Al Burro (London) first got interested in electronica back in 1994 when he first heard Jeff Mills’ Transmission 1. Drawn to the futuristic soundscape, he and a friend bought their first set of belt-driven decks back in 1995 and this began a longstanding affair with techno. After annoying the neighbours for a couple of years, they decided to branch out and start annoying people at private parties and smaller venues, and annoy them they did. But, with practice and time came a more well-rounded sound; after which, he took a 5-year sabbatical from DJing and took his turn on the dance floors around the world. Al Burro is equally at home in industrial warehouses as in ambient pastures. He is a firm believer in variations on a common theme: It's about the mood not the genre. He has held residencies at Korner in Taipei and Delta in Hong Kong. Al Burro (London) first got interested in electronica back in 1994 when he first heard Jeff Mills’ Transmission 1. Drawn to the futuristic soundscape, he and a friend bought their first set of belt-driven decks back in 1995 and this began a longstanding affair with techno. After annoying the neighbours for a couple of years, they decided to branch out and start annoying people at private parties and smaller venues, and annoy them they did. But, with practice and time came a more well-rounded sound; after which, he took a 5-year sabbatical from DJing and took his turn on the dance floors around the world. When next Al stopped travelling long enough to make owning musical equipment logistically possible, Al discovered a more mature sound. The Detroit Soul and Motown roots remained, but added to this was a drive for a more worldly sound and an appreciation of other forms of music including jazz, hip hop, swing, house and too many more to mention. Al cites as some of his influences: Gilles Peterson, Ninja Tunes, Mr Scruff, DJ Food, Jurassic 5, Radiohead, Jeff Mills, Dave Clarke, Derrick May, UR and the list goes on.

Originally from Hawaii & Taiwan, now Brooklyn based DJ/producer Timo Lee. She plays regularly in NYC, the curator of all vinyl sessions at Good Bar & label boss of Chomp! Chomp! Her style is eclectic to keep your finger tapping & head bobbing. Timo Lee emerged her background in Honolulu and Taipei. From early childhood, Timo has kept her ear to the speaker, fingers tapping to the rhythm. A child of the 90’s, she was weaned on rave culture’s pulsing electronic beats. As the 2000’s progressed, her tastes evolved as she embraced underground disco, house, electronica. Timo hosted a weekly three-hour radio show for 8 years on KTUH Honolulu, and played with numerous talented DJs including DJ Harvey, Bonobo, James Murphy, Thomas Bullock, DJ Garth, Tiger and Woods, Daniele Baldelli, Tim Sweeney and more at thirtyninehotel. She was the booker for the club for 6 years and very involved with shaping the local dance scene in Hawaii for the past decade. Timo relocated to Brooklyn NY in 2014, flying back and forth from NYC to Honolulu for her bar, Bevy, a popular nightspot in Kaka’ako. She is spending most of her time here in NYC, playing regularly at Good Room, The Lot Radio and numerous nightclubs in the city. She is a long-standing member in the Brooklyn dance music community and is the curator behind "Wax the Van" - a weekly all vinyl listening session at Good Bar, also label boss of Chomp! Chomp! Records featuring various artists with underground dance music since 2020. This year marks 20 years of Timo’s DJ and music journey, her set is eclectic and diverse with a blend of different genres to keep you finger tapping and head bobbing, like she always says “Music needs to make you feel something within, there is no limitation on how and what you can do with it.”

̸BIOGRAPHY DJ/Producer Merge/ L.A.G. Brooklyn-based DJ and producer Clarisa Kimskii has cemented her musical footprint on the borough since moving back in 2022. Through a palpable blend of psychedelic and driving techno, Clarisa’s approach to the genre is deeply idiosyncratic - an assemblage of both timeless and modern grooves. As a producer, Clarisa has contributed to a handful of respected labels (Monday Off, Dusk & Haze, Mysteries of the Deep, etc.) within her sonic niche, but it’s through her own label L.A.G where the ethos of her sound truly takes form - a detailed variation of propulsive and atmospheric soundscapes. Clarisa is deeply rooted in the techno subculture’s underground, and in early 2022 - the 20+ year veteran was named resident DJ of the Brooklyn-based, queer party Merge. Through her residency at Merge and regular appearances at the city’s premiere institutions in BASEMENT and Nowadays, Clarisa’s prestige is undeniably felt. Her pure, yet passionate approach to DJing has graced the decks of memorable nights at international institutions in Tresor, About Blank, Output, Griessmuehle, and at notably iconic parties in Wrecked, Club Toilet, and The Bunker NY. Recent festival appearances at Taiwan’s Organik Festival and North America’s Honcho Campout and Sustain-Release have only elevated her reputation as a force within those respective communities. The saga continues with juicy bits on the horizon.

A regular inside the DJ booth of Pawnshop, Taipei - Gemnital used to live in Berlin and study to be a sound artist. Gemnital, who grew up inthe 90s, embarked on a musical journey ranging fromHip-Hop and R&B to rock, jazz, experimental music,exploring the realms of psychedelic, funk, and disco. As time went on, he delved deeper into various genres but eventually circled back to Mandarin golden melodies. During his studies in Leipzig, Germany, he found himself immersed in underground warehouse parties held in ruins and forests. Later in Berlin, he discovered his true self in a multitude of clubs and queer parties, mastering the art of creating and maintaining energy and ambiance within different spaces. Now back in Taipei, he is a regular DJ at Pawnshop and a regular member of the popular queer party "Hakone Hotspring" and "Homepleasure". On the dance floor, he aims to play without boundaries, seamlessly blending familiar and unfamiliar tracks picked from his diverse musical experiences, creating an atmosphere of pure dancefloor bliss. Recently, he has been exploring the intersection of Techno and House, seeking speed and exhilaration from genres like Hardgroove, and strives to craft sets that take the listeners on a captivating journey with well-defined peaks and transitions. Beyond his DJ persona, Gemnital is deeply involved in sound research and the field of sound art. He is a university lecturer and critic in the realm of sound art, and his personal sound walks and installation works have been showcased at art festivals such as Berlin's 48 Stunden Neukölln.

After more than a decade spent building an enviable reputation for herself in the clubs of Paris, Jennifer Cardini has become an international concern. Jennifer Cardini long since outgrew Pulp – the Parisian club where she first made her name– and set off on a mission to take her vision of house music to audiences around Europe and beyond. Over the course of a career spanning of fifteen years, she has delivered DJ sets fusing techno, electro and disco at the world’s most prestigious clubs (Panorama Bar in Berlin, De School in Amsterdam, Lux in Lisbon, Good Room in New York) and hottest festivals (Melt, Nuit Sonores, Burning Man). Yet her dancefloor philosophy is reflected not only by her sets and the music released on her labels, including electro imprint Correspondant and the more indie oriented Dischi Autunno but also by her engagement in support of the LGBT-community. Based in Berlin following six years in Cologne, Jennifer Cardini continues travelling all around the world transmitting her love for music to us through the dancefloor!

NUSNOOM ∞ MOONSUN NUSNOOM, a South Korean artist, has a unique style of blending the sound of nature, techno, tribal, and other genres, along with his exquisite taste in music, and has earned his first debut at one of the most outstanding venues in Seoul, Faust. He is equipped with re-branded classic style, which combines elements of techno, fast and hypnotic beats, and African drum sound. He interacts with the crowd and their state of mind eye to eye and creates a focused and vivid experience accordingly.