With just over 10 years of DJ experience, Stephen Hinch has played in the most elite clubs going in places such as London, Ibiza, Hong Kong & more. After having been introduced to dance music from an early age, it was only a matter of time before he started attending events. Then at the age of 19 he made his DJ debut at iconic night Ministry Of Sound in London. This was soon followed up by multiple nights at other top clubs in the UK & Europe. He has supported the likes of Armin Van Buuren, Ferry Corsten, Markus Schulz, W&W, The Thrillseekers, Sneidjer, Signum, Neptune Project, Paul Webster & many more. Having relocated to Hong Kong a few years ago, he is now a regular at some of the at places such as Social Room & Sogno. “What can you expect from my sets? Well it depends on genre of the night, but generally expect fast beats & uplifting melodies.” “I look forward to seeing you on a dance floor soon!!”

Beginning to learn the art of DJ-ing at 16, in his DJ sets one will find a nice blend of different genres ranging from Deep, Tech, House, Techno, Minimal, Acid, Electro, Balearic, Soul, Funk, Disco, and more. Having a lifelong love for a wide spectrum of music, Jeremy delivers a rocking DJ set every time with his impressive knowledge of tunes of all sorts. Jeremy surely knows a lot about the styles of music, the labels, the re-mixers, and the producers who create these tunes. Going beyond the music he plays, Jeremy strives to surpass the art of mixing. Reviews from the clubbing scenes often mention his tight solid mixing, awesome selection, and sequencing of his tunes. For those who have gone to see Jeremy’s spin before, they know that he is a DJ who knows the stuff well beyond many counterparts for a long long time! He holds residencies for top Underground clubs in Hong Kong which includes Oma and Social Room. Besides Hong Kong, he has also performed in many other top clubs and venues around the world.

La Antonia, the member of Tranception Hong Kong. V.P of Trance Parade - Trance Event Organiser in Southern China. Invited Giuseppe Ottaviani, Menno de Jong, John O'callaghan, Factor B, Above & Beyond & Ram and many more to the events. His main sounds are uplifting & tech trance. His first release - Nowhere left to hide, collaborate with Alan Morris & Sue McLaren supported by major trance radio such as Paul van Dyk- VONYC, Aly and Fila- Future Sounds Of Egypt & Alex M.O.R.P.H- Universal Nation. The track titled Future Sound in FSOE 523. A new track is signed and it will be released on 22 October via Ram’s label- Grotesque Music.

Sapphire Slows is what you might call an everything-ist: she produces, DJs, plays synth and keyboard, and her eerie, drone-like vocals float over her tracks, embellishing their shadowy textures. After the brutal awakening of the 2011 earthquakes in Japan, she became motivated to pursue a career in music. Now a notable name in Tokyo’s electronic music scene, she has toured North America, Europe, China and her home country, and released on labels such as Japan’s Big Love and Los Angeles’ Not Not Fun/100% Silk. While some of her songs are submerged in a blue-ish, slo-mo haze as her name suggests, others are more abrasive and in tune with the whirring pace of krautrock, as on 2014’s Allegoria album.

A vital artist in the Hong Kong underground circuit, Simtub plays DeepTech/Melodic Techno and various micro genres of House and Trance music. His sets are known to be evocative and energetic, backed by his understanding of what galvanizes the dance floor. Simtub grew up during the intersection of the hacienda movement in Northern England amidst the rise of UK underground rave culture and when superclubs such as Miss Moneypenny's, Turnmills, Cream and Fabrics dominated the landscape. This period in time heavily influenced his musical style and his sets continue to paint a unique narration of classic influences. Simtub is also the co-founder of After Dark Sessions, an event night originally conceived to promote melodically driven underground music to the less exposed cities around Asia. “Humans have an intrinsic need to connect, and music has this ability to create instant connections among people. I love to use my music to move crowds, to forge that sense of unspoken communion".