Daryl Knows is a bridger of genres – from amorous soul cuts and spry jittery electro, to frisky disco rarities and his uplifting house jaunts. It’s this versatility that’s made the veteran a figure in some of Singapore’s biggest festivals. Daryl’s gig portfolio in the local bar and club circuit is compatibly expansive, filled by his duties as a longstanding stalwart resident of Headquarters, Offtrack, and Singaporean international record label, Darker Than Wax. A key member since 2016, Daryl’s been instrumental in orchestrating some of the scene’s most beloved events on behalf of Darker Than Wax, including the renowned courtyard bash, BREW, alongside the region-drawing Haw Par Thrilla spectacle with +65 promoters, Ice Cream Sundays. As a deeply embedded advocate of electronic music within the community, Daryl has also participated in historical gigs that made national headlines, spanning the pandemic-combatting #SaveMusicSG campaign and The Last Mile which bid farewell to cultural and architectural icon, Golden Mile Complex. The seasoned tastemaker’s milestones and prospects, meanwhile, stretch beyond the Lion City. Daryl’s performance accolades have seen him support the international likes of Peggy Guo, DJ Boring, Jackmaster, Demuja, Lars Vegas (Dam Swindle), Dan Shake, Frits Wentink, Young Marco, Kornel Kovacs, Luca Lozano, Christopher Rau, Hidden Spheres and Max Graef to name a few. His career wholly embraces his love of sharing sounds to audiences from all walks of life, and this has been apparent in his international appearances in London, Tokyo, Melbourne, Ho Chi Minh, Jakarta, Kuala Lumpur, and Bali where he even played for Bestival. Daryl Knows is a true Singaporean soul with global appeal, and it shows every time he hits the decks.

Spending time with manipulating drones and hypnotizing people. Originally from Georgia, Irakli’s early descent into the German capital has seen him corner and develop a side of the local scene and turn it into something of an international fare. Five years ago he created STAUB, one of Berlin’s most celebrated techno parties. As a part of the production duo I/Y, he has been releasing music under the synonymous co-founded label. But most of all, Irakli’s craft behind the decks has been weighed upon by the likeliest of Berlin’s underground venues, namely Tresor, Berghain and Griessmuehle, with his vision of electronic music taken further afield in Europe, and the Americas. In 2017 he founded the Intergalactic Research Institute for Sound with artists like Stanislav Tolkachev, Natalie Beridze, Rezo Glonti and many others. Irakli also heads up a burgeoning convey diving into exploratory concepts of ambient, hued by the tones and colors of his homeland, Georgia. Adding orchestral collaborations and sound installations to a field of work outside of the club, Irakli’s expanding platforms and industrious connection to Berlin has seen his entry point into the scene now serve as an outlet into the more abstract, experimental realms of techno. With new endeavors afoot and a creative repertoire to boot, Irakli’s DJ sets, labels and parties always display unique qualities. It does not matter whether he is exploring beatless soundscapes or high energy techno music, Irakli always manages to create something special.

Kavan Spruyt's musical journey spans over two decades as a DJ, a journey that has been closely entwined with his co-founding and curating of a party since 2008, the venture which later evolved into the record label, Midnight Shift. Kavan Spruyt's musical journey spans nearly three decades as a DJ, a journey that has been closely entwined with his co-founding and curating of a party since 2008, the venture which later evolved into the global record label, Midnight Shift. His curation brought debut performances from artists like Hodge, Tzusing, KiNK and Recondite to Singapore, before some of them gained global recognition. Beyond this, Kavan's influence has resonated deeply within Singapore's cherished establishments, notably shaping the now defunct kyo and The Vault. In his sets, expect to be led through unforeseen musical narratives, a chronicle of the crests and troughs of his personal journey. His music evokes both thought and feeling, adapting to the ebb and flow of time, space, and circumstance.