Formed in 1991, 2 Bad Mice (the name originating from The Tale of 2 Bad Mice by Beatrix Potter) are widely credited as among the first U.K. hardcore acts to begin heavily incorporating breakbeats into the style. Consisting of members Sean O'Keeffe, Simon Colebrooke and producer Rob Playford (owner of Moving Shadow records), 2 Bad Mice were a staple on the early-to mid '90s hardcore scene and were instrumental in the music's steady mutation into jungle/drum'n'bass. The group's influential approach to sampled beats -- cutting them up into shards of rhythm and rearranging them in novel combinations (first appearing in mature form on the 1992 hit "Bombscare") is generally considered the blueprint from which jungle's characteristic manipulation of breaks was assembled. Although 2 Bad Mice for the most part stopped producing as the hardcore scene began to wane (Playford focusing his energy on Moving Shadow, now one of the most influential jungle labels), a best-of compilation of the group's work appeared on the American Sm:)e Communications label in 1995. These days Playford continues to work in production, while O'Keeffe, Colebrooke (and Paul Rhodes) currently DJ worldwide as 2 Bad Mice.

Altern 8 is an Early UK Rave music band originally featuring Mark Archer and Chris Peat (Peat left the group in 1994) They were one of the UK rave bands of the early 1990s whose trademark was loud electronic tracks with a heavy bass line. Altern 8 was formed in Stafford in 1990, as a side project to the already successful Nexus 21 (a name chosen because of its "futuristic House sound), when both members were 21. From the outset the band's objective was to develop their style which was heavily influenced by the musical elements of other Detroit House music artists Derrick May, Juan Atkins and Kevin Saunderson, as well as the Chicago sound of Phuture and early electronic heroes Kraftwerk. Altern 8 tunes changed the world of Rave music, influencing many artists, with their mixture of the sounds of the Roland TB-303, 808 and 909 with breakbeats and familiar samples. At the time in the UK, outdoor rave events were legal, and Altern-8 had a reputation for turning up to play at major unofficial events. They helped to define harder House tracks relying more heavily on bass and volume. The use of more bass and eclectic noises gradually evolved Altern 8's music away from the earlier House music style. The duo, dressed in chemical warfare suits and dancing "like electrified monkeys", took part in a large number of live performances. Notable Altern 8 tracks include "Activ 8", "E vapor 8", "Frequency", "Brutal 8 E", "Armageddon", "Move my body", "Hypnotic St8" and "Infiltrate 202". The band produced an album on the Network Records label in 1992 called Full On... Mask Hysteria. In 1992, Peat entered as a candidate for the Stafford constituency in the General Election representing the Hardcore (Altern8-ive) party. He polled 158 votes and finished in fourth place. In 1993, Archer began producing as Slo Moshun with Danny Taurus, responsible for Bells of N.Y., and Xen Mantra. Altern 8's somewhat surreal image made for dramatic photographs and videos, but the same PR that helped to sell their music was eventually used against the rave movement, as the UK tabloid press published stories about the dangers of ecstasy, illegal raves and their impact on the countryside, resulting in the Criminal Justice and Public Order Act 1994. [edit] ̸ SELECTED DISCOGRAPHY Overload EP (1990) 12", EP Network Records The Vertigo EP (1991) 12", EP Network Records Remixed Vertigo EP (1991) 12", EP Network Records Activ 8 (Come With Me) (1991) 12" Network Records Frequency (1991) 12", Ltd Network Records E-Vapor 8 (1992) 12", Network Records Hypnotic St-8 (1992) 12", Network Records Full On... Mask Hysteria (1992) LP Network Records Shame (Feat. Evelyn King) (1992) 10", Network Records Brutal-8-E (1992) 12", Network Records Everybody (1993) 12", Network Records Everybody Remixes (1993) 12", Network Records Hard Crew (2020) 12" & Digital, Stafford North Records

Ghost in the Machine is mean, tightly-coiled, unyielding techno, laced with unnerving ambiance and a constant brooding tension. Lifelong friends Frank Nitzinsky and Nils van Lingen turned their sights onto techno in 2016 with a series of releases on their newly minted industrial techno vinyl imprint Genosha Basic. Their fresh take on techno and razor sharp production swiftly garnered them support and recognition from some of the biggest names in the harder recesses of techno. Their tracks remain in constant rotation, from dark basements to the biggest festival stages. A string of EPs on Genosha Basic and Perc Trax as well as epic, festival-wrecking remixes for the likes of Paula Temple, Perc and Truss saw them quickly rise to the forefront of industrial techno. After becoming a staple on the label, Perc Trax released Ghost in the Machine’s debut album ‘Breaking the Seal’, which lifted them to a new level of respect and recognition. ̸ SELECTED DISCOGRAPHY 2016: Eternal Flaming EP (Genosha Basic) 2016: Internal Hellfire EP (Genosha Basic) 2016: Hexual Ceiling EP (Genosha Basic) 2017: 100% of Missin' You (Love Hz) 2017: One Louder EP (Perc Trax) 2017: Enjoy the Sirens EP (Genosha Basic) 2018: King Dead EP (Perc Trax) 2018: Sausage of Unity EP (Genosha Basic) 2020: Breaking the Seal LP (Perc Trax)

The rest of this body shall eventually turn to dust. ̸ SELECTED DISCOGRAPHY HDL 001 HDL 002 HDL 003 HDL 004 HDL 005 HDL 006 HDL 007

Jimmy Edgar is a renaissance man of talent, ideas, and style beyond his years. At 29, the Berlin-based Detroit native with a mischievous mystique has been a prolific artist and musician for two thirds of his enchanted life. Sonically, he's fluent in a myriad of vernaculars, from "software as music" and glitchy underground Hip Hop to his signature glossy, erotically charged robot funk. Visually, he's established himself as an in-demand director, photographer, and multimedia artist with an impressive roster of videos, exhibits, and magazine work to his credit. Born in August of 1983, Edgar was playing drums, keyboards, and saxophone, as well as experimenting with sound manipulation by the time he was an adolescent. To complement to his technical prowess, Edgar learned to play piano and "feel the music" in Detroit's Baptist churches. By the time he was 15, with help from a promoter friend, Edgar was spinning alongside hometown legends Atkins, May, and Saunderson in local strip clubs and raves. His early exposure to music, technology, spirituality, and seduction informed Edgar's creative impulses profoundly, and their confluence has become a recurrent motif in his work. The tail end of his teen years was a whirlwind of creativity and milestones. In 2002, Germany's Poker Flat released Edgar's single "We Like You.” On the advice of then employee Travis "Machinedrum" Stewart, Merck released Edgar's My Mines I under one of Edgar's many personas, Kristuit Salu vs Morris Nightingale. My Mines I was hailed by XLR8R as "hip-hop beamed in to deep space." Under the alias Michaux, Edgar dabbled deeper in musical alchemy, releasing 2003's experimental IDM "virus as music" album, %20 on the Dutch label Audio.nl. Referring to the HTML code for an empty space, its title emphasized the impact of silence in music. The resulting frequencies were so intense that the label technically couldn't press it to vinyl, and it became their first and only CD release. Edgar famously signed with influential Warp records at 18, and spent his early 20's recording and touring, winning audiences over with his dynamic stage presence and customized visual show. A pivotal point came during his debut at Detroit's Electronic Music Festival where security guards raved with the crowd. While at Warp, Edgar released 2004's Access Rhythm, a 4-track EP of blunted, left-field beats, and 2005's 6- track electro-sleaze EP Bounce Make Model. Jimmy's influences and techniques reached a breakthrough synthesis on 2006's LP Color Strip. Using a mix of custom- built gear, and analog and digital instruments, Edgar created a scene-stealing sound that fused Minneapolis funk, California Hip Hop, and Euro Electro. Color Strip became an instant favorite with fans and critics alike. The next few years were marked by a move to New York, emotional turmoil, psychic reawakening, and more side projects including Her Bad Habit, Plus Device, and Creepy Autograph. As X District with Laura Clarke, Edgar released 2007's "Color Correction", a single that originated as a cryptic correspondence between them, revealing more of Edgar's intense fascination with esoteric philosophy and the dark arts. In 2008 Jimmy teamed with The Beta Band's Steve Mason for the Black Affair album "Please Pressure Point", providing engineering, mixing, production, design, and videography work to the project. Returning to his solo persona, parting ways with Warp, and relocating to Berlin, Edgar released his next album XXX on !K7 records in 2010. On XXX, Edgar refined his mutant electro-funk into its most radio-friendly form, and the singles "Hot, Raw, Sex" and "Turn You Inside Out" became essential dance cuts. Encouraged by his friendship with Machinedrum (part of Sepalcure with Braille), in 2012 Jimmy released the LP Majenta on Scuba's Hotflush label. Majenta’s blend of airbrushed 80s futurism and otherwordly sensuality, co-created with recent collaborator and kindred spirit Pilar Zeta, visually expresses Edgar's obsession with spirituality, technology, and the occult. Moved by a transformative trip to Peru’s fabled Machu Picchu, the lifelong transcendence fetishist hopes to rekindle a similar passion for the supernatural in newer audiences. As part of that mission, In 2013 Edgar and Machinedrum co-founded Ultramajic, a label and collective for their various projects. In addition to their work as DJ duo JETS, Stewart will provide A&R to the label; their first release will be Edgar's 3-track EP Hot Inside out in June. A complimentary deck of magical cards created by Zeta and Edgar will be released shortly after the album. Edgar is touring independently and with JETS all summer. At an age when many artists are just coming into their own, Edgar is more secure in his artistic vision than ever. Most importantly, after years of shape-shifting into others' molds, Jimmy Edgar is now in full control. ###

Joey Beltram is a Techno and House Music pioneer since the early 1990's. He has headlined some of the biggest Festivals and events worldwide including Nature One, Bonusz Festival, Awakenings, Rock-it open air, Coachella, BLOC, A Day at the Park, Full.. Joey Beltram - Drumcode / R&S / BUSH / Warp Short Biography: For over the last 20+ years, Joey Beltram is considered one of the pioneers and a legendary producer of Techno and House. He has recorded on many of the biggest labels of the early 90's such as Nu-Groove, Tresor, Warp, Transmat, and R&S records. Much of his music during that time is widely acknowledged as groundbreaking. Beltram has also been heralded as a major influence by many of todays DJ's and producers including Daft Punk (as mentioned in their song "Teachers"). He has also produced many Techno staples of the 1990's including "Energy Flash", "Mentasm", "Forklift", "Ballpark" and "Game Form". In more recent years Joey Beltram has worked with and remixed artist's and DJ's such as Adam Beyer, Carl Cox, Umek, Oliver Huntemann and Steve Lawler. His productions on Harthouse, BUSH, MB Electronic and Drumcode have shown he still has the magic touch in the studio. Beltram has also headlined some of the the biggest Festivals and events worldwide including Nature One, Bonusz Festival, Awakenings, Rock-it open air, Coachella, BLOC, A Day at the Park, Full House Festival and Tomorrowland, to name a few.

Lights Down Low is Corey Sizemore and Richie Panic together djing music for people California dance music institution Lights Down Low has been entertaining creatures of the night for over 10 years, throwing parties in the Bay Area, Los Angeles and beyond. What began as a tiny monthly party at the infamous 222 Hyde club in the Tenderloin has become a multi-­city enterprise dedicated to hedonism in all its glory. With non-stop parties in Los Angeles and San Francisco, all shape shifting and geared toward pure party satisfaction. Playing at their own parties or individually they take deep dives sonically , moving across genres from hands in the air house, to punishing techno, finding room in between, flexing industrial/EBM favorites or weirdo freak outs. Richie Panic & Corey Sizemore are renowned for their eclectic DJing style and the same holds true for their bookings. “We only book the artists and sounds that we play and are fans of first and foremost.The artists that we find in our record bags and we want to bring to the sweaty masses” Lights Down Low has featured too many guests to count, but some notable acts include Nina Kraviz, Jamie xx, Simian Mobile Disco, Optimo, Four Tet, Barnt, Jackmaster, Volvox, Fatima Yamaha, Veronica Vasicka, Derrick Carter, Helena Hauff, Evian Christ, Josh Wink, Jennifer Cardini, DJ Stingray, Daniel Avery, Paranoid London, Erol Alkan, and Silent Servant. Founders and resident DJs Corey Sizemore and Richie Panic both got their start in small venues, throwing intimate parties with wild vibes. Separately, each had a dedicated following of partygoers who trusted their taste and curation. Together, the two have built Lights Down Low into a hedonistic heaven that spans genres, cultures, crews, genders, and more. Everything Lights Down Low stands for, and everything Richie & Corey aim to do is done under the aegis of bringing people from across the dance music cultural spectrum together to rave on the same dance floor. “No limits, no boundaries, just dancing.”

Keep it R.A.W. Ross Walker (R.A.W.) has had a passion for cutting edge electronic music since an early age. Being a regular member of the underground club scene it was only a matter of time before he began DJing and playing the music he loved. His time as a bedroom DJ was rewarded in 2004 when he won a local DJ competition and began regularly performing throughout North West of England. This included venues such as Sankeys (Manchester), The Custard Factory (Birmingham), MyHouse (Leeds) and The Music Box (Manchester). During this early period he met the talented producer Matthew Sargeant (Alive/Broken). They soon realised they shared the same musical vision and began producing together under 'Alive & R.A.W.' and 'Broken & R.A.W.'. During this time R.A.W. learnt a great deal and was able to express his music, drawing upon the technical talents of his studio partner. Their first project created the tracks 'QA7' and 'QA8' in 2008. They were soon signed to Monu-mental Digital and supported by Luke Dzierzek, Mistress Da Funk, Marco V and Eddie Halliwell, which he featured on his BBC Radio1 show. These early tracks demonstrated their experimental sound and fusion of styles, reinforcing the success of the partnership. They continued to develop their sound and later that year produced the dark percussive 'Overture' for No Dough's Movements EP. This track demonstrates their progression and love for percussive techno. Later collaborations included the remix of 'Kris James – Falling Back Into The Dark' for Mad Hatter Recordings. In 2009 R.A.W. began crafting his own solo material, building upon his experience. This gave life to the tribal 'Masaai' and lead driven 'Stack The Deck', which were released on Documenti Sonori Records. These tracks cemented R.A.W.'s percussive forward thinking sound and solo career. Blending techno and house R.A.W. created the vocal 'Feel my love', for sleep is commercial's 'Morning Tools' series. Drawing upon the tribal sounds of 'Masaai' R.A.W. produced the techy percussive 'Atamga'. This was released on sleep is commercial's 'Extended Family Vol.2 EP', with support from Luciano, Danny Tenaglia, Richie Hawtin and Dubfire. 'Atamga' was included on Luciano's groundbreaking Vagabundos CD mix. Following of from the success of Atamga, R.A.W. remixed Horatio and Boghosia' 's track Bochica. This was released on Quanticman records and was supported by Marco Carola at his Music On parties. DJing his has been involved with the growth of Cheshire Garden Party (CGP) and has played along side DJ's such as Richy Ahmed and Shonky. Back in the studio he has just finished an new EP for Celesta records. This label is growing fast and gaining recognition. The EP is due out in the summer with some big remixes. R.A.W. continues to develop as a producer. His influences remain with house and techno, but also touch upon disco, soul and deeper vibes.

In any conversation about San Francisco’s party scene, it’s inevitable that Richie Panic’s name will be at the forefront. He’s known not only for his performances as a DJ but also for launching legendary parties including Frisco Disco, and most recently the mega popular Lights Down Low, which is best known for having an ear to the future, hosting the most groundbreaking underground artists on the brink of hitting next level trendsetting success. With his unique mixes of weird, eclectic house and techno, Richie Panic has been seen lighting up stages around the globe, from major festivals to the deepest rave caves. His performances and recorded mixes are as fun as they are smart, bringing together the hippest dance music with deep cuts that the weirdos already know and the newbies won’t forget. Upon entering the dance floor of one of his parties or DJ sets, you’ll find yourself instantly surrounded by a crowd of the hippest club kids, wildest freaks, and most devoted music lovers, all moving, dancing, and sweating. An evolving entity within itself, you become one with the party monster that is the twerking, vogue-ing, touching, hazy, laser-beam lit crowd. Lose yourself dancing until dawn and plan on calling in sick to work tomorrow. Most importantly, Panic is devoted to finding the music that moves us, bringing together a diverse community who throw aside stereotypes to unite and dance together under one roof. In a San Francisco climate where rents are rising and Silicon Valley is quickly moving in, he’s is keeping it cool for the artists, musicians, and queer communities who make the city the crazy playground it is. Among the nocturnal personalities, Richie Panic is nothing less than a household name.

̸ BIOGRAPHY Somniac One is a Lithuanian DJ and producer whose powerful sound and aesthetics have made her one of industrial and underground music’s most sought after names. Somniac One’s sound is intense, atmosphere-driven and technically precise. Her fierce kicks, combined with distinct and innovative sound design have made her one of the most respected artists from hardcore’s new wave of producers. She has played at some of the biggest hardcore events, including Defqon.1, Decibel and Masters of Hardcore, with her out of the box approach to hardcore and techno making her an ideal match for events like the Astropolis Festival, Bang Face, Unpolished and even a Boiler Room set. Somniac One started producing electronic music in her bedroom at the age of 13. She released music on renowned underground labels Love Hz and Meta4 before signing to PRSPCT Recordings for a series of breakout EPs. Today Somniac One’s music is supported by some of the most prominent names in both hardcore and techno. She continually works to expand her stylistic range and territory which resulted in recent releases on DSNT, RAW and Ghostly International. Like all musicians, Somniac One is a product of her environment. She has lived in seven different countries and was able to experience a wide range of underground scenes. This resulted in a natural ability to weave diverse cultural influences into a coherent musical narrative. This shines through in both her productions and DJ sets, which effortlessly combine techno, IDM and hardcore with a proven sensibility for servicing any and all dancefloors, including yours.

Queen of heavy bass Star Eyes is synonymous with raw underground bass music. A founding member of the world-renowned Trouble & Bass crew, currently at the helm of the Chaos Clan, this Los Angeles-based DJ/producer causes mayhem on the dancefloor with a style that swiftly connects the dots between regional American bass sounds and the hardcore continuum. Though her style moves across breakbeat, grime, bassline, Bmore/Jersey club, baile funk, and beyond, her aesthetic is continually inspired by jungle, old-skool hardcore, and the L.A. illegal warehouse parties in which she was raised. Star Eyes began DJing at age 15 – her name soon became synonymous with California jungle scene, and she was a longtime resident at the pioneering female-led drum 'n' bass night Eklectic in San Francisco. Eventually she founded America's first UK garage duo Syrup Girls (with DJ Siren) and moved to New York City, where she became a co-founder of the Trouble & Bass crew & record label, who were the first to bring Skepta, Skream & Benga, Night Slugs, Rusko, Elijah & Skilliam, Flava D and more to NYC. In 2009, she began releasing her first original productions and remixes on labels like UTTU, Mixpak, T&B and Worst Behavior. Since T&B disbanded in 2015, she has run her own digital label and party series called Chaos Clan and she's currently a member of L.A. renegade party crew Warp Mode alongside Bianca Oblivion and AK Sports, along with holding down a monthly radio show on Dublab. Star Eyes has played at Outlook Festival, Sonár, Fabric London, EDC, Burning Man, Stealth, Bossa Nova, Elsewhere, Rinse FM, and beyond. She is also an alumni of Red Bull Music Academy, a former radio host on RBMA/Red Bull Radio, a noted music journalist and the host of the RAVE TO THE GRAVE podcast (available on iTunes, Spotify, Stitcher, etc). With world-class skills and an irreverent attitude, Star Eyes has definitely earned the title "queen of heavy bass.” ̸ SELECTED DISCOGRAPHY Bell Curve - For the Birds (Star Eyes Remix) (Worst Behavior, 2021) Star Eyes - Sunset 95 (Good Room Brooklyn Compilation, 2020) Statiqbloom - Silver Face (Star Eyes '88 Remix) (Synthicide, 2020) Star Eyes - Overdose (Chaos Clan, 2020) Star Eyes - Leather Strap (Bound, 2020) Star Eyes - Ice Palace (Floor Drugs) (Magic City, 2019) Star Eyes - Close Yr Eyes EP (Chaos Clan, 2016) Star Eyes - Hardest Now EP (Chaos Clan, 2016) Flinch & Star Eyes - Ya'll Ready Know (Smog, 2015) Spooky - Code 9 (Star Eyes Remix) (Hot Mom, 2014) Star Eyes & Jubilee - Merkwood Estates (UTTU, 2013) Dark Ages - First Born EP (Frite Nite, 2012) Star Eyes - Lost Girls EP (Trouble & Bass, 2012) Star Eyes - White Gloves EP (Trouble & Bass, 2011) Michna - Triple Chrome Dipped (Star Eyes Remix) (Ghostly, 2011) Star Eyes - Disappear (Trouble & Bass, 2009)

Thee-O has always been ahead of his time, as a DJ, label owner, producer, and a re-mixer. He has been heralded as one of the most popular and hardworking DJ’s in Los Angeles. Thee-O has been deemed the Godfather of the dance culture due to his longevit.. The name Thee-O has an immense impact on the electronic scene-sters that goes hand-in-hand with the Southern California rave and club culture. Ask anyone who resides in L.A. about DJ Thee-O and you will hear how they saw him at their first rave back in the early 90s or how they just heard his new track being dropped in a club downtown. Thee-O’s passion for the electronic dance culture surpasses his talent and skills at the turntables and beyond to the studio. Thee-O is best known for his talented mixing and scratching skills along with his consistent sets that always get the crowds moving and grooving. His loyal following continues to grow not only in the city of L.A. but beyond the U.S., with help from his numerous amount of original music productions, MP3 Sets, pod-casts, CD’s, mix tapes, and his untiring efforts for the dance music industry that he loves so much. His DJing has taken him to 3 countries, 30 states and over 75 cities. Soon he will be traveling abroad to even more locations to spread his passion for the music. When he was a child at the tender age of 5, he began taking a portable record player with him at all times and amused classmates and friends with classic movie soundtracks. At the age of 13, he obtained his first set of turntables and a mixer. Throughout high school he DJ’d at school dances and house parties where he honed his scratching skills. After he graduated High School in 1991 he was about to embark on training to be an opera singer but got sidetracked when he went to his first rave in early 1992. After that fateful night, he knew what he wanted to do with his life – become a DJ in this scene! It didn't take him long to accomplish that dream -with his first gig, "Under the Kandyground" in March of 1992, he began building a reputation as one of L.A.'s leading dance DJs. Over the past years he has spun next to Outkast, Orbital, Underworld, BT, Judge Jules, The Orb, Paul Oakenfold, Moby, Aphex Twin, 808 State, Chemical Brothers, Mixmaster Morris, Blank & Jones, 2 Bad Mice, Carl Craig, Rabbit in the Moon, Juno Reactor, DJ Sneak, Dave Angel, Loop Guru, Westbam, X-Cabs, The Roots, Atomic Babies and many notable others. Thee-O is the Los Angeles representative in a mix-show called Revolutions, on XM Satellite Radio. In 2003, he started his own show on XM Radio called Hazardous Radio that ran for a few years and continues on over at Pure.fm. Thee-O can still be heard today on XM’s House/Progressive channel - The Move as well as being a guest DJ for Groove Radio on Sirius. “When I am on the decks, it is my natural habitat, I feel most comfortable there.” – Thee-O In 1993, he started Biohazard Productions and Studios as collective of like-minded DJ's. In 1995 he threw his first event aptly titled "Tomorrowland". In 1996 he started writing for URB Magazine as a reviewer for Trance music. In 1997 he became part of the Balance Record Pool which is considered the best electronic dance pool in the country. In 1998 he released his first commercially available mix CD, "Skywalking" under the Base 9 label. In 2000 he was featured at every massive festival going off in Los Angeles, including Electric Daisy Carnival and Monster Massive. Recently, his name has spread over to the club market as well DJing for clubs like RED, Spundae, Funktion, Naked, Incognito and other L.A. establishments. He is currently known as the “Godfather” of the Los Angeles rave scene with his name on a flyer becoming almost a seal of approval for ravers. As a producer and re-mixer, Thee-O is striking hard and is known as a force to be reckoned with in the global dance community. His recent remix, with Swedish Egil, for Adam Whites & Nat Monday’s' “Another Dominant Force" released on Paul Oakenfold’s Perfecto Digital has received legions of buzz. In October of 2000, he and his studio-partner Chris Arnold opened up Biohazard Studios, located inside the Til Dawn offices, right in the heart of Hollywood. In 2001, he released his first CD of original ambient and down-tempo music under the name Reef Project. In 2005, he built Biohazard Studios 2.0 and created a digital label called Biohazard Digital that sells tracks on Beatport, Audiojelly, Release Records as well as other digital download stores. Currently, he is working in the studio producing tracks not only to be released on his own label but also working on tracks and remixes for other labels including Saturday Night Sessions, System Recordings, Perfecto Digital, Peak Hour Music, Source of Gravity, Ascension Records, Acute Recordings, Hunya Munya, Bit Records Mexico, Perfecto Black, South Records, Jetlag Digital and OneThirty Recordings just to name a few. Thee-O’s production work has been given positive feedback from Armin Van Buuren, Danny Tenaglia, Paul Oakenfold, Oscar G, PQM, Eelki Kelijn, Flash Brothers, Dom Kane, Hybrid, DJ Taucher, Swedish Egil and countless others. His releases constantly grace the Balance Record Pool, Release Record Pool and My Promo Pool charts. Look out for more productions to be dropping from the Biohazard Studios on many labels coming to you soon. ̸ SELECTED DISCOGRAPHY Thee-O - "Sweat" (South Records) Thee-O - "The Music Speaks" (Hunya Munya) Thee-O - "Dark Matter" (System Recordings) Thee-O - "Don't Let Go" (SawderSawdust) Thee-O - "Wanna Fuck" (Redflux Cinnabar) Thee-O - "Late Night Transmissions E.P." (Peak Hour Music) Thee-O & Jon Pegnato - "Small Talk" (System Recordings) Thee-O - "Tech Life" (Quimika) Thee-O - "Seriously E.P." (Source of Gravity) Thee-O - "It's Like This" (Quimika) Thee-O & Thomas Penton - "Sleight of Hand" (Perfecto Black) Thee-O - "Out There" (Perfecto Black) Thee-O - "Roots" b/w "Losing My Mind" (Jetlag Digital) Thee-O & Huggie - "Night Owl" (Toes In The Sand Recordings) DJ Reza & Thee-O - "LOOSe Control" (Saturday Night Sessions) Thee-O - "Reminders of You" (LOOQ) Thee-O & Barry Weaver - "Social Anxiety" (Jetlag Digital) Thee-O & Jan Van Lier - "Baila" (Nuhar) Thee-O & Huggie - "Don't Fake The Funk" (Nosi Music) Thee-O & Steve Prior feat. Erin Powers - "On My Own" (Suara)' Thee-O & Steve Prior - "Muy Bien" (Looq Records) Thee-O - "Advanced Motion EP" (Bit Records Mexico) Erphun & Thee-O - "Collusion" (Bedrock) Thee-O & Huggie feat. Erin Powers - "Rain" (System Recordings)

̸ BIOGRAPHY The Outside Agency is a hardcore act that plays and produces a multi-tempo blend of dark and industrial elements, incorporating virtually anything from old acid and techno to breakcore. As true dissidents within the hardcore scene, The Outside Agency has always had its own unique sound. This was already evident on their first three releases, which they produced for Mokum Records in the late 90s. After that period hardcore suffered a drastic change in direction and the two members of TOA (DJ Hidden & Eye-D) no longer felt at home in the genre and focused their attention on drum & bass instead. Around 2001 hardcore transformed yet again, but this time they were very pleased with the direction it had taken, and they started producing and playing hardcore again with renewed vigor. After a string of successful releases on several international underground labels such as Black Monolith Records and Otaku Records the two founded their own successful imprint Genosha Recordings which is now one of the leading labels in dark underground hardcore. In 2008 the two would set up Genosha One Seven Five for their hardcore and drum & bass crossover material. A third label called Genosha Basic was set up in 2016 for acid and techno material. ̸ SELECTED DISCOGRAPHY Singles: 1996: The Outside Agency EP on Mokum Records 1997: The Case of the Black Bubbles on Mokum Records 1998: We Are As Fresh As Ice Is Cold on Mokum Records 2001: In Theory Everything Is Straight on Black Monolith Records 2003: The Art of Penetrating Without Penetrating on Black Monolith Records 2003: The Coconut Revolution on Otaku Records 2003: There Can Be Only None on Genosha Recordings 2003: Goes Noord vs. The Rest of the World on Genosha Recordings 2004: Weapons of Ass Destruction vol. 3 on Genosha Recordings 2005: Flip-Flops in the Mosh Pit on Genosha Recordings 2005: Hostile Place (/w Celsius) on Epileptik Productions 2005: Screaming Phoenix VIP on Enzyme VIP 2005: Scenocide 101 Album Sampler with Awesome Title on Genosha Recordings 2005: Motherfucking Ants on Genosha Recordings 2005: Necropsych on 46 Records 2005: War in the 8th Dimension on Genosha Recordings 2006: 10 Inches of What? on Genosha Recordings 2006: The Neutralizing Agent on Provoke Records 2006: No, We Don’t Want You to Clap Your Fucking Hands on Genosha Recordings 2006: Brainpainter on Meta4 Recordings 2007: Our Fear on Aentitainment 2007: The Way of the Exploding Fist on Hong Kong Violence 2007: The Easy Money Remix EP on Genosha Recordings 2007: Return of the Revenge of the Dark Alley Space Vampires on Genosha Recordings 2007: Forever Is a Long Time Coming on Genosha Recordings 2008: Goes Noord vs The Rest of the World II on Genosha Recordings 2008: Un Titre En Francais Intensement Profond Et Compliqué Que Vous Ne Comprendrez Jamais on B2K Records 2009: Reality Collapse/Hell's Basement on Independenza Records 2009: The Quadrilogy EP on NGM Records 2009: Surreal / Chaos Theory on Genosha One Seven Five 2009: Return to the Point of No Return on Symp.TOM 2009: Scandinavian Chess on TNI 2010: Crossbreed Definition Series part 1 (/w Cooh and SPL) on Genosha One Seven Five 2010: Hardcore Beyond the Bone on Genosha Recordings 2010: Crossbreed Definition Series part 2 (/w Counterstrike and Donny) on Genosha One Seven Five 2010: The Solution / Wait Your Turn on Killing Sheep 2010: Crossbreed Definition Series part 3 (/w Current Value and Switch Technique) on Genosha One Seven Five 2010: Choice Mission on Meta4 Recordings 2010: The Flux Capacitor / Destruction on Smackdown Recordings 2011: Undermind / Pacifists (/w Sei2ure) on Genosha One Seven Five 2011: Primitive / Scintillate (/w DJ Hidden) on Sustained Records 2011: Unmade World on TNI 2011: Cross on Nekrolog1k Recordings 2011: The Moment on Union Recordings 2012: Favorite Sin / This Never Happened (/w Peter Kurten & Katharsys and Forbidden Society) on Genosha One Seven Five 2012: The Price Is Right / Ghetto Blast on PRSPCT XTRM 2012: The Disputed Kings of Industrial (w/ Ophidian) on Genosha Recordings 2012: Headphone Wisdom / Don't Fear the Darkness (w/ DJ Hidden) on Union Recordings 2012: Perfect Organism (w/ Sinister Souls) on PRSPCT Recordings 2013: Einstein / Tesla (w/ DJ Hidden) on Future Sickness Records 2013: Goes Noord vs. The Rest of the World III (w/ Fracture 4, Broken Rules, Dep Affect and Sei2ure) on Genosha Recordings 2014: Now This Is Crossbreed Vol. 10 on Genosha One Seven Five 2015: Prepare to Die / Borrowed Time on Genosha One Seven Five 2015: Der Remaken on Genosha Recordings 2015: Just Noise / My Design on Genosha One Seven Five 2015: The Future Is No on Genosha Recordings 2015: Bloed, Zweet & Snaren on Genosha One Seven Five 2015: The Easy Money Remix EP 2: More Easy Money on Genosha Recordings 2016: The Easy Money Remix EP 3: The Most Easy Money on Genosha Recordings 2017: Blue Stories on Heresy 2017: Today's Tomorrow / The Violence (w/ Deathmachine) on Genosha One Seven Five 2017: Goes Noord vs. The Rest of the World IV on Genosha Recordings Albums: 2005: Scenocide 101 (2xCD) on Genosha Recordings 2010: Scenocide 202 (2xCD) on Genosha Recordings 2012: The Dogs Are Listening (CD+G) on Ad Noiseam 2017: Scenocide 404 (2xCD) on Genosha Recordings