Hojo comes to Taipei by way of Seattle, USA, and has been DJing and throwing parties for a decade. Always wants to push the edge while keeping the floor moving, no genre is off limits during his set.

從2009年的派對單位 ”BASSNOISE” 到2013年成立 ”Envelope”，身兼DJ與promoter的Legacy全心致力在Drum and Bass的音樂推廣。旅居倫敦後，更嘗試把不同的音色與派對場景在臺北獨立呈現。定期邀請英國新稅DJ/製作人來台演出，系列活動 ”Low End Theory” 也以每月一場的方式不斷放送。 Established in 2009 and 2013 respectively, BASSNOISE and Envelope have been responsible for some of the best nights out in Taipei for seven years running. Keeping it real at both outfits has been Legacy, Taipei's hardest-working Drum n Bass impressario bar none. Legacy also has been front and center at all BASSNOISE and Envelope events in the role of DJ, dropping the most discerning Drum n Bass heard anywhere in the city. Hard-hitting with a take-no-prisoner ethos, Legacy's sets display a keen awareness of where Drum n Bass has been and where it's going. Some of that's no doubt from the years he spent in London, the city that birthed Drum n Bass in the first place.

∧__∧ ( ･ω･) (っ▄︻▇〓▄︻┻┳═一 /　 )ﾊﾞﾊﾞﾊﾞﾊﾞ ( /￣∪ ฅ•ω•ฅ : soniahhhh@gmail.com

(Z)erpents是以臺裔美籍的吉他手Paul Lai以及台北最狂的鼓手Joseph Mauro為軸心的自由即興音樂組合，每次演出搭配1-3名不同風格的樂手融合成不同風格的演出。 其團體選擇合作對象標準只有一個，就是音樂之於該名樂手要有如好奇心之於貓一般的關係，樂手必須無懼地面對即興時可能的失敗，並且趕於演奏時展現自己的風格。 也因此(Z)erpents的音樂風格並沒有主導的方向，時而自由爵士(free jazz)，時而噪音(noise)，時而是綿延的嗡鳴(drone)，對可以透過下方連結收聽他們於Future Proof發行的專輯 《Black Mold and Hot Springs, Taipei》

baloneybillionaire (a.k.a. Good People’s Club): Designer for Tokyo Community Radio, former resident DJ for HNH Records Tokyo. Likes fast paced UKG and Jungle, but plays a variety of different genres.

As DJ for several years in Taiwan, B E N N started over as a producer in London since 2018. Without definition of any genres in his producing, you will tap into many different sounds or instruments from different cultures in B E N N's music, now he's also a promoter with new label "Over My Body".

Clansie Cheng Daoyuan is a Taipei-based multimedia creator who works in experimental sound performance, installation, visual creation. The concept of his creation is two distinct planes cohere to a single form, tried to immerse himself into the now and here, but also exile in this non-exist time and space : true equal false, existence means extinguish.

Born in 1997, Xu set out performing and producing harsh noise under the alias “Berserk” since 2015. Initially, he focused on playing rough feedback from handmade instruments and synthesizers before carrying on specializes in no-input effects. Influenced by Japanoise, Death Metal, Hardcore Punk, his live performance is known for highly intense physical energy and massive volume. In 2017, he turned to combining various equipments including no-input pedals/mixer and shortwave radio to session with free improvisation musicians and folk narrator. Different to Berserk’s harsh noise approach, his works as Chia-Chun Xu emphasize more on the interaction between sounds, space, and the others. Besides working on his projects, he also runs the music label, MKUltra Productions, promoting Taiwanese and worldwide noise and experimental musicians.

Colour Domes is the solo electronic project of Phin Berry. Berry utilizes commonly-available digital sound hardware to form samples, beats and live synthesizer patterns that merge into dance-aware, immersive pop nostalgia.Vocals are occasionally featured.

Discovering a passion for music from an early age whilst working in a jazz and classical music store in Taipei and collaborating on the LVI exhibition organised to raise awareness of vinyl alongside Jing's studies in graphic printing. In order to pursue her curiosity of music Jing realised she would have to leave her homeland and relocate to Europe. Following her life's natural path Jing cemented foundations through encounters along the way, shortly after arriving in Berlin Jing formed an electronic dream pop band "Polygothica" with close friend Dilijana