DJ & Producer /Kajunga, Sly Fox Raw grooves / moody tunes / acid trax / clap slap / midwest soul. Bookings/ info@kajungarecords.com

Binah Cereus formerly known under the name of Dj Sebiseb has reinvented herself to share her passion for a new era of transcending genres of music to take you on a timeless voyage.

Carlos Souffront is a DJ's DJ from Detroit with impeccable taste who apparently has one of the most insane acid collections in the world.

Dj/ Producer from Miami, FlDanny Daze

Dallas based Producer/DJ Decoder is a producer who specializes in the realm of minimal and sci fi techno. He also co-runs a vinyl imprint "Toca" alongside Jay York.

DJ Chia Pudding takes having fun very seriously. Deeply inspired by the r&b and hip hop of the 90s and early 00s, her selections are at once forward looking while also referencing this admired era of the past. In her musical curations, she seeks to strike a balance between the light heartedness of the rave as well as its ability to offer deep transformation. If you find yourself on her dance floor, you’ll likely hear the sounds of UK garage, bass, breaks, and house. But she’s open to anything if it moves her body and spirit. She curates Swung, a party focused on the sounds she loves the most: low end frequencies and broken rhythms.

Tales from the abyss

FLAWS (Kai Hickinson) is a UK based DJ, Producer and Label Owner. FLAWS (Kai Hickinson) A UK based DJ, Producer and Label Owner. Internationally influenced and served with quiet confidence, his music draws you in, giving you something for the mind as well as the dance floor. FLAWS is already receiving attention for his music in the wider techno scene, resident of Eerste Communie (Netherlands) while steadily gaining support from respected DJs and appearing with slots himself at club events in London, Marrakech, Manchester, Berlin and beyond. Indeed, his DJing style represents an extension of the attention to detail present in his own work, tracks come together on a deeper level but the groove and devotion to pure rhythm is always present. With his unwavering dedication to quality and his commitment to pushing the boundaries of what electronic dance music can be, FLAWS is an artist who is poised to make a major impact on the global music scene. 'His DJ sets are a masterclass in rhythm and attention to detail, seamlessly blending together tracks to create an experience that is both immersive and unforgettable.' Enquires/Bookings - contact@stoiclegacy.com

MIXED PRINTS on Street Beat WNUR 89.3FM + wnur.org flower food (real name Emma Danch), is a Chicago-based DJ, sound artist and radio host of “Mixed Prints” on WNUR Streetbeat. The eclectic late-night electronic show - named for Danch’s frequently colorful and eccentric fashion sense - blends noise, drone, field recordings, trance, ambient, and left field techno. Danch’s taste reflects a diverse musical upbringing, from 13 years as a classically trained French horn player to experiments in electroacoustic music and generative sound art. Danch has performed experimental works at Dev9t festival in Belgrade, Serbia and at the International Symposium on Electronic Arts in Hong Kong, and she has provided local support for Matthew Dear, JX-216, and Douala. When she's not mixing, she's promoting, working the door, assisting with visual installations, and ricocheting ecstatically across the dance floor.

Furtive is a broad-spectrum, full-gonzo rave conjurer: they're a Philadelphia-based producer, DJ, event organizer, and visual artist - bending and blending genres, mediums, experiences, and crowds into raveworld magic. Furtive is a full-gonzo rave conjurer and relentless creative tinkerer, intractably committed to the rave as a Philadelphia-based producer, DJ, underground event organizer, and dancer. Furtive brings a scintillating and sentimental touch to their many polished and focused genre-spanning productions, informed by over a decade of experience in the studio and yielding a rich selection of self-released tracks, contributions to VA comps, and recent vinyl pressings. A veritable product of the contemporary American underground, Furtive cut their teeth as a DJ and DIY event organizer in Washington, DC’s warehouses, where they played a turnkey role in putting on some of the District’s zaniest techno parties. Furtive now co-runs an intimate, blossoming off-the-books venue in Philly. As a DJ, Furtive has supported internationally celebrated, no-nonsense acts and held court in dingy local watering holes with eclectic selections and a steadfast focus on pacing and dynamics, regularly jumping genres to build moving and impactful sets. Beyond the fog and speaker stacks, Furtive creates art in a variety of mediums.

Mauritius-born and now based in Paris, GЯEG is resident of Parisian’s hottest parties « La Creole » and also member of the growing label « Boukan Records ». 📡 Bimonthly on Rinse France Mauritius-born and now Paris-based, GЯEG is a 21-year-old DJ and producer who has been exploring the club scene since his arrival in France in 2019. Member of the growing Parisian label Boukan Records, resident of the Paris hottest party La Creole, and resident on the web radio Rinse France; his eclectic and energetic mixes brought him under the spotlight of the French club scene, seducing the public and the media (Libération, Trax Magazine, Tsugi, DJ Mag…). Supported by international DJs like Teki Latex, Kampire or Jyoty, GЯEG released his debut EP "Eau Coulée Smart City" on the Parisian label LaVibe in June 2021, a potent hit of jungle, kuduro, shatta, techno and house. Praised by Resident Advisor, the fusion of his musical influences from electronic music to Afro-Caribean sound, has seen him be part of DJ Mag UK “emerging artists to hear”. The EP, features a track with King Doudou (J.Balvin, PNL, Bad Gyal) and is arranged and mixed by the talented Casual Gabber’s producer Krampf. While mixing for Boiler Room’s « Hard Dance », GЯEG also played some major venues and festivals like Nuits Sonores, The Peacock Society, TransMusicales, La Gravière Club (Geneva) and Razzmatazz Club (Barcelona).

Juana has enticed crowds all over the world at venues such as Berghain, WAS, De School, Basement, Nowadays, and numerous underground warehouses. Over the past several years, Juana has played alongside DJs such as, DVS1, Jamaica Suk, Perc, Headless Horseman, 999999999, Efdemin, and DJ Stingray. Juana joined the Discwoman roster in 2017 and is a founding member of the DC QT BIPOC collective NOXEEMA JACKSON since 2021. Juana originally hails from the city of Chicago. She started out like most, as a random kid on the dance floor every week at places like The Generator and Boom Boom Room, and has been DJing house, techno, and disco parties since roughly 2001. Juana moved to DC in 2003 and began hosting weekly live internet radio shows on HandzOnRadio (Baltimore) and Cyberjamz (Tampa) and playing parties in the DC deep house scene, upping her skills alongside legendary DJs like Sam “the Man” Burns,” and at clubs including Red and the DC Sanctuary. Juana started obsessively collecting disco and early house records in the late 90s and eventually developed an undying penchant for straight-ahead techno and darker shades of Chicago underground acid and deep house of the 80s and 90s. Over the past several years, Juana has made her mark in DC as one of only a handful of techno DJs, as a member of the founding squad of the Sequence collective, led by Ron Jackson. Sequence was the first underground party committed to consistently showcasing local and global techno DJs and crafting a dark, dangerous, sometimes hellishly uncomfortable party vibe hitherto unavailable in the DC area. As a producer, her first release “Discipline Issues” was released as part of a compilation on Katie Rex’s Bound label, and her first independent EP “Floating” landed in 2020. Her most recent EP “Peaks” was released in July 2021, and she also appeared on the TRAX ONLY Soft Touch compilation in spring of 2021 and the Neighborhoods Vol. 1 compilation on World Building in fall of 2021. She is currently working on her first full-length album project for release in 2023.

Known as a techno producer who has her own unique and innovative sounds, Julia has most recently been featured on Bandcamp Daily as the best electronic music producer and in a glowing review in The New Yorker that called her talent "beguiling" and "rare" Known as a techno producer who has her own unique and innovative sounds, Julia has most recently been featured on Bandcamp Daily as the best electronic music producer and in a glowing review in The New Yorker that called her talent "beguiling" and "rare" and that her music "fills the mind." She is the founder and curator of the music record label JUJUKA, co-founder of the event series Radial exploring the intersection between live sonic art and electronic experimental music at the Fridman Gallery and is a resident at The Lot Radio in NYC. Her sets are dense and vivid. Unpredictable. She herself is enthusiastic and energetic with a charismatic fatal charm. Govor knows how to move, make others feel and engage. She also is a consummate cat wrangler, experienced squirrel whisperer and can rock the hell out of a vintage ski suit.

There are few musicians who manage to explore the convergence between techno and experimental as successfully as David Letellier. Kangding Ray’s complex sound aesthetic tests boundaries, evolving tirelessly in its exploration of texture, rhythm, and sound design. KR has remixed artists such as Martin Gore and Ben Frost on Mute, Battles on Warp, Oscar Mulero on Polegroup or Inigo Kennedy on Token. Letellier’s foundations in rock and musique concrete give his music a vitality and uniqueness that has won fans the world over, from discerning avant-garde–electronica listeners, all the way to devoted clubbers. Those who have been following Letellier since his debut album, 2006’s Stabil, will recognize not only his meticulous and constantly developing approach to sound design, but also the conceptual gravity behind his releases. Through a string of recent EP’s and albums, culminating with the critically acclaimed “Solens Arc”, KR showed his ability to keep his artistic approach while delivering direct and powerful club-leaning tracks and darkly cinematic soundscapes. On 2015’s “Cory Arcane”, he pushed the limits of his sound even further. Relinquishing standard rhythmic structures and conventional tonal models, he delivered what is perhaps his most sophisticated release yet; a raw and visceral universe, allowing a more fluid dialogue between soul and machines. 2017’s “HYPER OPAL MANTIS” released on Stroboscopic Artefacts heralds a new era for Kangding Ray, where he explores the tension between the natural and artificial, the body and mind, which are central themes in electronic music in general, and Techno in particular. The means of creation, focused around technology and interactions with machines, contrast with the emotional response to sound, the mystical ritual of collective dancing, and the ethos of liberation and tolerance embedded in the culture it has produced. As he describes it himself in a recent interview : “I’ve been evolving since a couple of years at the outer fringes of the club culture, where it overlaps with different experimental and avant-garde genres. While i intend to continue to explore that zone as a free maverick, i also wanted to give something back to the scene, something strong, beautiful and functional at the same time, while retaining enough personality to be exciting.” ( Adapted from words by Vincent Morris)

̸ BIOGRAPHY Minimal and Hypnotic Techno DJ and Producer based in Chicago ̸ SELECTED DISCOGRAPHY https://www.discogs.com/artist/5203975-Kobe-Dupree kobedupree.bandcamp.com

Marco Shuttle has always achieved a lot with a little, and that is the singular aesthetic that stands him apart. His cinematic techno sounds are unusually organic: they build pressure in subtle ways and his meticulous grooves never fail to take listeners on a trip to somewhere new and exciting. As a result of this, he has become a firm favourite amongst the techno cognoscenti and has released on some of the most revered labels of the day, from famed New York club The Bunker’s new label to Peter van Hoesen’s untouchable Time To Express via Clone SOS and his regular home, Eerie Records. Italian born but London based, where he also gained his MA in Fashion at St Martin’s. What ties his creative work together is a focus on abstract yet organic texture and the same thing defines his tightly woven DJ sets from fabric to Berghain to Labyrinth in Japan. His eclectic cerebral sound takes cues from jazz and musique concrete as much as it does from acid house and Detroit techno.

For over a decade, Max Gardner has dedicated himself to techno. He's a constant presence in the Bay Area scene, playing clubs and warehouse parties, hosting his own events, and producing his own hammerhead machine music, performing all-hardware live sets solo and in collaboration. In 2011, Gardner co-founded Direct To Earth, a party and event series. Through his work with DTE, Gardner has hosted, promoted, and DJed beside some of the world's most well-regarded techno talents — in dirty warehouses, hazy afterparties, and top-tier clubs. His DJ sets run through the gamut of techno in its purest forms, inspired by the heavy, synth-forward sounds of Detroit and Berlin classics and new-school players from the Netherlands, Latin America, and the U.S. Midwest. He focuses on driving rhythms and intricate, long-form mixing — hypnotic blends that provide just the right amount of subtlety to whipped-up dancers. Gardner has also been producing his own material for years, and in 2018, he released his first 12", an EP entitled "Broken Knives & Pinkies" on Bay Area imprint Excise. Besides his solo productions, Gardner also collaborates with San Francisco hardware technician Marc Kelechava as Transpose, an all-hardware techno duo whose debut performance tore the roof off a MUTEK San Francisco afterparty. He's been busy for years, but Max Gardner's just getting started in 2019. Watch this space.

As a record collector, DJ, promoter and producer, Craig has been passionately involved in underground music culture for over 30 years. When asked “What do you spin?” Minneapolis artist, Craig Lambert (aka Focus) has always answered “Records.” Craig started collecting records over 40 years ago and has spent nearly three decades passionately sharing those records and his love of music with dance floors across the Midwest. Through hundreds of club, lounge, and warehouse appearances, Craig and his crew, The Disco Devils, have carved a unique niche in the crowded, competitive DJ culture. With his simple “2 turntables and a mixer” approach to DJing and his vast knowledge of music history, Craig is able to seamlessly weave the old with the new, creating cohesive sets spanning multiple genres and generations. With a “focus” on the roots of modern dance music from the ‘70s, ‘80s, and ‘90s, Craig’s collection of 12” singles is world class. Before each gig he spends hours browsing his archives, pulling hundreds of potential candidates for the upcoming session. He ultimately whittles the selections down to a few crates of records that will allow him to create a unique musical experience, custom tailored to each event. Music production, a study that began for him over twenty years ago, has now moved to the forefront with live performances and releases under the moniker “MMC” (aka Midnight Music Club). Craig’s timeless yet distinctly “old school” sound is reminiscent of early Chicago and Detroit pioneers, with a blend of deep house, techno and electro that is uniquely his own. 2017 saw the vinyl release of his first published work on Chicago’s “Descendants of the Deep” label. In 2018 he is honored with a forthcoming solo EP on Headphoniq, another highly regarded Chicago publisher where he is label mates with some of the most respected producers in underground dance music history.

Mike Parker’s experimental and ritualistic approach sets him apart from the rest and in a time of over-saturation he is still one of those few artists whose sound you can spot in a heartbeat. For 20 plus years, he has perfected a unique interpretation of techno, instantly recognisable to contemporary audiences, which has earned him a legendary global status inspiring the likes of Donato Dozzy and many of his peers for decades now. Mike first stepped onto the scene in ‘97 with two fiery EP’s that would set the tone for his future musical endeavours. The following year would see the birth of his label Geophone which became the outlet for his long-running series of 12” records and debut album which all played a pivotal role in establishing his sonic persona. Hard work doesn’t go unnoticed and after earning his stripes in the US Parker’s productions would cross the Atlantic and find themselves on some of Europe’s most established labels. Over the past ten years, the likes of Tresor, Semantica and Spazio Disponibile have all played host to a number of his EP’s while his second studio album found a home with the mighty Prologue back in 2013 to much acclaim. In 2019 he will relight the fire with his Geophone imprint and continue to leave his mark on techno by doing so. As a DJ, Parker rose through the mid-1990s as a mainstay in the US’s emerging warehouse party scene. His hypnotic, abstract and hard-hitting approach to performing earned him a highly respected reputation and further increased his devoted following. His wealth of experience in the booth has been acquired with regular performances across North America, Europe and Asia making Parker a well-seasoned underground veteran. From his humble beginnings to the present-day Mike Parker has amassed an impressive list of credentials paving his own lane with a unique style that breathes innovation yet honours the true values of techno. And after 20 years in the game, Mike is still a dominant figure that continues to carve his own niche in the ever-expanding world of electronic music.

Bill's move to Chicago in 1988 was crucial in the development of his DJ & Production career. Growing up in Miami, he had been involved in various parts of the music industry, from working at Flamingo Record Pool (run by Bill Kelly of WMC Fame), to playing guitar for the band "Life In Sodom" (80’s Synth/Goth Band). His interest in both House & Industrial music inspired him to make his move to the Windy City, and as far as timing, it couldn't have been any better. Bill quickly became involved in the night scene with residency at clubs like Shelter Nightclub, Crobar, & Smart Bar. Bill is a key figure in Chicago’s second wave of House & Techno producers. He’s considered an big influence by Dj's like Black Madonna, Kink, Axel Boman, & Matrixxman. His styles vary from current Detroit Techno & Chicago Acid, to rare House & Italo Disco tracks. Currently he frequents clubs like Panorama Bar in Berlin, and holds a weekly residency, as well as a monthly in Miami.

Real Girl is the moniker of Midwest-born and raised DJ and multi-media artist Josie Simon. Real Girl started DJ'ing at college in Ohio when the song-selectors that spun at the parties on campus all started to graduate, leaving a void that she felt compelled to fill. While house basements were Real Girl's preferred venue at the time, her DJ sets have been seen at above-ground college venues such as the Oberlin ‘Sco for events such as Queer Beers, at Oberlin music festival Pretty Fest (started by Sarah Snider ‘17) in 2018 and 2019, opening for Oberlin’s Solarity event in May of 2019, and as the mix-master for Oberlin’s slam poetry group OSLAM’s Grand Slam in Spring 2019. Her selections could also be heard for a semester in 2019 on 91.5 FM WOBC, Oberlin’s own college and community radio station, for her early Friday morning radio show TRANSMISSION. In the brief months between when she graduated and when the pandemic hit, her selections could be heard at DJ Lemz's DC party Sleaze, Slamdunkapher's Minneapolis party Purr, and the Janelovesu! single release party at New York's H0l0 Bar. She now runs a radio show on Verge.fm called Beat Conduit where you can hear a new Real Girl mix every first Friday of the month.

Kajunga Records co-founder. Clave House co-conspirator. Minneapolis DJ & Producer Based out of Minneapolis, Ryote is an ever-evolving, genre bending selector and producer exploring the infinite haze of underground dance music. Defined by his imaginative and industrious attitude, he’s a founding member of the Kajunga imprint and co-conspirator with Detroit's Clave House. Featured on labels Always Human Tapes, Abstrakt Xpressions and Kajunga, Ryote’s releases thus far have fallen in realms of spaced-out techno, experimental ambient and leftfield house. As versatility is one of his priorities as a DJ, his sets expand anywhere from early morning atmospheres, psychedelic downtempo grooves to squiggly, party driving electro.

Live PA, Producer, DJ 1/2 of Otra Dek Amphiboly Records Equalizer Detroit Sard is a Live PA artist, DJ and promoter living in Chicago. His searing live hardware sets effortlessly blend Detroit techno, acid, and Persian rhythms to create dance music that is familiar but unmistakably new. 5 years spent in Detroit shaped Sard's sound and interest in event direction, co-founding the hypnotic techno-focused Amphiboly Records and throwing the late night A/V party series "Equalizer". Sard continues to promote in Chicago, with new series "Bent". Quickly becoming a mainstay in the North American techno world, Sard has his sights set on continuing to release with his favorite labels, and focusing on live set performance as his main public outlet.

』Body riddles for weird moods『 The mysterious tildetilde's unique and alien ferocity has been distilled into audio format, a powerful and hypnotic force transmitted from the fairy warpzone. With an unparalleled ear, her style mixes rich techno breaks with enchanting synths and syncopated sequences. Otherworldly and unabashedly full of curiosity, ~~ must be experienced to fully understand.

̸BIOGRAPHY Wata Igarashi has developed a clear sound of his own. He brings together the euphoric and psychedelic, with his music standing out for its crystalline structures and shimmering intensity. Igarashi’s distinctive take on techno is on display across a series of EPs on Midgar and The Bunker NY, as well as on Semantica, Time to Express, and Bitta. Recent standout remixes of Aurora Halal, Volte-Face and Prins Thomas have further demonstrated his considerable talents as a producer. The same mentality is present in his performances, whether DJing or playing live, with his measured control of frequencies and intensities shaping the dancefloor as he explores the more psychedelic dimensions of techno. In this way, Igarashi’s considered approach is one that stimulates the body and mind, generating energy and emotion. Wata Igarashiは独自のサウンドを確立したアーティストだ。緻密なサウンドデザインや構成力を持ち、陶酔感とサイケデリックさを融合させたIgarashi特有のテクノは、MidgarやThe Bunker NYの一連のEPやSemantica、Time to Express、 Bittaのリリースで聴く事ができる。また彼のプロデューサーとしての才能は、近年のAurora Halal、Volte-Face、 Prins Thomasの傑出したリミックス・ワークでも顕著に表れている。彼はDJやライブといったパフォーマンスにおいても、制作と同じ精神性を持っていて、緻密な音響とエネルギーのコントロールでテクノのさらなるサイケデリックな次元を探求し、ダンスフロアを陶酔へと導く。Igarashiのアプローチは身体と心の両方を刺激し、強いエネルギーと感情を生み出す。 ̸ SELECTED DISCOGRAPHY 2016 Stealth 2/3: Night [Time to Express] NNN08: Death Orange [Semantica] Ciphers EP [Midgar] Haziest Just Before The Dawn [Bitta] Semantica10. IV [Semantica] 2015 Pulse Width (Wata Igarashi Remix) - Ruhig [Midgar] 2014 Junctions EP [Midgar] Acid Bubblebath (Wata Igarashi Remix) - SERi [Acidworx] 2013 Mariana Wax 000 [Mariana Wax] Paranoid EP [Counter Pulse] Rotating Field EP [Sienna Obscure] 2012 Carp (Wata Igarashi Remix)/ Jin Hiyama [Gynoid Audio] 2011 Middle Eye Black EP [Statra Recordings] As It Is EP [Gynoid Audio]