Jesse Chen is a fast rising talentuous Taiwanese Techno Dj. In the last years, he co- created P.A.B.P (Pleasure Always Bring Pain) with Sebastian Wu. Jesse is one of those who bring some freedom queerness, diversity and inclusivity in Taipei. Jesse play a tastefull techno without concession and promptly is talent was recognize and was on the spectrum formosa line up.

A regular inside the DJ booth of Pawnshop, Taipei - Gemnital used to live in Berlin and study to be a sound artist. Gemnital, who grew up inthe 90s, embarked on a musical journey ranging fromHip-Hop and R&B to rock, jazz, experimental music,exploring the realms of psychedelic, funk, and disco. As time went on, he delved deeper into various genres but eventually circled back to Mandarin golden melodies. During his studies in Leipzig, Germany, he found himself immersed in underground warehouse parties held in ruins and forests. Later in Berlin, he discovered his true self in a multitude of clubs and queer parties, mastering the art of creating and maintaining energy and ambiance within different spaces. Now back in Taipei, he is a regular DJ at Pawnshop and a regular member of the popular queer party "Hakone Hotspring" and "Homepleasure". On the dance floor, he aims to play without boundaries, seamlessly blending familiar and unfamiliar tracks picked from his diverse musical experiences, creating an atmosphere of pure dancefloor bliss. Recently, he has been exploring the intersection of Techno and House, seeking speed and exhilaration from genres like Hardgroove, and strives to craft sets that take the listeners on a captivating journey with well-defined peaks and transitions. Beyond his DJ persona, Gemnital is deeply involved in sound research and the field of sound art. He is a university lecturer and critic in the realm of sound art, and his personal sound walks and installation works have been showcased at art festivals such as Berlin's 48 Stunden Neukölln.

Discovering a passion for music from an early age whilst working in a jazz and classical music store in Taipei and collaborating on the LVI exhibition organised to raise awareness of vinyl alongside Jing's studies in graphic printing. In order to pursue her curiosity of music Jing realised she would have to leave her homeland and relocate to Europe. Following her life's natural path Jing cemented foundations through encounters along the way, shortly after arriving in Berlin Jing formed an electronic dream pop band "Polygothica" with close friend Dilijana

Al Burro (London) first got interested in electronica back in 1994 when he first heard Jeff Mills’ Transmission 1. Drawn to the futuristic soundscape, he and a friend bought their first set of belt-driven decks back in 1995 and this began a longstanding affair with techno. After annoying the neighbours for a couple of years, they decided to branch out and start annoying people at private parties and smaller venues, and annoy them they did. But, with practice and time came a more well-rounded sound; after which, he took a 5-year sabbatical from DJing and took his turn on the dance floors around the world. Al Burro is equally at home in industrial warehouses as in ambient pastures. He is a firm believer in variations on a common theme: It's about the mood not the genre. He has held residencies at Korner in Taipei and Delta in Hong Kong. Al Burro (London) first got interested in electronica back in 1994 when he first heard Jeff Mills’ Transmission 1. Drawn to the futuristic soundscape, he and a friend bought their first set of belt-driven decks back in 1995 and this began a longstanding affair with techno. After annoying the neighbours for a couple of years, they decided to branch out and start annoying people at private parties and smaller venues, and annoy them they did. But, with practice and time came a more well-rounded sound; after which, he took a 5-year sabbatical from DJing and took his turn on the dance floors around the world. When next Al stopped travelling long enough to make owning musical equipment logistically possible, Al discovered a more mature sound. The Detroit Soul and Motown roots remained, but added to this was a drive for a more worldly sound and an appreciation of other forms of music including jazz, hip hop, swing, house and too many more to mention. Al cites as some of his influences: Gilles Peterson, Ninja Tunes, Mr Scruff, DJ Food, Jurassic 5, Radiohead, Jeff Mills, Dave Clarke, Derrick May, UR and the list goes on.

Boris musical roots reach back to the mid 80s, when he lived in New York for four years where he absorbed the unique spirit of the seminal club Paradise Garage weekend after weekend. From the Club’s mentor Larry Levan Boris learned to believe in his musical intuition as well as a broad musical spectrum, which nowadays ranges from Disco, Hi-NRG, Post-Punk and (Kraut-) Rock to House and Techno, all of which Boris loves to throw into one set. „Music was most important for Levan. He was uncompromising and he knew how to convey it. That’s what I’m trying to achieve, too, when I’m djing.“

Taipei-Based Techno & House DJ.

DJ, activist, and party-doer ketia is one of the most active upcoming DJs on the Lisbon scene. ketia has a newfound sense of belonging behind decks and feels very grounded in the underground happenings of lisbon a keen ear for new and exciting music, alongside a curious, invested approach to community-building within the Lisbon club scene; insists on mixing as many genres as possible with a promise of bangers only started as coat-check girl at queer rave mina where she debuted and rose to resident and tech bitch. Founder and co-organizer of trans-focused collective Kit Ket - a subversive crossover between a rave and a house party in a non-consistent sonic narrative. A crystal clear mission of bringing honesty to the table as a gateway to bliss on raving.

Molly Lin presents herself as MixyMÖ, a great opportunity to show Molly's endless creativity in several electronic music genres, such as "Future House", "Deep House", "Future Pop", "UK Garage" and “DnB”. She is also a fantastic “Top Liner” / “Lyricist”! She is good at adding catchy “hooks” and “top lines(melody)” into different electronic music genres. Her songwriting ability makes her dj sets full of energy and groovy, people also sing alone and lose themselves with the music Molly plays. Not only behind-the-scenes, she has been in bands over 15 years, her experience of live shows make her be able to lead the dance floor and create her own unique dj sets - she plays synths/drum machines for her dj sets.

̸BIOGRAPHY The gayest band since The Village People. Based in Sydney Australia, they make music and parties. Coming to a Pride float near you soon. Stereogamous are the musical equivalent of Mardi Gras that runs all year. Paul Mac and Jonny Seymour have remixed or collaborated with Kylie, George Michael, Hard Ton, Jake Shears, Sia, Sam Sparro, LCD Soundsystem, Light Asylum, Beni, The Presets and loads more. Don't hate though. They are actually lovely lads who are more into dancing and staying up late than being sceneious. They have original tracks featuring collaboration with Shaun J Wright (Classic Record Co / Chicago) turning people out all over They have played in backroom dance floors all over the planet (Pannorama Bar, Razzmatazz Barcelona, Horse Meat Disco London, Trough Melbourne) mega festivals (Lovebox, the Big Day Out, Burning Man, Glastonbury) soundtracked fashion parades (NYC, Paris, Sydney fashion weeks) and also represented at Gay Pride events all around the homo circuit (Folsom Street Fair San Francisco, Sydney Mardi Gras, Madrid Pride) They refuse to play weddings downunder, until its equal, gworl! http://www.soundcloud.com/stereogamous http://www.twitter.com/stereogamous ̸SELECTED DISCOGRAPHY STEREOGAMOUS feat Shaun J Wright "Sweat" STEREOGAMOUS feat Shaun J Wright "Face Love Anew" STEREOGAMOUS "Theatre Background" remixes: SHAUN & ALINKA "Journey Into The Deep" BENI feat SAM SPARRO "Your Body" SAM SPARRO "I Wish I Never Met You" KYLIE MINOGUE "Cupid Boy" LIGHT ASYLUM "A Certain Person" LCD SOUNDSYSTEM "I Can Change" SUSPECT "in ur face" B(IF)TEK "Machines Work" KHAN "Ride Me" MANDY WARHOL "I'm Gay" MEN "Credit Card Babies" MY ROBOT FRIEND "Jerbear" GEORGE MICHEAL "I Want Your Sex" SNAX "No Dancing" THE PRESETS "Kitty in the Middle" THE SCARE "Could be Bad" WE HAVE BAND "You Came Out" WOLFMOTHER "Dimension"

Teng has been playing music across a multitude of dance scenes originating in Australia across to Singapore and Hong Kong where he is now based. Teng began his journey in the rave scene of 90's Sydney Australia. Since then his love for music has driven him to explore various influences whilst helping to craft his unique style. Based in Hong Kong, Teng contributes to its thriving music scene having playing at 宀 Club, Acadana, Oma, Social Room, Salon 10, and Soho House. He has also been seen on lineups for party crews and festivals, including Shi Fu Miz, Pitch, Rezonate, Y2K and Madame. With a deep understanding of crowd dynamics and an innate ability to adapt Teng continues to play a range of diverse sets across Hong Kong.

Abrasive EP Oroboros EP The Stranded Album

With roots from Taiwan and Japan, Yoshi Nori cut his teeth as a DJ in Chicago around 2003. Not only was he heavily influenced by raw Chicago house sound, combination of minimal side of neo-Detroit, and renaissance of early 2000 post-punk movement shaped as foundation for his ever unpredictable DJ sets. Starting 2020 Yoshi Nori has launched a brand new label "禁 Jin". This project aims to not only introduce Taipei's local talents but also connect with secret gems in Asia's fast-rising production field while providing an injection of colorful international producer juice that can morph the various local elements into an unpredictable futuristic 4/4 sound, in a way foreshadowing what Asia is moving towards.