Montréal 2018/2016/2015), and L’Espace du son (Belgium 2015). Finally, he hosts Acte musique, a show featuring new electronic music of all kinds and focusing on the most forward-looking outputs from artists around the Globe. Acte musique airs twice a month on n10.as (pronounced Antennas), an internet radio station broadcasting from Montréal since 2016. ̸SELECTED DISCOGRAPHY Simon Chioini — Climat avenir [Anòmia, 2021] Simon Chioini — Composition 012-015 [Where To Now?, 2016] S. Chioini — Amour détritus [Self release, August 7, 2020] S. Chioini, Absurde, softcoresoft — Humidex 001 [Humidex, 2019] DJ Voilà — Dumbledogs [Noumenal Loom, 2017] DJ Voilà — Aimless Summer [1080p, 2016]

SHERELLE is leading a new generation of high-speed ravers who are addicted to jungle, drum ‘n’ bass, footwork and juke. Through her DJ sets, radio shows and record label she gives a platform to both scene elders and new talent and is committed to pushing 160bpm+ dance music into the future. The London-born DJ has been busy since that Boiler Room sent her signature brand of low-end energy viral: She’s held down a year-long Radio 1 residency that’s seen her showcase cutting-edge dance music to a mainstream audience as well as host OGs like DJ Spinn, 4Hero, Kode9 and Luke Vibert as well as next gen disruptors like Mantra, L C Y, Yazzus and Fracture; She’s started the Hooversound label alongside partner in club music Naina with releases from Hyroglifics, Sinistarr and Deft; And she’s co-founded the incendiary 6 Figure Gang squad with Fauzia, Jossy Mitsu, Dobby and the aforementioned L C Y and Yazzus. Let the takeover begin.

̸BIOGRAPHY Shoeg is the solo project of Carlos Martorell. ̸SELECTED DISCOGRAPHY Container (Orange Milk, 2018) The Swarm (901 Editions, 2018) Vaseline (Memory No. 36, 2017)

̸BIOGRAPHY No time has been wasted in the wake of Sandwell District’s 2011 demise. Along with Regis and James Ruskin, Silent Servant founded the Jealous God label. In it’s short existence, they have already cut-up and reinterpreted many of the conventions of the.. No time has been wasted in the wake of Sandwell District’s 2011 demise. Along with Regis and James Ruskin, Silent Servant founded the Jealous God label. In it’s short existence, they have already cut-up and reinterpreted many of the conventions of the techno world, forging a unique identity in the process. With it’s highly conceptual aesthetic and relentless dedication to experiment, Jealous God is a flag-bearer for the contemporary electronic avant-garde and a loyal ally to all mutant experimentalists. While insincerity remains the safety of many, Silent Servant’s own productions are brutally honest and resolute, rendering irrelevant those mongering for light. Deeply pensive and forward thinking, his sound is marked by a distinct blend of the disparate and divergent. An appreciation of warehouse techno, industrial noise and post-punk are evident, yet challenged and reworked to form a uniquely modern style - a vitality so controlled and concentrated that it captivates immediately. His live sets are another matter of inventiveness. The superfluous eliminated, Silent Servant has, for years, been rewiring the minds and moving the bodies of those seeking the most meaningful and potent energies that electronic music has to offer. Having developed a special kind of discipline, Silent Servant will no doubt continue to drive forward, bringing the truly adventurous with him. His criterion of action is freedom of movement, timelessness of expression, freedom for transgression; holding truth at most high. To that end, there is no compromise. ̸SELECTED DISCOGRAPHY LP Negative Fascination // Hospital Productions // 2012 12" The Silent Morning // Sandwell District // 2006 Lo Profundo // Historia y Violencia // 2008 Violencia // Sandwell District // 2008 The Blood Of Our King // Sandwell District // 2008 La Noche // Historia y Violencia // 2009 Negative Fascinations // Sandwell District // 2009 El Mar // Semantica Records // 2010 Hypnosis In The Modern Age // Sandwell District // 2011 Negative Fascination (Extended 12" Mixes) // Hospital Productions // 2012 Silent Servant // Mi Alma // Historia y Violencia // 2012 SS* / S* - Sicario De Dios // Jealous God // 2013 Lucy & Silent Servant - History Survivors // Mote-Evolver // 2013 Lust Abandon // Jealous God // 2013 Silent Servant / Broken English Club - Violence And Divinity // Cititrax // 2014 Silent Servant // Mechanics of Emotion // The Corner // 2014 51717 & Silent Servant - Jealous God 06 // Jealous God // 2015 Remixs H&V // Raíz // Silent Servant (Ciencia Ficción Edición) Prologue 15 // Claudio PRC // Clear Depths // Silent Servant Remix Kontra musik // Mikora // Silent Servant Remix Ibandan 100 // Function vs. Jerome Sydenham // White Light // Silent Servant Remix Ostgut Ton // Planetary Assault Systems // Bell Blocker (Silent Servant Remix) Warp Records // Battles – Dross Glop 3 // Inchworm (Silent Servant Remix) Cititrax // The KVB //Pray To The Light Machine (Silent Servant Version) Epm Music // Greg Gow & Gareth Whitehead // Vacant (Silent Servant Remix) Frozen Border // Mary Velo // Manhattan Project (Silent Servant Mix) Puscifer Entertainment // Puscifer // Balls To The Wall (Silent Servant Mix) Dement3d Records // Polar Inertia // Major Axis (Silent Servant Remix) Felte // ERAAS // Briar Path (Silent Servant Interpretation) Asma // Birds (Silent Servant Remix) // M_REC LTD Dais Records // Youth Code // Let The Sky Burn (Silent Servant Remix) Diagonal // Streetwalker // Ooze (Silent Servant Remix) Lust For Youth // International (Silent Servant Remix) // Sacred Bones Records Pole Recordings // Exium // The 12th Planet (Silent Servant Remix) Mute // Liars // Mess On A Mission (Silent Servant Remix) Mecanica // Soft Metals // Tell Me (Silent Servant Edit) Phantasy Sound // Daniel Avery // Spring 27 (Silent Servant Remix) Sacred Bones Records // John Carpenter // Vortex (Silent Servant Remix) Eye Teeth // Israel Vines // WWKD (Silent Servant Remix) aufnahme + wiedergabe // Phase Fatale // Grain (Silent Servant Remix) Spectral Sound // Matrixxman // The Caravan (Silent Servant Remix) Dark Entries // Psychic TV // Alien Be-In (Silent Servant Remix) Booking Information daniela@triangleagency.com

̸BIOGRAPHY Skesa (Téo Farley) is a Montréal-based Techno DJ and producer whose recordings blend electronic and organic sounds. Skesa’s music has been influenced by a wide range of genres including house, techno, breakbeat and soul. Born in 1997, Teo was brought up listening to his parents’ trip-hop and jazz records, which led him to study drums and percussions during his teenage years, taking part in various jazz and hip-hop bands. Skesa’s debut EP, ‘Anywhere Outside’, was released in spring 2019, showcasing a sound sitting at the crossroads of hip-hop and dancefloor grooves. It featured collaborations from the likes of LayFullStop, Wasiu and Eric Biddines. Since then, he has thoroughly embraced dance music with a series of singles and remixes encompassing complex percussions and textures. His second outing, ‘System’, combined elements of house and techno into an abstract, reflective, yet tonally rich EP. The music video for 'World', which casts an unknown character wandering the streets of Paris, was notably featured on Madorasindahouse. Through these various projects, Téo has established himself as one of the most exciting newcomers in the Montréal electronic music scene, performing at various events and festivals such as Piknic Electronik, MUTEK and Mural, and sharing the stage with artists such as Kaytranada and Patrick Holland. Skesa released his new EP ‘Inside Out’ on Kookoo Records in May this year.

Sonny Moore, better known as electronic visionary Skrillex is part of a new generation of artists that refuse to be restricted by preconceived notions or outside expectations. After the successful independent releaseof “SCARY MONSTERS AND NICE SPRITES”, it became Skrillex's first release on Big Beat Records. Following its release on Beatport, the 9-song EP dominated the charts on the site, with the title track claiming the site’s #1 slot (the first time a dubstep track has ever done so). Aside from the immediate success of “SCARY MONSTERS AND NICE SPRITES,” Skrillex has also made a name for himself as a highly sought-after remixer. He’s already produced officially commissioned remixes for such A-list artists as the Black Eyed Peas (“Rock That Body”), Lady Gaga (“Bad Romance” and “Alejandro”), and La Roux (“In For The Kill”). Skrillex stands not only at the vanguard of electronic dance music, but the perpetually evolving new music industry as a whole.

̸BIOGRAPHY The Belgian producer SKY H1 found wild success with her first EPs on Creamcake and PAN’s sublabel, Codes, followed by an appearance on PAN’s ‘Mono No Aware’ compilation. SKY H1’s early works capture the blurring lines between her foundational experiences in drum and bass, grime, dubstep, and techno, all tilted towards the schematic bursts of pop. 

Her newest LP ‘Azure’, released on AD93 (december 2021), builds on this foundation and generously elaborates a delicate medley of experiences, forms, and functions into an imaginative and quietly ambitious debut album. ‘Azure’ was slowly brought to life over the last years in a live setting. Playing extensively across Europe, and with frequent bouts of touring taking her to the US, Canada, Japan, China, and Russia, SKY H1 has been continuously writing and assembling banks of music to incorporate into club, concert, and gallery settings. More recently, composing for film and video in both cinema and art environments has become a parallel arc of her practice.

̸BIOGRAPHY Jazz Brown aka Softi, is an Luton born, Derry raised electronic DJ & Producer, now based in SE London. Known for her experimental genre bending, tempo changing sets, she has gained her self recognition amongst the UK underground scene with resident shows on Rinse Fm, Balamii and Kindred. Mind behind Cozi, a forward thinking party, radio show and community pushing sounds that stimulate the senses, focusing on positive mental health in underground music and clubs”

̸BIOGRAPHY SPIME.IM is an artistic collective that aims to investigate, through transmedia projects, the aesthetics and the languages derived from the affirmation of digital reality. SPIME.IM use technology, 3D art and electronic music to weave immersive audio-video experiences, which explore the boundaries of identity, corporeity and perception, in a world where our virtual doppelgänger takes on an increasingly intense position, protagonist and all-encompassing. SPIME.IM was born as a word pun between the concept theorized by Bruce Sterling - the spime for the note, an object that can be traced through space and time for the duration of its existence - and the contraction of English «I am». If the Being is therefore the object of the intertwining between the real and the virtual, then it becomes possible to create new imaginaries that turn into immersive environments and narrative spaces in which artificial and natural, science and humanity, imagination and reality interpenetrate, giving life to new boundaries to be explored, to experience the own consciousness and what, while invisible to our eyes, surrounds and influences us. ̸SELECTED DISCOGRAPHY SPIME.IM - EXALAND - OUS019

̸BIOGRAPHY Vinyl-only dance sets Bottle Service @ Black Flamingo Club Moment @ The Lot Radio MICROWAVE 4 ONE @ Soho Radio... SPRKLBB is a vinyl-only DJ based in Brooklyn. He currently hosts Bottle Service at Brooklyn's Black Flamingo, Club Moment on NYCs The Lot Radio, and an experimental monthly "MICROWAVE 4 ONE" on London's Soho Radio. He was the founding resident and programmer for the Ostbahnhof parties in New York and Los Angeles, and has held numerous residencies in Brooklyn at spots like Bossa Nova Civic Club, High+Tight NYC, and The Gateway. A mentee of NYC house duo The Carry Nation, SPRKLBB collaborates with a network of seasoned nightlife veterans to produce events that are campy yet serious, showcasing top names in underground dance music as well as fresh faces in queer nightlife. Currently producing flyers and visuals in collaboration with artist Xander Gaines.

̸BIOGRAPHY Stefana Fratila is a Romanian-born, Toronto-based artist, composer, and DJ.

Snake charmer born and located in Thailand with Indian and Japanese roots. Co-founder of Siamese Twins record label focusing on psychedelic sounds rooted in Asia. Co-runs the Karma Klique collective known for raves at obscure locations. As a producer, he released on imprints such as 禁 JIN, Ute and Siamese Twins under his own name, Mogambo and Khun Fluff aliases. As well as periodic ambient albums on his own Extans Mantra imprint. Which led to sought-after collaborations with Full Circle, Yu Su, S.O.N.S, Marc Pinol, and Benedikt Frey. A household name across the region for over a decade playing spaced-out music in forests, warehouses, and castles.

̸BIOGRAPHY TAAHLIAH is an artist, performer and DJ based in Glasgow, Scotland and London, England. TAAHLIAH is a DJ & Producer from Glasgow. After making her name in the underground queer club scenes of Berlin & Glasgow as a DJ and remixer, she took stage as a producer in 2021 when she started releasing on London label untitled (recs). 
 Her debut-EP "Angelica" (out May 28th) brings together TAAHLIAH's expansive production skills and range of influences, moving effortlessly between squeaky-clean hyperpop textures (Brave, Freefalling) and the jacking hard- dance sounds (FMH, Bourgeoisie, Transdimensional) which defined her much lauded Boiler Room debut earlier this year. 
 Throughout Angelica, the producer details a range of autobiographical experiences that have come to shape her as a person and an artist: from coming to terms with being trans (Brave), to coming from a working class background (Bourgeoisie); from breaking up (Tears) to falling in love (Freefalling). Always, as TAAHLIAH seeks to represent and bring visibility to her community, she invariably ends up conveying universal messages of power, acceptance, bravery and euphoric fun. 
 TAAHLIAH has placed herself at the centre of a new generation of electronic producers revitalising both Dance & Pop music. She has shared stages with SOPHIE, LSDXOXO, 100 Gecs, A.G Cook & Eris Drew amongst others. 
 She is the first black trans artist to be nominated at the Scottish Alternative Music Awards, and the first artist to ever be nominated and win in two categories in the same year.

̸BIOGRAPHY Andrew Morrison, AKA The Cyclist, is a UK producer known for his psychedelic approach to many forms of electronic music from DIY busted techno, and gauzy melodic house submerged in tape distortion, to Jungle and Footwork. Influenced by an eclectic range of music from Krautrock and 60s psychedelia to early Chicago house, techno, jungle and dub, his critically acclaimed album Bones In Motion, named one of the best releases of 2013 by XLR8R and Boomkat, was the first album released in the collaboration of Leaving Records and Stones Throw Records. In 2014 Morrison introduced a new alias, Buz Ludzha, via the ‘Love Repetitive Rhythmics’ 12” on All City Records, before returning again as The Cyclist in November to release his second album, Flourish, named one of the best albums of 2014 by FACT, having premiered on Pitchfork Advance. In recent years The Cyclist has had ongoing mind expanding releases on the likes of Hypercolour and 100% silk as well as founding his own label Tape Throb Records. Most recently he heads the Overload radio, Label and event series in Liverpool. ̸SELECTED DISCOGRAPHY Albums Beat At The Heart Of The City (2018) Sapa Inca Delerium (2017) Flourish (2014) Bones In motion (2013) Bending Brass (2011) EPs and Singles STP (2022) The Weather Underground EP (2020) Boards of Chicago (2018) Alabaster Thrones (2018) Requite (2018) Hot House EP (2015) Love Repetitive Rhythmics (as Buz Ludzha) (2014)

̸BIOGRAPHY TSVI, AKA Guglielmo Barzacchini, is an Italian DJ and producer based in London; he makes functional, electronic percussive tracks with influences originating from a diverse range of music from all over the world. TSVI is a leading light of the London’s rave underground scene, and he is the co-founder of the UK-based record label Nervous Horizon, which is shaping the contemporary sound of highly percussive, stripped back, club music. His debut album ‘Inner Worlds’, released in October 2018, is an exploration of his Hindu upbringing and the Sufi Islam introduced by his partner. He has received support from Aphex Twin, Gilles Peterson, Kode9 (Hyperdub), Mike Paradinas (Planet Mu) and many more. In recent years, he performed at CTM festival 2019 at Berghain, Field Day London, No Bounds Festival, and he also toured internationally in Europe as well as in China, Japan, Korea and more. In late 2019, Barzacchini made his debut on London-based label AD93 with his new alias, Anunaku; the project is strictly focused on dance floor material within the 125-130bpm spectrum and it explores the use of various drums from around the world combined with elements of UK underground club music.

̸BIOGRAPHY Verraco is a DJ and producer from Medellín, Colombia. Co–runs TraTraTrax + Insurgentes. In the daring sonic fiction of JP López, the Medellín artist collides in his productions and DJ sets Latin-influenced tribal techno, hyper-Electronica, carefully crafted IDM and cutting-edge perreo-bass technology with both intensity and precision. Verraco is also one of the heads behind the groundbreaking TraTraTrax and Insurgentes, labels that have become key platforms for Latinx sound explorers in recent years. In 2020 he released his debut album, 'Grial’, which was described as "Colombian electronica of the highest order" and "a cue from the well-known legends of this style, but makes it his own with subtle details and an outsider mentality." He has collaborated with the Berlin institution Tresor and has presented his dynamic performances in Mutek, Dekmantel, Draaimolen, Sónar, Berghain, De School, among others. ̸SELECTED DISCOGRAPHY Verraco – Grial – [Insurgentes 2020] https://insurgentes-co.bandcamp.com/album/grial Verraco – Grial Remixes – [Insurgentes 2020] https://insurgentes-co.bandcamp.com/album/grial-remixes V/A – T30 – [Tresor 2021] https://tresorberlin.bandcamp.com/album/tresor-30

Acid fiend, Techno heathen. Occasional rap producer. It's All Your Fault.

̸BIOGRAPHY x/o is a multidisciplinary artist whose music floats between contrasting fields of delicate soundscapes and distorted percussive detail, a juxtaposition which extends into their artistic practice through conceptual layering of ideas and textures. ̸SELECTED DISCOGRAPHY Chaos Butterfly (LP, released 4.4.22 on Precious Metals) cocoon egg (EP, released 11.11.17 on Quantum Natives)

̸BIOGRAPHY Yant has a reputation for combining alluring grooves, hypnosis-inducing sounds and rich powerful beats Manchester-based Yant has a reputation for his meticulously designed productions and dark, groovy, powerful DJ sets. Signing records to Setaoc Mass’s SK_Eleven X, Token Records, and originally BLACKAXON the producer has a solid backing of Techno’s most important figures. Keeping things fresh and moving forward his productions deliver alluring grooves, hypnosis-inducing sounds and rich powerful beats. Each track has distinct personalities and psychoacoustic details to build worlds of their own, always ready to take you to the next place. Berghain, ∄ K-41, Fold and The White Hotel, are just a few of the clubs which have experienced his ability to grip the dancefloor. Full of energy, pushing it to the limits, he rides on the verge of things falling apart, almost close to apocalyptic, but saving you with a surprise up his sleeve. With an open minded passion for music and diverse collection, setting the tone at the start of the night using interesting atmospheres is something he appreciates and makes it his mission to subtly drift with you into the full speed of the night. Whether it’s at the beginning or end of the night, one thing’s for sure, you’re in for a ride. BOOKING: yantbookings@gmail.com ̸SELECTED DISCOGRAPHY Yant - Contravention EP [SK11X006] Yant - Hydro EP [BAXN005] (2020) Yant - Night Shift EP [SK11X001] (2019) Yant - Cosmic Borders EP [BAXN003] (2018)

̸BIOGRAPHY Yuri Urano a.k.a. Yullippe An electronic music artist born in Osaka. Her fascinating voice and sound are highly regarded, and she engages in global activities that transcend genres and borders. An electronic music artist born in Osaka. Her fascinating voice and sound are highly regarded, and she engages in global activities that transcend genres and borders. In January 2018, she participated "INTERLUDE from TDME" one of the biggest audition searching next generation of creators for electronic music, and won the GRAND PRIX. In April she performed with Ryoji Ikeda and RADIQ at Namba hatch in Osaka.In September she released a single from CPU Records, and then released Reed from her eponymous label YL. At MUTEK.JP in December 2020, She performed an ambient / experimental live set with visual artist Manami Sakamoto. She shows her talent in various musical fields. She produced music for TEDxKobe. She made an appearance at "The Star Festival 2017"(very popular Japanese Music Festival) as a secret DJ a.k.a "Ghost Selectors", and made a huge buzz. ̸SELECTED DISCOGRAPHY 2018 Reed by YL Autline by CPU 2017 Selfish & Anchor by Yullippe 2016 Lys by Yullippe 2015 Night Flower by Yullippe 2014 test I: i.a.m.y.o by edition.nord Crash & Reborn by Different10

̸BIOGRAPHY Michael Paradinas (born 1971) records primarily under the name µ-Ziq (pronounced "music") in addition to a large number of aliases. He runs the british electronic label Planet Mu and first emerged on Rephlex in 1993 with the album 'Tango N'Vectif' and.. Mike Paradinas has become one of the very few artists working with electronics to produce a recognisable amd personalised sound while at the same time mixing far-reaching experimentalism with accessibility through infectious melodies and rhythms. Achieving healthy record sales and staying true to the pioneering spirit of the underground is no mean feat. Hailing from Raynes Park, South West London, Paradinas began operating under the name µ-Ziq whilst studying for a degree in Architecture at Kingston University in 1991. he eventually left before completing the course, partially due to a lack of interest, but more importantly to concentrate all efforts towards his music on a full time basis. Early recordingsfirst emerged on the Rephlex label with the now classic 'Tango N'Vectif' in 1993, followed a few months later by a second, 'Bluff Limbo' in 1994 - on it's initial promo run of 1000 copies, it rapidly gained a noteriety out of all proportion to it's availability, even entering the NME top 50 albums of that year. 'Tango...' meanwhile has gone on to sell in excess of 40,000 copies. In March 1995, Mike signed to Virgin and released the 'Salsa With Mesquite' ep and the album 'In Pine Effect' ("the difference is that where the Aphex Twin's topographical doodles suggest undiscovered, unpeopled planets, µ-ZIq's approach is a good deal more emotional, attempting to tap into the inner, surfing the soul... This is 'techno' elevated above the mere functionalism of the dancefloor, lighting fires in the heart and painting pictures for the mind's eye." - Melody Maker). This year also saw the genesis of 'Jake Slazenger', one of Mike's numerous pseudonyms with the acclaimed future-past casio jazz-funk of the 'Makesaracket' album on Clear. 1996 saw Paradinas join forces with Richard James for Aphex's one and only collaboration album 'Mike and Rich' on Rephlex; it was also the year that Mike signed to Warp for his second Jake Slazenger album and indie chart number 1: 'Das Ist Ein Groovy Beat, Ja'. May 1997 saw the release of 'Lunatic Harness', his third album proper, which saw µ-Ziq introducing more aspects of jungle style programming into his music (previously showcased on the 'Urmur Bile Trax' series). This time he was mixing elements of twisted hip hop, carnivalesque synths, toy-town world music and - what became known as - 'drill & bass' with his own inimitable style. Though he may incorporate these elements in his music, Mike never lets these influences smother a track entirely, instead mixing it all up into an end result that is both innovative and new. At 50,000 worldwide sales & counting, album of the week in both NME and Melody Maker, many others thought so too. 20 years ago Mike launched his own independent record label 'Planet Mu' releasing material by Venetian Snares, Remarc, Vex'd, Machinedrum, Kuedo & Jlin amongst many many others, including some of his own projects 'Kid Spatula' & the 'Slag Boom Van Loon' collaborations with Jochem Paap (aka Speedy J). Now over 350 releases old, Planet Mu has become one of the mainstays of the electronic music scene along with Ninjatune and Warp records, gaining more respect with every year that passes. In July '99 Mike released 'Royal Astronomy' on Virgin Records' 'Hut Recordings' subsiduary. Musically a sizeable shift from 'Lunatic Harness', the album focused more on his orchestral leanings (which were already present on 'In Pine Effect') and he was further inspired (as support act on her 1998 Homogenic tour) by Björk's use of live string sections in her shows. The album revealed a more poppy and melodic side to Paradinas than on previous occasions, while taking care not to discard any of the innovative programming and cutting edge beats that he'd become renowned for. The album was preceded by aa single 'The Fear', an infeciously haunting vocal track with pastoral strings underpinned by a Northern Soul mid-tempo shuffler rhythm, displayting the versatile nature of Paradinas' output. In 2003 Paradinas' Planet Mu label released one of their most successful records to date: 'Bilious Paths', Mike's 10th album as µ-Ziq. 12 tracks of hard cut-up breaks and electronics, distorted washes of melodic detrius and occasional serene ambience. Much of the album charted new territory for Paradinas, like the opening track 'Johnny Maastricht' which was inspired by the then new and emerging Garage sounds which would eventually coelesce into Dubstep and Grime, but with Mike's own trademark melodic sensibilities taking the place of the bass and the 'Grape Nut Beats' duo of tracks which mixed 6/8 gabber/tekno, old skool rave and nu-skool breaks to devestating effect. 'On/Off featured the vocal 'talents' of Ghostly's Mike Dykehouse (who has also released on Planet Mu) embellishing a dirty-bass electro anthem about panties. 'Bilious Paths' has gone on to sell over fifteen thousand copies worldwide. ̸SELECTED DISCOGRAPHY As µ-Ziq Albums Tango n' Vectif (1993) Bluff Limbo (1994) µ-Ziq Vs The Auteurs(1994) In Pine Effect (1995) Lunatic Harness (1997) Royal Astronomy (1999) Bilious Paths (2003) Duntisbourne Abbots Soulmate Devastation Technique (2007) Chewed Corners (2013) XTLP (2015) EPs Phi*1700 (U/V) (1994) Salsa with Mesquite (1995) Urmur Bile Trax Volume 1 & 2 (1997) My Little Beautiful (1997) Brace Yourself (1998) The Fear (1999) Ease Up (2005) XTEP (2013) Rediffusion (2014) As Tusken Raiders / Rude Ass Tinker Bantha Trax (1995) Bantha Trax Vol. 2 (1999) The Motorbike Track (1999) Imperial Break/Silk Ties (2001) As Jake Slazenger Makesaracket (1995) Megaphonk (1995) Nautilus (1996) Das Ist Ein Groovybeat, Ja (1996) Pewter Dragon (2006) As Kid Spatula Spatula Freak (1995) Full Sunken Breaks (2000) Meast (2004) As Gary Moscheles Shaped to Make Your Life Easier (1996) Collaborations Diesel M (with Marco Jerrentrup) M for Multiple (1993) Mike & Rich (with Richard D. James aka Aphex Twin) Expert Knob Twiddlers (1996) Slag Boom Van Loon (with Jochem Paap aka Speedy J) Slag Boom Van Loon (1998) So Soon (2001)