Kiti is a Melbourne born and raised Dj and started djing in 2002. Dj Kiti is a diverse dj. Stemming from a long relationship with music; from a young music collector, in the school choir, orchestra and a keen club kid. Starting seminal club nights (ROXY, 7 years) and LOUD (Honkytonks 4 years) and djing along side techno/houses' finest dj's, bands & festivals of the moment, into prolific institutions all over Melbourne.

Kazuma Onishi is a Japanese DJ & Producer based in Melbourne, Australia. With a strong gravitational pull towards Techno, Kazuma has a diverse range and taste in music, often playing Minimal House, Deep House, Tech House. Using a unique and interesting style of mixing developed over years of playing different styles, including hip hop, R&B and Trance, Kazuma often finds unique and new ways of blending tracks and genres. As a producer he is able to incorporate loops and samples into his sets, drawing on his wide array of inspiration to create a multi layered groove and colorful journey. His music is often hypnotic, spacey and high energy with a driving sense of direction balanced with trance inducing melody. Kazuma has played at Australian festivals such as Strawberry Fields, Earthcore and underground parties in Melbourne at venues such as Seven night club, Bond bar, My Aeon, Brown Alley, New Guernica, One six one, Loop, Boney, Sub club, The bottom end, Ground floor and Shed 14.

Genki Tanaka plays “ Dance Music ” based on disco . He has filled dance floors with music from across the genres. Because he was born in Tokyo and because especially his hometown Shinjuku Kabuki-cho has many people, ethnicities, and cultures, that has hugely inspired his life and music . He has played many clubs and festivals in Tokyo since 2011. Sometimes he plays disco and other times techno , soul , rock ... His performances are characterized by consistently great music. Furthermore, he has organized parties that have been featured in international artists. He has been trying to perform in Melbourne / Australia since 2019.

Kaytseng, Taiwan-born, now based in Melbourne, whose gritty, dark take on electronic music has already garnered the attention of Melbourne engaging performance supporting Mama Snake in 2019, Reptant, Shedbug in 2020.

Naarm/ Melbourne based producer and deejay from the Waitakere Ranges, New Zealand. House/Techno/Breaks/Progressive. Everything in-between.

All things House . Garage, Soulful, Deep, Afro - Chicago influenced.

Atonal Structures is the end result of years of musical growth from the artist formerly known as Mittens. With a new vision for the music and culture that surrounds it, Atonal Structures is a dark view of the Techno Genre. You can expect to hear both hypnotic soundscapes and brutal drums in the tracks. Surmised in the artists favorite musical quote, "Now forget your sins and just dance. Tempted by the darkness."

The exciting wave of deep minimal house has set Melbourne’s Luca Bade on an esteemed path of musical production; alreadygarnering significant support from some of the biggest names in the genre - including Chris Stussy, DJOKO & PIV Records bossPrunk.Co-founding and releasing on his own personal record label - Dolphin Flips Records - with fellow rising star 'suki' was just the tipof the iceberg, as BADEO’s extensive involvement with esteemed Melbourne based collectives ‘Equinox Events’ and ‘:affinity’ hasseen him play an important part in the progression of the deep minimal scene throughout Melbourne.BADEOs production exploits have quickly began to appear on releases from notable labels not limited to Blind Vision Records,Rendr Records & Airtime records. At just 22 years old, BADEO is showing that his innate talents for production negate the needfor years of experience, as his tracks continue to rapidly ascend the charts...

A creative searching for his sound.

Cloudy Ku is a breathtaking catalyst in electronic music, gaining notoriety as one of Taipei's most respected DJs. With her eclectic live sets, she brings her sublime soundscapes to music festivals, raves, and underground bars throughout Asia and Australia. The Taiwanese-born electronic musician is well-known for her transcendent style. As a DJ, she fuses her vast love of techno, ambient, world-music, and electronic, into her unique IDM blend. Her daring live mixes and outstanding music knowledge have seen her billed on Taiwan's biggest festivals, including Organik Festival and FORMOZ Festival. In demand for her unique ability to craft a hazy party scene, Ku has supported the legendary likes of Red Bull Music Academy veteran Nina Kraviz, German techno producer John Osborn, Berlin's loop-master Rødhåd, gender-bending experimental artist Rrose, and Hotflush Recordings boss DJ Scuba. ~ SoundCloud

" I like to keep things groovy & deep "

Sydney-based DJ obsessed with techno, house and pasta.

Lucca Tan has emerged into one of Australia’s most well respected and highly demanded artists in the underground electronic music scene. The Melbourne born and bred Dj & Producer first began his journey nine years ago and has become successful in the industry through djing at various club nights and events & his latest realeses. After resigning from full time work, Lucca Tan dedicated his time to his craft, focusing purely on music and running events around the city. Playing at various different venues and supporting a vast range of international acts coming to Melbourne. Lucca is currently involved in the running of his own promotions company DMU that hosts a wide a range of events touring International artists through Melbourne as well as collaborating with various local talent.

Holding a strong appreciation for the sounds of Detroit techno, and Chicago’s golden house era, Marli reflects these styles in both her original productions and her DJ sets. With a history of formal music training, and years studying production, her original works have laid the foundation for her sets as a selector, frequently playing at local hotspots Dr Morse, Xe54, Section 8, Ferdydurke, and Revolver Upstairs. Thus far in her career, Marli has warmed up the decks for Detroit Swindle, Harvey Sutherland, Ben Pearce, Big Miz, Sally C, Ben Rau, and Folamour, exploring genres deep house, soul, and disco, in sets which maintain heavy syncopated rhythms, laden with rich soul samples, and a warm nostalgic vibe throughout.

Matt Radovich aka Mike Hunt has been a main player in Melbournes dj circuit for years. With over 25 years experience spinning all over Victoria and featuring at all major parties and clubs throughout Melbourne with is roster full with weekly residences at The Workshop, Captain Melville (formerly Miss Libertine), The Espy, House of Frank, Lucky Coq and The Penny Black....

Berlin-based, Melbourne DJ Merve is full of gurgly synths and boinging rhythms, touching on old-school techno and trance with a decidedly modern approach.

Slam is Stuart McMillan and Orde Meikle. Synonymous with Glasgow’s underground club scene and their sound-searching record label, Soma, the duo have garnered a reputation as international DJs, accomplished recording artists and respected collaborators.,Their schedule regularly takes them to clubs worldwide confirming their status as one of a handful of artists that truly shape their genre. Resident at Fabric, London and Pressure, Glasgow, they are about to undergo their 8th annual Slam tent at Scotland’s T in the Park festival (15 000 capacity).,YEAR ZERO,Slam were nearing the end of their ‘Alien Radio’ tour when they shared an epiphany. Rather than feeling jaded after trekking around the world at a time when the media were reporting on the so-called ‘decline of dance music’ Slam were fired-up, focused and ready to start work on their third album. The duo had been searching through their record collections collating ideas for a radio one ‘Breezeblock’ guest show and re-discovered the music that had brought them together in the first place; Tom Tom Club, Funkadelic,Mantronix and urban labels like Celluloid and Sugarhill.,This music was Slam’s ‘year zero’, informing their salad days. “It usually takes us ages to make an album,” laughs Stuart McMillan, “but we knew what we wanted to do. When we first met we were listening to electro, funk and reggae. What was exciting about the early house scene was that it wasn’t just about one thing. We wanted to step back to go forward.” Orde Meikle agrees, “We were looking for a fresher feeling. What we used to play when we started Djing was niche-less, a very eclectic mix of music. We wanted to return to these influences but draw something fresh out of them.”,After the success of ‘Alien Radio’s collaborations with Dot Allison and Tyrone Palmer, whose soulful ‘Lifetimes’ Orde believes is their most requested track – Slam were confident that ‘Year Zero’ should be song based. “It is electronic music with vocals,” Stuart says of their formative influences and the ensuing tracks on the aptly titled album. Despite having a canon of masterful club tracks to their name (‘Positive Education’, ‘Virtuoso’ and ‘Step Back’ to name just three) Slam admit they are still exploring and experimenting. Working with vocalists, in particular, is relatively new territory. “We are used to working on our own,” Orde admits, “throw someone else into the melting pot and you’re never sure how it’s going to turn out.” Dot Allison and Tyrone Palmer return alongside Elbee Bad, Envoy and the legendary voices of Ann Saunderson and Billy Ray Martin. “It’s less club influenced,” reckons Orde, “the songs and music carry the album.”,To reflect the warped and weird electro funk on which they were raised the duo dug out older synths and analogue equipment to work their magic, which, on some tracks they felt was quite literal. On the exquisite, spooksome ‘Ghost Electric’ Orde believes that the machine wouldn’t leave a particular sound alone. “It kept going back to it, finding the right sounds of its own accord.”,With the machines on their side ‘Year Zero’ is Slam at their most accomplished. Stunning opener ‘This World’ channels prescient social comment through Tyrone’s soulful voice. "We’d been listening to Prince’s ‘Sign O’ The Times’, " Stuart admits, “and wanted to write something similar but relevant to now, though it’s not just about the war in Iraq.” Orde reflects that after “too many evenings in foreign hotel rooms watching News 24”, it was a song they felt had to be written. Joining Tyrone from the ‘Alien Radio’ sessions is fellow Glaswegian and Massive Attack vocalist Dot Allison whose unique voice graces ‘Kill The Pain’. “It’s a haunting song with a message about dependency” Orde explains.,‘Fast Lane’ is lyrically in a similar vein as Hope Grant (a.k.a Envoy) sings, with a delivery reminiscent of Prince, “Sometimes I feel like giving up/Sometimes I just can’t get enough.” The killer bassline apparently travelled with Stuart to Brazil and back before he could transfer it from his head to the studio.,‘Metropolitan Cosmopolitan’ is a timeless piece of electro (from a time before it received the trendy ‘clash’ suffix). Over FX-driven breaks Elbee Bad delivers a relentless rap about nocturnal animals. They had met the Berlin based New Yorker (the inspiration behind classic techno epic ‘Smokebelch II’) on tour and had hoped to record his charismatic speaking voice. “We weren’t sure what he was going to do when he came to our studio and he surprised us with a rap,” Stuart recalls. The electro theme continues on ‘Blow Your Mind’ a slow, salacious grind that conjures images of hot summers, beat boxes and ghetto kids finding the funk in Kraftwerk.,‘Bright Lights Fading’ is a sparkling, synthetic soul track as the peerless Billy Ray Martin sings about a fading star on one of the album’s highlights. “Pick me up off the floor put me in your show tonight. I’m designed to blow your mind if you just let me be myself.” It’s beautifully skewed.,‘Year Zero’ concludes with the aforementioned ‘Ghost Electric’ and ‘Human’ – a stomper for fans of their techno orientated DJ sets. “We wouldn’t be telling the true story of Slam if we didn’t cover all our loves,” says Orde of this jackin’ beast. Elsewhere ‘Known Pleasures’ is so-called because Stuart reckons it is “the archetypal Slam track. It’s one for the clubs and continues our love affair with strings.” ‘Lie To Me’ – featuring Ann Saunderson – will also appeal to fans of Slam’s rolling bass and use of emotive strings. It’s a beautiful, twisted love song. Penned with the Inner City chanteuse, it will be the single before the album release.,“We always try and make records that sound like classics, those are the records we love,” Orde sums up. On ‘Year Zero’ they have made the album they always threatened to make; an album of fully realised songs and future classics.,Slam will be touring with their live ‘Year Zero’ show this summer including a showcase performance at their own 15000 capacity ‘Slam Tent’ at ‘In The Park’.

SPEZ (Sh-pez) is the alias of self taught disc jockey, Marko Šperac. Marko found his passion for underground music at an early age and developed a large appreciation for the techno sound. His first club gig was back in 2015 and there’s been no looking back since.

Melbourne DJ and local deep water shark.

With deep seeded roots in the electronic dance community and an old school raver at heart, being involved in Melbourne’s underground dance scene since the late 90’s is a dj named Tahl. Tahl has been a stalwart in the Melbourne scene playing at all the big name clubs, parties and festivals alike. He started by handing out flyers at Future Entertainment parties, then moved on to helping run some of Melbourne’s most recognised underground parties, Fractured, Bamboozled, Mixed Messages. Famed for his cracking sets that leave DJ & punter jaws not being stroked, but dropping. Tahl has some serious technical ability that glides seamlessly through a stylised blend of Tech House, Breaks, Electro with a splash of hip hop to top it off.