Azu Tiwaline is a producer inspired by the need to explore her origins, rooted in the Sahara. Her sound is a mix of the organic and the raw, vibrations from the spaces of the desert where entrancing music resonates and ecstatic rituals are commonplace.

Blawan

High Priestess of the Motherbeat. Vinyl slinging since 1994. Dissolve boundaries and models. Unlock your body. Find each other.

Mama Snake first garnered attention as a DJ as part of Copenhagen's now-disbanded Apeiron Crew. She entered the techno scene with a fully formed sound: rattlesnake beats and emotional synths tied together by imperceptible mixing. Her watertight online mixes quickly earned her a following, and she's now busy balancing her life as a touring techno DJ with her job as a recently qualified surgeon.

̸BIOGRAPHY Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. The Welsh-Greek artist cut his teeth as one half of Cassegrain and has been finding new paths for his mutant sound ever since, releasing on Fever AM, the imprint he set up with Mor Elian in 2017, as well as labels like Avian and Modeselektor’s SSPB. In the studio or behind the decks, he brilliantly fuses different strains of ultra-modern techno and broken beat: eyes-down minimal lights up with modular sass, choppy kicks flirt with rolling grooves, and sharp sound design slices through earthy subs. It’s the kind of amphibious sound that can slip into otherworldly spaces while never truly leaving the dance floor. Rhyw turned heads with the heavyweight two-tracker ‘Biggest Bully’ in 2019, earning himself sets at Berghain, Berlin Atonal, Boiler Room Tokyo and Freerotation amongst others. Online and on-air, he’s guested on Hessle Audio’s Rinse FM show and Mixmag’s ‘In Session’ mix series, and contributed podcasts to Crack and FACT. Even when they leave the gate at full pelt, these sets showcase Rhyw’s subtle sense of intricacy, balancing airy atmospheres against tougher tackle. But whatever the energy level, there’s always an alien presence in Rhyw’s sound—a shapeshifter whose twin motives are to bewitch and disorientate the listener.

Born 1969. Died 1909.

̸BIOGRAPHY Electronic music producer, co-founder of Skull Disco and founder of Woe To The Septic Heart!

Skee Mask is a versatile producer from Munich, who doesn’t want to be identified. He got influenced by a lot of different types of music over the last years, which made his productions pretty various. Skee Mask’s direction is mostly rolling rhythms, combined with electronic soundscapes, always forcing to create a deep vibe. His influences mainly are from “old” techno labels like Chain Reaction, Warp Records or Counterbalance. He’s still developing his procedure in making tracks, but always staying himself. In his DJ sets he tries to create a deep trip, constituted of organic grooves and diverse clang accompaniments. Skee Mask would describe his DJ-Set variations as techno, ambient and mostly experimental, forward thinking.

DJ, Producer & Label owner Anetha is a trained Architect based in Paris, now fully dedicated to music and focused on developing her career as a DJ, producer and Label Manager. As a leading figure of the new generation of French DJs inspired by EBM, trance, electro and old school 90’s techno tracks, Anetha knows how to make people dance. She always tries to offer an intense, energetic and unpredictable journey to her public, with a strong and fresh tracks’ selection.

Avalon Emerson is from the desert. While she currently lives in Berlin, the music she produces comes from the dreamlike expanse and abstract textures of the Sonoran landscapes of Arizona. Her journey has taken her from that sunbaked state to the contemporary dance music mecca via a long stint in San Francisco, where she cut her teeth as a DJ in the city's storied warehouse party scene. In her DJ sets and productions now, she offers a timeless narrative that reflects a passion for the sound design of new wave, the futurism of techno, the soul of American house and the exuberance of rave. Though she's built up steam in 2015 from multiple sets at Panorama Bar, and globetrotting all around Europe and North America, she's just getting started, and continues to outdo herself with original productions released on labels like Shtum, Spring Theory, Icee Hot, and her own DJ tool edit pool, the Cybernedits series.

From Utrecht, Carista is the DJ everyone wants to open for them. Self-taught, she bought her first pair of turntables at 19 and turned to YouTube tutorials. After winning a mixtape competition hosted by Rotterdam club BIRD in 2012, she landed a gig and subsequent residency at BIRD and other local clubs. Word started to travel about the charismatic selector, curator, and DJ. She went on to land herself a monthly radio show at Red Light Radio and NTS which got her noticed by a slew of festival programmers. She’s since made her debuts on Boiler Room and at festivals like Secretsundaze, Dekmantel, and ADE, where she opened for De School’s 62-hour party. Her sets are never predictable but always highly danceable. Through her NTS show United Identities, she hopes to continue to promote diversity and inclusivity in the club scene.

̸BIOGRAPHY CRYSTALLMESS is a DJ, producer, artist and writer based in Paris, France.

DJ Nobu is a DJ from Chiba city in Japan. He organises now legendary party called Future Terror and his own label Bitta in his home town.DJ Nobu ̸BIOGRAPHY Japan’s DJ Nobu is one of a kind; a DJ with no fixed style but instead a very real ability to draw on a wide world of music and cook up his own unique sound spaces. Nobu is something of a cult figure for those who know with decades of experience, all of which are distilled at his acclaimed party ‘Future Terror’, his label ‘Bitta’ and his few choice production outings. All of this has slowly but surely turned Nobu from being one of Japan’s, to one of the world’s most in demand selectors who is famously flexible and ever evolving. ̸SELECTED DISCOGRAPHY - NO WAY BACK / mixed by DJ NOBU label: ?? / Lastrum catalog: LACD-0094 (TGCS-3831) format: CD released: Dec 20th 2006 - CREEP INTO SHADOWS THE MIDNIGHT D EDITS / DJ NOBU label: Underground Gallery catalog: UGCD-801 format: CD released: April 3rd 2008 - DIARY / DAZZ Y DJ NOBU label: ?? / Lastrum Music Entertainment Inc. catalog: LACD-0143 format: CD released: August 6th 2008 - Endbeginning (Dazz Y DJ Nobu Omi Dub 12"Remix), (Nobu's Dub) / Crue-L Grand Orchestra label: Crue-L catalog: KYTHMAK132 format: 12" released: Apr 2010 - 011 e.p. / DJ NOBU label: GRASSWAXX RECORDINGS catalog: GWEP-07 format: 12" released: July 2010 - ZERO SET II -Reconstruct- / V.A. "Skin QER REMIX (reconstructed by DJ NOBU)" label: MUSICMINE catalog: MMCD20001 format: CD released: October 20th 2010 - ON / mixed by DJ NOBU label: MUSICMINE catalog: MMCD20002 format: CD released: December 22nd 2010 - Draw, Untitled / IORI, DJ NOBU label: Bitta catalog: Bitta001 format: 12" released: November 13rd 2012 - Crustal Movement Volume 01 - Dream Into Dream label: Tearbridge Records catalog: NFCD-27349 format: CD released: March 27th 2013 - Canadian Bellfield, Untitled / Steven Porter, DJ NOBU label: Bitta catalog: Bitta002 format: 12" released: December 12th 2013 - For Your Eyes Only Sampler One / V.A. "Sway" / DJ NOBU label: Semantica Records catalog: SEMANTICA 60​.​1 format: 12" released: December 20th 2013

Few DJs and producers are as widely and universally acclaimed in techno circles as Italian Donato Dozzy. He has a rare ability to work his way into peoples’ minds in both contemporary and classical settings, conjuring real mood and atmosphere. Never one to pay heed to the zeitgeist, he prefers to deal in hypnotic soundscapes that really take you on a trip. Enigmatic as he is, and laidback as he seems, as an artist he is constantly unveiling new work. Displaying a large variation in terms of sound and method across many new releases each year — some of which come on his co-owned label Spazio Disponibile — he also puts out installations for public spaces and museums, uses obscure musical instruments, collaborates with likeminded producers, classical singers or visual artists. Donato seems to continuously challenge himself on a creative level: whatever method he uses, though, he is always likely to permeate your cerebral cortex and rewire it in fascinating and compelling new ways.

̸BIOGRAPHY Sound Architecture. Marked by his awakened sensibility to depth, Feral consistently carries a thread of spirituality throughout his work. He has inherently embodied the spirit of deep techno, of which defines Hypnus Records, through his passion for audio engineering, hardware experimentation and fascination for percussive instruments. Feral’s affinity for the shamanic calls of the tribal drum have led him across the world to discover and nurture his defining sound. Finding comfort in the solitude of his studio, Feral’s visions emerge in the crepusular hours of his native city, Rome. With a heightened sense of spatial awareness, the sounds of Feral unearth the path of his multidimensional world, transporting the listener to a haunting, yet grounding refuge within. ̸SELECTED DISCOGRAPHY HYPNUS008 - Hara Devata (2015) HYPNUS012 - Heruka (2016) HYPNUS016 - Climbing Himalaya: Part I (2018) HYPNUS018 - Climbing Himalaya: Part II (2018) HYPNUS021 - Court of Light (2019) HYPNUS025 - Ultraviolet Radiation (2020) HYPNUS028 - Woodland (2020) AUBE001 - L'Aube Rouge (2020) MMV012 - Absolute Zero (2021)

̸BIOGRAPHY Boss woman behind POLAAR label, Flore is an essential artist on the french electronic music scene. Pionner in the leftfield bass music field, she has just released a second album RITUALS, acclaimed on BBC radio 1 & 6, Mixmag, Tsugi and Trax Magazine... Propelled by curiosity and meticulosity through the last two decades, Flore built her musical journey guided by risk and a generous creativity. 
If her musical and cultural roots go back to jamaican sound systems, breaks and drum and bass, her musical culture and tastes cover a wider territory that ranges from Pink Floyd to Sun O))). This constant interest for new forms and sounds stands behind her path as the live artist she is now, from DJ through producer to being the first woman Ableton certified trainer in France. As a DJ, she brought her explosive sets to numerous european clubs, venues and festivals such as Les Nuits Sonores, Fabric, Fusion Festival. Her Boiler Room set is memorable. Flore is a DJ renowned for the energy of the sets, the rowdiness she brings to the dancefloor and her ability to communicate with the public. Her work capacity and diverse skills led her to collaborate with other artists in various contexts such as with Arandel at La Philarmonie de Paris in 2018 for an exclusive creation for the prestigious institution, working with theater directors and dancers. Crown on top of an already rich collections of gems, she is the boss lady of POLAAR, one of the most exciting musical label of these last years in France. Flore has become a true master at tailoring her sound, often with a sense of anticipation of what was in sight on the electronic music scene : from “Raw “ (2010, Botchit & Scarper) predicting the global bass phenomenon to “Rituals” her second album (2020, POLAAR) cruising on a futuristic and personal interpretation of techno and breaks in all their various forms. Flore keeps the trip real, away from calculation and visibility preoccupation all of which make of her a genuine creative force in the european musical landscape and a sought after live act. ̸SELECTED DISCOGRAPHY https://floremusic.bandcamp https://open.spotify.com/playlist/0wkiGHK5NpzIhbQQGlhF6L?si=RUtNNTQ9Sc28gPfi8GHLWA

̸BIOGRAPHY Manchester based producer making music thats a sonic reflection of his heritage, marrying the sounds of latin rhythms & uk low end focus

Hamburg native Helena Hauff is an in-demand DJ as well as an acclaimed producer of gritty, hard-edged electro-techno. Her music draws from influences such as acid house, EBM, and industrial, and she records her tracks strictly using analog equipment, usually in one take. Her full-length debut, 2015's Discreet Desires, contains some of her most melodic material, while 2018's Qualm is more stripped-down but no less energetic. Hauff has released a handful of EPs, including 2019's Living with Ants and 2021's Futuros with the Exaltics. ~ AllMusic

̸BIOGRAPHY Commissioned Works or Bookings Worldwide contact me Direct An American Sound Artist & Experimental Composer having recorded for a variety of labels (including Sony Europe - Axis/6277- Ghostly - NINJA TUNE - RVNG Intl - Soul Jazz Records) - Mathematics Recordings -Voted URB Magazines Top 100 of 2004 in a Group act & Top 100 as a solo artist, Jamal Moss has long been a part of the Chicago house/techno scene as both a Promoter/Producer & DJ. Moss’s first creative endeavors were as part of a crew that created industrial soundscapes / Art Noise for the Liquid Love parties at the famed Powerplant in Chicago from 1989-90. When the Powerplant was closed, Moss and his cohorts started Liquid Sex, which became a magnet for many well-known house artists such as Steve Poindexter, who put Moss in touch with future collaborators the Chicago Bad Boys collective. From the Fall of 1993 - to the Summer of 1996 was Host/DJ for WNUR'S 89.3 StreetBeat Program Showcasing a segment named JACK-FM( Thank U Shaun Fahey ). He was also taken under the wing of house legend Adonis, who became a key mentor figure in Moss’s life and an inspiration for his moniker: "I decided to give myself meaning and purpose, to honor my father (who gave me life) and my mentor Adonis (who gave me knowledge); I named myself Hieroglyphic Being ( Performed Live at 2004 DEMF'S Underground Stage / A Featured Artists In Germany's DE:BUG Magazine issue 92 in 2005 / Voted URB Magazines Top 100 in 2005 & has Composed Works Featured On Time Out Magazines The Other side of Paris DVD Guide Along with Bauhaus/Front 242/Black Strobe & Featured in other MAGAZINE PRINT + DIGITAL COVERAGE: The Wire – The Guardian – Bomb Magazine – Chicago Reader – Chicago Tribune – Washington Post – Resident Advisor – Fact Magazine – Vice – Mixmag – The Georgia Straight – XLR8R – The Quietus – South Side Weekly – Crack Magazine – Electronic Beats – Groove Magazine – The Fader – Pop Matters – Financial Times – Village Voice – Time Out – Spin – Noisey – Pitchfork – Vogue . Composed works for a Tribute to Robert Moog Benefit Compilation & a Featured Artist in Xlr8tr's 100 Aniversary issue aug 2006 & has done Analog Composition Covers & Analog Editing For Alexander Robotnick - Miles Davis - Sun Ra in 2007 & 2008 ).” HAS OPENED FOR: The Sun RA Arkestra – Kamasi Washington – Shabazz Palaces – Chris & Cosey – Holly Herndon – William Basinski – Actress – Silver Apples – Senyawa – Morton Subotnick – Vatican Shadow – Dean Blunt – Mala - John Maus - Shabazz Palaces - Joachim Hans Rodelious - Wolf Eyes - Silver Apples - Morton Subotnick & many More. PERFORMED/COLLABORATIONS/LECTURES WITH: Mark Sanders – Orphy Robinson – Adonis – Evan Parker – Shabaka Hutchings – Marshall Allen – Jean-Francois Pauvros – Danny Thompson – Hamid Drake – Steve Poindexter – Jean-Marc Foussat – Wolf-Eyes – Reggie Watts – Janelle Monae – Shazad Ismaily – Greg Fox CLUBS + VENUES PERFORMED: Berghain – Corsica Studios – Cafe OTO – University Of Chicago – Oberlin – Tate Modern – Zoo – MOMA PS1 -HKW : Art Institute In Berlin – Palazzo Re Enzo – Barbican – EMPAC – Royal Albert Hall – Paradiso – Rex Club – Jazz Cafe – The Art School – Trafo : House of Contemporary Arts – Exploratorium of San Francisco – Smart Bar – Panther Room – Dude Club – Lux Fragil – House Of Electronic Arts Basel FESTIVALS PERFORMED: ADE – Big Ears – BEMF – Moogfest – Bestival – Dance City – Unsound – Le Guess Who – Phono Festival – Free Rotation – New Forms Festival – Roskilde Festival – Melbourne Music Week – Milhoes De Festa – Donau Festival – Dimensions Festival - Dekmental And the last of the line of producers directly influenced by Ron Hardy at the Music Box, which he is uniquely qualified to write a new chapter of Chicago's Rich Musical history. ̸SELECTED DISCOGRAPHY Untitled (12", W/Lbl) Mathematics Recordings 1996 The Dirty Criminals (12") International Deejay Gigolo Records 2001 If (12") Mathematics Recordings 2002 Du Commencement A L'Eternite (12") 6277 2004 Du Commencement A L'Eternite (12", Promo, W/Lbl) 6277 2004 Machines For Lovers EP (12", EP) Spectral Sound 2004 The Temple Of The Moon (7", Blu) Mathematics Recordings 2004 Conversations In A Analog Dialect (12") Klang Elektronik 2005 Liquid Sex EP (12", EP) Spectral Sound 2005 The Sound Of Music E.P. (12", EP) Mathematics Recordings 2005 Cosmic Dust E.P. (12", EP) Mathematics Recordings 2006 The Acid Test Pt. 1 (12", RE) Mathematics Recordings 2006 Guidance / Direction E.P. (12", EP) Apnea 2007 Living In A Zome EP (12", EP) Mathematics Recordings 2008 So Much Noise 2 Be Heard (2x12", Ltd) Mathematics Recordings 2008 So Much Noise 2 Be Heard (2xCD, Album, Dou) Mathematics Recordings 2008 The Bathroom Sessions (CDr, Ltd) Music From Mathematics 2008 The Bathroom Sessions Select (12", Promo, W/Lbl, Sta) Morphine Records 2008 The Bathroom Sessions Select (12") Morphine Records 2008 The Secret Life Of Water E.P. (12") Same Soul Different Body Imprint 2008 The 12th Planet (CDr) Quadrant Recordings 2009 Remixes: Bout Ready To Jak (Remixes) (12") Bout Ready To Jak (Hie... Spectral Sound 2004 London's Calling E.P. (12", EP) Washing Faces (A Hiero... Mathematics Recordings 2007 Appears On: Organized Confuzion (CD) Death Is Nothing To Fe... International Deejay Gigolo Records 2004 Organized Confuzion (CD, Album, Promo, Car) Death Is Nothing To Fe... International Deejay Gigolo Records 2004 1 (CD, Comp, Promo) -2 Net28 2008 1 (CD, Comp, Dig) -2 Net28 2008 Music From Mathematics (CD, Comp) Mathematics Recordings 2008 The Bremen Orchestra EP (12", EP) Bremen Orchestra (Re-... Mathematics Recordings 2008 Tracks Appear On: Organized Confuzion (2x12") Death Is Nothing To Fear International Deejay Gigolo Records 2004 Organized Confuzion (2x12", W/Lbl) Death Is Nothing To Fear International Deejay Gigolo Records 2004 Spectral Sound Vol. 1 (2xLP) Je Suis Musique Spectral Sound 2005 Spectral Sound Vol. 1 (CD, Comp + CD, Mixed) Je Suis Musique, Apple Spectral Sound 2005 The Mission Objective (CDr) Bird Songs For Amelie 6277 2005 A Tribute To Robert Moog (CD, Comp) Altar Crème Organization 2006 Diamanten Und Raketen (CD) D.O.S. Klang Elektronik 2006 1 (CD, Comp, Promo) -2 Net28 2008 1 (CD, Comp, Dig) -2 Net28 2008 Mix May 2008 (File, MP3, Mixed) Je Suis Musique Time To Express 2008 Music From Mathematics (CD, Comp) Residue, Temple Of The... Mathematics Recordings 2008 Spectral Sound Vol. 2 (File, Comp + File, Mixed) Machines For Lovers, L... Spectral Sound 2009 The CS Strategy (12") Eargasmic Recordings 2004 Ancient Echoes EP (12", EP) Klang Elektronik 2005 Relics & Artifacts (12", RP) Frantic Flowers 2005 Relics & Artifacts (12", Cle) Frantic Flowers 2005 Scene 1 (7", Whi) Jack-FM 2005 Scene 2 (7", Whi) Jack-FM 2005 Scene 3 (7") Jack-FM 2005 Scene 5 (12") Jack-FM 2006 Remixes: The House Of Muzique (12") Blackholes (Unreleased... Muzique Records 2005 The House Of Muzique (Volume 2) (12") System Free (Re-Beated... Muzique Records 2007 RA.105 (File, MP3, Mixed, Pod) Blackholes (Unreleased... Resident Advisor 2008 Tracks Appear On: The Other Side Paris (DualDisc) Return 2 Saturn Deaf Dumb & Blind, Breakbeat Science Recordings 2005 The Other Side Paris (DualDisc, Mixed, Comp) Return 2 Saturn TimeOut Records (2) 2005 Thoughts From Chicago Vol. One (12") God Energy Eargasmic Recordings 2005 Time Out Presents The Other Side: Paris (DualDisc, Mixed, Comp) Return 2 Saturn Resist Music 2006 Diamanten Und Raketen II (CD, Comp) Ancient Echoes (A Trib... Klang Elektronik 2008 Thoughts From Chicago Vol. Two (12") Leo Leo Rising (Rhythm... Eargasmic Recordings 2008 My Life As A Skinny Puppy (12") Mathematics Recordings 2003 Kill Bill (12") Interdimensional Transmissions 2005 Kill Bill (12", Ltd, Blu) Interdimensional Transmissions 2005 Hurt U / No Love E.P. (12", EP) Mathematics Recordings 2007 A Music Box Reflection (12", S/Sided, Ltd) Crème Organization 2008 Appears On: Made In China (12") Made In China (IBM Edit) Crème Organization 2007 Reflection Series #1 (12", W/Lbl) Medusa Edits 2008 The Northside Revival (12", W/Lbl) Medusa Edits 2008 Tracks Appear On: Destroy Your Powercenters - IT Future 2006 (CDr, Album, Smplr) Kill Bill, Black Sunda... Interdimensional Transmissions 2006 International Deejay Gigolos CD 11 (2xCD, Album, Comp) Kill Bill (BMG Edit) International Deejay Gigolo Records 2009 MO CD 001 Various Members Only Re-Edits (CDr, Comp, Ltd) 2005 MO1 Various Historical Archives Volume 1 (12") 2006 MO10 Various Historical Archives Volume 10 (12") 2008 MO11 Various Historical Archives Volume 11 (12") 2008 MO12 Various Historical Archives Volume 12 (12") 2009 MO2 Various Historical Archives Volume 2 (12") 2006 MO3 Various Historical Archives Volume 3 (12") 2006 MO4 Various Historical Archives Volume 4 (12") 2007 MO5 Various Historical Archives Volume 5 (12") 2007 MO6 Various Historical Archives Volume 6 (12") 2007 MO7 Various Historical Archives Volume 7 (12") 2007 MO8 Various Historical Archives Volume 8 (12") 2008 MO9 Various Historical Archives Volume 9 (12") 2008

MARICAS / MistressISAbella

̸BIOGRAPHY file under: ambient. acid. deep. house. progressive. psychedelic. techno. trance. "It's not what records you have, but what you do with them, that's important" ̸SELECTED DISCOGRAPHY https://www.discogs.com/artist/584256-Jane-Fitz?type=Credits&subtype=Production&filter_anv=0

After more than a decade spent building an enviable reputation for herself in the clubs of Paris, Jennifer Cardini has become an international concern. Jennifer Cardini long since outgrew Pulp – the Parisian club where she first made her name– and set off on a mission to take her vision of house music to audiences around Europe and beyond. Over the course of a career spanning of fifteen years, she has delivered DJ sets fusing techno, electro and disco at the world’s most prestigious clubs (Panorama Bar in Berlin, De School in Amsterdam, Lux in Lisbon, Good Room in New York) and hottest festivals (Melt, Nuit Sonores, Burning Man). Yet her dancefloor philosophy is reflected not only by her sets and the music released on her labels, including electro imprint Correspondant and the more indie oriented Dischi Autunno but also by her engagement in support of the LGBT-community. Based in Berlin following six years in Cologne, Jennifer Cardini continues travelling all around the world transmitting her love for music to us through the dancefloor!

̸BIOGRAPHY DJ, and label boss of Animalia & Cirrus, currently based in Melbourne, Australia. Kia’s speedy rise to notoriety is no surprise. Although young, Kia plays with the confidence and experience expected of a DJ with many more years under their belt. With a keen ear for bass heavy rhythms, idm and the deeper shades of techno and trance, Kia glides through genres and emotions in exciting and often unexpected ways. Her talent for weaving musical narratives has been recognised by local and international labels, having already constructed revered mixes for Nous’klaer, Truants, c- and Patterns of Perception. Whilst the popularity of these mixes clearly proves her ear for telling stories with music, it’s her bubbly presence behind the booth that really makes her stand out. Kia is an open-eared music digger, searching tirelessly for lost obscurities to pair alongside modern finds and hidden gems by local artists. She wields together her intimate knowledge of local music and attuned ear, bringing it all to a masterful fruition in her record label, ‘Animalia’, with an ambient sub label ‘Cirrus’ recently launched. Beginning in 2019, Animalia is now home to a highly reputable powerhouse of releases, mixes and events which pave the way forward for the future of electronic dance music in Australia. Bringing underground and DIY sounds to the forefront, Kia encourages experimentation and nuance in every release. Bookings at Amsterdam Dance Event, Dekmantel, Sustain Release and Monument festival are a part of a growing list of impressive gigs Kia is being booked for. As she relocates to Europe in early 2023, with a number of exciting shows on the horizon and solo productions in the works, Kia is without a doubt one to keep tabs on.

̸BIOGRAPHY Spearheading a percussive yet atmospheric sound, Konduku’s minimalist approach to hi-energy dance music has reached a singular space. Varying between half-time steppers, futuristic house music and lucid techno experiments, Konduku has assembled a raft of forward thinking club records. Majoring for the likes of Nous’klaer - a label he’s most commonly associated with - to releases with Delsin’s Mantis Series, DJ Nobu’s Bitta label, and his celebrated Parlama EP for Spazio Disponibile - Konduku delivers an undeniable sonic pattern of uptempo, liquid and polyrhythmic groove. Having relocated to Berlin, curious time signatures and rhythmic pulse remain a priority of his DJ sets, and the artist’s ability to stand out comes through an alluring ability to blend & layer sounds that conjure up otherworldy hypnotisms and radical new hybrids in the process. Taking in UK bass culture to his sound, turn-of-the-century tech house and mid-2000s Italian techno, it’s an obsession for drums - and a wider scope for what falls between - that gives Konduku a rare, outsider’s edge. A major musical talent full of artistic influence, Konduku’s sound and style not only inspires but lives long in the memory.

Lydo is an interdisciplinary artist based in New York City known for their party, X-TRA.SERVICES. Lydo is an interdisciplinary artist based in New York City. As a resident DJ of BASEMENT NY, their distinctive sets explode the parameters of techno, deftly cutting across genres while retaining a highly personal emotional resonance. Whenever Lydo plays, it’s best to leave your expectations at the door and simply prepare for an unexpected array of sonic thrills, ranging from visceral and grooving to mind-bendingly experimental. A key figure in their local scene, Lydo also runs X-TRA GEAR.SERVICES, crafting highly sought-after gear designed for practical ravers. X-TRA is also renowned for its legendary, sold-out underground parties before becoming a seasonal resident party at BASEMENT. A non-binary trans artist themselves, Lydo launched X-TRA.SERVICES to serve and create space for queer, trans, and nonbinary artists and communities of color. Lydo has played at Bassiani, Säule, Sustain-Release and Boiler Room, as well as many subterranean parties in Mexico City, Berlin, Copenhagen and New York. They have also made unforgettable mixes for publications including Crack Magazine and The Face.

̸BIOGRAPHY “Genres are disturbing. I play vibes,"

̸BIOGRAPHY Visual Artist

Crazed rhythms & sonic adventures. Mary Lake, an artist for whom expression and eclecticism is vital. With an international upbringing in Algeria, France and The Netherlands, she seeks a voice through her music, translating inner dynamics in both club and exploratory settings, towards a signature of frenetic yet inviting sets. As a club DJ, Mary serves unorthodox techno, electro and left-field electronics, while always and foremost persuading the crowd to dance. Starting her DJ career through London’s underground scene and NTS activities, she quickly became a familiar face in Amsterdam when returning in 2017, playing at events like Dekmantel and Lowlands festival. Mary has concurrently built up a strong international presence in cities such as Melbourne and Berlin, so be sure to catch her infectious energy anywhere near you soon.

Mika Oki is a visual artist, Dj and producer born in Paris. With a background in sculpture and electro-acoustic music, she explore the notion of intangible spaces and emotional landscapes through AV installations, music and mixes. Like a sculptor who knows that the slightest miscalculated move of a chisel could damage the totality of an artwork, Mika Oki’s selections elude great mastery and undeniable preparation. Doing wonders in her many radio shows, it’s difficult to realise her taste in rumbles and undeniable love for sounds from across the Channel (drum and bass, UK garage, 2-step, grime…) before seeing her on the dancefloor. Never hesitating to alternate a 90s dance anthem with an obscure juke track, she also manages to gather seemingly disparate and conflicting elements together, creating an incredible coherence. Percussive but generous, erudite yet uninhibited, she pieces together unique mixes that never cease to surprise. Eternal dreamer, she uses abstract sound textures and kinetic images to generate mind trips, body journeys through music performances and immersive installations. She also developed an interest in Djing in clubs and radio shows where she translate her atmospherical experimentations, blurring The boundaries between techno, dub and ambient/narrative sounds. This year, she played in European audiovisual festivals like TodaysArt, SONICA, CYNETART and in Uganda for the last Nyege Nyege festival. She also exhibited her work “Reverse Osmosis” at Berlin Atonal 2018. Her involvement in the electronic and experimental music scenes, and her desire to highlight the Belgian artistic community led her to become station manager at The Word Radio in Brussels.

Maya Bouldry-Morrison has been releasing music as Octo Octa since 2011.Octo Octa

̸BIOGRAPHY Karl O'Connor is most certainly Regis and it is also highly probable that he propagates other pseudonyms . This has only added to the greater mythology surrounding the influential Downwards label that he has run with fellow art terrorist Peter Sutton.. Karl O'Connor is most certainly Regis and it is also highly probable that he propagates other pseudonyms . This has only added to the greater mythology surrounding the influential Downwards label that he has run with fellow art terrorist Peter Sutton ( Female ) since 1993. Unconventional and single-minded to say the least ( what label can boast a back catalogue free of the industry standard cash cow remix ) by decentralising the focus on the dj/producer personality, he remains one of the more highly regarded creative forces within the British techno/electronic scene. Degenerate art indeed.

̸BIOGRAPHY Salamanda is a Seoul-based Leftfield Ambient music producer/DJ duo of Uman Therma (Sala) and Yetsuby (Manda). The duo have been reaching out to a wider range of listeners around the world with their debut full-length albums released on Good Morning Tapes, Small Méasures and Human Pitch labels, as well as their mixes introduced in multiple domestic & international radio stations including Seoul Community Radio, NTS Radio & LYL Radio. Salamanda believes every sound has beauty, and loves to collect and experiment with all kinds of sounds from the world around them. ̸SELECTED DISCOGRAPHY 2020.12 Allez (Good Morning Tapes) 2021.09 Sphere (Small Méasures) 2022.06 ashbalkum (Human Pitch)

̸BIOGRAPHY ̸SELECTED DISCOGRAPHY discography: Sandwell District SC 01 Regis & Ian J. Richardson - Untergang SC 02 Vandross - Hurt Me I'm Waiting SD 03 Female - Serverlan SD 04 Female - Avon / Cally Remixes SD 05 Silent Servant - The Silent Morning SD 06 CH-Signal Laboratories (8003 Lucerne) Hypnotica Scale SD 07 Function - Isolation SD 08 Kalon - Born Against SD 09 Silent Servant - The Blood of Our King SD 10 Function - Anticipation SD 11 Silent Servant - Violencia (Function and Kalon Mixes) SD 12 N/A - Various Artists

̸BIOGRAPHY Amsterdam based dj Between the binaries of darker moods and bliss energies - Sarkawt Hamad's sound is unmistakable. Grown up in the Netherlands, the Erbil born- Amsterdam based artist finds inspiration in all sorts of elements: from fascination for rock music, to dreamy pop and her roots. Firmly entrenched in the Dutch underground scene, she translates this experience into a melodic flow behind the decks. Diverse in sources, her sets ebb effortlessly between genre - from breaks, to leftliefd techno and house, all connected through a contagious energy. Sarkawt creates a space in which euphoria, more pensive states and deep soft noise can coexist.

̸BIOGRAPHY Space Afrika With their slow-stepping, spacious urban dubscapes, Space Afrika harness ambient, Detroit techno and shades of early nineties Sheffield with a fresh and open approach to composition — this is dub techno stripped-down, sealed in a time capsule and sent back from the near future. Driving, echo-laden deep beats form the bed for a heavily subaquatic sound palette with undercurrents of cybernetic dread. Friends for almost 2 decades, the two Joshuas formed Space Afrika after years of listening to music together, sequestered by harsh Northern winters. Heavily inspired by the industrial architecture of Northwest England and notions of travel, their sonic framework evokes images of rust and disintegrating concrete, and sensations of movement and redemption — exuding a distorted analogue soul offering escape into their overcast skies. Closely associated with Brighton/London label, Where to Now?, who slink along a vintage axis of post-punk, On-U Sound, minimal and no wave influences, Space Afrika's diverse and creative radio shows (notably their residencies on NTS and Reform Radio) also display a breadth of curiosities in experimental and avant-garde music, old and new.

cowboy 3XL kwia resident headbangers ball lucky lotto spin cycle dance tutorial vague music ̸SELECTED DISCOGRAPHY Caveman LSD (city2 st. giga) uon - zlo (Motion Ward) uon - untitled (West Mineral Ltd.) Ghostride The Drift (xpq?) Critical Amnesia (xpq?) APPX​:​05 thru - thru (Appendix.Files) xphresh - xephon (3XL) APPX:10 Cypher - Glasgow (Appendix.Files) Crimeboys - Very Dark Past (3XL) Caveman LSD - Total Annihilation Beach (Isla)

Spekki Webu, the master mind behind the Mirror Zone imprint. Coming from a small city called Delft that lays in between Rotterdam and The Hague. Enter the Mirror Zone with the mysterious chief mind expander Spekki Webu as he deconstructs time and space through his hypnotizing psychedelic sets. Like a master snake charmer he entrances entire dance floors with mind-boggling mixes and mesmerizing selections of jungle, tripped-out trance, breaks, Goa, and extraterrestrial tribal techno to name a few. Unrestrained by genre or tempo limitations he shifts gears between hypnotic slowmotion and breakneck 90’s rave so nimbly it induces an unexplained cerebral high. His sound has a rawness to it, shaped by years spent in the gabber scene and as a junglist in and around his terrestrial hometown Delft. On his shamanic quest as gatekeeper into the world hidden within your mind he established the record label ’Mirror Zone’ in late 2017 where reflections of his musical introspections come to fruition...

̸BIOGRAPHY TSVI, AKA Guglielmo Barzacchini, is an Italian DJ and producer based in London; he makes functional, electronic percussive tracks with influences originating from a diverse range of music from all over the world. TSVI is a leading light of the London’s rave underground scene, and he is the co-founder of the UK-based record label Nervous Horizon, which is shaping the contemporary sound of highly percussive, stripped back, club music. His debut album ‘Inner Worlds’, released in October 2018, is an exploration of his Hindu upbringing and the Sufi Islam introduced by his partner. He has received support from Aphex Twin, Gilles Peterson, Kode9 (Hyperdub), Mike Paradinas (Planet Mu) and many more. In recent years, he performed at CTM festival 2019 at Berghain, Field Day London, No Bounds Festival, and he also toured internationally in Europe as well as in China, Japan, Korea and more. In late 2019, Barzacchini made his debut on London-based label AD93 with his new alias, Anunaku; the project is strictly focused on dance floor material within the 125-130bpm spectrum and it explores the use of various drums from around the world combined with elements of UK underground club music.

̸BIOGRAPHY next stop Shell City

Name: Tzusing Birthday: ??? Height: 183cm Blood type: O Astrology sign: Cancer Looks: 5 stars Sense of humor: 5 stars Drinking ability: 5 starsTzusing

̸BIOGRAPHY Verraco is a DJ and producer from Medellín, Colombia. Co–runs TraTraTrax + Insurgentes. In the daring sonic fiction of JP López, the Medellín artist collides in his productions and DJ sets Latin-influenced tribal techno, hyper-Electronica, carefully crafted IDM and cutting-edge perreo-bass technology with both intensity and precision. Verraco is also one of the heads behind the groundbreaking TraTraTrax and Insurgentes, labels that have become key platforms for Latinx sound explorers in recent years. In 2020 he released his debut album, 'Grial’, which was described as "Colombian electronica of the highest order" and "a cue from the well-known legends of this style, but makes it his own with subtle details and an outsider mentality." He has collaborated with the Berlin institution Tresor and has presented his dynamic performances in Mutek, Dekmantel, Draaimolen, Sónar, Berghain, De School, among others. ̸SELECTED DISCOGRAPHY Verraco – Grial – [Insurgentes 2020] https://insurgentes-co.bandcamp.com/album/grial Verraco – Grial Remixes – [Insurgentes 2020] https://insurgentes-co.bandcamp.com/album/grial-remixes V/A – T30 – [Tresor 2021] https://tresorberlin.bandcamp.com/album/tresor-30

Woody92 is a visionary artist who’s musical craft runs parallel with a visual aesthetic resulting in very tangible outcomes. This highly expressive being draws influence from an array of external factors outside of music; subjects such as history, graphic design, the medieval era, the path of religion and the church all play a decisive role. He also keeps a tight circle of like-minded music heads many of which collectively shape the landscape of the Dutch underground scene. His story as an artist can be traced back to his hometown of Delft, a quiet part of the Netherlands with little musical identity but crucially neighbours with bigger brother The Hague. That being said Woody still caught glimpses of the psychadelic Techno, mystical ambient, free tribal tekno and push forward goa and psy-trance movements but locally it failed to rival that of the likes of Rotterdam & Amsterdam.....

̸BIOGRAPHY Michael Paradinas (born 1971) records primarily under the name µ-Ziq (pronounced "music") in addition to a large number of aliases. He runs the british electronic label Planet Mu and first emerged on Rephlex in 1993 with the album 'Tango N'Vectif' and.. Mike Paradinas has become one of the very few artists working with electronics to produce a recognisable amd personalised sound while at the same time mixing far-reaching experimentalism with accessibility through infectious melodies and rhythms. Achieving healthy record sales and staying true to the pioneering spirit of the underground is no mean feat. Hailing from Raynes Park, South West London, Paradinas began operating under the name µ-Ziq whilst studying for a degree in Architecture at Kingston University in 1991. he eventually left before completing the course, partially due to a lack of interest, but more importantly to concentrate all efforts towards his music on a full time basis. Early recordingsfirst emerged on the Rephlex label with the now classic 'Tango N'Vectif' in 1993, followed a few months later by a second, 'Bluff Limbo' in 1994 - on it's initial promo run of 1000 copies, it rapidly gained a noteriety out of all proportion to it's availability, even entering the NME top 50 albums of that year. 'Tango...' meanwhile has gone on to sell in excess of 40,000 copies. In March 1995, Mike signed to Virgin and released the 'Salsa With Mesquite' ep and the album 'In Pine Effect' ("the difference is that where the Aphex Twin's topographical doodles suggest undiscovered, unpeopled planets, µ-ZIq's approach is a good deal more emotional, attempting to tap into the inner, surfing the soul... This is 'techno' elevated above the mere functionalism of the dancefloor, lighting fires in the heart and painting pictures for the mind's eye." - Melody Maker). This year also saw the genesis of 'Jake Slazenger', one of Mike's numerous pseudonyms with the acclaimed future-past casio jazz-funk of the 'Makesaracket' album on Clear. 1996 saw Paradinas join forces with Richard James for Aphex's one and only collaboration album 'Mike and Rich' on Rephlex; it was also the year that Mike signed to Warp for his second Jake Slazenger album and indie chart number 1: 'Das Ist Ein Groovy Beat, Ja'. May 1997 saw the release of 'Lunatic Harness', his third album proper, which saw µ-Ziq introducing more aspects of jungle style programming into his music (previously showcased on the 'Urmur Bile Trax' series). This time he was mixing elements of twisted hip hop, carnivalesque synths, toy-town world music and - what became known as - 'drill & bass' with his own inimitable style. Though he may incorporate these elements in his music, Mike never lets these influences smother a track entirely, instead mixing it all up into an end result that is both innovative and new. At 50,000 worldwide sales & counting, album of the week in both NME and Melody Maker, many others thought so too. 20 years ago Mike launched his own independent record label 'Planet Mu' releasing material by Venetian Snares, Remarc, Vex'd, Machinedrum, Kuedo & Jlin amongst many many others, including some of his own projects 'Kid Spatula' & the 'Slag Boom Van Loon' collaborations with Jochem Paap (aka Speedy J). Now over 350 releases old, Planet Mu has become one of the mainstays of the electronic music scene along with Ninjatune and Warp records, gaining more respect with every year that passes. In July '99 Mike released 'Royal Astronomy' on Virgin Records' 'Hut Recordings' subsiduary. Musically a sizeable shift from 'Lunatic Harness', the album focused more on his orchestral leanings (which were already present on 'In Pine Effect') and he was further inspired (as support act on her 1998 Homogenic tour) by Björk's use of live string sections in her shows. The album revealed a more poppy and melodic side to Paradinas than on previous occasions, while taking care not to discard any of the innovative programming and cutting edge beats that he'd become renowned for. The album was preceded by aa single 'The Fear', an infeciously haunting vocal track with pastoral strings underpinned by a Northern Soul mid-tempo shuffler rhythm, displayting the versatile nature of Paradinas' output. In 2003 Paradinas' Planet Mu label released one of their most successful records to date: 'Bilious Paths', Mike's 10th album as µ-Ziq. 12 tracks of hard cut-up breaks and electronics, distorted washes of melodic detrius and occasional serene ambience. Much of the album charted new territory for Paradinas, like the opening track 'Johnny Maastricht' which was inspired by the then new and emerging Garage sounds which would eventually coelesce into Dubstep and Grime, but with Mike's own trademark melodic sensibilities taking the place of the bass and the 'Grape Nut Beats' duo of tracks which mixed 6/8 gabber/tekno, old skool rave and nu-skool breaks to devestating effect. 'On/Off featured the vocal 'talents' of Ghostly's Mike Dykehouse (who has also released on Planet Mu) embellishing a dirty-bass electro anthem about panties. 'Bilious Paths' has gone on to sell over fifteen thousand copies worldwide. ̸SELECTED DISCOGRAPHY As µ-Ziq Albums Tango n' Vectif (1993) Bluff Limbo (1994) µ-Ziq Vs The Auteurs(1994) In Pine Effect (1995) Lunatic Harness (1997) Royal Astronomy (1999) Bilious Paths (2003) Duntisbourne Abbots Soulmate Devastation Technique (2007) Chewed Corners (2013) XTLP (2015) EPs Phi*1700 (U/V) (1994) Salsa with Mesquite (1995) Urmur Bile Trax Volume 1 & 2 (1997) My Little Beautiful (1997) Brace Yourself (1998) The Fear (1999) Ease Up (2005) XTEP (2013) Rediffusion (2014) As Tusken Raiders / Rude Ass Tinker Bantha Trax (1995) Bantha Trax Vol. 2 (1999) The Motorbike Track (1999) Imperial Break/Silk Ties (2001) As Jake Slazenger Makesaracket (1995) Megaphonk (1995) Nautilus (1996) Das Ist Ein Groovybeat, Ja (1996) Pewter Dragon (2006) As Kid Spatula Spatula Freak (1995) Full Sunken Breaks (2000) Meast (2004) As Gary Moscheles Shaped to Make Your Life Easier (1996) Collaborations Diesel M (with Marco Jerrentrup) M for Multiple (1993) Mike & Rich (with Richard D. James aka Aphex Twin) Expert Knob Twiddlers (1996) Slag Boom Van Loon (with Jochem Paap aka Speedy J) Slag Boom Van Loon (1998) So Soon (2001)

̸BIOGRAPHY Producer, Dj and Live Performances. Call me. Gabo Barranco, also known as AAAA is a Mexican electronic music producer and performer, who works with an 'out of the box' approach. Barranco’s work is driven by analogue hardware, creating intense music pieces, varying from melancholic melodious ambient to undeniably heavy acid assaults. Throughout a relatively short career, he has performed and been part of events such as MUTEK MX, SXSW, BERGHAIN, FREEDOM (COL), Institut fuer Zukunft (GER), Comunite (MX) and Red Bull Music Academy Montreal. His music has been released by fresh and cutting-edge record labels, such as New York Haunted (NL), Omnidisc (MIAMI), Jack Dept. (NYC), Acid Avengers (FRA) and collaborating with die-hard heads like Tin Man. ̸SELECTED DISCOGRAPHY Shiva Watts (ANTIME) 2014 East is the Beast w/Tin Man 2015 True Peak Ep (New York Haunted) 2016 Anorak Ep (Jack Dept. NY) 2017 Jazz D Ep (Omnidisc) 2017 Interdimensional Grid / DOVS (Jack Dept. NY) 2018 Acid Avengers 010 Split 2018 Silent Cities / DOVS (Acid Test) 2019

̸BIOGRAPHY Adab became the knowledge of poetry, oratory, ancient Arab tribal history, rhetoric, grammar, philology, and non-Arab civilizations that qualified a person to be called well-bred, or adīb. Characterized often by their palette of sounds, they made a name for themselves in Cleveland spinning a variety of genres (house/techno/beats etc.) and venues alike. Having started djing dance music heavily as a result of finding Cleveland's queer run techno party In Training and being a non binary black youth raised across a few states in the Rustbelt (IL/MICH/OH), they seek to unabashedly open up new understandings for both themselves and others...

̸BIOGRAPHY ✨🧑🏿‍🦱✨ AGY3NA grew up in Nürnberg, a city in Bavaria, Germany. At a young age, he first got in touch with music through different ensembles, where he played both baritone and percussion. Ignited by his early endeavors into Berlin’s gay nightlife, he began DJing at local clubs and bars. He soon started to perform regularly back home in Nürnberg, while also curating and organizing concerts and parties as part of an independent promoter collective. By mixing music from different genres and decades, AGY3NA often creates a feeling of nostalgia on the dancefloor, while always keeping his focus on playful rhythms and uplifting transitions. When he stands behind the decks, AGY3NA connects to his own feelings of freedom on the dancefloor. His music selection gravitates towards spacey, explorative, and rhythm-focused House and Electro. Afrofuturism, an aesthetic that explores the intersection of African culture and futuristic icons, plays a leading role in his artistic work. It not only connects his intrinsic urge for experimentation with his artistic expression, but also links it with his identity as a black man growing up in Germany. His projects are a result of the frictions related to this intersectional identity, which creates a unique narrative that cannot be ignored when listening to his music. After finishing his first degree in psychology, AGY3NA moved to Berlin to pursue a masters in cognitive science, while finetuning his DJing skills. Two years later, he moved to Leipzig, where he currently parallels his music projects with his research interests.

̸BIOGRAPHY Aho Ssan Aho Ssan is the artist name of Paris based Niamké Désiré. After studying graphic design and cinema, he began to compose electronic music and create his own digital instruments. Shortly thereafter he went on to win the Foundation France television prize for his soundtrack to the film D’Ingha Mago in 2015 and has worked on several projects related to IRCAM. His debut LP ""Simulacrum"" will be released Via Subtext Recordings. Aho Ssan debuted "Simulacrum" at Berlin Atonal 2019.

̸BIOGRAPHY Remote Viewing Gateway Light and bleep beats researcher, producer but primarily DJ Aitch is coming from a long residency at infamous Milan squat Macao (now closed). There he has grown a reputation for his wide selection, dipping into cynical techno tools, hyperspeed kinetic cracks and wubby UK club sound. One of the head behind Ambient Rave Exp, Chill Room Records Club hazy Sunday afternoons, Bristol Normcore affiliate and 1/3 of Cortex of Light with fellow heads Piezo and Primordial Ooze with whom release two live albums, tracks and remixes on Artetetra, Communion and Comic Sans.

Akua is a Ghanaian-American DJ with roots in North American techno but exemplifies a sonic force that reverberates worldwide. A powerful fixture in the NYC scene for the past six years, she's cemented herself as one of the most distinctive techno DJs coming out of the U.S. in recent years. She has been at the forefront of a new generation of techno artists who find inspiration in the raw, innovative and rebellious spirit of old school techno. Her practice is a passionate dedication to archiving & activating timeless strains of raw and mechanized expression - fusing the new school of North American machine funk while harkening back to the innovation of Detroit, Chicago, & New York City DJs throughout history. A recent move to Berlin, a city that has held a crucial role in the evolution of techno, has provided her with the opportunity to further develop her craft by embracing the transcontinental connection that originally ignited the techno movement. All this plays out in Akua's blazing sets heard around the world - from exerting her renowned vigor behind the decks at hometown haunts like Basement and Nowadays to unleashing landmark sets at Dekmantel, Draaimolen, & Berghain. Already seasoned on the European tour circuit, she continues to garner respect and delight from the most discerning of DJs & dancers alike through her fierce mixing finesse and constantly expanding repertoire of futureproof classics.

̸BIOGRAPHY Ale Hop crafts complex pop arrangements with an experimental noise edge, utilizing electronic effects and computer software in order to mutate and reshape her instrument and voice. Her live performances merge the physical qualities of music with raw emotional states and unorthodox instrument procedures. She builds layers of sounds by blending a complex repertoire of guitar techniques processed by synthesis devices, to create a music of deep physical intensity. She began her career in the 2000s in Lima’s experimental and underground scene. In 2012, following several years of taking part in different pop and electronic bands, she finally started her solo project after performing alone for the first time in Boiler Room, during her residence at the Red Bull Music Academy New York. Ale Hop has performed, screened and exhibited work internationally at institutions and festivals, such as CTM Festival (2022), Haus der Kulturen der Welt (2021), New York’s Museum of Arts and Design (2021), Australia Independent Film Festival (2021), Stockholm City Film Festival (2021), Stedelijk Museum Amsterdam (2020), Somerset House Studios (2019), Heroines of Sound (2019), MALBA Latin American Art Museum of Buenos Aires (2015). ̸SELECTED DISCOGRAPHY Apophenia (Buh Records, 2019) Bodiless (Buh Records, 2018) PANGEA (Buh Records, 2015)

̸BIOGRAPHY Amaliah is a London based DJ and producer with an eclectic taste in sound. She also runs her own label, 'Borne Fruits'. Borne Fruits boss and Rinse FM staple Amaliah commands the rave as one of London’s most exciting artists, hybridizing modern house and techno sounds with global club cuts rooted in a love of soundsystem culture. Emerging from a lineage of inspired ravers immersed in the wide-eyed rush of dubstep’s golden era at Plastic People and London’s vibrant soundsystem culture, Amaliah has transcended these proud influences to stake her own inimitable claim within her native city’s ever-crowded clubbing landscape. Her DJ sets are signified by a purposeful energy informed by years of raving, where she unleashes anything from prog-laden house cuts alongside tribal techno pumpers before diving headfirst into percussive bass warpers and beyond. Crucially, these eclectic club styles sing harmoniously under her exhilarating party stewardship, exposing years of record digging and a general obsession with electronic music. This is exhibited with an impressive archive of mixes for the likes of Boiler Room, Crack Magazine, Hör and a much-loved Rinse FM residency, while also in standout sets at venerable institutions Panorama Bar, De School and Fabric and at festivals like Glastonbury, Love International, Gala and Waterworks. 2019 saw Amaliah establish Borne Fruits, a party collective-turned-label where she made her production debut with Borne Fruits 001 before a further various artists compilation release Club Entry Vol. 1 and an 2 track edits single with venerable Derry hero Or:la titled Y2SLAY followed to great acclaim. More solo productions of hers have dropped since on Earful Of Wax and her own imprint, characterized by driving and playful percussion and an unadulterated raver’s energy built for maximum club impact. This exciting year ahead sees Amaliah joining the Hessle Audio trio at Glastonbury for their The Wow stage takeover, making her debut at Draaimolen Festival and hosting a boat party at Love International as well as a b2b with Aletha at the festival's The Garden Stage. Her label and own productions continue apace too, with a forthcoming bumper-packed Borne Fruits compilation and a highly anticipated full solo debut EP prepped for the end of this year; all of this proving her boundless talent reaching unfathomable heights over the coming months.

̸BIOGRAPHY Amselysen explores and experiments with the content and the form of any and all genres, before repackaging the whole into leftfield electronic. Under Amselysen, Hakeem Lapointe explores and experiments with the content and the form of any and all genres, before repackaging the whole into leftfield electronic, notably: experimental, ambient, conceptronica, techno, noise, and IDM. Never shying away from challenging their audience’s comfort, Amselysen is sure to deliver novel sounds and standard-defying experiences. Known for their chaotic iconoclastic interventions and their unique sense of subversion, they like to present hyperdynamic blends of electronic compositions, as demonstrated in their debut album, Hypnagogic Surge, released on Genot Centre [Prague, Czech Republic] Amselysen has shared the stage with trailblazing acts such as: Caterina Barbieri, Lorenzo Senni, Courtesy, Dreamcrusher, Jesse Osborne-Lanthier, Myriam Bleau, i.o., Racine, Keru Not Ever, amongst others. ̸SELECTED DISCOGRAPHY Organe Solaire [Genot Centre] https://genot.bandcamp.com/album/organe-solaire Hypnagogic Surge [Genot Centre] https://genot.bandcamp.com/album/hypnagogic-surge Priori - Ani Ma (Amselysen Remix) https://prioricamp.bandcamp.com/album/on-a-nimbus-remixes Amselysen [Ep] [Dream Disk Lab] https://dreamdisklab.bandcamp.com/album/amselysen

̸BIOGRAPHY ANACO is originally from Bilbao and now based in Paris. DJ and resident on the radio Rinse France since 2018 she hosts a monthly show through which she expresses her varied musical universe. ANACO is originally from Bilbao and now based in Paris. DJ and resident on the radio Rinse France since 2018 she hosts a monthly show through which she expresses her varied musical universe. Strongly influenced by the club culture of the 90s (jungle, footwork, ghetto tech, UK garage, reggaeton...), her style is also nourished by the contemporary scenes, always more creative in the mix of genres. Driven by the will to sculpt atmospheres and moments apart, Anais is known for her sets in which she plays with time, with bodies and with minds. She has performed at many well-known booths and stages (La Machine, Concrète, Trésor, Positive Education...) and recently joined RAG, founder of the lesbian collective Barbi(e)turix, for a parallel project celebrating the whole spectrum of Italo Body Music.

̸BIOGRAPHY Montreal based French electronic music producer, guitarist and DJ. Producer, DJ, and co-manager of Kizi Garden Records

̸BIOGRAPHY CONSTRUCTIVIST HI NRG LOVE CORE / HARD HANDBAG / CAKEBEAT DEEJAY DATES 2023 NYD Adonis (London) Jolene (Copenhagen) B2B Eoin Dj 13th January Eris Drew presents Temple of dreams 20th January Planet Rose TBA (Netherlands) January 28th OHM - Venus Vessels (Berlin) b2b DHC 4th February Panorama Bar 10th February (Berlin) Planet Euphorique @ Corsica Studios 18th February (London) Planet Euphorique @ Paradigm 25th February (Groningen) Big Dyke Energy 3rd March @ venue MOT (London) B2B Byron Yeates @ RSO 4th March (Berlin) 8-to-the-floor x Blvsh x x:cuse u @ Alte Munze 7th March Rebel @ C12 11th March (Brussels) Sue Veneers @ Unit 58 17th March (London) Music Sphere @ World Headquarters (Newcastle) De School - 24th March (Amsterdam) Everybody Trance @ 2Macadam 25th March (Nantes) Eris Drew Presents Temple of dreams @Corsica Studios April 1st (London) Dissident (Berlin) 6th April (Off location) FWD @ 60 dock Road London 7th April Phantasy Dance @ Gewolbe (Cologne) W/ Ki/Ki + Dj Sweet6teen STELPLAATS (Leuven) B2B Dj Sweet6teen GODDEZZ @ MOT (London) 22nd April WIGS @ Tempio Del Futuro Perduto (Milan) 24th April SQUISH (San Francisco) 28th April HORS SOL @ AEVE b2b DJsweet6teen 6th May (Berlin) Adonis 7th May (London) Oven Club (Valencia) B2B DJ sweet6teen 13th May Dial Electronico @ El Pueblo Cultural (Ourense) 16th May Intercell (Amsterdam) b2b DJsweet6teen 18th May Tutto passa Hemelvaartsdag (Tilburg) B2B Djsweet6teen 18th May Panorama bar 19th May Freak (Manchester) 20th May Lente Kabinet (Amsterdam) 27th May Klub dramatik (Antwerp) 28th May Previous ----- Awkwardly Social @ OHM 4th June (Berlin) Maricas @ NITSA CLUB 16th June (Barcelona) NOWADAYS pride nonstop party 25th June (NEW YORK) Fast and Bi-furious @ VENUE MOT 16th July (London) Dalston Superstore b2b LUXE 22nd July (London) Body Movements Queer Festival - 30th July (London) Temple of Dreams W/ Eris Drew @ Corsica Studios - 5th August (London) GODDEZZ @ Corsica Studios b2b Henderson 27th August (London) Field Maneuvers 3rd September Garage Noord 5th Birthday (Amsterdam) 4th September XTRA @ Pacha 8th September Eris Drew + Octo Octas Forest stage @ Draaimolen Festival 10th September (Tilburg, Netherlands) Goddezz @ Fabric 16th September Waterworks Festival 17th September Festimi @ LO-FI Amsterdam b2b Byron Yeates 24th September Porzellan Bar @ Aeden (Berlin) 25th September Big Dyke Energy @ Venue MOT 1st October ********* 7th October (London) Hypersoft @ Renate (Berlin) 8th October Ritual poison Takeover @ Transmissions 15th October (London) Love Child W/ Josh Caffe @ Fabric 16th October (London) Temple of Dreams VOL. 2 B2B Eris Drew 21st October (London) Fold w Job Jobse 28th October (London) Ultimate Power assembly @ Ormside Projects 29th October (London) Corsica W Octo Octa 26th Nov (London) Mench Meier (Berlin) 4th November Redstone Press (Glasgow) 12th November Phonovison @ Club Subway 9th December (Cologne) Post club (Vilnius) 16th December Speilraum @ De school 17th December

̸BIOGRAPHY Swiss-DJ Audrey Danza is a resident at the club Motel Campo, in Geneva. She founded her label Proxima in 2020. Audrey Danza is a prominent Swiss-DJ known for her eclectic and high energy selection of music. Recognized for her highly refined taste across genres, her DJ sets slide easily between moods, tempos, and styles. She is famous for creating euphoric moments in clubs, blending gloomy, bright, and euphoric techno and trance vibes. Raised at Motel Campo where she is a resident since 2019, Audrey splits now her time between Geneva and Berlin, where she draws inspiration from both cities' vibrant music scenes. She sees her music as being "fun" and "colorful," reflecting her passion and dedication to her craft. Always learning from the past, she has started to release some of her personal work, from edits to remixes, seeking to weave together playful sounds for the club goer. Her comprehensive knowledge of dance music led her to establish the label Proxima, where she has reissued multiple pieces of music from the 80’s and 90’s on vinyl, which have gained international reach. Her regular appearances at Panorama Bar/Berghain have solidified her reputation as a sought-after DJ with an impeccable taste in music. Her energetic mix for her first Boiler Room in Bali was highly acclaimed and showcased her skills and versatility as a DJ. Audrey is now expanding her repertoire to include production work, with rumors circulating that she is preparing to release her own tracks. Always eager to learn and experiment, Audrey continues to push her own boundaries. ̸SELECTED DISCOGRAPHY Tracks: · Audrey Danza - Synchronized Encounters [Proxima] Remixes: · Zerocks - You Too (Audrey Danza Space Remix) [Proxima] · Cold End - Metropolitan Jungle (Audrey Danza Remix) [Proxima] · Neu Verboten - Church of Sins (Audrey Danza Remix) (Dancefloor Memories) [Proxima] · Jogada - Cavalo (Audrey Danza Remix) [Púca Sounds]

Aux88 are Detroit's electro and bass-heavy techno pioneers Tom Tom ,K-1,Posatronix & Blak Tony To many, the name Aux 88 has long been synonymous with the term Techno Bass. Having been influenced by the early days of Detroit Techno, as well as the glory days of the Electro Funk and Miami Bass era, the duo had the vision to create something that could actually become a style of Electro, helping not just to revive it, but also to give it a direction which the sound could take and evolve from what it once was…and that’s exactly what happened, the rest is history! Having been involved in the making of Electro sounds for almost 25 years, Tommy “Tom Tom” Hamilton, Keith “K-1″ Tucker, William “POSATRONIX” Smith, and Anthony “BlakTony” Horton have just about done it all. To this day, they continue to push the boundaries by not just perfecting the mix, but also by innovating on what has previously been done. Techno Bass from the legendary Direct Beat Record Label created A sound that would soon take over the Detroit dance scene, eventually moving on to revolutionize Europe and beyond.

̸BIOGRAPHY BAMBII is a global club DJ known for her genre jumping sets that push music exploration and the spirit of dance and rave culture everywhere. Kirsten Azan, baptized Bambii, is one of Canada’s most compelling DJs. Whether online or on dancefloors, her political and musical vernacular give credence to dance music’s ever expanding reach, the relationships it helps forge between individuals, cultures and spaces. As proof, she has spent the last few years touring Europe and Asia as a solo artist and on support for some of the world’s most relevant artists - Mykki Blanco, Kelela, and BbyMutha, to name just a few. She's a reoccurring name across European venues like Paris’ Afropunk and Germany’s Open Source Festival. On this side of the Atlantic, her event series ‘JERK’ has made stops in Halifax, Los Angeles, New York and Montreal building on the success of the event’s 7th year of existence in hometown Toronto. Publications are also keeping afloat - Wonderland, VOGUE, CRACK, DUMMY and DAZED all want a piece - and awaiting her debut EP, set to hit the internet before the year closes. ̸SELECTED DISCOGRAPHY 2019 NITEVISION - BAMBII FEAT. PAMPUTTAE

̸BIOGRAPHY is anyone there? EN Hawa Sarita (DJ, singer, poetess, writer) and Cristofeu (DJ, producer) merge their dreams and influences to create Baraka. From this alchemy raise a cathartic and moving sound whose repetitive beats and acid tones coming from the depths heal souls and warm hearts. The two DJs celebrate their love for club culture using powerful TR8s, incisive break beats, synthetic layers inspired by trance and trip-hop as well as cavernous female voices. These alliances of electronic music, 90’ aesthetics and dreamy undulations intertwine like the yin and yang and promise a mystical universe with futuristic imagery. With 7 tracks, with empowering, liberating and current lyrics, Baraka shows an intensity in the voices and productions with liquid and moving sounds, all with a touch of sweetness. A true hymn to the party, to poetry, to the night, the duo plays with genres and offers a hybrid work, going from trance through trip-hop to drum'n bass, with a touch of pop that will delight any audience. To be listened to at home as well as in front of a powerful sound system, Baraka is well and truly part of this new scene on which we will have to count in the years to come! FR Hawa Sarita (DJ, chanteuse, poétesse, autrice) et Cristofeu (DJ et producteur) fusionnent leurs rêves et leurs diverses influences pour faire naître le projet Baraka, synonyme de «bonne étoile». De cette alchimie sonore éclot une musique cathartique et mouvante, dont les beats répétitifs et les sonorités acid venues des profondeurs réparent les âmes et réchauffent les coeurs. Les deux DJs célèbrent leur amour pour la club culture à coup de TR8 tapageuses, de break beats incisifs, de nappes synthétiques puisées dans la trance et le trip-hop, et de voix féminines caverneuses aux résonances libératrices. Ces alliances de musique électronique, d’esthétiques 90’ et d’ondulations oniriques s’imbriquent tels le yin et le yang et promettent un univers mystique à l’imagerie futuriste. Avec 7 morceaux, aux textes empouvoirants, libérateurs et actuels, Baraka démontre une intensité dans les voix et les productions aux sonorités liquides et mouvantes, le tout avec une pointe de douceur. Véritable hymne à la fête, à la poésie, à la nuit, le duo s’amuse des genres et propose une oeuvre hybride, allant de la trance en passant par le trip-hop jusqu’à la drum’n bass, avec cette touche de pop qui ravira tout public. A écouter aussi bien chez soi que devant un système son puissant, Baraka fait bel et bien partie de cette nouvelle scène sur laquelle il faudra compter dans les années à venir! ̸SELECTED DISCOGRAPHY Baraka - Baraka Baraka - Baraka (Remixes Part 2) Baraka - Half Faces (Lacchesi Remix)

̸BIOGRAPHY 🌙 MUTANTE DEL SWANA🌙 🧿 BLITZ MUNICH RESIDENT 🧿 Her name may derive from the Turkish word for ‘different’, but its energy translates into every aspect of BASHKKA’s self-expression. From slaying the dancefloor with sensually acerbic sets to her ardent advocation of the cultural, political and de-colonial advancement of electronic music, BASHKKA is breathing fresh air into the scene with everything she sets her mind to. Irreversibly shaped by a decade living in New York and the Black & Brown trans women who inspired her truest incarnation, BASHKKA brings the flavour and authenticity of The Big Apple’s Ballroom scene to every party she plays. From her hometown residency at Munich’s Blitz Club to Berghain’s Panorama Bar, where she’s quickly become a regular, her sets channel an intoxicating energy that’s self-professedly “CUNT!” And on the other side of the booth, BASHKKA’s unapologetic integrity is echoed in her unwavering activism and commitment to her community. Through her vocal politics and dedication to SWANA and queer representation in the scene, BASHKKA is reimagining the counter-cultural potential of electronic music’s origins for the contemporary club sphere. Her debut EP, forthcoming in 2023, will see BASHKKA’s brazen attitude blended with a highly underrated technical prowess.

̸BIOGRAPHY Beatrice was born in France and raised by Brits, which accounts for their interest in cross-culture sub-genres leaning towards the UK underground scene. They are a resident DJ on Rinse France. ̸SELECTED DISCOGRAPHY ~surf - Proximity EP

Just the hits. Unafraid to dig deep and also play the hits, Detroit-based deejay BEIGE has caught the ears of Boiler Room, T4TLUVNRG, The Bunker, Sublimate, Jack Dept. & other in-the-know crews. A fast-rising talent in the North American queer underground, they have become a regular fixture on the forward-thinking Midwest/East Coast party circuit. From their homebase in Detroit, they host the monthly show Chaotic Neutral on The Lot Radio, organize educational workshops for DJs of marginalized genders as a member of Seraphine Collective, and provide local support to internationally touring acts. The BEIGE sound is anything but—they are known for smooth mixing and colorful, unpretentious sets that whip between genres and tempos: big melodies, big vocals, big Moods. Beyond the usual house-techno-disco touchpoints, expect to hear psychedelic gospel, leftfield club and ballroom, thizz-face electro and UK/global bass, sprinkled with cheeky pop references. Their dramatic approach has earned the support of dance music institutions including Hot Mass, Nowadays, Bossa Nova Civic Club, Elsewhere, and Charivari Festival. On a Funktion-One or in a field under the full moon, BEIGE strives to honor the dancefloor as a space for healing and transformation.

̸BIOGRAPHY Amal, James Bangura, & Nativesun Hailing from the District of Columbia, come together to bring you a new sound, the sound of their city. Born from the essence, Black Rave Culture lifts up the torch and begins to walk forward spreading the message of Black Rave. Amal, James Bangura, & Nativesun Hailing from the District of Columbia, come together to bring you a new sound, the sound of their city. ̸SELECTED DISCOGRAPHY Haus Of Altr - Black Rave Culture Vol1 BRC - Black Rave Culture Vol2

̸BIOGRAPHY Assuming the role of a fully independent DJ, freelance art director, and record shop proprietor, Blume is first and foremost a student of sound. Blume, hailing from the vibrant tapestry of Buenos Aires's electronic underground music scene, now finds herself a part of mainland Europe. Following five initial years in Amsterdam, living as a co-habitant of De School, she ultimately settled in the pulsating heart of artistic expression: Berlin. Establishing her online record store Format Wars in 2019, hosting and curating associated pop-up events, she is a DJ whose club-centric sound moves inwards from the peripheries of dance music. With sets, unlimited and freeform, finding inspiration through sonic qualities she treasures, Blume embraces a broad dynamic that’s both heavy in bass and energetic as it is ghostly, glitchy and atmospheric. Adding drums, broken beats and jungle influences to a sound that can equally fall away into life-affirming, dreamy ambient, Blume’s sets are an adventurous exploration of tempo and texture. No stranger to clubs like OHM & About Blank in Berlin, to events like co:clear in Glasgow or Saint-Étienne’s esteemed Positive Education festival - primetime Blume can also be found online for NTS, HÖR and Rinse FM (UK) to the bi-monthly radio show she hosts on Noods called The Otherness. And as Format Wars Records makes inroads to becoming a physical location in 2024, she is dedicating her studies and research further afield to emerging AI technologies, generative tools and new production techniques. With Blume’s stylistic approach, intrepid sound and quality aesthetic already allied with an international repute of labels, domestic crews and local radio, it’s clear the artist’s creative expression, entrepreneurial instinct and synergism are poised for the future ahead.

̸BIOGRAPHY Bogdan Raczynski (born 1977) is a Polish American braindance artist. He was born in Poland, but later moved to the United States with his family. He attended art school in Japan, but later dropped out and eventually became homeless, living on the streets of Tokyo or in friends' homes. He then took up residence in Toronto, Ontario, Canada. His work includes remixes of Björk and Ulver.

̸BIOGRAPHY Bonzai Bonner, perhaps more colloquially heralded and cheered for as ‘Bonner’ when hammering out Hi-Nrg and Italo in the clubs of Glasgow, has become one of the city’s most influential DJ’s and caretakers. Their approach and work behind the scenes has helped to inspire a new generation of community driven artists, creatives and parties having sought every opportunity to rally for an open minded dance floor and to encourage self expression. Bonner is the pioneering force behind the infamous LGBTQ+ party Shoot Your Shot - a party which has helped champion leftfield dance and electronic music in Glasgow. The parties are joyous, captivating affairs which always leave revellers with a story or two to tell. Smoky rooms, dimly lit, become the backdrop to a whirlwind extravaganza as Bonner commands dancers through the night with long free flowing mixing. Euphoric highs are paired alongside delicate poignant selections reminiscent of the collective escapism and abandonment they seek to find for themselves upon the dance floor. None of this has come without hard work. Bonner has been a prominent presence amidst the Scottish club scene for many years, working doors, promoting parties and hustling fearlessly for a better, more connected scene and the inclusion of those who seek to find comfort in the same music and escapism that they love. Whilst Bonner strives to enlighten dancers, their music is often paired with moody, darker undertones. Drawing upon influences from Post Punk, EBM and Synth Pop - Bonner is a product of an industrial city, a city with an edge in which experiences can shape and solidify an individual. Bonner’s formative years were spent hanging out with friends, honing knowledge in records stores, dancing in murky offbeat bars and underage clubs. The soundtrack? A wild mixture of everything from Joy Division to Bauhaus, Klaus Nomi to Pete Burns, The Pet Shop Boys and beyond. Their tastes evolved as a result of the eclectic chaos which was Glasgow at a time in which groundbreaking bands were formed in the city, when the likes of Alan Miller commanded the culture and creative opportunity lurked on dark street corners and in backstreet basements. It is this ethos which rings true and commands Bonner’s inspiration and drive in the present, this ethos which has lead to the revered success of Shoot Your Shot. Bonner is the result of a whirlwind of musical experiences, rooted in a humble city, which have lead to the conscious, progressive sounds of a DJ with unique taste and integrity.

̸BIOGRAPHY Collaboration project between Pessimist & Loop Faction (Kristian Jabs & Reuben Kramer). Debut album 'We All Have An Impact' was released in October 2019, with a strong message relating to climate change and the destruction of the natural world.

̸BIOGRAPHY Larry McCarthy creates postmodern rhythmic drama at the burning intersection of UK dance music. Bruce's music operates at all speeds without any predictable formula. Some tracks stutter and thump with cybernetic power; others flutter and glide in poignant shades of blurring colour. It’s a fragmented, low-frequency meltdown, evocative shimmers of light emanating from the cracks. Sometimes what you're listening to is suddenly scraped off and wiped away, leaving only silence as you blink in disbelief. With a deep understanding of tension and release - essential for thrills and head-spins - McCarthy has been a fundamental force in the continuing output of the pioneering label collective Hessle Audio since his 2014 debut. Since its inception, McCarthy has been also a close affiliate of the Timedance label, where he’s continued to expand his sound, along with Livity Sound and Hemlock. McCarthy’s hyperactive and surreal humour allows him to recreate the process of converting experimental abstraction into exhilarating energy when he’s performing as a DJ. His nuanced dancefloor approach has already taken him on tour as far as Japan. He further explores his own marriage of heartfelt music and daft humour via his monthly Noods Radio show, ‘Get Loose! With Bruce,’ coyly lassoing together various sonic phenomena that inspire his music. McCarthy’s debut album is only the third artist album to be released on Hessle Audio. It was very successful in amplifying his powers to change the shape of electronic music through deep, hi-tech self-expression.

Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Call Super is the primary moniker of Joseph Richmond Seaton, a DJ and musician from London who has carved out his own place in the landscape of electronic music. Defined by a meticulous approach to the composition, production, art direction and presentation of his work, every release encapsulates Joseph’s idiosyncratic vision. It is a colourful world that gives life to the shadows and throws a mist over the boundaries that have become so commonplace in electronic music. His record The Present Tense provided the launching point for Houndstooth (the label arm of London’s fabric nightclub). The following two releases, Black Octagons and Depicta/Acephale, cemented his status as one of the brightest new talents to emerge in the current wave of producers disturbing the musical landscape. Next up came Suzi Ecto, his debut album, which...

̸BIOGRAPHY Carlos Valdes (IsBurning) has been at the heart of the Amsterdam scene for years, as a DJ, label boss and promoter. Carlos Valdes has been a key figure of Amsterdam’s nightlife for well over two decades. His vital contribution to the city’s electronic music scene and LGBTQ+ community as a DJ, promoter, label owner, and all-round inspirator is indisputable. Always on the lookout for new gems to add to his vast house and techno collection, new venues to explore with his illustrious IsBurning nights, and new talent to support, Carlos is consistently pushing the envelope of club culture. His mesmerising sets and endless likeability have made him an in-demand DJ in all corners of the globe. Carlos’ success did not come overnight, but has been underway since 1999, when he bought his first techno record. It’s the culmination of many years of hard work and utter devotion to creating the best possible vibe. As one of the founding fathers of the famous IsBurning nights, he helped lay the groundwork for the Dam’s now thriving LGBTQIA+ club scene. What started as a night with quality dance music for all gender identities at the legendary club Trouw, is now a worldwide phenomenon. Never communicating lineups, but always staging the best in house and techno, IsBurning has set venues ablaze from Munich to London, and from Barcelona to São Paulo. Carlos also co-owns Pamela, one of Amsterdam’s most popular queer bars. As a DJ, Carlos has built a loyal following through his sheer love and extensive knowledge of music. Some worry that his apartment will one day collapse under the weight of his enormous vinyl collection. But luckily for his ever-growing fan base, that hasn’t happened yet. Decades of dance music’s finest cuts come together in spellbinding narratives, keeping dancers on their tippy toes throughout the night, and into the early morning. Whether he’s slaying the floor at Panorama Bar, Blitz, or Bassiani, bringing the heat at Glastonbury, Dekmantel Selectors or Lighthouse Croatia, or creating magical journeys like his 6-hour set at Wildeburg, Carlos Valdes remains a musical force to be reckoned with. ̸SELECTED DISCOGRAPHY IsBurning Site: https://www.isburning.com/ IG: https://www.instagram.com/isburningamsterdam/ SC: https://soundcloud.com/isburning Adonis IG: https://www.instagram.com/adonis_pleasuredome/

̸BIOGRAPHY Carmen Jaci is a French-Canadian experimental music producer currently based in the Netherlands. Using hybrid sounds that merge acoustic instruments with synthesizers and vocal recordings, Carmen constructs a sound world where electronic and classical music overlap. Over the years, she has crafted a personal and unique language which largely revolves around the ideas of discontinuity and formal deconstruction. Her writing rapidly alternates between contrasting spaces and sonic elements, drawing influence from popular and classical artists such as Foodman, Igor Stravinsky and Grimes. As described by Musicworks magazine: “Although the music moves through countless changes from one ultrashort fragment to the next in a state of near weightlessness, it doesn’t sound disjointed. On the contrary, there is a clear line that holds the composition together.” Likewise, her work retains a subtly humorous tone as well as a highly polished sound production that almost reminds us of pop music. ̸SELECTED DISCOGRAPHY Happy Child

Norwegian-Mexican artist, producer and DJ Norwegian-Mexican artist and producer Carmen Villain makes atmospheric music made up of tapestries of field-recordings, acoustic instruments such as flute, clarinet, piano, and electronics, culminating in her own distinctive sound combining elements of fourth world, dub and ambient. Through an experimental approach to production and composition, the results are often a mixture of abstract soundscapes rich in detail, permeated with beautiful harmonies, melodies and dubby beats. She has done a number of releases for labels such as Smalltown Supersound, Geographic North (USA) and Longform Editions (AUS), and has been remixed by Parris, Dj Python, Jay Glass Dubs, Karima F, Yu Su, Klara Lewis, Gigi Masin, Biosphere, Peaking Lights, D.K. and more. "Perlita EP" (Geographic North 2021) "Affection in a Time of Crisis" (Longform Editions 2020) "Both Lines Will Be Blue" (Smalltown Supersound 2019)

̸BIOGRAPHY Catnapp is a Live Act from Buenos Aires, Argentina, based in Berlin that combines breakbeat, drum and bass, electronic, pop, rapping and other genres, resulting in an intense nostalgic atmosphere with Fat percussion and lots of treble. ̸SELECTED DISCOGRAPHY 05-2010 - CtodaT - Blackside Inc. 09-2010 - Catterpillar - (No Label) 08-2011 - Bardo - Blackside Inc. 03-2012 - We Got This (Single) (No Label) 05-2012 - No Money Whatever - Caballito Netlabel 09-2012 - Make Your Speakers Boom - If The Kids Records 03-2014 - A Cliff in an Eyeblink - Crang Records 2014 - A Cliff in an Eyeblink Remixes - Independent 2015 - A Cliff in an Eyeblink Remixes Vol II - Independent 2017 - Back - Napp Records 2018 - Fear - Monkeytown Records 2018 - No Cover & Easy - Monkeytown Records 2019 - Break - Monkeytown Records

̸BIOGRAPHY CCL specializes in the liquefaction of rhythmic and melodic matter - combustive phase transitions through cowgirl-breaks, trip-funk, wiggle steppers.

̸BIOGRAPHY Charmaine is a Rotterdam-based DJ serving up a broad palette of sounds, ranging from jazz-fusion to powerful disco & Chicago house, and from dubbed-out electronics to soothing soul. The range and depth in her record collection as well as musical knowledge keeps expanding while being part of the Clone records crew. Charmaine is also involved at Operator Radio, programming for the independent radio station in her hometown Rotterdam. Over the past years Charmaine has graced the decks in various seminal clubs in the Netherlands as well as refined festivals such as Lente Kabinet, Wildeburg and Dekmantel Selectors. 2023 is already promising to be an exciting year with a Dekmantel Festival debut that’s just been announced, as well as Down The Rabbit Hole festival and her return to Selectors in Tisno.

̸BIOGRAPHY Made in China at Awkwardly Social Berlin

̸BIOGRAPHY Heavy weight club and experimental electronic music. With a background in audio-visual arts and scientific research (EHESS), Clarence is an active member of the Lyon electronic music scene, currently working as a software developer. In club, she mainly blends techno, electro, break and bass music, remaining careful to not be confined to a specific genre, fusing tracks that feature futuristic sound design and industrial soundscapes into intense and powerful atmospheres. ----------------- Dans une approche affranchie des genres, Clarence relie sound-design futuriste et sonorités industrielles au travers d’une sélection toujours soignée et personnelle. Ses sets pour le club, oscillant principalement entre techno, electro, breaks et bass music sous toutes leurs formes, sont marqués par des échappées dénotant d’influences provenant tant de l’expérimentales, de la rythmic noise, du drône, que du dub, de la wave, de l’abstract, du hip hop ou du post-club, ou tout matériel sonores pouvant servir à la construction d’une atmosphère intense, souvent sombre, toujours hypnotique et euphorique. Après des années entre Lyon, le Brésil, Paris, Marseille, Berlin et avoir joué ses premiers sets dans des soirées queers du Griessmühle, elle devient membre en 2015 du label et collectif lyonnais Groovedge et de Schlagwerk sorti sur Criminal Justice Act. Passée par les studios de LYL dont elle a récemment rejoint l’équipe ou ceux de The Word, par le booth du Terminal, du Sucre ou des rendez-vous plus confidentiels de ses pairs, Clarence démontre et à chacune de ses apparitions son habilité à faire danser et exorciser.

̸BIOGRAPHY The essence of Dame Area – the project of Barcelona-based duo Silvia Kostance and Viktor L. Crux – is formidable, volatile, unpredictable. During the last years Dame Area developed a unique music style recognized as "Tribal Wave": mixing synth bassline arpeggios and live percussions, noises and congas, industrialism and tribalism, Italian and Spanish, Dame Area are running across the same path and breathing the same air of the EBM/Industrial driven Diseño Corbusier or the drum compositions of Roberto De Simone Across two albums and several EPs for the likes of Mannequin Records, B.F.E Records and their own cult imprint / DIY organization Màgia Roja (described by The Quietus as “a place unlike any other in Spain, perhaps any other on earth”), Dame Area have executed an eclectic, discerning form of contemporary industrial music, deploying compulsive minimal synth and primal polyrhythms, as well as uniquely reconstrued elements of post-punk & EBM. An artistic identity that embraces influence yet eschews compromise. Starting to play live in 2018 they have toured extensively in Europe, sometimes also in a trio format with Jess Webb from Gnod/Anthroprophh at drums.

̸BIOGRAPHY Solo project of Samuel Ricciuti, founder of Chez.Kito.Kat Records. En Resident of the TEMPIO NERO parties in Montreal and of N10.AS radio with his show VORTEX/IL CIBO, Samuel Ricciuti Alias ​​D.B.Y. (Dog Bless You), Queer artist, has been producing music and mixing since the late 1990s. D.B.Y is also manager and founder of the label Chez.Kito.Kat Records which he created and which has produced 92 albums and organized more than 200 shows for 20 years on independant and electronic scene between Europe and North America. First arrived in production with a sampler as a beatmaker and dj for HIP HOP bands, he discovered electronic music in the mid-90s. It is quite naturally that he turned to productions initially oriented downtempo / breakbeat to arrive at an electronic music influenced by the Electro bass scene from UK and Detroit and the European techno and minimal scene. Samuel Ricciuti published several albums under the name of Dog Bless You, then D.B.Y., on Japanese, French, Canadian or even Luxembourgish labels, the last of which "La Science du Language" in tribute to its breakbeat roots was highlighted by The Wire. He also worked on more experimental and V/A works, such as music for documentaries, dance performances, or with the artist Daniel Buren at the Museum of Modern Art in Luxembourg for the sound setting of one of the visual artist's works in 2009. After more than 25 years of activity on the European and then Canadian electronic music scene, Samuel Ricciuti is still as active as a DJ and producer and continues to have a particular affection for live performances, which has led him to play in respected festivals and shows of the electronic scene in Europe and Canada. Fr Résident des soirées TEMPIO NERO a Montréal et de la radio N10.AS avec son emission VORTEX/IL CIBO, Samuel Ricciuti Alias D.B.Y. (Dog Bless You), artiste Queer, produit de la musique et mixe depuis la fin des années 1990. D'abord arrivé à la production avec un sampler en tant que beatmaker et dj pour des formations HIP HOP, il a découvert les musiques électroniques au milieu des 90’s. C'est tout naturellement qu'il s'est tourné vers des productions d'abord orientées downtempo/breakbeat pour arriver à une musique électronique influencée par la scène bass UK, la scene electro de Detroit et la scène minimal techno européenne. Samuel Ricciuti a publié plusieurs albums sous le nom de Dog Bless You, puis D.B.Y., sur des labels japonais, français, canadiens ou encore luxembourgeois, dont le dernier "La Science du langage" en hommage à ses racines breakbeat a été mis en avant par la bible musicale The Wire. D.B.Y est aussi manager et fondateur du label Chez.Kito.Kat Records qu'il a créé et qui a produit à ce jour 91 albums et organisé plus de 200 shows depuis 20 ans entre l’Europe et l’Amérique du nord. Il a aussi pu travailler sur des travaux plus expérimentaux et V/A, comme des musiques de documentaires, de performances danse, ou avec l'artiste Daniel Buren au Musée D'art Moderne de Luxembourg pour la mise en son d'une des œuvres de l'artiste plasticien en 2009. Après plus de 25 ans d'activité sur la scène des musiques électroniques européennes puis canadiennes, Samuel Ricciuti est toujours aussi actif en tant que DJ et producteur et continu d'avoir un affect tout particulier pour les performances live, ce qui l'a amené à jouer dans des salles et soirées respectées de la scène électronique en Europe et au Canada. ̸SELECTED DISCOGRAPHY Fragment, Album, SoundzOfNowhere, 2007 This Could Be Anywhere, Wondernoize Records, 2007 Split with Meny Helkin, Chez.Kito.Kat Records, 2009 Ghost & Friends, Chez.Kito.Kat Records, 2012 Friends Becoming Ghosts, Chez.Kito.Kat Records, 2013 La Sciende Du Langage, Chez.Kito.Kat Records/Specific Recording, 2019

Berlin-based DJ and Producer, seeking the intersection between raw grooves, slippery psychedelia, and mutant-machine paranoia.

Deadbeat is Scott Monteith, an adopted Montrealer who has been releasing his own special blend of dub laden, minimal electronics since 2000.Deadbeat

̸BIOGRAPHY I will show you fear in a handful of dust. I will show you fear in a handful of dust. ̸SELECTED DISCOGRAPHY December - Night Of Nights (Pinkman) December - 64 Ways To Rob A Friend (Return To Disorder) December - Bright Red (Mannequin) December - Issue n°11 (Jealous God) December - Half Cuts #1 (In Paradisum) December - On a Leash (Where To Now?) December - In Advance Of The Broken Arm (Blackest Ever Black / A14) December tape (Where To Now?)

̸BIOGRAPHY DHC is an expression of sonic fierceness, an embodiment of passion and intrinsic queer force that surges through their music. Dominik Humeres Correa draws on a deep devotion to their dance history and culture, making connections through undeniable groove and infectious energy spanning the more seductive shades of house, trance, progressive and beyond. With sister THC, the duo make up S-candalo; an unstoppable force to be reckoned with, already gracing the likes of Panorama Bar, Fabric, Bassiani and Whole Festival with their dynamic presence. With past and present involvement in Berlin based collectives Venus Vessels and La Noche, DHC is constantly expanding their web and cementing contribution to today's tastemakers, regularly showcasing a more subdued side of their vivid musical insight on Refuge Worldwide. Things are just heating up, with bass in your face, vocal flair and transmittable style, DHC is the moment!

̸BIOGRAPHY For Berlin-based producer and DJ Felicia Chen (aka Dis Fig), risk-taking and provocation is an integral part of the creative process. Chen's live show fleshes out the unflinching sonics of debut LP PURGE (released in Spring 2019 on New York collective and experimental label PTP) into an astonishing and annihilating spectacle, her singularity on stage only augmenting the sense of a very personal rite of exorcism. Marking a move away from the dancefloor strictures that Dis Fig continues to explore in her full-blooded, multi-layered DJ sets, PURGE is a calculated procedure towards a new chaotic world. Tinted by fever dream atmospherics, Chen places her own vocals, which morph between inconsolable distorted wails and polyphonic reverie, at the forefront. Purge is an involuntary act; it journeys into the body-breaking cost of emotional repression and the crippling catharsis that inevitably follows. "This ain’t just your run-of-the-mill wall of power electronics and angry screams ... Dis Fig’s range is surprisingly undogmatic, including synthetic brass sections, flutes, and piles of quiet" - The Quietus "Harrowing as they can be, PURGE’s compositional twists and turns are harsh enough to offer you the same thing that they offered Dis Fig herself — relief from the bad shit you’re holding inside" - VICE In 2020, Dis Fig linked up with The Bug to create their album In Blue (released on Hyperdub), leaving her productions aside for intimate vocals and lyricism to match. “Dis Fig is the latest collaborator who brings out the best in (The Bug), revealing a new facet of her own artistry and unlocking a new dimension to The Bug's sound. Dis Fig transcends In Blue's origins in genre exercise into an otherworldly fever dream, an album of tectonic bass and thundering drums that somehow feels intimate and sensual. It's as much her triumph as it is his.” - Resident Advisor

DJ Holographic is a one-woman funk machine born and raised on Detroit Music. Her mission is to serve a mix of musical cuisine that contains consuming house beats, passionate R&B with Hip Hop, unreserved disco, true Detroit Techno, and Motown. Join her as she concocts her next rhythmic dish. Surrounded by members of the Detroit DJ community such as Underground Resistance, Detroit Techno Militia, Rocksteady Disco, DJ Minx, KDJ Records, and DJ Minx, she was inspired and her curiosity got the better of her. She has appeared in the underground scene around Detroit at places such as Grenadier Club, Tangent Gallery, Grasshopper Underground, The Whiskey Parlor, Marble Bar, TV Lounge, The Works, Temple Bar, and more. She has played at festivals such as Movement, Charivari, San Francisco Pride, Red Bull Music Academy in New York, and opened for Black Madonna’s We Still Believe Tour in LA..

̸BIOGRAPHY DJ KOOLT Experiencing from the beginning, step by step, the evolution of the electronic scene in Montevideo and influenced since very young by the most avant-garde sounds, nowadays there’s no doubt whatsoever about his being the most relevant model in the Uruguayan scene, after the great influence he has already stamped in several generations of local artists. Certain dj’s manage to go beyond the barrier of just playing music and create an atmosphere with a different energy, a result of mixing good music selection, according to each moment, and an exquisite technique to mix it. These are two features that have marked Eduardo Cardozo aka DJ KOOLT and MR. KOOLT since his very beginnings. Dj Koolt is one of the greatest exponents of the Uruguayan underground scene and a faithful collector of vinyl records. He also earned an European recognition by playing in many great parties such as FUSE (Brussels), Closer (Kiev), Club Eden (Bucharest), Closer (Kiev), Cartulis Music (London), Concrete (Paris), RED58 (Barcelona), OHM and Hoppetosse (Berlin), Goa (Rome) and much more. Playing for 20 friends at an after-hours or for 1000 people at some club, one can easily recognize Edu by a natural characteristic of his: the connection and the trance he is able to create in his audience. In 2013, he and two friends opened Phonotheque, the only club 100% devoted to Underground electronics in Uruguay and one of the best in the region. Few months after opening, Phonotheque became an important reference point at a national and international level and promoting their own style and distancing itself from conventional electronic music.

̸BIOGRAPHY DJ Nah Care is a Copenhagen-based DJ, who's known for his diverse DJ-sets and his work as promoter for Club Versatile. DJ Nah Care is a Danish DJ behind the queer concepts Club Versatile and LGBT Asylum fundraiser, and a general Adonis figure. DJ Nah Care is known for his eclectic selection of contemporary dance music, for bringing a touch of glamour to even the grimiest raves, and for transferring high sexual energy to the floor.

Depois de DJ Marfox, há um novo produtor pronto a detonar as pistas: Nigga Fox. Não por acaso, os dois formam o alinhamento da Noite Príncipe desta sexta-feira, dia 19 que fica completa com os Niagara. A pista começa a escaldar por volta das 02h00 e Nigga Fox, ou Rogério Brandão, é o segundo neste ataque afro-dançável à baixa da cidade. Não há nada de errado nisso, bem pelo contrário. É apenas o reconhecimento de um clube onde se ouve música inteligente, o MusicBox, da aceitação que esta música tem junto de “camadas informadas”. E, no entanto, nem sempre foi assim. A música de Nigga Fox não é muito diferente da que se ouvia em discotecas como o Mussulo há alguns anos atrás. A fusão de kuduro com ritmos como a morna, o house ou o drum & bass é própria de um produtor da geração iPod para quem a ordem é dançar, mais do que definir fronteiras. O currículo nocturno deste nome que agora se revela é tão excêntrico quanto estes cruzamentos. Não haverá muitos DJs que tenham passado pelas cabines...

̸BIOGRAPHY 100% affective club music <3

̸BIOGRAPHY Juke Bounce Werk crew member and Fool's Gold Records signee. Born in Philadelphia, raised in Los Angeles and currently based in New York City. ̸SELECTED DISCOGRAPHY https://djswisha.bandcamp.com/

̸BIOGRAPHY Nihilist Queer Revolt Musik

Immersed in the heydays of the '90s Midwest rave scene, DVS1 (Zak Khutoretsky) has gained a highly respected reputation for his versatile skills, infectious energy and physical power behind the decks...DVS1

̸BIOGRAPHY Eclectic Colombian Berlin based musician, transmedia artist and producer. Her works always transits from minimal, ambient and brutalism, becoming an non-easy to pigeonhole character, always in-between concepts and against rigid concepts. Efe Ce Ele aka Feli Cabrera López is a Colombian artist currently based in Barcelona. Her interest in music started when she received her first Drum kit at the age of 5, when she started to have her first troubles with neighbors because of her instinct to hit and hit until breaking. After that, she walked a path of no return in music, learning different instruments and playing with different bands until adolescence. Her start in electronic music was when she moved to live in Buenos Aires after having 18 years old, then she started private clases of sound synthesis, sampling techniques and music production. Then, same as with the first drumm, she started making unbearable noises that she learned after to manage and turn into music creations between genres like IDM, Techno, Electro and Ambient. After that and until now, she runs a prolific music career, performing in Latinamerica and Europe, and releasing music with different independent labels such as: Specimen Records / Sound-Space (UK), Éter (Colombia), Dissident Movement (Italy), Ghara (Switzerland) and Pildoras Tapes (Colombia), among others. ̸SELECTED DISCOGRAPHY Inside - Dissident Movement Nacer - Éter Subsuelo Coltan - Sound-Space Sync - PHKT Label Sinoise - Fragmentar Label

London-based DJ, promoter and NTS radio host. Boss at Osàre! Editions. Many DJs claim to be champions of free-spirited eclecticism, but few truly break boundaries or swerve convention. Step forward Elena Colombi, a DJ and radio host whose inspired sets are not only open-minded and mind-altering, but also seek to toy with the emotions of listeners and dancers via shifts in intensity, tone, light and shadow. Her distinctive approach is truly unique, in part thanks to a widescreen grasp of different musical cultures, sounds and rhythms, born out of travelling the world with her family from a young age. This nomadic approach is something that Colombi still embraces. After ten years living in London and making her mark in the city’s electronic music underground and a brief relocation to Brussels, the artist is now based in Amsterdam, where she can be found contributing to the vital local scene whilst focusing on her new label, Osàre! Editions. Launched in the summer of 2019, the imprint was inspired by the Italian translation of ‘daring’ or ‘bold’. In keeping with Colombi’s approach to DJing, the label will provide a home for future-facing music shot through with forward-thinking experimentation and abandon, and imbued with a sense of complete freedom, transcending expectations of time or genre. This approach is a neat fit with her musical style, which taps into a wide range of influences and inspirations old and new. Since she began her journey through DJ culture, the Italian artist has prioritised energy and emotion over form and function, paying particular attention to obscure and undiscovered artists. While ‘anything goes’ is undoubtedly her mantra, her dynamic sets are perfectly balanced with the kind of effortless flow that many DJs fail to master with a lifetime of practice. As well as documenting her far-reaching taste via her monthly NTS shows, Elena has contributed outstanding mixes for FACT and Crack Magazine, Beats In Space, Intergalactic FM, Digital Tsunami and Dekmantel, where she also took part in a live discussion with John Talabot on the Art of DJing, a panel that was recorded by Resident Advisor and later broadcast as part of the RA Exchange podcast series. On the festival circuit she’s made appearances at Dekmantel, Club To Club, Nuits Sonores, ADE, Unsound and more, together with an annual residency for the boutique UK festival Field Maneuvers and a quarterly curated night at Belgrade’s Club Drugstore. Her outsider-led approach also gained recognition from the established art world, going back-to-back with homegrown Manchester legend Jon K at the Whitworth Art Gallery (a feat repeated at Atonal in Berlin), as well as bringing her selections to the Tate Modern in London for the Tate Lates series. The different strands of Colombi’s DJ career are almost as diverse and otherworldly as her on-point selections, a reflection of her ability to translate her vast music knowledge and sets to differing environments. Yet it’s in clubs that her celebrated talents hit home hardest.

̸BIOGRAPHY Emptyset is a multidisciplinary production project founded founded by James Ginzburg and Paul Purgas exploring the sonic possibilities connecting electroacoustic and computer music, architecture and performance. Their music focusses on compositional structures, dynamics control and textural detailing, working with elemental sonics and the material properties of sound. Their output is informed by the evolution of electronic and improvised music, full frequency production and forensic sound design reflecting upon tonal and avant-garde traditions and the history of experimental media. Based in Berlin and London they have worked on several expanded projects within performance and installation settings incorporating spatial acoustics, broadcasting, large scale instruments and vocalisation, through commissions developed for the Architecture Foundation, Tate Britain, V&A and Deutschlandradio. Releasing material through Thrill Jockey their latest recorded material has employed custom instrument design and analogue processing presented in Borders and advanced computing and the emerging field of raw audio synthesis in their recent album Blossoms.

̸BIOGRAPHY #modularsynthesizer #livemusic #pop #vocal #experimentalelectronic Enyang Ha native to Korea is a 9 year transplant to Berlin, the music producer and mastering engineer uses a wide breadth of experimental techniques to create the music in her first EP with a label “1997”. This EP sees her collaborating with System Records by Julien Bracht. Having mastered some of the most innovative releases of this decade for Amnesia Scanner and Arca this EP is without a doubt the beginning of something that pushes the boundary of music beyond the current scope. A well traveled person from having lived in Japan, Korea and the USA as a teenager Enyang emigrated to Berlin in her twenties to tap into a new scene and sound unique to the city. Since then she has been intimately involved in the experimental music scene having performed at CTM festival in January of 2021. Serendipity found Enyang in Berlin and it was this city that transformed her passion for music and took her on a new path, one which would expose her to some of the most cutting edge artists of the world. Having worked intimately with the releases of some of the most experimental artists of our time, Enyang’s own musical sensibility and need for experimentation aligns closely with the roster of her impressive clientele. Driven by a need to express the inherent beauty within the unusual, different or other she uses recordings of her own body’s movements and functions to create a unique sound palette. These recordings become the musical apparatus Enyang uses to compose her tracks. Through the digitisation of her body she is able to transform the sound of her pelvis into a baseline, quite literally making the core of her physical body the foundation of her musical form. In the same way the snapping of an ear become high hats, or an elbow becomes a textured sound hidden in the composition of the track. By metabolising the sounds of her body she is able to build these tracks organically, even through the use of modular synthesizers there remains an intimacy to the EP.

̸BIOGRAPHY Eƨƨe Ran is an electronic music producer based in Montreal, Canada. His hardware based practice gives rise to an obscure industrial techno where rhythms and textures share common grounds. Eƨƨe Ran is an electronic music producer based in Montreal, Canada. His hardware based practice gives rise to an obscure industrial techno where rhythms and textures share common grounds. Constantly searching for the curiosities of the sonic domain, he puts experimentation at the core of his practice. This exploration leads to a distinctive pallet of synthetic percussion sounds blent with analogous sequences and noisy layers, without ever losing sight of groove. At the beginning of 2020 Esse Ran released his first EP Folding The Dishes under his previous alias Absurde on Humidex Records, a label he co-founded in 2019 along with Softcoresoft and S. Chioini. The 4 track 12 inch cut had a promising launch with a distribution by Lobster Distribution, a music video made by himself premiering on Hate channel and positive reviews and mentions in Exclaim magazine, Le Devoir newspaper and CultMtl blog. Previously he also performed at Mutek Montreal, Mutek Mexico, Mutek Buenos Aires and Exposé Noir with his collective Musique Nouvelle, a live-oriented techno duo formed with S. Chioini. ̸SELECTED DISCOGRAPHY Constant Decay (2023) Derelict Memories (2022)

̸BIOGRAPHY Eversines is a producer and DJ residing in Amsterdam. He’s been producing for over a decade, co-runs record label De Lichting and focuses on the energetic yet dreamy side of electronic music. Eversines is a producer and DJ residing in Amsterdam. He’s been producing for over a decade, co-runs record label De Lichting and focuses on the energetic yet dreamy side of electronic music. In 2019 his debut album was put out through Wex Records, after which releases on yeyeh / ninih came forth including a solo outing and a special collaboration with thereminist Carolina Eyck titled ‘Waves’. De Lichting being a close group of friends and Eversines’ homebase, he’s always a part of the well received double vinyl compilations they put out, and now 2020 sees his debut on Kalahari Oyster Cult with ‘Plooi’. ̸SELECTED DISCOGRAPHY https://www.discogs.com/artist/3280385-Eversines

̸BIOGRAPHY The otherworldly foreground of his techno works are blissfully psychedelic as well as carefully structured for the most subtly disorientating shifts, and hovering amongst this is his wholesome grasp on the purpose and consequence of melody. The unsettling terrain of Evigt Mörker's world can be broken up into a few frenetic parts that give the overall impression of a serene habitat. There's the otherworldly foreground of his techno works that are blissfully psychedelic as well as carefully structured for the most subtly disorientating shifts, and hovering amongst this is his wholesome grasp on the purpose and consequence of melody. Together, this is Evigt Mörker's deadly and addictive mix. Hailing from Sweden, some initial forays into bands in his youth went hand-in-hand with an early exposure to techno. Yet it was the illegal rave scene in Stockholm that would prove to be most formative. The circuit of DJing and parties soon fed into the need to create a platform from which to work, and so the identity and label Evigt Mörker came into being in 2013. The first three releases cemented Evigt Mörker's ability to rouse melodic dynamics out of an ambient setting. Whether settling and fixating on a rhythmic pattern, or shuffling through different emotions, often these tracks would career into rapturous dancefloor pieces. It didn't take long until the formidable Semantica Records tapped him for a release, which produced the stunning EP, 'Helmet of Bones.' From this point, Evigt Mörker would come under the austere wing of Northern Electronics. Two terse yet incandescent EPs, along with a fourth release on his own label, have charged the air for his debut album, 'Krona'. Appearing on Northern Electronics, a brooding intensity defines the album, as well as a technical dexterity for carving dissonance into lush techno tools. For those that have witnessed Evigt Mörker live or as DJ, a different side to his recorded output comes into play. Often far more forceful than his releases, there's an energetic and rhythmic power reserved for these moments. It's perhaps this versatility that's kept him in such high demand as a remixer. Taken to the other end of the spectrum, Evigt Mörker's live shows are capable of elegant ambient pieces, if holding a dancefloor down isn't the modus operandi. ̸SELECTED DISCOGRAPHY https://www.discogs.com/artist/3452465-Evigt-M%C3%B6rker

Fafi is co-founder of the LHBTQ concept HOMOOST in Groningen. He loves, collects and plays records with a soul, made for a free-spirited dance floor! <3

̸BIOGRAPHY producer dj singer person FAUZIA first broke through as a DJ. Inspired by the interwoven legacies of fast music from either side of the Atlantic, her monthly NTS show sees her blend together the best of footwork, jungle and everything in between — with the likes of Mall Grab, Kode9, DJ Taye, Om Unit and Ikonika stopping in for guest spots. The start of 2020 saw FAUZIA start to showcase her own original music for the first time, first with a celebrated production mix for DISCWOMAN, and then with a contribution to the flagship 10th edition in HAUS of ALTR’s various artists series — picking up glowing press from Resident Advisor, Mixmag, DJ Mag, Crack, Pitchfork and more in the process. It was with a series of missives released during the pandemic that FAUZIA’s music really started to evolve - from the starry-eyed breaks of ‘Fragments’ through to ‘are you hoping for a miracle?’ and ‘time’, a pair of downtempo pop releases that saw FAUZIA sing on her material for the first time while also collaborating with Kelela and George Riley. Her new live show debuted at Wysing Polyphonic in the Summer of 2021, followed by appearances supporting Loraine James and Space Afrika. December 2021 saw FAUZIA sell out her first headline at Southbank Centre’s Purcell room, accompanied by her band.

FJAAK, the Berlin-based duo of hardware heads, have been constantly making a name for themselves over the last half a decade. Having grown up together in Spandau on the outskirts of Berlin, Felix Wagner and Aaron Röbig began quite early to create all different kinds of music before ending up taking on the city’s heritage – techno – to make it their own.

̸BIOGRAPHY France Jobin is a sound / installation / artist, composer and curator residing in Montreal, Canada. Her audio art can be qualified as “sound-sculpture”, revealing a minimalist approach to complex sound environments where analog and digital intersect. Her installations express a parallel path, incorporating both musical and visual elements inspired by the architecture of physical spaces. Her works can be “experienced” in a variety of unconventional spaces and new technology festivals across Canada, the United States, South America, South Africa, Europe and Japan. Jobin has created solo recordings for No-ware (CL-DE), popmuzik records (JP), bake/staalplaat (NL), ROOM40 (AU), nvo (AT), DER (US), ATAK (JP), murmur records (JP), Baskaru (FR) and the prestigious LINE label (US). Jobin’s sound art is also part of countless compilation albums, notably on the ATAK (JP), bremsstrahlung (US), Mutek (CA), murmur records (JP), and/oar (US), tsuku boshi (FR), everest records (CH), and Contour Editions (US) labels. She is also featured in the influential book and recording, Extract, Portraits of Soundartists (book + 2 cd), released on the nonvisualobjects label (AT). The collaborative album ligne, created with sound artist Tomas Phillips, was released on the ATAK label (JP) and her recent collaboration with acclaimed artist Richard Chartier, DUO, is released on the mAtter label in Japan. Her installations and screenings have been shown internationally at museums and festivals. Her work P Orbital released on LINE (Valence, LINE054) was presented in the context of ESCUCHAS, a first sound art exhibit for the Museum of Modern Art in Medellin, Colombia. P Orbital was also presented at CONTEXT-ing / Listening as CONTEXT at the Miami Art Fair in Florida, Call & Response, London Uk as well as at the Haunted formalism exhibit in LA curated by Volume. An invitation to the AIR Artist-In-Residence program in Krems, Austria enabled her to create und transit, a sound installation set in the MinoritenKirche cloister in Stein (AT) and und transit.03 has been presented in the exhibit “Dock” at the Ancien Palais de Justice’ sound installation and listening space Her two ongoing collaborations with visual artist Cédrick Eymenier (FR) have resulted in EVENT HORIZON, an audio/video piece, and The Answer, a movie, with the soundtrack by France Jobin and Stephan Mathieu. EVENT HORIZON was screened in Paris (2010), at the Venezuela Biennale in Merida state (2010) and was performed live at the Torrance Art Museum in Los Angeles (2010) and ISEA RUHR 2010 (DE). The Answer was screened at IAC, Villeurbanne, France in March – May 2016. In 2011, Jobin was one of five international artists selected to present her sound installation, Entre-Deux, in the new media exhibit Data/Fields, curated by Richard Chartier at Artisphere in the Washington, DC area, along with Ryoji Ikeda, Mark Fell, Caleb Coppock, and Andy Graydon. Her proposition received critical acclaim from the national press. Entre-Deux has recently been presented at N38E13 in Palermo, Sicily (2017). She premiered the audio visual performance of “intrication” at Mutek AR 2018 with the Argentinian visual duo prifma. Her audio visual collaboration: “Mirror Neurons” with sound artist Fabio Perletta (IT) and xx+xy visuals (IT) was screened as a world premiere at A x S / ak-sis / FESTIVAL 2014 | CURIOSITY as part of the Synergetica Screening in Los Angeles in September 2014. In October 2015, France was invited to take part in an artist residency at EMPAC (Troy,NY) which resulted in the creation of a new light sound work entitled 4.35 – R0 – 413, a collaboration with Alena Samoray, lighting designer. Her latests installations, ‘Inter/sperse’ and ‘Entre/temps’ both premiered in Italy. ‘Inter/sperse’ is a site specific installation created in the context of an international residency organized by Museolaboratorio, LUX and farmacia901. It opened May 27 2017 at Museolaboratorio, Città Sant’Angelo Italy. ‘Entre/temps’ is a site specific installation commissioned by Enzo De Leonibus, artistic director of the EaRrEtMeI festival which opened in Palena, Itally, June 4 2017. She has also participated in numerous music and new technology festivals such as Mutek (Montreal, 2001, 2004 – 2009, 2014, 2017, 2019, AR 2018), EM15 (Montreal 2014), EMPAC (US 2011, 2015), roBOT 8 (Italy 2015) Angelica Festival (Italy 2016), Portobeseno (Italy 2014), Interferenze – Liminaria (Italy 2014), Flussi Media Arts Festival (Italy 2014), FIMAV, SEND + RECEIVE (Winnipeg, 2003, 2005), Club Transmediale (Berlin, 2004), Shut up and Listen (Vienna, 2009), ISEA RUHR 2010 (Germany), the surface tension tour (Japan, 2012) and the Symétrie tour (Japan 2016). “immersound” is a concert event/philosophy concept initiated by Jobin, which proposes the creation of a dedicated listening environment by focusing on the physical comfort of the audience within a specifically designed space. The premise of “immersound” is to seek out/explore new perceptions in and experiences of the listening process by pushing the notion of “immersion” to its possible limits. She created and produced “immersound” from 2011 to 2015 at Oboro in Montreal. She was a finalist at the Sonic Arts Awards 2014 (IT) in the Sonic Research category. In January 2013, the Conseil québécois de la musique (CQM) awarded the prestigious Opus Prize for Concert of the year to France Jobin for her concert at AKOUSMA 8. Jobin’s work continues to evolve as technologies enable her to create new environments. France Jobin is published by Touch Music/Fairwood Music UK Ltd ̸SELECTED DISCOGRAPHY 2019 - Solitude on Silent Records (USA) 2018 - Intrication on No. 2018 - DUO with Richard Chartier on mAtter (JP) 2017 - Scènes on LINE (USA) 2016 - Radiance 11 with Stephan Mathieu - Music for The Answer on Schwebung (DE) 2016 - Singulum on Line (USA) 2014 - Sans repères on popmuzik records (JP)

New York-born DJ and Lot Radio resident Gabrielle Kwarteng is on a steady, slow-burning rise upward. Her guest shows won her a Mixcloud Online Radio Award and a regular slot, which garnered her a loyal following and led to bookings across NY and beyond. Gabrielle Kwarteng’s journey so far is one of passion, dedication and the occasional strike of fate. Born and raised in New York, Kwarteng’s name has recently risen in prominence throughout a challenging time for dance music and club culture. A DJ, radio host and curator, her sets have recently enchanted Panorama Bar in Berlin (four times in less than twelve months, no less), equally vital club spaces such as NYC’s Nowadays and Manchester’s own White Hotel, as well as a span of festivals including Love International, Glastonbury, Melt and Dekmantel Selectors. Listening to Kwarteng, whether in a cavernous rave hall, a sweat-soaked underground club or making intimate selections on the radio, is an experience that feels at once familiar but always energizing. Kwarteng’s diverse taste and open-mindedness lead first, allowing her to fluidly slip through a mix of heady 80s and 90s NY house, disco interpretations that traverse diaspora and eras, percussive passages alongside boldly broken beats and, as the lights get lower, an undeniable acid undercurrent. In an era of everything at once, Kwarteng weaves stories for the dancefloor that often look to the past, but always focus on possible futures. Kwarteng arrived at this position via a mixture of study and circumstance. Born in Brooklyn to Ghanaian parents but raised in the Bronx, her childhood was soundtracked by a mix of first-wave Highlife, Afrobeat and disco. Outside her front door, in a thriving neighborhood of diverse American experiences, entire sounds and scenes expanded and exploded as pop-culture began to mutate in new ways, both online and off. Crossing to Manhattan for school, the tempo changed entirely as rock, hip hop and experimental music filled Kwarteng’s ears while she studied intensely. Her academic focus was paramount, but Kwarteng couldn’t help but drift back towards the beat. First, from sciences to arts, where, at an esteemed upstate New York university, her dedication to trawling music blogs rendered Kwarteng the de facto DJ for house parties. She also began broadcasting on college radio; her daybreak show was a particular hit with professors arriving to work early to mark before lectures. Bouncing back to New York, Kwarteng continued to present a show on the burgeoning online radio station The Lot. In 2017, she was presented with the Mixcloud Online Radio Award for Best Eclectic Show, an early and completely unexpected acknowledgement of an instinct for music that traversed genre expectations. In parallel, Kwarteng played each and every Saturday night in the majestic ballroom of the SoHo Grand, amassing vinyl for a residency that helped define the uptown musical scene with her own downtown sensibilities. Now based in Europe, Kwarteng continues to criss-cross not only genres, but continents. Overcoming her inherent introversion to nervously approach Giles Peterson at a record store in Paris proved fortuitous; so impressed was the storied DJ by Kwarteng’s show on local station Le Mellotron, he invited her to appear at his own festival, Worldwide. Appearances at suitably open-minded spaces in Madrid, London, Bristol, Copenhagen and Kyiv soon followed. Wherever she performs, Kwarteng’s expertise serves to not only continue the championing of Black American genres such as house, techno and disco, but equally, to explore the continuum of global dance music as a whole. Having laid the foundations for a unique musical journey, it’s a level of respect that’s tangible on any dancefloor. In these increasingly sacred spaces, Gabrielle Kwarteng’s personal passion translates into collective ecstasy. The dig continues.

☿️ Intergalactic Mermaid ☿️ GiGi FM aka Giulia Fournier-Mercadante is a French/Italian force well and truly to be reckoned with. Born and raised in Paris, Gigi moved to New York in her teens after being awarded a dance scholarship at the NYC Ballet and Alvin Ailey where she studied and practiced dance at the highest level before moving onward to her current residence of London where she continues to make waves with her unique approach to Music, Sound, Dance and Art. It wasn’t long until she became a firm fixture of South-London’s close-nit music scene, taking part in organising parties in DIY spaces and DJing regularly across the city (with regular appearances at London’s revered ‘Make Me’ parties). Listing Donato Dozzy, Bjork, Function, Neel, Aleksi Perrälä, Pierre Henry, E. Satie and Suzanne Ciani to name a few among her musical influences, Gigi is as creative in the studio as she is on the decks. GiGi associates textures and colours to sounds within the music, giving her a unique approach to collecting, selecting, playing and making music and affording a natural ability to create atmospheres and ambience unlike many others. After playing two stand-out sets on Boiler Room in recent times, she is now about to embark on a Boiler Room club-tour covering some key UK and European cities, placing her among a select number of her musical piers. Add to this a fast-growing list of gigs and many more exciting projects in the making, the future looks very bright for GiGi FM indeed!

Record label, party collective and djs crew based in São Paulo. We're dedicated to exquisite permutations of inspired music.

̸BIOGRAPHY Aimée Portioli is a Berlin-based Dutch-Italian composer and sound designer who records and performs as Grand River. Portioli makes experimental electronic music with rich emotional colours. Her work, influenced by minimalism and ambient music, is atmospheric yet rhythmically complex, incorporating a wide range of contemporary compositional and production techniques. The name Grand River evokes nature, scale, and movement, all key forces in Portioli’s work. Her first release as Grand River was 2017’s Crescente EP, which was named by XLR8R as one of the best releases of the year. She followed this with her debut album Pineapple (Spazio Disponibile, 2018), which garnered praise from The Quietus among others, while its follow-up Blink A Few Times To Clear Your Eyes (Editions Mego, 2020) was positively received by Resident Advisor and The Verge, and was elected among best albums of 2020 by Inverted Audio. Her work has separately appeared on compilations by Ghostly International, Tresor, and Longform Editions. Her third album All Above will be released in 2023 once again on Editions Mego. 

Besides her studio albums, Portioli has created original sound art installations for Rome’s La Galleria Nazionale and Milan’s Il Pianeta, a project of Terraforma Festival. She also contributed her interpretation of a meditation piece for the Soundworks app together with MUTEK, collaborated with Ableton for the creation of Live 11 and Ableton Loop and created and performed her piece “Tuning the Wind” in 4D sound in several occasions. Portioli has performed as Grand River at major international venues and festivals, including CTM Festival, NODE Festival, Berghain, MUTEK, Mapping Festival, Kraftwerk, Barbican Hall, Funkhaus, Maintenant Festival, Le Guess Who?, The Labyrinth, WOS Festival, and many more. She was selected to take part in SHAPE Platform’s 2021 programme. She collaborates with visual artist Marco Ciceri on special A/V performances, as well as on the visuals for One Instrument, the record label she founded that invites artists to respond to a unique creative brief – to create a piece of music using just one instrument. Aimée Portioli holds a bachelor’s degree from the Faculty of Linguistics and Communication of Milan. Her thesis explored the psychology of the communicative function of music in media. Her work today is motivated by similar questions of sound and music as a form of communication that goes beyond language. ̸SELECTED DISCOGRAPHY All Above - Editions Mego, 2023 Blink A Few Times To Clear Your Eyes - Editions Mego, 2020 This Was Us - Ghostly International, 2019 (Grammy Nominated 2021) Light Index Opening - Longform Editions, 2019 Pineapple - Spazio Disponibile, 2018 Crescente - Spazio Disponibile, 2017

̸BIOGRAPHY Management: tomjcater@gmail.com - Bookings: naomi@earth-agency.com

̸BIOGRAPHY Resident Antagonist the dream is over. I am detritus

̸BIOGRAPHY Higher Intelligence Agency was formed by Bobby Bird in May 1992, at the same time he and fellow Oscillate club collaborators started running their legendary experimental electronic music nights in Birmingham UK. Improvising live tracks between records,.. 92 HIA was formed by Bobby Bird in May 1992, at the same time he and fellow Oscillate club collaborators started running their legendary experimental electronic music nights in Birmingham. Improvising live tracks between records, the early HIA evolved out of sight in a live setting. Soon afterward the beyond record label started up in Birmingham, and the first track to be released, Ketamine Entity, appeared on the genre naming album Ambient Dub Volume 1 93 Released a single Speedlearn, some more tracks on compilations, and in December, a well received debut album Colourform. The Higher Intelligence Agency now began taking their sonic experimentation out live across the country. 94 Seeing in the new year performing at the Brixton academy megadog, they went on to play at the love parade in Berlin, the tripping on sunshine festival in Copenhagen,and the oscillate - triple X in a 2,000 capacity gas holder in Amsterdam, both playing and DJing at this event, which was co-organized by oscillate, alongside Orbital, Autechre, Pentatonik and Sun Electric. Released Reform EP on Beyond records and contibuted "Selinite" to the seminal Artificial Intelligence compilation album on Warp Records. also commissioned to write a 30 minute track for an installation in the mysterious, musée’ lilim, in Carcassonne, south of France. 95 Remixes for Biosphere (novelty waves), & Pressure of Speech (mothmath). In June played at Glastonbury festival, and in September released their second album, Freefloater. In October,a live collaboration between Higher Intelligence Agency & Biosphere took place on the top of a mountain in Tromso, Norway. The music, sponsored by the Norwegian arts board, was based around samples taken from the sounds of the mountain cable cars. 96 Recorded an album in collaboration with Deep Space Network. Remixes for obconic, freeform & Space Time Continuum .Live Album ’Polar Sequences’ - biosphere / higher intelligence agency released in August. 97 ‘Deep Space Network meets Higher Intelligence Agency’ album released on Source in February - Higher Intelligence Agency/Pete Namlook album S.H.A.D.O. released in June. A second collaboration between Biosphere & Higher Intelligence Agency took place at the ‘Birmingham Frequences’ live event in October. 98 Headphone, a new label, was set up by Bobby Bird, mainly to release his own material & collaborations .The first release on the label, System Error - Nothing, was released in December. 99 S.H.A.D.O. 2 second collaboration album with Pete Namlook. 2000 Birmingham Frequencies Higher Intelligence Agency/Biosphere released on Headphone. ̸SELECTED DISCOGRAPHY HIGHER INTELLIGENCE AGENCY Colourform Beyond 1993 HIGHER INTELLIGENCE AGENCY Freefloater Beyond 1995 HIGHER INTELLIGENCE AGENCY & BIOSPHERE Polar Sequences Beyond Records 1997 HIGHER INTELLIGENCE AGENCY & PETE NAMLOOK S.H.A.D.O. Fax Records 1997 DEEP SPACE NETWORK MEETS HIGHER INTELLIGENCE AGENCY Deep Space Network Meets Higher Intelligence Agency Source Records 1997 HIGHER INTELLIGENCE AGENCY & PETE NAMLOOK S.H.A.D.O. 2 Fax Records 1999 HIGHER INTELLIGENCE AGENCY & BIOSPHERE Birmngham Frequencies Headphone 1999

Ross Birchard is the one of the most exciting record producers to come out of Scotland in the last ten years, seducing heads and ravers alike with his neon-lit R&B and warehouse smashing low-end production. Now, as the unlikely poster boy for a new ge..Hudson Mohawke

̸BIOGRAPHY Trippy house and techno from Amsterdam ̸SELECTED DISCOGRAPHY https://www.discogs.com/Human-Space-Machine-Ornithogallum-EP-/release/11649

Venezuelan born Berlin based Hyperaktivist it's been shaking the scene in and outside Berlin with her characteristic energetic sets, oscillating between faster Techno and House with big influence in the 90's and old school tracks. She started working for the development of club culture in her native Venezuela since an early age. There, she co-founded SOLO, the first club dedicated exclusively to electronic music in her hometown. Now she continues that labor in Berlin with not one but two vital community-focused club nights. Her first called Mess, Mindful Electronic Sonic Selections, a forward thinking club night happening at OHM which have a focus on femme and queer artist from diverse cultural backgrounds, and it's dedicated to the celebration of diversity and supporting DIY club culture around the world. Her newest Mala Junta, which she co-founded along with Dj Tool and that counts with D.dan, Yazzus and Why Be as residents, is considered one of Berlin’s fiercest underground queer-techno parties, with a focus on inclusivity, Mala Junta approaches the faster, groovier edges of dance music with an open mind and a relentless spirit. Hyperaktivist have directly influenced a shift in the scene in Berlin, not only through introducing her Tribal euphoric fresh sounds, with great influence in her roots from Latin America and the Caribbean coast where she grew up, but also by constantly nurturing and pushing up her community and advocating political values of equality & diversity at the forefront of her projects. Since being selected as one of the Shape Platform for innovative music artists in 2016, she has been touring around the world. You can find her playing from Berlin’s most renown clubs to all across Europe, USA and South America, always bringing her characteristic energy and commitment to the dance floors, merging genres with ease she takes influence both in her time spent in Berlin and South America.

Electronics from Identified Patient for you Cer­ti­fi­ably one of the most revered under­ground DJs of the Nether­lands, Job Veer­man, bet­ter known as Iden­ti­fied Patient, has made a name for him­self as an oth­er­world­ly sto­ry­teller. His left­field mix­es take the lis­ten­er on a white-knuck­le ride of twists and turns, with no genre, tem­po, or mood off-lim­its. The Ams­ter­dam-based artist made his ascen­sion with some of Rot­ter­dam’s finest imprints, all the while fill­ing dance floors across the coun­try and through­out Europe. His style fus­es raw aes­thet­ics with unri­valed, relent­less ener­gy which he trans­lates into his pro­duc­tions as flu­id­ly as his DJ sets. With a trade­mark sound that drifts between the exper­i­men­tal sides of tech­no, elec­tro, acid, dub, and jun­gle, it was not long before his music gained the atten­tion of Rot­ter­dam-based labels. Hit­ting Com­mon Thread in 2016 with The Female Med­ical Col­lege of Penn­syl­va­nia and then Pinkman in 2017 with a string of releas­es, and lat­er releas­ing his Split EP on Lon­don’s Brokn­toys. These out­lets would become the plat­forms for his ear­ly releas­es which were rec­og­nized as instant hits in sev­er­al charts and clubs through­out Europe and beyond. In 2020 he released his Nerve Deposit EP as part of Dek­man­tel’s UFO Series. This year he will return to Dek­man­tel’s imprint, this time with his debut album. Not only this, but he is busy col­lab­o­rat­ing with Gam­ma Intel on an EP, also due to hit the air­waves this year. Besides his sen­su­al­ly severe, irrev­er­ent pro­duc­tions, Iden­ti­fied Patient has put him­self on the map with his high-ener­gy DJ sets, brim­ming with ten­sion that spills over into eclec­tic and diverse styles. Despite his rapid tran­si­tions his focus nev­er diverges from the qual­i­ty of his selec­tions. He has become a vital pres­ence at Dek­man­tel events and was a reg­u­lar at the Ams­ter­dam insti­tu­tion, De School, firm­ly assert­ing his place in the Dutch elec­tron­ic scene. Iden­ti­fied Patient shows no sign of tak­ing his foot off the gas, with a com­pelling list of forth­com­ing releas­es and an exten­sive tour­ing sched­ule. Strap in for this year’s roller­coast­er ride; sleaze and sat­is­fac­tion guaranteed. Identified Patient – Nerve Deposit (DKMNTLUFO10) Identified Patient & Sophie du Palais – Don't Exclude Anything (PNKMN28) Identified Patient - Kogeldans (PNKMN27) Identified Patient - Signals In Snakes (DKMNTLUFO9) Identified Patient / Scarlit Port ‎– Split (Discos Del Quebranto – DDQ03) Identified Patient - Weeshuis Der Verloren Zielen (PNKMN19) Identified Patient & Sophie du Palais ‎– Aborting Your Dreams (PBD10) Identified Patient ‎– The Female Medical College Of Pennsylvania Common Thread (COMMONTHREAD06)

̸BIOGRAPHY Intercity-Express is Audio/Visual project by Tetsuji Ohno based in Tokyo. Intercity-Express is Audio/Visual project by Tetsuji Ohno based in Tokyo. He started working as a DJ from middle of 90's and started composition from end of 90's, makes AudioVisual work in parallel with Ad music. He went through a lot of musical experience,HOUSE,TECHNO,NOISE,Electronica.. and the sound to be born therefrom leads synesthesia. recent concert and exhibition. [MUTEK] - Montreal [MUTEK.JP] - Tokyo [MUTEK.MX] - Mexico City [Scopitone Festival] - France [Sunscape Festival] - Republic of Malta [FILE] - Brasil [LPM] - Italy,Amsterdam [HPL media street event] - Russia [Shinjuku Creators Fest] - Tokyo ...and more

Manchester

̸BIOGRAPHY Interstellar Funk / Faster Action / Private Eyes ̸SELECTED DISCOGRAPHY https://www.discogs.com/artist/3361931-Interstellar-Funk

̸BIOGRAPHY Producer/DJ Garage and Bass head 128-175BPM

̸BIOGRAPHY Istanbul Ghetto Club is a music-driven multidisciplinary collective, combining delightful Anatolian, Greek and Mesopotamian tunes with modular synthesizer and performing arts, always with a sense of humor and an erotic touch. One night Kamil was working in a Pavyon in Istanbul. Pavyons are live music bars in which traditional Turkish folk music is played, usually with the bağlama. Men come to Pavyons to swim in different oceans. While Kamil was playing Bağlama, Mahmut came into the bar. With his outward appearance, his lighter skin color, he didn't seem to fit in. Actually Mahmut just wanted to ask for directions, but then, because people started looking at him strangely, he felt offended. He thought to himself, "I live here too, why can't I come to this bar and have fun like everyone else?” Somehow Mahmut and some of the other guests started to discuss. It had started to escalate more and more, and Kamil saw how people had started to push him. So Kamil stopped playing and ran to help him. The crowd was so heated up that they started hitting Kamil and Mahmut. In the end, they threw both of them out of the bar. Kamil's Bağlama was destroyed and Mahmut's nose was broken. To cool down, they went to have some Çorba. At the restaurant, Mahmut told Kamil that he makes electronic music. While eating and talking they planned to start a project together with Bağlama and modular synthesizer: something like a tasty Çorba. ̸SELECTED DISCOGRAPHY Istanbul Ghetto Club - Hamam Dreaming (Single)

British techno sorcerer and psychedelic shaman james holden is a man of many talents: zeitgeist-defining label boss, trend-setting producer, hugely in-demand monster remixer, and last but by no means least, he can count himself amongst that very modern..James Holden

Jeff Mills, along with Robert Hood, Carl Craig, and Joey Beltram, is one of the biggest American names in techno. Championed for his music's relentless pursuit of hardness and his intense, almost industrial DJ sets (often utilizing three or four turntables or CD decks and a drum machine), Mills is one of the most significant figures in a long line of Detroit-bred talent to earn an international reputation. A founding member of noted Motor City institution Underground Resistance, Mills helped build the artist roster and label ideology (as well as much of its back catalog) with partners "Mad" Mike Banks and Robert "Noise" Hood during the late '80s and early '90s. ~ AllMusic

After learning the ropes at Amsterdam’s legendary club 11, Job began his adventure at the renowned Innervisions label in Berlin. With all Job has achieved so far and a current heavy touring schedule, including appearances spanning from Burning Man to Panorama Bar, one can only wonder where he will go next.

John Talabot occupies a fairly unique position in the current electronic landscape. A space he has carved himself by staying true to an artistic vision that is broad in its scope and specific in its convictions. His open-minded approach to making, collecting and playing music allows him to be just as comfortable on the main stage of a great summer festival as in a small local club, earning the following of both the occasional fan and the demanding connoisseur along the way.

̸BIOGRAPHY With her deep, hypnotic, percussion-driven techno, Dutch artist Julie carefully takes you on a trip through her ever-growing vinyl and digital record collection. Over the past 8 years, Julie has been shaping her own sound as a DJ, which can be described as deep, hypnotic, percussion-driven techno, mostly in the range of 130-137 BPM. Playing both on vinyl and CDJ, she has been showcasing her passion for underground electronic music. She spends a lot of time on her track selection, always on the hunt for unknown jams. She gets inspired by old and new music, without being caught up in the hype. Julie has made a name for herself as Draaimolen Festival resident, and played several successful (closing) sets at clubs like De School (Amsterdam), Tresor (Berlin) and BASSIANI (Tbilisi). She shared the bill with artists such as Donato Dozzy, Oscar Mulero, DVS1, Dasha Rush and Blawan (Live).

̸BIOGRAPHY Queer Dj & producer TRANS(CE) HIGH NRG

̸BIOGRAPHY Sound artist, live performer, DJ and independent researcher in sonic and media cultures. Mariachiara Troianiello, the Milan-based sound artist behind the moniker Katatonic Silentio, works at the crossroads of electronic music, performing arts and sound studies. Both as a live performer and an independent researcher, she seeks to bridge different spheres and approaches to sonic production. Active as a DJ for more than 15 years, her sets adopt multiple forms, fluctuating between an analogue past and a technological, fast-paced future. At times, her sets focus on pure abstraction, consisting of ethereal soundscapes that seek to transcend the tangible through a mix of musique concrète, world, spoken word, ambient or dub. At others, they come across as concrete and club-oriented, crossing techno, broken beats or drum n bass. Mariachiara views sound as a critical tool and has a genuine interest in exploring sonic possibilities and practices from both artistic and sociological perspectives. As an independent researcher, she is a member of the Scientific Advisory Board of USMARADIO: Interdepartmental Research Centre for Radiophonic Studies at the University of San Marino. In her undergraduate thesis in 2015, Mariachiara looked at the different notions of radio and broadcasting between underground and mainstream and the multiple performative possibilities of the medium itself – a topic she currently puts into practice through her project Expanded Radio Research Unit. As of now, she holds radio residencies on EOS and LYL. Mariachiara also collaborates with Anonima/Luci, a light art collective with whom she develops installations that reconfigure architectural spaces by combining light and sound. Together with choreographer and dancer Olimpia Fortuni, she performs „X“, an ongoing compositional study that draws on sound, movement and space. ̸SELECTED DISCOGRAPHY - EOS Compilation 01 / EOS Radio, 2022 - Pho Beat Bazar Vol. 2 / PHO BHO, 2022 - Freefloat Remixes / Worst Records, 2022 - Paradisia Vol. ∞ / Gangs of Ducks, 2021 - NOOD5 / Noods Radio, 2021 - Club Winston Remixes / Club Winston, 2021 - Tabula Rasa / llian Tape, 2021 - Alkisah II / MAKA – The Alkisah Reworks Divisi Italia / ArteTetra, 2021 - Prisoner Of The Self / Remixed / Bristol NormCore, 2021 - Bittissue / Biodiversità Records, 2020 - Prisoner Of The Self / Bristol NormCore, 2020 - Dis/Continuum / Mother’s Finest Compilation / Mother’s Finest, 2020 - Grains / Self-released, 2020 - VVAA Forever / Haunter Records, 2019 - Emotional Gun / Cyberspeak Music, 2019 - Roland System-1 / One Instrument Records, 2017

Kate NV is... ...the multifaceted solo persona of Moscow-based artist Kate Shilonosova. A changeling that follows afflatus in all its forms, NV is a student of architecture, illustrates curious, colorful characters, and improvises live with bells and water glasses amidst compact synthesizers and cables. Her debut Pink Jungle EP was followed by the frenetic pop-leaning Binasu released by Orange Milk in 2016 and the minimalist exploration of для FOR released by RVNG in 2018. As her musical pendulum swings back from playful instrumental to surreal song, NV is paired with RVNG for the second time on Room for the Moon. NV describes the songs of Moon, as dear friends; each piece of music is a moody cinematic moment where NV performs with a cast of off-kilter objects. Influenced by Japanese 80s pop and Russian conceptualism, Victor Pivovarov comes through when NV describes composing music. Imagine entering a cozy room that has boundaries but at the same time can contain an entire world. Celestial bodies party and time fits in a pocket. When composing, NV listens to her surroundings and daydreams while abstract electronics and enchanted songs visit. Recorded around Moscow with friends and collaborators, the music is a frothy distortion of nostalgic atmospheres cast in sax, base, marimba and MIDI. Singing is at the foreground-- beaming with assurance, delivered in multiple languages and characters. One gets the sense that NV as a performer has near infinite capacity to push further.

̸BIOGRAPHY Cameron Sofia Winters, known professionally as KAVARI, is a British artist, music producer, and DJ currently based in Glasgow, Scotland. Known for her high contrast productions and performances that fuse industrial, ambient, club, & alternative electronic. KAVARI was born on November 27th 1998 in Birkenhead, England and later moved to the North East of Scotland in early childhood. She began performing later in her teens at club nights and underground raves in and around Scotland. Her abrasive sound design and soft melodic soundscapes have garnered her great amounts of attention, cementing herself as one of the key rising talents of the UK underground music scene. Her work being supported by the likes of Aphex Twin, Hudson Mohawke, Mura Masa, and many more. Her productions and performances are known to be incredibly high energy, intense, and genre-less experiences that display the dark and haunting side of electronic music. Influenced by artists such as Skrillex, Genesis P-Orridge, Lorn, & Arca, her work spans the most delicate realms of ambience to the harshest planes of noise. KAVARI released her debut EP 'If the Benign Was to Ever Be So Pure' in May 2021 via the Scottish record label MELD. Following that with a string of self released mixtapes, singles, edits, and EPs. Her latest project 'Suture' was self released on August 19th 2022. ̸SELECTED DISCOGRAPHY kavarimusic.bandcamp.com

̸BIOGRAPHY Kazuya Nagaya uses bronze bells, gongs and singing bowls which are mostly used in Buddhist or Hindu rituals in Tibet, Bali and Japan. He creates unique ambient music by mixing these sacred instruments with modern instruments such as keyboards and electric guitars.Before starting his solo carrier, Nagaya composed music for broadcasted commercials and won the finalist prize for "Best Use of Sound" from the "Hollywood Radio & Television Sociaty". Earlier, in his twenties, he started out pursuing his talents in literature and became a writer. His works, especially his story titled "Indio no mabushii kami" about Japan's ethnic minority, won enthusiastic praise within Japan's publishing circles. During this period, he also became deeply interested in literary works that were becoming lost in the shuffle of contemporary Japanese society: novels like the "Tales of Genji", as well as Buddhist folktales and Zen philosophical works. These interests breathed life into his music, and the sensibilities and philosophical views which he developed during his literary years have come to be reflected in large measure in the music he creates today. An example of this can be detected in the sounds of bells heard so frequently in his music. The giant bells found in Japanese temples are rung each New Year's eve. The sound is believed to purify and wash away the cares of this mortal world, and crowds flock to listen in reverent silence. What they listen for, however, is not the sound at the moment the bell is struck, but rather the fading sound that follows. As the sound fades away, simultaneously, the depth of their own silence grows even greater. In this way, the sound of the bell makes people aware of the profound silence -- and richness -- lying within themselves. It is silence of a depth fundamentally identical to that which is engendered through meditation or Zen. The temple bell, meditation and Zen are all ways of penetrating into the depths of one's self. Nagaya began his carrier as a solo musician with the 1999 release of his first album, "Utsuho". He has released an additional 7 solo albums since then, as of 2010. In 2002, released a collaboration entitled "Resonator" with the American avant-garde composer Carl Stone. In 2004, Nagaya`s tracks were used extensively in "Gaia Symphony No. 4", a well-known documentary flim directed by Jin Tatsumura. In 2005, composed the sound track for the mexican film "WA". In 2007, appeared in the movie "Gaia Symphony No. 6". Also published a book, "For All the Radiant Darknesses", a collection of his essays which is about his life, remarkable persons he has met, and reflections on his travels in troubled societies in the third world (developing world). In 2008, joined with the compilation album "Tranchillizer" which was released by the chill out & trance label, Peak Records, in Switzerland. In 2010, joined with the soundtrack "Gaia Symphony No. 7" Nagaya is active as a performer of live music in Japan, the US and the other countries. He has Collaborated with an eclectic range of artists, from musicians, dancers or painters to monks of esoteric Tibetan Buddhism, channelers, and a Native American story teller in Alaska. ̸SELECTED DISCOGRAPHY 2. Works Silent Garden / solo album / sep. 2010 Gaia Symphony no.7 / soundtrack / jul. 2010 Harmonic in the Light / solo album / jun. 2009 Tranchillizer / V.A. / apr. 2008 For All the Radiant Darknesses / Book / nov. 2007 Gaia Symphony no.6 / movie performing / may 2007 Illuminations / Pluto / solo album / jan. 2006 For All the Radiant Darknesses / solo album / oct. 2004 Kumano / TV programm starring / sep. 2003 Secret Rhymes / solo album / jan. 2003 Resonator / album with Carl Stone / jun. 2002 Gaia Symphony no.4 / soundtrack / oct. 2001 Skyward the Spirit, Earthbound the Soul / solo album / jul. 2001 Kumano of a Thousand Gods / solo album / apr. 2000 Utsuho / solo album / jan. 1999 3. Live Performances Performance with a Hawaiian shaman / Japan / 2010 Performance with a Hawaiian shaman / Hawai / 2009 Solo tour in California / California tour / 2007 Solo tour in California / California tour / 2005 Performance with monks / Japan tour / 2005 Performance with a singer Susan Osborn / Japan tour / 2004 Performance with a native american story teller / Japan tour / 2004 Performance with monks /Mongolia tour / 2004 Performance with a dancer, Senrei Nishikawa /Poland tour / 2001 Collaboration with a artist, Shinji Komiya / Vienna, Austria / 1999 Performance with a member of KODO / Japan tour / 1999 etc. 4. Collaborators Carl Stone (musician) KODO (musicain) Toshinori Kondo (musician) Susan Osborn (musician) Sayoko Yamaguchi (dancer) Tibetan buddhism monks (monks) Native american story teller (medicine man) Hawaiian kafuna (shaman) Jin Tatsumura (movie director) etc.

DJ, activist, and party-doer ketia is one of the most active upcoming DJs on the Lisbon scene. ketia has a newfound sense of belonging behind decks and feels very grounded in the underground happenings of lisbon a keen ear for new and exciting music, alongside a curious, invested approach to community-building within the Lisbon club scene; insists on mixing as many genres as possible with a promise of bangers only started as coat-check girl at queer rave mina where she debuted and rose to resident and tech bitch. Founder and co-organizer of trans-focused collective Kit Ket - a subversive crossover between a rave and a house party in a non-consistent sonic narrative. A crystal clear mission of bringing honesty to the table as a gateway to bliss on raving.

̸BIOGRAPHY Conductress of Chaos Kiernan Laveaux is a nonbinary trans energy conduit & ecstatic beat conductor from the Great Lakes Originating as one of the driving forces behind In Training, a long running queer event series founded in Cleveland Ohio in 2014, she materialized through the rhythms of life & her loved ones that reflect the rustbelt environment she was birthed from. Inspired by her friends, the experimentalism and joy found within midwestern electronic music, and the forces that gifted her the name Kiernan Laveaux, she's since embarked on a lifelong journey of communicating through the motherbeat She now exists only to channel love and understanding to dancers of open mind and spirit everywhere Effort Won't Betray You

a house / techno / broken beat / experimental producer and dj, based in Sofia, Bulgaria.KiNK

Dubstepper Kode9 is the founder of Hyperdub.Kode9

and u r a thief and u drink 2 muchLaurel Halo

Amsterdam based DJ and Producer Lena Willikens. Resident at Salon Des Amateurs, Düsseldorf. Artist on Dekmantel Rec. Radio broadcaster of "Lightning Conductor" on NTS Radio. Lena Willikens doesn’t play the hits. When she’s behind the decks, even her biggest fans often have no idea exactly what she’s playing, and that’s part of the magic. Like all DJs, Willikens of course has a passion for records and is always on the hunt for elusive bits of music, but as an artist, her work doesn’t hinge on any one track or even a handful of tracks. She’s after something bigger, something that’s truly transportive for those on the dancefloor, and the tracks she plays – whether they’re bizarre slices of synth exploration, some ominously churning proto-industrial stomp, or something else that simply defies classification – are all parts of a larger, more psychically satisfying whole. These days, however, Willikens' radio adventures happen on NTS, where she pilots the monthly Lightning Conductor program. Now based in Amsterdam, her curatory prowess prompted an invite from Dekmantel to put together the fifth installment of their acclaimed Selectors compilation series, and she also contributed a track to the label’s run of all-star 10th anniversary EPs. As a remixer, she's been tapped in recent years to rework the likes of Lena Platonos, rRoxymore, S U R V I V E, Simian Mobile Disco, and Ana Helder, amongst others. And amidst all this activity, she's also been busy with Phantom Kino Ballett, a collaboration with artist Sarah Szczesny that lands somewhere between immersive audio-visual experience and performance art, allowing Willikens to indulge her transportive impulses in a completely new way. Nevertheless, it’s in the DJ booth where Willikens continues to make the biggest impact. As of late, she’s forged a particularly potent partnership with fellow sonic explorer and Salon des Amateurs alum Vladimir Ivkovic, the two engaging in a sort of mind meld that brings together their shared love of electronic music’s darkest and most bizarre corners. Shawn Reynaldo

̸BIOGRAPHY Montreal based beat-maker and composer active since 2003. Also releases music as Vertigo Inc. ̸SELECTED DISCOGRAPHY Tell Me About It 2003 Melted Dubs Strange Daze EP 2004 Odds And Ends Music Dirty Work Vol 1 2005 Odds and Ends Music Broken Telephone 2006 Uma Records Dirty Work Vol 2 2006 Odds And Ends Music Bouncing, Burning & Bitching 2007 Guesthouse Music The Throwdown 2007 Muzique Boutique Recordings Cabin Fever EP 2008 Imprint Music I Keep On Moving 2009 Galactique Recordings A Million Pieces 2010 Semisquare Call Answer - Now Attract EP 2012 Vertigo Inc - Ritual Objects 2014 Unfulfillment Vertigo Inc - Preen 2015 Unfulfillment Vertigo Inc - The Water Margin 2016 Mysticisms Intermediate LP 2018 Appears On: San Francisco Sessions OM 2004 MOS Sessions MOS 2007 House Of Om OM 2007 Nectar Vol 2 Agave 2008 Live In Tokyo OM 2008 Powder In Space BIS 2019

̸BIOGRAPHY Lia Catreux is a Paris-based DJ who loves playing with a myriad of influences and intensities: her DJ sets take us from weighty blends of Breaks, Drum & Bass, Experimental, Hard Dance & Bass music towards darker, ambient and minimalist vibes. Digging into heterogeneous influences with a wide range of intensities, Lia stands out with an unpredictable selection and a mischievous energy, with a strong penchant for 90s to post-internet Rave sounds, tinged with futuristic bass, breaks and experimentation with a more or less familiar feel, all of witch plunges you into a harsh world of fantasy. Resident of the [re]sources label (and their show on Rinse radio), she recently released « Let In Sink » on their birthday compilation. She is also the curator of the compilation 'Place: France' for the New York label Air Texture, on which she released her first track, "United Taste”. Her releases also include a track in collaboration with SNKLS on Club Late Music and another for the Lachrymose Rescue label.

Liv is a NYC-based DJ.

Loraine James is a producer who uses a minimalist setup and unbound creativity, she utilises IDM glitch aesthetics with an improvisational, jazz-rooted spirit and a unique talent for integrating her diverse influences into cohesive and emotive pieces. Hailing from Enfield, North London, adventurous producer Loraine James is a rising voice in the electronic music community. Taking piano lessons as a child and growing up listening to a wide range of genres has instilled a voracious musical curiosity in her that resonates throughout her productions. While classes at college, and later on Westminster University’s Commercial Music course, facilitated her encounter with the basic tools for digital production, her approach is closer to DIY culture than formal training. Often expressing her love for IDM, her intricate, highly intuitive and emotional tracks, composed used minimal, easily-available setup, and openly queer identity stand in direct opposition with the genre’s traditionally male, white and gear-fetishising intellectualism. James’s music is at once abrasive and vulnerable, a powerful dichotomy used to fuse together the many disparate elements from London’s sound universe which she integrates into her music, moulding grime, R&B, jazz and ambient into novel sonic creations with an instinct for improvisation. In 2017, her self-released debut album Detail caught the ear of many music aficionados, but 2019’s sophomore For You And I LP on Hyperdub would make her a breakthrough star, receiving unanimous acclaim from peers, fans and critics at the likes of Crack, DJ Mag, The Quietus, Mixmag and Pitchfork. On Nothing EP, her second Hyperdub release, she explores new directions with a diverse group of international collaborators including Uruguayan producer Lila Tirando a Violeta, Jonnine Standish of Australian duo HTRK and Iranian-British rapper Tardast. by Andra Nikolayi

̸BIOGRAPHY Make Your Own Meaning, Timedance. Producer / DJ / Mix Engineer

̸BIOGRAPHY Montreal's Maara continues to make a splash for herself in the international dance music scene with her productions and mixes. Hailing from Montreal, Maara has made her mark on the dance music scene since her 2021 breakout EP 'Ultimate Reward' on NAFF recordings. Maara has continued to build a name for herself, releasing her subsequent EP on Sonido Isla 'Potion Activated', which features 'The Forbidden Plum', nominated for Best Song of 2021 by Resident Advisor. Her most recent release on Radiant Love 'Goddess Within' celebrates queerness with its hot, euphoric energy. In addition to her solo releases, Maara has contributed to various international compilations and continues to bless the scene by bringing a playful atmosphere to dance floor bangers. Her mixes and DJ sets cover high energy progressive, trance, electro, break beat lit energy.

Representing real drum and bass at it’s finest, Mantra’s deep and emotive sound in the mix comes from an intense passion for the music. With a selection that’s both inspirational as well as educational, her sets bring the beats into balance and cross the spectrum of dark and uplifting styles. Much more than just a DJ, Mantra has already made an impact across the drum and bass scene and looks set to keep rolling strong. Conscious of the history of the music she loves yet always looking to push things forward, she’s no newcomer and her involvement with drum and bass runs much deeper than just a hobby. Having worked for record distributers SRD as well as promoting her own regular club night, Rupture, she’s learnt from the ground up and built a solid foundation on which she continues to grow.

Marco Shuttle has always achieved a lot with a little, and that is the singular aesthetic that stands him apart. His cinematic techno sounds are unusually organic: they build pressure in subtle ways and his meticulous grooves never fail to take listeners on a trip to somewhere new and exciting. As a result of this, he has become a firm favourite amongst the techno cognoscenti and has released on some of the most revered labels of the day, from famed New York club The Bunker’s new label to Peter van Hoesen’s untouchable Time To Express via Clone SOS and his regular home, Eerie Records. Italian born but London based, where he also gained his MA in Fashion at St Martin’s. What ties his creative work together is a focus on abstract yet organic texture and the same thing defines his tightly woven DJ sets from fabric to Berghain to Labyrinth in Japan. His eclectic cerebral sound takes cues from jazz and musique concrete as much as it does from acid house and Detroit techno.

̸BIOGRAPHY Maria w Horn is interested in manipulation of time and space through sonic extremes, and overload/loss of perceptual stimuli. Her musical output oscillates between extended drone textures and high-density gestural music with intense strobe lights and visual material. She is an integral part of New Music in Sweden through her involvement in Fylkingen, Drömfakulteten, Sthlm Drone Society and her own label XKatedral. ̸SELECTED DISCOGRAPHY Diverted Units - Holodisc 2016 Minutiae - Sthlm Drone Society vol I - Xkatedral 2016 Magenta - Xkatedral 2016 Hästköttskandalen - Space girls - Fylkingen records 2015

̸BIOGRAPHY Marie K is a Dutch DJ and producer based in Rotterdam. Coming from a classical background, she always strives to tell an emotional story while at the same time creating an energy that makes people want to move. Her richness in facets shows by how different she expresses via live sets and DJ sets while staying groovy, dreamy, yet dance-oriented in both, as she believes dancing is therapeutic for the soul.

̸BIOGRAPHY Amsterdam based DJ, Knekelhuis label boss, 1/2 Volition Immanent. Whether he be busy blurring the lines of dance music as we know it via his genre-busting label, Knekelhuis, or fronting hybrid analogue-punk act Volition Immanent alongside longtime partner-in-crime Parrish Smith, Mark Knekelhuis is a man much rather attracted by the weird and the unknown than the stale comfort offered by formulaic recipes and self-imposed censorship. Actually, if there's one thing to make Mark tick as a musician and label curator, this has to be the unlimited firepower of dance music as a transgressive but unifying means of expression. Obviously a key component of Knekelhuis' ever elusive nature and steady success as a much versatile yet easily identifiable imprint, this shape shifting / hyper-dynamic approach is also at the very heart of Mark's wide-scope vision as a DJ and artist. Through intricately knit constructions that span the vastest musical spectrum - ranging from quirky techno to synth-pop, through electronics, wave and ambient, Mark engages his audience into an equally intimate and physical conversation in music, interrogating without answering, opening up without ever confining his sets within dogmatic aesthetic borders. Among his biggest influences def Theo Parrish, Coil, Cocteau Twins and The Cure should be mentioned. Driven by that strong sense of inclusion and eclecticism, sprinkled with touches of pastel-painted melancholy and wilder-than-wild flows of raw energy, Mark's craft sure isn't one to burn bridges; no, it builds bridges where cultural gaps divide, challenging ears and consciousnesses through vibrant collages, while turning the dance floor into a most welcoming shelter for supraliminal body-and-soul communion.

Dutch-born US-based Martyn has always taken a genre-transcending approach toward dance music.Martyn

̸BIOGRAPHY Mata Disk is a producer and DJ hailing from Rotterdam, the Netherlands. After saying goodbye to former aliases, Julian Determan aka Mata Disk found himself in a distinctive sound, which combines contemporary club music with ambient and atmospheric elements. A sound that celebrates the experimental and boundary-pushing aspects of music, which can be heard on his 2022 EP ‘Surrounder’ released on Nous’Klaer Audio.

̸BIOGRAPHY Mayo is a project that is influenced by the sounds I heard growing up combined with the music I listen to nowdays, bringing together the past to meet the future of music and sound Since day one i was exposed to music. from vinyl records that played non stop at home, with wide diversity of disco funk and jazz, to radio stations I was addicted to that played house, nu-disco and electronic music. Our house atmosphere was built on music. Whether it was long car rides with the radio playing in the background or my dad having his annual Friday morning record sesh, blasting his music so all the neighbors could hear, I was constantly surrounded and influenced by music. At a young age I was learning to play a number of instruments such as drums, piano and sax which only made me eager to create more. At age 13 i first got to use a music software and produce my own sound. 3 years later, I was djing at local party’s, friendly gatherings and social events so I never stoped since. Mayo is a project that is influenced by the sounds I heard growing up combined with the music I listen to nowdays, bringing together the past to meet the future of music and sound

̸BIOGRAPHY Residency at Garage Noord Amsterdam. LYL Radio Show every other month. Regular at Intergalactic FM.

̸BIOGRAPHY M I M I (aka Maria Green) is a Brussels-based artist & DJ living in Belgium since 1998, she explores her Afro-European cultural heritage through various media. She also does not stick to any particular style of music, but constantly explores and combines. Seeking progressive movements while exploring her roots, she approaches art and music with her own Afro-futurism. Cosmic electronic sounds, mesmerizing rhythms, percussions, all mixed with today's hottest tracks.

Robert Henke, born in 1969 in Munich. I was always fascinated by technology, wanted to become an enigneer. Some day I discovered Oxygene by Jean Michel Jarre and I could not stop listen to it again and again. I did stupid jobs after school and finally..Monolake

An outspoken voice in the normally non-confrontational world of electronic dance music, Moodymann (Kenny Dixon Jr.) is committed to keeping a distinctly black imprint on techno and house. Moodymann

Mor Elian is a Berlin based DJ and producer originating from Tel Aviv and Los Angeles. Label owner at "Fever Am", and booker at "Into The Woods" underground parties in Los Angeles.Mor Elian

̸BIOGRAPHY The Disconnect rep plays her role in a range of scenes: vibrating darkened dance-floors with bass-heavy cuts; and a gentler touch to daytime slots with alluring, cross-genre provocations. A selector who is unafraid to both own and shift the script. Which character is next for shapeshifting MSJY? After dark, a two-piece yellow tracksuit looms over the decks, unleashing a frenzy of electric beats. When the sun is up, her gentler touch is at play: fusing unthinkable combinations of genre into alluring, deliberate provocations. Born from OOST club of north NL, the character of MSJY continually changes form. Taking early shapes in residencies with Noorderling, De School, Griessmuehle, and currently Oxi, she shifts to bill without compromising her sound and unafraid to provoke; her sets are characterised by pace, energy and a balancing of different moods. That balance is brought into force delicately; easing listeners across an expansive style. With craft the otherworldly is made club-ready. Foresight and cautious preparation enable her to glide between genres that would formerly seem nonsensical – opening up her sound to distant tones whilst maintaining respect for the dancefloor’s natural order. When the bass and darkness subside, her lighter daytime persona comes into being. Beneath the beats a conceptual side is unearthed. Unposed is her latest creation: a release series exploring the emotive nature of a club night's final hours. In her Jay-by-day radio slots this conceptual side is further summoned; brought to life in strongly thematic, cross-genre explorations. Take 1: Brain Dub - the deft interplay of IDM and dub music. Take 2: Trip Jazz - the delving of trip-hop into acid’s soul. Themes come to life in many takes – a shifting melange of iridescent shapes. Though the shapeshifting persona can be hard to pin down, her DJ sets are rarely off the mark: willing to unwind the norms and push the narrative. Each scene offers a fresh role for her to perform. A character who both owns and shifts the script.

̸BIOGRAPHY Nadia's roots in Rotterdam and current location in Berlin equally speak to her affinity for techno - propulsive, dynamic machinations which manifest in DJ sets as well as live hardware performances. From deep pools of ambience to the brain-feeding mechanisms of electro and techno, Nadia Struiwigh’s gift is in expressing herself with conviction through her machines. As an accomplished live artist and producer, her affinity for synthesis and sequencing results in a spellbinding strain of electronica drawn from a richly personal sonic space she has marked out for herself. Struiwigh’s recorded output has appeared on labels like Central Processing Unit, Nous’klaer Audio and Dekmantel - albums and EPs which reach from crunchy sequenced beats to vast swathes of pure, melodic tones. Her roots in Rotterdam and current location in Berlin equally speak to her affinity for techno - propulsive, dynamic machinations which manifest in DJ sets as well as live hardware performances. As a teenager enthralled with the Warp school of electronica and leftfield downtempo, Struiwigh was set on a path of discovery where the intricacy of production met with her impassioned, intuitive approach to composition. Her exacting approach to the technical aspects of the craft has earned her the knowledge to extract her own voice from any medium, but more importantly her music emerges from a very human need to communicate and connect. That connection is best manifested outside the studio. Struiwigh’s live sets range from patient, beatless immersions to kinetic peak-time rushes, sometimes straddling the divide in line with her omnivorous passion for ambient and techno alike. At times she’ll present her released works in a more patient, listening setting, while for the sensory overload of the dancefloor she tends towards a more improvised, open-ended approach to techno and electro. The exact make up of her live rig changes from gig to gig, keeping her inspired and ensuring no two performances are the same. High-profile shows in concert halls sit alongside strobe lit club sessions - she’s since become a resident DJ for Tresor to indulge her love of driving, psychedelically-charged techno, while warm-up sets give her the chance to indulge the deeper dimensions of the music she loves. The range of her tastes can be heard across leading platforms such as RA, Phantasy, Bleep and Red Light Radio, who have all invited her to their esteemed mix series’. Plugged into the moment and constantly exploring new dimensions of her sound, Struiwigh champions electronic music as a springboard for possibilities. With an exquisite clarity which comes from both technical skill and clear-eyed intention, her music thrives on heart and experimentation, powered by machines with as much character as the human at the controls.

̸BIOGRAPHY Nala Sinephro's music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Nala Sinephro is a Caribbean-Belgian composer, producer and musician living in London. Sinephro's debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a orb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more. Following electrifying live performances across the London scene, word of Nala Sinephro's playing has spread throughout the UK jazz scene and procured support from NTS, London Contemporary Orchestra, Spitfire Audio, Gilles Peterson, Virgil Abloh, Touching Bass and The Guardian. In 2021, she joined the innovative Warp Records roster and continues to weave her unique sound world. ̸SELECTED DISCOGRAPHY Space 1.8 (Warp Records) released September, 2021 Nala Sinephro - Live at Real World Studios with Edward Wakili-Hick & Dwayne Kilvington (NTS) released August, 2021 Nubya Garcia - Together Is A Beautiful Place To Be (Nala Sinephro Remix) released October, 2021

̸BIOGRAPHY Nastya Vogan is a Kyiv-based electronic producer and composer, a resident of ∄. With a background in classical music, she opens up an electronic space to channel different influences from rare leftfield techno, electro and breakbeat to innovative electro-acoustic performances with an orchestra.

̸BIOGRAPHY Neek is a Grime producer from Bristol, UK. He produces records with fellow Bristolian Kahn, with releases under the monikers Kahn & Neek and Gorgon Sound.

̸BIOGRAPHY Creativity is the tool Nelly uses to process, understand and cope with the world. She finds solace in forest walks as much as she does on darkened dance floors and losing herself in these moments allows her to reset, reflect and become re-inspired. When she is on the other side of the DJ booth, she is someone who distills dark musical forces into high energy sets rich in atmosphere and dense with emotion. Impactful hypnotism, explosive rave, stylish trance and growling machines all colour the airwaves and make for moments of true escapism and non-stop physical workouts. But there is another side to Nelly's sound: away from the club she threads fluid musical stories that draw on a wide array of genres. They explore the darker side of her psyche and are a form of therapy that can soothe and stir various different emotions and transform troubled mindsets. As Nelly's family was a part of the Indonesian diaspora that arrived in Rotterdam by boat after the Indonesian War of Independence, her storytelling audiovisual projects, mixtapes and photography draw on intergenerational trauma and how to deal with it. Early in her life, Nelly was surrounded by a wide array of music but properly began exploring electronic sounds when she moved to Rotterdam. Her favourite spaces to dance in were cosy and sweaty basements. By then, she already used to spend hours making mixtapes in her bedroom. A time spent studying in Stockholm gave her the chance to buy her first controller and properly explore DJing, then a job behind the counter at the legendary Clone record store back home furthered her passion for digging ever deeper. From the '90s rave and trance of Belgium's Bonzai Records to Paul Johnson's raw Chicago sound, Nelly's inspirations are united by realness and roughness that always makes you want to dance. "The dance floor has an enormous place in my heart," says Nelly. "It is the place where I can laugh and cry at the same time; a place where I can let all my emotions flow." The basement space Nelly loved so much was in BAR Rotterdam, which eventually closed. But it is now known as POING and Nelly had the honour of re-opening it after the lockdown with her first-ever DJ set. Since then she has played at places such as ADE, at Rotterdam's techno club Perron, and FIBER Festival where she played a mesmeric closing set with VJ Leeza Pritanchenko. During the pandemic, Nelly's sounds were broadcast far and wide with mixtapes for the likes of Dekmantel, Nous’klaer and Traumgarten. Now, though, she is back to the DJ booth and ready to take you on your next trip into the unknown.

̸BIOGRAPHY Nèna plays music for booty and soul. Amsterdam’s Nèna brings feverish heat to the dance floor with sets that balance right in between smooth and energetic. Her open-minded approach to club music results in eclectic selection of dancehall and reggaeton glued into her excellent picks of bass, rolling techno and percussive electronics. Common threads that weave together her sound are dreamy melodies, contrasted with crunchy percussion, and a sweet sugar coating in the form of seductive vocals or luscious samples. Every other month Nèna showcases her favourite tracks in her radio shows on Radio Radio FM and Stranded FM, most often she shares this platform with other DJs and music-loving friends. As a familiar face at leftfield hot spots including MONO and Garage Noord, Nèna is a promising talent rising from Amsterdam’s prolific underground.

̸BIOGRAPHY Originally from Fremantle, Western Australia, Neu-Romancer is a Berlin based producer, musician and DJ. Playing the likes of Zanias ( Fleisch ) and post-punk band Ciern, her broad aesthetic entangles Dark Disco, Electro, EBM, Italo and sleazy beats - bringing a playful light to the depths of the dark realm. Solo release soon to come on Fleisch Records.

One of Belgium’s most acclaimed DJ, Nosedrip from Ostend. As a Dj, Nosedrip sets moods like no-one else and leaves dancefloors gasping for breath everywhere he goes. An amazing selector who has been regularly playing all over Europe with a remarked appearance at Dekmantel festival last year. In the space of just a few years, Nosedrip made a name for himself with the persistence and focus of a kid that wants to prove all his bullies wrong. From running a regular ambient show on his Mixcloud-page, which has a staggering 30.000+ followers, he went on to launch Stroom.tv. The platform caused quite some waves in the online radio community because of its unique mixture of oddball playlists and distinctive aesthetics. In 2016, his radio show moved to NTS and Stroom.tv turned into a record label focusing on heritage, with Ziggy spitting out killer archival releases from the likes of Alain Neffe, Jan Van den broeke, Vazz and Latvian avant-gardists NSRD.

̸BIOGRAPHY As a DJ, no service offers up spiralling, spectacular tracks that warp time and space – think deep cut psychedelic oddities, flickering neon green acid and splintered breakbeat. Summoning a vortex of unexpected and unexplored sounds.

DJ and producer NVST from Switzerland has established herself as one of the rising stars of the international clubbing and electronic music scene. Playing uncompromising sets around the world, this hyperactive artist seems insatiable. DJ and producer NVST from Switzerland has established herself as one of the rising stars of the international clubbing and electronic music scene. Playing uncompromising sets around the world, this hyperactive artist seems insatiable. A regular guest at the most prestigious clubbing festivals (Amsterdam Dance Event, Positive Education, Dekmantel Selectors) and the trendiest clubs of the moment (Garage Noord, Tresor, Ankali, Zhao Dai), she leaves no one indifferent. In addition to DJ sets under her own name, she is part of the Drift Institute, a live group that blends post-punk, abstract, and techno. NVST's growing reputation is built on sharp, powerful, and deeply committed sets. Taking her audience by surprise, she doesn't hesitate to put them in uncomfortable situations to lead them into a trance. Breakbeats, industrial, techno, and acid are just a few of the strings to her bow. Her style draws from all genres in order to transcend them and create moments of collective communion. The values that drive NVST's approach to DJing are far from conventionalism and commercial approaches. As an advocate for a more open and inclusive electronic music scene, she is part of the Female:Pressure family and fights for better representation in the nightlife industry. In addition to her already impressive schedule, she co-directs the Big Science label with Warzou, a sound experimentation laboratory focused on marginal electronic music. She is also a resident DJ on LYLRadio and Rinse FM. NVST's discography is also extensive. In addition to numerous remixes published here and there, she has released an EP and two albums under her own name, an album with the Drift Institute, and she announces the upcoming release of a new album on the Geneva-based label Les Disques Magnétiques (a sub-label of Disques Bongo Joe). In addi­tion to these accom­plish­ments, her recent fea­ture in a Tre­sor com­pi­la­tion solid­i­fies her posi­tion at the fore­front of cut­ting-edge under­ground elec­tron­ic music. ̸ SELECTED DISCOGRAPHY SOLO RELEASE NVST - Filled with Oil LP ― Les Disques Magnétiques - 2023 NVST – Drum in the Bass of Attention LP ― Big Science - 2022 NVST – Stop Violence Motivate Violence ― Serious Trouble - 2021 NVST – Compiled Works 2017-2019 LP ― Big Science - 2020 COMPILATION X FEATURING RELEASE
 NVST – Heatstress (Tunnel Edition) ― Tresor Records NVST – The Snitch Cant Fist (Cloud94 Version) ― Selfreleased NVST – Petroleum Dub ― Pracht NVST – Fire & Exposure (Flames In The Car EdItion ― Tsunami Records NVST – Domination Of Controversity (That Is (So) Useless Version) ― Jerry Horny NVST – If The Sheriff My Family ( Forevervacation Edition) ― Die Idole NVST – Store Of Love – Proxima Records 
NVST – 6weeksquarantine2yearstherapy (Autohifive Final Countdown Mix) ― Subject To Restriction NVST – Safer Safe (When Doggos Building Bridges Mix) ― TRNSTN
 NVST – Velo Moto 184 (CMS DJ Drivin High Passing Police Version) ― Sumo Smash Records
 NVST – Empire State (Autohifive Danger Zone 1994 Mix) ― Club Culture 
 NVST – Sankt-Prex (Autohifive Under the Surface Mix) ― Kashev Tapes & Oramics
 VOCALIST WORK Théo Muller FT NVST – Devil Moon ― KRAKZH
 Théo Muller FT NVST – Les Rave Party Sont Interdites ― KRAKZH
 Exhausted Modern FT NVST – Something Stronger ― Endless Illusion REMIX Neu Verboten – Sangre Digital (NVST Hifire Remix) ― Jupiter 4 Jolly – Secular Theodicy (Autohifive Windowsdown Remix) ― Kashev Tapes Exhausted Modern – Hard Working Rats (NVST Hifive Remix) ― Endless Illusion Anatolian Weapons – Black Sea ( NVST Waving Edition) ― Lurid Music ALIASES RELEASE The Drift Institute – Damages and Their Slices LP ― Pensament Sonic Autohifive – Benzin ( NVST GTA MIX) ― Les Points Autohifive – Say It From The End (Vilnius Edition) ― 777 Records Autohifive – No Shoes / Time 2 Go (NVST C1984 EDIT) ― Nasty Entreprises
 
Autohifive – Safe Room Explosion ( Stress Result Version) ― W.T.N.T Autohifive – Lost Dog Walk ( Lonely NVST Version) ― selfreleased
 Autohifive – Cargo XXL ( NVST remix) ― Brainwaves

̸BIOGRAPHY DJ from Rotterdam running Nous'klaer Audio.

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known for her eclectic mix of styles, tempos, and sounds, ojoo, fka OJOO GYAL, has a knack for blending diverse elements into an engaging and infectious experience. born and raised in Morocco, and currently based in Brussels, ojoo has established a mean reputation for mapping a sound uniquely hers in meticulous DJ mixes since 2019 at venues across Morocco and Europe, radio shows on Noods and Movement, and mixtapes on Accidental Meetings and Chrome. ojoo’s mixes give equal attention to atmosphere and groove. They are a swirling cauldron of rhythms across a whole spectrum of genres, from old-school dancehall to its most futuristic and distorted mutations, twisting through dub, reggaeton, dembow, grime, and sometimes excursions into the noisy, grubby and sludgy, with illbient, musique concrète, and more. AMX004 - OJOO GYAL vs. FUMU CHMIX005 - OJOO GYAL - Untitled

̸BIOGRAPHY Athens-based French Artist, DJ and producer OKO DJ. Member of label BFDM and of close to the collective Bruits de la Passion. Founder of LYL Radio Paris. Radio broadcaster of women only's "PU$$Y NIGHTMARE" on LYL Radio Originally from Paris, and now based in Athens, Marine Tordjmann alias OKO DJ's implacable rise to prominence has seen her establish as one of the finest DJs and producers to pace the world's stages. Core element of Judaah's Lyon-via-Marseilles operated label BFDM, member of Bruits De La Passion - a crew promoting alternative, off-piste parties that aspire to create safe spaces for creation and recreation, initiator of LYL Radio's Parisian antenna where she hosts her bimestrial show Pu$$y Nightmare - focused on casting a broader, more comprehensive light on female artists, all of that agenda attracting her wider recognition on an international level. 2020 has seen OKO DJ make a noticed debut in solo production with a track on Metaphore's imprint compilation, followed by an acclaimed first 4 tracks experimental EP on Futur 2010, featuring "one of the coolest downtempo tracks of the year" (RA). OKO DJ aims at exploring connections rather than divisions, bridging gaps with spirituality rather than widening them. Dishing out distinctively rich, genre-busting tapestries that transcend all limitative roles, Tordjemann has the secret to channeling surrounding energies and forces in her art with unrestrained panache and authenticity. ̸SELECTED DISCOGRAPHY 2021 - OKO DJ "When Her Lust Had Returned" (Décalé Records) 2020 - OKO DJ "Dans Les Lunes" EP (Futur 2010) 2019 - OKO DJ "Through Scalar Waves" (Metaphore Industrie) 2019 - Women In The Royal Court EP (Red Bull Music Studios Paris) 2016 - Marine Tordjmann feat. GAM / colletivo vandalismo "Rider" (Eye For An Eye Recordings)

̸BIOGRAPHY Olof Dreijer is a music producer, DJ and musician and a member of the Swedish electronic pop group, The Knife. Olof has been involved in different cultural projects where music plays a central role in communicating political beliefs. His solo project, Oni Ayhun, plays with stereotypical ideas and norms about gender in dance and experimental music. Starting djing around 98' at local school parties, he ran his first club in high school and has been djing since. He started out playing Disco, House, Garage, and Drum n' bass playing more Hip Hop and R&B in the early 2000's. Following this was a long period of playing harder Techno and House, including EBM and Shranz. The last decade has seen him playing mostly throughout Europe when he's not too busy producing music in his Berlin studio. Currently, as a DJ, Olof plays a mix of West African pop music, Kuduro, Acid, Hip Hop, R&B, and melodic Techno and House. He enjoys making fun edits and remixes to play in his sets. He recently remixed the Swedish Batucada group, Yacombe. You can hear it in the opening of his Rinse FM mix. He’s currently producing music for friends like Planningtorock, Zhala, and Houwaida Hedfi aka Hiya wal Âalam- a band in which he also plays the flute & percussion.

̸BIOGRAPHY Bass, drums, and dogs lover. Monthly Therapy Dog on Refuge Worldwide

̸BIOGRAPHY Founder of Céad/ DJ and producer

̸BIOGRAPHY Based in Amsterdam but very much with one foot in the cosmos, Orpheu The Wizard has been surprising and delighting people with his unconventional sets for years and years... The Dutchman has done so with little fanfare before now, because his skills have simply spread through the mouths of those astounded by what they have heard when they see him play. It’s hard describe what goes down in one of his sets, the distinguished selector is not afraid of taking left turns, serving up curveballs and doing the unexpected. Taking real pride and joy in unearthing and sharing his usually musical treats, Orpheu The Wizard is musically curious and invites his audiences to be so too. As versatile as he is eclectic, you are as likely to be floating in outer space one moment as you are rooted to a beat the next. The man born Orpheu de Jong is a Red Light Radio co-founder celebrated for the breadth and depth of his taste and the passion with which he plays. Closely linked with the acclaimed Dekmantel crew for who he is in house designer, Orpheu is a big but back stage player on his native scene, and is now rightfully making a mark on the wider world.

̸ BIOGRAPHY Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it, “so this is the track that was on every 5 minutes at Warehouse Project. ”That track and the duo’s own ‘Le Tigre’ were played out constantly by the likes of Four Tet and Ben UFO, the former also hiring the duo to remix his track ‘Teenage Birdsong’. Then there are their edits. Thom Yorke was so impressed by the duo’s versions of ‘Not The News’that he let them release the tracks on their own Polykicks label. Add to that their cheeky version of Rosalia –‘A Palé’,which caught the ear and the eye of the respected flamenco artist, as well as being a highlight of their live performances pre-lockdown. Then the world abruptly stopped, all their forthcoming gigs were cancelled and suddenly Overmono were able to fully commit their energy to their legendary Bromley studio. It’s was during this time that the duo feel they’ve been able to realise exactly what Overmono’s music should be. “Our work together had so far been about exploring and defining what Overmono is... and we feel like we’ve got this now”.

The story of the DJ, live artist, and producer Pablo Bozzi is a love story with music that he formed for the first time at age 6, spending his childhood and adolescence practicing the harpsichord at the National Conservatory of Toulouse, Pablo Bozzi is a Berlin-based producer, live artist and DJ who is now behind a multitude of aliases. 'and co-projects. Its sound is unique, and some have come to classify it as "Italo Bozzy Music". From EBM and Techno, through New Wave, to Italo, New Beat, and Industrial, he maintains little respect for conventional parameters within electronic music.

̸BIOGRAPHY Pär Grindvik has been a central figure in the Swedish electronic scene since the 90s having released music across a plethora of acclaimed electronic labels, including a string of hits on his own Stockholm LTD imprint as well as Drumcode, with frequent.. Pär Grindvik has been a central figure in the Swedish electronic scene since the 90s as record store owner, label manager and producer. In his artistic career Pär has released music across a plethora of acclaimed electronic labels, including a string of hits on his own Stockholm LTD imprint as well as Drumcode, with frequent collaborator Hardcell. Pär’s recent output has seen him contribute music to labels such as Semantica, Marbacka, Sinister and Dystopian. Founded in 2002, Stockholm LTD began as an outlet for singles and EPs from Swedish artists with a focus on releasing timeless electronic music. It has since developed into a hallmark for finely crafted electronic music from a range of international artists. Over the past two decades Pär’s involvement with the electronic music community has branched out across the globe. Openly passionate about supporting underground talent, Pär works closely with an ever-expanding repertoire of labels and artists. As a DJ Pär tours the world, transporting his deft and uniquely dynamic DJ sets to techno fans internationally and on a weekly basis. His worldwide popularity as a performer stems not only from his skill and versatility but also as a result of the energy he puts into every performance. It's this combination that enables him to bring the heat to the best clubs in the world. ̸SELECTED DISCOGRAPHY -Par Grindvik - The Planets II - 029sx -Marbacka - Marbacka - Marbacka -Par Grindvik - The Planets - Stockholm / A&S -Various Artists - No Way Back - Stockholm LTD -Par Grindvik - Air - Stockholm LTD -Various Artists - Untitled - Stockholm LTD -Par Grindvik - Wyatt ARP - Stockholm LTD -Various Artists - Untitled - Stockholm LTD -Various Artists - No Strange Waters - Stockholm LTD -Par Grindvik - Score For Direction (Remixes) - Stockholm LTD -Van Rivers / Par Grindvik - Versions - Stockholm LTD -Par Grindvik - Score For Direction - Stockholm LTD -The Hollow - We want it bad - Stockholm LTD -Adam Craft/Grindvik - Catch me/ Nand-Grind - Stockholm LTD -Grindvik - Battle of Berth Elisabeth -Stockholm LTD -Grindvik & Hardcell - Gate - Stockholm LTD -Grindvik & Hardcell - Streetlife - Stockholm LTD -Grindvik & Hardcell - GEM - Stockholm LTD

no elitism, no prejudices, no 4/4, no genre, hypnotic, tense, compre​hensib​le, a state of mind Whilst cap­ti­vat­ing audi­ences with music that is both intense and hyp­not­ic, Par­rish Smith embarks on a rather suc­cess­ful jour­ney of cre­at­ing spaces where walls are torn down and prej­u­dices are non-existent. Dur­ing this unique ven­ture into the broad spec­trum of elec­tron­i­ca, Smith is able to dis­play his take on var­i­ous lay­ers of elec­tron­ic music with extreme per­cep­tive subtlety. These uniques spaces cre­at­ed by Par­rish Smith are char­ac­ter­ized by his deter­mi­na­tion to design music that escapes the hold and bias­es found in con­tem­po­rary tech­no. His music enables you to think dif­fer­ent­ly whilst let­ting go of any nar­row-mind­ed and lim­it­ed perspectives. Emo­tion and inten­si­ty are the true pre­dom­i­nant fac­tors in Par­rish Smith’s music. These two cat­a­lysts come to fruition in, not only con­tem­po­rary tech­no but even enable Par­rish to maneu­ver him­self amongst dif­fer­ent styles of music. From film scor­ing to sound­tracks, Par­rish Smith rec­og­nizes that his strength comes from com­bin­ing emo­tion and inten­si­ty, thus result­ing in projects that are inspi­ra­tional in their truest form. Elit­ism is for the weak. It is para­mount that you always stay true to your­self and your music. Fol­low­ing these major mantras, Par­rish Smith rep­re­sents a beau­ti­ful and true exam­ple of the punk mentality.

̸BIOGRAPHY More breaks, More bass The inimitable Passion DEEZ [he/him] plays an alchemy of bass-centric sounds from 2-step and dark garage to instrumental grime and jungle. Coming from a decade long background in pirate radio and dubstep parties, DEEZ focuses on playing darker grooves and more percussive riddims bringing a unique perspective to the Dutch dance culture. Pushing the London sound and the contemporary productions from his peers, DEEZ always turns up with a bag full of tricks and a story to tell. Picking up the USB stick and blowing sentimental moments off forgotten wax, DEEZ toured the Dutch radio stations like a bat out of hell and reclaimed a space at the table with his refreshing curation. Playing a set pretty much every week during a pandemic made DEEZ hard to miss while we were all sat at home reminiscing our beloved club scene. He now regularly plays at venues, stages and stations all over Europe.

Ball of energy.Peach

̸BIOGRAPHY Peachlyfe (Endurance, Fast Forward) Peachlyfe (they/them) is a hydra-sonic electronic musician that shook & seduced the Copenhagen fast-paced techno scene, claiming their seat along with the Fast Forward Agency. Peachlyfe’s productions and live-sets rebelliously weave across genres, trippy melodies cut with heavy slaps while slithering whispers in your ear sowing the dismantlement of the ‘cistem’. Their previous EP “All Tits are Real, All Money is Fake, All Hail Satan” is an ode to that anarchic-playfulness, a marvellous feat in blending rave-rush joy and queer defiance. ̸SELECTED DISCOGRAPHY Swamplyfe (Lobster Theremin 2021) All Tits are Real, All Money is Fake, All Hail Satan EP (Copenhagen Comfort 2020)

̸BIOGRAPHY Every day since 1982 From obtuse angles to intense physicality, Peder Mannerfelt’s highly individual take on techno demands attention and consideration. While his many-sided body of work reaches back more than a decade, the Swedish producer’s current investigations in the field of experimental dance music are as prolific as they are unpredictable. After a series of albums as Roll The Dice alongside Malcolm Pardon, he lent his production skills to Fever Ray’s acclaimed debut album and 2017’s Plunge and is currently busy exploring a new strain of techno-pop together with Pär Grindvik as Aasthma. Working under his own name Mannerfelt’s sonic imprint can be most acutely felt. Accompanying appearances on Voam, Hinge Finger, Numbers and more, he established his own label Peder Mannerfelt Produktions to carry the bulk of his output, and that of kindred spirits such as Klara Lewis, Code Walk and Sissel Wincent. Peder Mannerfelt music is always rooted in the kinetic energy of techno even as it seeks to break down the genre’s rigid, illusory formulae.

̸BIOGRAPHY DJ, Producer & Vocalist (DFA Records) For as long as she can remember, Annegret Fiedler has created electronic melodies to soundtrack her daydreams. Drawing on her early love for brooding New Wave and Post-Punk, she became Perel, an electronic producer, vocalist and DJ who spent much of the 2010s shaping her sound – and to just praise. As well as being the first German artist to sign to James Murphy’s seminal dance-punk label DFA Records, Perel has performed internationally as a live act and DJ, from the floors of throbbing techno clubs to major city festivals. Growing up in the East German state of Saxony, she learned how to write and produce songs, inspired by Apex Twin, Kraftwerk and The Cure, among others. Later drawn to Berlin and its underground club scene, she took on the persona of Perel, writing, producing and singing on solo material for labels like Running Back, Uncanny Valley, Kompakt and Permanent Vacation. In an ever-evolving club scene with myriad faces, Perel stood out by singing over her DJ sets, bridging the mood of her own live sound with her selections. Perel drifted into the orbit of the heads of DFA Records, who released her debut solo album Hermetica in the spring of 2018. Her sound has a natural kinship with DFA: playful basslines undulate as thumping house and techno synths drive home the message of her hooks and refrains, ghostly vocalizations that speak of romance, dread and power.

̸BIOGRAPHY An intergalactic journey open to the reception of biosounds from remote solar systems. Letters from alien worlds that tell of infinite possibilities of life. The soundtrack of synthetic planets aimed at hyperevolution of intelligent organisms. ..・༓ (。𖡔 Pianeti Sintetici ('synthetic planets' in Italian) is a new conceptual project by Davide Perrone (Primal Code) that draws inspiration from the factories of Magrathea, a planet in Douglas Adams' classic space opera The Hitchhiker's Guide to the Galaxy, where artificial planets are manufactured on commission. 'This concept has always fascinated me, and I chose the name to frame a hypothetical future of synthetic worlds, told with sound,' Davide says. 'I like to imagine the howls of creatures inhabiting solar systems outside our own. Rarefied atmospheres, alien sequences, and unfamiliar tonal scales. So, I see Pianeti Sintetici as an open-ended design research project where I can explore these inspirations.'

̸BIOGRAPHY Electronic music producer, dj and sound designer based in Milan.

̸BIOGRAPHY b. 1993, Kyiv, Ukraine Project of Sasha Zakrevska, composer, dj, curator and graphic designer currently based in Berlin, DE due to full scale Russian invasion. ̸SELECTED DISCOGRAPHY Music For Candy Shops LP [TRNS003LP] 2017 + / - [BAS006] 2019 Currency [MONDOJ] 2019 Bartosz Kruczyński & Poly Chain - Pulses [ITLInt02] 2018/2019 Nene H, Poly Chain [STDEV001] 2020 Lake Lemuria EP [ORKL-W-04] 2021 Dogtooth EP [DT008] 2022 Fairy Disco EP [Mystictrax] 2022 Relax EP [Funclab Records] 2023

Under the Priori Moniker, Québecois musician Francis Latreille has established himself as a crucial voice in underground techno. His 2019 full-length debut On A Nimbus, released on his own NAFF imprint, was a haunting foray into the possibility/impossibility of technological utopia, where elements of dub techno, drum & bass, IDM, and tech-house curiously converged, resulting in an album at once familiar, modern, and undeniably singular. Francis followed that with a string of essential releases–from the slow-burning techy meditations of SCN and Little Flower to the anthemic, trance-inflected Infinity–ending with 2021’s Your Own Power. Priori is also an accomplished mixing engineer; a quick search will reveal an exhaustive list of credits on projects by Roza Terenzi, D. Tiffany, Escape Artist, Bambii, Gene Tellem, Maara, and ex-terrestrial, to name a few. Between the label he runs with Adam Feingold (aka ex-terrestrial) and the studio he runs with Patrick Holland, Francis is quietly shaping the course of underground electronic dance music in Canada and abroad.

̸BIOGRAPHY p_r p_r ̸SELECTED DISCOGRAPHY CAGE W MIRRORED BARS (2016) O FUCC IM ON THE WRONG PLANET (2018) RESONANCE IN EXOPLANETARY HYBRIDIZATION (2018) ++ MORE BEFORE, MORE AFTER

Quan’s expertise designing and operating modular synthesizers delivers a musical palette that jumps between uplifting experimental soundscapes, minimal techno, and deep house. A prominent figure in the development of Vietnam’s experimental electronic music scene, the spontaneous revisions to his live, ever-evolving improvised performances provide an endlessly varied alternative to traditional loop-structured song formats.

̸BIOGRAPHY French electronic music producer based in Berlin, Germany. Quelza (real name Léo Naït Aïssa), was born at the end of the 90s in the Parisian suburbs. Lulled in the arts since his childhood, his connection with music is made at an early age. But it's in 2013 that he made his first encounter with the Parisian electronic scene which inspired him to start producing his own tracks. Over the years, Quelza has made a name for himself in the scene, earning the respect of renowned artists, such as Oscar Mulero, DVS1, Marcel Dettmann, Ancient Methods, Efdemin or Tommy Four Seven to name a few, and committing to in-depth projects and releases. Quelza is assiduous when it comes to his music - his releases on labels like Mord Records, Palinoia, 47, Hayes Collective and others, push an unorthodox crystal clarity and cinematic sound design that has become his signature as an artist - which, combined with his unique DJ sets, has earned him a spot at some of the most prestigious clubs in Berlin (where he is currently based) and abroad, such as: Berghain, Tresor, Fabric London, Reaktor, KHIDI and several more. Quelza, counts as one of the most satisfyingly mature young guns to emerge out the new wave of techno artists that’s been unfurling in recent times, with an exquisitely panoramic view into his mental multiverse. Championing layered techno wares laced with a breaksy, IDM-informed touch that packs a punch, the Frenchman keeps on carving out a truly distinctive, shape-shifting signature, switching scopes and angles as he ups the rhythmic pressure with every next sequence.

̸BIOGRAPHY Rabon Aibo (born 1988) is a Berlin-based Kurdish artist specialized in sound, visuals, and installations. Drawing inspiration from literature and film, his compositions create captivating atmospheres, sculpting cinematic experiences. He defines his sets as "sonic fiction," blurring the boundaries of reality. Aibo believes that all sound frequencies can form their own musical language, and he creates meticulously crafted ambiences for immersive listening. With his diverse cultural background, Aibo's art reflects a fusion of influences, inviting audiences to explore a world that transcends conventional boundaries.

̸BIOGRAPHY Techno / Electro(nix) DJ/Producer from Rotterdam Rotterdam-based DJ RAFF is part of the city’s new generation of burgeoning techno and electro producers. Working at the Clone record shop by day, he’s become a frequent highlight at haunts like De School Amsterdam, BAR Rotterdam, NTS Radio and PIP The Hague

Belgian DJ, owner of the Kalahari Oyster Cult label and the vinyl-focused distribution One Eye Witness. Working a symbiotic balance between his day job behind the steering wheel of Amsterdam-based webshop and distributor One Eye Witness and his seafood-luvin'label Kalahari Oyster Cult, when the night clocks in, Brussels native Rey Colino has long proven his dedication and talent when it comes to ubiquitous on and off-stage dancefloor busting operations. Thrusting his arrows smack dab the intersection of '90s grown ambient techno, sun-bleached house, further hybrid bassy riddims, and acid-infused electronics, Colino casts his net far and wide to paint amply textured, straight-out groovy narratives that, in addition to syncing up the dancers together through elaborate selections and surgical DJ swagger, sure know how to buildup the highest levels of energy and harness the ensuing storm with ever consistent style and panache.

̸BIOGRAPHY remmen is angst

Roza Terenzi DJ/Producer Melb, Aus.Roza Terenzi

̸BIOGRAPHY A Bermudian artist working in New York Pronouns: They/Them Russell Ellington Langston Butler is a Black artist from Bermuda, living and working in New York City. Russell has painstakingly cultivated a unique artistic expression that integrates and investigates themes around process, technological innovation, the archive, and decolonization. Their works have taken the form of vinyl records, digital audio releases, live A/V performances, and special archiving projects. Russell’s work has been featured in publications like the New Yorker, Resident Advisor, the East Bay Express, New York Dance Music zine Love Injection, and Bermuda’s national paper, The Royal Gazette. Their dynamic performances have helped them keep a busy tour scheduled, traveling as far and wide as Ukraine, France, Portugal, and the Netherlands to name a few. Through their work with modular synthesizers, Russell has been awarded grants and positions as a featured artist. In 2016, Russell began working with the Synthesizer Library in Portland, Oregon as an artist in residence. There they recorded, performed and held workshops for students. As an extension of this work, Russell’s expertise as an electronic musician was documented in the book Patch & Tweak by Kim Bjørn. This is an educational book about the development and implementation of modular synthesizers. In it Russell shares the intersections of their experiences as a Black, Queer, Trans immigrant in America and how that has informed their process as a musician. In 2019, Russell was awarded the Traveling Scholars Fellowship from the School of the Museum of Fine Arts to continue their work with modular synthesizers at the Synthesizer Library’s Prague, Czech Republic location. They would utilize this time to create over 30 compositions, some of which have been featured on NYC label Mr. Saturday Night and pioneering Berlin techno outfit, Tresor. Most recently, in 2021, Russell has worked as a featured artist, digitally archiving records from the collection of House Music pioneer, Frankie Knuckles, as part an installation created by Theaster Gates in a group show curated by renowned writer and curator, Antwan Sargent, titled “Social Works”. They have also featured on a digital and vinyl compilation celebrating the 30th anniversary of pioneering Techno organization, Tresor. Russell also works professionally as a recording, mix, and mastering engineer, an educator, and a consultant for special audio projects and films. Russell loves to spend their time reading, connecting with friends and family, researching the latest in music technology, and cuddling with their cat SKRRT. ̸SELECTED DISCOGRAPHY God Is Change - Opal Tapes - 2015 The First Step - Black Opal - 2016 The Home I’d Build for Myself and All of My Friends - Left Hand Path - 2018 Constructions Vol 2 - Self Release - 2020 Blah Blah - Mr Saturday Night - 2020 Emotional Bangers Only Vol 1 and 2 - Self Release - 2020

SALOME is electro, techno Dj and a producer. Resident of Herrensauna. Based in Berlin, From Tbilisi, Georgia. Salome is a dj and producer born in Tbilisi and recently relocated in Berlin where she immediately felt like home. Her sound covers from electro to acid and techno, often even bringing it all together with her own touch, her dj sets are poised and fresh yet leading people to hard dancing trance. Salome has become a new resident of Herrensauna. Her music currently appears on Lobster theremin, Mechatronica, International Chrome, Mind controlled rectifier, Darknet and be sure the future will have a lot more to add.

Sapphire Slows is what you might call an everything-ist: she produces, DJs, plays synth and keyboard, and her eerie, drone-like vocals float over her tracks, embellishing their shadowy textures. After the brutal awakening of the 2011 earthquakes in Japan, she became motivated to pursue a career in music. Now a notable name in Tokyo’s electronic music scene, she has toured North America, Europe, China and her home country, and released on labels such as Japan’s Big Love and Los Angeles’ Not Not Fun/100% Silk. While some of her songs are submerged in a blue-ish, slo-mo haze as her name suggests, others are more abrasive and in tune with the whirring pace of krautrock, as on 2014’s Allegoria album.

̸BIOGRAPHY S-Candalo is a DJ duo made up of Tania and Dominik Humeres-Correa (THC & DHC). They are siblings, and in their sets, one can hear alongside a deep honour for the oldschool sound a kind of telepathic link that siblings share. Raised in Germany with Colombian and Chilean roots, they are well-acquainted with the act and mindset of mixing (tracks, attitudes, languages) and keeping one’s back to another’s back. In the past years the siblings have engaged in fields ranging from music management to fashion and in their blends there is also a certain synthesis of passion and defined taste that speaks, simply, to fierceness. Fearsomeness, too – their sound is burning and relentless with seductive vocal samples, loopy synths, and bright, punchy kicks. On their recent mixes for platforms such as MARICAS, Radiant Love, Rinse FM, and HÖR, obtuse melodies from the 90s blend with sassy club bangers, then into polyrhythmic grooves, and so on. Their sound is overflowing with the queen and the queer, an energy they also direct into Venus Vessels, a non-profit music collective hosting parties and programming a residency on radio8000. With upcoming gigs this year in London, Amsterdam, Athens and Berlin, expect scandals and heated speakers from city to city.

̸BIOGRAPHY Emerging from Montréal’s vibrant community of experimental artists, Simon Chioini creates a hybrid of new music aesthetics and genre-fusing electronic sounds. Emerging from Montréal’s vibrant community of experimental artists, Simon Chioini creates a hybrid of new music aesthetics and genre-fusing electronic sounds. Through long-form electroacoustic pieces and sharp technoïd productions, his exercises in abstract composition tied with club elements have honest roots. Drawing from a considerable academic background and a self-driven study of the past decades’ outlier electronic music, the diversity of his influences is manifest. Innovative labels such as Rephlex, Warp and Planet Mu, or the pioneering musique concrète of the GRM come to mind as primary examples of that scope. The S. Chioini alias was introduced in July 2019 with “+4 Degrees”, a single that also nudged at the issue of climate change and that got the attention of DJs for its angular rhythms and refined sound design. Coincidentally, the release marked the launch of Humidex, a label Chioini cofounded with friends Absurde and softcoresoft to promote the local techno scene. Previously, his music appeared under the name DJ Voilà on Noumenal Loom (USA, 2017) and the defunct 1080p (Canada, 2016). Closer to his present projects, Compositions 012–015 was published by Where To Now? (UK) in 2016. The album compiles Chioini’s work during his first years studying electroacoustic composition at the Conservatoire de musique de Montréal. Chioini performed for intimate venues such as Montréal’s Datcha, Société des arts technologiques (SAT), and Eastern Bloc or New York’s The Gateway, Bossa Nova Civic Club and Trans-Pecos. On the international level, he participated in festivals such as Mutek (Montréal 2018/2016, Buenos Aires 2018, Mexico 2017), Sight & Sound (Montréal 2019/2016), Akousma (Montréal 2018/2016/2015), and L’Espace du son (Belgium 2015). Finally, he hosts Acte musique, a show featuring new electronic music of all kinds and focusing on the most forward-looking outputs from artists around the Globe. Acte musique airs twice a month on n10.as (pronounced Antennas), an internet radio station broadcasting from Montréal since 2016. ̸SELECTED DISCOGRAPHY Simon Chioini — Climat avenir [Anòmia, 2021] Simon Chioini — Composition 012-015 [Where To Now?, 2016] S. Chioini — Amour détritus [Self release, August 7, 2020] S. Chioini, Absurde, softcoresoft — Humidex 001 [Humidex, 2019] DJ Voilà — Dumbledogs [Noumenal Loom, 2017] DJ Voilà — Aimless Summer [1080p, 2016]

̸BIOGRAPHY Shannen SP is a London based artist, curator and DJ. Shannen SP is a London-based artist, DJ and curator. She has worked with UK labels Hyperdub Records and NTS Records, and is the co-curator of Ø at Corsica Studios, the experimental event series that meshes music, art, technology and performance. Her musical focus lies in the experimental sounds coming out of global diasporas and the African continent, reflected in her recent collaboration with NTS Records on Amapiano Now.

̸BIOGRAPHY "Grinding electronics/noise and speaker ripping techno."

SHERELLE is leading a new generation of high-speed ravers who are addicted to jungle, drum ‘n’ bass, footwork and juke. Through her DJ sets, radio shows and record label she gives a platform to both scene elders and new talent and is committed to pushing 160bpm+ dance music into the future. The London-born DJ has been busy since that Boiler Room sent her signature brand of low-end energy viral: She’s held down a year-long Radio 1 residency that’s seen her showcase cutting-edge dance music to a mainstream audience as well as host OGs like DJ Spinn, 4Hero, Kode9 and Luke Vibert as well as next gen disruptors like Mantra, L C Y, Yazzus and Fracture; She’s started the Hooversound label alongside partner in club music Naina with releases from Hyroglifics, Sinistarr and Deft; And she’s co-founded the incendiary 6 Figure Gang squad with Fauzia, Jossy Mitsu, Dobby and the aforementioned L C Y and Yazzus. Let the takeover begin.

Over the course of two decades, Shinedoe has carved a path into the world of house and techno that is entirely her own.Shinedoe

̸BIOGRAPHY Shoeg is the solo project of Carlos Martorell. ̸SELECTED DISCOGRAPHY Container (Orange Milk, 2018) The Swarm (901 Editions, 2018) Vaseline (Memory No. 36, 2017)

̸BIOGRAPHY Latency Recordings / Mura Oka co-founder Booking requests : contact@latencyrecordings.com ̸SELECTED DISCOGRAPHY Mura Oka - Auftakt LP (LTNC004) : http://www.discogs.com/Mura-Oka-Auftakt-LP/release/5785189

̸BIOGRAPHY Sigha is the alias of London Based techno producer, James Shaw. To date he has released primarily on Hotflush Recordings, Blueprint Recordings his own imprint Our Circula Sound and been commissioned to provide remixes for a wide range of labels includ.. Sigha is the alias of London Based techno producer, James Shaw. To date he has released primarily on Hotflush Recordings, Blueprint Recordings his own imprint Our Circula Sound and been commissioned to provide remixes for a wide range of labels including CLR, Mikrowave, Metalheadz, Echocord, Steadfast and Sudden Drop amongst others. ̸SELECTED DISCOGRAPHY 2009: Expansions/Bruised (Hotflush Recordings) Remembrance /On The Strip (Hotflush Recordings) Seperation (with Spherix) (Immerse Recordings) Rawww ep (Hotflush Recordings) 2010: Shake EP (hotflush Recordings) Early Morning Lights (Marcel Dettmann remix)/ Over The Edge (Our Circula Sound) 2011: I Am Apathy, I Am Submission/The Black House/Between Here & Yesterday (Blueprint) HF029 EP (Hotflush Recordings) The Politics Of Dying EP (Our Circula Sound) Remixes: Tommy Four Seven - Verge (Sigha Remix) (CLR) Tripmastaz - Botinko Dub (Sigha Reduction) (Sudden Drop) Commix - Emily's Smile (Sighas Shes Still Smiling mix) (Metalheadz) Resoe - Minus and Plus - (Sigha Remix) (Echocord) Echologist - Slow Burn (Sigha Remix) (Steadfast)

̸BIOGRAPHY No time has been wasted in the wake of Sandwell District’s 2011 demise. Along with Regis and James Ruskin, Silent Servant founded the Jealous God label. In it’s short existence, they have already cut-up and reinterpreted many of the conventions of the.. No time has been wasted in the wake of Sandwell District’s 2011 demise. Along with Regis and James Ruskin, Silent Servant founded the Jealous God label. In it’s short existence, they have already cut-up and reinterpreted many of the conventions of the techno world, forging a unique identity in the process. With it’s highly conceptual aesthetic and relentless dedication to experiment, Jealous God is a flag-bearer for the contemporary electronic avant-garde and a loyal ally to all mutant experimentalists. While insincerity remains the safety of many, Silent Servant’s own productions are brutally honest and resolute, rendering irrelevant those mongering for light. Deeply pensive and forward thinking, his sound is marked by a distinct blend of the disparate and divergent. An appreciation of warehouse techno, industrial noise and post-punk are evident, yet challenged and reworked to form a uniquely modern style - a vitality so controlled and concentrated that it captivates immediately. His live sets are another matter of inventiveness. The superfluous eliminated, Silent Servant has, for years, been rewiring the minds and moving the bodies of those seeking the most meaningful and potent energies that electronic music has to offer. Having developed a special kind of discipline, Silent Servant will no doubt continue to drive forward, bringing the truly adventurous with him. His criterion of action is freedom of movement, timelessness of expression, freedom for transgression; holding truth at most high. To that end, there is no compromise. ̸SELECTED DISCOGRAPHY LP Negative Fascination // Hospital Productions // 2012 12" The Silent Morning // Sandwell District // 2006 Lo Profundo // Historia y Violencia // 2008 Violencia // Sandwell District // 2008 The Blood Of Our King // Sandwell District // 2008 La Noche // Historia y Violencia // 2009 Negative Fascinations // Sandwell District // 2009 El Mar // Semantica Records // 2010 Hypnosis In The Modern Age // Sandwell District // 2011 Negative Fascination (Extended 12" Mixes) // Hospital Productions // 2012 Silent Servant // Mi Alma // Historia y Violencia // 2012 SS* / S* - Sicario De Dios // Jealous God // 2013 Lucy & Silent Servant - History Survivors // Mote-Evolver // 2013 Lust Abandon // Jealous God // 2013 Silent Servant / Broken English Club - Violence And Divinity // Cititrax // 2014 Silent Servant // Mechanics of Emotion // The Corner // 2014 51717 & Silent Servant - Jealous God 06 // Jealous God // 2015 Remixs H&V // Raíz // Silent Servant (Ciencia Ficción Edición) Prologue 15 // Claudio PRC // Clear Depths // Silent Servant Remix Kontra musik // Mikora // Silent Servant Remix Ibandan 100 // Function vs. Jerome Sydenham // White Light // Silent Servant Remix Ostgut Ton // Planetary Assault Systems // Bell Blocker (Silent Servant Remix) Warp Records // Battles – Dross Glop 3 // Inchworm (Silent Servant Remix) Cititrax // The KVB //Pray To The Light Machine (Silent Servant Version) Epm Music // Greg Gow & Gareth Whitehead // Vacant (Silent Servant Remix) Frozen Border // Mary Velo // Manhattan Project (Silent Servant Mix) Puscifer Entertainment // Puscifer // Balls To The Wall (Silent Servant Mix) Dement3d Records // Polar Inertia // Major Axis (Silent Servant Remix) Felte // ERAAS // Briar Path (Silent Servant Interpretation) Asma // Birds (Silent Servant Remix) // M_REC LTD Dais Records // Youth Code // Let The Sky Burn (Silent Servant Remix) Diagonal // Streetwalker // Ooze (Silent Servant Remix) Lust For Youth // International (Silent Servant Remix) // Sacred Bones Records Pole Recordings // Exium // The 12th Planet (Silent Servant Remix) Mute // Liars // Mess On A Mission (Silent Servant Remix) Mecanica // Soft Metals // Tell Me (Silent Servant Edit) Phantasy Sound // Daniel Avery // Spring 27 (Silent Servant Remix) Sacred Bones Records // John Carpenter // Vortex (Silent Servant Remix) Eye Teeth // Israel Vines // WWKD (Silent Servant Remix) aufnahme + wiedergabe // Phase Fatale // Grain (Silent Servant Remix) Spectral Sound // Matrixxman // The Caravan (Silent Servant Remix) Dark Entries // Psychic TV // Alien Be-In (Silent Servant Remix) Booking Information daniela@triangleagency.com

̸BIOGRAPHY Simo Cell is a French rising talent from originary from Nantes. Now Paris-based, this producer differentiates himself by his singular style that melt Uk codes to a wider electronic music background. His two first Eps on Dnuos Yvitil and Fragil Musique illustrate clearly an affiliation to the Bristol scene but put on the table other inputs acquired after several years playing and travelling worldwide. As a DJ, he officiates on very original and adaptative repertoire. Listening to a Simo Cell's set is always unpredictable and full of discovery. ̸SELECTED DISCOGRAPHY Simo Cell - Cellar Door / Piste Jaune

̸BIOGRAPHY Skesa (Téo Farley) is a Montréal-based Techno DJ and producer whose recordings blend electronic and organic sounds. Skesa’s music has been influenced by a wide range of genres including house, techno, breakbeat and soul. Born in 1997, Teo was brought up listening to his parents’ trip-hop and jazz records, which led him to study drums and percussions during his teenage years, taking part in various jazz and hip-hop bands. Skesa’s debut EP, ‘Anywhere Outside’, was released in spring 2019, showcasing a sound sitting at the crossroads of hip-hop and dancefloor grooves. It featured collaborations from the likes of LayFullStop, Wasiu and Eric Biddines. Since then, he has thoroughly embraced dance music with a series of singles and remixes encompassing complex percussions and textures. His second outing, ‘System’, combined elements of house and techno into an abstract, reflective, yet tonally rich EP. The music video for 'World', which casts an unknown character wandering the streets of Paris, was notably featured on Madorasindahouse. Through these various projects, Téo has established himself as one of the most exciting newcomers in the Montréal electronic music scene, performing at various events and festivals such as Piknic Electronik, MUTEK and Mural, and sharing the stage with artists such as Kaytranada and Patrick Holland. Skesa released his new EP ‘Inside Out’ on Kookoo Records in May this year.

̸BIOGRAPHY Sklaer provides a mesmerizing journey into deep and mental techno, with influences of breaks and idm. She seeks to recreate an atmosphere as sexy as hypnotic in a clubbing and dance dynamic.

Sonny Moore, better known as electronic visionary Skrillex is part of a new generation of artists that refuse to be restricted by preconceived notions or outside expectations. After the successful independent releaseof “SCARY MONSTERS AND NICE SPRITES”, it became Skrillex's first release on Big Beat Records. Following its release on Beatport, the 9-song EP dominated the charts on the site, with the title track claiming the site’s #1 slot (the first time a dubstep track has ever done so). Aside from the immediate success of “SCARY MONSTERS AND NICE SPRITES,” Skrillex has also made a name for himself as a highly sought-after remixer. He’s already produced officially commissioned remixes for such A-list artists as the Black Eyed Peas (“Rock That Body”), Lady Gaga (“Bad Romance” and “Alejandro”), and La Roux (“In For The Kill”). Skrillex stands not only at the vanguard of electronic dance music, but the perpetually evolving new music industry as a whole.

̸BIOGRAPHY The Belgian producer SKY H1 found wild success with her first EPs on Creamcake and PAN’s sublabel, Codes, followed by an appearance on PAN’s ‘Mono No Aware’ compilation. SKY H1’s early works capture the blurring lines between her foundational experiences in drum and bass, grime, dubstep, and techno, all tilted towards the schematic bursts of pop. 

Her newest LP ‘Azure’, released on AD93 (december 2021), builds on this foundation and generously elaborates a delicate medley of experiences, forms, and functions into an imaginative and quietly ambitious debut album. ‘Azure’ was slowly brought to life over the last years in a live setting. Playing extensively across Europe, and with frequent bouts of touring taking her to the US, Canada, Japan, China, and Russia, SKY H1 has been continuously writing and assembling banks of music to incorporate into club, concert, and gallery settings. More recently, composing for film and video in both cinema and art environments has become a parallel arc of her practice.

̸BIOGRAPHY Slim Soledad is a performer and multidisciplinary artist from São Paulo, Brazil, also known as a member of queer collective Chernobyl. She got her start as a DJ playing baile funk, but has since become known for much more challenging, wild sets. Soledad fries, bulldozes, and rewires a wide range of sounds into vibrant sonic mêlées.

̸BIOGRAPHY Jazz Brown aka Softi, is an Luton born, Derry raised electronic DJ & Producer, now based in SE London. Known for her experimental genre bending, tempo changing sets, she has gained her self recognition amongst the UK underground scene with resident shows on Rinse Fm, Balamii and Kindred. Mind behind Cozi, a forward thinking party, radio show and community pushing sounds that stimulate the senses, focusing on positive mental health in underground music and clubs”

̸BIOGRAPHY DJ and producer from Glasgow, operating via Berlin. There are DJs who can extend a single vibe over the course of a night – and then there’s “another way of doing things”, hints Solid Blake. You can guess which camp the Glasgow-born DJ falls in. Bringing the frozen pulse of electro together with dissident techno and bass from all eras, Emma Blake’s side-winding DJ sets and slick productions have made her a fixture of the European underground over the last half-decade, but after years away from home – first in her beloved Copenhagen and now in the techno bustle of Berlin – she’s emerging from her lockdown cocoon with a recalibrated approach. Drawing more and more from the sweatbox euphoria of her early rave days, the next phase of Solid Blake looks set to be shot in Technicolor. Solid Blake’s first original material, inspired by the pneumatics of classic electro and late-late-night acid techno, appeared on choice underground labels Seilscheibenpfeiler and Outer Zone, and she was quickly recognised for her production chops, joining the 2018 cohort of Red Bull Music Academy in Berlin and picking up a nomination for Best Breakthrough Producer from DJ Mag. More recently her output has included remixes for Pär Grindvik and Marc Acardipane, contributions to the Club Quarantäne and Herrensauna compilations, and a live-focused collaboration with CPH techno mainstay Ctrls under the banner Historical Repeater. Despite making her name in the techno-heavy zones of Mitteleuropa, over the years she’s felt the Glasgow influence growing stronger, as she’s pulled towards more eclectic selections and high-contrast blends. More risk equals more excitement – something she’s also discovered through her talent for playing back-to-back DJs like Skee Mask, Stenny and old friend Mama Snake. With new releases forthcoming, plus work on a brand new live show, Solid Blake is speeding towards a distinct new era in her life as an artist. The future can only get weirder.

̸BIOGRAPHY Twisted, healing, dark, enlightening – for the darker shades of helter-skelter riddims that'll take you into a new dimension of floating still driving percussive realms

Special Request is the new rugged alias for house and techno stalwart Paul Woolford. Inspired by the unruly conventions of UK pirate radio stations, this project captures the raw energy and diversity of the illegal airwaves and uses this as a springboard of inspiration for a series of heavyweight productions that span from murky house through darkside techno to chaotic eye-of-the-storm hardcore/jungle tear-outs. The end results are incendiary.

̸BIOGRAPHY SPIME.IM is an artistic collective that aims to investigate, through transmedia projects, the aesthetics and the languages derived from the affirmation of digital reality. SPIME.IM use technology, 3D art and electronic music to weave immersive audio-video experiences, which explore the boundaries of identity, corporeity and perception, in a world where our virtual doppelgänger takes on an increasingly intense position, protagonist and all-encompassing. SPIME.IM was born as a word pun between the concept theorized by Bruce Sterling - the spime for the note, an object that can be traced through space and time for the duration of its existence - and the contraction of English «I am». If the Being is therefore the object of the intertwining between the real and the virtual, then it becomes possible to create new imaginaries that turn into immersive environments and narrative spaces in which artificial and natural, science and humanity, imagination and reality interpenetrate, giving life to new boundaries to be explored, to experience the own consciousness and what, while invisible to our eyes, surrounds and influences us. ̸SELECTED DISCOGRAPHY SPIME.IM - EXALAND - OUS019

̸BIOGRAPHY Vinyl-only dance sets Bottle Service @ Black Flamingo Club Moment @ The Lot Radio MICROWAVE 4 ONE @ Soho Radio... SPRKLBB is a vinyl-only DJ based in Brooklyn. He currently hosts Bottle Service at Brooklyn's Black Flamingo, Club Moment on NYCs The Lot Radio, and an experimental monthly "MICROWAVE 4 ONE" on London's Soho Radio. He was the founding resident and programmer for the Ostbahnhof parties in New York and Los Angeles, and has held numerous residencies in Brooklyn at spots like Bossa Nova Civic Club, High+Tight NYC, and The Gateway. A mentee of NYC house duo The Carry Nation, SPRKLBB collaborates with a network of seasoned nightlife veterans to produce events that are campy yet serious, showcasing top names in underground dance music as well as fresh faces in queer nightlife. Currently producing flyers and visuals in collaboration with artist Xander Gaines.

̸BIOGRAPHY Stefana Fratila is a Romanian-born, Toronto-based artist, composer, and DJ.

̸BIOGRAPHY Stella Zekri represents an encouraging generation of DJs in Berlin that set out to keep things interesting. She has forged a singular path as an exhilarating DJ unafraid to slow down and sensualize the dancefloor, while providing a myriad of euphoria. Stella Zekri represents an encouraging generation of DJs in Berlin that set out to keep things interesting. She has forged a singular path as an exhilarating DJ unafraid to slow down and sensualize the dancefloor, while providing a myriad of euphoria. Deemed the queen of long sets, Stella's sets have become somewhat of a phenomenon in the sometimes dense, and spellbound city of Berlin. They are truly an exalting, and gleeful experience. Every song she plays out is a statement, and she is unafraid to jump between pitched down trance, old school hip hop, disco, house and new beat. Each record is something she has found, loved and insists you come along for the ride. Stella currently holds a residency at HÖR Berlin, and one of the city’s biggest and most beloved Queer parties: Cocktail d'Amore. She is also co-founder and curator of the new party Body Language. ̸SELECTED DISCOGRAPHY 2022 Détends-toi (mini album) on Cosmic Romance

Rising in Turin and currently based in Munich, Stenny debuts with his first 12″ Solstice Deity on the Zenker Brothers label Ilian Tape in 2013. Mainly inspired by the spirit of 90’s Techno and IDM, his contribution as a producer could be described as club focused but not merely functional. The dusty and stepping drum programming, often contrasting with the dense, atmospheric surrounding, is one of the peculiarities of his style, which in fact, references often to the Jungle or Hardcore era, but basically aims to evolve with no genre boundaries. As a Dj he maintains a similar, versatile and open minded approach, ranging between contemporary and classic but forward thinking club music.

̸BIOGRAPHY Tipped as being one of Rotterdam’s best kept secrets in Techno, dj/producer ‘stranger’ moves in mysterious ways and has quickly proven to be one to watch. His first musical appearance in 2014 was quickly picked up.. Tipped as being one of Rotterdam’s best kept secrets in Techno, dj/producer ‘stranger’ moves in mysterious ways and has quickly proven to be one to watch. His first musical appearance in 2014 was quickly picked up by established names as Dave Clarke, Sven Vath and Marcel Dettmann, giving his career aswell as his own Self Reflektion label a major kick-start. While remaining in the background pushing forward talented artists and working on various projects such as the highly anticipated Paling Trax label, his dj-career is on the rise. His name can be found on the line-ups of some of the biggest clubs and events in techno such as Awakenings, Tresor and many others. This is not your average ‘unknown artist’… ̸SELECTED DISCOGRAPHY MONNOM008: stranger - Highest Sense EP (Monnom Black / January 2016) PALING001: Paling Trax 1 (Paling Trax / August 2015) PERSPEKTIV001: Unknown Artist - Crossover / Take Control (PERSPEKTIV / October 2015) REFLEKT002: stranger - In Moscow EP (Self Reflektion / January 2015) REFLEKT001: stranger - Warehouse Memoires EP (Self Reflektion / November 2014)

̸ BIOGRAPHY Latency Recordings co-founder Significative DJ references: • Contact (Tokyo) • Berlin Atonal (Berlin) • Panorama Bar (Berlin) • Freerotation Festival (Wales) • Robert Johnson (Offenbach) • Concrete (Paris) • Organik Festival (Taiwan) • Weather Festival (Paris) • About Blank (Berlin) • Under Bron (Stockholm) • Circus (Osaka) • TBA (New-York) • Rex (Paris) • Club Der Visionaere (Berlin) • Culture Box (Copenhagen) • Lantern (Beijing) • Dance Tunnel (London) • Fusion Festival (Larz) • Griessmuehle (Berlin) ...

Snake charmer born and located in Thailand with Indian and Japanese roots. Co-founder of Siamese Twins record label focusing on psychedelic sounds rooted in Asia. Co-runs the Karma Klique collective known for raves at obscure locations. As a producer, he released on imprints such as 禁 JIN, Ute and Siamese Twins under his own name, Mogambo and Khun Fluff aliases. As well as periodic ambient albums on his own Extans Mantra imprint. Which led to sought-after collaborations with Full Circle, Yu Su, S.O.N.S, Marc Pinol, and Benedikt Frey. A household name across the region for over a decade playing spaced-out music in forests, warehouses, and castles.

̸BIOGRAPHY TAAHLIAH is an artist, performer and DJ based in Glasgow, Scotland and London, England. TAAHLIAH is a DJ & Producer from Glasgow. After making her name in the underground queer club scenes of Berlin & Glasgow as a DJ and remixer, she took stage as a producer in 2021 when she started releasing on London label untitled (recs). 
 Her debut-EP "Angelica" (out May 28th) brings together TAAHLIAH's expansive production skills and range of influences, moving effortlessly between squeaky-clean hyperpop textures (Brave, Freefalling) and the jacking hard- dance sounds (FMH, Bourgeoisie, Transdimensional) which defined her much lauded Boiler Room debut earlier this year. 
 Throughout Angelica, the producer details a range of autobiographical experiences that have come to shape her as a person and an artist: from coming to terms with being trans (Brave), to coming from a working class background (Bourgeoisie); from breaking up (Tears) to falling in love (Freefalling). Always, as TAAHLIAH seeks to represent and bring visibility to her community, she invariably ends up conveying universal messages of power, acceptance, bravery and euphoric fun. 
 TAAHLIAH has placed herself at the centre of a new generation of electronic producers revitalising both Dance & Pop music. She has shared stages with SOPHIE, LSDXOXO, 100 Gecs, A.G Cook & Eris Drew amongst others. 
 She is the first black trans artist to be nominated at the Scottish Alternative Music Awards, and the first artist to ever be nominated and win in two categories in the same year.

̸BIOGRAPHY In little time London based artist Tash LC has established herself as an assured DJ, host and presenter across both radio and club mediums. In little time London based artist Tash LC has established herself as an assured DJ, collector, broadcaster and presenter across both radio and club mediums, with a passion for music from the global club space both classic and contemporary. Tash finds herself at home on the airwaves with past residencies on BBC 1Xtra, Kiss FM and Worldwide FM, and currently hosts monthly shows on NTS Radio and Movement Athens. balancing highly palatable afro-jazz and highlife broadcasts with more up-tempo meetings of Kuduro, Gqom, and esoteric club sounds. With the backing of some of dance music’s most influential institutions and an effortless ability to command a dance floor, Tash has quickly become one of the UK’s most exciting new talents.

̸BIOGRAPHY King of Blends, bon-vivant, living embodiment of the Paris underground, Teki Latex never fails to impress with his high energy sets. The Rinse mainstay also had a large stint on BBC Radio 1 as a resident, among many other accomplishments in his 25 + year career, His numerous mixtapes, Boiler Room and Mixmag Lab appearances are testimonies to his playful yet precise Lego-like approach to DJing Having graced clubs and festivals across the UK & Europe such as - Nitsa, Fabric, Primavera, Field Maneuvers, Horst, The Warehouse Project, OHM, CTM, Unsound, Dekmantel Selectors & more, he has established himself as a one-of-a-kind sonic architect with a holistic point of view who can provide dynamic, vibrant performances wherever he goes. A man with head turning style on and off the decks, Teki caters to many different tastes while cherishing the specificities of each genre he touches, constantly balancing lesser-known underground gems with nostalgic anthems. Expect anything from Techno, Booty & Hardcore to Grime and Italo with a few bursts of Dance and accelerated pop slipped in, in order to push the euphoria levels to the maximum. Teki Latex takes the crowd on a journey, with some unexpected twists when the time is right. ̸SELECTED DISCOGRAPHY Teki Latex «Answer / Dinosaurs With Guns / I Was Sober» (EP, 2010 – Sound Pellegrino) Teki Latex «Dinosaurs With Guns remixes» (EP, 2010 – Sound Pellegrino) Para One & Teki Latex «5th Dimension» (EP, 2011 – Marble) Teki Latex «Zodiac» (EP, 2011 – www.bachexteki.com) Sound Pellegrino Thermal Team «Bassface / Pretty Pretty Good» (EP, 2011 – Sound Pellegrino) Sound Pellegrino Thermal Team «Bassface remixes» (EP, 2011 – Sound Pellegrino) Sound Pellegrino Thermal Team «Strange Touch / Ice Palace» (EP, 2012 – Sound Pellegrino) Sound Pellegrino Thermal Team «Activate / I Be» (EP, 2012 – Sound Pellegrino) Modeselektor & Sound Pellegrino Thermal Team «Negativity» (single, 2013 – 50 Weapons)

̸BIOGRAPHY french dj/producer & sound designer

̸BIOGRAPHY Bogotá-born, Berlin-based Tania Humeres Correa plays under the moniker of her own initials: THC. It’s not a gimmick – to hear a track slammed into another so deftly is a psychoactive experience. THC’s sets are kinetic, propulsive in this way. High-energy without a loss of soul, hard-hitting and still very playful and very gay. We are reminded that techno need not be a gloomy, rumbling march, and that house has a whole range of attitudes at the same time ruthless and smiling. She blazes, to put it simply. ​Having heated Berlin dancefloors and airwaves for a few years, THC is one of the founders and resident at La Noche and Venus Vessels. She has her own show HOT BOX at HÖR radio, and has released mixes via DJ Mag, Fact Mag and NTS. The last year has also seen her playing alongside her sibling DHC as the duo unit S-candalo. Regardless of format, there are always those THC-signatures: punch; euphoria; and streaks of vocal samples intoning the classic dancefloor theme of unity, be it political, sexual, spiritual or some sweaty mixture of it all.

̸BIOGRAPHY Andrew Morrison, AKA The Cyclist, is a UK producer known for his psychedelic approach to many forms of electronic music from DIY busted techno, and gauzy melodic house submerged in tape distortion, to Jungle and Footwork. Influenced by an eclectic range of music from Krautrock and 60s psychedelia to early Chicago house, techno, jungle and dub, his critically acclaimed album Bones In Motion, named one of the best releases of 2013 by XLR8R and Boomkat, was the first album released in the collaboration of Leaving Records and Stones Throw Records. In 2014 Morrison introduced a new alias, Buz Ludzha, via the ‘Love Repetitive Rhythmics’ 12” on All City Records, before returning again as The Cyclist in November to release his second album, Flourish, named one of the best albums of 2014 by FACT, having premiered on Pitchfork Advance. In recent years The Cyclist has had ongoing mind expanding releases on the likes of Hypercolour and 100% silk as well as founding his own label Tape Throb Records. Most recently he heads the Overload radio, Label and event series in Liverpool. ̸SELECTED DISCOGRAPHY Albums Beat At The Heart Of The City (2018) Sapa Inca Delerium (2017) Flourish (2014) Bones In motion (2013) Bending Brass (2011) EPs and Singles STP (2022) The Weather Underground EP (2020) Boards of Chicago (2018) Alabaster Thrones (2018) Requite (2018) Hot House EP (2015) Love Repetitive Rhythmics (as Buz Ludzha) (2014)

̸BIOGRAPHY True hardcore veteran The DJ Producer grew out of the rave scene surrounding the south west of England, beginning his prolific productions career in the early 90s. With over two decades of experience behind him The DJ Producer has become synonymous wit.. True hardcore veteran The DJ Producer grew out of the rave scene surrounding the south west of England, beginning his prolific productions career in the early 90s. With over two decades of experience behind him The DJ Producer has become synonymous with the harder factions of the UK underground, highly skilled mix-master and continual promoter of the scene through his own productions and Rebelscum imprint.

̸BIOGRAPHY dj / producer / label manager / party in bzh Théo Muller has played a key role in the french electronic scene the last decade as a co-founder of the Midi Deux parties, website & label in Bretagne, a former resident/curator at La Machine du Moulin Rouge or as a label manager of Krakzh. The talented Rennes dj established himself in the same time as a racy producer on the label of Concrete with an EP hailed by Laurent Garnier, Chloé or Move D. He also contributed to Lumière Noire's label, Vastechoses, Worst Records, Vernacular, Eddy Larkin, Grid, Rutilance, Dôme and his own label, Krakzh. In 2020, he released his first album "Gouzanv Pe Unanin" including featuring with Antoine from Positive Education or swiss artist NVST. Able to play at any time and for hours, he has his own way to captivate the dancers between dub, techno and rock. From friendly raves in Bretagne to Transmusicales, Dimensions or Montreux Jazz Festival, he knows how to have a special time.

How does one begin to write about Tiga? Where to even start on a long road marked with notable checkpoints? What can be told that can’t be tallied in raw statis...tics (which he’s a total stickler for), or an unfurled parchment scroll of places gone and plaudits won? The duality of a life split between aspirational popstar and touring deejay falls short: by this point in time he’s lived dozens of lives, let alone a mere two. Frankly the only claim that doesn’t wash is that of being in a legacy mode – because that, to him, denotes the cardinal sin of coasting. And that just won’t do. The core engine pushing Tiga forward is ambition. It’s there, everywhere: at the dials in any given club in any given city in any given country on any given weekend; burning the midnight oil in the Research & Development wing of his career control centre, crisp shirt sleeves rolled, assessing and strategising over his next move; with his feet up on the gleaming glass desk in the penthouse office of Turbo Towers, gold plaques of decade-dominating dancefloor delights flanking him – it’s there. Self-aware, well-moderated, yet totally unrepentant ambition. Plus a bit of wit, too. To be insulated from any real backlash over a quarter-century in the game and across many different hats worn, a touch of humility and humour certainly helps it all go down easy. His goal is to dunk on people with success, but do so in a friendly way, soaring overhead with the sly wink of chutzpah (but never the nudge-nudge of solipsistic irony for irony’s sakes). To maintain pole position while swerving between all these lanes with impunity, he taps into a well-spring of regenerating desire. From the getgo Tiga has sought to not merely play a part in the culture he abandoned all life commitments for age 17, but frequently scale its heights too: Attending Berlin’s Love Parade circa ’92-95, then hearing DJ Hell drop “Sunglasses At Night” to the masses not too many years later. Giving a speech at his Montreal alma mater, then converting some of the impressionable graduates in the audience to come work at Turbo. Starting an independent label on a whim, then reaching 200 releases in a stormy industry with a higher turnover rate than Real Madrid managers. Getting hooked first on the fearless compulsion of Bowie, Reznor and Almond, then the frigid cool of Mills, Hawtin and D. James, then threading the needle consummately between these two worlds. These highwatermarks form the backbone of his pride, and in turn, fuel the self-perpetuating motion machine inside. There’s always extra room in the cockpit, mind. An army of collaborators, remixers and remixees have provided vital thrust over the years. From Alter Ego and Azari & III through Duke Dumont and Depeche Mode; from Matthew Dear and Moby, through Zombie Nation and Zdar, Phillipe; Paranoid London, Pusha T, Pet Shop Boys and Peaches.…on and on it goes. Read between the lines and you’ll get a measure of the man. Teamwork affords stimulus, shuts down ego, and juices something he can’t get to alone. At heart, it brings out the best in Tiga. So it’ll prove in 2018, where the fingers of his well-combed Rolodex currently rest on entries marked Kolsch, The Martinez Brothers, and Hudson Mohawke. The fruits of this friendly jousting with find their way out of track ID requests and into the shops before long (perhaps even by the moment you read this – hope you’re enjoying the future and remembered to short your cryptocurrency in time). It would be a lot easier to rest on his laurels by this point, really. To trade on former glories, reflect fondly on a career spent dovetailing in and out of the spotlight with likeminded friends, turning in a jaded, half-assed representation of himself at festivals and recording sessions when the taxman comes knocking. But Tiga is still too confident, self-respecting, and – how did you guess? – ambi-tious for that. The challenge he seeks is to keep experiencing the frisson of creative alchemy, to lock into a groove where he is truly in the zone, to dig deep and reproduce a fresh take on that first-love feeling of music: something that connects with young ravers and inspires the same spark he felt all those years ago. That’s the spur, the lifeblood, the DNA. And that’s why Tiga remains an ever-present light in our little corner of the universe. See more

̸BIOGRAPHY DJ and producer based in Paris, founder of the label Man Band.

̸BIOGRAPHY Truth iz Kode. Traxx is a lover of music — one with a passion so intense that it overcomes genre divides to weave an altogether original, exciting, and multi-textured musical fabric which envelops both the avid clubber and the home listener, as well as everyone in between. Not content to be labeled as merely a DJ, a producer, or even a DJ/Producer, Traxx is a self-described “artist of sound.” A sound that is distinctive and highly emotional which defies classification and invites analysis and discussion. From eclectic and avant-garde tunes to old school jack tracks and far beyond, Traxx hears it all without discrimination, pretension or elitism. Traxx has released music on numerous underground labels in the US and Europe including Gigolo, Relief, Muzique, M/O/S, and Crème. His music has come to the world under a bucket load of alias' including Dirty Criminals, XX Art, Mysterio, ViLLan X, Saturn V(with Tadd Mullinix), X2, and more. He's also collaborated with the heads of underground to shape his unique definition of Jakbeat that's was created amongst JTC and D'Marc Cantu in the early years between 2005- 2007. In addition to releasing music for other imprints Traxx also started his own label Nation in April of 2007 which has allowed him to develop and recontextualize the various aspects of his sound. In 2009 Traxx stepped out into the light with his first full length 'Faith' album under his own name for his Chicago based imprint Nation which received positive response and feedback from around the globe. Like many in Chicago, Traxx was drawn into house music through the legendary WBMX radio shows and two trips to see Ron Hardy at the legendary Music Box. Describing his first experience with house, Traxx recalls "nothing could compare, things were being discovered.. this period stays with me because of the intense energy that was applied - it's a feeling, an emotion, a mental state of transcendental connection -a spiritual force with the higher being through the physical vessel of the body." His first release appeared on DJ Hell's Gigolo label in the early 00's under the collective alias The Dirty Criminals which was a Chicago based collective that featured mainly the work of working with collaborators like Charles Manier, Mystic Bill Torres, Daryl 'Deecoy' Cura, Matt Nee(Kompute), Josh Werner, Stephen Hitchell plus early on work from Jamal Moss aka Hieroglyphic Being. In addition to a number of 12"s Dirty Criminals released, two albums were very well received in Europe - 2004's "Organized Confuzion" and 2006's Collision Between Us And The Damned" which featured a cover of an early unreleased version of "Acid Tracks" by Phuture that was played around Chicago. Traxx also contributed vocals to the track "Let No Man Jack" on Hell's "NY Muscle" album on Gigolo but it's perhaps on his many mysterious 12"s that Traxx has set the ground work for in the last seven years where there's been a constant stream of them burning up dance floors with the new sound of Jakbeat that's shaping the scene by releasing an 'Adjustment Production' for Gavin Russom of DFA's LCD Soundsystem from 1 of his current alias projects as Mutant Beat Dance for a sombre tingling cosmic, deep disco brilliance concept, and also releasing with New York label Rong Records with another excellent 2 track release of 'Another World/New News Is Old News' to releasing a stunning solo project on MOS Deep Under The Poetic Painter M pseudonym, with a frenetic yet hypnotizing house track that echoes memories of downpitched Newbeat material and the hooky coldness of new age, following thru with incredible support and feedback in 2012 then again with another solid production from analog machinists Traxx and Wanzer for another Mutant Beat Dance release for the Rush Hour label with 'Let Me Go' featuring Naughty Wood on vocals that have said that they produced arguably 'the best 80s Chicago house record NOT made in the 80s. -inspired by the early days of house music- In an age of digital perfection Traxx is analog, when he DJs he plays vinyl and when he's in the studio he uses hardware. His sound recalls the past but pushes for the future with an overtly emotional and experimental approach. ̸SELECTED DISCOGRAPHY -Discography TRAXX under the names of Traxx, XxArt, X2, Saturn V, Mutant Beat Dance, MoMo & The Dirty Criminals: The Dirty Criminals – Are You Saved? Move! – Gigolo – 12“ – 2001 The Dirty Criminals – Organised Confusion – Gigolo – 2x12“/CD – 2004 The Dirty Criminals - Collision Between Us And The Damned – Gigolo 2x12“– 2006 Jak The Box – Kompute Musik 14 – 12“ – 2006 X2/Saturn/DMC-Primitive Cypher – Relief Records – 12“ – 2006 Traxx-Stranger In The Strangest Of Lands – Crème Organization – 12“ – 2006 Traxx-MTT Inversion – Crème Organization – 12“ – 2007 X2-Photon / Solara – M/O/S – 12“ – 2007 Saturn V-H-Sync 'The House Of Muzique' – Muzique Records – 12“ – 2006 X2-Barely A Track – Crème Jak – 12“ – 2007 Saturn V-Your Mind – Crème Jak – 2007 Mutant Beat Dance – In A Daze - Discos Capablanca 2009 JM Strap – The Owl In Daylight - Frigio 2009 Traxx –To The Beat Bizarre/An Insane Abstract Experiment – Lumberjacks In Hell – 2011 Traxx,JTC,D'Marc Cantu – Definition Of Jak Definition Of Hope – Lux Records 2011 The Poetic Painter M – Marie's Transendance – MOS Deep 2011 Mutant Beat Dance – Another World/New News Is Old News – Rong Music 2011 Traxx – Gold (One Blonde Strange Idea) – RVNG International 2012 Mutant Beat Dance – Let Me Go Feat.Naughty Wood/ Rottonfunk – Rush Hour 2012 VILLan X / dcantu – Disparate Implementations – Sequencias – 2012 Mutant Beat Dance- Urban Dust/Sketch III- L.I.E.S 2012 Mutant Beat Dance- Mutated Moods- Light Sounds Dark 2013 Transformation – LIES Black – 2014 Traxx/NpNk – Revenge Of The Poulet Cat – Macadam Mambo 2014 Traxx/Amir Alexander – Howard/Loyola Acid Frenzy EP – Anunnaki Cartel 2014 Musumeci – Tag Fur Tag(Traxx Tape Cut) – Mannequin 2014 Mutant Beat Dance – PolyfonikDizko – Rush Hour – 2015 Traxx/Villan X – Concept 1210 – June – 2015 Mutant Beat Dance Debut Album – S/T – Rush Hour – 2018 Traxx–Bizzarre Beat II – LIES –2020 An Anomaly– Decadent Skies – Offen – 2021 Traxx– Fight 4 Luv – Basement Floor– 2023 The Creative Technology Consortium– Panoramic Coloursound – Dark Entries –2023 Remixes: Orlando Voorn – Flash – Gigolo – 12“ – 2002 (with Filippo „Naughty“ Moscatello) DJ Hell – Repassion – Gigolo – 12“ – 1999 – (with Deecoy) Ron Hardy – Acid Edit – Illinois Illuminated – Antenna International Mutant Beat Dance - The Adjustment of Night Sky for Gavin Russom- DFA 2011 Blondes – Gold(One Blonde Strange Idea) – RVNG International 2012 YSS - Descend - Traxx remix – Under Bron 2013 Appears as vocalist on: Let No Man Jack (on DJ Hell's NY Muscle album) – Gigolo – 3x12“/CD – 2003 Let No Man Jack – Gigolo – 12“ – 2005 Let No Man Jack (Abe Duque Remix) – Größenwahn 1992-2005 / Monotoni Durch Automation (NY Muscle Interpretationen – Gigolo – 2xCD – 2005 Compilation Appearances on: A Tribute To Robert Moog – Crème Organization – CD – 2006 International DeeJay Gigolos CD 9 – Gigolo – 2xCD – 2006 International DeeJay Gigolos CD 7 – Gigolo – 2xCD – 2003 International DeeJay Gigolos CD 4 – Gigolo – 2xCD – 2000 International DeeJay Gigolos CD 5 – Gigolo – 2xCD – 2000 The Japanese Gigolo Inferno – 2xCD – Music Mine Inc. – 2003 The Box Collection #1 – 5xCD – Gigolo – 2005 Funboy 3 – 12“ – Gigolo – 2006 We Are Gigolo 12“ Showcase No. 8 – Gigolo – 2006 American Gigolo II – CD – Gigolo – 2006 City To City 3 Dj Deep's Journey Through Chicago, Detroit and New York's Secret House Gems - BBE - 2010 Light Sounds Dark- Ideas Of Reference And The Luna Sea - 1 sided 12" M.o.M.o- High Voltage Re-Enactment (M.O.M.O Cut + Re Designed It) - 2015 -Nation Release Catalog Discography: Nation 001 - Traxx/X2- Mysterio/Juz Jak Nation 002 - Villan X ft. Naughty Wood/2AM/FM - Heartbeat Crazy/Don't Front Nation 003 - XXart/X2 - This Moment/House Not House Nation 004 - Beta Evers - Transient - Paralyzed/Foreign Control/Prisoner Of Mind Nation 005 - The Modern Electronic Element EP(Serie 1) - Saturn V - Locomotion D'Marc Cantu - In A Time/Beau Wanzer - Fuk u Klaxons Nation 006 - Prototype Substance EP - Villan X Feat.Naughty Wood+ Jonny Quest - Sikk Truth/JTC Feat.Rodger Devine -The Monolith Nation 007- Traxx - Faith - Double Vinyl/CD Album Nation 008- Future Elektronix EP - D'Marc Cantu - It's My Body/ The Maniacs - Luv Eternal Nation 009- Rhythm Relics EP - Saturn V - The Fresh Heir/ X2 - Modem Nation 010- J.T.C. - Creep Acid Double Vinyl Album Nation 011- The Modern Electronic Element Serie 2 Compilation Nation 012- Nancy Fortune- Remain Human Album Nation 013- Charles Manier- Charles Manier Album Nation 014- Red Light- 7" Nation 015- Beau Wanzer 'Power Outage' 10" Nation 16.1- The Doomsday Initiative Part 1(2AMFM) Nation 16.2- The Doomsday Initiative Part 2(Two Dogs In A House) Nation 17- The Modern Electronic Element Serie 3 Compilation Nation 18- The Xecond Xoming Of Black Meteoric Star Nation 19- Modern Analysis “12" Nation 20- Mutant Beat Dance- No Comfort For Control Nation 21- SSPS- The Life & Times Of GiGi Black Nation 22- William Kincaid- Altered Ground “12” Kode 1- Charles Manier- “12" Kode 2- D'Marc Cantu / Black Meteoric Star- Split Concept Kode 3- D'Marc Cantu- Homefront I Kode 4- Sacred Article / SSPS- Output Signal Kode 5- Transformation / Beau Wanzer- Kozmik/Orbit ‎ Kode 6- Internal/External- “12” Kode 7- EchoDroides- Glowing In The Dark DirtyBlends (Exclusive Compilation Label) DB1 - The Jak- Wicked Hysteria / Tribute DB2 - The Jak- Sequential Sleaze / Hardy's Haunted Box DB3 - The Jak- Black Accordion / Dirty Riddim 87 DB4 - The Jak- Gravity D-Lyte / Zodiak- The Last Voice DB5 - Lex Lathan- Mayhem Manipulation / William Kincaid- Cant Be DB6- The Jak- A Lost Religion / Rudy Rugar- Pazuzu/ Back To Enterprise DB7- The Jak- An Offbeat Formation Of Control / The Falcon- The Syringe

̸BIOGRAPHY Tunik is an Argentinian artist based in Barcelona. The musical journey that Tunik takes you on is shaped by a constant connection with the romantic side of everything that surrounds him. Meticulous in his selection, the Argentinean artist uses evocative melodies to reach listeners' escapism within a cinematographically universe designed by himself. Tunik elevates his sets and productions to esoteric soundscapes, in which rhythms and melodies culminate in a cathartic way. His concept and understanding of electronic music have allowed him to rapidly grow, being sought after by major cult labels like My Own Jupiter, Touched Electronix, Furthur Electronix, and Dekmantel. Cutting records, producing records, and playing records, Tunik is a fully devoted advocate of our culture. Discover

̸BIOGRAPHY Valentina Magaletti is a drummer, percussionist and composer whose goal is to strategically enrich a folkloristic and eclectic palette through endless listening and experimentation with new materials and sounds. She has performed and co-written with many artists including Nicolas Jaar, Jandek, Helm, Raime,Moin, HOly Tongue,Czn Malcom Catto, Charles Hayward, Graham Lewis (Wire, Dome), Tightpaul Sandra (Coil, Spiritualized, Julian Cope), Thurston Moore, Bat for Lashes, Gruff Rhys (Super Furry Animals), and many more. In her current project, Vanishing Twin she has a more conventional jazz approach that finds its escape in the drone/field recordings of the percussive narrative in other experimental/avant-garde productions. Valentina was born in Bari, Italy, and lives in London. She has performed widely with festivals including: UnSound (Toronto,Krakow),Wysyng Art Centre(Cambridge) Atonal(Berlin),Festival International Musiques Actuelle (Victoriaville),Festival de la Cité (Lusanne)Museum of Modern Art(Moscow),The Great Escape (BBC Stage),(Brighton),Incubate festival Tilburg),Nuits Sonores(Lion),Hyperreality(Vienna) Tauron Nowa Muzyk Festival(Katowice) Bozar(Bruxelles),Hyperreality(Vienna)ANLG(NYC),EcoFestival(Madrid), Loop Festival(Los Angeles),Phono Festival (Odense),Tremor(Azores), Roskilde (Roskilde),Jazz is Dead(Turin),Le Guess who?(Utrecht),RewireTheHague),Glastonbury(Glastonbury),Supersonic(Birmingham),Sonar(Reykjavik),Time Zones(Bari),Tempo Reale(Florence). Other performance highlights include several improvised or repertoire presentations at Cafe Oto (London),commissioned work for Zabludowicz collection(London),The Barbican(London),Southbank Center (London),National Theatre and Dance (Lisbon),Sonoscopia (Porto),VAC(Palazzo Delle Zattere, Venezia) Valentina has performed or composed music released on labels including Editions Mego, Trilogy Tapes, Offen,Takuroku,Marionette,Hands in the Dark,Blank Editions,Confront,Latency,Horn of Plenty,Meakusma,Emotional Response,Other People,Soundway,Fire Records and mony more. ̸SELECTED DISCOGRAPHY https://valentinamagaletti.com/Releases

̸BIOGRAPHY Vardae is a project with the ambition of breaking away from the genre barrier, to explore new sounds territory around the love of psychedelic music.

̸BIOGRAPHY Voices From The Lake are Donato Dozzy and Neel, a project born out of a long lasting friendship between the two. Donato Dozzy and Neel are Voices From The Lake, a duo that has redefined techno both in the live arena and in album format. Their debut full length for Prologue was widely heralded as a masterpiece for the way it displayed such an incredible ear for sound design at the same time as painting vivid, multi-layered landscapes of slowly unfolding rhythm and texture. Also excelling when playing live in serene environments like Japan’s Labyrinth Festival, the pair explore experimental underwater sounds influenced by nature, African drums and minimalism. The world now waits in anticipation to see just where the pair can take their ambient techno soundscapes next.

̸BIOGRAPHY Von Riu is a Paris based DJ and producer who made a name for himself co-founding his label Jerry Horny with Maté in 2020. Von Riu is a Paris based DJ and producer who made a name for himself co-founding his label Jerry Horny with Maté in 2020. This long-time music fanatic has become one to watch omnivorous tastes producer, shaping his own sound a littlemore through each new release, juggling between cinematographic gloomy atmospheres, incisive trancy techno, clubby bass & break music and modern progressive trance. After making the transition from always being on the dancefloor to someone who now oversees the party, anyone who has witnessed Von Riu playing can testify about his deft mixing skills and the way he dexterously flows between whatever corner of adventurous electronic music. At the forefront of the French electronic music scene, his label Jerry Horny came up with a corporate-businesscore vision which through self improvement and growth hacking techniques has made a name for itself with few compilations and EPs bringing together the best names of the electro/break/bass music scene.

̸BIOGRAPHY Wata Igarashi has developed a clear sound of his own. He brings together the euphoric and psychedelic, with his music standing out for its crystalline structures and shimmering intensity. Igarashi’s distinctive take on techno is on display across a series of EPs on Midgar and The Bunker NY, as well as on Semantica, Time to Express, and Bitta. Recent standout remixes of Aurora Halal, Volte-Face and Prins Thomas have further demonstrated his considerable talents as a producer. The same mentality is present in his performances, whether DJing or playing live, with his measured control of frequencies and intensities shaping the dancefloor as he explores the more psychedelic dimensions of techno. In this way, Igarashi’s considered approach is one that stimulates the body and mind, generating energy and emotion. Wata Igarashiは独自のサウンドを確立したアーティストだ。緻密なサウンドデザインや構成力を持ち、陶酔感とサイケデリックさを融合させたIgarashi特有のテクノは、MidgarやThe Bunker NYの一連のEPやSemantica、Time to Express、 Bittaのリリースで聴く事ができる。また彼のプロデューサーとしての才能は、近年のAurora Halal、Volte-Face、 Prins Thomasの傑出したリミックス・ワークでも顕著に表れている。彼はDJやライブといったパフォーマンスにおいても、制作と同じ精神性を持っていて、緻密な音響とエネルギーのコントロールでテクノのさらなるサイケデリックな次元を探求し、ダンスフロアを陶酔へと導く。Igarashiのアプローチは身体と心の両方を刺激し、強いエネルギーと感情を生み出す。 ̸ SELECTED DISCOGRAPHY 2016 Stealth 2/3: Night [Time to Express] NNN08: Death Orange [Semantica] Ciphers EP [Midgar] Haziest Just Before The Dawn [Bitta] Semantica10. IV [Semantica] 2015 Pulse Width (Wata Igarashi Remix) - Ruhig [Midgar] 2014 Junctions EP [Midgar] Acid Bubblebath (Wata Igarashi Remix) - SERi [Acidworx] 2013 Mariana Wax 000 [Mariana Wax] Paranoid EP [Counter Pulse] Rotating Field EP [Sienna Obscure] 2012 Carp (Wata Igarashi Remix)/ Jin Hiyama [Gynoid Audio] 2011 Middle Eye Black EP [Statra Recordings] As It Is EP [Gynoid Audio]

Acid fiend, Techno heathen. Occasional rap producer. It's All Your Fault.

̸BIOGRAPHY x/o is a multidisciplinary artist whose music floats between contrasting fields of delicate soundscapes and distorted percussive detail, a juxtaposition which extends into their artistic practice through conceptual layering of ideas and textures. ̸SELECTED DISCOGRAPHY Chaos Butterfly (LP, released 4.4.22 on Precious Metals) cocoon egg (EP, released 11.11.17 on Quantum Natives)

̸BIOGRAPHY Yant has a reputation for combining alluring grooves, hypnosis-inducing sounds and rich powerful beats Manchester-based Yant has a reputation for his meticulously designed productions and dark, groovy, powerful DJ sets. Signing records to Setaoc Mass’s SK_Eleven X, Token Records, and originally BLACKAXON the producer has a solid backing of Techno’s most important figures. Keeping things fresh and moving forward his productions deliver alluring grooves, hypnosis-inducing sounds and rich powerful beats. Each track has distinct personalities and psychoacoustic details to build worlds of their own, always ready to take you to the next place. Berghain, ∄ K-41, Fold and The White Hotel, are just a few of the clubs which have experienced his ability to grip the dancefloor. Full of energy, pushing it to the limits, he rides on the verge of things falling apart, almost close to apocalyptic, but saving you with a surprise up his sleeve. With an open minded passion for music and diverse collection, setting the tone at the start of the night using interesting atmospheres is something he appreciates and makes it his mission to subtly drift with you into the full speed of the night. Whether it’s at the beginning or end of the night, one thing’s for sure, you’re in for a ride. BOOKING: yantbookings@gmail.com ̸SELECTED DISCOGRAPHY Yant - Contravention EP [SK11X006] Yant - Hydro EP [BAXN005] (2020) Yant - Night Shift EP [SK11X001] (2019) Yant - Cosmic Borders EP [BAXN003] (2018)

DJ , PRODUCER + VISUAL ARTIST FROM LONDON

̸BIOGRAPHY Berlin Dj and Producer Raiders Berlin

Amsterdam based DJ and producer that also runs his Safe Trip label. There was a time when Marco Sterk a.k.a. Young Marco’s talents as a DJ and producer were among Amsterdam’s best-kept secrets. For well over a decade, he plied his trade, largely unheralded, on the city’s underground dance music scene. It was here, via several now infamous residencies, that he learnt his craft, gaining a reputation for ballsy, genre-defying eclecticism, playing sets that joined the dots between everything from tropical rhythms, afro gems and quirky Middle Eastern disco, to lost proto-house, throbbing techno and industrial-strength jack-tracks. These days, the Dutchman’s talents are widely known around the World. His position as a crate digger, record collector and infamous party-starter now guarantees a packed schedule of gigs in Europe, North America and beyond. His passion for working a dancefloor with “strange music” and “unclassics” is renowned, and it’s this that makes his sets so special. This humid, off-kilter obsession with the inspired and unusual has become a hallmark of Marco’s music, too. Once a key part of the Rush Hour family – the legendary Amsterdam label releasing a number of his early singles – in 2011 he made his debut on Lovefingers’ highly regarded ESP Institute label. His first two EPs for the label set out his now-trademark style, and won support from the likes of Dixon and James Murphy, amongst others, along the way. It’s perhaps unsurprising that a string of remix requests followed, leading to now classic reworks for the likes of Heatsick, Joakim, Francis Bebey and Soft Rocks. His 2013 remix of Tony G’s “Dreams”, a killer chunk of blissful new age deep house, became one of the most in-demand and sought after records of that year. At the tail end of 2015, the best of these remixes were gathered together on Sorry For The Late Reply, the first release on Marco’s freshly minted Safe Trip imprint. 2014 saw the release of his most accomplished studio work to date, the superb debut album Biology on ESP Institute. Wonderfully picturesque, melodious, humid and glassy-eyed, it received rave reviews and confirmed his status as one of electronic music’s truly unique voices. The same year also saw the release of Clouds, a magical collaborative fulllength written and produced in a weekend with Italian ambient pioneer Gigi Masin and British artist Jonny Nash. Credited to Gaussian Curve and released by Amsterdam’s Music From Memory label, it was the unfeasibly beautiful sound of three like-minded musicians working towards a shared goal. In 2017, Marco is as busy as ever. He’ll be hitting the road April onwards with Gaussian Curve for a handful of live dates around the world in support of their second album The Distance, while his contribution to Dekmantel’s series of crate-digging compilations, Selectors, is due to hit in March. His own label – Safe Trip – will be picking up steam with a string of releases that explore electronic music in many different directions. As usual, you’ll also find him spreading his love of weird, wonderful and eccentric music in basements, warehouses and clubs the world over.

̸BIOGRAPHY Yuri Urano a.k.a. Yullippe An electronic music artist born in Osaka. Her fascinating voice and sound are highly regarded, and she engages in global activities that transcend genres and borders. An electronic music artist born in Osaka. Her fascinating voice and sound are highly regarded, and she engages in global activities that transcend genres and borders. In January 2018, she participated "INTERLUDE from TDME" one of the biggest audition searching next generation of creators for electronic music, and won the GRAND PRIX. In April she performed with Ryoji Ikeda and RADIQ at Namba hatch in Osaka.In September she released a single from CPU Records, and then released Reed from her eponymous label YL. At MUTEK.JP in December 2020, She performed an ambient / experimental live set with visual artist Manami Sakamoto. She shows her talent in various musical fields. She produced music for TEDxKobe. She made an appearance at "The Star Festival 2017"(very popular Japanese Music Festival) as a secret DJ a.k.a "Ghost Selectors", and made a huge buzz. ̸SELECTED DISCOGRAPHY 2018 Reed by YL Autline by CPU 2017 Selfish & Anchor by Yullippe 2016 Lys by Yullippe 2015 Night Flower by Yullippe 2014 test I: i.a.m.y.o by edition.nord Crash & Reborn by Different10

Yves Tumor is the solo moniker of Sean Bowie, the enigmatic multi-instrumentalist and producer based in Turin, Italy.Yves Tumor

̸BIOGRAPHY Zaatar زْعَتر music is the peculiar combination of both her origins : Moroccan and Belgian. She finds her inspiration in the post punk and EBM movement of the late 80’ and early 90’. Her tracks are therefore built around a gritty and rough baseline that sets the mood for frenetic body dances. Melodies and sounds inherited from her home country - Morocco- completes her soundscape in a way that is her own. During her DJ sets she invites the public on a captivating journey from light to darkness, an oscillation between joy and melancholy sometimes punctuated by oriental melodies. Co-founder and resident of the Laisse Tomber Les Filles collective, she works to celebrate women on the decks, freedom and diversity, values that never leave her, especially behind the decks. She joins the label Ritmo Fatale with the track Abiad Al Layali already considered as an EBM reference. Discover

̸BIOGRAPHY Seven years after his viral single “Ima Read,” performer, songwriter and producer Zebra Katz returns to present his debut album, LESS IS MOOR. Seven years after his viral single “Ima Read,” performer, songwriter and producer Zebra Katz returns to present his debut album, LESS IS MOOR. Written and produced between Berlin and London, LESS IS MOOR features guest appearances by Shygirl and S. Ruston, with a myriad of star co-producers such as Sega Bodega, Tony Quattro, and fellow Red Bull Music Academy graduate, Torus. Amidst all this talent, there’s rarely a down moment on the album. Together, these tracks capture sides of Zebra Katz the world has yet to see and reveal his artistic versatility. His multiple inspirations are channelled into a series of high-energy bangers, all of which required years of collaboration to complete, a DIY attitude, and a commitment to a high concept without excess production. Recent singles “IN IN IN” and “LOUSY” are examples of Zebra Katz’ desire to repossess his narrative, exploring issues like the Black experience and sexuality, all the while mixing in devastating ruminations on the life of a star: “they all love when you dead / and you six underground.” LESS IS MOOR will have listeners on their heels, especially in moments that show Zebra Katz’s talent for improvisation and drawing on the moment. The freestyle on “ZAD DRUMZ” came about after an improvised session at Red Bull in Berlin with co-producer Torus. “INTRO” was made at a party loft in Berlin. The gabber-oriented sound reflected the chaotic sounds of the party below. “All I wanna do is keep the dance floor jumping,” sings Zebra Katz on “ISH,” the next single in line for release. “NECKLACE,” a guitar-strummed slow jam, is a rare moment of respite on an otherwise high-energy album. The very next track, “SLEEPN” jumps back in with a bubblegum beat and subversive lyrics: “blackface, war paint / throw a hex on ‘em.” “LICK IT N SPLIT” is the album’s sexy and high-spirited ending featuring Shygirl. Born Ojay Morgan, Zebra Katz, is a first-generation Jamaican-American born in West Palm Beach, Florida. Morgan’s artistic days began early: his senior thesis at the Eugene Lang College of Liberal Arts at The New School found him premiering “Moor Contradictions,” a precursor to LESS IS MOOR that combined performance art with music at La Mama Theatre in 2007. Skip ahead to 2012, when the music world explodes over Zebra Katz’s sensational hit, “Ima Read.” Picked up by Diplo’s Mad Decent imprint Jeffree's, the track garnered further popularity when it ran for 11 minutes on a Rick Owens runway at Paris Fashion Week. The next five years found Zebra Katz touring nonstop in Europe and the United States, delivering memorable and genre-breaking live performances at venues like the Broad Museum in Los Angeles, the New Museum in New York, the Metropolitan Museum, MoMA PS1, Brooklyn Museum, and Art Basel in Switzerland. It was during this same period that Morgan released the mixtapes Champagne and DRKLNG; two EPS, Winter Titty and Nu Renegade, a collaboration with Leila Arab. Zebra Katz wanted to dive into production for LESS IS MOOR immediately after releasing Nu Renegade, but an exciting new opportunity took him away from the project: from 2017-2018, Zebra Katz joined the Gorillaz on their Humanz tour and was featured on the tracks, “Sex Murder Party,” “The Apprentice,” and “Out of Body,” which also featured Kilo Kish and Imani Vonsha. For years, Zebra Katz has been working as an independent and self-managed artist, thriving despite the lack of backing from a major label or a debut studio album. Now, with greater support behind him, LESS IS MOOR announces a deeper look into the sonic universe of Zebra Katz. The album stays true to the off-the-cuff way that Zebra Katz initially started to make music seven years ago but it finds the musician newly empowered and unafraid of being noise-driven, biting, caustic. Nor is he afraid to draw inspiration from diverse sources like Little Richard, Nina Simone, James Baldwin, and Grace Jones. Sexually charged and abrasive, LESS IS MOOR is a bold, sonic experiment that meshes industrial hip-hop with drum ‘n’ bass and unidentifiable sonic territory. Used as early as the Middle Ages, the word “moor” refers to the black Muslims of Northern Africa. Today it simply means black and is synonymous with “negro.” When Zebra Katz says “I’m that sick sadistic fucking twisted bitch” on “ZAD DRUMZ,” he’s wearing his darkness for all to see. If you listen hard enough, you can almost hear James Baldwin saying, “To be a Negro in this country and to be relatively conscious is to be in a rage almost all the time.” LESS IS MOOR lets you into this rage so you can dance with it.

̸BIOGRAPHY Ziúr is an experimental producer/musician and a fixture in Berlin's rich musical topography. Ziúr is an experimental producer/musician and a fixture in Berlin's rich musical topography. It seems as though she produces her releases in the way someone scoring a television series does, gathering and arranging their selections for each episode … isolating and apprehending definitive scenes and memorializing their ethos in song. Soundtracks, much like her release “Antifate”, guide the listener through radically different emotional states, yet somehow still offer an idea of what underpins a show's (or in this case an album's) particular hues. Ziúr produces music within such a scope, expansive, rich and diverse in texture. The sounds are simultaneously machinistic and deeply anthropomorphic, toying with mechanical isolation and the chaotic spectrum of human emotion. Unlike a soundtrack or score, there is no film to which one can turn to narrativize the music … there is only evocative sounds reaching from each song towards the cybernetic sublime. ̸SELECTED DISCOGRAPHY Blur - EP 2021 (Now Now) Antifate - Album 2021 (Pan) Now Now - EP 2021 (Now Now) Are We? - EP 2020 (Self Released) ATØ - Album 2019 (Planet Mu) Isn't No Place And All Places The Same Place - Mixtape 2019 (Self Released) U Feel Anything? - Album 2017 (Planet Mu) Deeform - EP 2016 (Objects Limited) Taiga - EP 2016 (Infinite Machine)