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作為DJ和製作人，Patrick Gräser，又名Answer Code Request，以獨特的音樂風格脫穎而出，在統一的4/4節奏techno世界中磨練出了自己的混合音樂手法。他將帶有墊音的和諧旋律、複雜的打擊節奏和工業音色融合在一起，自2012年首次在Ostgut Ton廠牌上亮相並成為Berghain常駐DJ以來，他一直在Ostgut Ton宇宙中擁有獨特的位置。
他在Ostgut T on、MDR、Dolly Deluxe和Monkeytown Records的各種發行和混音持續受到高度追捧。作為一名DJ，他將節奏重和打擊節奏為主的techno帶到了全球各地的俱樂部和音樂節，同時仍然是柏林音樂圈中不可或缺的一部分。
Gräser在東德福斯滕瓦爾德镇出生和長大，當柏林墙倒塌時，他才9歲，這一事件標誌著他通過東德青年廣播DT64結束了音樂教育，並開始對嘻哈、酸音樂和早期英國硬核感到著迷。作為一個十幾歲的少年，他和福斯滕瓦爾德的同鄉Marcel Dettmann和Marcel Fengler一樣對電子音樂懷有相同的熱情，最終踏上了柏林的後統一俱樂部舞台。那個時候，柏林的俱樂部文化被無政府狀態和自助派對的手法所主導，舞曲音樂尚未固定在嚴格的分類中。
在90年代，他在家鄉附近的一家森林工作坊裡接受成為木匠的培訓；而平日晚上，他則聽著在Hardwax和Delirium購買的各種跨類型的唱片進行混音。不出所料，正是這種廣泛的音樂風譜——從jungle、drum 'n' bass、Detroit和IDM到UK bass——讓Gräser在他的首批
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Both as a DJ and a producer , Patrick Gräser aka. Answer Code Request has honed a hybrid musical approach that stands out in a world of uniform 4/4 techno. Melding pad - driven harmonies, intricate breaks and an industrial sonic palette, Gräser has occupied a unique space within the Ostgut Ton cosmos since debuting on the label in 2012 and becoming a Berghain resident shortly thereafter .
His various releases and remixes for Ostgut T on, MDR, Dolly Deluxe and Monkeytown Records continue to be highly sought after . As a DJ, he has taken his bass - and breaks - heavy techno to clubs and festivals around the globe, while remaining an integral part of the Berlin scene.
Born and raised in the East German town of Fürstenwalde, Gräser was 9 years old when the Berlin Wall fell – an event that marked the end of his musical education via the East German youth radio DT64 and the beginning of his fascination with hip - hop, acid and early UK hardcore. As a teenager , he shared the same passion for electronic music as fellow Fürstenwalde natives Marcel Dettmann and Marcel Fengler, eventually venturing out into Berlin’s post - reunification club landscape, which at the time was dominated by an anarchic, DIY - party approach and dance music which had yet to solidify into rigid categories.
In the 90s he spent his days training to become a carpenter in a forest workshop near his hometown; weeknights were spent listening and mixing the cross - genre selection of records bought at Hardwax and Delirium on the weekend. Unsurprisingly , it’s this broad musical spectrum – from jungle, drum ‘ n ’ bass, Detroit and IDM to UK bass – that led Gr ä ser to develop his characteristic sound on his very first releases via Music Man and his own synonymous ACR imprint.
他在Ostgut T on、MDR、Dolly Deluxe和Monkeytown Records的各種發行和混音持續受到高度追捧。作為一名DJ，他將節奏重和打擊節奏為主的techno帶到了全球各地的俱樂部和音樂節，同時仍然是柏林音樂圈中不可或缺的一部分。
Gräser在東德福斯滕瓦爾德镇出生和長大，當柏林墙倒塌時，他才9歲，這一事件標誌著他通過東德青年廣播DT64結束了音樂教育，並開始對嘻哈、酸音樂和早期英國硬核感到著迷。作為一個十幾歲的少年，他和福斯滕瓦爾德的同鄉Marcel Dettmann和Marcel Fengler一樣對電子音樂懷有相同的熱情，最終踏上了柏林的後統一俱樂部舞台。那個時候，柏林的俱樂部文化被無政府狀態和自助派對的手法所主導，舞曲音樂尚未固定在嚴格的分類中。
在90年代，他在家鄉附近的一家森林工作坊裡接受成為木匠的培訓；而平日晚上，他則聽著在Hardwax和Delirium購買的各種跨類型的唱片進行混音。不出所料，正是這種廣泛的音樂風譜——從jungle、drum 'n' bass、Detroit和IDM到UK bass——讓Gräser在他的首批
//
Both as a DJ and a producer , Patrick Gräser aka. Answer Code Request has honed a hybrid musical approach that stands out in a world of uniform 4/4 techno. Melding pad - driven harmonies, intricate breaks and an industrial sonic palette, Gräser has occupied a unique space within the Ostgut Ton cosmos since debuting on the label in 2012 and becoming a Berghain resident shortly thereafter .
His various releases and remixes for Ostgut T on, MDR, Dolly Deluxe and Monkeytown Records continue to be highly sought after . As a DJ, he has taken his bass - and breaks - heavy techno to clubs and festivals around the globe, while remaining an integral part of the Berlin scene.
Born and raised in the East German town of Fürstenwalde, Gräser was 9 years old when the Berlin Wall fell – an event that marked the end of his musical education via the East German youth radio DT64 and the beginning of his fascination with hip - hop, acid and early UK hardcore. As a teenager , he shared the same passion for electronic music as fellow Fürstenwalde natives Marcel Dettmann and Marcel Fengler, eventually venturing out into Berlin’s post - reunification club landscape, which at the time was dominated by an anarchic, DIY - party approach and dance music which had yet to solidify into rigid categories.
In the 90s he spent his days training to become a carpenter in a forest workshop near his hometown; weeknights were spent listening and mixing the cross - genre selection of records bought at Hardwax and Delirium on the weekend. Unsurprisingly , it’s this broad musical spectrum – from jungle, drum ‘ n ’ bass, Detroit and IDM to UK bass – that led Gr ä ser to develop his characteristic sound on his very first releases via Music Man and his own synonymous ACR imprint.
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