Marie Davidson

As a professional, K.Woon has curated immersive atmospheres for luxury, sportswear, and food & beverage brands in commercial spaces. She is obsessed with crate-digging when traveling. Her academic work examines how emerging technologies such as AI, streaming platforms, social media are reshaping the music discovery experience, and suggests ways to create sustainability in the creative industry. She is now dedicated to curating a sound of her own in the underground space ------------------------------------------------------------------------------------ ̸BIOGRAPHY K.Woon is a homegrown crate digger of dark and dissonant sounds. Her selections often resonate the sounds of nonconformity for the untamed, embracing the hazy mirages that emanate from this decaying aura of living dystopia. K.Woon is a homegrown crate digger of dark and dissonant sounds ranging from dub to brutal techno; retrowave to electro, from rhythmic noise to deconstructed beats and so on. Nevertheless, she has curated immersive virtual and music experiences for luxury brands, sportswear, cafe and restaurants across varieties of channels throughout the APAC. Her academic work examines how emerging technologies, such as streaming platforms, social media, AI and algorithms- reshape the music discovery experience and suggest pathways towards a more sustainable creative industry. Her selections often delve into the aesthetic illusion of intense desires in the darkness for the untamed dance floor. 來自香港的 K.Woon 熱衷於發掘概黑暗又出奇不意的音樂，Dub、暴烈Techno，都是她的首選，又或是充滿IDM氛圍、光怪陸離的雜音、機械式嘈音或是打破常規的拍子韻律等等之音樂也是她的心頭好。 她亦曾為不少高級時裝品牌、運動品牌、Cafe及餐廳⋯⋯等等客戶在亞太地區度身訂造音樂體驗。而她在學院裡亦研究串流平台、社交媒體、AI 及演算法等等科技，如何改變人們發掘音樂的方式，並建議音樂產業如何持續發展。 K.Woon 喜歡選取來自世界各地的滄海遺珠，在滿載暗湧的舞池中凝造末日反烏托邦之音。