Analog Soul are a NYC based DJ duo.

̸BIOGRAPHY Excited to be here.

Avalon Emerson is from the desert. While she currently lives in Berlin, the music she produces comes from the dreamlike expanse and abstract textures of the Sonoran landscapes of Arizona. Her journey has taken her from that sunbaked state to the contemporary dance music mecca via a long stint in San Francisco, where she cut her teeth as a DJ in the city's storied warehouse party scene. In her DJ sets and productions now, she offers a timeless narrative that reflects a passion for the sound design of new wave, the futurism of techno, the soul of American house and the exuberance of rave. Though she's built up steam in 2015 from multiple sets at Panorama Bar, and globetrotting all around Europe and North America, she's just getting started, and continues to outdo herself with original productions released on labels like Shtum, Spring Theory, Icee Hot, and her own DJ tool edit pool, the Cybernedits series.

Azu Tiwaline is a producer inspired by the need to explore her origins, rooted in the Sahara. Her sound is a mix of the organic and the raw, vibrations from the spaces of the desert where entrancing music resonates and ecstatic rituals are commonplace.

DJ, producer and owner of the Timedance record label, based in Bristol (UK)Batu

Norwegian-Mexican artist, producer and DJ Norwegian-Mexican artist and producer Carmen Villain makes atmospheric music made up of tapestries of field-recordings, acoustic instruments such as flute, clarinet, piano, and electronics, culminating in her own distinctive sound combining elements of fourth world, dub and ambient. Through an experimental approach to production and composition, the results are often a mixture of abstract soundscapes rich in detail, permeated with beautiful harmonies, melodies and dubby beats. She has done a number of releases for labels such as Smalltown Supersound, Geographic North (USA) and Longform Editions (AUS), and has been remixed by Parris, Dj Python, Jay Glass Dubs, Karima F, Yu Su, Klara Lewis, Gigi Masin, Biosphere, Peaking Lights, D.K. and more. "Perlita EP" (Geographic North 2021) "Affection in a Time of Crisis" (Longform Editions 2020) "Both Lines Will Be Blue" (Smalltown Supersound 2019)

DJ Holographic is a one-woman funk machine born and raised on Detroit Music. Her mission is to serve a mix of musical cuisine that contains consuming house beats, passionate R&B with Hip Hop, unreserved disco, true Detroit Techno, and Motown. Join her as she concocts her next rhythmic dish. Surrounded by members of the Detroit DJ community such as Underground Resistance, Detroit Techno Militia, Rocksteady Disco, DJ Minx, KDJ Records, and DJ Minx, she was inspired and her curiosity got the better of her. She has appeared in the underground scene around Detroit at places such as Grenadier Club, Tangent Gallery, Grasshopper Underground, The Whiskey Parlor, Marble Bar, TV Lounge, The Works, Temple Bar, and more. She has played at festivals such as Movement, Charivari, San Francisco Pride, Red Bull Music Academy in New York, and opened for Black Madonna’s We Still Believe Tour in LA..

Stefan Kozalla aka DJ Koze lives and works in Hamburg and Cadaqués. His Profession: DJ, Musician (International PONY, Adolf Noise) and Remixer for many, including Gorillaz, Moderat, Matthew Dear, Låpsley, Caribou, Who Made Who, Lawrence and many others.DJ Koze

Efficient Space - Idle Press - The Trilogy Tapes A Parisian of impeccable taste, DJ Sundae is a proud owner of a priceless record collection cherrypicked from dusty shelve, private presses and all shades of electronic music. Behind the digger, there is for once, a real club DJ who has played at Salon des Amateurs, Opium (Vilnius), Concrete, Breakfast (Tel Aviv), Inkonst (Malmö) … among others. Releasing psych-folk, and Arthur Russell affiliate Nirosta Steel lost productions on the gone-to-soon Hollie Records, Sundae now operates Idle Press, reissuing Pitch's 80's no-wave lost classic with a stellar Tolouse Low Trax rework, releasing music from Smagghe & Cross and recently an edits compilation of proto-trance tracks by Alexis Le-Tan. His sentimental compilation of folk-pop, DIY new wave songs Sky Girl,selected with fellow frenchman Julien Dechery, was a noted essential album of the last few years. He also co-host (with Cosmo Vitelli) a regular show on NTS radio, No Weapon is Absolute. ̸ SELECTED DISCOGRAPHY Sky Girl with Julien Dechery on Efficient Space.

̸ BIOGRAPHY “Whatever you do, make sure you show them who you are with the music.” - uber driver Sylo has been creating space and moving people as a DJ for a few eras now, primarily on an underground wave in Philadelphia. Currently, he is fresh off a 3 month journey, traveling and gigging across South Africa and Mexico. Now, back planted in Philly, Sylo is sparking up again. His current weekly residency "Gradient,” at the brand new hi-fi “Listening Room” is becoming a bonafide staple, and his sets with Joshua Lang, together as BWC Sounds, have been rocking the city. “…it feels like we’re finally going to get to tell the world the story” Tunes from Sylo, some solo… and some featuring members of the city’s flourishing music scene, are on the way. ̸ SELECTED DISCOGRAPHY "Sail On" w/ Dreamcast [PPU]

Founder and A&R of Life and Death, Manfredi Romano grew up tour-managing punk bands and organizing leftfield music events. Eclectic DJ and fine chef. Founder and A&R of Life and Death, Manfredi Romano grew up tour-managing punk bands and organising left-field music events in Italy around the turn of the Millennium. Having completed his studies in computer science at the University of Pisa, Manfredi went on to form DAZE, Italy’s first booking agency solely devoted to electronic music. Drawing on two decades of experience behind the scenes, Romano shifted focus in 2010, establishing himself as a DJ in his own right. As a performer, Tennis valiantly showcases an astute ability to create intimacy in even the vastest of gatherings. As a respected producer, Romano consistently channels his past relationships with post-rock luminaries such as Godspeed You! Black Emperor, Tortoise and Fugazi into intricately-synthesised electronic constellations. Fine chef and restaurant owner, Tennis splits his time between Miami and Barcelona, where he enjoys riding motorbikes, collecting vintage action-figures and building upon his vinyl record collection - which now numbers over eleven-thousand strong. https://www.facebook.com/tennisdj https://twitter.com/dj_tennis https://soundcloud.com/djtennisdjtennis https://tennisdj.bandcamp.com/

Earth Beat is an NYC-based radio program & party series run by Greg D, Fundido, Extra Water Andrew, and Ty McDonald. While bringing as assortment of oddball disco, house classics, and international sounds to the airwaves and the dance floor, they partner with different environmental charities on a local and national level to rase money and awareness for a variety of causes, and have some fun while doing it.

London-based DJ, promoter and NTS radio host. Boss at Osàre! Editions. Many DJs claim to be champions of free-spirited eclecticism, but few truly break boundaries or swerve convention. Step forward Elena Colombi, a DJ and radio host whose inspired sets are not only open-minded and mind-altering, but also seek to toy with the emotions of listeners and dancers via shifts in intensity, tone, light and shadow. Her distinctive approach is truly unique, in part thanks to a widescreen grasp of different musical cultures, sounds and rhythms, born out of travelling the world with her family from a young age. This nomadic approach is something that Colombi still embraces. After ten years living in London and making her mark in the city’s electronic music underground and a brief relocation to Brussels, the artist is now based in Amsterdam, where she can be found contributing to the vital local scene whilst focusing on her new label, Osàre! Editions. Launched in the summer of 2019, the imprint was inspired by the Italian translation of ‘daring’ or ‘bold’. In keeping with Colombi’s approach to DJing, the label will provide a home for future-facing music shot through with forward-thinking experimentation and abandon, and imbued with a sense of complete freedom, transcending expectations of time or genre. This approach is a neat fit with her musical style, which taps into a wide range of influences and inspirations old and new. Since she began her journey through DJ culture, the Italian artist has prioritised energy and emotion over form and function, paying particular attention to obscure and undiscovered artists. While ‘anything goes’ is undoubtedly her mantra, her dynamic sets are perfectly balanced with the kind of effortless flow that many DJs fail to master with a lifetime of practice. As well as documenting her far-reaching taste via her monthly NTS shows, Elena has contributed outstanding mixes for FACT and Crack Magazine, Beats In Space, Intergalactic FM, Digital Tsunami and Dekmantel, where she also took part in a live discussion with John Talabot on the Art of DJing, a panel that was recorded by Resident Advisor and later broadcast as part of the RA Exchange podcast series. On the festival circuit she’s made appearances at Dekmantel, Club To Club, Nuits Sonores, ADE, Unsound and more, together with an annual residency for the boutique UK festival Field Maneuvers and a quarterly curated night at Belgrade’s Club Drugstore. Her outsider-led approach also gained recognition from the established art world, going back-to-back with homegrown Manchester legend Jon K at the Whitworth Art Gallery (a feat repeated at Atonal in Berlin), as well as bringing her selections to the Tate Modern in London for the Tate Lates series. The different strands of Colombi’s DJ career are almost as diverse and otherworldly as her on-point selections, a reflection of her ability to translate her vast music knowledge and sets to differing environments. Yet it’s in clubs that her celebrated talents hit home hardest.

High Priestess of the Motherbeat. Vinyl slinging since 1994. Dissolve boundaries and models. Unlock your body. Find each other.

DJ, producer & live musician based in NYC. Gee Dee is a Brooklyn-based DJ, producer and experimental musician rooted firmly in North America’s club scene. With longstanding residencies at New York’s Good Room and Public Records, and a 10-year veteran of Philadelphia’s iconic Making Time party, Gee Dee has been commanding dance floors for over a decade with his well-informed blend of electronic music. An optimistic sense of freedom and a contagious lack of inhibition shine brightly throughout his work. A true purveyor of the “anything goes” ethos, he possesses an uncanny ability to seamlessly crest between decades, genres, tempos, and moods, both in his DJ sets and productions. Whether you catch a solo set or hear him play with Earth Beat, the Brooklyn-based party he formed in 2019, Gee Dee takes listeners on a musical journey through early garage, progressive heaters, 303 soaked acid, piano anthems, jacking percussive movements and beyond...guaranteed to make you sweat. Formerly DJing as Greg D, 2020 saw the producer’s first releases under the Gee Dee moniker. His output included a debut 12” on New York’s Superior Elevation and a follow-up EP on Mike Who’s Planet Trip. In 2021, as a multi-instrumentalist and experimental musician, he formed Infinity Machine with Juan MacLean. The collaborative project intentionally wields the power of psychedelic sound as a ritualistic, ceremonial healing device through immersive journeys of shapeshifting acoustic and electronic sounds. Beginning as an intimate psychedelic ceremony, the duo has risen above ground, performing at the first ever Psychedelic Assembly in NYC, on The Bunker’s Going In live stream, and at Making Time ∞. Infinity Machine is set to release a series of cassettes for DFA Records in early 2023. A consistent contributor to the world of Online mixes, you can hear Gee Dee’s encyclopedic musical landscape come to life on his guest radio spots for Heels and Souls on Worldwide FM, Bar Part Time, Rhode and Brown, Friendly Potential, Tuff Shed on NTS Radio and many more... ̸ SELECTED DISCOGRAPHY Dream In Colour – Klasse Wrecks – 2023 Waterdance – Terra Magica – 2022 Air Waves – Dream Chimney – 2021 Key Of Sea – Planet Trip – 2020 Ordinary Dreams Vol 1 – Planet Trip – 2020 Slow Glass – Release (Gee Dee remix) – Light Of Other Days – 2020 Ocean Walk – Superior Elevation Records – 2020 Neil Frances – Coming Back Around (Gee Dee’s Clubbing Back Around mix) – 2020 Neil Frances – Coming Back Around (Gee Dee’s Dubbing Back Around mix) – 2020 Cosmic Sands – Light Of Other Days – 2018 Disko Afreeka – About Disco Records – 2018

Grant Aaron, the founder of the long-running podcast series Mysteries of the Deep, has spent decades immersing himself in electronic music. His influences are far-reaching, and his identity resists categorization: he is both an ambient and techno DJ and is a core member in the band Birds of Prey. As its name implies, Mysteries of the Deep is concerned with the exploration of unknown realms, and its focus—in addition to showcasing a dynamic spectrum of electronic music from foremost artists in the field—is to thoughtfully engage its audience. Based in New York and conceptualized in 2011, Mysteries—as fans lovingly call it—began as a podcast series that, now in its ninth year, has hosted mixes and original works by Patrick Russell, Tobias, Tropic Of Cancer, Aleksi Perälä, Neel, ASC, Antenes, DJ Pete (Substance), Chris SSG, and many others.

"I have never attended a better concert" Tagesspiegel (Berlin) It is easy to understand the return of the Hailu Mergia to the world of music as one of the most unlikely comebacks of the last few years: The keyboardist was a major star in 1970es.. "I have never attended a better concert" Tagesspiegel (Berlin) It is easy to understand the return of the Hailu Mergia to the world of music as one of the most unlikely comebacks of the last few years: The keyboardist was a major star in 1970es Ethiopia, presiding over the country's leading instrumental ensemble Walias Band, which worked restlessly on the Addis Ababa hotel circuit and jamming with luminaries like Duke Ellington and Manu Dibango. In 1981 a good part of Walias including Hailu used the first ever US tour of an Ethiopian music group to escape the dictatorial Mengistu regime. Since then Hailu has been a resident of the Washington DC area, spending most of his recent years as a cab driver at the capital's Dulles Airport and playing only privately. Enter Brian Shimkovitz, operator of the acclaimed blog-turned-record label Awesome Tapes From Africa, who came across "Hailu Mergia & His Classical Instrument", a somehow obscure 1985 cassette, in a music store in Ethiopia, tracked down the old maestro and reissued it: This charming tape has both a nostalgic feel (in its attempt to revive the accordion, once East Africa's leading instrument before electrified "western" rock style instrumentation took over) as well as a futuristic dimension (recorded by the exiled Hailu all by himself in multi-track it features a host of synthesizers and drum machines). On the back of Shimkovitz' reissue of "Classical Instrument" (which came out June 25 2013), Hailu started to play live again - in the US with the New York based Afrobeat band Low Mentality and in Europe with a hard-tobeat rhythm section made up from two leading Australian improvisors living in Berlin: Tony Buck (drums) has been involved in a highly diverse array of projects but is probably best known around the world as a member of the genre-bending trio and cult band The Necks. Mike Majkowski (*1983) on double bass has come to acclaim with his imaginative solo performances and for his sideman work for Peter Brötzmann and Han Bennink. Together the trio explores the deep, liquid and hypnotic qualities of Hailu Mergia's music, while not forgetting to throw in some defty bits of funk now and then.

Hamburg native Helena Hauff is an in-demand DJ as well as an acclaimed producer of gritty, hard-edged electro-techno. Her music draws from influences such as acid house, EBM, and industrial, and she records her tracks strictly using analog equipment, usually in one take. Her full-length debut, 2015's Discreet Desires, contains some of her most melodic material, while 2018's Qualm is more stripped-down but no less energetic. Hauff has released a handful of EPs, including 2019's Living with Ants and 2021's Futuros with the Exaltics. ~ AllMusic

Hi My Name Is HVNLEE And I Make People Dance A North Philadelphia native, HVNLEE has a fun and infectious sound that draws from her early days of spinning Hip Hop and RnB, as well as a deep love of disco, funk and soul. These influences can be heard in her sets today, which center around the many variations of House and Techno. With a number of high profile gigs and years of experience under her belt, she has established her own femme-focused event series HONEY, and holds down a monthly residency at the revered Fillmore Philadelphia.

Electronics from Identified Patient for you Cer­ti­fi­ably one of the most revered under­ground DJs of the Nether­lands, Job Veer­man, bet­ter known as Iden­ti­fied Patient, has made a name for him­self as an oth­er­world­ly sto­ry­teller. His left­field mix­es take the lis­ten­er on a white-knuck­le ride of twists and turns, with no genre, tem­po, or mood off-lim­its. The Ams­ter­dam-based artist made his ascen­sion with some of Rot­ter­dam’s finest imprints, all the while fill­ing dance floors across the coun­try and through­out Europe. His style fus­es raw aes­thet­ics with unri­valed, relent­less ener­gy which he trans­lates into his pro­duc­tions as flu­id­ly as his DJ sets. With a trade­mark sound that drifts between the exper­i­men­tal sides of tech­no, elec­tro, acid, dub, and jun­gle, it was not long before his music gained the atten­tion of Rot­ter­dam-based labels. Hit­ting Com­mon Thread in 2016 with The Female Med­ical Col­lege of Penn­syl­va­nia and then Pinkman in 2017 with a string of releas­es, and lat­er releas­ing his Split EP on Lon­don’s Brokn­toys. These out­lets would become the plat­forms for his ear­ly releas­es which were rec­og­nized as instant hits in sev­er­al charts and clubs through­out Europe and beyond. In 2020 he released his Nerve Deposit EP as part of Dek­man­tel’s UFO Series. This year he will return to Dek­man­tel’s imprint, this time with his debut album. Not only this, but he is busy col­lab­o­rat­ing with Gam­ma Intel on an EP, also due to hit the air­waves this year. Besides his sen­su­al­ly severe, irrev­er­ent pro­duc­tions, Iden­ti­fied Patient has put him­self on the map with his high-ener­gy DJ sets, brim­ming with ten­sion that spills over into eclec­tic and diverse styles. Despite his rapid tran­si­tions his focus nev­er diverges from the qual­i­ty of his selec­tions. He has become a vital pres­ence at Dek­man­tel events and was a reg­u­lar at the Ams­ter­dam insti­tu­tion, De School, firm­ly assert­ing his place in the Dutch elec­tron­ic scene. Iden­ti­fied Patient shows no sign of tak­ing his foot off the gas, with a com­pelling list of forth­com­ing releas­es and an exten­sive tour­ing sched­ule. Strap in for this year’s roller­coast­er ride; sleaze and sat­is­fac­tion guaranteed. Identified Patient – Nerve Deposit (DKMNTLUFO10) Identified Patient & Sophie du Palais – Don't Exclude Anything (PNKMN28) Identified Patient - Kogeldans (PNKMN27) Identified Patient - Signals In Snakes (DKMNTLUFO9) Identified Patient / Scarlit Port ‎– Split (Discos Del Quebranto – DDQ03) Identified Patient - Weeshuis Der Verloren Zielen (PNKMN19) Identified Patient & Sophie du Palais ‎– Aborting Your Dreams (PBD10) Identified Patient ‎– The Female Medical College Of Pennsylvania Common Thread (COMMONTHREAD06)

Manchester

̸BIOGRAPHY Along with the likes of occasional partner-in-crime Andrew Weatherall, Ivan has the ability to play music like a raw conduit between his famously obscure records and the dancefloor's strobe-soaked bodies, injecting something of himself seamlessly into.. France's most wanted radio host and selector, Ivan Smagghe stands at the crossroads between glamorous parisian hype and musical integrity. His genre defying/defining production work originally in Black Strobe and now in It’s A Fine Line (who have recently finished Battant's second LP, As I Ride with No Horse) has connected him to and garnered the praise of (amongst others) James Murphy, Trevor Jackson, Ata, Optimo and the aforementioned Weatherall. All fellow crusaders in the fight to prove that electronic music can be so much more than a one dimensional soundtrack for a night on the lash. The success of his musical blog 'a few things from Ivan Smagghe' has generated a compilation series of edits for Paris uber-fashion store Colette. The first volume sold out in a couple of weeks. His project with Tim Paris, It's A Fine Line, has already put out numerous remixes (from Superpitcher to the XX) and releases that can't be pigeonholed (electro rockabilly on Kompakt to italo rickety disco on Marketing Music). Their new studio is now fully set for original music, remixes and production. Expect a lot more from them in 2012. Aside from his A&R role for now 10 years old label Kill The DJ (who have released the first EP of RMVN, Ivan’s project with Roman Flugel), Ivan has also started solo work (a noted remix for Parisian label Meant) as well as more planned collaborations with musical friends (Ewan Pearson and Tiga being first on the list). You can catch Ivan subverting the masses on any given weekend, all around the world. Go to http://afewthingsfromivansmagghe.blogspot.com/ for more info, thoughts, and edits.

̸ BIOGRAPHY An artist who speaks as much on community as he does music, James Bangura wants to leave something for the next generation of artists to move forward with whilst also writing their own story. Having released on labels such as MisterSaturdayNights, HausOfAltr, 3024, World Building, and Incienso, James Bangura has become a name we’ve heard consistently in dance music over the last few years. Being One of the co-founders of the group “Black Rave Culture” and also having a slew of independent releases dating back as far as 2012, James Bangura has maintained a steady pace for the last decade. James’s DJ ability is also something not to scoff at with an archive of various mixes that showcase James’s playful sensibility whilst maintaining a high level of tension and energy that keeps his audience wanting more. We can’t wait to see what the next decade has in store for this unique artist.

JDH, hailing from New York, is one half of the duo behind the FIXED parties, which have been running for over fifteen years. JDH, hailing from New York, is one half of the duo behind the FIXED parties, which have been running for over fifteen years. The duo have toured numerous times with Simian Mobile Disco and Soulwax and have recently played Robert Johnson, Oasis Fest, Coachella, PS1, Camp Bisco, FYF Fest, and at Pacha Ibiza. ̸ SELECTED DISCOGRAPHY Bohemian Groove- "BG Funk" (JDH & Chupacabras Remix) (Throne Of Blood) Little Boots- "Broken Record" (JDH & Chupacabras Remix) Lemonade- "Big Changes" (JDH & Chupacabras Remix) (True Panther) JDH & Dave P- "Go Commando" (Defend Music)

̸BIOGRAPHY JD Harrington fell in love with electronic music and rave culture as a teenager growing up in Florida during the late 90s. Upon moving to NYC in early 2007, JD soon found himself immersed in the city's thriving techno scene. Newly inspired by the sound.. JD Harrington fell in love with electronic music and rave culture as a teenager growing up in Florida during the late 90s. Upon moving to NYC in early 2007, JD soon found himself immersed in the city's thriving techno scene. Newly inspired by the sounds and energy of life in New York, he began DJing more seriously. Playing frequent afterhours sessions at Brooklyn's infamous Fat Camp complex, he cultivated a brand of techno that is deep, dark and heady. JD made his public debut behind the decks at Den of Thieves in late 2009 to an excellent reception. He has returned to Den of Thieves on several occasions since and has appeared, both alone and as a member of the Fat Camp crew, at New York events including The Bunker, Oktave and ReSolute, as well as in Detroit at Gary Springs Hunting Club's Shxt Show party during DEMF 2010. booking inquiries: jd@jdharrington.net

John Raffaele brings life to the dance floor leaving listener's nothing short of exhilarated., the spawn of Subsurface and Impressions Philadelphia has engaged John deeper into creating his own sound. DJing since 2011, New York native John Raffaele has been bringing life to dancefloors in the US and abroad on countless occasions. His tireless work and commitment to nightlife and music culture with his projects Subsurface (party) & Impressions Philly (record store) could be described as an unquenchable thirst for more. After relocating to Philadelphia in 2016, John wasted no time working dancefloors across the city for underground local crews. After 2 years in the Philadelphia circuit, John teamed up with his partner and one of his closest friends, Keen in December 2017 to launch the now accredited warehouse party series- Subsurface, to channel their vision into their own experience to share with others in Philadelphia. Since then they have wasted no time reshaping the mold of underground parties in Philadelphia hosting artists such as Anthony Parasole, Omar S, John Dimas, Steve O’Sullivan, and more recently Hamish & Toby, Brawther, Analog Soul, Christian AB and more with no signs of slowing down. In August of 2020, during the pandemic John had been digging for records at such a frequent rate, and being out of gigs with little income- he spawned Impressions Philadelphia, an online/ pop-up record store, filling a void for dance music record shopping in Philly. Since then, the shop has made a mark on local DJ’s and collectors in the city. As a producer, John has been working behind the scenes tirelessly at developing his sound. After many months/years at work, John will be part of the next forthcoming release on Tbilisi based label- Small Moves alongside collaborators Sweater and Bobby Banks under their alias “Post Play”. Expect that to drop fall 2021.

Sapropelic Pycnic is the solo project of Ka Baird of Spires That In The Sunset Rise. Ka Baird is a multi-instrumentalist and vocalist living and working in NYC. She is one of the founding and continuing members of the long running avant psych project Spires That In The Sunset Rise. Described by Jack Rose as a "female Sun City Girls," STITSR have contributed a different slant to the New Folk movement by incorporating various avant-garde and world music influences into their music. Their sound has been compared to the Raincoats, Meredith Monk, Comus and Harry Partch. Their most recent album "Beasts In The Garden" was described by Marc Masters as "some kind of long-lost Terry Riley/Angus MacLise collaboration, equally devoted to divine repetition and center-seeking ritual." Since 2001, they have released eight full length records and several side releases. Since relocating to NYC in November 2014, Baird has set off in numerous directions apart from Spires with new collaborations as well as honing in on her own solo work. Her current work explores piano improvisation, electroacoustic interventions, extended vocal techniques, physical movement, and her unusual electronic manipulation of the flute. She released an album of piano improvisations through Brooklyn label Perfect Wave "See Sun Think Shadow" in November of 2015 and a tribute record "A Love Supreme" dedicated to John Coltrane through Chicago label No Index in January of 2016. She has toured extensively both nationally and internationally with performances at the Museum of Contemporary Art (Chicago), MoMA PS1 (Brooklyn), Roulette Intermedium (Brooklyn), Issue Project Room (Brooklyn), Cafe OTO (London) and numerous festival appearances with Spires including TUSK (Newcastle, UK), Incubate (Tilburg, Netherlands), and Festival Of Endless Gratitude (Copenhagen, DK). She also co-runs the label and concert organizer Perfect Wave with Camilla Padgitt-Coles.

Kate NV is... ...the multifaceted solo persona of Moscow-based artist Kate Shilonosova. A changeling that follows afflatus in all its forms, NV is a student of architecture, illustrates curious, colorful characters, and improvises live with bells and water glasses amidst compact synthesizers and cables. Her debut Pink Jungle EP was followed by the frenetic pop-leaning Binasu released by Orange Milk in 2016 and the minimalist exploration of для FOR released by RVNG in 2018. As her musical pendulum swings back from playful instrumental to surreal song, NV is paired with RVNG for the second time on Room for the Moon. NV describes the songs of Moon, as dear friends; each piece of music is a moody cinematic moment where NV performs with a cast of off-kilter objects. Influenced by Japanese 80s pop and Russian conceptualism, Victor Pivovarov comes through when NV describes composing music. Imagine entering a cozy room that has boundaries but at the same time can contain an entire world. Celestial bodies party and time fits in a pocket. When composing, NV listens to her surroundings and daydreams while abstract electronics and enchanted songs visit. Recorded around Moscow with friends and collaborators, the music is a frothy distortion of nostalgic atmospheres cast in sax, base, marimba and MIDI. Singing is at the foreground-- beaming with assurance, delivered in multiple languages and characters. One gets the sense that NV as a performer has near infinite capacity to push further.

For bookings please contact: ben.rosin@icloud.com

and u r a thief and u drink 2 muchLaurel Halo

Amsterdam based DJ and Producer Lena Willikens. Resident at Salon Des Amateurs, Düsseldorf. Artist on Dekmantel Rec. Radio broadcaster of "Lightning Conductor" on NTS Radio. Lena Willikens doesn’t play the hits. When she’s behind the decks, even her biggest fans often have no idea exactly what she’s playing, and that’s part of the magic. Like all DJs, Willikens of course has a passion for records and is always on the hunt for elusive bits of music, but as an artist, her work doesn’t hinge on any one track or even a handful of tracks. She’s after something bigger, something that’s truly transportive for those on the dancefloor, and the tracks she plays – whether they’re bizarre slices of synth exploration, some ominously churning proto-industrial stomp, or something else that simply defies classification – are all parts of a larger, more psychically satisfying whole. These days, however, Willikens' radio adventures happen on NTS, where she pilots the monthly Lightning Conductor program. Now based in Amsterdam, her curatory prowess prompted an invite from Dekmantel to put together the fifth installment of their acclaimed Selectors compilation series, and she also contributed a track to the label’s run of all-star 10th anniversary EPs. As a remixer, she's been tapped in recent years to rework the likes of Lena Platonos, rRoxymore, S U R V I V E, Simian Mobile Disco, and Ana Helder, amongst others. And amidst all this activity, she's also been busy with Phantom Kino Ballett, a collaboration with artist Sarah Szczesny that lands somewhere between immersive audio-visual experience and performance art, allowing Willikens to indulge her transportive impulses in a completely new way. Nevertheless, it’s in the DJ booth where Willikens continues to make the biggest impact. As of late, she’s forged a particularly potent partnership with fellow sonic explorer and Salon des Amateurs alum Vladimir Ivkovic, the two engaging in a sort of mind meld that brings together their shared love of electronic music’s darkest and most bizarre corners. Shawn Reynaldo

Liv is a NYC-based DJ.

̸ BIOGRAPHY Launched in February 2015, ‘Love Injection’ is a labor-of-love, monthly print fanzine distributed free via a network of independent record stores nationally and internationally. Co-edited by Paul Raffaele and Barbie Bertisch, ‘Love Injection’ has quickly established itself as a critical platform for celebrating the constantly shifting cultures of dance music. Featuring in-depth interviews with DJs, musicians, artists, and promoters; profiles on record labels, record stores, and nightclubs; alongside record reviews and DJ charts, ‘Love Injection’ is an essential monthly read for anyone interested in dance music and dance-floor culture in all its manifestations, past and present. Love Injection on The Lot Radio serves as the zine's sonic equivalent, airing Saturdays 10am-12pm EST at thelotradio.com. The two also produce the NYC chapter of Colleen 'Cosmo' Murphy's global Classic Album Sundays communal listening sessions monthly, currently held at Magick City in Greenpoint. Paul also runs the Most Excellent Unlimited record label and Barbie plays in Seedy Films, a New York punk band under the new Manono Records imprint.

Maurice Fulton is a house producer married to pop singer Mu.Maurice Fulton

̸BIOGRAPHY Michael Brunner is a Philadelphia-based DJ, and a core member of the city's 1694 collective. Michael Brunner is a Philadelphia-based DJ, and a core member of the city's 1694 collective. His current work tends toward the ambient and the experimental, which 1694 showcases in their monthly A/V salon event, Curious Dream. Brunner came up as a jungle DJ in the mid-90s in Chicago, and dove headfirst into the explosion of largely UK-based bass music in the early 2000s.

Iranian born but California based Artist/DJ Mozhgan has been honing her dark arts on the decks for quite some time. In 2011 she started "We Are Monsters," a party to develop her passion for contemporary, dark, and mysterious dance floor sounds. Mozhgan is a sonic alchemist who’s musical languages traverse between mysterious planes and wondrous vortexes. Her singular technique focuses on uncanny juxtapositions of sound that seamlessly unify and project spiritual light, creating luminous pronunciations that voyage deep into the shadowy spaces of the subconscious. As an acolyte of the acidic temple, and founder of the We are Monsters gatherings, Mozhgan fearlessly confronts the constricting limits of the status quo while simultaneously rejecting them with arcane spells that defy time and space. By projecting hypnotic sound waves that rupture the mundane, her cosmic utterances permit extraterrestrial passages that venture beyond the tranquil pathways of familiarity.

COLORING LESSONS founders // see you on the dance floor Native to New York, musclecars is a DJ / Producer duo consisting of Brandon Weems and Craig Handfield. As musicians, they equally share an admiration for the art form. Their desire to blend genres and express their appreciation for music is focused around their community- the end goal is to bring people together. Through a regular stream of high quality mixes, they have begun to turn heads in underground circles. In 2018 they launched ‘Coloring Lessons’, a party that was aimed to add value to their city’s nightlife culture. While the party and sound is not genre specific, it is heavily focused around house, disco, jazz, and soul, embracing the musical elements of their black and brown ancestors. The monthly party's intention is to bring New York City's dance music scene back to what it was during the golden era of NY nightlife. They aim to spread the music that has been influential to them, and share it with a younger generation of their peers.

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Maya Bouldry-Morrison has been releasing music as Octo Octa since 2011.Octo Octa

Optimo is DJ duo J.D. Twitch and J.G. Wilkes Wild Planet Sounds since 1997

̸ BIOGRAPHY Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it, “so this is the track that was on every 5 minutes at Warehouse Project. ”That track and the duo’s own ‘Le Tigre’ were played out constantly by the likes of Four Tet and Ben UFO, the former also hiring the duo to remix his track ‘Teenage Birdsong’. Then there are their edits. Thom Yorke was so impressed by the duo’s versions of ‘Not The News’that he let them release the tracks on their own Polykicks label. Add to that their cheeky version of Rosalia –‘A Palé’,which caught the ear and the eye of the respected flamenco artist, as well as being a highlight of their live performances pre-lockdown. Then the world abruptly stopped, all their forthcoming gigs were cancelled and suddenly Overmono were able to fully commit their energy to their legendary Bromley studio. It’s was during this time that the duo feel they’ve been able to realise exactly what Overmono’s music should be. “Our work together had so far been about exploring and defining what Overmono is... and we feel like we’ve got this now”.

̸BIOGRAPHY DJ & producer from Santiago de Chile, currently residing in Europe. ̸SELECTED DISCOGRAPHY https://linktr.ee/paulatape

̸ BIOGRAPHY Paurro is a DJ, producer from Mexico City and label manager of the latin-american label Cómeme. Mexican DJ and producer Paulina Rodriguez aka Paurro naturally fell into the embrace of house, UK garage, breakbeat, bass, and techno music she graduated from college. Paurro found a new home in the dance community which gave her a platform to advocate for LGBTQ+ rights and to elevate other artists’ work, with a big focus on those from her home country. With an iconic essence grounded in house music, Paulina draws a fine line between her organic and energetic sounds, providing happy and unforgettable sets that leave a mark on the soul. Ranging from deep and minimal to uplifting and melodic sounds, often grazing 90s house, her true aim is to provoke a feeling of true freedom through song and dance. After a few releases including her remarkable remix of Nuestra Forma by DJs Pareja and Lupe, she has just made her first appearance on Cómeme, considered to be Latin America’s essential dance label. Her new release Galavisión is composed of five dirty floor-fillers, filled with lush psychedelia. Over the last 10 years, she has played all over Mexico and in renowned clubs such as Tresor Berlin, Nowadays, Planeta Manas, Good Room, and Videoclub. She currently has a residency at Yu Yu and Funk Club in Mexico City which has hosted artists such as Ariel Zetina, Tama Sumo, Lakuti, James Bangura, and Elle Dee. Paurro has shared stages with AceMoMa, Jasss, Tygapaw, Gerd Janson, Ariel Zetina, James Bangura, DJ Swisha, 2Many DJs, Matias Aguayo, Joey Beltram, and more.

Hardware acid, house & club music with aggressive singing (Spanish) exploring themes of power & control. Pelada, the duo of singer Chris Vargas and producer Tobias Rochman, broke out of Montreal's underground warehouse rave scene in 2014 after uploading tracks to Soundcloud which caught the attention of the global dance music scene. They spent the next five years touring the globe extensively before signing with Berlin experimental label PAN in 2019 and releasing their debut LP 'Movimiento Para Cambio';. A record which Mixmag included in their 'Best Albums of the Decade' list, Resident Advisor named it 'One of the Best Records of 2019'; while DJ Mag asserted "they are a vital and contemporary addition to dance music's punk cannon". Their collaboration is a blend of urgent Spanish language vocals centered around themes of power, control, social justice with hardware samplers, synths, and drum machines. The unique sound has led them to perform in many different contexts, whether it be entire tours opening for more traditional punk acts like Iceage and Shame, to the exact opposite, performing live during peak times at techno clubs such as Berghain. Since the pandemic, they have continued to connect with new audiences online, raising money for local charities by performing at the now legendary LGBTQiA2+ Zoom party Club Quarantine, and also for the Latinx Queer collective Chimbites (for whom Chris is an organizer). In 2022, Pelada return to the live stage with their highly anticipated 2nd album currently in production and coming soon. Both Pelada's sound and ethos translate to a galvanizing live show that will spring dancefloors to action in festival contexts, switched-on club zones, and punk bunkers alike. ̸SELECTED DISCOGRAPHY Pelada - 'No Hay / Ten Cuidado' EP (NEW / MIND RECORDS) - 2016 Pelada - 'Movimiento Para Cambio' LP (PAN) - 2019

Under the Priori Moniker, Québecois musician Francis Latreille has established himself as a crucial voice in underground techno. His 2019 full-length debut On A Nimbus, released on his own NAFF imprint, was a haunting foray into the possibility/impossibility of technological utopia, where elements of dub techno, drum & bass, IDM, and tech-house curiously converged, resulting in an album at once familiar, modern, and undeniably singular. Francis followed that with a string of essential releases–from the slow-burning techy meditations of SCN and Little Flower to the anthemic, trance-inflected Infinity–ending with 2021’s Your Own Power. Priori is also an accomplished mixing engineer; a quick search will reveal an exhaustive list of credits on projects by Roza Terenzi, D. Tiffany, Escape Artist, Bambii, Gene Tellem, Maara, and ex-terrestrial, to name a few. Between the label he runs with Adam Feingold (aka ex-terrestrial) and the studio he runs with Patrick Holland, Francis is quietly shaping the course of underground electronic dance music in Canada and abroad.

QRTR is an electronic music producer and DJ based in Brooklyn, NY.

Rose Kourts is a Brooklyn-based DJ known for her command of groove and her fearlessly dynamic sets. She electrifies dance floors and airwaves alike with a philosophy of fun, and her unbounded selections reflect her love and respect for the underground. Hailing from Charlotte, North Carolina, Rose Kourts is blazing through the New York underground. Her unbounded selections are known to weave through acid crunchers, freakified techno, ravishing house, and cheeky, feel-good bangers, using sonic alchemy to evoke communal connection, play, and release on the dance floor. Whether she's leaning hard and rough or warm and funky, she always plays from the heart, conjuring palpable joy across New York’s most prominent clubs and beyond. Her philosophy of fun extends to her work as the brain behind Now That's What I Call A Party, a raucous club night highlighting old-school jams as well as indie electronic and pop-inflected tunes, and as a resident of Sweet Kicks, where she collaborates with co-founders Karlala Sound System and Miss Alicia to provide community-focused dance events. She also assumes the role of co-founder and resident at In Bloom, a party celebrating femme power and the ecstasy of blossoming forth on a dance floor. Rose Kourts is a regular at New York venues such as Nowadays, Bossa Nova Civic Club, Good Room, Elsewhere, Jupiter Disco and Mood Ring. Outside of New York, her dynamic sets have traveled across electronic hubs like Los Angeles, Miami, Berlin, Amsterdam, and Detroit. On the airwaves, her fearless sound can be heard through various guest sets on radio stations such as The Lot Radio, Newtown Radio and Vans' Channel 66. The DJ has also recently made her festival debuts at Fourth World, Shaker Mountain, Slingshot Fest, and Dweller.

An emblematic artist of the Palestinian underground scene, SAMA’ is one of the first DJs and electronic music producers to emerge from the region. Her sound, an original punchy kind of techno, is dry and musical all at once and has quickly made its way across Europe and beyond.

Resident for Drumsong Soundsystems with releases and remixes on labels: For Those That Knoe, Perfect Location, Worship Recordings, Sound Between Movement, Illusion Recordings, Recline Records, Nordic Trax, Warmth Records & DiY Discs Philadelphia's Sean Thomas has been involved with subversive dance culture for more than 20 years. Recruited early on by well-respected rave crew Circle (fka Special K), proper sound systems and production were standard fare. While working at 611 Records during the late 90s, an enthusiasm for well made House and Techno developed into a way of life. As the resident of his Drumsong event series, Sean's experience and versatility are evidenced by innovative programming and dedicated habitués. In 2014 he accepted a residency with revered Philly Techno collective, Rizumu. With a shared interest in cultivating the community, they partnered to open the loft space in West Philly known as 52Hz for a 3 year run of all-night events and artistic collaborations. More recently, Sean's focus has shifted to expanding Drumsong from an over 10 year event series into the more comprehensive music endeavor, Drumsong Soundsystems. As Producer, Sean’s music has found support with discerning DJs across the map for more than 2 decades. ̸ SELECTED DISCOGRAPHY Sean Thomas - Wrest Of Time EP - Perfect Location Records Sean Thomas - Knew Life - Worship Recordings Sean Thomas - Direct Predation - Krampus Carols 3 Circle feat. Rise 8 - Gone Too Deep (Mood Extender Cicada Dub) - Worship Recordings Mood Extender - Feel The Need - Krampus Carols 2 Circle - Music & Emotion (Mood Extender Mix) - Worship Recordings Saturn Never Sleeps - Take It Out (Sean Thomas Drumsong Rmx) - Get Physical Music Billy W - U Just Don't Know (Sean Thomas Drumsong Dub) - Nordic Trax Sean Thomas - Fantasizer - Illusion Recordings Sean Thomas feat. Erika Guthrie - For Today - Sound Between Movement Jay Tripwire & Sean Thomas - Basement Adhesive - Sound Between Movement Sean Thomas - Givin' It Up - Sound Between Movement Sean Thomas - Living Music part 1 - Sound Between Movement Sean Thomas - Living Music part 2 - Sound Between Movement Sean Thomas - Living Music part 3 - Sound Between Movement Pete Moss & Sean Thomas - 18 City Blocks - Recline Records

Record label, DJ trio, record collectors and human potential advocates from Philadelphia. Forward, deep and free as you wanna be. Universal Cave is a record label headed by the Philadelphia trio Shawn Ryan, Ryan Todd and Brian Hart Cassidy. The label originated as the result of years of collective digging, DJing and production. Known for their eccentric mixtapes, extensive record collections and discovering rare grooves, Universal Cave DJs clubs and all night dance parties, filling floors to an eclectic range of music they dub Forward Deep & Free. The record label has eight releases, ranging from signature soft rock and AOR to disco, boogie, and deep house. Artists include The Beat Broker, Sorcerer, Jaz and Selvagem. Shawn Ryan is also one half of the duo Superprince, who recently released their debut 12" on Razor-n-Tape Records. Ryan M. Todd (Darklord Disco, Hounds of Hell, Darklord Chimney, one half of Robotique) is also label head of Going Home Records. Brian Hart Cassidy is a California transplant, record dealer, human potential advocate, and former host of music podcasts and rather illicit parties at the Philadelphia Art Alliance. ̸ SELECTED DISCOGRAPHY https://www.discogs.com/label/420186-Universal-Cave

„The challenging sets he delivers are not always easy, but almost always ingenious“ Strange Sounds From Beyond Vladimir Ivkovic is a DJ. He’s more than that of course, but as his essence, Ivkovic is someone with a particularly unique talent for selecting records and weaving them into a larger – and often unusually compelling – narrative. Born and raised in Belgrade, he first dabbled in DJing as a teenager in the mid ’80s, but it was only after leaving Yugoslavia (to study in Germany) and later coming back for a summertime visit that he truly immersed himself in the craft, taking up position behind the decks during a series of impromptu parties at a lakeside restaurant owned by his parents. From there, he spent much of the next two decades honing his skills while throwing events like Selected and Substance that played host to a cross-section of boundary-pushing DJs, long before it was fashionable to do so. Eventually, Ivkovic found his musical and spiritual home at Salon des Amateurs, an unassuming spot in Düsseldorf that’s gradually proven to be wildly influential, giving rise in recent years to otherworldly talents like Lena Willikens, Tolouse Low Trax, Jan Schulte and many others, including Ivkovic himself. With its small size, Salon des Amateurs provided something of an open platform, a place where true music lovers could experience DJs exploring sounds and genres that strayed far from traditional electronic dance music tropes. That same adventurous spirit has found its way into Ivkovic’s curation of Offen Music, a label he launched in 2015. Although the imprint’s output is all but impossible to neatly categorize – experimental Serbian rarities sit alongside ambient excursions and moody synth-pop in the label’s catalogue – the label’s open-minded approach and embrace of off-kilter sounds perfectly encapsulates Ivkovic’s artistic temperament. In recent years, that temperament has increasingly found devoted followers all around the globe. Simply put, Ivkovic has become a staple of the European club circuit; despite his many years in the humble confines of Salon des Amateurs, he’s proven to be just as comfortable at celebrated nightspots like De School (Amsterdam), Berghain (Berlin), Nitsa (Barcelona), Kaiku (Helsinki), Sub Club (Glasgow), Phonox (London), Fold (London), Corsica Studios (London), The White Hotel (Manchester), Mutabor (Moscow), Pacha (Ibiza), Blitz (Munich), Zukunft (Zurich), Concrete (Paris), Lux Fragil (Lisbon), Robert Johnson (Frankfurt), Circoloco (Ibiza) and others too numerous to list. He’s no stranger to touring either, having taken extended DJ trips to Canada (September 2017), Asia (July 2018), Australia (January 2018), Brazil and Colombia (March 2018), USA (2019, April 2022), Brazil (September 2022). Even the festival circuit has come calling, inviting Ivkovic and his inventive rhythms to large-scale events like Primavera Sound, Unsound, World Minimal Music, Houghton, Strange Sounds from Beyond, Dekmantel, Flow, TodaysArt, Robot, Waking Life, Terraforma, Dancity, Positive Education, Elevate, Love International, Dimensions, Kala, Sziget, The Crave … and that’s just a partial list. Still, despite all of these international adventures, Ivkovic has kept his focus on music, especially the dark and often psychedelic sounds that lurk in its unexplored corners. Each month, he distilled some of that love into Lunatic Love Songs, a much-loved and sonically borderless program on Red Bull Radio. He still does it with his frequent contributions for Noods Radio, Kiosk Radio or Oddity Radio to name a few. Whether he’s broadcasting on the radio or piloting the dancefloor, Ivkovic is someone who applies a curatorial mindset and a deep love of music to all of his creative exploits. Yes, he’s a DJ, but he’s so much more than that; he’s a storyteller, a connoisseur and, most importantly, an artist. Vladimir Ivkovic - lOVe Tape - The Sameheads C60 Series ‎– SC60 #6 https://www.discogs.com/Vladimir-Ivkovic-lOVe-tape/release/8840249 Vladimir Ivkovic & Ivan Smagghe – IDMEMO: A Future Of Nostalgia https://www.discogs.com/master/1923870-Vladimir-Ivkovic-Ivan-Smagghe-IDMEMO-A-Future-Of-Nostalgia Vladimir Ivkovic – Gospels For Moopie https://www.discogs.com/release/17260789-Vladimir-Ivkovic-Gospels-For-Moopie Vladimir Ivkovic – Sweet Earth Flying https://www.discogs.com/release/18485422-Vladimir-Ivkovic-Sweet-Earth-Flying Various – Vidal Benjamin Presents: Uprooted #1 Vladimir Ivković https://www.discogs.com/release/24885869-Various-Vidal-Benjamin-Presents-Uprooted-1-Vladimir-Ivković

̸BIOGRAPHY dystopian live electronics of ever-increasing weirdness WOLF DEM is a live electronics duo from Philadelphia, conceived in the fall of 2012 by two longtime DJs who bonded over similar musical backgrounds and a mutual desire to explore the bleeding edges of electronic music. Using both digital and analog tools and drawing on a highly diverse range of influences, WOLF DEM grew from its original concept- "what your dreams would sound like if you fell asleep in an old warehouse where someone had left a dancehall station playing on the radio"- into a focused aesthetic, at once chaotic and hypnotic, sitting at the intersection of Caribbean music, techno, noise, and field recordings. Past releases include contributions to compilations on New Low and Great Circles, cassettes for local labels Vague Audio Tapes and End Result Productions, and a 12" for Great Circles. ̸SELECTED DISCOGRAPHY Hydrophobia (12", Great Circles, 2016) Existential Horror (cassette, End Result Productions, 2016) Hypnotisms II (cassette, Vague Audio Tapes) Hypnotisms (cassette, self-released, 2014)

Amsterdam based DJ and producer that also runs his Safe Trip label. There was a time when Marco Sterk a.k.a. Young Marco’s talents as a DJ and producer were among Amsterdam’s best-kept secrets. For well over a decade, he plied his trade, largely unheralded, on the city’s underground dance music scene. It was here, via several now infamous residencies, that he learnt his craft, gaining a reputation for ballsy, genre-defying eclecticism, playing sets that joined the dots between everything from tropical rhythms, afro gems and quirky Middle Eastern disco, to lost proto-house, throbbing techno and industrial-strength jack-tracks. These days, the Dutchman’s talents are widely known around the World. His position as a crate digger, record collector and infamous party-starter now guarantees a packed schedule of gigs in Europe, North America and beyond. His passion for working a dancefloor with “strange music” and “unclassics” is renowned, and it’s this that makes his sets so special. This humid, off-kilter obsession with the inspired and unusual has become a hallmark of Marco’s music, too. Once a key part of the Rush Hour family – the legendary Amsterdam label releasing a number of his early singles – in 2011 he made his debut on Lovefingers’ highly regarded ESP Institute label. His first two EPs for the label set out his now-trademark style, and won support from the likes of Dixon and James Murphy, amongst others, along the way. It’s perhaps unsurprising that a string of remix requests followed, leading to now classic reworks for the likes of Heatsick, Joakim, Francis Bebey and Soft Rocks. His 2013 remix of Tony G’s “Dreams”, a killer chunk of blissful new age deep house, became one of the most in-demand and sought after records of that year. At the tail end of 2015, the best of these remixes were gathered together on Sorry For The Late Reply, the first release on Marco’s freshly minted Safe Trip imprint. 2014 saw the release of his most accomplished studio work to date, the superb debut album Biology on ESP Institute. Wonderfully picturesque, melodious, humid and glassy-eyed, it received rave reviews and confirmed his status as one of electronic music’s truly unique voices. The same year also saw the release of Clouds, a magical collaborative fulllength written and produced in a weekend with Italian ambient pioneer Gigi Masin and British artist Jonny Nash. Credited to Gaussian Curve and released by Amsterdam’s Music From Memory label, it was the unfeasibly beautiful sound of three like-minded musicians working towards a shared goal. In 2017, Marco is as busy as ever. He’ll be hitting the road April onwards with Gaussian Curve for a handful of live dates around the world in support of their second album The Distance, while his contribution to Dekmantel’s series of crate-digging compilations, Selectors, is due to hit in March. His own label – Safe Trip – will be picking up steam with a string of releases that explore electronic music in many different directions. As usual, you’ll also find him spreading his love of weird, wonderful and eccentric music in basements, warehouses and clubs the world over.

Zillas on Acid is Thomas Roland and James Weissinger. For the past fifteen years, the Zillas have been resident DJs at MAKING TIME, Philadelphia's never-ending nightlife institution. Since the 2019 release of their EPs Black Cat (Optimo Music) and She Takes NRG (Ivan Smagghe’s Les Disques de la Mort), the Zillas have been busy building a steady catalog of EPs, tracks, and remixes for labels like Polari, Nocturne, Dischi Autunno, Inside Out, Multi Culti, Throne of Blood, Microdosing, and more. Along the way, they’ve garnered support from futuristic fellow travelers like Roman Flügel, Dixon, Jennifer Cardini, Justin Strauss, Bradley Zero, Sean Johnston, and many others. Deep in the studio or out in the club, the Zillas mix slow-motion death disco, dubbed-out drum machine music, and of course ACID to excite party people from all planets. ̸ SELECTED DISCOGRAPHY The Corinthian EP - Dischi Autunno Sticker Shock EP - Playground The Leisure Hive - Throne of Blood Sheila Chandra - Raqs (A Zillas on Acid Mutation) - Multi-Culti Lose Your Soul - Permanent Vacation Live From the Reptile House - Multi-Culti Zillas on Acid + Strapontin Acid Straps EP - Optimo Music Digital Danceforce Sorry I Was in VR EP - Nocturne Records A Wonderful Time in a Terrible Club EP - Inside Out Records We Greet You - Dischi Autunno No Typos EP - Polari Records Niv Ast + Adrien Albou - Beau Chien (Zillas on Acid Remix) - Optimo Music Digital Danceforce Curses + Chinaski - Forever (Zillas on Acid Remix) - Dischi Autunno Black Cat EP - Optimo Music Digital Danceforce She Takes NRG EP - Les Disques de la Mort S-Test - Microdosing Rhytch - Love Interlude (Zillas On Acid Ultramodern Heartbreaker Mix) - Ancient Future Now A Pleasure - Durutti Goestching (Zillas On Acid Remix) - OTHER PEOPLE Back to the Beast - 100 Years of Solid Dudes

070 Shake aka Danielle Balbuena has gained a horde of praises with her debut album Modus Vivendi, dripping sentimental and true hip hop. The album’s seasoned production combines both the simplicity of bleakness and retro-futuristic synthesizers. The singer-rapper is also known for touring with the band The 1975 and has also collaborated with Pusha T, Nas and DJ Khaled.

100 gecs is a duo between Laura Les and Dylan Brady. Scavenging scraps of musical influences and welding them into dangerous machines, they destroy the competition with their army of lethal bangers. Critically heralded as “very good” and “music,” their ambition knows no bounds.

British-born, Ghanaian/Russian/German Henrietta Smith-Rolla, goes by Afrodeutsche as an ode to her rare roots. She has recently exploded on the UK scene with her Afrofuturistic electro, techno, Detroit house, and classical sound. It may seem like quite the mix, but it works. Her first-ever live gig, she opened for Carl Craig in Ibiza in 2016. Now, she hosts a monthly radio show on NTS where she keeps listeners coming back to hear her unexpected mixes of dark techno, jacking house, and footwork. 2019 was a big year for her. Publications like The Guardian and Dummy Mag sang her praises after her 2018 release of her debut album “Break Before Make” on Skam. She has since released an EP on River Rapid and hit the decks at Dekmantel, Sónar, Berghain, and Printworks.

Channel Tres is a producer, DJ, musician and artist from Compton, CA whose style and aesthetic is quickly making him one of the most buzz-worthy talents to hit the scene. Channel Tres fell in love with the art of music and production at the early age of nine when he stumbled across a CD entitled "The Love Below". From that moment, he knew he wanted to make and be a part of how music inspires people. He started playing drums and directing the church choir as a teenager. Then his desire to explore further music connections led him to attend University in Oklahoma where he studied music technology, composition and theory. His education only broadened his knowledge and love for the craft and set him on a path to create music that is clearly outside of the box.

DJ Nobu is a DJ from Chiba city in Japan. He organises now legendary party called Future Terror and his own label Bitta in his home town.DJ Nobu ̸BIOGRAPHY Japan’s DJ Nobu is one of a kind; a DJ with no fixed style but instead a very real ability to draw on a wide world of music and cook up his own unique sound spaces. Nobu is something of a cult figure for those who know with decades of experience, all of which are distilled at his acclaimed party ‘Future Terror’, his label ‘Bitta’ and his few choice production outings. All of this has slowly but surely turned Nobu from being one of Japan’s, to one of the world’s most in demand selectors who is famously flexible and ever evolving. ̸SELECTED DISCOGRAPHY - NO WAY BACK / mixed by DJ NOBU label: ?? / Lastrum catalog: LACD-0094 (TGCS-3831) format: CD released: Dec 20th 2006 - CREEP INTO SHADOWS THE MIDNIGHT D EDITS / DJ NOBU label: Underground Gallery catalog: UGCD-801 format: CD released: April 3rd 2008 - DIARY / DAZZ Y DJ NOBU label: ?? / Lastrum Music Entertainment Inc. catalog: LACD-0143 format: CD released: August 6th 2008 - Endbeginning (Dazz Y DJ Nobu Omi Dub 12"Remix), (Nobu's Dub) / Crue-L Grand Orchestra label: Crue-L catalog: KYTHMAK132 format: 12" released: Apr 2010 - 011 e.p. / DJ NOBU label: GRASSWAXX RECORDINGS catalog: GWEP-07 format: 12" released: July 2010 - ZERO SET II -Reconstruct- / V.A. "Skin QER REMIX (reconstructed by DJ NOBU)" label: MUSICMINE catalog: MMCD20001 format: CD released: October 20th 2010 - ON / mixed by DJ NOBU label: MUSICMINE catalog: MMCD20002 format: CD released: December 22nd 2010 - Draw, Untitled / IORI, DJ NOBU label: Bitta catalog: Bitta001 format: 12" released: November 13rd 2012 - Crustal Movement Volume 01 - Dream Into Dream label: Tearbridge Records catalog: NFCD-27349 format: CD released: March 27th 2013 - Canadian Bellfield, Untitled / Steven Porter, DJ NOBU label: Bitta catalog: Bitta002 format: 12" released: December 12th 2013 - For Your Eyes Only Sampler One / V.A. "Sway" / DJ NOBU label: Semantica Records catalog: SEMANTICA 60​.​1 format: 12" released: December 20th 2013

As one of the most iconic artists of her generation in electronic music to date, Ellen Allien embodies the core ethos of techno: a visionary who looks to the future for inspiration, carving out her own niche and presiding over an empire that has imbued the world of techno and dance music with her unique DNA. A dynamic selector who prides herself on her extensive knowledge of music and dance floors worldwide, she has travelled the globe as a DJ playing at every major club on the circuit and commanding the big stage at festivals from Europe to South America. Ellen’s eternally creative mind has led to the production of nine solo albums and an extensive back catalogue of singles, EPs and remix work. ~ Artist Official Website

A young lady, born to a Japanese father and a Turkish mother.Fatima Yamaha

FKA twigs has her invincible way of weaving pop aesthetics into her production and performance and is one of your most requested artists. Drawing from R&B, electro, pop, trip-hop and avantgarde, the British artist’s distinctive style has inspired the trends of modern pop music in the past years and could hardly fit better into our “New World”. Also known as a merited dancer, the musician’s and producer’s debut album LP1 came out in 2014. It wowed the critics, a wide crowd and was, for instance, a Mercury Prize nominee. Last year’s release, Magdalene, an album reflecting the artist’s sorrow and fears, has reached even further in thanks and praise and has been recognized as one of the best albums of the year.

Honey Dijon had carved a distinct niche for herself in the world of underground electronic music, coming to be associated with exquisitely curated cross-genre sets and total dance-floor chaos wherever she plays - from Berghain to Space or Smart Bar. As a producer, her reputation for bringing this knowledge to her forward thinking creations is growing all the time. ~ Soundcloud

Canadian by birth and now London-based, Jayda G has risen steadily and stealthily through the dance music underground with her infectious energy, vitality and boundless enthusiasm.Jayda G

Josh Wink has always run ahead of the pack, as a DJ, label owner, producer, remixer, and artist. With the release of Profound Sounds Vol. 2, Wink continues to forge ahead, challenging established conventions of what a mix CD should be, not only by remaining true to his mercurial aesthetic as a DJ, but also taking advantage of technology to fine-tune his selections into the best possible recorded representation of Josh Wink.,“Profound Sounds Vol. 1 is one of my favorite compilations – it just happens that I made it," says Wink of the new album’s 1999 predecessor. “It represents me, and the way I combine house and techno, in both my DJ sets and as a producer, pretty well. I’m not one for holding people to one specific genre; I love being on the median in between.”,The sound of Josh Wink today remains one of a man unafraid to walk the border between stylistic boundaries. Profound Sounds Vol. 2 starts off dark and atmospheric with “Form Is Emptiness” by Swayzak, then quickly builds momentum with the minimal and melodic Joshua Main mix of Rithma’s “Tracks for a Weirder Day.” The 73-minute mix incorporates hints of old school Chicago house (“Make A Move” by Minimal Man), electro (“E Series 2” by Frankie Bones), and even Latin and tribal house (“Auburn” by David Alvarado). Perhaps the finest example of Wink’s refusal to limit his play list to any one genre comes at the three-quarter mark, when he integrates Aaron Carl’s paean to house music, “The Word,” over techno-flavored tracks courtesy of Rino Cerrone and Mr. G.,Unlike most of the mix CDs clogging the shelves, Profound Sounds Vol. 2 doesn’t attempt to cash in on the latest trends or mega-hits. “We could have gone that route, and signed a couple of really big tracks, and put a sticker on the front that says, ‘Includes the hit so-and-so…,’ and everybody would go, ‘Oh, I know that one,’” Wink admits. "But my integrity as an artist doesn’t allow me to do that. I used tracks on this compilation that span a big period of time: Some older ones, some newer ones, and some unreleased.” And he made sure to include a few more of his own cuts this time around, including the hypnotic modulations of “Oakish,” the Blakkat remix of “Superfreak (Freak),” and his own South Philly Acid Pass redux of Dave Clarke’s driving “Compass.”,But making Profound Sounds Vol. 2 didn’t just begin and end with picking the tracks and sequencing them in a suitable order. After that step, he tailored every cut to meet his specific requirements for this mix. “Every track is re-edited as a Josh Wink re-edit. I don’t end up compromising the integrity of the original art, I just altered it to fit my contour.” Only after customizing each song was he ready to record the final version of the set. “In a sense, I did the mix twice,” he observes.,Towards that same end as an added value, Wink included a bonus disc to Profound Sounds Vol. 2, which features both audio and video content. The aural component includes the CD debut of four Wink productions previously available on vinyl only: The original “Superfreak (Freak),” “Evil Acid,” “How’s Your Evening So Far” (featuring Lil Louis), and “What You Mean To Me” by Range of Motion. The visual portion of the disc reveals an in-depth interview with Wink featuring studio and live footage, detailing the intricate process of making the record. “It’s important to me to let people know what I did on this to make this disc different, rather than just mixing it,” he reiterates.,Of course, diehard Wink fans expect nothing less from this artist, who has been breaking new ground for the past two decades. In the late 1980s and early ’90s, when most of the U.S. was just waking up to rave culture, Wink – who had been working as a mobile DJ in his hometown of Philadelphia since he was 13 years old – was already making his own tracks (“Tribal Confusion” by E-Culture, with his former partner King Britt) and hauling his records around the country to spin at burgeoning clubs and parties.,In 1995, Wink became one of the first DJ-producers to translate his hard work into mainstream success, when he unleashed a string of classics, including “Don’t Laugh,” “I’m Ready,” and “Higher State of Consciousness,” that topped charts worldwide, and made him a bona fide pop star in Europe. On his 1998 album, HereHear, Wink pushed boundaries even further, inviting fellow artists as diverse as Trent Reznor (Nine Inch Nails), Caroline Crawley (Shelleyann Orphan/This Mortal Coil), and Philly poet-performer Ursula Rucker (Jazzanova, The Roots), to contribute to a far-reaching disc that ran the gamut of electronic music styles, from ambient and trip-hop to drum & bass, as well as the trademark mix of house and techno on which Wink has built his international reputation.,Since the release of the first Profound Sounds compilation in 1999, Wink has been concentrating on various projects, including continuing to oversee operations of his Ovum Recordings record label. Over the past year Josh has released another two dance floor anthems, “How’s your evening so far” and most recently “Superfreak”, both of which continue his tradition of making distinct music that catches people’s ears and inspires others to compose their own music. Although he used to bristle at requests to remix other artists ("because you sell the rights away, and don’t own them any more, even though the remix is basically all your own music), lately he’s grown to enjoy that gig more, turning out such notable overhauls as his recent reworking of “Blue Jeans” for Ladytron, Paul Oakenfold’s “Starry Eyed Surprise,” and Depeche Mode’s “Free Love.” Wink hopes to compile his favorite remix gems on a CD collection soon. He’s also working on some songs with fellow Philly denizen G. Love (as in, G. Love & Special Sauce), and hopefully further collaborations and production gigs with other like- and open-minded musicians.,“I get bored if I do the same thing” Wink concludes. “Some people get pigeonholed as being into just one thing. I hate that. When there are rules, it doesn’t become art, and it’s not fun. I’ve learned that you can’t please everybody, so I’d rather be concerned with making good art, and the people that like this art will stick with you.” Profound Sounds Vol. 2 is classic Josh Wink. It dares to be different. It is good art. And, most importantly, it is great fun.

Born Mikayla Simpson on February 16, 2000, Koffee’s mission is to preserve Jamaica’s roots and culture in music and to empower the youth of her generation through her musical journey across the world. “I want to make a better world for the generation that's coming up, to promote love and peace, and even though I’m young, I feel that the Creator has blessed me with talent and wisdom to get the job done”. – Koffee.

A wind of change is blowing over the cultural landscape of Kinshasa, DR Congo. An explosive alternative scene is thriving. KOKOKO! is the sound of it.

Simbiatu “Simbi” Abisola Abiola Ajikawo says it herself when she puts on her superheroine mask and goes by the name of Little Simz: “I’m Jay-Z on a bad day, Shakespeare on my worst days”. And on that pernicious Venom that pollutes GREY Area from the very core, she concludes that some people will never acknowledge her as the best just because she’s got ovaries. Those who have recognised her worth get a mention: Jay-Z, Mr Lamar and the woman who knows all about being a woman, black and furious, Lauryn Hill. And let’s not forget the Mercury Prize judges who nominated her for her third LP. Not bad, huh?

ways inner pass (label) w/ kohwi & pascäal club moniker (collective) in san francisco dreampeter (project) w/ pascäal bbblenddd (radio show) w/ weewayway on hyde.fm

Originally from Portugal, Mafalda brings the sun to London, where she is now based, through her sets of tropical jazz, soul, RnB and everything in between. She celebrates the values she stands for through the music she plays, carrying a message of peace, love, unity and hope. Having moved to London only five years ago, Mafalda has co-founded the reissue label Melodies International with Floating Points which is responsible for reissuing rare groove gems such as Tomorrow’s People’s Open Soul and Trio Ternura’s A Gira to name a few. She has played at key festivals such as Dekmantel, Field Day, Worldwide Festival, Dimensions, Nuits Sonores and is about to play at Primavera Sound and have her first Australian tour this year. Other highlights include Boiler Room, Dingwalls, Cosmic Slop and the You’re A Melody parties.

̸BIOGRAPHY Malibu is a French electronic composer whose work sails between ambient and ethereal music. Forever inspired by soft reverbed vocals and melodic chord progressions, Malibu's sound is immersive, like a sea of synthetic strings and choirs. Every month she explores the same ideas in her radio show United In Flames, with the help of various guests. 'One Life' is Malibu's first EP, released in November 2019 on both Joyful Noise Recordings and UNO NYC. It is followed by EP 'Palaces of Pity', released in November 2022 on UNO NYC. ̸SELECTED DISCOGRAPHY Palaces of Pity (2022 EP — UNO NYC) Idle Citi (2022 single, with Merely — YEAR0001) One Life (2019 EP — JOYFUL NOISE RECORDINGS & UNO NYC) Held (2016 single — PAN)

Mama Snake first garnered attention as a DJ as part of Copenhagen's now-disbanded Apeiron Crew. She entered the techno scene with a fully formed sound: rattlesnake beats and emotional synths tied together by imperceptible mixing. Her watertight online mixes quickly earned her a following, and she's now busy balancing her life as a touring techno DJ with her job as a recently qualified surgeon.

DJ and producer Marcel Dettmann is recognised as one of the most influential proponents of contemporary techno. Widely associated with iconic trademarks including Berlin, Berghain and Hard Wax, Dettmann stays true to his roots by consistently innovating his interpretation of electronic music, integrating art with the scene. Raised in the former GDR, in a small town near Berlin, Dettmann had already begun to develop his passion for electronic music in his youth. Bands like Depeche Mode, The Cure and Front 242, as well as post-punk and industrial, count as his earliest influences, long before he discovered his affinity for techno. His hometown lacked a record store specialising in electronic music, so between 1995 and 1998 Dettmann began selling vinyl from his own home. He purchased records from various distributers, Hard Wax amongst others, both to resell to his friends and to cement the foundation for his own considerable collection. Like many of his friends, the mid-nineties saw Dettmann frequenting Berlin’s nightlife. This included club institutions E-Werk and Tresor where the resident DJs of that time aroused his passion for the Chicago and Detroit influenced sound. In 1999, after many (including self-organised) parties, his turning point came; Dettmann began to work as a resident DJ at Ostgut, Berghain’s predecessor. Shortly thereafter upon receiving a job offer from Hard Wax, he finally moved to Berlin. His apprenticeship as a vinyl buyer and seller as well as DJ, granted him an extensive depth of musical knowledge and intuition. Dettmann quests tirelessly for new ways and inspiration to further develop his own concept of electronic music. His label MDR (Marcel Dettmann Records) serves as a platform upon which to shape his musical vision, and through its releases, to launch new talent onto the techno scene. As a curator and producer, Dettmann fosters the call to create in a way which is equally timeless and innovative. His own releases comprise two albums on Ostgut Ton, numerous singles and remixes for artists of various genres – Junior Boys, Fever Ray, Moderat, Commix, Clark and Laibach to name a few. Furthermore, he has produced compilation albums for London’s fabric club, Berlin’s Berghain, the Belgian techno label Music Man and one issue of the DJ Kicks compilation series on !K7 imprint. Outside of the club context, Marcel Dettmann has established himself as a multi-faceted artist. He designed the sound concept for „New Works“, an exhibition of photographer Frederike von Rauch, contributed to the contemporary dance project „Masse“ – together with Frank Wiedemann and choreographer Nadja Saidakowa in cooperation with Berghain and the Berlin State Ballet. His single “Seduction feat. Emika” provided the soundtrack to director and screenwriter Parker Ellerman’s short film of the same name. As a passionate DJ and one of the faces of Berghain, Dettmann seeks to inspire his listeners with sounds both reduced and rough, balanced by emotional and surprising moments throughout his sets. Between pure techno, banging Chicago, tracks old and new of the past twenty-five years, Marcel Dettmann communicates his message with an apparent effortlessness.

Mézigue est malheureusement parti au Pérou développer un nouveau type de ciment. Il doit manger des pierres ce qui ne lui permet plus de se déplacer de façon uniforme. Malgré cela il a réussi grâce à la loi de stunt à recalibrer Tarza 8. [Translated by Google Translate] Mézigue unfortunately left for Peru to develop a new type of cement. He must eat stones which no longer allows him to move uniformly. Despite this he was able to recalibrate Tarza 8 thanks to the stunt law.

Paramida moved to Berlin in 2010 and has since made an impact to the local club scene with a distinctive and sensualizing approach to music. Her varied sets represent something hopeful, something unusual, something unlikely. A beacon of pleasure and surprise. Blending proto-house to trance, percussive gems with high-energy techno, Italian dream house and irresistible new beat – Paramida is truly committed to digging. The Panorama Bar resident is a confident, talented and occasionally provocative artist in a city whose musical rules are often made to be played by and begging to be broken. While working at OYE Records, she began her life as a DJ between a tireless party scene by night and days immersed in music. In the years since, those same instincts have taken Paramida to far-out places. Her singular thirst for often obscure, always incredible music has lead her to residencies at two of the world's most renowned nightclubs. Already a regular fixture in the booth at Offenbach’s rightfully coveted...

Polo & Pan was born under the stars in 2012, shortly after there orbital collision of two satellites : Polocorp & Peter Pan.

Production duo from Leeds, UK.

One of the biggest names in the German electronic music scene. Active since the early 1990's, Flugel is a chameleon visiting many styles from ambient/idm to house, techno, electro and leftfield. Works solo or with long time partner Jorn Elling Wuttke...Roman Flügel

STUCK IN THE CLOUDS Sampa The Great, A Zambian Poet and singer-songwriter who expresses through music and poetry.

SHERELLE is leading a new generation of high-speed ravers who are addicted to jungle, drum ‘n’ bass, footwork and juke. Through her DJ sets, radio shows and record label she gives a platform to both scene elders and new talent and is committed to pushing 160bpm+ dance music into the future. The London-born DJ has been busy since that Boiler Room sent her signature brand of low-end energy viral: She’s held down a year-long Radio 1 residency that’s seen her showcase cutting-edge dance music to a mainstream audience as well as host OGs like DJ Spinn, 4Hero, Kode9 and Luke Vibert as well as next gen disruptors like Mantra, L C Y, Yazzus and Fracture; She’s started the Hooversound label alongside partner in club music Naina with releases from Hyroglifics, Sinistarr and Deft; And she’s co-founded the incendiary 6 Figure Gang squad with Fauzia, Jossy Mitsu, Dobby and the aforementioned L C Y and Yazzus. Let the takeover begin.

Skee Mask is a versatile producer from Munich, who doesn’t want to be identified. He got influenced by a lot of different types of music over the last years, which made his productions pretty various. Skee Mask’s direction is mostly rolling rhythms, combined with electronic soundscapes, always forcing to create a deep vibe. His influences mainly are from “old” techno labels like Chain Reaction, Warp Records or Counterbalance. He’s still developing his procedure in making tracks, but always staying himself. In his DJ sets he tries to create a deep trip, constituted of organic grooves and diverse clang accompaniments. Skee Mask would describe his DJ-Set variations as techno, ambient and mostly experimental, forward thinking.

Rising in Turin and currently based in Munich, Stenny debuts with his first 12″ Solstice Deity on the Zenker Brothers label Ilian Tape in 2013. Mainly inspired by the spirit of 90’s Techno and IDM, his contribution as a producer could be described as club focused but not merely functional. The dusty and stepping drum programming, often contrasting with the dense, atmospheric surrounding, is one of the peculiarities of his style, which in fact, references often to the Jungle or Hardcore era, but basically aims to evolve with no genre boundaries. As a Dj he maintains a similar, versatile and open minded approach, ranging between contemporary and classic but forward thinking club music.

Kathy Yaeji Lee (born August 6, 1993 in New York City, U.S.), also known as Yaeji, is a Korean-American singer/producer of electronic deep house music, with whispered vocals in Korean and English. Yaeji was born in Flushing, Queens as a single child in a Korean family. Growing up, she moved from New York to Atlanta when she was 5, and then to South Korea in the third grade. Yaeji grew up in Seoul, South Korea, and eventually moved back to the United States to study conceptual art, East Asian studies and graphic design at Carnegie Mellon University in Pittsburgh. Yaeji embraced DJing as a hobby while attending Carnegie Mellon, after learning how to use Traktor and beginning to DJ at house parties. She DJed for two years before learning Ableton, making her own music and debuting on Carnegie Mellon's college radio station. Yaeji graduated from Carnegie Mellon in 2015.

Yves Tumor is the solo moniker of Sean Bowie, the enigmatic multi-instrumentalist and producer based in Turin, Italy.Yves Tumor

Munich based brothers and owners of the record label Ilian Tape.Zenker Brothers